#and this will have an impact on the sibling dynamic in some way ? the way they think about Connor or their childhoods?

[goodyordle]

An Analysis on Season 2 Vi

SPOILER under the cut

I have SO many thoughts about how they wrote Vi this season. So I get that they wanted to go with a more vulnerable Vi this season compared to the tough character we had in season 1. I was excited for this direction for her character, that’s why I’m kind of disappointed that she felt flat and more one-dimensional this time around.

Firstly, I felt like in season 1, Vi was such a centerpiece to the show. From her relationship with Jinx and following Vander’s legacy. She actively moves the plot with these two elements.

But in season 2, I barely see her do anything that contributes to the plot actively and takes a much more passive role. This time, Caitlyn and Jinx are taking the lead on shaping her goals (whether this is her becoming an enforcer or her saving Vander). As a viewer, I do empathize with Vi. We see time and time again that she is a character that values loyalty and keeping her loved ones close to her, and she keeps getting betrayed.

But we never see these arcs get resolved, at least in a satisfying manner. We never see her find strength in her vulnerability or regain courage to find herself again. And this is an arc that most, if not all, characters in Arcane had. All of them had some sort of redemption and willingness to make things right.

We never see Vi try to grow beyond her comfort zone (which is using her fists / brawling). We don’t see her use her vulnerability as a new way to show toughness to her character.

For instance, the argument with Caitlyn. Now I enjoy this ship as much as the next person but I felt like the conflict got resolved a bit too quickly? It’s clear that Vi’s trauma of betrayal and abandonment runs deep (man, I feel so bad for her tbh).

My interpretation of this last shot of Cait and Vi (after Caitlyn asks “are you still in this fight, Violet?), in my opinion, also reflects this lack of resolution, where Vi generally looks more closed off. There is no raw vulnerability that Vi displays. She never expressed how hurt she was with Caitlyn’s actions. Even when Vi says she is the “dirt under Cait’s fingernails”, her expression looks quite pained and tired.

Then we have the argument with Jinx. Their sibling dynamic is the key plot of Arcane and is a heavily emphasized theme but their resolutions feel underwhelming both times.

The first time was when Jinx locked her up in the cell. I mean the fact that Vi didn’t immediately go look for Jinx given that she was depressed felt a bit out of character for me. Like she gave no emotional reassurance to Jinx who was obviously guilt-ridden from Isha’s death. Again, no vulnerability. And the placement of the Caitvi *cough cough* scene was questionable, considering it was right after Jinx expressed her anguish. Yes, she wants Vi to be happy, but wasn’t Vi’s character this whole time shown as one who is happy when she can take care of the people she loves?

Like if I were to draw a parallel to Jayce and Viktor, where Jayce says that he just wants his partner back, they could’ve had done something similar between Vi and Jinx. Vi could have expressed that she just wanted her family back. She needed her sister, which is something she never expressed because the dynamic was always of Jinx needing Vi.

Anyways back to that scene, I felt like it would have been more impactful honestly if Caitlyn even encouraged Vi to find her sister since I think that is quite fitting to Caitlyn’s arc as well and adds more depth to her feelings towards Jinx. If they had a bit more emotional resolution, I feel like her final scene with Jinx would have been more impactful. (And probably would add more emotional weight and spiciness to the Caitvi scene too iykwim)

That brings me to the second scene when Jinx sacrifices herself. The aftermath felt too rushed for me. When we have Vi acting like “normal” right after Jinx’ sacrifice, it diminishes their relationship in my eyes. Granted, I doubt she’s normal. In fact, I think Vi looks really resigned in her final scene but again, this is a bit difficult to pick up if there are no context clues.

Like in terms of the concept, I get it. I believe the writers were trying to make a full circle moment where Vi, who was the protector of her little sister, is now the one being protected by Jinx, who is now all grown up. It’s just the execution that doesn’t sit too well with me. Maybe it’s the pacing because I feel like as a viewer, you have to digest so many emotional scenes at once.

I just wish we had more opportunities to see Vi be vulnerable and show that as a source of new strength and as a way to reinforce her relationships with Jinx and Caitlyn. But unfortunately, her character development ended up static. And honestly she’s such a tragic character that had that potential. They showed her trauma even in the final scene with Vander/Warwick and how she couldn’t even bring herself to move despite Jinx’ warning. Like show more of that!! Let her be the one that needs to be protected by those she used to protect, instead of just following them around and beating up their enemies. As a result, I felt like she didn’t really add much weight to the finale (low key Maddie had more of a plot). Like this show is still a 10/10 with solid writing but this, after processing the show, I believe is its weakest point.

They can never make me hate you, Vi, you deserved a better character arc :(

[lyinginthesnow]

the way the institutionalization of connor’s mom was explicitly mentioned in the last three episodes… where are they going with this. I’m intrigued

[ladysharmaa]

Kate mini version

Anthony Bridgerton x Kate Sharma x Sharma!sis

Summary: Y/n adapted to the Bridgerton family dynamic. However, she remains a little fearful and shy. Could the arrival of a prince change that?

part 1 part 2 part 3

Ever since Kate and Anthony assured Y/n that they wanted her to live with them, things had gotten better. The girl felt more comfortable with them, and appreciated the effort the couple made to show that she was always welcome. Riding horses for the three of them was an almost regular activity now, and these afternoons were Y/n's favorite.

Anthony had given her a beautiful black mare, which she insisted on learning to wash and comb, even though there were servants for that purpose. The man then spent the rest of the month teaching her how to ride, and this was something that brought her very close to Anthony, who she now considered like a brother.

The truth was, living with her older sister and her husband was wonderful. There was never a dull moment and she always had someone to talk to. Furthermore, the relationship between her and Kate was the strongest, and they were more inseparable than ever. Y/n's mother had agreed that her daughter would stay at Viscount's house for a while and thus extended her stay in India.

However, even though she was comfortable in that smaller core, she still felt shy around Anthony's siblings. She loved them all, and they always treated her equally, but in the back of her head there was always that thought that she was intruding.

Now, the Bridgerton family plus Y/n were on their way to the park to have a picnic. The season was starting again and suitors from all over the world were arriving to try to find someone. On the way there, Y/n entertained herself by listening to Eloise's grumbling that she would be entering the season again, even if the last thing she wanted was to find a husband.

Bridgerton had made a point of giving Y/n her feminist speech, and despite the eye rolls she received from some of her siblings, Y/n agreed with everything she said. However, she always wanted to be married to a man who truly loved her, and that wasn't going to change.

It was a sunny day, perfect for staying right by the lake and enjoying the delicious food that the maids had prepared. Anthony and Kate were in their own world, whispering to each other with gigantic smiles, Benedict and Collin were appreciating the ladies passing by, and Eloise was reading her book while Violet had met Lady Danbury and the two were chatting animatedly. Daphne and Simon hadn't arrived with their son yet, but Y/n couldn't wait to play with the baby again.

Meanwhile, she, Hyacinth, Gregory and Francesca were walking around the lake, picking up rocks and seeing who could throw them the furthest. Probably not the most etiquette thing they could do, but Violet and Anthony hadn't stopped them yet so they continued.

"I'm starting to get tired." Y/n grumbled, rolling the shoulder of her arm that was starting to feel sore from throwing so many rocks. "I think I'll sit down and get some sun."

"We'll be right there and keep you company then. I just need to beat Gregory first!" Hyacinth promised.

Y/n smiled towards the three, then heading towards the lawn where the others were. She momentarily looked down, seeing that she had gotten a little dirty on her dress when she went up against someone. The force of the impact had been so great that she lost her balance and began to fall backwards. However, this never happened because someone managed to grab her arms and pull her up again.

When she opened her eyes, having closed them in preparation for the fall, she saw a young man, around her age, looking worriedly at her. "Are you alright? My apologies, Miss, I was distracted and didn't see you."

"I'm okay." she said a little breathlessly. Their proximity didn't help either. "I'm the one who apologizes. I should be looking ahead instead of at my dress."

"It is a beautiful dress." he said, taking the opportunity to look her up and down, letting a small smile form on his lips. Y/n's cheeks immediately started to turn pinker. "It's a pleasure to meet you, Miss…"

"Sharma." Y/n smiled. "I'm sorry, I don't recall who you are."

"Prince Charles, the youngest son of Queen Charlotte and King George." he chuckled when he saw Y/n's wide eyes, who quickly made a small bow. "Please, that's not necessary. On top of that, I was the one who almost made you fall to the ground."

"My apologies, Prince Charles. I returned from India only a few months ago and it seems that I still don't know everything I should know. This mistake will not be repeated."

"It wasn't anything serious. To be honest, I'm actually glad you didn't immediately know who I was. I went against you because I was running away from an Earl's daughters who were begging me to marry them." A silence fell over them. "Who are you here with?"

"My sister and her husband's family. Viscount Anthony Bridgerton and Viscountess Kate Bridgerton." Y/n looked over his shoulder, seeing Anthony staring in her direction, more specifically at the Prince. He was about to get up when Kate pulled him down again, sending Y/n a smile and a wink. "They're looking at us right now."

"Of course, I know who they are. My mother loved the love story between them. Since then, she has only told my older siblings that she wants them to have something like that too. But they are not very interested in getting married, much to the Queen's disappointment."

