#animals georg arc

[minecraftrelatedrandomness]

pirates smp headcanons based on recent events:

p!acho was the one to steer p!scott's boat on oct 12 lore stream because star just knew things. like how the steering wheel requires a certain semi-obscure technique or grip to steer it properly (their parents taught them that). or where the snacks are kept on the boat.

p!martyn (and r!martyn by extension) is able to understand any relevant language he comes across while travelling through the datastream. kind of like a universal translator perk but only in fictional worlds.

the factioning invitations from the "representatives" take the form of acceptance letters

p!scott has fallen asleep in the croco cave more than once. several of the other pirates are concerned™️

the faction isles have a mosquito problem

[abybweisse]

Look closer at the key visual

This must be the statue of St. George:

Weston arc, let's gooooo!

[unblinded-by-nostalgia-blog]

In a nutshell, it's George Orwell's Animal Farm, except change communism to objectivism and make the book crap!

The Story

Going in, you think this series is going to be fantastic. It sets up a world with masterful detail and you can't put it down, but by the time you've finished the first book and are halfway through the second novel, you realise that this was nothing but wasted potential.

The school the siblings are in are separated into two different classes, the blooms and the weeds. The siblings are in separate classes and the brother (the weed) manages to get on the student council.

Now with that setup, you would think in this arc, he would make the school equal, then make the school less equal throughout the series length. But no, instead we get a yes man who goes along with the discrimination of students to the point where the novel paints the revolutionists who want equal rights between blooms and weeds are described to be nothing but terrorists.

This setup could of worked if the protagonists were painted as villains, but no. The novel goes as far as saying that torturing the people who want equal rights is okay and make it out as the heroes defeating the villains.

The Characters

By this logic, you would think that these characters were the most despicable characters ever penned! But no, they are so one note and forgettable, I couldn't remember who was who during the entirety of these two novels.

The only character I do kind of remember is the sister, but that is only because she wants to fuck her BIOLOGICAL brother! And the novel doesn't go into the amount of detail that these sort of themes go, making you see the sibling's troubles while trying to make their forbidden relationship work. But the novel even fails at doing that! It doesn't even show the struggle of social norms or anything, making the entire incest subplot gimmicky and pointless!

The Illustrations

The illustrations look really good, except that they look like they have been stretched to the point where everyone looks blobby with the oversized character black lines and blurriness that I have never seen in a light novel. It makes the novel look like it was released last minute...

Final Thoughts

Overall, this light novel series showed so much potential, but it threw it all away with a weak plot, characters with no personality and illustrations that look like they have been stretched.

Yen Press didn't even bother to officially announce the licence of this series or the manga spinoff, and the first light novel was delayed by a few months for unknown reasons.

I actually looked forward to reading this, but when I finally read it, it was nothing but a waste of time...

The Story 2/5 The Characters 1/5 The Illustrations 2.5/5

Overall 2/5

[ch4liz4rd-jpeg]

i wanna speak to the void abt gwens universe's colour symbolism and how it links to trans identity so here it is, feel free to read

the colours used in gwens universe - primarily in interactions with her dad are pinkish and bluish tones. the animators used pink as a way to show honesty, candidness and openness expressed, whilst the blue served to show isolation and dishonesty. ill discuss why i think so below

in the scene where gwen returns home after quitting the band, gwen is coloured in blue tones.

shes hiding her identity as spiderwoman from her dad and isolating herself in her room.

her dad tries to open up and talk to her about the case, hence the warm/orangey tones. but gwen remains blue, shutting him out. but when they hug, gwen is more purplish, showing a hint of her opening up.

the other scene i think is especially significant with her colour symbolism is the confrontation after the guggenheim sequence.

when gwen comes out as spiderwoman, the colours start to shift.

gwen is now candid, shes come out to her dad and is trying to make him listen and understand her. but just like gwens blues became pinks, george's pinks shift to blue.

the last image in this set is actually so chilling, the fear in his eyes hurt me deeply 💀 anyway

george hides behind his cop persona, avoiding and isolating from gwens confession to him, which is supported by the colour used to portray him.

all of this builds to what i think theyre trying to say about gwen being transgender. the typical gender to colour association is pink girl and blue boy. the choice of colour is deliberate here as much as it usually is with the spiderverse team. why use these two colours in this specific way? a lot of people who dont think gwen is a trans girl will say "well those two colours dont have to represent trans identity" they dont, but the details say that the spiderverse team (once again) is intentionally using them to talk about trans identity and coming out.

i think that by putting the "protect trans kids" poster in gwens room, and the trans flag patch on officer stacy's jacket show that theyre not just randomly picking the colours, but that they made the conscious choice for the boy associated colour - blue - to show hiding and isolation. whilst pink is about honesty and openness whilst being the girl associated colour. i think that the use of these colours in this way is saying that gwen is a trans woman.

and if ur still not convinced well

i havent even talked about the DIALOGUE in this movie and how trans it is. her arc (and miles' arc) across the two movies is such a queer coded story. "can i tell my dad, will he approve of me? will he still love me the same?" like it couldnt be more obvious. someone also mentioned somewhere that the side shave is also significant? like when she has the long hair facing toward the viewers its the same as the pink being used to show honesty and linked to femininity, and the short side almost like a masc haircut and being of the opposite meaning when its facing the audience. idk abt that one but its an interesting thought! that as well as her like having the same shoe size as hobie even tho that man is so fucking tall - yk this cuz her chucks are stated to be his.

anyways if u got that far, thanks???

and if u still deny that gwen is trans then idk what to say, u prob hate trans ppl

gwen is trans, they dont need to explicitly say it inorder for it to be true, just bc they didnt say gwen is trans, or miles is somehow queer, or hobie is gender non conformist, doesnt mean theyre cishet.

