#and those are people to go to a lot of concerts in general

[walkawaytall]

Okay, this has been ripping through TikTok and I do not think it's what people are saying it is. Now, I have no insider knowledge, but I have been cursed with an ability to often (though not always) be able to follow Trump's trains of thought even when he skips all around and clearly forgets to bridge the gap between subjects. I blame my ADHD-riddled brain, which does similar things if I don't make a concerted effort to rein it in. Anyway.

Some necessary background: Trump was president when the US secured the 2026 World Cup, and I believe also when we secured the 2028 Olympics. That's what he's talking about in this section. His full statement about this topic is below:

And in 2028, the Los Angeles Olympics will be one of the great sporting events and patriotic celebrations in history. I was with Gianni, the head of the Olympics. And because of the wildfires, they’re going to do a special, special job. They’re going to really do something very special for the Olympics. And the opposite, some people said, oh, maybe the Olympics can’t go there. It turned out just the opposite. They came to see me the other day and the committee. And it’s just the opposite. So the Olympics is great. And Johnny, for the others, you know, the World Cup. Johnny is the head of it. We had our top people, Wasserman. They all came in on the Olympics. And then I saw Johnny. And we got the World Cup, too. And you know, it’s only because they rigged the election that I’ll be your president representing you there. So I got both of them. I got the Olympics and I got the World Cup. And I said, you know, it’s too bad. One was in 2026 and the other was in 2028. And I said, I won’t be there. I won’t be your president. But then they rigged the election. And now we won. So I’m going to be your president for the Olympics and for the World Cup. So, Johnny, thank you for the World Cup. And everybody, thank you for the Olympics. We’re going to have a great time.

I understand that this is rambling and confusing, so I have attempted to translate it into a normal, linear statement below.

My translation: When Trump was president, he was involved in securing the United States as the location for the 2026 World Cup and the 2028 Olympics. He either thought or told some people that it was kind of a bummer that he wouldn't be president the years those events took place. The implication there is that he assumed he would win the 2020 election, thus disqualifying him from running for president again. But then the Democrats rigged the election, which meant he didn't do his second term in 2020, and now he's won the 2024 election, so he'll get to be president during the World Cup and the Olympics.

It is important to note that Trump uses a lot of "us" and "them" rhetoric to stir up his constituents, where "we/us" is him and his followers and "they/them" is anyone who opposes him. It's very 1930s Germany, but I can't think about that for too long or I end up in a panic spiral. Anyway, while he obviously uses "them" the normal way -- as a generic pronoun -- I would be very surprised to see him use it to refer to his own people, especially in this context. If he were brazenly bragging about fixing the election, I'd think he'd use we. (I'm not...like, a linguistics expert; this is just an observation. But his talking points depend on heavy repetition. That's why every opposing politician has a demeaning nickname that gets beaten to death, why "fake news" has become everyday language, why he's still talking about the 2020 election as being rigged, etc. This is just another chance to remind everyone in the room that they got cheated out of something in 2020, to really encourage more unrest.)

Also, whenever thinking about a conspiracy theory, it's helpful to consider two questions:

Who does it benefit?

Does the risk outweigh the reward?

In this case, a rigged election obviously would benefit Trump greatly. However, revealing it on a national stage wouldn't. Trump isn't stupid. He chooses to remain ignorant about some things, and refuses to depend on experts when he should, but when it comes to something like this, I don't see him bumbling into a conspiracy reveal. The risk is too great.

Because something you have to understand is that, while his most die-hard fans are in a personality cult of sorts and will bend over backward to excuse his every move, he has moderate voters. He has people who can't stand him as a person, but disliked Harris more and those people would likely be pretty pissed if they found out the election had been rigged.

Also, many of his die-hard fans believe they are in the majority in our country. I know this because I have been told this regularly on TikTok this week when I made some videos related to the inauguration. Trump tells people this all the time -- that his victory was a landslide (he got 49.9% of the votes in 2024, so that is a stretch), that he's a man of the people, etc. Many of these people believe that the 2020 election was rigged, but 2024 was won fair-and-square. And while I'm sure some would be fine if the 2024 election was rigged as long as the results worked in their favor, it's too much of a risk to potentially upset his followers. Especially since...what would the reward be here?

Like, I get it: Trump's very boastful about a lot of things. But this would not endear him to all of his voters, and even for those who were okay with it...it's possible some would think it was a great "beat them at their own game" sort of thing, but it doesn't really gain him much of anything.

So, I personally do not believe that he was admitting to rigging the election at a nationally publicized rally. I do agree that some of his statements earlier in the speech about Elon understanding voting computers was weird, but it also could have just been one of his tangents. Anyway, unless there is more evidence than this particular speech, I personally think it's just speculation (though I've wondered about it myself for months).

I saw a clip on Tiktok but when looking it up on the Google I found no major news organization talking about it. Edit: Someone told me I misconstrued what he ment so I'm just gonna let this sit here and yall can make up yalls own mind 🤷🏾‍♀️

[curlyhairedprince]

.

[seaofreverie]

I knew about the post concert depression but no one told me about the post concert constant feeling of AAAAAAAAAHHH that lasts days and makes everything much more bearable and beautiful and some sort of ethereal type of hope is restored into the world, or maybe it's just the "seeing your favourite band after first thinking that it would never happen and later spending many months waiting for it all the while fearing that it wouldn't happen after all because of circumstances outside my control or feeling like it was too beautiful and wonderful to be true so ofc it wouldn't come true" part of it all

[literaryxbones]

Awesome cosplay! Love the blood effects makeup and the jewelry details.

Even though I never used it, I'm going to miss Tiktok. It's influenced our music, culture, and fashion in monumental ways. The app gets a lot of credit for being a platform for posers. For some it was a phase, something they lost interest in as they grew older (which is a totally normal, valid thing), but new and younger people also got introduced to our subculture. The younger generation preserves the history. A story that was weaved in the eighties by concerts, club-goers, and cassette collectors lives on in the minds of the youth. Ironically enough, I am one of those kids (or was.) I became interested in goth during 2019. Hearing different language bands like Molchat Doma become popular got me further involved in the scene. I thought it was so cool that goth rock united people across cultures, dialects, and countries. It's been 5 years since I first discovered goth.

Drag/cosplay of Constance I posted on TikTok yesterday. I’m really gonna miss both her and TikTok, so I thought I would cosplay her one last time.

[jmtorres]

i just saw a post about how we just have to "live with" covid and wanting more protections from our government is unreasonable because we'll never wipe it out, it jumps species and is in all sorts of animal populations (like, true ok) so why even try to

and apparently the argument was aimed at people (who I haven't seen in the wild) who are arguing we should still be in lockdown. and i have mixed feelings about the idea of extended lockdown or attenuating isolations; but my main feeling at this point is not that the government should keep us apart but that the government should be trying to make it safer for us to be together

things the government could/should be doing about covid:

we know that ventilation/air movement helps a shitton. we should be incentivizing upgrades to ventilation systems in all public buildings with shit like rebates or tax deductions, while phasing in eventual legal requirements. (and uh. it has occurred to me that the US might actually be doing this sideways by there's currently this decade enormous tax incentives in re energy efficient upgrades for slowing climate change and you know. energy efficient hvac does tend to improve ventilation. extra point to biden here.)

mandatory paid sick leave so workers aren't under social or economic pressure to work when sick

passing out RT-LAMP tests like metrix that actually work instead of the rapid antigen tests that have become less and less reliable as the virus mutates

i don't know how you'd write this law but like 95% or more of computer-based work can be done remotely and companies should not be allowed to force people to return to the office. I know there's people who want to be back in person and I'm not saying they should be forced to stay home but ffs I know of at least two people CLOSE to me who worked remotely before the pandemic and at some point their workplaces tried to tell them they weren't allowed to do that anymore despite the pre-existing contracts. stop canceling remote work for people that want, need, or prefer it.

for that matter, every college lecture that was an online class during covid should still be offered as an online class, there is no reason to force students into auditoriums in person. you got the communications infrastructure up and running, why are you tearing it down. give people the OPTION. it increases accessibility for everyone!

covid vaccine immunity lasts about four months. this should be well-publicized and everyone should be able to re-up for free every four months. "every year, like the flu vaccine" is demonstrably not often enough. actually "for free" isn't good enough start handing out $10 gift cards you will be shocked at how many people who are resistant to the idea of vaccines will fold for $10 a shot

are there already laws on the books about masks in medical settings that some medical professionals are blatantly ignoring because they forgot what best practices were before the plague and they're 'tired of masking'? if not, pass laws. if so, fucking enforce them

oh another incentives for upgrades phasing into legal requirements thing: brass doorknobs and railings over stainless steel or whatever. microbes do not survive on brass surfaces

i mean. i know this one sounds too extreme to a lot of people but. UBI.

most if not all of these measures will prevent or ameliorate other pandemics of different diseases that may arise in the future. and just. generally improve our health and quality of life for other reasons.

