#and yes it was terrible
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Carrie Kelley dashed across the street, weaving between the cars that were actively driving. She shouted the names of Batman and Nightwing as she dodged each vehicle.
Nightwing: I think that's Damian's friend from school.
Batman (aggravated): Oh… That's great.
Carrie halted in front of the two men, panting slightly.
Batman: What do you want from us?
Carrie (eyes wide with excitement): Hold on… just let me look at ya.
She stepped a bit closer, prompting Batman to take a step back.
Carrie: Okay, the image of you two is in my head. Nightwing, my mom said you were incredibly attractive, and I agreed! But also, you’re a boss fighter, and that needs to be stated more.
Nightwing: Aww, thanks.
Carrie: No problem! Now I'll make this quick. There was a comic a guy wrote about an adventure he swore was true about your guys.
Batman sighed, already dreading where this was going. Nightwing remained relaxed and unbothered.
Carrie: In it, you have to protect this rockstar who is crazy—like totally looney! Batman hated rock music, so you didn't want to help him… Well, that and he bombed a TV studio. But really, you hated rock, and Robin—who was drawn like a fifty-year-old man, truly a disservice to you, Nightwing—was defending him.
Carrie took a breath as Batman and Nightwing listened, confused.
Carrie: I didn't like how you guys acted because, on one hand, Nightwing liking a musical artist doesn't mean you excuse their actions, and Batman… why would you describe punk that way? Why? That really hurt to read.
Nightwing (smirking as he turned to Batman): Yeah, explain yourself.
Batman: That was a smear campaign! He was hired by the Joker to write that and I got that removed from printing! How is it still being circulated?
Carrie: My grandma collects Batman merch of any kind… She's fifty, so like your age, Batman.
Nightwing chuckled, covering his mouth. Batman growled angrily.
Batman: Robin's assessment about you makes sense now, and Nightwing, she said you were a fanboy! You're not going to talk about that?
Nightwing: Nah, because I know it's not true. You've always been a fun sucker.
Carrie giggled, nodding in agreement.
Carrie: Sorry for bothering you! Just wondering if you ever actually dealt with that and why you guys were so out of character? It being a smear thingy. makes sense. So there was no crazed rock star who killed himself in the end?
Nightwing: We dealt with crazy people, including musicians, but yeah, that didn't happen.
Batman: Also, how old are you?
Carrie: Nine.
Batman: Why is your grandma—who's not the same age as me—letting you read that?!
Carrie (giggling): She's not a fun sucker.
Nightwing laughed as Batman walked off to calm himself, perhaps considering putting the girl in timeout. Carrie approached Nightwing and handed him a pen and a notepad.
Carrie: Can I have your autograph?
Nightwing: Last time I did this, we got a third Robin… You ever been to a circus?
Carrie: No.
Nightwing shrugged and signed the notepad as Red Robin walked over, noticed what was happening, shook his head, and then walked away.
#batfamily adventures#batfamily fluff#batfamily comedy#batfamily#batfamily headcanons#batfamily fanfiction#script fic#mini fics#batfamily funny#dc fanfiction#fan writing#batfamily wholesome#batfamily mini fics#batfamily shenanigans#flash fiction#batman#wayne family adventures#dc stands for disregard canon#batfamily feels#no beta we die like jason todd#writer on ao3#carrie kelley#dick grayson#bruce wayne#yes this was a real comic#and yes it was terrible#ficlet#mini fic series#mini fic
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I'm just saying, the "Adar is suddenly sexy" reveal would have worked a lot better if he was still played by Benjen Stark.
#the asoiaf brainrot never dies#all i could think of during adars scenes was how much i missed benjens actor instead#rings of power#adar rings of power#adar#joseph mawle#benjen stark#game of thrones#a song of ice and fire#asoiaf#yes i watched RoP season 2 during my breakdown#and yes it was terrible
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Because someone is on the ball, Turner Classic is playing (among other WWII films) The Great Dictator today.
If you haven't seen it, please do. It was produced by Charlie Chaplin in the late 1930s, when it became clear that the war was going to happen, and came out in 1940 after it had started. Essentially, Chaplin realized that his famous mustache was about to be usurped forever by a fascist, and that fascist was going to kill a lot more people in the future than he had already.
It's a parody, made before the worst horrors of the Nazi regime were known to the general public, so there is discomfort here (if you've seen Disney's Der Fuhrer's Face, you'll get the idea), but the movie ends with Chaplin essentially saying "fuck it, no one else seems to be speaking out about this and I'm going to use my platform to do that."