[stormcloudrising]

if d&d knew about jonsa why did they change it? martin said the ending is gonna be the same with more additions which is obvious bc the show cut some of the characters

Why did they marry Sansa to Ramsay, which won’t happen in the books? Why did they write Dany as not having feelings for Daario and leaving him in Essos without a backward glance, which won’t happen in the books, since she chooses him at the end of her last ADWD chapter.

Why did they write the Dornish story in a way that won’t happen in the books…especially the Sand Snakes? Why was Bran the only Stark child that was given the power to warg his direwolf and other animals? Why were the final two seasons and everyone’s individual story sacrificed to Dany’s arc, which won’t be the case in the books? Why was Bran the only greenseer on the show? Why did they make Cersei the ruling queen when Dany attacks, which won’t’ be the case in the book.

I could go on and on, but you get my point. It wasn’t just the Jon and Sansa story that D&D dropped or changed. They changed a lot of storylines, and in the end, they did what George didn’t want and why he chose them over other writers who came to him proposals to adapt the books. They centered the back half of the story around one main character…Dany.

Part of the reason is because unfortunately, George didn’t finish the books in time for a proper adaptation. But another part I think is while D&D are great at adapting completed material as we saw with the first 5 seasons, they are not good at writing complex characterizations or plots on their own.

And so, once it became obvious that George was not going to complete the books on time, they simplified the hell out of the remaining story…including Jon and Sansa because that’s probably going to be the most complicated of the remaining stories to write…even with George handling it.

Truthfully, knowing D&D’s skill set, I don’t think that there is anyway they could have done it without having the printed word from George to adapt. This is because IMO, it’s not just the familial relationship that George will have to deal with but Jon and Sansa’s hidden connection to not just the current magical storyline but the one from the ancient past as well. So, in a way, I’m glad they didn’t attempt to write it on their own.

However, they did drop a lot of hints and if we ever get TWOW from George, I think fans will look back on the show and say, oh, that’s why D&D wrote them like that.

ETA: I haven’t yet watched 3 Body Problem on Netflix, but from what I’ve heard, D&D seems to have done a good job adapting it, which proves my point. They are working with a finished story. Yes, another complex story, but one that is at least completed and so most of the heavy lifting in terms of plotting has already been done for them.

[lucenare]

A letter to the Fable SMP

I'm going to pour my heart out into this post. So sit down, take a breath, and get ready for a walk through all the ways my life has been impacted. This is pretty heavy.

Warnings: discussions of bullying, death of people and animals

If you don't know me; Hi, my name is Rin Silas. You know me better as tumblr user Lucenare.

This starts before Fable began, with a buildup to me losing my love of cosplay, and what brought that back.

When I was in high school, I was a horror SFX cosplayer. I was going to cons all the time, finding my niche in the local cosplay community. Some of my friends came to be professional cosplayers. I did not. When I got diagnosed with POTS, cosplay became hard for me. I wasn't sure how to do it. I stopped being active. My self image plummetted. And one of my "friends" turned out to be an awful person. A professional cosplayer, who was a bully and made that self image worse. I couldn't go to certain cons for years because of her. She would bully people until they left if she saw them-- and she was so popular in the community. It crushed me, to see her rise in the community. It stripped the joy out of cosplay. I didn't *want* to be in this space, and it soured the craft.

I wanted to get back into it, but I was unsure of how. I started working on clothes again, making my outfit for senior prom. At my highest point mentally in all of high school, finally being creative in a way that made me feel good again, with a clear path for college; the world shut down. With all that free time, and multiple generations worth of fabric hordes, I started sewing again. My grandmother got me a graduation present- a heavy duty sewing machine all to myself. No more borrowing my moms. I sewed so many plushies durring that time- but I still wasnt making cosplays again.

And then the DreamSMP happened.

And then I signed up for Tiktok.

And suddenly, I had all of these tiktok cosplayers cosplaying minecraft cubitos all over my feed. No fear, just fun. All different body types- going crazy with it, not being "canon accurate"-- two things my "friend" had strongly ridiculed me for. And it was great. It felt so good, from my heavily sterilized cosplay scene, to see so much freedom and love put into it. I was too scared to cosplay again, but I saw a love put into it that I hadn't seen since I went to BLERD, a smaller local con geared towards minorities. All of these cosplayers- whos names we all know, as so many of them were part of Fable- let me see the love in something that had been taken from me again. And years later, I love cosplaying again. Without this, i don't know if I would have started cosplaying again.

And then those cosplayers started to cosplay their own characters- and they were all *connected*. It was such a pure form of enjoyment- watching people love what they had made enough to cosplay from it. And then I found myself tuning in to Sherbert's streams, mid corruption arc.

And that's how it started. My love for Fable. The impact it had on me- the vessel for healing my relationship with cosplay. I also healed my relationship with makeup in this time.

Throughout 2022, Fable was a source of fun, and something to look forward to. I loved it. It became a hyperfixation. I started cosplaying again, privately. I wanted to show my love for what was bringing me joy. As my grandmother who gifted me my sewing machine's health worsened, I met George witchcrafting in person for the first time, my work closed for remodel, and I became my grandmother's caretaker. Being woken up in the night to help her, until eventually I was sleeping at her house. Stay awake until 3 playing splatoon, wake up and watch whatever fable lore was happening to pass the time around caring for her.