Y/n just let out a small chuckle in response, not really knowing what to say. The proximity to the prince was becoming increasingly intimidating, and it didn't help that the entire Bridgerton family had noticed that interaction and were now observing discreetly.

"I apologize, Prince Charles, but I must return to my sister's family. We came to take advantage of this beautiful day to have a picnic."

"Of course, Miss Sharma. I hope to see you again soon." he nodded with his hands clasped behind his back. With a smile, he went back on his way while Y/n walked over to where Kate and Anthony were, her cheeks painted a light pink.

"What were you talking about?" Anthony questioned without being able to control himself any longer, his half-closed eyes still focused on the back of the boy walking in the distance.

Kate rolled her eyes at Anthony's exaggerated protectiveness, but the truth is that her heart started to beat faster when she saw how Anthony had so much care and affection for Y/n. It made her imagine how protective he would be of their daughters.

"Don't pay attention to Anthony, Y/n. The prince seemed very interested in talking to you. You should have gone for a walk together."

"Sister!" the younger girl exclaimed with wide eyes, becoming even more embarrassed. "He was just apologizing for going against me."

"That boy, prince or not, should look where he is going! Irresponsible, that's what he is!" Anthony continued to mumble, ignoring the look his wife sent him.

"Well, I am delighted that you made a new friend, Y/n. Now come sit with us for a while and drink some water, it's very hot."

"You're getting worse than mother." Y/n rolled her eyes in amusement. She added with a wink, "I guess it's a good training for the future."

───── ⋆⋅☆⋅⋆ ─────

"I do not want to go." Y/n stated, crossing her arms defiantly.

"Sister, we've already had this conversation." Kate repeated for the thousandth time, but still with the same patience as the first time. The older woman sighed, looking understandingly at her sister who was looking at the floor with a pout. "What are you really afraid of? It's your first ball, it's normal for you to be nervous."

Y/n was going to be subject to the season for the first time, where she could meet her future husband. Despite all the nerves she felt, she was happy to have Kate, Anthony, and the rest of the Bridgerton family with her. Furthermore, she would be in the same situation as Francesca, except that the latter had been named diamond of the season.

"How's mother and Edwina?" Y/n tried to change the subject, instead asking about the two other Sharmas who were in Prussia. Edwina was pregnant with her first child with Prince Friedrich and Mary had gone there, after a brief stop in England, to support Edwina.

"Y/n, don't change the subject. You can talk to me."

"What if no one asks me to dance, Kate?" Y/n finally revealed her fears shyly. She spoke so quietly that Kate had to strain to understand her words, but when she did her eyebrows furrowed in sadness. "You and Anthony took me in, what if now no one asks me to dance and I make you look bad?"

"First of all, you could never make us look bad and we would never be disappointed in you. I even think Anthony's biggest dream would be if you and Francesca didn't dance with anyone." Kate chuckled knowing how protective her husband was. "And I don't want you to be forced to dance with anyone. You can say no if someone invites you to dance and you don't want to. And if anything happens, call Anthony or his brothers."

"I will." the girl nodded, seeing her sister's serious look. "I hope everything goes well."

"Of course it will! And you won't be alone, we'll all be there in case you need anything. And who knows, maybe you'll see a certain prince. I heard the queen is going to make him participate in this season."

Y/n didn't respond to the teasing, she just continued to get ready with the help of the maids. When Anthony called them from downstairs, the two sisters hurried to meet him, seeing that the rest of the family was already there with the exception of Francesca.

When they saw her, a big smile appeared on everyone's faces, Violet going to give her a hug as soon as she reached the end of the stairs and Daphne holding her hand. "You look beautiful."

"Thank you." she smiled at the women, and was later praised by Eloise, and the Bridgerton brothers.

Then, it was Francesca's turn to go down the stairs, catching their attention. After the compliments she received, the girl stood next to Y/n, the two holding hands as they walked to the carriages waiting for them.

"You look very beautiful, diamond of the season." Y/n said with a teasing smile, squeezing her hand in Francesca's in comfort.

"You do as well, Princess Sharma." Francesca giggled. To relieve the tension, the girl looked straight ahead at Anthony who was helping Kate into the carriage, his forehead dripping with sweat as he looked discreetly at the two teenagers. "I think my brother is going to pass out from how nervous he looks."

"Tonight promises to be quite interesting. At least he has my sister to control him a little, or I think he would be glaring at every suitor in the room, even if they didn't even want anything to do with us."

When they arrived at the Queen's castle, they were both amazed by the place. An orchestra played in the middle while some couples were already dancing, the space decorated with various details and chandeliers lighting up the room. When the Bridgerton family entered, everyone stopped to observe the diamond of the season, who was still clinging to Y/n.

To give her the focus of attention, Y/n tried to move away but Francesca just grabbed her hand tighter, sending her a look of fear. The Sharma girl nodded in understanding, then stood on Francesca's side, also being subjected to the curious looks of other people.

"Come on, girls." Anthony said, guiding the family to a corner while everyone analyzed the environment. He then turned to his two friends, who in his eyes were too young to be thinking about suitors, but he knew that this was the right age. "If you need anything, and I mean anything, go to one of us. We'll always be here to make sure you're okay. Now, all of you split up and socialize."

"They already look so nervous and you're going to scare them even more with your nerves." Benedict placed a hand on his older brother's shoulder. "Relax, brother. Go dance with your wife, we are also here to take care of them."

"I know." Anthony sighed, running a hand over his face. His tense muscles only relaxed when he felt Kate's hand caress his arm as she smiled understandingly. "Shall we dance, Viscountess Bridgerton?"

"We shall." she giggled, letting her husband guide her to the center of the room.

Meanwhile, Y/n watched the people at the ball nervously and curiously. They were all dressed to the nines, with the best fabrics and jewelry that showed the families' wealth and status. The Sharma smiled slightly when she noticed a girl being asked by a suitor. It was obvious that they were both nervous, but when he finally managed to ask the question, the girl blushed and accepted with a big smile.

Y/n sighed, turning her attention elsewhere. Her heart was beating heavily against her chest, wondering if she was going to experience the same situation as that girl.

A light touch on her shoulder made her snap out of her thoughts. Y/n turned to the side, her eyes widening when she saw Prince Charles standing there, both hands behind his back and a perfect smirk on his lips.

"Miss Sharma, what a pleasure to see you again."

"Prince Charles." she greeted, making a small bow. "This time I haven't forgotten my manners."

"I must say you look beautiful tonight." he praised, gently taking one of her delicate hands and bringing it to his lips, lightly kissing her skin. Y/n's cheeks immediately flushed, getting worse when she realized that they were attracting the attention of others. "Are you enjoying the ball?"

"Very much, thank you. The orchestra plays beautifully. It's lovely to see so many people dancing, especially my sister and Viscount Bridgerton. I have never seen them happier."

"Indeed. We could dance too… If you would like to, of course." Y/n didn't think she had ever seen the boy being shy, but she had to admit that it was really cute to see him like that.

"Are you sure? Many people are already looking at us… Including the Queen." she whispered the last part with a look of fear. "Are you supposed to find a lady to marry this year?"

"My mother hopes so, but she doesn't pressure me into anything. Right now, I just want to dance with you. Please? Don't pay attention to anyone else, just focus on me."

Y/n swallowed hard, but nodded, resting her hand on the arm Charles offered. The two walked to the dance floor as soon as the song ended, preparing for a new melody. The Sharma girl held her breath when she felt the boy's hand position itself on her waist, pulling her closer, while the other intertwined with hers.

The music started slowly and Y/n let the prince lead her, too nervous to even remember the choreography she had already practiced several times before. Out of the corner of her eye, she saw Kate and Anthony looking at them as they danced, giving nods of encouragement but still keeping their attention on them.

The rest of the people looked in shock, seeing the youngest son of the Queen and the King dancing with the sister of Viscountess Bridgerton who had caused a lot of talk last season. The Queen was also watching them, a small smile appearing on her lips.

"You're not just focusing on me." Charles hummed, squeezing her waist to show she was just joking. "And on top of that I'm a great dancer."

"My apologies. But I can't agree with the last part. I think —" but she couldn't finish her sentence as Charles picked her up and twirled her around several times until her laughter could be heard above the music.

"Sorry, what were you saying?" he laughed teasingly, loving the blush on her cheeks. He wanted to make her blush all the time, he loved the effect he had on the girl who was constantly on his mind since that day in the park.

"Prince Charles, this will certainly not be seen very well by other people. They are all whispering about us now! More than they already were."

"Call me Charles." He said, ignoring the rest of what Y/n said. His eyes were intense, studying the girl's face and stopping on her lips before moving up to her eyes.

"No."

"No?" he raised his eyebrows, as if he wasn't expecting that answer. Y/n stepped away from him, making a small bow. And only then did he realize that the song had already ended.

"I really enjoyed this dance, thank you. I hope to meet you again. We keep crossing paths so who knows?" she smiled, turning her back and walking towards Francesca who was alone in the corner, a drink in her hand.

Prince Charles definitely wanted to see Y/n Sharma again, his gaze following the girl's movements as if in a trance. Surely him standing in the middle of the dance floor looking at Y/n would be the main topic in the paper of Lady Whistledown.