For context, this character is a Jew who has been mistaken for the dictator (for obvious mustache-related reasons), and has been sent onstage at a rally to give a speech. Instead of trying to impersonate Hitler, he says what he really thinks. And keep in mind, Chaplin was coming out of semi-retirement for this. It was the first time most people had ever heard him speak, and this is what he said:
#yes chaplin did some terrible things too but he was decidedly not a fascist#wwii#politics#classic hollywood#us politics#donald trump#fascism
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#it's so terrible because his entire belly is nude#no hair whatsoever#BUT HIS JUNK IS A POMPOM#it's so glaring#everyone comments on it#they're like 'oh is that...' and im like 'YES. YES IT IS. LETS TALK ABOUT SOMETHING ELSE.'#belphegor
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toss a coin 🪙
#svsss#mxtx#scumbag system#shang qinghua#mobei jun#moshang#the witcher#yes its a witcher au#i saw fanart like 4 years ago that changed my life#was never the same again#UAHHHGHFGHGHG#sqh doesnt sing hes like a storyteller i think#slash mercenary slash rogue slash whatever fills his pocket without terrible dying
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i love you royal trio (minus akechi)
#i was listening to the world we knew by frank sinatra while drawing this to inflict maximum emotional damage 😔#royal actually shot me fifty times in the chest and slaughtered my entire family#i’m actually inconsolable over the ending what the fuck do you mean akechi chooses to die of his own volition rather than be manipulated#god it’s just. his character actually makes me violent and insane. they’re going to drag me kicking and screaming to the psych ward#he never had an ounce of control over his life. not even once. he was CONSTANTLY being yanked around like a marionette#until he was disposed of as another pawn in shido’s plan#and then out of some cruel irony he was resurrected even though he did not want to be alive#for once in death he would have found peace���only for that to be taken from him too.#and bc he thinks he’s worthless and his life is so easily gambled away he doesn’t view it as a major dealbreaker when maruki brings it up#“do you really think something as trivial as my life should stand in the way of your decision?” yes you fucking asshole#what do you mean he’s literally fated to die in every timeline? definition of doomed by the narrative#there’s not a single version of his story that doesn’t end with him being slaughtered#GODDDDD he makes me violently ill i hate goro akechi so much he’s so fucking selfish HOW CAN YOU NOT SEE THAT THIS DEAL IS TEARING ME APART#i was so tempted to get the bad ending just so that he was alive ☹️#he looked so happy. he was surrounded by people who loved and treasured him.no shido. control over his life. the ability to choose his futu#TEARS IN MY EYES MARUKI WAS THE ONLY VILLAIN WHO WAS LOWKEY MAKING SENSE 😭😭😭😭😭#my toxic trait is that i think maruki was right all along 😔#ALSO SUMIRE AAUUGGHHHH 😭😭😭😭😭😭😭#the survivors guilt literally eating her alive until the point where she gaslighted herself into thinking she was her sister. insane.#royal was so good bro i’m so glad i endured 200 hours of hell just to play it#terrible terrible ending with everyone going their separate ways and ren ending up in juvie for months#akechi actually being dead in the good ending is so fucked up 😭😭 i thought there was some way maruki could bring him back regardless#not ren hallucinating him in the last cutscene too 😭😭😭😭 “i still see your shadows in my room” ahh ending#persona 5 royal#persona 5#ren amamiya#akira kurusu#sumire yoshizawa#goro akechi#lotus draws
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I- I might have doodled some more- Rollo can point anything deadly at Rook all he wants, it still won't make him back away or stop grinning. Rook's been knocking at the window randomly for weeks before finally getting (accidentally) invited in And he's probably awake during daytime too because why not, the trickier to move around the funnier ! It's like playng the floor is lava but actually deadly ! :)))
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#twisted wonderland#rook hunt#twst rook#rollo flamme#twst rollo#not sure how I should tag this uh???#ship?? is that a ship at this point ??#And yes#yes I do love the vampire/priest trope I have a bunch of doodles of priests/nuns and vampires dating#And I love trinity blood so terribly much I own an artbook of the art by thores shibamoto#please have a look at the trinity blood novel art and manga just look at abel nightroad he's a vampire priest and he's everything to me omg#(ignore the anime though except for the opening by buck tick and the ending song )#welp anyway here's more of it but twst#roleau et rouque sang rancune ou jsp#croissant de lune
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What do you like about the Diasomnia boys if I may ask?
I always love hearing about the different reasons people enjoy characters.
I mean, c'mon. he has split custody over Sebek okay
also, Lilia in particular has maybe the best timeskip character development of all time
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 chapter 4 spoilers#twisted wonderland book 7 chapter 4 spoilers#stage in playful land#i hope this is legible whoops#anon i am sorry but you made the fatal mistake of asking me to talk about diasomnia#insert 'i just think they're neat' jpg#i do like the other characters a lot but they are definitely my favorites#they just hit a lot of my favorite things in characters i guess!#yes even you sebek even though you keep shrieking NINGEN at me#(it's okay he gets Character Development™ later)#and their dynamic! it's great! these guys frikking love each other SO much and they WILL have terrible terrible angst about it#ohoho delicious#give me all your emotional hangups baybeeeee#also somewhere in there i went from 'i like them all equally (but lilia is the most fun to draw)'#to 'lilia is absolutely my favorite (and still the most fun to draw) (EVEN MORE fun now thank you swishy ponytail!)'#(it was probably when his candy coating got a little scratched and whoops all the tragedy fell out)#(where's that 'get loved loser' post because i need to staple it to lilia's forehead)#i am extremely bad at putting things into words so please don't ask me to explain it any further#just know that the diafam is everything to me and if we don't get more episode 7 soon i'm going to crumble into dust and blow away#we'll be getting the crowleytimes on monday and maybe there will be. idk. some foreshadowing or something in his groovy#probably not but LOOK i'm desperate
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The heavy world's upon your shoulders, will we burn on or just smolder? Somehow, I know I'll find you there. Oh, you wanna see if you can change it (change it), still, I know I'll see you there.
↑ I put this verse but they all work, somehow (i wanted to do an even longer drawing at the beginning, sheesh).