By the end of this, I was waking up at 8 am and going to bed at 3 am, waking my mother up so I could get a couple hours of much needed sleep before doing it all again. Having to call my brother to watch her for a couple minutes at a time so I could go outside and cry. She was only on hospice for a week, that's how fast she got bad. She passed a week before Christmas, the night before my work re-opened. I was the only one awake.

Fable SMP became my escape from the grief and pain. The funeral was the day after my 21st birthday.

In Febuary 2023, I came home from my trip to visit my beloved GB for our anniversary, and my cat was sick. She passed a couple days later. Fable was once again my primary outlet. Being silly on tumblr was my primary outlet. I changed my url on my minecraft blog from craftsunemineku to lucenare. As more random cast members started following me, Ghosty started to mess with me in replies. I never let anyone know my twitch, though. I didn't want anyone to. I wanted to remain an Entity on tumblr.

Until Ghosty send me a meme, with an accidental spoiler of Allerion's mural in it. And that was too funny to pass up. The next time Ghosty was live, I subbed with prime, and hit him with the famed "oh tumblr user ghostyjpg we're really in it now" in my sub message.

I wouldn't be where I am today without that, truly. We were silly goofy, I got goofier on tumblr. I had been wanting to get back into streaming, as I had started to right before my grandmother's health had declined and had to stop almost immediately. I became a mod for Haunt, Ghosty's viewer smp.

In early July, I lost one of my guinea pigs. Jack's partner, Phineas. Phin was a birthday present I got when I turned 17. He was my emotional support for grief especially, and the world took him away when I needed him the most. A month later, the world took away my other cat, too. Three pets, and my grandmother.

Being Tumblr User Lucenare got me through the worst time of my life.

And then I started streaming again. And Ghosty grabbed me by the scruff of my neck and flung me. And because of that, I'm now a streamer, I've made so many friends. I changed my major-- the trajectory my life was on changed.

And here I am.

Without Fable, I would have never healed my relationship with cosplay the way I did. Without Fable, I would never have met the people I have. Without Fable, I wouldn't have started streaming again. Without Fable, I wouldn't have started Terramortis.

I hope that Terramortis can do for someone a fraction of what Fable did for me.

To Heyhay: thank you for being a creator I could look up to. For inspiring me to bring my crazy UV makeup into cosplay. Sorry Rae's Big Naturals ended up being a major bit on my streams, I dont know how that happened. Also thank you for the elytra tutorial on your youtube that is my Rock for texture pack things.

To Sherbert: thank you for helping heal my relationship with cosplay, even before you knew I existed. I will always appreciate that. Thank you for inspiring me to script out CMVs, showing your processes to the world, and inspiring me to change my major to one I actually enjoy.

To Ocie: Thank you for helping me get my dog back from Ethan and Eagle on EOD in season 4. Unbreakable bond of theres a rule written about us.

To Beck: my fellow old bay hater, thank you for joining my smp and all the silly conversations we've had. I cant wait to work with you more going forward.

To Connor: One day we need to make teas together on stream. You are a delight to know and never let anyone tell you otherwise. I can't wait to see where these bugs go.

To Ven: thank you for joining in on the occasional splaturday, even in chat. You are so brave for the costuming you're doing right now, I hope we can hang out more in the future and do cool things

And to Ghosty: Thank you, from the bottom of my heart, for everything. Without you, I don't know where I'd be. Thank you for playing splatoon with me, for the silly messages I get, for all the little spoilers, accidental or otherwise. Thank you for helping me through one of the worst years of my life, before you even knew me. I genuinely did not know if I was going to make it through 2023. I did, in no small part thanks to you. I made it through and I thrived and the foundation for it was so simple. A meme. Some jokes. An accidental spoiler.

It's funny how fast your life can change.

So, to the cast of Fable:

Thank you, from the bottom of my heart, for building this story and this community. This community that saved me, that guided me through the dark. That allowed me to meet my dear friends that I have now. I am meeting so many people at vidcon this year, so many friends that I didn't have a year ago are now some of my closest.

I can't wait to see what comes next, and I can't wait to create with some of you.

Thank you, so much, for everything.

[yamayuandadu]

Is Humbaba's appearance ever described in detail in any written sources? When looking online, I keep seeing artists depicting him in very specific ways (head covered in entrails, scaly skin, snake phallus...), but I'm having trouble finding the sources for those same specific details

This is something I've spent quite a lot of time investigating myself last year when I was working on his wiki article. The short answer is that not really, but we can piece something together from the available scraps - and it’s not really similar to the modern standard you're describing. You are definitely looking in the right places for Humbaba information if you found no trace of these traits - only one of them goes back directly to an actual source, and even then it’s less firm than it might seem at first glance. More under the cut. 

The textual sources are actually very lax when it comes to describing Humbaba’s appearance, What is emphasized are his supernatural powers and authority granted by the gods - Wer (they set this guy up like he’s the next arc villain in a shonen in the Old Babylonian version’s Sippar fragments) and Enlil or Enlil alone. There’s a decent chance he was viewed as largely human-like. Andrew R. George ( The Babylonian Gilgamesh epic: introduction, critical edition and cuneiform texts, p. 144) describes him as “essentially anthropomorphic” though speculates he might have been imagined as tree-like. Multiple considerations regarding Humbaba’s iconography can be found in the articles from Gilgamesch: Ikonographie eines Helden, especially in Lambert’s and Collon’s. Collon essentially just concludes that Humbaba was simply depicted as an unusually tall and/or broad but still largely human-like figure, Lambert notes similarities to the lahmu (so we’re still within the realm of burly hairy men, essentially). Piotr Michalowski (A Man Called Enmebaragesi, p. 205-206) argues that at least in the standalone narratives Humbaba was essentially a parody of various peripheral “barbarian” rulers. It is perhaps worth pointing out that while the etymology of Humbaba’s name is up for debate, it is clear that it was originally an ordinary personal name, and individuals bearing it appear in administrative texts from the Ur III period before Humbaba the literary character arose.