[starastrologyy]

Moon in partner’s Houses in Synastry 🤍

Moon in Partner’s 1st house

When your Moon falls into your partners 1st house, a close emotional bond is often indicated. 1st house overlays tend to create a sense of “like-mindedness” between two people. Thus, the pair are likely to feel as if they are “kindred spirits”. The Moon person intuitively understands the motivations and feelings of the Ascendant person, vise versa. This overlay can indicate feelings of comfort and ease between the two individuals . As with all overlays, you want to see how the planets are aspected. Thus, If the Moon person’s Moon adversely aspects many of the house person’s planets, the Moon individual has the potential to significantly impact the house persons confidence levels, and the manner in which they show up in the world. However, if well-aspected, the Moon person can remarkably increase the Ascendent persons self-confidence. This is an overlay that you often see between two people who can often tell what the other is feeling, just by looking at them.

Moon in Partner’s 2nd house

With this overlay, the house person can feel as if the Moon person provides them with a sense of emotional security. Moreover, this overlay also contends that the Moon person has the ability to significantly impact the house person’s finances and feelings of self-worth. In some instances, the Moon person can become emotionally invested in matters related to the house persons finances and possessions. Whereas, the house person can become emotionally dependent on the Moon person (and vise versa). There is the potential for feelings of possessiveness to develop in this union. However, the 2nd house emphasizes the need for comfort and stability. Thus, the pair are inclined to feel emotionally “grounded” around each other. If the Moon is adversely aspected, the two can have a negative impact on each other’s finances and self-worth. Nevertheless, the pair will likely build an emotional connection that is largely based on their shared values.

Moon in partner’s 3rd house

Emotions between the pair can often be intellectualized with this overlay. However, the ability to communicate about how each person is feeling is enhanced. This overlay is common to see in the charts of couples who enjoy vocalizing their emotions to each other. Alternatively, you can often see this overlay between school peers, friends, or siblings. In a romantic relationship, there can be a strong intellectual connection and a distinct communicative resonance between the pair. Hence, these two are likely to learn a lot from each other. The Moon person tends to feel comfortable with the manner in which the house person communicates and processes mental information. Whereas, the house person can feel as if the Moon person encourages them to open up, and vocalize their emotions/feelings. Although this is not a very ‘romantic’ overlay, it can increase the communicative compatibility, and intellectual comfortability between two people.

Moon in Partner’s 4th house

This is an exceptionally emotionally intimate overlay, as the Moon is essentially “at home” in the 4th house. It is possible that the 4th house person feels comfortable opening up to the Moon person about their childhood or their family dynamics. These two are inclined to share information with each other that they would not ordinarily tell people. There is a strong sense of emotional security and comfort between the pair. Thus, this is an overlay that you commonly see in long-term friendships and romantic relationships. Furthermore, the Moon person is able to nurture the house person in ways that make them feel safe and understood. If the Moon adversely aspects the house persons natal planets, the Moon person has the potential to trigger very painful memories or emotional reactions in the house person. In non-romantic relationships, this overlay can create a familial bond and a natural emotional resonance between two people. At its best, a 4th house Moon overlay can indicate an emotional bond that is compassionate, forgiving, and enduring.

Moon in Partner’s 5th house

This is often a very jovial, lighthearted, and pleasurable overlay. There is a “playfulness” to the emotions that are expressed between the two people. Interestingly, It is common to see a 5th house Moon overlay in the synastry charts of people who have children together. The Moon person stimulates the House person’s desire for romance, fun, creativity, and pleasure. Whereas, the Moon person is attracted to the house person’s approach to casual dating, creativity, children, and hobbies. The pair often bond over their shared interests and hobbies. Although the 5th house is not known to produce ‘staying power’, it can definitely add to the attraction that two people have towards each other over time. Long term couples that have 5th house synastry overlays (it is possible to find them despite what is often said) essentially ‘never stop dating’. Thus, the passion and attraction tends to remain consistent (or strengthens) over time.

Moon in Partner’s 6th house

With this overlay, the Moon person can become very emotionally invested in the house person’s physical health, work, and daily routines. Whereas, the house person can feel supported by the Moon person , when it comes to how they approach their daily routines, work habits, and physical health. If well-aspected, these two are likely to be more productive together than they are apart. However, if adversely aspected, the Moon person can feel emotionally drained for having to take on too many of the house person’s responsibilities. In turn, the house person can feel as if the Moon person is too ‘nitpicky’, critical, or overly involved in their daily affairs. Although this is also not an inherently romantic overlay, the two people are likely to become attached to each other, as they are inclined to see the other as being an integral part of their daily routines or day to day life! At its best, this overlay can produce an emotional bond that is based on service, mutual assistance, practicality, and productivity.

Moon in Partner’s 7th house

This is one of the best overlays to have in romantic synastry. The manner in which the Moon person expresses their emotions tends to appeal to the house person. Hence, one can assert that the Moon person has many of the emotional qualities that the house person is inclined to look for in a long-term partner. This is a common overlay to see in the charts of married couples. This is because they each stimulate the others emotional desire for commitment. When your Moon falls into someone’s 7th house (or vise versa) you are apt to be more tolerant of them. However, the 7th house is also the house of open-enemies. Thus, disagreements or an emotional discord between the two can become public knowledge. Despite this, this overlay can create an emotional connection that is firmly rooted in compromise, equality, and partnership. A 7th house Moon overlay can also be a very beneficial overlay in a business partnership!

Moon in Partner’s 8th house

This can be a very intense synastry overlay. It is also an interesting one, as it is often said that the Moon person tends to “feel” this energy more. However, I would assert that you would need to look at the synastry chart holistically, and the individual natal charts to see who is inclined to ‘feel it more’. Nevertheless, this overlay can produce a dynamic between two people that is very hard to walk away from. The Moon person can often become very emotionally invested in the house person. Thus, the pair can find themselves intensely drawn to each other. Hence, elements of jealousy, obsession, power dynamics, and control often emerge. In its best manifestation, this can be a very emotionally healing overlay. The house person can find themselves wanting to open up about their trauma, crises, or painful emotional experiences. In it’s worst manifestation, the pair can find themselves feeling constantly triggered or manipulated by the other. This overlay is known to produce somewhat irrational feelings and behaviors. However, a positive manifestation is that the pair have the potential to help each other transform, evolve, and heal. There is the possibility that the two will form an emotional connection that is incredibly ‘deep’, intimate, and binding.

Moon in Partner’s 9th house

This is a very expansive overlay, and it is one that is highly underrated. The Moon person has the potential to impact the house person’s belief systems and worldviews. The Moon person is also likely to admire the house person’s optimism, intellect, and approach to foreign travel or higher education. Whereas the house person can feel as if the Moon person’s emotional nature is one that aligns with their core beliefs. This is another overlay that contends that the two will learn a lot from each other. If it is well aspected, the pair are likely to form an emotional connection that is strengthened by their shared beliefs and philosophies. There is also the potential that the two will introduce each other to new ideologies, cultural concepts, and ways of emotionally relating to others. The pair can also stimulate each other’s desire for travel, growth, and spontaneity. Interestingly, this overlay asserts that the manner in which they relate emotionally to each other, is inclined to be quite open-minded and accepting. A shared love for learning, travel, and adventure is often indicated by 9th house overlays.

Moon in Partner’s 10th house

The Moon person can become emotionally invested in the house person’s career affairs with this overlay. This is a wonderful overlay to have with someone you intend to work with or do business with! However, in a romantic relationship there can be an over-emphasis on the career or how they appear to others as a couple. Thus, one or both people can be overly concerned about how other people perceive their connection, rather then trying to foster a genuine close emotional connection. It must be said that people who are highly saturnian, career-oriented, or earth dominant can function very well under this influence. The house person can often feel as if the Moon person provides them with emotional support and encouragement, when it comes to their career pursuits. Whereas, the Moon person can be inspired by the manner in which the house person approaches their worldly ambitions and career objectives.

Moon in Partner’s 11th house

This is a wonderful overlay for friendship, as it creates feelings of genuine appreciation and “liking” of one another. The Moon person can become emotionally invested in the house person’s aspirations, networks, and friendships. Alternatively, it could be that the pair bond over their shared goals and mutual friendships. This is a good overlay to see in platonic relationships. However, in a romantic relationship the two can feel as if they are both lovers and friends! Interestingly, the pair can be very accepting of each other’s emotional quirks and eccentricities with this overlay. The Moon person often feels emotionally accepted by the house person. Whereas, the house person can feel encouraged by the Moon person to pursue their hopes and dreams. Emotional tolerance and unconditional acceptance are key themes here.

Moon in Partner’s 12th house

The 12th house in Astrology is often considered a “karmic” house. Thus, this can be an incredibly binding overlay between two people. The 12th house person can often feel emotionally exposed around the Moon person. However, the Moon person can feel as if the house person is elusive or difficult to read at times. Hence, the dynamic between the two can be confusing or unclear with this overlay. If well-aspected, this placement can foster a healing, intuitive, and forgiving emotional bond between two people. The House person is inclined to want to open up to the Moon person about all of their past traumas and experiences. Despite this, the Moon person may feel mistrustful of the house person, or feel as if they cannot fully “figure them out”. Thus, transparency, patience, and total honesty is the best way to navigate this energy. If the Moon is well-aspected, the pair may feel as if they have found their “soulmate” in each other, or a person who understands them on a deeper more profound level. In its best manifestation, this overlay can create an emotional connection between two people that is highly spiritual, transcendent, and compassionate.

