#andor is also really fucking good

[jumping-jackalope]

in Andor I really love how "luck" is portrayed. like, Cassian is one of the most wanted people in the galaxy after the Aldhani robbery but he is arrested and sentenced to a lifetime of slave labor in prison over "nothing". Keno leads thousands of people in rebellion from prison but himself can't escape alive because "i can't swim". Cassian is initially in trouble with the Empire not for any of his deliberate, planned law breaking but for accidentally killing a guard.

like the lower in class a person is, the more random the acts of violence are against them. it presents as "luck" but its a manifestation of the scope of the Empire's oppression.

[psychomusic]

so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.

if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.

THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.

one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.

also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.

the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.

yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)

(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)

AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.

that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)

[darkladylumiya]

My thoughts on Tales of the Empire

I'll start with my overall thoughts - the animation is really good, though at this point the contrast between more standard Clone Wars-style models and the more realistic ones who look like they could be from a video game is a bit jarring (though this could easily be a just me thing, I've not seen anyone else talk about this), the Barriss arc was way better than the Morgan Elsbeth one, which I doubt was a surprise to anyone, though I still have some issues with both. My big thing is that, compared to Tales of the Jedi, where we get little excerpts and character moments to fill out the characters and their progression through time, here Tales of the Empire is more or less our only source for info on these characters at this point in time. We know what happens with Dooku and Ahsoka in between their episodes - we have no clue what happened to Morgan to get her from Dathomir to running a planet for example, or how Barriss went from inquisitor to hermit healer (though this example is much less extreme).

Anyway, into the arcs proper. Get excited everyone, other force witch clans are back! Like the... checks notes Mountain clan. Not Singing Mountain. Just... Mountain. Cool, thanks Filoni. A decade later you finally make other Dathomiri clans canon, but you just shave a word off a name and now it's totally your own original idea, right? And don't worry, we'll have more totally original ideas from Filoni later, but first. Okay, the first episode is kinda like... a nothing episode. We end the episode with Morgan in the same position as she was halfway through, with a strange plot where Morgan immediately tries to seduce people to the Dark Side because... I don't know, she can? And again, we have no clue how she made it off planet. Dathomir doesn't exactly get a lot of space traffic, and apparently there are droid gunships still scouring the planet looking to kill literally any Nightsister left. Surely the first episode should have dealt with her getting off-planet? And not her sowing some dissent in a clan we've never met before and never see again? Some dissent which immediately ends and goes nowhere because most of them are now dead.

Anyway, next episode, she's in charge of a planet now because she has to be for The Mandalorian to still work - surely her getting to be in charge of a planet should have been an episode? Have the first one be her family getting killed and then her getting off-planet with some scavengers or pirates or whatever, the second episode is her rise to power over this planet and then the last is her meeting Thrawn? But sure, whatever, she's in charge already, cool. She's the designer of the TIE Defender, because they love beating my boy down. I'm not even going to ask how a Nightsister who has probably never even seen a starship before her clan got murdered figured out in the however many years it's been now knows how to design one of the best starfighters out there. Let's actually address that though - how many years has it been? The Battle of Dathomir was 20 BBY. The episode starts with a shot of Coruscant, where we see six Venators before finally an Imperial-class Star Destroyer appears. This implies to me that this has to be early on in the Empire, right? The first five years or so maybe? But then in Rebels season four there's an episode where they steal a TIE Defender prototype. So it took the Empire, or I guess Thrawn more specifically, at least seven years to go from design to a single test model? That's just strange to me, but who knows, it's been forever since I've seen that Rebels episode so maybe I'm just misremembering how they talked about it there. Anyway, the thing that truly got me was Pellaeon and Rukh. Fucking Rukh. But yeah, why was Eli Vanto not here but Pellaeon was? New canon more or less replaced Pellaeon's role with Vanto, so why is he not here now but Pellaeon is? My guess - because Filoni wanted to cover all the Thrawn bases. He read a brief summary of people and things associated with Thrawn in Legends and he put them all in one episode. We have Pellaeon, we have TIE Defenders, we have fUCKINg Rukh. I genuinely do not know why the FUCK Rukh is here.

Okay, let me explain. In the original Thrawn trilogy from the 90s, Rukh is Thrawn's personal bodyguard. Rukh is a Noghri, a species who regard Darth Vader as the savior of their people because their planet got nuked during the Clone Wars (it was an accident) and Vader came in and promised to help rebuild the planet, which he did. Very slowly, so the Noghri would always be indebted to him, because as it turns out they're very good assassins and commandos. But the important thing to note is that they're sworn to Vader, and serve him. Now in the books they work for Thrawn because they're more broadly sworn to the Empire, and after Vader is dead they end up working for Thrawn once he's in charge of the Empire. But Filoni doesn't care, the Noghri are associated with Thrawn and so here Rukh is as his bodyguard testing whether Morgan can fight. As soon as she got attacked, I immediately guessed it was going to be a Noghri, but once I saw the face of her attacker I was much less sure, because the head is completely wrong for a Noghri by the way, their head looks nothing like that. But anyway I lost it when Pellaeon said Rukh's name, because I knew I was fucking right. We're just pulling out all the sick Thrawn trilogy references, but not actually using these characters in any meaningful way - Rukh is here so his character page on Wookieepedia can have a canon tab now and so Filoni can show off his cred of pretending to have read a single book in his life. Oh yes, there is another thing Rukh is famous for by the way. KILLING THRAWN. I'm sure Filoni just forgot that little detail. Or who knows, maybe he'll just recreate it word for word at some point because he cannot do anything but steal from other people's work but do it in a worse and more amateurish way. I was so upset with Rukh being here with no explanation or justification I really did not care about anything else that happened in the rest of the arc. Thrawn shows up and recruits Elsbeth and then the third episode is just her killing a diplomat and burning a forest for no reason, yeah sure whatever who cares. I simply wish at some point there would be a notable character from Legends who is just... left there, and doesn't get dragged by cowboy hat man into whatever nostalgia bait ploy or attempt to pretend he has ever read a book, because the nostalgia bait doesn't work anymore. It just doesn't - it simply pisses me off. You're reminding me of better stories while I watch your lame shows, Filoni. Is that really what you want?