Linking music with content is my absolute favorite thing to do. I did it with aftg, and also for trc with this post (muse!!) and obviously the animatic, which happens to have turned 1 year old very recently (happy birthday).
Anyway, I'll do a trc reread soon, last time was two years ago (!!), i've read extracts since but it won't do for much longer.
#trc#the raven cycle#the raven boys#the raven king#cage the elephant#come a little closer#gansey#blue sargent#bluesey#adam parrish#ronan lynch#pynch#yes the parallels between pynch and bluesey are intentionnal#noah czerny#(he's also here you just gotta see it)#ugh i miss them#unfortunately ive landed my raven boys to a friend so now i gotta wait for them to finish it before i can reread it myself#terrible right#reminder that my commissions are opened :) i need money#MUSE PROPAGANDA (this is an art tag)
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part 2!!!! [read part one here]
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn. we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will it’s had its eye on her since she lost the other eye she was specially selected for her hunting skill it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse? “given how fast scott killed skizz last season, i can guess.” [“any pain you spare your friends, you’ll have to suffer worse”?] it’s designed to shut down higher reasoning with stress
#if you still can't see the rhyme scheme try reading it out loud#if that doesn't work uh. idk. can't help you#my art#my poetry#grian#geminitay#smajor1995#bdoubleo100#inthelittlewood#secret life#grian and his terrible horrible no good very bad eldritch coworkers: the sequel#cant wait to post the next part so i can be like 'my three secret life comics. and yes they all rhyme'#this one narratively doesn't work nearly as well as a standalone compared to part 1#however i accidentally went way too hard and could probably upload the middle page + second to last panel as their own separate art pieces#tbh i'm considering putting an explanation of everything below the readmore buuut i don't feel like it atm. :3 later maybe#me and my 20+ life series headcanons i only allude to without explicitly stating don't need to explain ourselves#still experimenting with this webtoon-esque vertical comic style#still not sure i like it#it gets long too quickly#among other things#but it's very easy to read on a phone so
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Izumi (steambaby) sketches.
#zutara#atla#avatar the last airbender#steambabies#atla izumi#zuko#katara#atla art#atla fanart#zuko x katara#katara x zuko#fire lord izumi#atla oc#fire lord zuko#katara of the southern water tribe#steambaby#Hello Izumi!#She's got her dad's dry sarcasm and her mom's Stare of Judgment™#Uncle Sokka's perfectionism and Auntie Toph's tendency to give nicknames to anything that moves#Auntie Suki's Kyoshi Warrior training (because of course) and Uncle Aang's love for animals#Auntie Azula's poker face and Uncle Iroh's stragetic mind! And love for tea. And wisdom (which is overruled by her awkward self)#She's a daddy's girl and momma's best friend. They'll all braid each other's hair and go to terrible plays and do vigilante stuff together#She's got blue fire and a blue baby dragon named Tui and an arctic wolf named Agni. And yes that's the right name order. Deal with it.#She probably has a nonbender baby brother. Lu Ten is a swordmaster and the most lovable human being on this planet#Maybe another baby sister. Waterbender. Absolute MENACE. I'll think about it.#Or maybe she's an only child#Who knows!#I'm just here for the vibes and drawing pretty people#You guys come up with headcanons for her. I'd love to read them!#I don't think I'll do anything with her any time soon so...
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peristalsis - ii.
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selkie!soap x reader. depression. suicidal ideation. strangers to "lovers." . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.
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You sleep long enough that, when you wake up, you have enough energy to cry.
It’s a big one. The kind of cry that threatens to turn your throat out, with how hard you sob. Alone in the cottage, far away from anything resembling civilization, you wail like wounded animal, choking on your own tears and mucus, losing track of your body buried underneath the covers—
But it happens at a remove. You watch yourself implode from someplace deep inside, not entirely sure why it’s happening at all—but long past trying to figure it out.
This is how it’s been for a while. There’s nothing special about it anymore. Nothing urgent. Most of the time, you are a blank space of a person, a vacuum where joy or rage or fear should be, but occasionally some maelstrom or another kicks up to fill it in, and your only course of action is to ride it out until it ends.
You’ve stopped trying to fix it. And you’ve stopped hoping anyone else can, either.
So you cry, until at last, you’re empty again. Or you’re too tired to continue. The difference is negligible, but functionally irrelevant. Once it’s done, you get out of bed.
The pressure in the shower is as weak as Johnny reported, but the water is indeed warm when you turn it on; you stand naked under the flow, arms hanging at your sides.
The day stretches itself out before you with nothing to occupying it, just as you’d planned. Nothing to work towards; no effort to put forward. Nothing, thanks to your choice of locale, to feel guilty about not seeking out.
A day of peace and utter quiet.
Suddenly—violent banging, somewhere in the cottage. It startles you; you jump so sharply at the noise that you smack your wrist on the soap caddy attached to the shower wall. The banging comes again��annoyed, you realize with no little bemusement that someone is at the front door.
You wrap yourself in a towel and hobble out of the bathroom to answer it, a piece of your mind on your tongue, dart-shaped and ready to fly—
Of course it’s Johnny.
Johnny, big and burly in a sweater, kilt, and pelt once again, two paper cups balanced in one large hand and a grocery bag hanging from the other. Whose dark brows shoot up his forehead as his eyes travel with surprise, and blatant appreciation, down the dripping length your body.
“Well, good mornin’, bonnie,” he purrs.