I haven't felt safe to go to a concert since 2020. Maybe if I knew a venue was legally required to have ventilation to a certain standard and that none of the ticket takers and ushers were on the job sick to avoid risking loss of paycheck or job, and knew a larger percentage of the crowd had up to date vaccinations--maybe if any or all that, I might ever feel comfortable going to a show again.

wouldn't it be nice if those of us who have been disabled, by covid or other conditions, had accessible remote options but also occasionally felt safe enough to interact with and participate in wider society?

one of the arguments on the post I saw was how isolation was massively psychologically damaging and various strata of society were affected in all sorts of ways, from undersocialized kids to increased depression in--well across the board, I think. and here's the thing: WE KNOW. PEOPLE WITH CHRONIC HEALTH CONDITIONS, LONG COVID OR OTHERWISE, KNOW ISOLATION SUCKS REAL BAD. because we, both for our own health and due to disability ostracism, are still isolating and isolated more than most.

what are you as individuals or societies, what are our governments, doing to help make it safe and accessible to rejoin you????

[ilyrafe]

after seeing so much one direction content these past couple of days, it got me thinking. one direction really was the last boyband to ever happen. no one will ever come close to what they did in only six years. it’s a once in a generation kind of thing to happen. they didn’t even win the x factor and ended up being the show’s biggest act, 14 years later.

yes, they were manufactured, but at the same time, they were the least manufactured band to ever exist in recent times. they didn’t dance, they weren’t actually meant to be a band, they got everything they had because of charisma and talent. these boys were so talented and charismatic. they didn’t really dress the same, they were working class teenagers with a dream and they did it. and it was beautiful.

after seeing their statements, it’s finally downing on me that one direction is really over and i will never see all five of them together again. 11 year old me is absolutely devastated, and so is 24, almost 25 year old me.

the fangirl in me never went anywhere, it turns out. i still have my 1d concert tickets (the only one i went to and zayn was still in the band!), my albums and dvds, books, theater tickets and every once in a while i would take them out of the box and reminisce of the good old days, never thinking i would mourn one of them so soon. i genuinely thought i would be way older when they would go.

i can’t help but feel so sad that liam’s last years were so erratic and horrible. he was hurting deeply and he deeply hurt other people, and there is no excuse for what he did. i mourn what he once was, what he could have been and how it all ended up being. i take maya’s allegations seriously and i encourage you to do the same. what she is going through right now is impossible to imagine.

for those saying they’re glad “an abuser died”, think about what you’re saying. his death helps no one. his victims will never get justice, he will not take accountability for his actions. no one will ever get closure.

for those saying they feel bad for hating or mocking him, you really should. he was called an opportunist for showing up at the boys’ concerts and yet, when harry would do it, everyone loved it.

liam wasn’t perfect, he fucked up a lot, but like anyone, he had the right to, at the very least, apologize. 31 is too young, and no one deserves to go like this.

all i think about is his little son, who will grow up without his dad. no kid should ever lose their parent, especially at such an young age. the fact that he never once exposed his son to the media (like many celebrities do) to protect his privacy tells me that he loved his boy and knew all too well the damage this exposure would cause.

i saw that some 1d songs are trending again, and as much as i would love to take the day to listen to them, it is too soon. i haven’t been able to watch friends since matthew perry died, haven’t been able to watch brooklyn 99 since andre bragher died and will not be able to listen to 1d for a while.

it’s too soon.

call me dramatic, i don’t really care. the most magical part of my adolescence has ended tragically and i am really at a loss.

for those who are conflicted as i am, take your time. it is okay to be sad he’s gone and, at the same time, feel disappointed or even angry. it is okay to mourn and, at the same time, support maya.

edit: i would also like to express my support to his parents, sisters, cheryl, kate and friends.

[enhanextdoor]

♡ - 𝐋𝐄𝐓'𝐒 𝐅𝐀𝐋𝐋 𝐈𝐍 𝐋𝐎𝐕𝐄 𝐅𝐎𝐑 𝐓𝐇𝐄 𝐍𝐈𝐆𝐇𝐓

prompt : your best friend is an idol, that makes your friendship with him a little complex. you attend a concert and when it is over you two decide to explore the city but heeseung gets a cute idea. you two will act like a couple for the entire night and things can go back to normal in the morning.

pairing : best friend!heeseung x afab!reader.

genre : fluffy. friends to lovers.

word count: 1.5k

warning : supa cutesy read at your own risk.

disc : lowercase intended. not proofread pls forgive any grammar or typos. wrote this for bestie @en-heedeungie.

heeseung had you wait not far from the venue so that he could escape and the two of you could run off to do something. the concert was amazing, you loved seeing all the guys and heeseung perform. you were waiting at a little park nearby, sitting on the swing and scrolling absently on your phone, mostly through pictures and video’s posted on snapmaps of the concert. you found yourself smiling at the cute little videos of heeseung especially since a lot of the time you knew he was looking at you. you had to remind yourself that you two are friends, but sometimes the lines felt a little blurred. 

heeseung approached with a classic smile, “hey.. so glad i was able to find you.” he said as if he wasn’t the one to tell you where to meet him. “i know the crowd out here is just insane.” you teased back and slipped your phone into your pocket. “ready to go exploring? i mean i obviously have to go in disguise, do you think i should get one of those fake mustaches?” he wiggled his eyebrows just a little and you couldn’t help but playfully roll your eyes. “absolutely not hee.” he let out a little dramatic sigh, leaning against the pole of the swings. “guess i’ll have to bust out the good old baseball cap, hoodie, and shades.” 

it only took him a second to pull all of those things out of a backpack he brought along. you still weren’t sure how he was able to escape staff and the other members, but you weren’t complaining. you got to spend some time on your own exploring with heeseung. he did after all ask you to come to this show and got you tickets for the show and the flight there in general. “you know i have an idea..” he said as he put his backpack strap over his shoulder again. “oh yeah? what would that idea be?” your eyebrow arched slightly. he just watched you for a moment wondering if he should actually say what his idea was or not, then voted he should say it. “we should take tonight and act like we are a couple in love exploring the city, tomorrow we can go back to being just friends.” that took you off guard, you were not expecting the lee heeseung to be asking to pretend to date you for the night. your face must have shown the confusion because his eyes darted to the ground as his cheeks flushed just a little and he felt the need to explain himself, “as an idol i don’t get to just be normal and.. you are the most normal thing in my life. i cherish that.” you were still a little shocked and that only added to the shock, “hee… of course we can do that.” you offered a smile to try and reassure him that you didn’t find it weird at all. in fact the idea of being heeseung’s girlfriend even if just for the night was exciting. 

the two of you left the park and headed for the city, he had looked at the reviews of food places to gauge what place would give you the true american cuisine but also somewhere people wouldn’t expect to see him. you ended up at this little hole-in-the-wall place and you slid into one side of the booth and he slid into the other. “baby, do you mind handing me a menu?” he said because he really just wanted to say the word baby. your cheeks flushed just a little and you reached over to grab the menu, holding it out to him. when he reached for it your fingers brushed against his and he took the menu, setting it in front of him but reaching back to hold your hand, interlocking your fingers, admiring the way your fingers fit perfectly between his. 

holding your hand was only the first “couple” thing he did in the diner. he refused to let go almost the entire time and the waitress continued to ask you questions about your relationship because you two seemed so cute. heeseung answered based on your friendship, but it still felt so real. “i’m lucky to have a girl like her, she takes good care of me.” he said to her and you internally were kicking your feet and screaming. he fed you some french fries at one point and you did the same for him. you both were giggling about all this almost the entire time. 

you two left the diner after enjoying your food and he wrapped an arm around you. “where to next?” you asked while looking at him and he looked pensive for a moment. “we have to get a good view of the city. the best view for my girl.” he decided that in order to find the best view he would ask some of the locals and he got a pretty good answer from a few of them. you just watched him in admiration. he just wanted to make sure you were able to see the city from such a good view that he went out of his way to ask people. you started to get this little tug at your heart, it was saying you wished this wasn’t just tonight. you wish this was every night, but you will take what you can get. 

you two tracked your way towards the perfect spot to see the city, but along the way you two came across a photobooth. it made heeseung stop dead in his tracks and you went to keep walking because you didn’t notice, since he was holding your hand so you ended up being stopped abruptly. “we have to get a photobooth photo y/n.” he said while pointing to the booth. you excitedly nodded and walked over with him letting him tug you inside. the booth was pretty small so you were cozied up to him. he took his baseball cap and shades off and set them on the side of him. the first pose he covered his mouth and you made little peace signs. the second picture you copied him and both of you were covering your mouths. the third pose you cupped his chin and pecked a little kiss to his cheek. the fourth and last picture he placed a kiss on your temple. the photos came out so cute and you two exited the booth after he put his hat back on. you held his hand again as the two of you walked towards the spot. 

you two made it to the spot that overlooks the city and it was breathtaking, you were able to see all of the pretty lights from the skyscrapers lighting up the night sky. you let out a little happy sigh as you looked out to the city. heeseung stood behind you and wrapped his arms around your waist, holding you to himself and resting his chin on your shoulder. he was looking out at the city too and you both enjoyed some silence as you just took in each other's presence. 