Ugh. Anyway, Barriss. I have a lot less to say because it's actually pretty good. I think it's way too short and she deserved way more screentime, or at the least not having to share an equal amount with Morgan Elsbeth (who I honestly forgot was even in the Mandalorian, I genuinely thought she was made up for the Ahsoka tv show for a while she's so forgettable). Anyway, the fundamental flaw is still that Barriss's massive heel-turn change of heart came out of nowhere and makes little sense with her character as established, so while this does a decent job at building upon that, it doesn't change that her arc in The Clone Wars makes no sense and was obviously chosen so that Ahsoka could be emotionally devastated by her best friend betraying her. A different complaint I then have is like... when did Barriss, woman who killed over a dozen people in a terrorist bombing, at least one of whom was someone she knew and liked, Barriss who murdered a woman in cold blood and purposefully framed her best friend so she could get away with this bombing, Barriss who convinces a wife to make her husband into a living bomb, Barriss who kills three clones with her friend's lightsabers to set her up even further and leads her purposefully where she has stashed more of the same bomb material, and indeed Barriss who kills someone who seemed to be her friend with the same technique she used to kill the woman who was about to rat her out - you want me to believe she suddenly has an issue with killing a village full of people? I'm sorry, but you have to actually explain how she sees this as different. Because you don't actually address at any point how she might feel about her terrorism now, or even what exactly her moral compass is. Killing innocents is good when she does it bad bad when it doesn't make the political statement she wants to make? I just don't get it. Anyway, final episode is the best of the series because it does the most to actually have a moral and message and actually does something pretty interesting? Whether she dies or not (I doubt she does personally), it's still an interesting setup for something else, either another season of this or a comic or book or whatever, to come back to and follow what the hell Lyn (and probably Barriss too) does now. I'm also glad Filoni finally remembered Barriss's specialty was healing actually, and not terrorism, even though we don't actually get to see her do any healing, with the Force or otherwise. Oh also, why does she look so old? It's like she aged 50 years over the course of 10? Like Lyn looks exactly the same but Barriss looks like she's 80. Idk, that was weird. Anyway I've rambled long enough, Filoni is still a hack who's never read a book in his life, but the Barriss stuff here was pretty good, at least somewhat enjoyable throughout. If you watch anything, watch that - all the Morgan Elsbeth stuff is terribly forgettable or outright frustrating.

5/6 edit: I’ve fixed Eli’s name (sorry Eli) and while it’s been pointed out to me that Rukh is in Rebels, a fact I was unaware of, I’m going to maintain the rant as it stands with this disclaimer here at the end - Rukh was in Rebels and was not originally added in this show. However, I still think his design sucks.

[luminescentturtle]

lmao do you guys remember when star wars was good

[lyriumsings]

ngl I think the acolyte put the stakes even higher than andor because like every main character from his planet managed to survive in the end and honestly I was kinda expecting some of them died lol I liked that they weren’t afraid to do it in the acolyte

RIGHT? SO much of star wars feels afraid to like idk go there! like bringing back that stupid fucking cowboy in the mandalorian like i’m sorry but he just fucking annoyed me i literally didn’t care that he survived lmao. Everyone is always saying “we want a darker star wars! we want it to be more serious! explore other stories! etc” they FINALLY do that! and they’re complaining bc i guess it ruined their ships? like bruh 💀 like this isn’t shock value to me if anything the story is streamlined. After spending so many years watching shows lose the plot by adding on more and more and more characters, splitting the narrative 50 different ways until the character arcs are just this incestuous snake eating its own tail like!! i’m glad this story is FOCUSED! the MAIN characters are mae and osha and their masters and just the age old sith/jedi/force philosophy argument which tbqh i LOVE!

[stairset]

I realize this could get me crucified in certain circles but as good as Andor was I really do think its fans can be truly insufferable.

[loptrcoptr]

Starting the new year off by watching tales of the Jedi and andor and it is nice to be reminded that I still have Many Feelings and Star Wars hurts them all

[flintsilvers]

so how are we feeling about this new episode, beloved?

we're feeling not immune to space dad unfortunately. what about you bestie?

[vaguely-concerned]

Eight Little Talons Reread Thoughts

Which, I’ll level with you folks, is mostly just me gushing about Teia and Viago and how much they should kiss because of who I am as a person, but maybe also some actual observations sprinkled in. This is still my favourite story in Tevinter Nights, I think, there’s so much Character Stuff in it. Let’s go!

Viago hated carriages—no amount of plush seating could make up for the inevitable ache of being knocked around like weighted dice. But decorum insisted, and he would not be outclassed by his fellow Talons.

Vs.

“You didn’t take a carriage.” 

“My luggage did. But I couldn’t resist the opportunity for a country jaunt.” She nodded toward the thoroughbred Taslin strider grazing on the top of the hill. “Andoral so rarely gets a chance to let loose in Rialto.” 

“You named your horse after an archdemon?” 

“Don’t worry, Vi. I won’t let him nip you.

You know… Andarateia might gain some illusion of normalcy by standing next to the most paranoid wound-up-tight repressed man around to provide contrast, but I think it’s crucial we keep in mind that she is also nuts. Naming your horse after an archdemon IS an insane thing to do in the world of Thedas huh. I suppose she genuinely seems to think of Caterina Dellamorte as a warm maternal figure and is in love with a tetchy snake of a guy too, it does all start to add up when you look at it like that.

— Beneath the smooth samite, he felt like a sinewy ball of tension. Teia suspected contact of any kind made Viago uncomfortable. It would explain why he swathed himself in indigo from chin to toe and refused to remove his gloves during dinner.

He offers his arm to her and doesn’t pull away when they meet Caterina — only when Dante shows up. Interesting (and possibly part of why Caterina seems to consider the two of them a cleverly stabilizing package deal when they get along lol). I love the mix of playful seduction and genuine fond, intimate knowledge and interest Teia has for him all the way through too — speculating about his childhood, trying to divine his thoughts and intentions, testing to see how he reacts to different things. And it’s so sweet that she seems to regard him with this affectionate amusement and fascination (which he seems to be afraid means that she’s mocking him but is, I think, just another level of appreciation she has for him. Correctly. Because he’s one of the funniest people in Thedas both in concept and in practice. Accountant brained-ass noodle arm Vetinari homage poison specialist. Teia’s neurotic purse dog of a man. Sole royal bastard who willingly chose to have a boring Antivan day job (killing people) and makes spreadsheets about it.) 

— “Not exactly welcoming, are they?” Teia whispered, her breath warm against his ear. 

Viago’s grip tightened on the head of his walking stick.

I swear to god courtney woods is so fucking good at writing romantic and sexual tension. One sentence!!! She drops in a one-sentence detail and it says everything!!!! She has such a knack for consistently adding these details without getting overindulgent or spelling it out too much that I really admire, I tend a bit more towards indulging too much as a writer that way myself so her sense of where to show restraint has me in awe 

— “Don’t ‘Nonna’ me, Andarateia Cantori,” Caterina snapped, although the heat in her voice had lowered to a simmer. “Not even my actual grandchildren call me that.” 

“Well, considering who your grandchildren are,” Teia responded, “I’m not surprised.” 

“How is Master Lucanis?” Viago asked.