While myths and the epic itself are lax, plenty of information about Humbaba’s appearance can be found in other genres of texts. This evidence has been collected by George (same monograph as above, p. 146-147). His face was regarded as outlandish, with a bulbous nose and big eyes. There are references to diviners spotting Humbaba’s face while analyzing animal entrails. An artistic representation of this phenomenon is seemingly known from one exemplar, and is the source of “entrails-faced” Humbabas in modern work.

A unique sculpture from Neo-Babylonian Sippar seen above (you can view it from more sides here) is inscribed with a short formula starting with “If the coils of the colon resemble the head of Huwawa”, and has accordingly been described as the visual representation of this statement since the 1920s. Identification as Humbaba has been affirmed for example by Anthony Green in his 1997 article Myths in Mesopotamian Art (p. 137-138 + 150 for a confirmation of the museum number; published in Sumerian Gods and their Representations; you can find it online,it’s worth checking out since it also includes timeless classics like Wiggermann’s Transtigridian Snake Gods and Westenholz’s Nanaya, Lady of Mystery). I’m not actually aware of any parallels, but it’s a cool, striking visual and I personally don’t find its modern fame undeserved.

However, it needs to be stressed that it’s not standard. Humbaba’s face is also quite common in visual arts. In fact, it’s so common that Frans Wiggermann (Mesopotamian Protective Spirits: the ritual texts, p. 150) argues that the face came first, with the name perhaps representing a unique sound made by the creature while grinning or laughing (what is this, One Piece?) and only developed into a literary character later. These images served an apotropaic purpose guarding doors (examples have been discovered in situ), appear chiefly in Old Babylonian times, and show remarkably consistent traits, here are some I’ve assembled for the wiki article last year:

Scaly skin doesn’t show up anywhere as a trait of Humbaba’s, as far as I am aware. That’s Tishpak’s thing. However, it is perhaps worth noting that a type of lizard, ḫuwawītum, was named after Humbaba (George, p. 145). This was discussed briefly by Claus Wilcke a long time ago in Humbaba’s entry in the Reallexikon (p. 535); he pointed out the animal was compared to a gecko or what he identified as some variety of agamid. Not sure if anyone ever tried identifying it more precisely with any species of reptile which can be found in Iraq or Syria. Given Humbaba’s apparently outlandish looking eyes my first thought was a chameleon, honestly, but don’t quote me on that, plus note that it seems chameleons were called bargunna (or bargungunna).

As for the other reptilian matter, snake phallus is a part of Pazuzu's iconography (see his Reallexikon entry by Wiggermann, p. 377), not Humbaba's. As far as I can tell, the Humbaba plaque above is naked and shows no such characteristics. Many other possible depictions of Humbaba show him in some sort of kilt with no phallus of any sort in sight (see the numerous seals shown in Collon’s article mentioned above, for instance). I know the snake phallus claim was even on wikipedia at some point - long before my involvement - but it doesn’t come up in any publication about Humbaba I read from within the past 40 years.

[weeb-polls-with-pip]

Autistic Anime Boys Prelims - Propaganda Division - Group 1

Propaganda:

Rintarou -

"Has a special interest in science and will do anything to indulge in it. Has many strange mannerisms and will only drink his favorite drink."

Baki -

"Special interest in fighting and doesn't give a fuck about anything else except for his friends. Kidnaps fucking George Bush and asks him if he can put him in the biggest prison in America because he wants to fight people there. Literally goes to jail for his special interest. Autism."

Yoshi -

"look at him. he is Autism: The Character. The game deals with how he was ostracized for "weird" behavior and it got down his self esteem so bad that he calls himself trash and if you look at how he struggles to interact with others i.e. low social stamina (game's hit points are literally his psyche), struggle to control his emotions intense passion about subjects of interest etc etc he reads as immensely autistic and his arc of learning to love himself and find people who love him for who he is is so. very important to me <3 my dear favorite autistic scrimblo.

also look at him. his design is the trans flag colors. what's not to love here!! he likes bunnies!! he made those bunny ears himself, even. in 1BeatHeart, he made cat ears for his friend. i love his 1BeatHeart design also because in that game he's an Adult and STILL unabashedly himself, showing that he took those lessons from his childhood to heart! an autistic adult having some degree of pride in himself, being renowned even if he's still seen as odd, and being content and having friends. aurgh."

Steve -

"Uses his autism for evil! Is obsessed with vampires and wanting to become one but has so many compiling issues that he eventually becomes a key player in a supernatural war. Took it as a personal betrayal when his best friend had to become a vampire to save his life."

Yuuto -

"source: trust me bro."

Hatchi -

"Has a special interest in food and often lets it cloud his judgement. Is very bored of life at the beginning of the story but doesn't understand why. Does things others see as strange or reckless because he thinks it would be fun."

Keiichi -

"He is surrounded by people who speak in codes and euphemisms that he cannot understand based on social rules that he is not privy to."

Ayato -

"evil autism (/pos)"

Yuzuru -

"he is best boy!!!"