“i wish everyday could be like this.” he admitted in a whisper. you nodded with a small little smile on your lips, “me too.” you whispered back and let your hands rest over his which were holding you close to him. “do you know why i asked you to do this with me?” he looked at you now and you turned your head to look at him, your back still against his chest. “because you want to do something normal?” you recalled the previous conversation.he let out a little laugh while nodding but turning you so you were facing him now. “well yes, but more importantly…” he pushed a strand of hair from your face that the wind blew in front of your eyes. “i want to be with you y/n. i wanted to know what it would feel like to call you baby and my girl. i want to be your boyfriend all the time, but we both know it isn’t that simple.” 

your eyes couldn’t help but widen as he admitted he liked you and your cheeks flushed because of his movements. you were stuck there looking at his face as he smiled so adoringly at you. “heeseung, i want to be with you too.” you said softly and your hands moved to rest on his arms. “i don’t care if it’s complicated or we have to hide it for now.” you moved in to be closer to him and he himself leaned into you a bit more. “can i kiss you?” he asked even though your faces were already so close. you didn’t even say anything just gave a little nod to indicate that it was okay. you felt his lips against yours, they were so soft and melded perfectly into yours. you returned the kiss and after a moment you both pulled back a little awe struck. you were in love with your best friend, and he was in love with you.

a/n: i know the pictures in the picture booth look nothing like either of you, but its just the pose references

[jokeroutsubs]

[📝ENG translation] 'My Parents Gave Me a Strong Sense of Identity'

An interview with Bojan Cvjetićanin.

Original article written by Teja Roglič for Ona plus, published 05.11.2024. English translation by @kurooscoffee, review by @weolucbasu, proofread by IG Gboleyn123.

Full article and Spotify link under the cut 👇

🎧 Article available in audio form on Spotify.

Last year’s craze at Stožice, summer festival performances, the Eurovision Song Contest, international success. And then everyone asks, what could be bigger, what could be better? But as the band Joker Out releases their new album, they consciously follow the motto "I want less". Singer Bojan Cvjetićanin explains why: "This is our home, this is our base. If we don’t feel good at home, we can’t feel good anywhere. We need to rediscover love in our base, that’s what we told ourselves."

With the song Bluza, you’re returning to love. Why?

We went through a lot. The songs we released after Eurovision dealt with the most acute situational changes in our lives—touring, exhaustion, questioning ourselves. Now, it’s time to have a bit of fun again. And there's probably nothing more beautiful than being in love. (smiles)

I’ve been looking into people’s stories, into the lives of those around me, seeking beauty.

What did you discover?

That I enjoy writing about love the most. When you write from a place of uncertainty, it’s nice to get those feelings out; when you write about love, you search for timeless beats within yourself, not something that’s only fleeting. I write about the ideals of love I held as a child, and in the future, I’ll see how these have either evolved or fallen apart.

It's best to write about love...

When you have a broken heart.

Your Eurovision song was more socially critical, though it might seem, at first glance, to be about joy. In it, you say: "We won’t take part in your games or your divisions." Did the song’s message reach people?

Undoubtedly. A lot has changed in a year and a half, not only personally but also in terms of our views of social issues. For the first time, we've connected with young people from abroad. It was fascinating to see how connected the fans from different countries became, encouraging each other, learning new languages—even a lot of Slovene. The desire for peace and unity is very strong at our concerts, so our messages have touched them. But of course, you can never reach everyone. (smiles)

You mention changed perspectives with regards to society. Have any ideals been shattered?

Many ideals have crumbled. In school, learning about war, it always seemed odd to me that the world could just go on at the same time, despite the ongoing disruption in the system. Now, I see that we have access to all the information, that we see and hear what’s happening, that we witness an influx of people coming from regions where this is happening, yet everything literally carries on as usual.

War has become more of a trend on TikTok or Instagram than something people feel hurt about. This makes me very sad.

A lot of ideals that have shattered relate to the life of a musician. We’ve achieved things we could only have dreamed of—not just as kids; even two years ago, what’s happening now would have seemed impossible to me. But the ideal that’s crumbled is this one: I don’t always know how to appreciate what I have.

On tour, I often slipped into negative thoughts, didn’t appreciate everything happening to us. This links to the idea that this kind of life is easy, that as a successful musician, you only have fun. This, of course, isn’t true; it’s incredibly exhausting, both mentally and physically. I could go on until tomorrow, listing everything that’s fallen apart, but fortunately, a lot of new things have also come to be.

You’re the idols of generations; do you feel pressure because of that? After all, you’re still young guys too…

No. We already lost the childlike joy of music because we had to start working so much so early and get to know so many new systems. If we also take on the responsibility of raising generations of kids, we could truly fall into a black hole.

We need to be role models, but we can’t shape our work around that. On the upcoming album, there’s a song, 'Muzika za decu' ('Music for children'), which touches on this very point. We want to convey that we’re not addressing generations who think all younger people are lazy bums who only hinder the world’s progress. We’re addressing everyone who is young enough at heart to believe in a better world, a brighter tomorrow.

Photo: Vita Orehek

More and more musicians are stopping concerts at large venues when fans are in distress or overcrowding happens. You too?

Absolutely. This summer, we constantly stopped concerts if people were packed tightly indoors or out in the sun. We handed out a lot of water from the stage, and I even paused a concert if some listener (m.) was treating another listener (f.) disrespectfully. A concert is a safe space; there’s no place there for infringing on the rights of others.

That’s an interesting topic I wanted to touch on anyway. So what is the rock ‘n’ roll world of the new generation like?

It’s a lot better. I’m glad we’re not a group of drugged-out dudes living only for today. Carpe Diem really means seize the day, but for us, that doesn’t mean picking every fruit that exists in the world. Waking up healthy and energised, wanting to go to a concert, being open to meeting new people, our fans, being creative...

That’s what it means to seize the day. Sure, sometimes we go on a trip, we do have fun too. But I’m glad that sex, drugs, and rock ‘n’ roll aren’t our guiding principles in the band. When we watched the documentary about Mötley Crüe, we saw how they started with heroin and opiates and ended with smoothies and fruit. Well, we’re already at the fruit and smoothies stage. (laughs)

“We’re constantly building a relationship that gets deeper every day, even though it seems like it can’t get any deeper,” you told me before the Stožice concert, as I was stunned when you said you were going on holiday with the guys right after the concert. How much do you invest in relationships within the band? We know it’s sometimes challenging to nurture a relationship between two people, let alone five.

This is like a partnership with five people. Except for intimacy, all the other elements of partnership are there. We’re companions. We often live together, work together; the dynamics are demanding. I talk a lot about this with fellow musicians. Recently, I was talking to Mr. Vlado Kreslin, and we concluded that being in a band requires a touch of madness.

Even if it ends someday—nothing is guaranteed—I know I have four lifelong friends. We exist as friends even beyond the band.

Success demands hard work; you’ve told me before how sure you were of your path in the band, of your decisions, and how hard you worked to achieve what you have. And we’re back to the topic that some might say your generation isn’t hardworking, that you’re quick to say what you won’t do at the work place...

The young people I know could hardly be described as not hardworking. I’d rather say we’re diligent, and the drive to work comes from the strong pressure that you need to achieve a lot very quickly, or else you won’t make it in this world. As for them being quicker to say no... Maybe they know they can’t live that way if something doesn’t work. And to live is very costly.

Young people feel they don’t have to stick rigidly to one profession, that they can change courses, jobs, and find something that suits them. We’re far from the days when the son was a blacksmith because the father was a blacksmith, and the daughter stayed home as a housewife. But we also have to know that there’s more and more uncertainty, precarious work.

If Gen Z is the way it is, I wouldn’t attribute that to the generation itself but rather to the Boomer generation. Everything that makes life harder for us isn’t the product of our ideas and actions. But it’s also true that sometimes, you need to stop, think, and make a decision. I’d like to do something today, something different tomorrow, but that’s not realistic. When you’re bombarded by choices from all ends, you have to make decisions. If there are three shirts in a store, I’ll pick one; if there are 250, I might end up buying sneakers instead. (laughs)

You performed at a concert aimed at contributing to the best possible care, treatment, and support for women with gynaecological cancer. You probably get invited to participate in quite a few charitable events; how do you choose them? This concert likely wasn’t a hard choice, as both of your parents are doctors...