Hell yeah Lucanis mention! Can’t wait to see how their dynamics will turn out in-game, we could be in for some truly spectacular and absurd workplace comedy nonsense if we’re lucky

— As always, Viago had with him his leather case of poisons and antidotes for toxins typically hidden in ingredients such as olives, truffles, pasta, lamb, cheese, cream, and alcohol. But he had not expected eggplant.

This is one of the funniest things I’ve ever read, I love Viago so much he’s such a perfect weirdo. Reader, he had not expected eggplant. 

— Taking a deep breath, Viago focused on tying his cravat—an ordinarily simple task except now Teia was running her hands across every surface in his room, and his fingers kept slipping on the final knot. “It would help if you removed the gloves,” Teia remarked. “Surely your own cravats haven’t been tampered with.”

Viago being just… seethingly horrifically despairingly horny every time Teia shows up is so amazing, and Teia clearly paying A Lot of attention to his hands and his reactions at all times… again, courtney woods s tier sexual tension provider. 

— “No,” she said, crossing her arms. “Not until we boil some water.” 

Viago raised a brow. “Eight people were poisoned in this room.” 

“Then run your little tests to make sure it’s safe, but I refuse to look at another dead body until I’ve had my coffee.”

I must take care to repeat: teia is also fucking nuts (affectionate). It’s SO FUNNY that her slightly lighter and softer moral take on being a Crow means she does feel bad about the servants ending up in the crossfire, but she will also demand that viago make her coffee with their horrifically bloated corpses still strewn about the room fhdsjka. 

— Teia had often imagined what it would be like to kiss Viago. She told herself it was only natural. He was handsome, in his own way, and wound up so tight that she likened him to a giant knot. He was a challenge to untie—to twist and pull and loosen until the tension gave way and he unraveled, laying bare all his secrets. But knots were a delicate business. Tug the wrong way and you could end up with a noose.

I know I KNOW they have sex so weird and intimate and no one even takes their clothes off during it I know it in my heart

— “Do you not think you’re attractive?” Viago turned on her, his ears pink. “Ten people are dead.” 

She didn’t back down. “And whoever’s responsible will pay, but that has no bearing on this conversation.” 

“It could be me.” 

Covering her mouth with both hands, Teia doubled over, laughter spilling from her lips. “It’s not you.” 

He looked as if she’d slapped him. “I’m more than capable of killing everyone here.” 

“Don’t tell me you’re offended!” 

“It is offensive,” Viago protested. “Professionally.”

Teia please tell me you love me not only for my body and fashion sense and numerous and fascinating neuroses but also my extensive knowledge of poisons and capacity to cause death

— Again, Viago felt like a lute string. With every challenge, Teia twisted the pegs, tuning him, until she found what she wanted. Which is what, exactly? he asked himself, not daring to listen to the number of answers that bubbled to the surface of his mind.

You know Viago I think we should let her try some scales here at least. See what happens. (There’s no explicit sex in this story but everything that’s going on is nevertheless so kinky fdsjak. I think Teia could convince Viago to show a flash of his naked wrist and have a reaction like a sheltered young Victorian gentleman seeing an exposed ankle and a playful wink for the first time)

— As if she could feel the sudden rush of shame within him, Teia brought her hands up to rest on Viago’s hips, holding him in place. His thumb stilled as he realized her breath was short. Her pupils dilated. Before he could stop himself, Viago nuzzled his forehead against hers, his nose brushing her cheek. Teia’s hands snaked up his chest to run through his hair. She tugged him forward. He braced himself on one arm, while the other curled around the small of her back. 

This whole scene is unspeakably good of course but it’s always the detail of ‘his nose brushing her cheek’ that does me in the most. The longing!!! The yearning, the intimacy, the awkward perfect clumsy physical reality of it!!!! If he kissed her here the magical potion thing on her lips would have been immaterial, the results would have been the same without it!!!!!! The tug of war between longing and fear!

— oblique Zevran mention! <3 as the ultimate failson of house arainai, granted, but as I believe he might argue here: ‘ah, but you have heard of me, no? :>’. Babe I support you so much go out there and raise hell/kill whoever you want to I got your flower

— Big shoutout to the author for managing to pull off an entirely workable ‘And Then There Were None’ plot in the background here, even though the real meat and potatoes going on is the character and relationship development (and what meat and potatoes they are too)! It’s not an easy thing to do even in an abbreviated, more of a homage sort of form and balancing it with everything else going on is a feat

— Caterina 100% knows Teia is in Viago’s room when he’s supposed to be isolated and just doesn’t care lmao. (They act like such teenagers in that scene where she knocks on the door and they haven’t even kissed yet I’m dying). Caterina seems like a terrible person but it’s impossible to not feel for her a little, trying to keep Talons in line seems a lot like herding (very horny very carrying sharp objects) cats 

— Standing outside her ex-lover’s room, Teia tried to quell the violent drumming within her. Normally, she didn’t need to come down from a physical encounter. Seduction—like any form of manipulation—was about control. She could enjoy herself, but Teia always made sure to hold the upper hand. Viago had shattered that control without so much as a kiss.

I feel like this is a sneaky common trait that actually is part of what makes them so compatible (and the playful negotiation of which must feature prominently in their sex life eventually lmao): they are both HUGE control freaks. (Indeed it might be hard to be a successful Talon without this trait.) Teia and Viago both strive for control of themselves and their surroundings so deeply, she’s just much more extroverted, psychologically minded and soft power focused going about it (not unlike Caterina, whose power is built more on fear than charm but works along the same lines), while he’s more coldly intellectual and uh materialist? I want to call it? about it. Which makes perfect sense considering their backstories! Teia came from nothing in a monetary sense but has found she excels at moving people, hearts and minds style — and she’s very good at it, she is everyone’s favorite — so that’s the source of power for her, and Viago is not very charismatic or interested in people naturally but grew up seeing how status, wealth and power have their own clinical gravity that can be used, and also that people can never be trusted to watch out for you in that system.  

If Thedas has a Machiavelli-equivalent to ask whether it’s better for a ruler to be feared or loved they would both instantly give their answer with their whole chest and then squint at each other like ‘babe how do you live like this’ lol

(Also this line of thought has me wondering what the hell Caterina’s partner/spouse(s) would have been like — she must have at least two children to account for Illario and Lucanis, I wonder if she was ever married and what that looked like.)

— I really like the oppressiveness and claustrophobia you get from the descriptions Teia uses in Dante’s room — it feels so icky and sticky with history and sad and confining, and the way she keeps pushing herself through it anyway is weirdly melancholy to me. 