“What,” you grunt. A cold breath of wind chooses that moment to force its way through the door, gasping across the shower water still running in rivulets from your hair to the rolled edge of your towel. Goosebumps erupt from your bare skin in millions of simultaneous pinpricks—you flinch bodily at the chill.
“Ah, hell’s bells, don’t just stand there,” Johnny says, following the wind. “It’s freezin,’ go on, let me get in, hurry.”
You let him step inside, for some reason, and he shuts the door behind him with the heel of his boot. He wastes no time after that, heading to the kitchen to set down his things.
“Brought breakfast!” he says cheerfully. “There’s this bakery on Barra I thought you’d like, fresh doughnuts and coffee. Dunno how you take yours, but there’s sugar in the pantry and cream in the fridge.”
“I don’t want breakfast,” you say.
“What? ‘Course you do. I’m no’ takin’ you seal-watchin’ on an empty stomach.”
He starts unpacking the grocery bag and setting things on the counter while your jaw hangs open. Several things occur to you to say—I never agreed to that and what the hell is wrong with you, for starters—but your stomach growls at him before you can. The aroma of fresh-baked pastry wafts through the kitchen when he opens one box, and he turns to grin at you, cheeks dimpling.
“Do you get dressed, bonnie,” he says. “It’ll still be here when y’get back.”
It is less polite than he perhaps intends it to be, given that his gaze travels appreciatively across your bare shoulders. You cross your arms fruitlessly over your chest and, nothing else for it, retreat to the bedroom, feeling his eyes on you the whole way.
You return to the kitchen after having pulled on wool leggings and the same fleecy sweater from the day before. Johnny, one hip set against the counter, has a cup of steaming coffee in one hand and a half-eaten cruller in the other, crumbs at the corner of his mouth.
“Got anythin’ heavier?” he asks around a chewed-up mouthful. “Gets cold out there.”
You look down at his bare calves, broad and taut and covered in a down of dark hair. “You seem alright.”
“I’m used to it,” he says, shrugging—the muscles flexing under your gaze.
You purse your lips. “I don’t have anything.” You hadn’t intended to leave the cottage overmuch.
You approach the counter. Johnny does not move a centimeter, forcing you to stand close as you pick through the two boxes of doughnuts and feel the body heat radiating off of him, displacing the scent of fried dough with his musk.
“That’s all right,” he says. You’re close enough to hear the way his voice hums deep in his chest. “I can keep you warm.”
You snatch a plain glazed from the box and take two very large steps away from him. The hair on the back of your neck lifts as you press against the sink behind you. If he notices your reaction, it doesn’t seem to bother him in the slightest—he lifts the cup to his lips and drinks, eyes sliding closed with simple, obvious pleasure, dark lashes curling against his cheek.
You take the brief respite from his gaze to stare at him. In the morning light, on a full night of sleep, you can almost believe that whatever you’d seen in him yesterday had been nothing more than a misfire of exhausted synapses. An overlay of a dream; a circadian prompt to rectify nearly seventeen hours of sleeplessness. You’d been cold, and tired, and hungry. That was all.
You bite down on your doughnut, not really tasting it. The nerves along your spine twitch and contract around the memory of his flashing gaze.
His eyes open again, and he smiles at you. “Good?” He flicks a look at the single bite you’ve taken, looks at your mouth, and then waits for your reply.
“It’s fine,” you grumble. Then, “How did you get here? I didn’t hear the truck drive up. Do you live close by?”
“Sometimes,” he says. He looks pleased that you’ve asked, that you’re interested at all, and you immediately regret inquiring. “Live on a boat, me. Moored in the cove right now.”
“A…boat,” you say.
“Aye.” A wisp of dark hair, something he must have missed when he gelled his mohawk this morning, flutters as he nods. “Nice and cozy. Not as grand as all this, mind.” He gestures around with coffee and doughnut at the less than five hundred square feet of the cottage. “But it’s still a sight nicer than some other places I’ve slept.”
He’s likely hinting at his military service. “Okay,” is all you say, unwilling to entertain it.
He smirk—undeterred. “We’ll take her out once you’re ready.”
“I never said I was going.”
Dark brows lift. “Got somethin’ else planned for today?” he asks, incredulous, as if he never imagined you wouldn’t want to hang out with him.
“No, I—”
You wrack your brain. You have no intention of explaining to this complete stranger that the last thing you’d wanted to do, when you booked this trip, was really anything at all—and in fact, you hadn’t even considered that that might be something anyone else would care much about.
Much less proactively address.
“No,” you repeat, sulking.
Johnny considers you, chewing. His eyes do not stray, this time, to places they don’t belong; but there’s an insight to them. A sharp awareness. A perception in his gaze that is just as undressing, as if whatever is going on with you is visible to the naked eye.
“I figure,” he says, slowly, as if to coax, “you put your wee shoes on, an’ I’ll pack this back up, and we take it along.”
“You don’t have to do this,” you grouse. “I don’t need you to, like—be my tour guide.”
“Aye, but that doesnae mean I don’t wanna,” he retorts, smiling.
He shoves the last bite of cruller in his mouth and gazes patiently at you as he works it with his jaw, the muscles flexing along his temples as he chews.
Exhaustion, your constant companion, stares you down alongside him. It would take so much more energy to fight him than to go along with whatever he has planned. Energy you just don’t have anymore. And going along doesn’t mean you have to pretend to enjoy yourself—it’s not like you care enough about Johnny’s self-esteem to conjure up a happy face to show him.