My father is a gynaecologist, my mother is a pediatrician, so naturally, when I got the invitation, I immediately thought my dad would be happy if I could perform there. Otherwise, I choose events based on two criteria: whether it’s something important and whether I’m home at that time. I've often had to turn down an event I would have really liked to participate in simply because I wasn’t here.

Life has taken you all over in recent years. What have your parents given you that has stayed with you and has been proven most useful today?

They gave me a sense of normality. I'm an ordinary person who takes everything in moderation. I didn’t become a hedonist, nor did I give in to the patterns that the environment might impose. They gave me a strong sense of who I am and what I am, unconditional self-confidence, and self-respect. And the certainty that I’m never alone in anything.

Recently, the dramaturg Nina Kuclar Stiković and I talked about how Generation Z might be the first to actively work through its traumas, though she noted that taking on such responsibility across generations is a huge task. In the end, you might even feel worse. If you only become aware of your baggage but can’t overcome it, it can feel even worse than if you had never been made aware of it at all, she said. What do you observe around you, in your own generation?

Mental health has never been as openly discussed as it is today. I know many people who go to therapy. It’s actually strange that mental health was never treated before, that this stigma existed. If you have a cold, you stay home, you also heal a broken arm. Today's generations have managed to break free from these shackles. The individual is becoming increasingly more important.

People are working through the things in their minds. And this bothers many people from generations who suppressed everything and unleashed their traumas onto others. I often think how unfortunate it is that we don’t practice everyday therapy in our surroundings. Everyone surely has someone whom they trust. We talk about all sorts of things, but we never ask each other how we are and share that honestly. Now, I do this with a few friends, and it’s really nice. I go to my friends for therapy. (smiles)

Nina also mentioned that patriarchy has wronged not only women but men too. It’s unfair that men couldn’t show emotions and always had to be strong. It always helps if you can share your feelings with someone. What do you think?

The Neanderthal perception of masculinity is passé. We can all first tell ourselves, and then tell others, how we feel and what’s going on in our heads.

This summer, you performed at festivals. Now you have a new album, and you’ll be performing at various venues again, with tickets quickly selling out. It's a carousel that never stops. You mentioned earlier that you caught yourself maybe not appreciating it anymore. What do you do now to keep that from happening?

For the tour that’s coming with the release of the new album, we consciously followed the motto, "I want less." Last year, we played in Stožice, before that in Križanke. This year, we toured Europe, and everyone was asking us what big thing we’re preparing next. But we were only talking about how nice it would be to play at Ljubljana's Cvetličarna again.

Pass by Maribor too, go a bit to the clubs in the Balkans, and that’s it. This is our home; this is our base. If we don’t feel good at home, we can’t feel good anywhere. We told ourselves that we need to find love in our base again. I’m glad we recognise this, that we’re not just banging our heads against a brick wall. The purpose of this tour is simply to enjoy it.

A few years ago, you told my colleague Robert Rebolj, my fellow journalist, and your fellow musician, that you’d like to have kids while still young. Yet you also say that you're in a period where several of your ideals have collapsed as you look at the world around you. Does the desire still remain?

When I said that, I was thinking I’d have my first child between the ages of 28 and 30. Then Robert told me that having a child young doesn’t necessarily mean that. (laughs) I see it now, too, as some of my friends already have children, and some even their second. My calendar no longer just has friends’ birthdays, but, for instance, the first birthday of a friend’s child. (laughs) Yes, I think a lot about how this world is in many ways not what I imagined it would be, but I guess it’s always been that way throughout history—things have never been ideal. I think everyone, in every era, has felt the world is going to- hmmm, well, that’s how it seems to me too. (laughs)

[lackadaisycats]

I've seen some edit in tiktok spreading some 'fun' facts about Lackadaisy... And some seem to make their own theories but telling it like it was the truth. One that I remember correctly is that there's some kind of racism going on, they said that it was because of Rocky and Freckle was originally Irish, they got discriminated? They even said once that Freckle is suffering from poverty (That I may disagree, looking at those mini comics of their childhood). And even the whole "police academy" is not working for him is also because of the discrimination. Do you had anything to say about this? Cuz I love your comic, and seeing people spreading false information about it were making me concerned...

There was a lot of pronounced anti-Irish/anti-Catholic sentiment in the US stemming from Protestant 'nativists' in the mid 1800s. But, by the late 1800s, the Irish were making a concerted push into positions of relative societal and political power. That included joining police forces.

Although there was still plenty of anti-Catholic sentiment in upper echelons of American power in the 1920s, the children of Irish immigrants weren't up against the same degree of establishment bigotry that their ancestors encountered, nor did they generally face the same levels of hostility and discriminatory practice that other immigrant groups and people of color were grappling with.

Anyway, Freckle's ancestry was not standing in the way of his becoming a police officer. Those fun facts sound like someone's head canon.

[putschki1969]

KALAFINA REUNION 📢IT'S TRUE📢

Why did I even go to bed last night??! Damn it, I lost precious time. Anways, many of you must have seen my post last night about that ominous Nikkan Sports article speculating about a possible comeback of Kalafina. I honestly thought it was fake news since it contained a ton of unconfirmed/uncredited information. However, there was lots of interesting stuff that kept me from dismissing it entirely. I mean, who would go through all the trouble coming up with details such as specific quotes or exact concert details? Turns out they mostly got the dates mixed up but the rest was true. At noon Japanese Standard Time, we got all of our official announcements. Here's the gist of it〈(•ˇ‿ˇ•)-→

Kalafina Staff Posts 1 & 2 on Twitter

Announcement of "Kalafina Anniversary LIVE 2025" Date: Wednesday, January 15, 2025 Open at 17:30 /Start 18:30 Venue: Tokyo Garden Theater Performers: Kalafina (Wakana, Keiko, Hikaru) Music Director: Takebe Satoshi

To everyone who loves and supports Kalafina We have decided to hold a "Kalafina Anniversary LlVE 2025". We want to sing together as a trio again, knowing that you all have always cherished Kalafina, even while we are doing solo activities. We look forward to seeing you there! Kalafina (Wakana, Keiko, Hikaru)

Ticket sales are scheduled for the following dates: ■Wakana/KEIKO Fan Club Advanced Lottery October 10, 2024, 11:00 - October 20, 23:59 ■Hikaru X (formerly Twitter) Advanced Lottery October 25, 11:00 - November 4, 23:59 ■General Ticket Lottery November 9, 11:00 - November 11, 23:59

Keiko Posts 1 & 2 on Twitter & Fan Club Site & Tristone & Instagram post

To all our supporters We have decided to hold a "Kalafina Anniversary LlVE 2025". Through my solo activities and activities with FictionJunction, I have had many new encounters and taken on new challenges, and I am where I am today thanks to the support of many people. This is a personal matter, but the reason I took a break from singing and then decided to sing again was because of Yuki Kajiura's music. And it was the feelings of everyone who has supported us up until now that led to this event. I am grateful for those feelings, and I am simply happy that the three of us can deliver Kalafina's music again. I am truly looking forward to seeing you all next year. KEIKO

Hikaru's Post on Twitter and Instagram

To everyone who always supports us We are happy to announce that we'll be holding a "Kalafina Anniversary LlVE 2025". Even during my solo activities, I always got a strong sense of everyone's love for Kalafina. I'm grateful we are getting this opportunity to sing together again as a trio and to perform all those treasured songs which Yuki Kajiura has written for us. I hope we can raise a new flag together with all of you. I look forward to seeing you there that day! 2024.10.03 Hikaru

Wakana Posts on Twitter & Botanical Land & Instagram post

(We finally have an official statement from Wakana on her Insta) It has been decided that an "Kalafina Anniversary LIVE 2025" will be held on January 15th next year. From 2018 to the present, we have each pursued our own music, but we have decided to sing together again. I would like to express my sincere gratitude to all of you who always think of and love Kalafina. I am very much looking forward to meeting you all.

Satoshi Takebe Tweet 1 & Tweet 2 & Tweet 3 (deleted)

Today I had a meeting with some artists I truly respect and had a beer in the middle of the day ��� We had a fun afternoon. I hope there will be lots of fun things to do next year too. I can't say anything yet, but I'm already working on some exciting projects!! (Tweet 1)

I believe that my mission is to support artists. It is never my intention to betray or hurt people. That is the one thing I have always stayed true to, and I will continue to do so. It may sound naive, but I believe that sincerity and passion are what motivate people. (Tweet 2)

Due to confidentiality obligations, I cannot explain the situation. However, Kajiura-san is an artist I respect, she's a wonderful musician, and I am a fan of the music she creates. I would like to support the three members with the utmost respect. (Tweet 3 - deleted)

Tweet by Yuki Kajiura & Tweet 2 & Tweet 3

Regarding Kalafina I've received some inquiries in relation to the most recent announcement of an upcoming Kalafina Live Concert so I'd like to use this opportunity to clarify that I, Yuki Kajiura, will not have no involvement whatsoever in this concert. Furthermore, I have not received any advance notice or explanation from the organisers or any of the group members. Given the situation, I am therefore unable to answer any questions. I apologise, but any future inquiries regarding Kalafina should be directed at the organisers and official agencies of the group members.