— I also like how their flaws/traits that drive them apart at the crisis point have follow-up consequences outside of their relationship before they reconcile. Teia’s penchant for manipulation and pushing on people indirectly causes the death of someone she once cared about (I mean, fuck that guy, not crying any tears for Dante or his broken bottle, but like in the overarching principle of the thing lol). When she goes too far with it or gets careless, she renders other people vulnerable and helpless in ways she doesn’t anticipate. (Rightfully or not this seems to be part of what scares Viago so much about it, he has this fear of being dissected for whatever she finds interesting and then abandoned when she’s tired of it, the whole underlying being a footnote in her life when she could clearly be something uh a lot more in his anxiety.) Meanwhile Viago’s insistence on self-reliance and reluctance to engage in human contact leaves him easily isolated and nearly results in his death. (And even when Teia saves him he has a hard time giving her full credit in favour of his many neurotic coping mechanisms lmao disaster man.) But when the two of them work it out to understand each other better and come together as a partnership, they’re such a force to be reckoned with that it brute forces the resolution and return to stability near the end. (Well. A significantly reduced version of stability to be fair but y’know better late than never.)

— Also: delicious detail that she is actually the closest you might get to a self-made woman/Talon, and he is definitely at least not in a position to fully dodge the nepo baby allegations — he wants so bitterly to be entirely independent and self-sufficient and not reliant on anyone, and yet it’s his connections inherent to his birth that have helped him get here, while she wants so desperately to have people to rely on because she comes from nothing and has known what it is to be that alone and unprotected. He knows protection and gifts — and love — can easily be taken away and used to control you/render you helpless in your vulnerability from how his father treated his mother, and she knows you have to try to hold on to something in other people or it’s just you and the dirt and you die. Which is what they’re really talking about in that scene where they argue, and it’s why they’re both right and wrong at the same time and it’s so tasty. It’s really Teia asking ‘Will you ever trust anyone? (will you ever trust me, or will you put up this wall every time no matter what I say or do?)’ and Viago going ‘Will you never take precautions to protect yourself against this hurt? (will I have to be the bearer of bad news about how the world really is every time?)’ and neither of them realize that’s what they’re taling about and it’s why it all explodes so badly. (I mean. Factually both came to the wrong conclusion about who the murderer was for fairly good reasons, so there’s also that haha.) 

— I wonder if we’ll see Bolivar or the heirs to the houses left Talon-less in the game itself. I’m guessing they probably won’t have big roles, at least, but you know just as background flavour, especially since Crow!Rook is already within the de Riva uh household as it were. I think Viago is still sensibly mid-table at Fifth Talon in Veilguard and Teia remains Eight? So at least they’re not messing around with that rank order during the occupation 

— In semi-not teia and viago news (I am a character first writer and reader I canot change this), it’s neat to see it outlined just how much the Talons really are just merchant princes with some more added knives and cultural weight behind them. They are at the end of the day running businesses, no matter the mystique ™ you wrap it in. (Which I think Viago would be the first to tell you and Teia might try to argue against at least a little haha. Being a Talon is what you make of it you live your truth girl kill awful men you’ll never run out of contracts!!)

— Can’t believe the Crows have self-congratulatory ‘top 10 murders in history!’ classes as part of the training. Do you think Zev sat through those. Probably, if Teia did, right. Now there were some entertaining hours around the campfire during the Blight I’m sure

— Viago understanding but not accepting Teia’s offer to help him with an alibi and at first angling it as being out of hesitancy to accept help/rely on someone, and then later unveiling the added element that he knows Teia respects and loves Caterina and doesn’t want her to have to lie to her for him… Viago is nothing so simple as secretly nice deep down but he IS horrifically in love with and desperate to be kind to specifically Teia and it gets to me okay  

— I’d forgotten that DA’s passionate love affair with toxic yuri and some recreational bury your gays extended to Guili and Lera in this fdskjah. Would it really be Thedas without it I suppose (considering the genre of the short story it’s fine with me in this case, though, everyone’s dropping like flies in this even the straight people that’s just equality) 

— Viago was not a typical Antivan. He liked facts—checklists, numbers, precise measurements. Heart palpitations, clammy hands, tight pants—Viago did not like these things. In fact, he would go so far as to say he hated them. Mild curiosity was his favorite mood. What Teia had elicited in him was akin to an internal natural disaster.

I simply love him so so much. Mild curiosity was his favorite mood. He failed to account for the eggplant. He’s so annoyed at being poisoned and dying horribly and it literally never occurs to him that anyone would help him until he wakes up in Teia’s lap. He organizes all his poisons by puns. He uses his potentially last breath to argue with Teia about his precise state of dress or undress. Have we finally found him, the perfect man? 

(Also between Reyes and Viago Courtney Woods does such a good line in guys who’d really rather be emotionless machines of practical violence and monetary gain but find themselves down so horrifically catastrophically bad that it cracks them open to reveal a soul they aren’t all that happy to discover they have lol) 

— When Viago woke, it felt like someone had drained the blood from his body and replaced it with sludge. But it wasn’t all bad—someone who smelled like coffee and cinnamon was playing with his hair. . . . Her fingers resumed stroking his hair. It felt better than the water. It felt better than anything.

Unspeakable. Don’t look at me. 

— Viago reaching out and touching Teia’s cheek with his bare hands without a thought and all his tenderness and reverence for her laid bare in turn is something that can actually be so personal and it only took very nearly dying to get there (also… he’s presumably still half-naked through all of this while cradled in her lap. Amazing.). Can’t believe bare hands to cheek feels like third base with these two. And his fucking THOUGHTS through all of this… Don’t cry, he doesn’t deserve your tears, no one does (I don’t, I don’t want to be something that causes you pain) AOUGH

— Vaguely related: the implication in how that part is built is that he’s reaching out specifically to gently dry away her tears, right. Double AOUGHHHHHH not only does he manage to not be selfish or unfair in asking her not to cry he does that instead… there’s hope for you yet messere de riva  

— Teia with the red-hot poker standing guard over Viago while he ‘looks like a king in judgement’ and does the Poirot in the library exposition is everything and so hot what the fuck. She a snacc she attacc but most importantly… she protecc, she’s so fucking cool lol. they’re both really smart, but she’s clearly the brawn as well as the social skills (hey manipulation is such an ugly word!) and he’s the logistics and realpolitik on two long thin nerdy legs, absolute power couple. She’s the gaslight he’s the girlboss together may they gatekeep this invading army out of antiva  

— You guys… this might come as a surprise I have tried to keep it on the down low but. I really do love the world of Thedas so very much. I love the people and the places and the history and the stupidness and the brilliance so much. We must save the world because everyone I love lives here. Let this be a secret between just you and me we can’t let people know we sit/have emotions etc.  

— A servant approached to take the cage in Viago’s hand. 

“Careful,” Viago warned. “He bites.” 

“I can’t believe you’re keeping that snake,” Teia said, shaking her head. “It almost killed you.” 

“Which is more than any man can say. He deserves my respect. And a good home—with all the mice he can eat.” 