You can go, and be a bitch about it, and once you do maybe he’ll realize you’re not at all worth the effort he’s making, and then finally leave you alone.
“Fine,” you say, which is how you end up on a fishing trawler headed south toward, ostensibly, a colony of breeding seals.
It’s an old vessel—that much is obvious. Its edges and corners are dull with the passage of time and constant maintenance, scuffed by innumerable passes-over with cleaner and cloth. Mildew competes with the aroma of fresh varnish as Johnny leads you onto the bridge, which is mercifully closed in from the ocean wind.
The interior is mostly wood of a warm, orangish variety—you can’t tell if that’s a decision made with aesthetics or function in mind. The space comprises a kitchen, surprisingly well-appointed with a stove, sink, countertop, and fridge, and a small sitting area with both couch and booth seating. Surrounding windows allow in the grey light of the morning.
“Bought it off an old bloke on Lewis,” Johnny says, taking his place at the wheel, which is in a little alcove off the kitchen.
If you’d thought steering a boat would have curtailed his chatting, you’d have been wrong—he seems to have no trouble with that and talking, incessantly, at the same time, as he pulls the vessel away from the cove and into the open water.
“All his family moved to the mainland, he told me, an’ this is after generations fishin’ these islands, even makin’ it through the Clearances! No money in it anymore, he said, not like you could make in some office somewhere countin’ someone else’s money.” He checks something on the dashboard in front of him, but it doesn’t distract him for long. “Held on for a while, but people just kept leavin,’ an’ he was gettin’ too old to go out on his own. Got such a good price on it, I think he was just happy someone else was gonna take up the tradition.”
“Did he sell you the cottage too?” you ask, and then dig your nails into your wrist for encouraging him.
“Yup,” he says. “No one else wanted it, but me? I saw somethin’ special about it.”
He turns to smile at you—no doubt pleased you made the connection. You avert your gaze.
“Imagine someday I’ll have my own family here,” he continues. “Good place for it. Nice and slow, not like city living. Can hear yourself think out here. Perfect place to have a few wee ones.”
“If people stop leaving,” you mutter.
He turns to you again. “I’m no’ worried about that,” he replies. He’s still smiling. “You came here, after all.”
You have nothing to say to that.
The trip is a short one—Johnny brings the trawler alongside an island he informs you is called Mingulay, a square mile smaller than Vatersay’s tiny dot in the North Atlantic. Unlike the latter, he says, this island has not been inhabited since 1912, and has been completely reclaimed by the ocean and its wildlife.
After he drops anchor offshore, Johnny disappears down a steep flight of stairs below deck, which he had not offered a tour of, and emerges a short time later with a large, bulky coat.
“Didn’t I tell you?” he says proudly, holding it out by the shoulders. “Here, turn ‘round.”
You pause in the middle of reaching for it. You don’t know exactly why you comply—it occurs to you that if you grabbed for the jacket, he could simply not let go of it, and you would end up exactly where he wants you anyway. So you lower your arm and, resigned, give him your back.
He steps up behind you. Warmth pours off of him, more than you think any human body should be able to generate.
You hear him inhale, deeply, as he brings the jacket to your back. As you slide your arms into the sleeves, you feel his exhale on the nape of your neck, teasing through individual follicles of hair.
“There w’go,” he murmurs, much closer than you expected.
You can hear the low hum of his voice in his chest; his hands linger on your shoulders far longer than they need to, heavy, big enough that his index fingers brush along your collarbones.
When his hands make to slide down your back you step away from him and fumble to zip the jacket up; he chuckles lightly behind you. When you turn to face him, his lips are curled—smug.
“Alright then,” he says. “Let’s get out there.”
He rows the two of you to shore in a small kayak, two pairs of binoculars in your lap as you huddle away from the wind. You’ll be walking to the haul-out, he says—getting too close to the breeding grounds, which he calls a rookery, would spook them, possibly causing a stampede.
“It’s grey seals we’re gonna see,” he explains as the two of you pick your way across the rocky landscape. “Not the biggest haul-out you could see, some colonies get into the thousands, but we’ll have it all to ourselves.”
He insists on taking your elbow every time the two of you cross particularly uneven terrain, even though you don’t need it. You think he takes your attempts to shake him off as proof of your lack of balance, because he grasps you all the tighter every time.
“I’m not a child, Johnny, I can walk on my own,” you finally snap at him.
“Just bein’ a gentleman, bonnie,” he replies nonchalantly. He does not let you go.
As you get closer, you hear the seals before you see them, and when their voices reach you across the open island, you stop dead.
Groaning, grunting, hissing in a cacophonous chorus. Some part of your hindbrain double-takes, reshuffles itself—some ancestral instinct always on the lookout for predation. If you’d been given a chance to guess what a colony of mating seals might have sounded like, you’re not sure you could have guessed what they sounded like.
Certainly not like what you hear now—
Like people.
Johnny grins at you when he notices. “Aye, it’s a right ruckus, innit?”
He leads you up a small rise, where he has the two of you settle belly-down over the machair to overlook the wedge of rocky coast that the colony has claimed for its own.
And when you finally see it—it’s underwhelming.
Perhaps two hundred long, fat bodies, in varying shades of brown and grey, lay indolently along the rocks, in groups of three or four, some heavily galumphing from one place to another while others roll occasionally from side to side. The shifting winds catch their scent and blow it uncaringly into your face; you nearly gag at the admixture of dead fish and ammonia.