Hi everyone, a team of talented and passionate developers reached out to me about their app which is called the SINE daily manifest!

This is an AI app that is all about astrology, spirituality, and self-improvement! I wouldn’t recommend an app that I didn’t personally use. I really love that it gives you daily affirmations and tips on how to manifest prosperity into your life. You can also get a free interpretation of all your personal placements and a free compatibility analysis! It also has a feature that allows you to ask questions and then draw tarot cards to get an answer! The app also allows you to keep up with your daily transits! Hence, it is an incredibly unique and interactive app! It is also available on both the Apple store and the Google play store! I have linked it below for those of you who want to try it out!

[lemongogo]

YESSS YESS EXACTLYY

vash w this hairstyle is literally so cute.. .. wolfwood matchies or smt T__T

[bloop-bl00p]

In defense of Octavia

TW: Lots of Trauma Dumping, Mention of abuse

She’s been wronged way too many times in this fandom for some reason. Look at her vibing, how can you hate her?

I’m a fan of Helluva Boss, mainly because of its potential but the quality dropped dead in the second season. We’re gonna talk about a character I’ve seen other fans misinterpreting in favor of the so-great Prince Stolass.

I want to talk about her mainly because I do what I want and because after studying her character I just realized that she’s just like me. Especially regarding her relationship with her father, I see myself in my younger years.

All of that to say…

She has all the right to feel abandoned.

Octavia obliviously has a stronger bond with her father, it shows in her behavior and little background details

When she wants to draw her family, she draws her and Stolas, we mostly see her being happy with him which leads me to think that she’s emotionally neglected by Stella. To her, Octavia is just an ‘egg’ that fell off her and she doesn't care about the impact killing Stolas could have on her daughter.

Despite being emotionally absent, Stella has a much more physical presence than Stolas. Most of the time Stolas is alone in his castle which leads me to think that Octavia is somewhere else with Stella. They did mention the two went on a weekend somewhere. This leads us to this question…

How can Octavia feel more close to her father?

Here’s the thing, I see a lot of my family dynamic here. My mom doesn’t pay attention to me at all, she doesn't want me to bother her and she makes it clear. My dad, however, who’s absent like 90% of the time, always tried to spare time with me. He explained to me that he was working and why he was doing all of this (I was like barely ten) but it never prevented him from trying to play with me, sharing his hobbies, going on a walk, and else.

He was there emotionally and, as a kid who was bullied, had no friends at all, and a mother who didn't give a damn, I cherished this relationship.

I believe the exact same thing happened with Octavia, we never see her with friends or even outside the castle, she’s isolated. Stolas has Prince duties, we’ve seen him carry them in the shows, hence why he’s mostly absent leaving her with her mother. But, at least when she was a kid, he tried to do stuff bringing her to Loo-Loo Land or being the one to comfort her. That is why she clings to her father, he’s the only one who actually shows her love and she’s terrified of losing that.

Regarding her mother, Stella obliviously doesn't care about her so the feeling is reciprocated. From a narrative standpoint, Stella is an unpredictable force of nature getting angry for pretty much anything that doesn't go her way. So Octativa learned to not cross her mother's path.

I know this expression, this is the “Oh fuck… they’re at it again?” she’s used to her mother's constant screaming, she's used to her parents fighting.

She did say they were a time when a parent didn't hate each other, which to me refers to the time when Stolas tanked Stella’s abuse. But, that doesn’t mean that Stella wasn't abusing him in front of a younger Octavia, she’s erratic and they did imply that she can get physical in her toxic behavior. Since Stella was passive, it was probably mostly harmful comments.

Putting personal things here, my mom was also very abusive to my older sibling. Since I was extremely young I learned not to ‘be a burden’ to avoid being abused as well, which includes things like not talking to her unless she does it first. Whether Octavia is aware of the physical abuse or not, she must know enough to know that it’s a bad idea to annoy Stella.

This is the only picture where we see her seemingly having a good relationship with Stolas, which to me feels like she’s faking it considering all we know about the family.

She has a pretty shitty household but her relationship with her father make it bearable until Stolas did a 180°

He randomly started to prioritize Blitz and don’t spill me the bullshit of ‘he’s trying’ he stopped trying long ago.

Let’s analyze this episode by episode:

In Loo Loo Land, Stolas seemingly tries to rebuild a visibly strained relationship with his daughter by bringing her to a park she liked when she was a kid. To this, she immediately responds with an “I’m not 5 anymore.” and an “I rather kill myself.” There’s no room for miscommunication, she doesn't want to go there, and she won’t enjoy it as much as she did back then. Still, he decides to go there, showing that he doesn't listen, and, he brings the one the thing that is currently ruining his already horrible marriage because of his own actions. Blitzø.

He’s trying to spend time with his daughter after a long time (this is mentioned in the episode) and he decides to bring in that one guy he’s hooking up with to deliberately make sexual remarks about him in front of her.

She’s uncomfortable the whole time, not just because she allegedly doesn’t like listening to her father's comments but because she doesn't like the park. She said it, yet Stolas doesn't acknowledge it, he doesn't realize the faces she makes which are to me pretty communicative of her annoyance and discomfort.

This is not even subtle body language, yet he only notices it when she runs off. The worst part is that he still finds a way to think about Blitzø when his daughter leaves.

He looked upset that Blitzø didn't follow him! Did he expect that guy to pursue him constantly? He was in the middle of an argument with his daughter, I personally would have stepped away to give them space to talk and reconcile. But no, apparently Blitzø should be at his beck and call all the time.

But you know what, after all of this. He still apologized. That absolutely does not negate everything he did during the day but, at the end of it, he finally listened to her and even brought her to a place she actually wanted to be. Which is good, he acknowledged her discomfort and did something she liked.

Until Seeing Star.

Look I know Stolas was busy with Stella but he clearly doesn't care about her and her stuff.

Don’t tell me he couldn’t pinpoint Stella’s location with magic and teleport all of her belongings to her. Their discussion was barely about the furniture, he could have said that they were gonna be delivered and hung up the second he saw Octavia. Arguing with Stella is pointless, he’s the number one guy that should know that! Why does he continue to insult her, he’s just fuelling the fire!

Moving out her belongings would have been 10 times faster if he just hung up the phone, then he could have had a more mindful talk with Octavia without the constant bickering of his ex-wife.

But he didn't for some reason, fair enough, I guess. The writers do whatever they want. Anyway, Octavia got angry and ran to go see the stars on her own.

So, Stolas’ castle is in Pride but my point still stands, Octavia had the time to run from home and make the way all from her father's place to the city, find the specific building Blitzø held his organization in and Stolas didn't notice a thing.

You cannot tell me Stella managed to get his attention for that long AND you cannot tell me that his castle is close to the shitty disaffected building and the populace. His daughter ran off and he did not notice a thing.

Not only that but he has the nerve of blaming Blitzø for not watching the book. Like, dude! You should have watched your daughter instead!

Then he spills out more bullshit.

I don’t know Stolas, how could you possibly find her when you were shown to have countless abilities to do so?

Like bubbles projecting the image and locations of people.

Or that on time when you possessed corpses and one woman just to go full eldritch monstrosity just for one that one guy you’re cheating your wife with. And don’t whine about “They don’t love each other.” it’s still affecting his family, mainly his daughter so it’s still bad.

Of course, you do all of that without your grimoire without any problem, brushing it off with a…

I guess he forgot his ‘ways’ when it came to Octavia. But honestly, Loona literally found her easily just by looking at her Instagram account, couldn't he just call her or something? The girl had her phone the whole time and he didn't just think of calling her.

Me when I forget that I have teleportation power when I am in an enclosed space with nobody is looking.

You’re certainly not worrying right now. Via literally told him to his face that she was scared and he kept flirting with him even though he once again caused her to run away because of his neglect.

He’s not trying his best, THIS IS NOT TRYING!

No Loona, his daughter communicated very clearly issues related to their relationship, rather than reassuring her and being there for her as much as it’s realistically possible (he still has duties to carry), he gets in an avoidable petty fight with his ex and keeps an unhealthy dynamics with an imp he's been obsessing over. He doesn't focus, his priorities aren’t straight, and now Octavia feels abandoned.

I did mention that I had a good relationship with my father back then, but it stopped abruptly. His focus changed and he went out with friends after work and gradually stopped spending time with me. Until we never spent time together again, (to give you an idea the only moment where I could see him was in the morning for breakfast) now that can sound silly but I was a child, with no friends and a neglectful mom, losing the only good thing I had in life broke me. I knew his schedule, I knew he was spending time with work buddies and that just stung my self-esteem even more leaving me feeling like a burden when I was just a kid who wanted to feel love.

This is why I don’t like the “He’s trying.” I know what a trying struggling parent looks like and I know what happens when they stop. If you keep trying to do something and you’re constantly failing, either your technique isn’t the right one or you’re not and you’re convincing yourself you are.

And then there are people that’ll tell me that “He lived through the abuse of Stella for years for her.”

If you read all of this then I don’t feel like I need to explain how Octavia was at least partially exposed to Stella's toxic behavior and was affected by it.

For those who don’t know how it feels to live with an erratic mood-swinging person, it’s pure constant stress. You have to think constantly before you talk or move because you know that if you fuck up you’re gonna pay the price. And if you still eventually mess up you can never know with these types of people! You can’t defend yourself because the punishment will be far worse. You are ALWAYS in the wrong.