“But did you have to name it Emil?” Teia asked, making a face. 

“An homage. You’re always telling me to recognize my fellow Talons.”

Andarateia ‘names her horse after an archdemon’ Cantori x Viago ‘keeps the deadly adder that nearly killed him as a pet and names it after the last guy who failed to murder him’ de Riva. Freak well and truly matched. Soulmates, no notes, I’ll do borderline anything for these two to make it, goodnight. 

[david-talks-sw]

I got a good feeling about "The Acolyte"

Not even kidding. Like, I've spoken before about why I'm wary of it.

George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.

The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.

See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.

BUT.

The trailer looks fucking cool. It really really does.

And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.

1. The Acolyte won't be a 10-hour movie.

I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.

But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.

Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.

And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.

Yes! Exactly! That's how it's supposed to be!

Like, compare this to Baylan Skoll's storyline in Ahsoka.

In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.

So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.

2. Maybe the Jedi will not be as demonized as I originally thought.

Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.

It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.

They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.

Moreover, there'll be a variety of Jedi POVs, many personalities.

Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.

The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.

I also like how her reasoning goes re: Jedi drawing their lightsabers.

Which explains the hand-to-hand combat seen in the trailer.

This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.

3. She's a fan of Star Wars... but a screenwriter first.

You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.

She's done her homework. She's a fan.

But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.

The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.

Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.

That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.

And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.

Hm. Wonder why.

Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.

The FULL context of that interview reveals that she's actually:

debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...

the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.

Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!

George is a proponent of the "autheur" theory, Leslye isn't.

However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.

So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D

But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.

I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.

It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.

She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.

"No, she's a woke feminist! Anything she does is evil! Eww, girls!"

🙄

Needless to say... I'm gonna give it a shot.

I think it's gonna be a good show, I think it's gonna be a solid story.

I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.

As @gffa states in this post:

Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D

[colleybri]

Cassian’s kitchen, Space Brownies and lying (badly)

In episode 2, Cassian comes home to a really awkward atmosphere - Maarva knows that he’s fucked up somehow because she’s seen the PreMor “wanted !” bulletin, but he doesn’t know that she knows … and she maintains a frosty silence to see if he will be honest with her. He isn’t. But sensing that something is up, Cassian heads into the kitchen and grabs something to eat. In the snippet below Diego Luna explains the influence for this idea.

Thanks to the 4K BTS features, we can see the Andors’ kitchen in glorious detail. I think that what Cassian might be eating is whatever is under the cake dome. Looks suspiciously like brownies to me. Something chocolatey and tempting anyway. Makes lying so much easier when you can self-medicate with one of these delicious morsels. 

Space Brownies ™. (May contain pistachios.) Perfect for munching on while lying (badly) to a parent. Now I want to bake them.

More on Cassian’s lying below…

I think it’s so ironic and genuinely funny that Cassian and Brasso go to all that trouble of constructing a really fantastic alibi, only for Cassian to kind of abandon it. For a man who becomes such a good liar by the time of Rogue One he really is pretty hopeless at it in these early episodes, at least with people close to him.

The reasons why are interesting though. His first chance to use the alibi is with Bix. But she knows him far too well and he knows that she knows him far too well - so he doesn’t even try to lie well. He wants something from her and just wants to get straight to that . When she asks what happened to him, he simply says “I fell”, and they both know it’s lame bullshit. She’s wryly amused and he simply doesn’t care. And she gets the great “On what - a jealous husband?” burn and he doesn’t care about that either. Bix is used to him lying and he’s used to her doing him a favour no matter how he behaves. He takes her for granted and is genuinely disrespectful on occasion. 

But with Maarva - who also knows him really well - he has genuine respect, and a fear. He really wants her to be proud of him. He kind of starts with the Brasso lie: “ I ran into Brasso last night. We had plenty to talk about…”. But all he gets back is the tight-lipped “Hmm, sounds fascinating!” and “You’ve been busy!” and a squeak from B2EMO that lets him know Maarva has given the droid an instruction to stay quiet. So Cassian can 100% tell that she’s onto him in some way but keeps going with the lies in the hope of getting out of this. And re the wound on his cheek?… “Oh this!” (gives a hilariously awkward little chuckle) “… I was helping Pegla and I tripped on a cable”.

What’s really interesting here? He changes the lie completely - to describe a situation where he was being altruistic and helpful. He wants to make her proud of him. 

This is how Andor does its storytelling so brilliantly. Tiny little details like this that give away so much about Cassian and his relationships. And the other main characters too. It’s why I lose patience with people who describe the opening 2 episodes as boring or slow. Like Cassian and the space brownies, we are eating something rich and tasty.

[indigo-casson]

something that i've been thinking about lately is the parallels between star wars: andor/rogue one and tamora pierce's trickster's queen duology. primarily because the star wars brainrot is real and the tamora pierce obsession is forever, but also because they are kind of both tonal and thematic departures from their main 'verses in some similar ways?

in both the star wars verse and the tortall verse, the majority of the media has focused on one individual (or a small group of individuals) who make a profound difference in the world. Whether that's alanna singlehandedly finding the dominion jewel/becoming king's champion/making way for female knights, or luke skywalker blowing up the death star, or daine and numair going to the divine realms during the immortals war, or anakin skywalker becoming a sith and dooming the republic, most of the original material has seen battle and political change as something that is affected by either an actual chosen one or simply a single very plucky and well-placed individual.

trickster's queen and andor, however, really look at rebellion as something that has to be done by a diverse group of flawed people who work together despite their differences. mon mothma knows that her role is raising money. ulasim, chenaol, and the other members of the raka conspiracy each take their individual roles in the rebellion, and recognize that even though they might not want to work with aly or the luarin nobility, they need their skills and influence to make it happen.

both stories also show rebellion as extremely costly and something that requires making tough calls. nobody has their hands clean by the end of a civil war. notably, trickster's queen explicitly narrowly avoids having the protagonists kill a group of 5 year olds. luthen is ready to kill cassian when he becomes a liability, and cassian does kill lots of people, including some allies whose only "crime" is being susceptible to giving up rebellion secrets.

in rogue one, we don't like davits draven because he orders jyn's father killed, and that just feels wrong. jyn is our heroine and it upsets her, so emotionally it's distressing. but of course, draven and cassian and jyn are all working towards the same goal. draven did what he had to--galen erso is a liability as long as he's alive. dove and sarai's little brother elsren has to die because he's a direct heir to the throne, ahead of his sisters. it doesn't matter that he's five and totally innocent. as long as he lives, a luarin has a greater claim to the throne than a raka, and as long as that's true, the rebellion can't succeed.

in the star wars original trilogy, people for sure die! i'm not trying to say that they don't, but it's definitely not something that's shown affecting our protagonists on a deep, emotional level. they're all side characters, or else they come back as force ghosts. the prequels are uh. fucking tragic, but at the end of it, almost all of our heroes make it out. even the casualties of the war are droids vs clones, which is to say, totally interchangeable cannon fodder on both sides!

the number of character deaths in the tortall 'verse is fewer, probably because it's primarily created for middle grades, but even when people do die, they're either demonstrably bad people or minor enough characters that the emotional resonance isn't the same.

by contrast, at the end of trickster's queen, almost the majority of the main conspirators die in battle, not to mention those who don't even make it to the final conflict. at the end of rogue one, all of our heroes are dead, and people aren't exactly making it out of andor s1 in good shape either. more than half of the aldhani team dies on that mission.