It doesn’t escape you that this is a rare thing to witness; you are not wholly immune to the fact that you are only a hundred meters away from something most people only encounter on a screen. It’s just that without a swell of awed music in the backdrop, or a narrator’s breathless wonder at the miracle of pinniped life, what’s left for you to observe is a population of wet, stinking animals, shitting where they lay, vocalizing without cease while they laze about doing basically nothing.
Johnny does not seem to notice your disillusionment; he hands you one pair of binoculars, and directs your attention to activity along the shoreline. You follow to where he’s pointing; one larger seal is hassling a smaller one, which snarls at the aggressor as it thrashes around with its substantial bulk.
“Little one there—” Johnny says, “that’s a female, probably obvious. Big one knows she’s ready to mate, can smell it on her.”
The female bares her teeth and lunges at the bigger male, which flinches back but holds his ground.
“Doesn’t look like she agrees,” you mutter.
“She’s just givin’ him a hard time. She’s all in heat, see? Just makes her cranky,” Johnny says. You feel his eyes on you, and lower your binoculars to look at him. “She’s got to fight to feel all in control.”
You flush. “Right.”
“You don’t think so?”
“No,” you say. “He’s—he’s just bothering her.”
He gazes at you for a moment, contemplative. Corners of his mouth quirking upward. He does not reply for a long moment, long enough that you have to avert your gaze from his.
“Nah,” he finally says, and you don’t think you’re imagining the low, sultry note in his voice. “She wants it bad as he does.”
You scowl, uncomfortably perceived, and return your binoculars—the pair is still facing off, gurgling and growling at each other. The female is slim, almost sleek, unlike most of the other seals populating the rookery.
“Is she sick?” you ask.
“Hm? Oh, no, she’s alright. The mums lose a lot of weight when they nurse. Takes three weeks, and they don’t eat in the meantime.”
“Jesus.”
“Be nice if the dads ever brought ‘em a bite, aye?” Johnny agrees. “Deadbeats, the lot of them.”
The two of you survey the colony in silence for a moment. As the morning wears on, the cloud covering thins overhead, allowing cool sunlight to filter through. The temperature doesn’t rise in response; begrudgingly, you tug Johnny’s jacket a little tighter around you.
Then, suddenly, his hand lands on your back, between your shoulder blades.
“Got some pups over there,” he says. “Look, by the kelp.”
You find them; smaller bodies, white dinged with wet sand and dirt, lounge near their mothers or wriggle with aimless difficulty. They’re fluffy and round as plush toys, with shining black eyes and noses, and once Johnny’s pointed them out you can differentiate the higher, sweeter pitch of their cries from the overall cacophony.
“Sometimes,” Johnny murmurs, “search and rescue’ll get called out because someone thought they heard a baby crying. Some kid stranded or lost, right? Turns out to be a baby seal.”
“That’s kind of scary,” you say.
“Aye,” says Johnny. “Always makes me think that’s where the old legends come from, about seal people or mermaids.”
A small ways away, some of the mothers lay with their pups far into the surf, letting the waves break over them. You watch as one mother thunks her large head overtop of her pup’s as the water rushes toward them; the pup wriggles, and then, as the wave engulfs them, it begins to thrash, whipping up a panicked froth.
“Time for swimming lessons already?” Johnny muses. “Seems early.”
You’re horrified. “She’s going to drown it!”
The hand still on your back pats you consolingly. “Just watch,” says Johnny.
The wave reaches as far up the shore as gravity allows, and then begins to recede. The pup’s thrashing calms as the air meets its face once again; the cow allows the pup to lift its head, and after a few sputters, the pup seems no worse for wear.
“They’re hardier than they look, bonnie,” Johnny says.
His hand, heavy and warm even over his borrowed jacket, slides down from your shoulders to your lower back, and then he rubs, slowly, side to side, as if to comfort you—but the knobs of your spine contract at his touch.
“Last of the births this season, looks like,” he says. “Mum’s getting ready to leave—probably not the only one.”
Something hard drops into your stomach.
“They leave their babies?” you ask.
“Aye. Once they’re done nursing, they mate, and then they go.”
You look back at the other cows with their pups. One baby has its muzzle to its mother’s belly, quivering and suckling, while she lays with her head on a patch of grass. She looks uninterested—more, she looks disinterested. As if how voraciously her pup is nursing has nothing much to do with her, and she’s bored of even having to think about it.
Bored—and already looking forward to the next part of her life without a baby in it.
“That’s horrible,” you say.
“They’re solitary animals, bonnie,” Johnny says, not ungently. “The only time they’re really all together is for this.”
A line tightens between your stomach and throat, and you feel it start to build between your ribs. A tremor—foreshocks. The wind picks up, bringing a sharp chill off the ocean and up the rise that cuts into your stinging eyes, abrades the naked skin of your hands and the exposed part of your neck.
When you look through your binoculars again, you wonder how many of the pups you see have already been abandoned.
“Aw, bonnie,” Johnny says. There’s a kind of pity in his voice that has your hackles raising.
“I want to leave,” you say, yanking away from his touch and shuffling down the incline. “Take me back to the cottage.”
“Bonnie, it’s okay!” Johnny protests, rolling to his back to look at you as you stand. “The pups make it, they figure out how to fend for themselves.”