I believe the members of Kalafina have decided to step away from me as their producer to go on a new path that is not related to me. I had been searching for a way to work together again in the future to create new Kalafina music but that will no longer be happening. It is very unfortunate but this is the road that each member has chosen. We are all individuals searching for our personal musical path so things like this happen.

As you all know, the three of them are truly wonderful singers so I have no doubt that they will continue to deliver amazing vocals and music to their fans. I would like to express my sincere gratitude once again for the privilege and happiness of having been able to create music together with them for nearly ten years, and I wish Kalafina continued success in the future.

Yuki Kajiura (Tweet 1)

I hope for a great success regarding the upcoming concert, and that's all I can say about this. I hope to continue making music in a cheerful and fun way in the future (^^). (Tweet 2)

This may be an unnecessary remark, but… there's no way that Kalafina will no longer be able to sing their past songs just because one producer has left, and I personally don't wish that upon them.

I'm sure they'll create a wonderful harmony at their live show in January, so I hope you'll give thunderous cheers and applause to Kalafina's singing and to the musicians who support them on stage. Once again, I wish them all the success in the world. (Tweet 3)

───── ⋆⋅☆⋅⋆ ───── ──���── ⋆⋅☆⋅⋆ ────────── ⋆⋅☆⋅⋆ ─────

Wow. All of this is wild. I don't even know what to say. I can hardly believe it. On one hand, I am beyond happy and excited. There's no way I will not be there for this concert and everything beyond that. But on the other hand, all the announcements make this feel a little bittersweet. The personal statements by Wakana, Keiko and Hikaru don't necessarily feel disingenuous but they sound a bit flat and forced. Sadly, there's no personal statement from Wakana yet. Obviously, the elephant in the room is Yuki Kajiura's statement and her exclusion from the entire project. The way her statement is written comes off as quite bitter, passive aggressive and honestly a little petty which doesn't bode well for the future (maybe her manager Mori asked her to phrase it in such a way to make the organisers look bad. And I can understand why she would feel frustrated at being excluded like that). Mostly, I interpret her standoffish attitude as a knee-jerk reaction or as a way to strongly distance herself from the whole thing and not so much as an attempt to bash the members (the latter half of the statement would indicate that at least). Also, she already seems to regret posting such a harsh statement and posted a couple of follow-up tweets. I truly do not understand what is going on behind the scenes to cause so much hostility between Yuki Kajiura, her management and whoever is pulling the strings for this Kalafina reunion (presumably Space Craft's management). My best guess is that Space Craft is at least somehow involved in this project since both Wakana and Satoshi Takebe are able to participate (Takebe is not affiliated with Space Craft but he's been in charge of almost all of Wakana's solo work so maybe there are some ties to the agency).It looks like Space Craft are adamant about not working together with YK (same old childish attitude). Then again, Satoshi Takebe has enough influence in the industry to organise a project like this without the help of Space Craft. Maybe Sony is also involved? I have no idea. Hope we are getting more details once the ticket lotteries start. A new Kalafina website (still being developed) has popped up and it's run by Space Craft so that's probably proof enough that they are one of the main players in all of this.

I wonder if this was a spur of the moment thing once they realised how much hype there still exists for Kalafina after that "ring your bell" performance at the FSN event...Overall, the timing is so weird, Why now? I mean, this doesn't sound like it has been in the making for a very long time based on the fact that Yuki Kajiura didn't even know about it. Keiko and Hikaru literally collaborated with her a couple of weeks ago so how did this topic not come up even once???! Wonder how it will affect future collaborations between Yuki, Keiko and Hikaru? They still have the Asia tour dates coming up in November so I can imagine it would be kinda awkward to work together after this bomb has been dropped. Will they still be covering Kalafina songs? Either way, I refuse to believe tha there has been a real falling out between any of them. It comes across like a series of unfortunate events. Maybe some miscommunication and rushed action but nothing that couldn't be cleared up with a proper conversation.

One thing I'm also curious about is whether or not Satoshi Takebe will take on the role as producer for future music (if they are even planning to go down that route?? It does sound like they might have new projects/releases in store for us...I do feel a little conflicted about that since Yuki Kajiura is such an important component of Kalafina. This is basically what I thought would happen back in 2018/2019. With someone else coming in to take charge of the music production. Back then I wasn't completely against the idea since I was convinced the girls could make it work (especially with the help of someone as established and competent as Satoshi Takebe) but it certainly wasn't my preferred option. Ughhh, I will remain open-minded for the time being. My love for Wakana, Keiko and Hikaru goes beyond anything so as of right now, I feel happy and excited. The live in January will be a celebration of Kalafina so there's no way I'm not going. If they continue to hold "tribute" concerts like this, it will mostly be a nostalgic cash-grab but hey, I'm the target group for that. They can have all my money. And I can definitely see myself supporting them in future projects even with Yuki Kajiura out of the picture. Takebe has been engaging in some surprisingly frank one-on-one discussions on Twitter and so far, it looks like certain confidentiality agreements keep him from going into detail in the matter but his involvement as of right now is limited to being a director/producer for the concert on January 15.

It goes without saying that I will not tolerate any hate towards the girls on this blog! If you are bitter that Yuki Kajiura is not involved, that's your prerogative, I'm sure this will antagonise quite a few hardcore YK fans. But please, don't shit on the members for making this decision. I'm sure they put a lot of thought into it and felt like this course of action was in everyone's best interest. They are clearly thinking about the fans, their own passion/love for Kalafina's music and obviously their careers within the industry.

[firstkanaphans]

so u saying p’som not the one who find jobs for them ok so who does it? if GMMTV wants their artist to get money to the company so why some artists doesn’t have any jobs even if they are really successful? ppl was making points saying every single artist who is managed from p’som is seen jobless, while other from different managers have lot of jobs and isn’t even that successful. also, i really don’t think the actors themselves go outside asking for events or talking to brands, isn’t their job to act? im asking this genuinely, i know nothing from this industry, everything so blurry. tbh i find really weird how those managers have so many artist to take care of, i believed that each manager would have just one or two couple to take care of not above ten artist i was weirded tf out

According to Joong in that clip I linked, the person in charge of securing work for GMMTV artists is an Events Manager that is separate from the Artist Manager we usually see. In the case of First and Khaotung, P'Som is their artist manager and her job is simply to manage the schedules they already have. So, if you're wanting to get mad at someone for a perceived lack of work, you need to get mad at the nameless, faceless Event Manager instead of P'Som.

Artists might not have work for many reasons. If they aren't famous enough, no offers might be coming in, but in the case of both EarthMix and FirstKhaotung (who share a manager), they are 100% getting offers. They are simply not accepting them. As a general rule, the more famous you are, the less you have to do these gimmicky brand deals to make money. Win is probably the most popular artist at GMMTV and I haven't seen his face in like a year. They're not working because they don't want to work.

I don't know why this is such a strange concept for people. Like you said in your ask: they're actors; their job is to act. Nothing else is required of them and although the fans might enjoy seeing them every once and a while off screen, these events are not fun for the artists. They're just extra work.

The artists that do a lot of these events are people still trying to make a name for themselves. JoongDunk are a great example. I imagine that after THK, we'll see a significant decrease in their sponsored events as well because they will no longer need them to remain relevant. Not working is a luxury.

The only events that truly hold weight for me are magazine spreads and luxury brand endorsements, both of which are likely not coming in for FK—at least in Thailand—because they don't meet Thailand's very strict beauty standards. They're also both queer as fuck. Everything else is just pointless drivel to earn a few extra bucks, which they clearly don't need or they would do more of it.

These boys have a fantastic relationship with P'Som. They bought her a Nintendo Switch so they could all play together when they went to Brazil. The three of them + EarthMix hang out in their free time. They all went to a concert together just a few weeks ago. There is nothing to suggest they feel slighted by her and if they really didn't like their treatment at GMMTV, they could leave. Once again, they are adults. They do not need strangers on the internet making a fuss for them about some perceived slight that only exists in their heads.

[drdemonprince]

I think think about your piece How to Go Places Alone And Not Feel Like A Freak Looser (or something to that affect) quite often.

While it is uncomfortable, tiring, nerve wracking, to feel like or be the odd one out, I am at least used to the feeling. It takes nerve but (especially as a kid/teen) have always gone to things alone and, once I get over myself, enjoy not caring what anyone thinks about my presence.

As an (ever transsexualizing >:) adult, I am getting back into doing & dressing however I want in public (embarrassing yourself is inevitable, might as well enjoy life!). This is a funner, freer, outlook, but I hoped being more myself would help me find my people.