I could go on further, but I think my main takeaway is that once you've invested a lot of time and attention and fandom into a 'verse, you have a lot more leeway to tell different kinds of stories. tamora pierce could not have written trickster's choice until after the values and world of tortall were so clearly established, and if she had, it wouldn't have had the impact that it did. similarly, part of what makes rogue one/andor so striking is the fact that it is such a departure from the preexisting values and story format of star wars.

for every chosen one we see in media, there are hundreds of people working behind the scenes to make their big, death star destroying moment possible. the only way to improve society is through collective action, and part of that is that everyone's hands are going to get dirty. i think lots of people want to imagine that they could be like luke skywalker and swoop in 2 weeks before the battle of yavin and become a hero, but the fact of the matter is that that's not how the world works! war requires us to do things that would ordinarily go against our values, but in the context of a drawn out, bloody, thankless battle, maybe we decide the ends justify the means.

[kanansdume]

Andor is honestly one of the only pieces of more mainstream Star Wars media (so none of the little comics and very very few of the novels) I've seen since the Prequels that REALLY encapsulates the themes of non-attachment and everything that means in the way George Lucas truly intended. The only other thing I've seen that is its equal is the Obi-Wan Kenobi show.

And this makes me want to discuss Timm Karlo.

Yeah, Timm, the character everybody remembers most from Andor right?

That's what I thought.

This is Timm. He was Bix's boyfriend in the first three episodes of Andor. He seems to be pretty normal but he gets jealous when Cassian shows up because Cassian and Bix used to date and he can tell the two of them are cooking up some kind of secret together that he's not involved in. He decides to cover up his jealousy with fear for Bix's safety because Cassian is clearly in some kind of trouble and eventually ends up ratting Cassian out to PreMor security behind Bix's back. This results in PreMor invading Ferrix and getting Bix captured and beaten. Timm himself is murdered when he tries to help Bix.

All we ever get to see of Timm is that he's an insecure little asshole whose actions nearly get Cassian and Bix killed. He's an antagonist in this story.

But Bix loved him. He seems like a fairly average dude before this and presumably treats Bix fairly well outside of this particular incident. He's not a villain, he's just... a dude who lets fear of losing the woman he loves consume him to the point of making a REALLY stupid choice and it costs him everything. But that choice turns him INTO a villain for Cassian. Cassian will now always remember Timm as the man who betrayed him and wanted him dead. Cassian will always remember Timm by the selfishness of his final choice. That's the legacy Timm leaves behind in the end. Bix mourns him, but even Bix recognizes that Timm fucked up and nearly cost herself and Cassian their lives.

And if any of that sounds kind-of familiar, it's because it should. It's Anakin. Timm makes the Anakin choice. He wasn't a villain by default. He wasn't a villain his entire life. He was a normal dude who made one really awful choice out of fear and it ended up being the choice that defined him. He had the capacity for both good and bad in him and he chose to act on the bad and it was the last choice he ever made.

And this choice is what really screws up Ferrix, it calls down PreMor security on them which is what causes the massive screw-up when they try to capture Cassian and Luthen and that gains the attention of the ISB agent in charge of Ferrix as well as Dedra Meero who ultimately brings an entire battalion of stormtroopers and officers to occupy Ferrix. Ferrix gets far far worse as a result of Timm's one choice made out of insecurity in his relationship.

But it also ultimately leads to Ferrix realizing that enough is enough and they rise up and riot and throw the Empire out of their home. It helps push Maarva into joining a rebellion at the end of her life and making that recording that inspires the people to fight back. Maarva says that the Empire has been creeping in like a disease while they slept. And if Timm hadn't made the choice that took their situation from tolerable to intolerable, maybe Maarva and the people of Ferrix never would've bothered to fight back. If Cassian had been able to just silently slip out of town with no one being the wiser, Ferrix would've just kept going on as it had been.

None of this means Timm gets to claim credit for Ferrix and Maarva's own choices, obviously, but much like Anakin, the selfish choices he makes lead to unintended good things happening down the line, too. Anakin's selfishness leads to his relationship with Padme which ultimately creates Luke and Leia who, together, are the ones that manage to bring down the Empire for good. Anakin doesn't get any credit for how Luke and Leia turned out obviously, or the things they do that cause the Empire to fall, but they wouldn't have existed without Anakin's selfishness.

Timm's choice makes Ferrix worse, it calls down the Empire, but it also leads to the push that ultimately pushes Ferrix into rebellion.

Timm makes Anakin's choice. He's the villain of Cassian's story, but he is not WHOLLY a villain because Andor tells us that no one is ever JUST a villain or JUST a hero. People will always be people and that means they all have the capacity for both selfishness and selflessness within them. Timm loses himself to his fear for just long enough to destroy everything he cared about. Maarva chooses to stand up rather than run. Bix chooses to persevere in the face of impossible odds. Luthen gives up his morals to try to create a future for the rest of the galaxy. Mon Mothma sells her family for democracy. Cassian has to give up his dream of a normal happy life and settle for taking control of his own life.

And this is what makes Andor one of the best pieces of Star Wars media I've seen in a LONG time. It doesn't have any Jedi in it, it doesn't have any Mandalorian super soldiers, it doesn't have any Sith or Inquisitors or witches. It's just a group of people from different walks of life all having to figure out what matters most to them in the end. Some of them make the selfish choice and some of them rise above and make the selfless choice. It takes all of the themes that we've gotten from Star Wars via the Jedi and Sith conflicts and applies them to the little people, too. It's not JUST the Jedi and Sith who have to abide by those thematic narrative rules. Everybody else does, too, actually. Timm would never have become a Sith because of his choices, Dedra Meero and Syril Karn are never going to be Sith, but they can still become villains in someone else's story everything they claimed to care about can come crashing down as the result of one selfish choice.

THAT'S Star Wars. THAT'S what it's all about. THAT'S why Andor feels like Star Wars should to me without a single Force user showing up while something like the Ahsoka show feels like the opposite of a Star Wars story despite all of its fan service and nostalgia bait. Andor gets it. Andor took the time to understand the core of Star Wars even when telling a Star Wars story in a very different way.