You glare at him, vision blurring. “All of them?”
Some part of you knows you’re being irrational—knows that nature is a cruel home, and that many children face worse fates than the seal pups. Abandoning the young, the needy, is no aberration; it is, in fact, far more the standard than the human practice, which lingers for decades—
Most of the time.
Johnny has no response. He holds your angry gaze, brows drawn low, mouth pressed into a thin line. It’s the first time that cocky aura, which seems to rest in every fine line on his face and every angle at which he holds his body, is completely absent.
He isn’t reflecting your anger back at you, though—he’s internalizing it. Letting it hit him, you think, and trying to use it to figure you out.
You do not want to be figured out.
You scoff again. “Take me back,” you repeat, and then you start walking in the direction you came, without waiting for him to follow.
Johnny drops you off in the cove, and thankfully does not linger this time before he departs—he bids you farewell after rowing you to shore, contemplation on his face, and then leaves you to yourself.
You retreat, seeking the cottage’s empty quiet.
As you perch on the couch you listen to the radiator hum—the wind blow over the reeds in the thatch roof—your own heart beating a drum in the arteries of your neck.
Percussive. Quick and hard. Like heavy knockers on a door. Pounding as if to burst through.
You realize you’re still wearing Johnny’s jacket, and you throw it off, disgusted with yourself. You get up and pace, and try to ignore it lying in a heap on the floor.
You do something you swore you wouldn’t do the moment you set foot on the island—you turn your phone back on.
True to Johnny’s word, there’s no signal. You picked this island, this part of the world, for a reason; for the past several years, a slow exodus from the British isles has vacated the need for dedicated cell towers or satellite or internet access, especially given that the only ones who remain are too old now to want it or need it or know how to use it.
It’s isolated. Cut off. Left behind by anyone with better options, and only clung to by those trying to preserve the only way of life they know.
Some kinder part of you belongs with that demographic; the part that was telling your mother the truth, before getting on the plane.
The rest of you holds your phone up and starts walking around.
In the furthest corner in the bedroom, you find a single bar of signal. A tiny chip of connectivity—a thin, frayed thread. Something you lied to yourself about cutting.
It’s a weak connection. Unstable. It could take a while—you stand there, waiting.
The screen dims. You tap it again.
Blank.
You unlock it, look through your apps. Wonder if maybe your notifications are bugged by your new SIM card.
Nothing—
No one.
You whip around and, with a cry, pitch the thing at the far wall—it hits the stone with a crunch, falling to the floor in pieces.
You’re out of the cottage then in a mad dash, door slamming behind you, driving yourself back into the wind. Far away—you want to be far away, far from everything, so far that nothing could possibly reach you. You trudge down the path toward the beach, banding your arms across your chest, shivering in the cold, and yet you hardly feel it.
Not worth it. No point. Waste of your time. Energy. All of it. Stop trying. Stop wanting. Nothing. Nothing. You want nothing.
You’re halfway down to the shore, not really knowing what you’re going to do when you get there, when you catch sight of a body on the sand.
You gasp, a sharp breath down your larynx, and freeze in a dead halt.
The body is completely still.
A swimmer? A diver? It’s dark, like it just pulled itself out of the ocean—or washed up—
Then, it moves. A twitch, a ripple across its bulk, and your chest rapidly decompresses.
A seal. It’s a large seal, lounging alone on the beach.
You stand motionless. You’re very close—much closer than you and Johnny had been at the rookery. You hadn’t contended with the sheer size of the animals, tucked safely up and away from them, but there is no illusion of distance now.
It’s the biggest one you’ve seen today, you’re sure of it. Bigger, you think, than most adult men. Its pelt is a riot of every shade of grey, splashy, like liquid paint thrown across a canvas. Black speckles scatter overtop of marbled white and cool slate, and down the center of its back is a broad, dark line, soft at the edges, which reaches all the way up to the top of the seal’s head.
The bull—it must be male—turns over. It lifts its head, and opens its eyes—
Fear suddenly zips up your spine as it looks right at you.
You stumble backward and trip on your own feet, landing hard on your ass. Johnny’s care with keeping enough distance from the colony rushes back to you, along with the warring couple’s bared teeth.
They can’t move that fast on land, right? They aren’t interested in people, right?
You scramble backward. It’s so much bigger than you ever would have imagined. If it got to you—threw itself over you—it could crush you with its weight alone—
The bull watches you placidly. Unperturbed.
You pause.
Its small eyes are dark and glossy—watchful and focused. The whiskers on its muzzle twitch a little as it takes you in. It breathes, deeply and evenly, huge body expanding and contracting at a slow, calm tempo. Its—his—nostrils flex, widening and narrowing, as he blinks docilely.
Unafraid.
If anything—curious.
Then he snorts, and wriggles in place. It startles a laugh out of you, more reaction than humor. Still watching you, the bull lowers his head back down, resting it again on the sand.
Your heartbeat abates. He doesn’t move again—nor does his attention leave you. Slowly, you sit up.
Wary. No sudden movements.
He doesn’t react; only continues to watch you.
You draw your knees up. Wrap your arms around your shins, and dust a bit of sand from your leggings. Rest your chin in the crevice between your knees.
There’s an intelligence in the bull’s eyes that is fathoms deep. There is a massive gulf between his experience of the world and yours, millennia of evolution separating your species from his—and yet…as you hold his gaze, you recognize the look in it.