So he lived through the abuse of Stella just so his daughter could get neglected and abused in a less physical way?

The difference between my parents and Octavia is that they love each other. Stolas doesn't give a damn about Stella, he did say he was nice at first because he empathized with her they were in this shitty situation together, and fine, it's reasonable. But she never changed! Stella stayed the same! Why didn’t he leave her when he stopped carrying about her?! There’s no trauma bounding, Stella isn’t guilt-tripping or manipulating him, they got the child he could have divorced her easily without consequences! If anything, she’s the losing part of this divorce she’s lower in the hierarchy! “Andreaphul will get angry.” HE’S A MARQUIS! Hierarchically speaking Stolas is far more important and he mopes the floor with his peacock ass!

Am I supposed to be empathetic with that one dude who willingly let his daughter grow up in a hyper-toxic environment with an emotionally neglectful and unpredictable wife?! Am I supposed to believe he cares when he kept sleeping in his house in his bed with the same guy his daughter clearly is worried he’s going to leave her with?! Really?!

Don’t ever tell me that this is trying.

[oidheadh-con-culainn]

let's be more positive about books for a while! here are some queer historical romance novels that i've been rereading recently that i think do something interesting with making characters feel historical in their mindset and worldview, but are also fairly progressive, diverse queer books that are, frankly, a delight to read

this is by no means exhaustive and to be honest i could put almost anything by cat sebastian or kj charles on a list like this so this is purely the highlights of what i've reread in the past week to take my mind off work, and why i think they're interesting from this specific angle

cat sebastian, the ruin of a rake (turners #3)

this is technically the third in a trilogy but they're only very loosely connected, so you don't need to have read the others if you don't care about knowing who all the background characters are. the others are also good though

why it's interesting: features a character who has had to painstakingly study and learn the rules of polite society in order to claw his way up to respectability, and is now deploying those skills to help another man repair his reputation. shows the complexity of those rules, the social purposes they serve, and the work that goes into living by them, as well as the consequences of breaking them. also explores some of the financial side of aristocracy, and features a character with chronic illness (recurring malaria following repeated infections as a child in india) whose feelings about his illness are very relatable without feeling overly modern.

kj charles, society of gentlemen series.

this trilogy is closely related plot-wise and best read in order. all three explore cross-class romances and characters struggling to reconcile their political views and personal ethics with their desires, in the aftermath of the peterloo massacre, with a strong focus on the political role of the written word. first book is long-lost gentleman raised by seditionists / fashion-minded dandy teaching him to behave in society; second book is tory nobleman submissive / seditious pamphleteer dominant who've been fucking for a year without knowing the other's identity; third book is lord / valet and all the complicated dynamics of consent there with a generous side-helping of crime.

why they're interesting: close attention to the history of political printing and the impact of government censorship and repressive taxes on the freedom of the press; complex ideological disagreements that aren't handwaved as unimportant; examination of trust, consent, and social responsibility across class differences and in situations with problematic power dynamics; most of the characters are progressive for their time without feeling like they have modern attitudes. the second book, a seditious affair, deals most strongly with the revolutionary politics side of things, but all tackle it to some extent.

kj charles, band sinister.

look i'm probably biased because this might be my favourite KJC. it's a standalone about a pair of siblings: the sister wrote a gothic novel heavily inspired by their mysterious and scandalous neighbour whose older brother had an affair with their mum (causing scandal); the brother is a classics nerd. the sister breaks her leg on a ride through their neighbour's estate and can't be moved until she heals so they both have to stay at the house and find out if the neighbour is really as scandalous as he seems.

why it's interesting: discussion of atheism and new ideas about science and creation (very shocking to the brother, who is the viewpoint character); details of agriculture and estate management via main LI's attempt to grow sugar beet, as well as the economics of sugar (including references to slavery); "unexpurgated" latin and greek classics as queer reference points for a character who nevertheless hasn't quite figured out he's queer; material consequences of society scandal

bonus: wonderful sibling dynamic and a diverse cast including a portugese jewish character, which i don't think i've seen in a book before

i will add to this list as i continue to reread both of their backlists! (bc i have read them all enough times and in close enough succession that they blur together in my head unless i've read them very recently)

[kingconia]

TWISTED WONDERLAND BOYS AND HOW THEY WOULD ACT IF YOU WERE THEIR OLDER SISTER

warnings: hints of angst? mentions of possessiveness

RIDDLE ROSEHEARTS. ❤️

— Big sister? More like a second mother;

— Childhood was rough for both of you, and there wasn't much to do for ground Riddle from it fully, but you tried so hard to make it better than your own;

— You took punishments for your brother, you intentionally caught attention of your mother, so she could ignore Riddle, and you tried to teach him how to have fun properly;

— Riddle understands it when he grows older, but nevertheless, he always was your boy;

— You are his family, but you are also his best friend;

— It hurts you to see how much impact mother put on his mental health, and you struggle so hard to fix it, somehow;

— You are the only one, who can break the rules and make Riddle smile. He doesn't really cares if you are following them, and you honestly don't even try;

— To him, you are always a soft one, his gentle big sister, who takes care of him in the most motherly way;

— But once someone wrongs him... Oh, you definitely your mother's daughter as well;

— OFF WITH HIS HEAD!

MALLEUS DRACONIA. 💚

— Time is different from fae, but Malleus always remembers that you came first, and shows you a lot of respect;

— But you never felt that you are the elder sister THAT much with him;

— Most people assume that you are twins. You look identical, you act the same way, you are both strange in the same manner that people find scary;

— I think, both of you would be quite... Codependent?;

— You had only yourselves all this life, and it hardly changed, since no one wants to socialise with you in the school, so;

— You and Malleus are always together, hip to hip, and sometimes people even confuse you two;

— You are really more shades of each other than anything else, but you are comfortable with that. You share everything, you spend all your time together;

— ...Kinda possessive towards each other, too.

KALIM AL-ASIM. 💛

— When he was younger, you took care of him, admittedly, with some unwillingness. You were older, he was smaller and restless, and you just wanted to mind your business;

— But he is such a sunshine! Always was;

— Your heart grew softer, when he told you, while being still a small bun, that you are the most nice person in the world;

— (You really wasn't back then, but for him? You are now!);

— Basically sunshine and sunshine protector;

— You have a hard time trusting his friends and people around him, and, man, Jamil suffered from your suspicion enough, but... In the end, he is the part of family, too;

— I feel like Kalim adores having matching things. Matching accessories, hats, clothes. He thinks it is an amazing way to bond with you, and you are so into it;

— He is that kind of younger sibling that the more he grows, the more balanced your dynamic becomes, because he starts caring for you, too;

— You are the healthiest duo in the world, lmao.

LEONA KINGSCHOLAR. 🧡

— In this case, you are not the oldest in the family, but you are older than Leona, nevertheless;

— When he was a kid, he loved you so much. He was amazed by you, thought you are so cool, so powerful;

— So he started to take example from you. Quietly, without never mentioning that to you. (So, if anyone Farena blames on Leona becoming is such an ass, it is you, lol);

— Leona started act like you, learned your fighting tips, stole your talking manner, and... And clothes;

— It was you, who started wear leather in the family first, especially, gloves, and it was you, who made yourself two little braids by the both side of your ears;

— Leona is a little copycat, but you honestly love it;

— You took care of him the most from the family in the childhood, because others were busy or never wanted to deal with a cursed kid, and that is why Leona is so into you;

— As grown-ups, Leona starts hating all your friends OR boyfriends—don't dare to have one, he hates him, too—and really insecure because of the thought that you will lose interest in him, since he is not the kid to be taken care of;

— Ha, jokes on you. He is always your little stupid baby.

AZUL ASHENGROTTO. 🩵

— Much like Leona, you was his example all his childhood;

— But unlike his situation, you never had such a bond, when he was a kid. You were always busy with your own stuff, scamming people, reading and studying, and he felt, well, lonely;

— So, if Leona copycates, because he adores his sister, Azul does it in the order to become closer. Yes, he kins Mastermind of Taylor Swift, lmao;

— But it works, and you start taking care of him more often, hanging out to explain things. Azul is happy;

— But others? Others hate both of you;

— Contracts, lies, scams: you do it so perfectly, so smartly, so easily, that others just hope both of you will get thrown out of school, lmao;

— As Azul becomes the same level as you, someone, you can call your equal, you start your little competition. Azul tries to trick you, so you could fall on it, and lose to him;

— It is a friendly one, and you actually love your little game so much!;

— But, oh, Azul... Big sister knows better.

VIL SCHOENHEIT. 💜

— You are older, and that meant you came first. So, you are naturally prettier and more talented. Thanks, he hates it;

— As a child both of you had an amazing relationship, but as Vil got more involved with the outside world, he became more envious of you;

— It feels like he can never reach your level, and people used to pester him a lot with stupid questions about you;

— So, as a teen, he distances himself from you, starting to act annoyed and hateful, focusing solely on becoming better;

— You don't understand what is going on, or what to do, and you actively try to fix everything, but... Eventually, you are too tired to deal with all of it. You surrender. If Vil hates you, so be it;

— He misses you so much all the time, but at the same time, he don't do anything to change your situation. He only silently checks your new photos, listens to your conversations in corridors, and that's all;

— Life goes hard, and once he finds himself in front of your doors, crying and sobbing as a kid. You can't deny him, so you spend all night rocking him in your arms;

— But in the morning there is no trace of him, and in the corridors you act like strangers again;

— And no matter how often it starts to repeat, you still never talk properly.