[talaok]

Since all the nominations for Emmys, I need one fic where reader is either video calling or with Pedro when nominations are announced. Somethig fluffy and full of emotions cuz Pedro deserves all of this 😊

a/n: this ask skipped the line just cause I felt that if I posted this next week it wouldn't have made as much sense, so yeah here it is (also, I’m so happy for him and Bella, like omg man)

Today was the day.

Pedro was never usually one to care about this stuff, yes he was grateful, and yes he was happy, but no other time had he felt this electricity in the air, this buzz telling him that something was about to happen... something good of course.

He had set up his tablet on the coffee table in front of the couch, waiting for the announcement to start, but he hadn't even managed to sit- he was too nervous, too excited.

A ringing sounded through the room all of a sudden, and after an initial scare, he smiled, glad you finally could call him.

You were on set. In Vancouver. A thousand miles from him.

"Is it on yet?"

Your eagerness spurt through the screen.

And he thought he was exited

"nope"

"what? How much longer?"

He glanced at the screen, feeling a tiny goosebump traveling up his back at the countdown.

"two minutes"

"Oh my god!" You squeaked, smiling so wide your cheeks almost hurt "how are you feeling?"

"nervous" he chuckled drily

"Oh c'mon, what about? We both know you're gonna crush it"

"I hope so" he sighed "God I don't know why I care so much" he laughed "The only important thing is that Bella and the show get nominated"

"And you, of course" you chirped in

He tried to fight a smile, but it still pulled at his lips "Well if there's room..."

"There you are" you nodded, your smile fading ever so little after a brief moment "god I wish I could be there"

"Me too" he agreed "but at least w-" a noise in the direction of the coffee table caught his attention

"Oh shit, it's starting"

"shit, go go go go" you mumbled, feeling all too powerless in your position.

He sat down in front of the screen as the announcers appeared on it.

"what are they saying?"

"uh- just their names and stuff"

"ok-"

A moment passed 

"what about now?"

He laughed, ever so thankful for your presence "Still that, sweetheart"

"fine, just- tell me when they start telling the categories"

"ok ok here we go" 

"what is it?"

"talk series"

"Bo-ring" you huffed, making him chuckle "I want the good stuff"

"they're doing reality programs now"

"oh my god! it's like they want to torture us"

...

"Oh shit" 

A pit created itself in Pedro's stomach

"what?"

"lead actor in a drama series"

"oh my god" you screeched, doing a poor job of trying not to freak out "C'mon baby I know believe in you"

"jeff bridges... Brian cox... Kieran Culkin... Bob Odenkirk..."

come on come on come on

His mouth widened as he let out an incredulous breath.

"baby?" you called, already knowing but wanting a confirmation "baby pl-"

"I got nominated"

"I told you!" You basically screamed, jumping out of your chair "I told you, baby! I'm so happy for you! You deserve all of it babe, all. of. it." 

"I can't believe this" he smiled, his eyes glimmering with that spark in his eyes he only got whenever he was truly happy "This is crazy"

"Well believe it baby, you're an Emmy nominee"

"I just-" he interrupted himself as the next category was announced "shit it's best actresses"

You nodded, trying to cool down while really just mindlessly pacing around your trailer 

"Bella Ramsey!" he laughed "Bella Ramsey! They did it! I knew they fucking would"

"oh my god!" you grinned "What a power couple"

"I know right?" he chuckled "I'll have to call them I-" and once again, the announcers interrupted his train of thought.

His gaze moved from you to the tablet again.

"best drama series?"

He only nodded, clearly all the anxiety coming back.

"Andor... Better call Saul... the crown... House of the Dragon..."

he fell silent as his eyes came back to you, and this time... this time they shined with tears of joy.

"yeah?" you asked, feeling your heart beating out of your chest.

"yeah," nodded.

You felt your heart and chest and body fill with pure joy as you let some tears fall from your eyes.

"you did it baby" you sniffled "I knew you would. You deserve it, all of it" you smiled, wishing with all your heart you were there to hug him and kiss him and whisper in his ear

"How are you feeling?"

He laughed "I don't even know, I just- I think I need time to process this" he smiled, his hands slightly shaking "A-Are you ready to go to the Emmys?"

"are you?" You laughed, quite literally quivering from the excitement

"As ready as I'll ever be"

[antianakin]

Am I the only one who just lost any and all love for newer Star Wars material due to Jedi hate ? Like- the only merch or show or even FANDOM topic I get involved in is clone wars stuff and MAYBE TBB. Like- why would I want the watch shows who attempt to rewritte canon and portray the very heroes of Star Wars as the bad guys ?

Why would I want to watch shows that assassinate characters left and right (looking at you, Ahsoka and Sabine) ? Why would I want to buy merch of characters who I not only NOT care about, but who also are used as meta mouthpieces for stupid Jedi hate ?

I think there's TONS of good newer Star Wars material, to be honest.

I loved the Kenobi show and it is arguably one of the most pro Jedi pieces of media to have existed since the Prequels films. Aside from one itty bitty somewhat awkward word choice in one line of one episode, there is absolutely NOTHING in that show that can be used to indict the Jedi or blame them for anything and it is arguably one of the only shows to really spend time MOURNING the Jedi and recognizing the horror of what was done to them. Rebels comes closest after this, but its structure makes it a little less visceral than the Kenobi show was to me.

I really adore Visions and I recognize that this is sort-of Star Wars adjacent more than anything else, but SO LITTLE truly understands what makes Star Wars compelling as a story and really hits on those primary themes the way that Visions does. There's SO MUCH Jedi content in Visions and I remember people complaining about how much Jedi content was in Visions and other people responding that if you were given free reign to just play in the Star Wars sandbox with near zero restrictions on what you could make with it, you would probably ALSO immediately go for the psychic space wizards with laser swords. Who WOULDN'T? Visions also just genuinely has some of the most engaging and heart-wrenching stories to come out of Star Wars in a LONG while and it does it in these beautifully animated 15 minute packages. It's such a gem and I am so glad to be alive at the same time as Visions.

Rogue One is older now, but both Rogue One and Andor, despite having zero actual Jedi in them, really hinge on the themes from the Prequel trilogy about the tragedy in the Star Wars universe, stepping up when no one else will, choosing to be selfless and compassionate for the greater good, etc. Faith and hope are MASSIVE themes within these two works and even though there aren't any space wizards, good or evil, in either story, they feel like some of the most pro Jedi things Star Wars has come out with in a while based on thematic messages ALONE.