Him, seeing you. And seeing you see him. The pendulum swinging between awareness of each other, and recognition of that shared awareness.
An empty space in the cloud cover passes overhead; sunlight touches the earth, warms it briefly before disappearing again. You wonder a little why this bull isn’t with the other seals.
Johnny would probably know.
“I didn’t come for you, you know,” you grumble at him.
The seal blinks. Awareness notwithstanding, you don’t share any language.
You sigh. “I guess you didn’t come to see me either,” you say.
But you don’t move away.
And you stay like that for a long while, you and he—regarding each other as the wind breathes out across the shore.
next
a/n: follow for more seal facts™
Also huge thanks to Lev for trawler listings/info. Didn't explore it much this chapter but Soap's boat will show up more soon :)
#soap x reader#soap x you#john soap mctavish x reader#john soap mctavish x you#john soap x reader#john soap mactavish x reader#soap mactavish#john soap mactavish x you#soap mactavish x reader#soap mctavish#john soap mactavish#mwritessoap#madi writes#am i happy with the photos i used? no#am i going to make an effort to change them? also no#does that image of a whirlpool look terribly erotic? oh yes#selkie soap#peristalsis
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I want my friends back. I don't want to be alone.
LOKI 2.05 Science/Fiction
#yes i know this looks terrible but sometimes you just gotta make terrible-looking things out of love yknow#tfw you watch the love of your life get spaghettied right in front of your eyes#loki#loki tv#lokiedit#lokitvedit#loki laufeyson#mobius#mobius m mobius#lokius#lokiusedit#marveledit#mine#ella edits
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about illario working with the venatori, we can't forget that elgar'nan gifted him blood magic, so I do think that he somewhat influenced him and that's why he's so much more vindictive and jealous in comparison to tevinter nights. I don't mean that he's being mind controlled, but it's a bit like cyrian, a god just amplifying those negative emotions in you and promising power and glory can push a person to that edge and to make stupid af decisions.
im also not forgetting that zara line in inner demons where she talks about an envy demon. like. why an envy demon in specific...there's THINGS between zara and illario that were not shown
no literally if you get me talking about illario + envy + the possibility of getting him possessed, you will have me here for fucking ever. a non mage doing blood magic (any magic at all) is really weird and interesting to me and i don’t remember an example of this happening before (feel free to correct me tho lol. i’m discounting possessions and dwarves)
i had started wildly theorising after bloodbath that he had been possessed and he was tapping into the fade using an envy demon. especially like you said, zara mentions it, AND because i swear there’s a codex in the ossuary where it mentions an envy demon whereas spite is obviously determination, right? so i thought it was a breadcrumb trail to a big “illario is being influenced and doesn’t even know” reveal— same as you anon like great minds am i right— but i’m not sure there is actually any evidence of that lol. like maybe if you squint but i do believe it was explained away by “oh yeah, and elgarnan let him do special blood magic”
it does also make sense to me that illario can only control lucanis, due to being part of the same family. a bloodline thing, and it is very poetic to me that their shared family connection in caterina is what allows him to control lucanis, even for a moment lol. spite being the extra magical boost that lucanis needs to block that out ALSO makes sense to me so i’m not too fussed abt these details lol🤔
the envyllario in my heart also gets spectral weapons for himself. lucanis gets wings, illario gets talons, PLUS green-purple are complementary colors so it would have been really fun to see them clash with their spirit/demon-powers. the talon thing is also a kind of reflection of his end-goal desire, how envy demons already have those freaky hands, and it manifests as claws and is a much more aggressive, strength-augmenting manifestation (as opposed to manoeuvrability and speed-augmenting that spite’s wings give lucanis.) anyways that's what the diagram above is supposed to be (this is extremely hot to me)
#have been waiting all day to get out of work to draw what i have not stopped rotating in my head#also drawing is not totally clear yes that is lucanis using one hand to hold back illario trying to claw at him yayyyyyyy#illario dellamorte#lucanis dellamorte#my art#dragon age#veilguard spoilers#sorry. i was going to reply to this yesterday but my friend finished the lucanis questline#we were discussing this for a bit so the reply is a little more in depth and thought out#also both of the remaining dellamorte heirs both being possessed is fun to ME .#forget house dellamorte being cooked we HAVE to make sure they’re burning and smoking and potentially even on fire#i wish we got to make the crows actually confront what a possessed heir would mean#but that is largely overshadowed in the game by caterina’s kidnapping#and also feels underused because nothing of note goes terribly bad#he doesn’t even draw any blood when spite tries to kill illario#truly wish lucanispite would have gone out of control and killed someone. idk who tho#maybe. lol. jacobus come here. i need you to die tragically
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#fallout new vegas#fnv#benny gecko#KILL HIM NOW KEEP KILLING HIM#cw gore#maybe#idk#just to be on the safe side#terrible picsart job yes i know leave me alone it’s 1am
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yeah its whatever, idgaf
![Tumblr media](https://64.media.tumblr.com/77e120737485b173ea6657746d375ffc/c85ee98ad8915913-e5/s250x250_c1/f100f80a88410e8d5a5c3eebd0e5f6bff40e7485.jpg)
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#yes daniel i will be snacking on this for days#devasting lore bomb#phan#danandphil#danandphilgames#amazingphil#danisnotonfire#dan and phil#dip and pip#phil lester#daniel howell#dan howell#terrible influence
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