Amuro -

"Being a Newtype is just space autism to me. But also he sucks at falling in line in a structured environment, would rather work with machines than talk to people, and is only allowed as a child soldier because he's the bestest at big robots."

[kate-bridgerton]

@pscentral event 13: tropes || A Song of Ice and Fire by George R. R. Martin

Fairest of Them All: This tropes is played with in Cersei Lannister’s arc as she is given a prophecy as a child that though she will be queen, a young and more beautiful queen will cast her down. Regarded as the most beautiful woman in Westeros, she still fears that another younger woman will one day surpass her. Though she doesn’t believe that her daughter-in-law Margaery is more beautiful than her, Cersei targets and attempts to remove her as a threat, all the while ruining her own political position. Meanwhile, Cersei is also ignoring the hints of Daenerys Targaryen, a younger and more beautiful queen who is building military support and intends to overthrow the Lannister regime.

Knight in Shining Armor: The role of knight is both practical in a military sense, but it lends itself to being a ceremonial and PR role where the values of chivalry are idealized and often discarded when inconvenient. For Loras Tyrell, its a showy display for tourneys. Others are more villainous, such as Criston Cole, Gregore Clegane, and Jorah Mormont, who use the respectability of the role while displaying none of the values of it. The ideal of the heroic Knight in Shining Armor is played straight with characters like Dunk, Lyanna Stark, Aemon the Dragonknight, and Brienne of Tarth, who fight to protect others.

Animal Eye Spy: The Stark children are all skinchangers. Bran, Arya, and Jon are specifically shown warging into their respective direwolves and seeing through the eyes of their bond animals. Arya and Bran extend their abilities from their direwolves to other animals. While Arya skinchanges a cat she bonds with, Bran is actively being taught to see through the eyes of birds and secretly skinchanges into another human-being, Hodor.   

[batmannotes]

The Epic Saga Concludes with Part Three of the Highly Anticipated Trilogy!

Justice League: Crisis on Infinite Earths – Part Three   

Based on DC’s iconic comic book limited series ‘Crisis on Infinite Earths’ by Marv Wolfman and George Pérez, join DC Super Heroes from across the multiverse in the action-packed conclusion of the three-part DC animated film Justice League: Crisis on Infinite Earths – Part Three. The eagerly awaited film brings to a close the thrilling trilogy that marks the end to the Tomorrowverse story arc.

Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the all-new, action-packed DC animated film features some of DC’s most famous Super Heroes from multiple universes including Batman, Superman and Wonder Woman, who come together to stop an impending threat of doom and destruction. Justice League: Crisis on Infinite Earths – Part Three will be available to purchase exclusively on digital on July 16 and on 4K UHD in limited edition steelbook packaging and Blu-ray on July 23.

Fans of this superhero adventure will also be able to indulge in a range of bonus features including interviews with the filmmakers on how they created a comprehensive universe across seven films.

Justice League: Crisis on Infinite Earths – Part One and Justice League: Crisis on Infinite Earths – Part Two are currently available on Digital, 4K UHD and Blu-ray.

Justice League: Crisis on Infinite Earths – Part Three features returning popular voice cast members: Jensen Ackles (Supernatural, The Boys, The Winchesters) as Batman/Bruce Wayne, Emmy winner Darren Criss (The Assassination of Gianni Versace: American Crime Story, Glee) as Superman & Earth-2 Superman, Aldis Hodge (Straight Outta Compton, Black Adam) as Green Lantern/John Stewart, Meg Donnelly (Legion of Super-Heroes, High School Musical: The Musical: The Series,) as Supergirl & Harbinger, and Stana Katic (Castle, Absentia) as Wonder Woman & Superwoman, along with Corey Stoll (Ant-Man, Black Mass) as Lex Luthor.

The star-studded ensemble voice cast also includes Gideon Adlon as Batgirl, Ike Amadi as Martian Manhunter/J’Onn J’Onzz, Geoffrey Arend as Psycho Pirate/Charles Halstead, Troy Baker as The Joker & Spider Guild Lantern, Brian Bloom as Adam Strange & Sidewinder, Matt Bomer as The Flash, Ashly Burch as Nightshade & Queen Mera, Zach Callison as Earth-2 Robin & Robin/Damian Wayne, Kevin Conroy as Earth-12 Batman, Alexandra Daddario as Lois Lane, Brett Dalton as Bat Lash & Captain Atom, John Dimaggio as Lobo, Ato Essandoh as Mr. Terrific, Keith Ferguson as Doctor Fate & Two-Face, Will Friedle as Batman Beyond & Kamandi, Jennifer Hale as Hippolyta & Green Lantern Aya, Mark Hamill as Earth-12 The Joker, Jamie Gray Hyder as Hawkgirl & Young Diana, Erika Ishii as Doctor Light/Dr. Hoshi & Huntress, David Kaye as The Question & Cardonian Lantern, Matt Lanter as Blue Beetle, Liam McIntryre as Aquaman, Cynthia Kaye McWilliams as Dr. Beth Chapel & The Cheetah, Lou Diamond Phillips as The Spectre, Elysia Rotaru as Black Canary & Black Canary II, Matt Ryan as Constantine, Katee Sackhoff as Poison Ivy, Keesha Sharp as Vixen, Jimmi Simpson as Green Arrow, Jason Spisak as Blue Lantern Razer & Hayseed, Armen Taylor as The Flash/Jay Garrick, Gas Soldier & Executioner, and Dean Winters as Captain Storm.