IDIA SHROUD. 💙

— He is the most annoying little brother EVER;

— He is so stereotypical little sibling, lmao. He just whines about how old and not interesting you are, slams the door, and ignores you half of the time;

— Thanks, you hate it;

— But you try, nevertheless! You try to understand his talks, games and interests, and if you still don't, then you buy him a lot of stuff he wants;

— You bring him food and water, and constantly pester on his health;

— Actually, Idia doesn't hate you! He just likes being annoying little shit;

— So, if something gets too intense or tiring, he stops acting this way, and shows that he cares;

— But if no one dies, he puts typical teenager record player, lol;

— At this point, you are fine with that.

[astropookie]

Sun houses and fathers pt2

Yoshitomo Nara

take what resonates, leave what don’t 🎀 you don’t have to necessarily identify with it.

*I use whole sign system -house system- for more certainty

1H: he could be narcissistic? or really confident in how he is or approach to things. In some point of your life he could have been wanting or controlling your life on some way. his family roots have something to do that impacted in your life. he could be described as intelectual and somehow formal, polite? these people could have been raised or influenced by someone who has a strong personality and who’s unpredictable; that’s why suns 1H are more conscious about their environments -and how their attitudes impacted in others-.

4H: your dad could seem distant when’s about to a understanding your mental health or aspects of your life that are seemed as untraditional for him -too specific-. he could be seen as someone who provides for his family, your mom could be a housewife or someone who’s not the “principal provider” -idk how to explain it, someone who doesn’t bring a major amount of money to the family?-. he could be distant and if he observes a problem in the family dynamic, he’ll play dumb? he would only act as someone who provides economic resources. lack of emotional intelligent? or approach to solve an emotional problem. the mom could have being not present in certain way, that’s why your dad could have tried to be both OR your mom could be the one that’s seems more affected by your behavior -take it how would like to-.

8H: he’s a very important and influential person in your life. you could be were you are bc of him -economically, geography, social life, etc-. for example: he moved to the country you were born or he was friends with a family and that’s how you met your wife -too specific ik-. it seems that bc of him you have “everything” in your terms. you could be really thankful and if he died you could smile and laugh while you’re remembering him. he has a unique personality, in every aspect. he may seem secretive, mysterious? there’s something they don’t talk about or they have a serious and intimidating aspect?

2H: the one thing you admire about him is how he manage money, that’s for sure. you could have grown up seeing how your dad works and manage things, his attitude towards material things. your dad could have give you stuff so he won’t feel bad about not having quality time or a continuous son-father dynamic. that’s why the main characteristic that caught your attention was the ethic of work and money management? that he seemed occupied? you lack an emotional security but you have financial security? or you seek security in every aspect bc you felt insecure and your father has something to do with that?

3H: screams something to do with communication. he influenced the way you think/mindset and how you communicate. his siblings are important to him or his family. he could have thought you about brotherhood? about union. also, you could be really perceptive and conscious about the words you use or just conscious about how you can influence others bc of the example you had. your dad could have supported you on the artistic stuff you were interested. also his love language/how he shows he cares is words of affirmations? or does he needs constant reaffirmation or reminders?

7H: your relationship with your father could be really tight. he influenced how you act and think towards relationships in general. that’s why you could think they’re really important or the base of life/your philosophy? you dad could be a dreamer or idealize things continuously or something he did/how he is makes you like that. you could feel pressured by your dad of having ideal friends and partners, to have a balanced life. he could not tell things straightforward/not being direct. he could have a thing for looking presentable and he thought you that constantly.

♡ Based on personal experience and I’ve analyzed in my surroundings.

♡ English is not my first language.

♡ I’m not a profesional astrologer.

Thank youu. baibaiii🫣🫶🏼💋

Do not copy. Please give me credits.

[luvermore]

I haven't said much about S4 but I will say, I do not like the direction they took all the characters in. Especially both Ben's.

I think my least favorite part about how they go about Ben (Brellie and Sparrow) is that how they have the siblings dealing with them makes zero sense. Ben was supposedly the beginning of the end of the UA. Even though they didn’t even remember how he died. His death was such an emotional impact that their family imploded. So why does it seem like they glossed over A. Ben being around 17 years after his death and just hanging with Klaus. B. Literally saw adult him in S1 but had all of a “oh wow” reaction. Then in S2 seemed to not care when Klaus said (one of my fave scenes tbh), “Ghost can’t time travel”. I get he’s been dead forever but it just seems like there should have been some reaction.

My next issue is, when Sparrow Ben comes, they take him around like he’s their Ben. Which, in my opinion is why he could never feel connected to them. There was never a point where the Brellies accepted him for the Ben he is now. Granted there were scenes with Viktor and Allison trying to help him and Luther keeping up with him but that’s my point too. Viktor wanted to help Ben so badly because he saved him, but, he didn’t. At least not that Ben. I think they’d still try to help any of the Sparrows if they still existed and it was them inside but, Viktor’s reasoning for trying to save him, and Allison’s too was, “He’s our brother”. But he isn’t. He’s not their brother and if I was supposed to as the viewer, assume that a part of the reason they were gripping onto him is because they lost their Ben, then I would have liked to see that in the show.

I know that the Brellies are very accepting people and tend to accept anyone into their fold as we have seen with Lila and Sloane. But the thing is those two people did not grow up with them. They did not witness the death of someone they considered siblings (meaning the Brellies didn’t grow up with Lila or Sloane and watch them die). They don’t seem to even have a real reaction to the fact that when they go back to their original timeline that basically kind of erased their Ben in totality. They all parted ways when the New World was created and Ben left to his own devices and ended up in prison. So I am not going to assume that in between the years of season three and season four they were just keeping up with him.

I just feel like for a show that started it first season catapulting us into the personal issues of the siblings. It didn’t do a good job going through the motions of them in later season. In short, I feel like a show that clung to the complicated and dysfunctional family theme kind of crashed and burned in seasons three and four. It became less about the siblings working through their problems and dynamics and more about going back to a plot that never really made that much sense. There were aspects of season four that could have made for a great conversation and most of them were deleted scenes, which is beyond me.

[wulfhalls]

Focusing on Alicent and Rhaenyra's relationship to the detriment of Rhaenyra's relationship to her siblings was a mistake and makes the show lose a ton of emotional impact

fantasy the anarchy just doesn't hit the same when none of the familial relationships have any depth to them. rhaenyra didn't have a single scene with any of her siblings. why should we care that this family is in a fight to the death with each other when we've never seen them act like a family in the first place. wouldn't it have been more tragic more interesting if they actually u know. had some sort of established dynamic in any way prior to the war breaking out lol u know emotional stakes and all that. oh well

[antianakin]

i saw that you put finnrey as your “most potential” ship and i was just wondering what makes you see them as more romantic over a platonic relationship? especially considering the finnpoe presence lol

and to be clear, definitely not judging you or saying everyone has to prefer finnpoe, i just haven’t seen very many people talk about finnrey as a romantic pair, or at least i haven’t interacted with it, so i’m curious for your take :)

I'm going to start this with a disclaimer: I do not dislike Finnpoe at all, I actually quite enjoy Finnpoe as a ship, I think that Finn and Poe's dynamic in the movies is (mostly) enjoyable, and I do think there is an obvious foundation for the interpretation of them as romantic based on what we see in the films.

Finnrey are pretty obviously set up as a future romantic couple in TFA, to the point that the person who wrote the novelization has said that that is how he wrote them because it seemed REALLY REALLY OBVIOUS that that's where they were going with that relationship with what he had seen of it and he was pretty surprised when future films didn't follow up on that. There is arguably more explicit set-up for Finnrey in the first film of their trilogy than there was for Han/Leia (and also Luke/Leia since their sibling relationship wasn't established yet when ANH came out) and even for Anidala in their respective first films together.

It's Rey that Finn goes back for, fulfilling a place in her life that she's been waiting on for literal years, becoming the first person Rey feels like she can trust. Finn gets jealous when he thinks that Rey is going back to a boyfriend on Jakku. There's an entire running gag that is about the two of them holding hands, something usually pretty connected to romantic couples. Finn only joins the Rebellion because he cares enough about Rey to want to go back to save her (and he also answers his call of destiny by doing so, as visualized by him being given and then using Anakin's lightsaber as part of that decision). Rey answers her own call to destiny when she calls Anakin's lightsaber to her, something she only does in order to save Finn after Kylo has injured him. The two of them impact each other's storylines in a way that NO ONE ELSE DOES.

I also personally feel like Finn and Rey were originally built as CO-LEADS in TFA, neither one was supposed to be "the main character" over the other. They were BOTH intended to be Force sensitive, BOTH intended to become Jedi, BOTH intended to be the awakening in the Force. Their connection was the whole heart of the story in TFA. Allowing them to be love interests for each other just helps cement that. Finnrey being allowed to remain love interests throughout the Sequel trilogy could've helped keep Finn from being sidelined, it could've helped keep REY from being sidelined, it could've allowed Kylo Ren to remain a villain, it could've helped keep some of the more interesting themes of TFA from being completely and utterly dropped.