I’m used to the awful feeling of being an alien freak looser (real or imagined) so I can hype myself up to be in my own world when I’m out. But I wonder if doing this, and choosing events based on interest instead of demographics or friendship, reinforces my felling of disconnect with people. It’s easier to accept, and dress like, I’ll always stick out (be alone) than it is to imagine mimicking those around me.

I went to an explicitly cruisey new years night and instead of studying the crowd intensely trying to fit in, wore my shiny platforms, smiled at people, and danced just for the fun of it. Feeling good about myself and enjoying my experience requires an ‘eh fuck ‘em’ attitude. I can enjoy being in public seeing all my fellow earthlings but it does not feel social. And I realize, my time there felt anything but sexy. I wasn’t about to walz into the darkroom (let’s walk before we run), but I hate that I couldn’t feel comfortable in this place I’ve always wanted to be.

I return to the same questions everywhere I go: I can exist, but how am I supposed to learn the codes of a space when I can’t study (ruminate) from afar?

How could I ever be social when (even joyous and embodied) I can’t get out of my own head?

How do you know when it’s time to listen to your gut and when to play into a social game?

I understand what you mean about the duality between doing your own thing in your own little alien bubble and actively placing effort into connecting with the people around you (which often feels like it requires masking).

But, from my perspective, both of those are strategies for dealing with social overwhelm -- one is more dissociative, and the other's more compensatory. Both of them reflect a discomfort with the people in the space. And they're both perfectly reasonable ways to deal with such feelings! But the way to move forward, at least in my experience, is to continue attending events until you attain enough familiarity with them that you actually start feeling more comfortable.

You said you didn't feel sexy at this cruisy party, and certainly weren't ready to venture into the dark room. That's fine! You can work your way up in whatever order of activities is least intimidating to most intimidating to you.

The first few times that I go to a club, I need anywhere from a few minutes to an hour to get warmed up enough to really dance on the floor and take up a ton of space and make weird gestures. I spend a lot of time lurking in the corner or reading a book at the bar at first. After I've been there a number of times, I know the deal of the space better, recognize a few people, maybe have developed a rapport with the door guy or a regular, and it gets easier to branch out and feel more at ease in my skin. People intuit this and approach me more often when I'm feeling more comfortable, and my reactions have fewer exit ramps built into them (one of my protective instincts is to throw out a lot of conversation-enders that make people feel rejected, lmaoo good one me).

The same general principles I've described here can apply to any new social challenge, including a bar with a backroom where people are fucking. Show up again. Do your thing. Maybe find a spot to post up and observe, since you mentioned an interest in doing that. Bring a book or some knitting if you want, and wear whatever outfit helps you feel comfortable and good with yourself. The first few times you do all this, people may get strong "I'm Doing My Own Thing Leave Me Alone" vibes from you, as they often do from Autistics, and that's fine. You're still learning and acclimating from being there. After a couple of tries, head into that back room. It's not as exciting as you think it's gonna be. You might get to watch some fucking or you might just see a bunch of guys pacing around who are just as awkward as you feel that you are. But then you'll know what it's like. And then you just keep showing up, and observing and participating in small ways (watching is participation in a sex club!), and you'll get steadily more involved in the space and connected to the people each time that you do.

I've been going to pet patrol nights for a long time and I've only just now gotten to the point where I can chat up random people and get into hookups relatively easily, instead of just standing around mutely hoping someone will approach me. Bringing friends has helped a ton to relax me and make me seem more approachable to others, too, so you could try that!

for anyone wondering here's the full piece

[fishnapple]

CRYSTAL READING: The universe is giving you signs that you are on the right path

This is a general reading meant for multiple people. Take only what resonates and leave out the rest.

Feedback is much appreciated ❤️

Masterpost

Buy me a drink or book a reading with me - KO-FI (Read this post : personal reading)

1. Obsidian

Number 2 or Z character or anything that has the formation similar to the shape of 2 or Z, two options, two choices, etc. If you see these two a lot, you are being guided by the universe.

These signs will show themselves to you suddenly, you won't see or hear about them from a far, they just show up.

The image of the sea or a large body of water at night time with new moon. I see that going to the sea, where there are lots of rocks, the time would be at night or when your surroundings are in the dark, when the moon is absent or very thin, when there is not much light around. Take a look outside, look at the sky, let the sight of the sky communicate with you, listen to the thoughts that appear in your head at that time, they will be the voice of guidance for you (the true voice of your loving self, beware of the voice that nudge you to harm, your shadow is talking).

When you are surrounded by many people, at some public places,especially where there are foreigners, and then you catch some words, that may hold some clues as well. Of course, you are not supposed to actively listen to other's conversations. It's those words that your ears suddenly catch that are special.

2. Red jasper

The phrase "when the stars aligned" immediately comes to my mind. The day when the sun and the moon are conjunct in the same sign (new moon), even better, when mercury is also in the same sign as sun and moon.

Solar eclipse or when the sunlight is dim, the sky suddenly gettingdark, a thunderstorm, the approaching of heavy rain. The release of something heavy. Maybe at that time, you would feel heavy in the heart, lacking joy and fun, but that's when you could get some sudden insights.

I feel that some of your dreams will spill into the waking life, reenact the sights that appeared in your dreams. Take notice of familiar sights in the public places, your working environment, place where there are many higher position people, people of authority or elderly people.

Abundance is also a sign showing how the universe is taking care of you. It may not be something of too big value but it will be a gift, a gift that makes you feel joy and comfort, so open yourself up to receiving, don't turn down helping hands when you are in difficult situations.

3. Aventurine

Pretty flowers and sunshine for the weary souls.

The 2 groups before and this group all have heavy Saturn's influence. When you are in a difficult situation, feeling down, your thoughts are stagnant, you are called to look for joy in life.

From the small, intimate flowers trembling under the wind and sun to the large and all-encompassing sky crowned by rainbows.

The moment you start noticing beauty in life, a spiritual gate opens up for you. You will feel inspired to take part in some community activities and social causes, feel the interconnectedness of everything.

Things that have warm colours will catch your eyes. You would see lots of things with oval shape, maybe the food you eat will be served on an oval plate, seeing mirrors, large jars, light shining through window glass. Anything that shows life's warmth and juiciness.

4. Amethyst

Music and words will guide you.

You may receive invitations or have some impulses to go to some concerts, movies, book/poetry reading events, live music at a café. Don't turn down those invitations. Don't ignore those impulses.

The universe is whispering to you through lyrics and screens. You may even get inspiration to make something beautiful and creative.

Pictures or sights of water, seashells, and rocks may show up a lot.

You may see the image of some masculine figures in your dreams, watch closely how they act, what they say in those dreams. Some people embodying masculine energy would show up in your life more, their gender doesn't have to be male but they embodying the archetype of the sun. Warm, energetic, authoritative.

Love.

[redr0sewrites]

ATSV Characters with a Goth S/o

heeeeeyyyyyy guys 😇 *slowly sliding the 100+ REQUESTS in my inbox to the side to make room for a new special interest*

🥀Cw: none, mostly fluff!!!

🥀Pairing(s): Hobie x reader, Miles x reader, Miguel x reader, Spot x reader

Hobie

he would LOVE any type of alternative partner tbh- he just LOOOVESSS that ur goth and will support you 100%

people who go against societies expectations/standards and don't fit in with the norm intrigue him, and your style is probably what piqued his interest in the first place

y'all definitely wear matching fits sorry i don't make the rules- hobie just can't pass up the opportunity to match w you!!! whenever you go to meetings within the spider society he always brings you along, regardless of whether or not you're a spiderperson and hobie loves showing off you and your style

MAJOR "THATS MY PARTNER‼️" VIBES

look me in the eyes and tell me hobia would not absolutely rock some funky eyeliner LIKEEEEE- he def lets you practice on him and will do your makeup for you too!!!

hobie loves thrifting with you, there is no way he isn't a major thrifter and you both definitely DIY a lot of your clothes

HE MAKES YOU GUYS MATCHING PUNK BATTLE VESTS FOR YOUR ANNIVERSARY, AND MAKES SURE THAT IT MATCHES UR AESTHETIC AS WELL!!

hobie absolutely has BLESSED music taste, but while he usually listens to rock, punk, dad rock, or post-punk type of music, i def see him enjoying more gothic/new wave music- especially if u introduce it to him!!!

i see him enjoying bauhaus, sisters or mercy, scary bitches, etc- he'll also give YOU a lot of music recommendations and help to expand ur taste!

hobie would also accompany you to any protests or conventions that you wanted to attend, and would act as your scary dog privileges

YOU TWO DEFINITELY GO TO CONCERTS TOGETHER OMG. I TOTALLY SEE THAT AS A SPONTANEOUS DATE THAT YOU TWO ENJOY A LOT

honestly hobie is a lovely partner to have if you are goth, and he's not only supportive but VERY enthusiastic about your fashion and lifestyle!