Justice League Crisis on Infinite Earths – Part Three is produced by Jim Krieg and Kimberly S. Moreau and executive produced by Butch Lukic, Sam Register, and Michael Uslan. The film is directed by Jeff Wamester from a script by Jim Krieg. Casting and voice direction is by Wes Gleason. The film is based on characters from DC and the graphic novel “Crisis on Infinite Earths” by Marv Wolfman and George Pérez

Justice League Crisis on Infinite Earths – Part Three will be available on July 16 to purchase digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more. On July 23 the film will be available to purchase on 4K Ultra HD in limited edition steelbook packaging and Blu-ray Discs online and in-store at major retailers. Pre-order your copy now.

Additionally, the Justice League Crisis on Infinite Earths Trilogy will be available on July 16 to purchase digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more, and features an exclusive special feature - An Epic Challenge: Crisis in Comics and Animation.

SYNOPSIS:

Now fully revealed as the ultimate threat to existence, the ANTI-MONITOR wages an unrelenting attack on the surviving Earths that struggle for survival in a pocket universe. One-by-one, these worlds and all their inhabitants are vaporized! On the planets that remain, even time itself is shattered and heroes from the past join the Justice League and their rag-tag allies against the epitome of evil. But as they make their last stand, will the sacrifice of the superheroes be enough to save us all?​

SPECIAL FEATURES INCLUDE:

Justice League: Crisis on Infinite Earths – Part Three - Physical and Digital

A Multiverse of Inspiration

Jon and John: Stewart and Constantine

Justice League: Crisis on Infinite Earths Trilogy (Digital only)

An Epic Challenge: Crisis in Comics and Animation

Running Time: 98:06

Rated PG-13 for some violence and language.

*Digital version not available in Canada

Available exclusively on Digital on July 16

4K UHD in limited edition steelbook packaging and Blu-ray arriving on July 23

Justice League: Crisis on Infinite Earths Trilogy Also      

Available exclusively on Digital on July 16

Preorder at Amazon.

[bugcatcherkit]

What are your thoughts on Reigen I'm so curious now

Ohhh where do i start with Contradictions Georg himself.... Masking Andy... (clenches teeth) I have to make a list so I don't rant about one particular thing only.

the thing that hits hardest for me about his character is his Existentialism man. it's terribly relatable. Indeed, he is a Very Small Guy in a Very Big World and it's difficult to be Seen because of that. But also he's littered with Fear of Being Perceived and Understood. So he deals with his Existentialism by reaching for something (he doesn't know what) that'll make him somebody (he doesn't know who, just that it can't be his genuine self). MAN!!!!!!

Second thing that hits hard about his character is his unfiltered insecurities and self-loathing. Every time someone goes "We have to talk" he goes over every mistake or possible mistake he's ever made. He's the type of guy to search up the meaning of a word before he uses it, even if he's used it a 100 times before. Because what if he's wrong this one specific time?? Also his insecurities frequently make him act worse (sometimes on purpose, sometimes not) rather than better (as opposed to Mob most of the time) and i appreciate that so much.

I appreciate his Just Some Guyness over his babygirlness (not that they can't coexist i guess). Sorry guys. This is also why i think i prefer manga Reigen over anime Reigen. Like i can appreciate anime Reigen's maxed-out eccentricities and stuff, but overall I like the more Reservedness (?) that manga Reigen has. Personally it makes his groundedness, bad actions, and self-improvement hit a little harder. It goes well with his struggle to display his emotions in a loose and genuine way.

but despite this he's still silly. and frequently outlandishly embarrassing. and these are super important to his character also. Alongside his very genuine concern and care for the lives of others at any given moment.

He's always talking about his interpersonal relationships in terms of the Respect the other party holds for him. and then Separation Arc comes in with a steel chair that says "you have to give respect back to make a relationship Good and Fair and Genuine, idiot."

the only relationship this doesn't hold true to is with Dimple. Neither of them have any respect for each other really. And it's awesome.

i love how he is always just some Mediocre guy. He slowly self-improves certain aspects of his life but at the end of the day he's still paying Grown Man Serizawa 300 yen an hour (last time I checked). So.

Him being Mob's foil also means he has a lot in common with other Mob antagonists. But he has so many Mogamisms that it drives me up the wall. Sometimes he'll say a Mogamism and in my mind Mob looks at him with such a sudden intensity that he gets Scared

I frequently think of the scene where he is at the bar during Separation Arc and he realizes the bar people aren't his friends. And he says "I'm not good at this" and leaves. I don't have much to expand here but just know that when I think of how he experiences interpersonal relationships I think about this line. Because he's so good at a lot of things but Not This (Relationships overall. But also probably solving their problems in the moment).

not a fan of Dad or Uncle Reigen. To anyone really. Sorryyy. No hate to those who are though.

uhhhhhhh umm this has gotten so long. Sorry this is so unorganized i think i do better with more direct questions because i suck at staying on topic/being concise when i have free reign. There's so many aspects of his character that I didn't get to here that I also love. But its so hard to think of them all. I hope this gives you an idea though?

[minecraftrelatedrandomness]

pirates scott's current pet count, updated as of 9th oct 2023:

1 anteater

36 birds (details) + 1 yellow budgie (offhandedly hatched by owen on 9th sept) in the aviary, not inclusive of the 2 chat magpies

1 budgie, blue

3 capuchin monkeys (one currently untamed)

2 crocodiles

3 dogs

2 gorillas (one unnamed and left on quest island)

25 kangaroos (17 named), among whom 1 is deceased; there may be two more in the future to complete the alphabet

1 lobster, blue

4 raccoons

TOTAL: 79 pets (among which 78 are alive)… and counting…

[abybweisse]

Blood Work (p1), Elitism, transmutation, and religious fear

⚠️ long post ⚠️

So, I now have a copy of Blood Work: A Tale of Medicine and Murder in the Scientific Revolution, by Holly Tucker. It's a reference for Yana-san, as she mentioned it in her old tuna.be blog around the start of the blue arc.