By comparison, Poe was supposed to die in TFA. He and Finn share maybe 2-3 scenes total with each other, which are split up between the very beginning and the end of the second act of the film, leaving a LOT of time in-between where neither we as the audience nor Finn in universe even SEE Poe (and he mostly disappears when the third act on Starkiller Base starts up, too). Giving Finn a love interest that isn't Rey also opens the door for him to be sidelined in favor of Rey. This is something we can actually see done intentionally in TLJ with Finn and Rose. It pulls focus from what was set up as the focal point and heart of the narrative in TFA (Finn and Rey's relationship) and provides an excuse for why Finn isn't taking part in the bigger storylines with Rey.

And last but not least, I don't personally believe that there was ever a snowball's chance in hell that Finn and Poe were ever going to become an canon couple in a Disney Star Wars movie (it wouldn't have happened in a Lucas-run Sequel Trilogy either, but that's not really the point here). Finnrey could've. You can even argue that it SHOULD'VE happened and that it WOULD'VE happened (if Rian Johnson hadn't come in and decided to ignore everything that was set up in TFA). And Finnrey theoretically still HAS a shot at being made canon. It seems a LOT more likely that if they continue to explore the characters in the future that we'll see Finn and Rey get together romantically than that we would see Finn and Poe get together romantically.

So while I like Finn and Poe, I don't feel like there was real potential that actually got squandered in the films when they didn't happen, whereas there was ACRES of potential for Finn and Rey that got completely thrown away, and doing so really hurt both of their characters and the trilogy as a whole.

[covid-safer-hotties]

Also preserved on our archive (Daily updates!)

An older (published in January 2024) but interesting and comprehensive look at long Covid's effect on Latino families and communities in the US.

By Lygia Navarro and Johanna Bejarano

Editor’s note: This story first appeared on palabra, the digital news site by the National Association of Hispanic Journalists. It is part of a series produced in partnership between palabra and Northwest Public Broadcasting (NWPB) with the collaboration of reporters Lygia Navarro and Johanna Bejarano. *Some people interviewed for this article requested anonymity to discuss private health issues.

Victoria* is already exhausted, and her story hasn’t even begun. It’s late January 2021 in rural Sunnyside, Washington. The town of 16,000 people is a sleepy handful of blocks flecked with pickup trocas, churches on nearly every corner, and the twangs of Clint Black and Vicente Fernández. Geometric emerald chunks of farmland encircle the town.

Thirty-nine-year-old Victoria drags herself back and forth to her parents’ bedroom in a uniform of baggy burgundy sweatpants, scarf, knit hat and mask. Always a mask. As the eldest sibling, her unspoken job is to protect the family. But COVID-19 hits before they can get vaccinated.

When Victoria’s mamá got sick and quickly infected her papá, Victoria quarantined them. She shut them in their room, only cracking the door briefly to slide food in before retreating in a fog of Lysol.

Working in the health field, Victoria knows if they make it through the first 14 days without hospitalization, they will likely survive. Yet, caregiving drains her: Keeping track of fevers. Checking oxygen saturation. Making sure they’re drinking Pedialyte to stay hydrated. Worrying whether they will live or die.

Five days in, COVID comes for Victoria. Hard. Later, when she repeatedly scrutinizes these events, Victoria will wonder if it was the stress that caused it all — and changed her life forever.

At the pandemic’s onset, Victoria’s family’s work dynamics fit the standard in Sunnyside, where 86% of residents are Latino. “Keeping the members of your household safe — it was hard for a lot of families,” Victoria says. Living in multigenerational homes, many adult children, who’d grown up in the United States with access to education, had professional jobs, and switched to working from home. Their immigrant elders, who’d often only been able to finish fourth grade, braved the world to toil in fields, produce packing plants, supermarkets, or delivery trucks. As Leydy Rangel of the UFW Foundation puts it: “You can’t harvest food through Zoom.”

More than three decades ago, when 6-year-old Victoria’s family migrated from rural northern Mexico to this fertile slip of land cradling the zigzagging Yakima River, their futures promised only prosperity and opportunity.

According to oral histories of the Confederated Tribes and Bands of the Yakama Nation — who white colonizers forced out of the Yakima Valley in 1855 — the valley’s fecund lands have fed humans since time immemorial. Soon after the Yakamas’ removal to a nearby reservation, settler agriculture exploded.

By World War II, employers were frantic to hire contracted bracero laborers from Mexico — themselves descendants of Indigenous ancestors — to harvest the valley’s bounty of asparagus, pears, cherries and other cornucopia. This was how Victoria’s family arrived here: her abuelo and his brother had traveled back and forth to Washington as braceros decades before.

Victoria’s path took similar twists, in a 21st century, first-gen way. She moved all over the country for her education and jobs, then returned before the pandemic, bringing a newfound appreciation for the taste of apples freshly plucked from a tree that morning, and for the ambrosial scent of mint and grapes permeating the valley before harvest.

Today, agriculture is the largest industry fueling the Yakima Valley, the country’s twelfth-largest agriculture production area. Here, 77% of the nation’s hops (an essential ingredient in beer) and 70% of the nation’s apples are grown. Latinos, who constitute more than half of Yakima County’s population, power the agricultural industry.

While the area’s agricultural enterprises paid out $1.1 billion in wages in 2020, 59% of the low-wage agriculture jobs are held by undocumented folks and contracted foreign seasonal laborers doing work many Americans spurn. Latinos here live on median incomes that are less than half of white residents’, with 16% of Latinos living in poverty. Also in 2020: as they watched co-workers fall ill and die, Latino farmworkers repeatedly went on strike protesting employers’ refusals to provide paid sick leave, hazard pay and basic COVID protections like social distancing, gloves and masks.

“Every aspect of health care is lacking in the valley,” Yakima Herald-Republic health reporter Santiago Ochoa tells me.

In interview after interview, Yakima Valley residents and health care workers sketch in the details of a dire landscape:

The state’s busiest emergency room. Abrupt shutdowns of hospital facilities. Impoverished people without transportation or internet access for telehealth. Eight-month waits for primary care appointments. Nearly one in five Latinos uninsured. More than half of residents receive Medicaid. Resident physicians cycling in and out, never getting to know their patients. Not enough specialists, resulting in day-long trips for specialized care in bigger cities. With its Latino essential workforce risking their lives to feed their families — and the country — by summer 2020, COVID blazed through Yakima County, which quickly became Washington’s most scorching of hot spots. Not only did Yakima County tally the highest per-capita case rate of all West Coast counties (with Latinos making up 67% versus, 26% for white people), it also saw more cases than the entire state of Oregon. Ask Latinos here about 2020, and they shiver and avert their gazes, the trauma and death still too near.

Their positive tests marked just the beginning of terrifying new journeys as COVID slammed Victoria and many other Yakima Valley Latinos. Mix in scanty rural health care, systemic racism and a complicated emerging illness, and what do you get? Chaos: a population hardest hit by long COVID, but massively untreated, underdiagnosed, and undercounted by the government and medicine itself.

It won’t go away The cough was the first clue something wasn’t right. When Victoria had COVID, she’d coughed a bit. But then, three months later, she started and couldn’t stop.

The Yakima Valley is so starved for physicians that it took five months to see a primary care doctor, who attributed Victoria’s incessant cough to allergies. Victoria tried every antihistamine and decongestant available; some brought relief for three, maybe four weeks, and then returned spasms of the dry, gasping bark. A few minutes apart, all day long. The worst was waking up coughing, at least hourly.

Victoria had chest x-rays. An ear, nose and throat specialist offered surgery on her nose’s deviated septum. As months passed, the black hair framing Victoria’s heart-shaped face started aging rapidly, until it was grayer than her mother’s.

Over a year after the cough began, an allergist prescribed allergy drops, and Victoria made a chilling discovery. Once the drops stopped the cough for a month, then two, Victoria realized that the extreme fatigue she’d thought was sleep deprivation from coughing all night persisted.

“The exhaustion comes from within your soul, it overpowers you,” she says. “It’s intolerable.”

And her mind was foggy. When interrupted at work every 10 minutes by a coughing jag, Victoria hadn’t realized COVID had substantially altered her brain. “There are things in my brain that I should have access to, like words, definitions, memories,” she says. “I know that they’re there but I can’t access them. It’s like a filing cabinet, but I can’t open it.”

Before long, the cough resurfaced. Sometime in 2021, reading COVID news for work, Victoria learned of long COVID: new or lingering health issues persisting at least three months after COVID infection.

How to get help if you think you might have long COVID Talk to your doctor, and if your doctor doesn’t listen to your concerns, bring a loved one to advocate for you at your next appointment. Bring this article (or other materials on long COVID) to show your doctor. Ask your doctor about seeing specialists for long COVID symptoms, such as a cardiologist (for dysautonomia symptoms like dizziness, heart palpitations and shortness of breath), a gastroenterologist (for digestive problems), or a neurologist (for chronic nerve pain). Ask to be referred to a long COVID clinic (if there is one in your area). Now four years into the pandemic, there is still no treatment or cure for long COVID. COVID long-haulers (as they call themselves) have reported over 200 varied symptoms, with fatigue, dizziness, heart palpitations, post-exertion exhaustion, gastrointestinal issues, and brain dysfunction among the most common.