The Mandalorian's first two seasons actually have this absolutely BEAUTIFUL story about the selfless sacrifice of one man as he gives up everything in order to help this child find his way back to the culture he'd been ripped from. Everything AFTER that regarding Grogu and Din's storyline is a piece of shit (it's not explicitly anti-Jedi or anything, but it undoes a lot of the things that made their story so compelling and beautiful), but the first two seasons are genuinely GOOD and very pro Jedi in a lot of ways despite the lack of many actual Jedi characters.

The Book of Boba Fett is a terrible show for a LOT of reasons, but shockingly none of them have anything to do with its treatment of the Jedi. If it ever ends up with a season two, I desperately hope they leave Mace Windu's name the fuck out of it, but at this point it is a pretty Jedi neutral show if you're willing to deal with the rest of its bullshit.

Rebels is also somewhat older now, and it has a few lines here and there that are a tad more Jedi critical, but it is by and large VERY Jedi positive and does also follow a lot of the themes of selflessness and sacrifice that go along with being a Jedi. It also has themes of mercy and patience and facing your fears in Sabine's storyline that got entirely thrown away in her later storyline. Just thought that was worth pointing out. For reasons.

TBB is also fairly Jedi neutral, but its treatment of the clones is basically the clone version of being anti Jedi, so I'm not sure it's actually any better. It just traded hating on the Jedi to hating on the clones, and I find that just as distasteful.

I can't really speak to things like comics and novels much since I don't tend to consume them really. I've read a few of the adult novels in the High Republic Phase I and the first one was genuinely very good, but there were some relatively heavy-handed Jedi critical themes within the third book of Phase I (The Fallen Star) that put me off of it a little. I haven't continued into Phase II or III at all, so I have no idea if those themes got continued in later books. I've heard generally good things about the Padawan book, I think.

The Cal Kestis video games, Fallen Order and Survivor, also have their small Jedi critical moments, but much like Rebels, it has these massive overarching themes and messages about compassion and selflessness and sacrifice and facing your fears and mercy. They are immensely Jedi positive in a lot of ways and I really enjoyed both of them.

So out of everything I have seen (and know about) the only stuff that's truly heinously and insultingly anti-Jedi is the Ahsoka show, the Acolyte, and Tales of the Jedi. Three shows and like 30% of one book. Out of a list of like ten different shows and one film and some books and video games. It's not even really HALF of the content we've been getting recently.

A lot of people talk about the Disney era like it's ruined Star Wars, or like nothing it releases has ever been good. But it just straight up isn't true. It's a little insulting to all of the genuinely wonderful work that is being done by all of these other creators to just brush aside everything that's been coming out recently as awful and bad because some of the MOST recent things have been pretty explicitly hateful towards the Jedi. It's not fun that we had the Ahsoka show immediately followed by the Bad Batch followed by the Acolyte. I hate that, too, it feels like we're on this neverending shitshow of stories explicitly aimed at hating a group of characters for no obvious good reason. But I don't think that the last 6 months or so of bullshit should overshadow some of the really beautiful stories we HAVE gotten within the last several years.

If you feel like things are getting difficult, maybe do a "good Star Wars" marathon of sorts. Watch the Prequels, followed by the Kenobi show, then Andor, then Rebels, then Rogue One, then the Original trilogy. This one long beautiful story of people stepping up to fight against selfishness and greed and darkness no matter what.

Or go rewatch Visions or read some of your favorite fanfics and remember all the things about Star Wars that are just universally cool and compelling across the world. Hell, you can try writing something of your own! Anything! A lot of my AU concepts stemmed from spite and really helped me feel a little bit better about Star Wars when it sometimes felt like I was just surrounded by the parts of it I liked the least. Go buy yourself a cool t-shirt or some fun jewelry. Find some pretty stickers and put it on a water bottle or an enamel pin to put on a canvas tote bag or a corkboard.

Curating your fandom experience goes beyond just the internet. There's a reason I am boycotting the Acolyte and it isn't because I think Disney or its creators are going to care at all. I'm doing it for ME, because I had such a shitty time watching the Ahsoka show and it made me so miserable each week that I seriously think I will be better off just leaving it the hell alone and just absorbing whatever ends up crossing my dash from a distance. I only participate in Star Wars fandom servers that I feel safe in and only really get into discussions with personal friends who I know well. If participating in Star Wars fandom is making you sad, maybe take a step back or find a way to create your own corner of fandom that feels better. Ignore the damn Ahsoka show, pretend it never existed. Ignore the Acolyte. Ignore Tales of the Jedi. Ignore Filoni-related bullshit. Focus on the parts you DO like, or give yourself the space to remember why you liked it in the first place.

[serceleste]

andor

So I FINALLY watched Andor and damn it was good, I can't believe I waited so long to watch it, it honestly reminded me that yes, I still love Star Wars, actually, and just... it was SO GOOD.

Here's some random thoughts! Many spoilers!

love that the main villains were mostly ISB agents because I've always thought the ISB is terrifying so I think it's amazing Andor made use of that

Bee!!! Thank you for giving me another droid I would die for. He was sad about Maarva! He didn't want to leave!!! 😭😭😭😭

The writing was so good, especially for Star Wars, so many banger lines. Cassian's "I would rather die trying to take them down than live giving them what they want" now lives rent free in my mind.

I wanted Andy Serkis (sorry, Kino Loy) to live SO BAD, his "I can't swim" wrecked me.

More Mon Mothma! Wonderful getting so much depth to her as a politician, a Rebel, and as a woman.

I LOVED how much it delved into the grit of the Rebellion, of what it actually would have been like trying to fight that war, of the sacrifices and choices made. The fact that there was someone like Luthen deciding what assets were the most valuable and what lives could be lost in order to protect them, that fifty deaths were acceptable if it would protect an asset in the ISB, that there were people like Cinta who would do ANYTHING for the Rebellion and sacrifice anyone because the Rebellion had to come first, who wouldn't blink twice at murdering Cassian if Luthen said it had to happen.

They brought Saw back!

I adore that random guy in the tower, banging away <3

Everything about the funeral sequence was brilliant

Luthen and his ISB asset, that speech he made about what he had sacrificed, A++++

Bix was so fucking beautiful and the way she was tortured fucked me up.

Goddamn but Syril is a fucking weirdo

I also loved that because it was very much a show about being on the ground in the days of the Empire that it showed what life was like, that Cassian could be in the wrong place at the wrong time and wind up with a ridiculous prison sentence for not really doing much of anything. Watching him and the other prisoners stuck in that mindless factory and always threatened with torture and death was so rough, and how conditioned they had become to just do it, just get by, because they'll get out eventually, and then to realize that no one was actually getting out!

And of course that they were building for the Death Star because OF COURSE they were. And it being Cassian just made that so much more of a gut punch.

I really liked Vel, like, a lot.

Finally, Cassian is just so beautiful and so sad and so determined and I want him to have everything and I want him to have people love him to happiness 🥺🥺🥺😭😭😭