I see in the list of important people a mention of the real Dr. Moreau, and there's a later chapter about chimeras... so I know I'll be talking about that some, over this series of posts.

It's important here, too, because when researchers were first attempting blood transfusions in the 17th century, people were terrified about receiving blood from animals, like sheep and cattle. They thought that animal blood would transmute humans into human-animal hybrids. Even in the 20th century, some white people were terrified of receiving blood from black people, because they thought the blood could effect the race of their future children or grandchildren. Nonsense, of course, but they didn't understand.

17th century blood transfusions were generally performed by taking blood from a lamb or a calf. The barbers/physicians/researchers had no clue about blood types. Jean-Baptiste Denis successfully transfused blood from a lamb into a teenage patient. Then he made several successful attempts at transfusing from a calf to a "madman". The guy later died, and Denis was blamed. Turns out some doctors who didn't want him to succeed had actually poisoned that second subject with arsenic.

It wasn't even a matter of those physicians wanting his experiments to fail while theirs worked; no, they simply didn't want blood transfusions to become a practice. They were afraid of transmutation from animal blood, and they were afraid of what animal-to-human blood transfusions would reveal about humanity -- that we are truly just animals, too. The trial against Denis ended research into blood transfusions for about 150 years.

Blood types were still unknown in the late 18th century, when a physician wanted to attempt to revive George Washington's largely exsanguinated corpse with a transfusion of lamb's blood. FYI, he died on a December 14th, just like Prince Albert. His family refused the offer only because they feared sullying his body with animal blood, and they insisted his body must be left untainted and wholly together for him to be properly received into heaven. Such was the continued lack of understanding. Yana-san might have given Undertaker the idea to use blood transfusions in conjunction with other techniques for the reanimating and revival process from the account of what that physician wanted to do to Washington.

When blood transfusion research was in full swing, in the 19th century, they were starting to piece together the idea of blood groups, but they still didn't quite know about things like universal whole blood donor and universal whole blood recipient. There was a strong elitist element to this, so they generally thought like could only be compatible with like. They also still saw non-human blood as inferior, even if it might be compatible. The best compatibility was expected between twins and then between close relatives.

I have a feeling that Yana-san has played around with this bias, which would explain why real Ciel is only receiving AB (Sirius) blood, Canopus B, Vega O, and Polaris A. All those people at Sphere Music Hall are led to believe they are being treated as equals, when they are in fact being split up into a caste system where some "stars" are of a higher magnitude than others. And, at times, Blavat Sky and others have made it clear they see some blood types as being less worthy than others. By extension, some people are treated as less worthy. Blavat seems to realize that Sirius can receive blood from other blood types, because he gives "leftovers" of Vega and Polaris blood to the Sirius renal patients. It's possible that real Ciel doesn't know he can have any type of whole blood, but I suspect he knows and simply doesn't think anything else is good enough for him.

I'd also like to mention Snake and Finny here, since we know Finny was injected with something to increase his strength and other traits. Then we see Snake with various attributes that are associated with snakes. In either case (or both) we could be dealing with transmutation. It's not realistic in our world, but it might very well be possible in theirs. Each of them might have been injected with chemical cocktails derived from other animals: Snake from snakes and Finny from perhaps a few completely different species.

We now know Snake wasn't born a snake and turned into a human, but there's nothing to say he wasn't born human and "adulterated" with snake traits. There's also the weird story the freak show attendant claims: human mother and snake father. Maybe not an actual snake as his father but more like his mother being injected with snake blood or something... and that producing a hybrid child. Again, not what we'd consider possible, but the Kuroverse plays by different rules.

One other aspect I want to touch on in this post: Othello's and Grelle's fears regarding the very nature of human souls and existence. This is a form of religious fear, not too different from what George Washington's family feared. His family feared he wouldn't be accepted into heaven, while these two reapers fear humans might no longer even need souls, and that heaven may no longer matter to them. What would that mean for the existence of reapers, when their supposed salvation requires them to keep collecting souls?

Well, I'll probably talk about bias and fear again, as well as these other issues, but I'll stop here... for now.

[the-cat-and-the-birdie]

Now, I'm on the fence about this.

On one hand - Duh, can very obviously tell. Especially with the way they waited until the last moment to show his face.

Of course they're going to make one of the villains stereotypically hot for the fanservice. Especially when The Spot is basically faceless and morally irredeemable (unsurprisingly that doesn't stop people)

And It's like - Cool. Understandable, thank you for giving him a fat ass. Love that for him.

BUT THEN I remember these are the same people that were calling him an animal and stuff in the script and I-

Like...

Making your character hot as fuck is one thing.

Making your character a 'sexy beast' is another.

You see where I'm going with this?

Like they didn't SAY they meant to write him as a sexy beast but like....

Y'all wrote him as a sexy beast, didn't you?

You wanted him to be both sexy AND vicious without realizing that would make him a sexy beast.

And I don't even think they.. know they did this??

I feel like they thought this was what people wanted - which, based on the sea of smut, kinda is - and in doing so they accidentally turned the knob up WAY WAY too much to point they 1) totally disconnected Miguel from his comic counterpart and 2) stumbled into some questionable race stereotypes.