Miles

hes such a sweetheart!!! he definitely supports you if you're goth and asks a LOOOT of questions lmao

miles draws you and your fashion a lot, and will def design makeup or eyeliner ideas for you too!!! while ik this is more associated with punk, i also see miles drawing you a few custom patches and stuff like that

your kind of like his muse in a way, and miles just really enjoys sketching you, especially since you have such a unique aesthetic and such cool outfits

HE HAS DEFINITELY GRAFFITIED U SOMEWHERE‼️

he loves watching you get ready and do your makeup. seeing you do perfect eyeliner wings and heavy makeup in general lowkey relaxes him, and he just loves admiring you

im sorry but miles knows absolutely nothing about goth music or culture, ur gonna have to introduce him to a lot of the songs/bands!!!

while i don't think he's huge on the music at first, i think it would grow on him over time. its definitely the type of thing that he loves because YOU love it, and he sees how mu much you enjoy it so he starts listening to it as well so he can talk to you about it

i think his favorite band would be the cure, and his fav songs would either be boys dont cry or the walk (both by the cure- idk why thats so specific but they just kinda fit his vibe yk?)

miles likes holding hands a lot, and he loves when you wear rings or gloves or something along those lines because it just reminds him so much of you! your hands just feel different compared to other peoples and he just loves how unique you are

if you have a lot of piercings, miles would definitely ask about them or buy you specific jewelry for piercings!!!!

overall, very very cute and supportive about your style!!! (he lowkey gives bi wife energy, and iyk what in talking ab then ily mwah)

Miguel

he's pretty indifferent to your style at first, i don't see him as the type to judge much based on appearances. its your personality that really throws him for a loop, and a part of him admires your dedication to making yourself look how you want to look and truly living to be your best self, regardless of what others think

if you think miles knows nothing about being goth then be prepared for miguel bc he knows NOTHINGGGG- no music, no history, no political views, zero, zilch, nada, goose egg

if he cares about you i do see him being intrigued about your style, and once you two are officially dating is when he'll show more interest in your personal fashion sense

he strikes me as the type to like, NEVER listen to music, so he literally only listens to the music you like!!! he does find himself occasionally humming the tune of some strawberry switchblade song or casually listening to a siouxsie and the banshees song while he works, and over time you influence him a LOT with your music taste. he definitely associates any and all goth music with YOU, and that's probably why he starts enjoying it.

he's a "hand on you at all times" type of guy, and while he is rarely touchy with others, miguel is definitely keeping you close. your fashion makes that convenient for him, and he loves pulling you into a kiss by grabbing onto your belt loop or something of the sort

miguel loves how you look with and without makeup on and isn't afraid to tell you that, however, he really likes it if you incorporate his colors or color scheme into your makeup one day. he'll never admit it, but you keep catching him admiring you with the smallest smirk on his face every few seconds

if anyone ever gave u shit for what you wear and how you dress, especially someone in the spider society, you'd practically have to restrain miguel from drop kicking them across nueva york- he doesn't want anyone to be rude to you , and while he knows you can stand up for yourself, he just gets protective at times

Spot

goth? whats that???

he's lowkey such a nerd, and spends too much time being science-y and planning on how to beat spiderman to actually get caught up on fashion

spot doesn't know how he pulled you tbh, but he appreciates you nonetheless!!! he thinks you and your aesthetic are something to be admired, and will unabashedly tell EVERYONE he knows about you

he will shoplift any clothing or jewelry that you want, and he'll even take you to other dimensions where there are better alternative clothes as well

spot doesn't really have a face to do makeup on, but he'll offer to do yours for you! surprisingly enough he's pretty good at it, though he does work pretty slowly

spot loves fiddling with your accessories, whenever he's standing near you he's always reaching out to touch you in some way shape or form. he loves playing with any chains or necklaces you wear, and will help adjust them so that they lay correctly

he helps you get ready in the morning!!!!! if ur the type of goth to wear corsets, he makes lacing them up SO easy and will gladly do it for you

i personally hc that spot HATES seeing himself in mirrors/pictures, it reminds him sm of what he used to look like, but he LOVES taking photos of you and your style!! whenever you are wearing a cute outfit or have funky makeup on, spot adores just taking photos of you

if you ever did a makeup look inspired by him and his spots he would probably CRY :(

URGRHHRHHRRR I LOVE ATSV SMMMMMMM!!!! this post will DEFINITELY have a pt2 w more characters!!!!! i swear tho atsv literally pulled me out of the most horrendous burnout ever i FELT the artblock and writing block lift off of my body as i watched it. IM SO INVESTED I MADE A SPIDERSONA...

[sav-less]

disclaimer: this is the inside of my brain so if you think different then that’s great! this is just to be silly / i’m procrastinating life, so we’re chill 😎

hogwarts legacy modern au: music headcanons

characters included: shadow trio, poppy, imelda, garreth, natsai, anne, also blurb about leander (ily lee but i was tired of editing)

sebastian sallow

Sebastian is that one insufferable guy (love him). He’s moody as hell and he uses music as a form of processing (im self inserting rn). A lot of his top music is reflective of what he’s going through. For the most part he’s into indie rock and alt rock, but if there’s a song that he can even sort of relate to then he’s all over it. He thinks he’s brooding, he’s edgy, he’s angsty. We all know he made 2014 tumblr his BITCH. And he has NOOO IDEA how ABBA ended up in his top 5. He’ll say it was Ominis. He’ll say he was hacked. (his fav ABBA song is Lay All Your Love On Me)

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ominis gaunt

Ominis wears his headphones everywhere, listening to some of the most beautiful music but also the most devastating music. He likes a genre to his music that gives off a certain “guys i SWEAR im fine haha..” vibe to the function. he’s nostalgic, he’s yearnful, he’s emotionally very connected to music and is one of those people that will cry when a song is really good (me too) (he’ll swallow the lump down, just know he’s feelin it). aside from his top artists he also listens to a bunch of instrumentals when he’s studying. we all know he plays the piano. yes Merry Christmas, Please Don’t Call by Bleachers is secretly about Sebastian (tea). yes She’s Always a Woman by Billy Joel is secretly ab my MC (TEAA!). yes ABBA is there on purpose! this man knows every lyric to Gimme! Gimme! Gimme!

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ella collins (OC/MC)

Ella really just wants to live in a cottage and be a fairy but she’s also just a girl. she has a song associated to every person she’s ever had a crush on and any person that’s ever done her wrong. she has a playlist for that one guy. she’s posting a screenshot of the song she’s listening to on her story for one person to watch. when she’s feeling petty she sends Sebastian songs DIRECTLY cause she’s mad at him. 4/5 of these songs are about him i fear. she loves music because she never has to get over anything. grudges are timeless. she’s crazy and this is a self insert.

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garreth weasley

#GiveGarreththeAux (Garreth wrote this). Garreth is a vibes guy and will defend those vibes with his whole chest. “How can you not like this song? Just say you hate me! High School Musical soundtrack is top tier. Kate Bush is a legend. Hozier is a wizard, have you seen his hair? I want his hair.” He’s fun as hell. Car rides with him are never boring, and as much as he loves his music he wants to hear your music cause he just wants to listen to everything. doesn’t care where the music came from. if he likes it he likes it. gotta party with this guy.

(Noah Kahan is his top artist bc even tho he’s a vibes guy, he has such a heart. peep My False Confidence. ily Garreth.)

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natsai onai

Natsai’s minutes listened is the lowest because she’s too busy dismantling the patriarchy and abolishing the system to listen most of the time. She grew up in the Katniss Everdeen generation. There’s not one man vocalist on her playlist because doesn’t really care what they have to say. She’s not super picky about the genre but listening to guitar riffs makes her feel like she’s ascending and so she loves that shit. She begged her mom to let her go to a Paramore concert when she was twelve and she has band posters covering her walls from corner to corner. She knows musical theory because duh. I love her.

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anne sallow

personally i HC as the coolest girl alive. she’s friends with literally everyone. if she smiles at you you think the world is spinning solely for her. she’s just effortlessly that girl. and even tho she seems sweet and a little quiet let it be known she is absolutely BLASTING hypercore or glitchpop or some stuff like that in her headphones. she just likes the way music sounds, she doesn’t GAF what they’re saying. she just wants her brain to go bzzzzzzz. my girl!!! (her and garreth are actually LETHAL at parties. like banger for banger, they’re besties. if they’re throwing a party you WANT to be there) (her and Natsai are fangirling about imogen heap bc she’s a musical genius)

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poppy sweeting

Poppy my love. I see you. I hear you. I love you and all your big emotions. she’s dissecting lyrics like it’s no one’s business. In another life somewhere she’s an English and Psychology double major. she’s telling me what a metaphor is and im listening because I’ll listen to anything she says. she’s telling me her attachment style is anxious and yk what hell yeah me too please don’t leave me. every song she listens to serves a purpose. her and garreth have gone to five different shows to see Noah Kahan and Lizzy McAlpine together. The Louvre is about Imelda. GODDD The Louvre is about Imelda. my heart.