And like.. I don't hate them for it. Because they seem so oblivious?????

They very clearly wanted him to be like an 'Edward Cullen' - buff, attractive, tortured, dangerous, a literal vampire -

But not understanding intersectionality, they didn't realize that applying that same archetype to a brown man reads WAY WAY differently.

Like, all I want to do is sit the writers down, show them a slideshow explaining what the hell 'Machismo' is to them, and then go

"iight now try not to do that shit again. The ass can stay but y'all have to tone down the animal shit. Like by a LOT. I'm going to need four scenes of him being humanized on my desk by Monday."

Reading that article and hearing them talk so enthusiastically about Miguel's ass and wanting to make him hot - while also calling him animalistic and designing him to be so - I literally do the Call of Duty meme like

'Mission Failed: You'll get em next time. 😐'

I swear it's like they fleshed out Miles, Gwen, Hobie, Jeff, and Rio and then realized the movie was coming out next week so they just forgot to finish Miguel's and Peter's and George's arcs. Like hello????? come back here??? Hello????????

It's like them VERY narrowly dancing on the trope of 'fatherless black boy is violent and repressed due to lack of guidance' when it comes to Miles-42 but just barely missing it enough for it to be okay but that's a story for another day isn't it

[donutwatches]

MHA 2.17 - Climax - part 3

This is my first watch of MHA, so no spoilers please.

This is me every single day of my life. Why do I relate to this anime Grandpa?

From Gran Dorito's perspective he looked away from Midoriya for one moment, and when he saw Midoriya again he was dragging a wanted criminal out of an alleyway with a rope.

Yeah, an apology is warranted here, but I hope Iida doesn't beat himself up too much over it. He made some understandable mistakes. I trust Iida to learn the right lessons from this experience.

If a villain injured my older brother to the point of permanently paralyzing him, I would hunt them down and make them regret it too. But I guess heroes in training have to hold themselves to a higher standard. Iida did not react like a hero, he reacted like a human, and I think that is a forgivable misstep.

What a sweetheart. Deku really embodied both 'hero' and 'human' qualities during this arc. He is moved by wanting to save people as a hero should, but also by the personal need to be there for his friends. What a precious green bean.

Blunt, but it made me laugh so hard. I feel like you need both types of support in your life, the kind of friend who will be soft with you, and the kind of friend who will tell you to pull it together and carry on.

OMG A BABY SNATCHER. UNHAND THE BABY YOU PTERODACTYL LOOKING REJECT.

OooOOoooOoh, Stain saved Deku? As much as I think Stain's ideology is whack, it is kind of a big deal for him to accept Deku as a worthy hero, isn't it?

The blood red moon, the glowing eyes, the majestic floating scarf, edgy arm bandages, and that crusty turtle-esque visage. The man certainly has an aesthetic (one that came out of a Spirit Halloween dumpster).

By murdering heroes that he arbitrarily decides he doesn't like. Better watch out hero society! Miss Staingina George is going to put you in his 'Burn Book' of loser heroes.

DID HE DIE?

Click here for episode 18

Click here for the masterlist

[tyrantisterror]

Recently I'd been rewatching the No Small Feat campaign and I started wondering something during the Menagerie Arc (my favourite arc of the campaign so far btw). You've been pretty transparent about this campaign's fairy tale motif, from general archetypes such as Leonie being a take on the Disobedient Girl to characters and plots taken wholesale and placed into Midgaheim like Sir George and Jack and the Beanstalk. Even the one other arc I couldn't name a particular fairy tale equivalent, the Heartless Witch, feels enough like a fairy tale plot to fit, but the Menagerie arc, aside from the significant presence of Sir George, seems like the odd one as a fantasy flavoured Jurassic Park homage. So is there some fairy tale inspiration to that arc I'm missing, or did you really just decide to diverge from the rest of the campaign's theme for that one arc as an excuse to introduce more of Midgaheim's various fantasy beasties (this is valid btw, it is as said above mt fave so far)?

Ok, I could bullshit that Jurasisc Park is, in its own way, a fairy tale - a rich king commands the finest wizards in the land to bring dragons back from the dead and place them in his menagerie, defying the gods with his hubris, only for them to prove unruly and destroy the kingdom in the process, leaving the king humbled and destitute by his hubris. It's a morality play about folly and hubris and not breaking the rules of the world as much as, say, the story of Grandfather Death - is bringing dinosaurs back that much different from using Death's shotglass to subvert the natural rhyme and rhythm of the cycle of life?

I could do that. I could claim that bullshit is true.

But the fact is that @dinosaurana pitched a character who wants to build a pokedex of 100 monsters, and I was figuring out how to make sure we encountered at least 100 monsters (with some to spare in case my players missed some of them). And I've always been enamored with the idea of a medieval take on Jurassic Park - of finding some obscure rich weirdo who's captured a bunch of dangerous, rare mythic animals, and all hell breaks loose. I tried it out in a couple of my earliest D&D campaigns, in fact, but was never quite satisfied - and I ultimately realized this campaign would be a good fit.

It may break the pattern of the fairy tale homages that the other arcs have, but it's not like any of them were particularly bound by fairy tales - the story of Kaboldt's manor turned out quite differently than Bluebeard, after all, and so on with the others. And, well, to go back to that bullshit above, while a Jurassic Park homage may not fit the theming of the allusions in this campaign, it does fit the overall theme and structure of fairy tales if you think hard about it.

Plus, I got to throw in a shit ton of monsters.