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imelda reyes

Imelda is the manifesting queen. she is a confident queen. she’s cool as hell. she seems mean at first glance but that’s only because she is locked TF in. between her million high level classes, every sport she’s plays, and her social life— she has to be focused. she needs music that will put her in the headspace. her top 5 songs are naturally on her ‘pregame’ playlist that she plays before every game (with the exception of #4. she’s pregaming therapy with that one). shes gonna graduate top of her class and go pro at some sport and no one is gonna be surprised. you go girlfriend. my girlfriend.

honorable mention: Leander is THE rock man, specifically acid/psychedelic rock. He’s shaking his head and playing air guitar. he’s asking his parents to get him a drum set for Christmas still. He thinks he would’ve been asked to join The Beatles if they were still a band. big big fan.

to everyone that talked through this with me either messaging or on the og post, thank you 💚 @mrsgoofygracie your wonderful ABBA sebinis theory is now cemented in my silly post

[toskarin]

hey rin, a friend of mine enjoys composing music digitally and has a lot of respect for you as someone with more experience with that sort of thing. he has a hard time convincing the people around him to listen to the things he makes, in both the "finding an audience" way and "getting the people around him to give him their opinion on something he's working on way," and he wanted me to ask you if you could speak on your own experiences with those problems and how you've dealt with them. less related, he was also curious about your inspirations for the music that you make. i know this is a lot to cover, so if it would be easier for you to speak with him directly then please let me know

so I'll open by saying that, as far as people who can give good advice on this go, I'm probably not one of those. a lot of what I do only works because of some specific problems with my brain that are oddly adaptive to this sort of thing

that being said, this is a bit of the "tough love" kind of advice for surviving as an artist, so I'll make a second reblog for the second half of the question

this is either advice that will work or a ramble that will lead your friend to making his life unbearable, so look before you leap

-

The Easy Section, or "You've Gotta Be a Bit of a Tradie"

let's go over the business stuff quickly before I start rambling at length about the boring stuff

learn to love the work itself. "find a job you enjoy and you'll never work a day in your life" is garbage, but creative work really is the one area where you should double down on this. kick back and bump your own album on release day, thinking about how every second of it is something that didn't exist before you put it together. this is what's gonna keep you above water when the wind is dead

get on bandcamp. there is nowhere better for small musicians right now. bandcamp is basically the last remaining website with an effective suggestion algorithm that caters to people who want to actively engage with music and buy it

consider getting on instagram. in the majority of places you're likely to live if you're reading this, the local music scene is on instagram. probably don't use your personal instagram for this

consider getting on soundcloud. you won't make sales through soundcloud, because it's a streaming-focused site (more on that in a moment) with a focus on passive listening, but it's pretty decent for networking, especially with digital music production. soundcloud is linkedin for deadbeats

stay off spotify. streaming generally isn't worth the trouble these days unless you're playing concerts or are otherwise already established. if you aren't uttering the words "you can find me on..." more than once a month, it's probably not worth pursuing a spotify presence to end that sentence with

self-promote. if you have platforms, use them. find the subreddit for your genre and post yourself on the self-promo day. consider posting some bandcamp album codes when you do this, not just so you can get word of mouth, but because someone having an album in their collection means you effectively have a permanent zero-cost advertisement for your music which will only show itself to people who are verifiably looking at something similar. companies pay dizzying sums for ads that couldn't dream of being this targetted. this is a big reason why bandcamp is THE place to be for small musicians

cross-promote and collab. work with your friends. if you don't have musician friends, go make some and then help each other out. "independent" music is a misnomer

blind yourself to the metrics. do not look at engagement metrics. pay them no mind at all. don't look at them unless you're trying to see how effective a specific, deliberate course of action was and already know what you want to find

remember that strangers are unknowable. people do things for arbitrary reasons. if you don't have someone giving you written feedback, don't make any assumptions at all about why they did something. skipped tracks and minimum-price pwyws mean nothing at all

present your stuff in a way that gives it context. why should someone care about your stuff? give them a reason. carve out an hour to really work on a nice album cover, go the extra mile and include track-by-track narrative with your dungeon synth album, or just describe what you're expecting people to buy. I firmly believe that NOMAD/VIRTUE was successful in large part because of its presentation

gimmick. gimmick gimmick gimmick. discount codes are more fun than automatic discounts, free album codes are more fun than free albums, contests are more fun than giveaways, so on so forth. lacking any physical goodies to bundle in, you should still endeavour to give people Something To Do that makes them feel like they're really engaging with your music

zero expectations, zero overhead. do not rely on the whims of complete strangers to justify whether or not you end up in the red. if you ever find yourself saying something like "I can afford to pay for a session musician because I'll just make it back" you can't afford to pay for a session musician. you're probably never getting bailed out if you eat a loss, so try not to put yourself in a situation where you can eat a loss to begin with

someone else's expectations, someone else's overhead. if someone else is paying you to make this music for a soundtrack or something, if (and ONLY if) you have the money in your hand and know you have it, you're no longer gambling. at this point, you can start to look at expenses as investment

now onto the less fun stuff. here's where I ramble for like an hour at you.

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if there's one thing I've really had hammered in over my decade-odd as a somewhat commercial artist (in all the disciplines I've worked with, which is most of them), it's that you have to be a bit of a bitch about it sometimes

that nagging fear in the back of your head that you're annoying? it's stopping you from doing what you need to do: annoy people

with that being said, this next section is kind of...

The Rough Section, or "You've Gotta Be a Little Hard-headed"

at the end of the day, you'll often find that you are your only advocate, and that means you kinda have to get your foot slammed in a few doors if that means holding them open. this also unfortunately means that you've gotta convince yourself you're pretty good. you don't have to think you're great, but confidence is a trade skill

the last opinion people see before the first time consciously engaging with your work (which here means "the thing that primes them for how they feel about it") is yours

which brings us to the first uncomfy rule

absolutely no cutting yourself down before anyone else even gets a swing

you can be modest if you want (you don't have to), but you absolutely cannot prime people to see the flaws in your work. if 50% of people are discerning enough to notice a flaw, why make that number 100%? what do you gain from that?

if something isn't as finished as you'd have liked it to be, but you've pushed it out the door anyway (which you will sometimes have to do), you absolutely cannot prime people to consider it unfinished

if the thing is still being worked on, there's nothing wrong with being forthcoming about that, but the fastest way to make someone think of something as "inferior product" when they otherwise would never have reached that conclusion is by telling them it is

and that, of course, leads us into a bit of an inversion of the previous rule

absolutely do not take the majority of your validation from strangers

doing this is bad for a million reasons, but I see the worst of this in visual arts, where artists double down on what gets them the most engagements and lay themselves at the mercy of complete strangers who have no actual investment in them

of course, it's normal to desire validation and approval from people you respect, but if you put yourself in a position where it's possible to enter a negative feedback loop that crystallises into you no longer making art from the default response of neutral apathy from strangers, it's not a matter of when: it's going to happen to you one day

so what's the move here? spend 8 years making music you don't release like you're in a compressed time chamber? probably not. I did it that way, but I didn't get much out of it, so you probably won't either

the actual answer is that you've gotta network. you need an inner circle. you need people with shared interests so that you can gas each other's stuff up

just like everyone else, you need your friends

you need to have friends who care about you, about what you're doing, and you need to care about them and what they're doing

this is because, while self-confidence is important...

the majority of your external validation as an artist should come from your friends and peers, not strangers

it's important to have artist friends, because then you can encourage each other in ways that are personally meaningful, but having your friends behind you, whether or not they're musicians, is so incredibly important

if you're motivated exclusively by success, however you're choosing to measure that, what you're actually doing is forming a nightmarish parasocial relationship with the concept of a crowd. not even a real crowd! a fictional group that materialises when you've created "the conditions for success"

there is no such thing as a truly independent artist. if your understanding of artistic success requires competition against others, you're going to lose that competition and then explode (unfortunately common)

finding your audience as an artist (and mind you, art is a social field) is very much a process of networking, but it feels gross to say it that way, so I'll just leave that at "if you want to be known by others, you need to be willing to know others"

anyway, this doesn't really terminate in a complete sentiment. I was just transcribing a train of though

if I were to boil this down to a shorter, snappier answer that I could read comfortably read out, it'd be...

TL;DR

the process of finding an audience is so much less about actually finding one than it is about learning to create happily whether or not you have an audience. developing an audience is the largely incidental byproduct of long-term creative efforts coupled with self-advocacy and interpersonal networking

if you want to be found by a scene, you have to participate in a scene, and if you want to participate in a scene, you need to be in the scene. so on so forth

as stupid as it might sound when I put it into words, the truth is that you can't build any kind of audience in isolation. someone has to find you somehow, and it's a lot easier to be found if you're actually somewhere that people might look