Long COVID is far from a mysterious illness, as it’s often called by the medical establishment and some media. There are precedents: for at least a century, historical documentation has shown that, while most recover, some people remain sick after viral or other illnesses. Yet funds for research have been severely limited, and sufferers ignored. Myalgic Encephalomyelitis – sometimes called Chronic Fatigue Syndrome, or ME/CFS — is a prime example. Like ME/CFS, long COVID afflicts many more women (and people assigned female at birth) than men, with women comprising as many as 80% of COVID long-haulers. Most long-haulers are in their 30s, 40s and 50s — the busiest years for women with children, who often put their own needs last.

What should have been instantly clear, given how disproportionately Black and Brown communities were hit by COVID, was that long COVID would wallop Americans of color. Yet, the U.S. government waited until June 2022 to begin tracking long COVID. Even now, with 18 months of data showing Latinos are the population most impacted by long COVID, palabra is among the very few media outlets to report this fact. Are the nation and the medical community willfully ignoring Latino long-haulers — after sending them into clouds of coronavirus to keep society’s privileged safe?

Fighting for a diagnosis When Victoria mentioned long COVID, her doctor didn’t exactly ignore her: she listened, said “OK,” but never engaged on the topic. Same with Victoria’s allergist and the ear, nose and throat specialist. All they could do, the doctors said, was treat her symptoms.

“I’m highly educated and I know that you have to be your own advocate. But I kept asking, kept going on that line of thought, and they had nothing to say to me. Absolutely nothing,” she laments.

Victoria understood science on long COVID was limited, but still expected more. “All of the treatments we tried, it was as if COVID hadn’t existed. They should at least say that we need to investigate more, not continue acting like it wasn’t a factor. That was what was most frustrating.”

Just as Victoria fought to have her illness validated by doctors, 30 miles away in the northern Yakima Valley town of Moxee, 52-year-old María* waged a parallel battle. Both felt utterly alone.

When the pandemic began, María became the protector of her husband and children, all asthmatics. When she fell ill New Year’s Day 2021, she locked herself in her room, emerging weeks later to find her life unrecognizable.

Recounting her struggles, María reads deliberately from notes, holding back tears, then pushes her reading glasses atop her head. (María moved here from northern Mexico as an adult, and feels most comfortable in Spanish.) Her dyed brown hair, gold necklace and lightly made-up face project convivial warmth, but something intangible behind her expression belies a depth of grief María refuses to let escape. When I tell her I also have long COVID, and fell ill the exact same month, she breathes out some of her anxiety.

María’s long COVID includes chronic, full-body pain; memory lapses so severe she sometimes can’t remember if she’s eaten breakfast; such low energy that she’s constantly like a battery out of juice; unending shortness of breath; joint inflammation; and blood flow issues that leave her hands a deep purple. (The only time María ventured to the hospital, for her purple hands, she says staff attempted to clean them, thinking it was paint.) Like Victoria, María used to enjoy exercise and hiking in the valley’s foothills, but can do neither anymore.

María has no insurance, and receives care at the Yakima Valley Farm Workers Clinic, created in 1978 out of the farmworkers’ movement. The clinic’s multiple locations are the valley’s main providers of care irrespective of patients’ ability to pay.

Whereas Victoria’s doctors expressed indifference to the idea of COVID causing her health complaints, María’s doctors not only discounted this connection, but made serious errors of misdiagnosis.

“Every week I went to see my doctor. She got so stressed out (at not knowing what was wrong with me) that she stressed me out,” María says. “My doctor told me, ‘You know what? I think you have multiple sclerosis.’” María saw specialists, and afterwards, even without confirmation, María says her doctor still insisted she had MS. “I told her, ‘No. No, I don’t have multiple sclerosis. It’s COVID. This happened after COVID.’ I was really, really, really, really, really, really insistent on telling them that all of this was after COVID.”

Latinos uncovering the connections between their ill health and COVID is rare, partially due to the plummet in COVID coverage on Spanish-language news, says Monica Verduzco-Gutierrez, a long-hauler and head of the University of Texas Health Science Center San Antonio long COVID clinic. There has been no national public education on long COVID, in any language.

“It’s hard for people to understand what the real impact of long COVID is now and in the future,” says Lilián Bravo, Yakima Health District director of public health partnerships and the face of COVID updates on Yakima Valley television early in the pandemic. “We’re looking at a huge deficit in terms of people’s quality of life and ‘productivity.’”

Eventually, María’s doctor sent her to another specialist, who said that if she didn’t improve within a month, he’d operate on her hip. María’s never had hip problems. “He said, ‘Well, I don’t know what you’re going to do,’” and then put her on a strong steroid medication that made her vomit horribly, María says. She hasn’t tallied what she’s spent on medical bills, but after paying $1,548 for a single test, it must be many thousands of dollars.

Meanwhile, María’s family and friends kept insisting her maladies were psychological. “I never accepted that. I told them: ‘It’s not in my head. It’s in my body.’” It wasn’t until more than a year after becoming ill that María finally saw a rheumatologist who diagnosed her with long COVID and other immune dysfunctions. “I told her, ‘Yes, I knew that my body wasn’t working. I knew that something was wrong.’ I felt like I could relax. Finally someone is telling me that it’s not all in my head.” Once María was diagnosed, her extended family switched to asking how she was feeling and sympathizing with her.

Victoria, on the other hand, has never received a long COVID diagnosis. At Victoria’s request, her doctor referred her to the state’s only long COVID clinic, at the University of Washington in Seattle, but Victoria’s insurance, Kaiser Permanente, refused to pre-approve the visit — and the clinic wouldn’t accept cash from her. At present, the clinic isn’t even accepting patients from the Yakima Valley or any other part of Washington — they are only accepting patients in King County, which includes Seattle.

Victoria’s family hasn’t accepted her health struggles either. “I’d say, ‘I know that you think I’m crazy,’” Victoria says, chuckling, as she often does to lighten her discomfort. “My mom would fight with me: ‘You forgot to do this! Why are you so spacey?’ ‘Mami, it’s not that I forgot. In reality, I completely lost track of it.’” If Victoria is fatigued, her family asks how that’s possible after a full night’s sleep. “I’ve found that I have to defend myself. When I try to explain to people, they hear it as excuses from a lazy person — especially being Latinos.”

Karla Monterroso, a 42-year-old California Latina long-hauler since March 2020 who spent her first year bedbound, says, “(With long COVID), we have to rest in a way that, in our culture, is very difficult to achieve. We really judge exhaustion.” In fact, pushing physically or mentally for work can make long-haulers much sicker. Karla says Latino ethics of hard work like those of Victoria’s parents “aren’t the principles that are going to serve us with this illness.”

Long COVID diagnoses in Latinos are still too rare, due to untrained family medicine physicians and medical stereotypes, says Verduzco-Gutierrez. (Doctors might see blood sugar changes, for example, and assume that’s just because of Latinos’ high rates of diabetes, rather than long COVID.) She says “misinformation on long COVID” is rampant, with physicians claiming long COVID is a fad, or misdiagnosing the bone-deep exhaustion as depression. When Verduzco-Gutierrez’s own doctor invited her to speak to their practice, the assembled physicians weren’t aware of basic research, including that the drugs Paxlovid and Metformin can help prevent long COVID if taken at infection. In Washington, physicians must complete training on suicide, which takes 1,200 to 1,300 lives in the state yearly, but there’s no state-wide training on long COVID, which currently affects at least 498,290 Washingtonians.

Cultural skepticism about medicine — and entrenched stigmas about illness and disability — mean Sunnyside conversations about aftereffects don’t mention COVID itself. Victoria’s relatives push traditional herbal remedios, assuming that anyone still sick isn’t doing enough to recover. “(People suffering) feel like they’re complaining too much if they try to talk about it,” Victoria says. Meanwhile, her parents and others in her community avoid doctors out of stubbornness and mistrust, she says, “until they’re bleeding, when they’re super in pain…, when it’s gotten to the worst that they can handle.”

“People in this community use their bodies for work,” Victoria says. “If you’re Latino, you’re a hard worker. Period,” says Bravo. “What’s the opposite of that, if you’re not a hard worker? What are you? People don’t want to say, ‘I came to this country to work and all of a sudden I can’t anymore.’”

Victoria sees this with her parents, who’ve worked since the age of 10. Both have health issues inhibiting their lives since having COVID — her dad can’t take his daily hour-long walks anymore because of heart palpitations and shortness of breath, and her mom began getting headaches and saw her arthritis worsen dramatically — yet neither will admit they have long COVID. Nor will their friends and family. “If they noticed the patterns of what they themselves are saying and what their friends of the same age are suffering after COVID,” Victoria says of her community, “they’d hear that almost everyone is suffering some type of long COVID.”

Long COVID’s deep impact on Latinos The “back to normal” ethos is most obvious in the absence of long COVID messaging while as many as 41 million adults now have — or have recovered from — long COVID nationwide. “The way that we’re talking about the pandemic is delegitimizing some of (long COVID’s) real impacts,” says Bravo of the Yakima Health District.

Even with limited demographic data, statistics show a nationwide reality similar to Victoria’s Sunnyside. Through a recurring survey, the Census Bureau estimates that 36% of Latinos nationally have had long COVID — likely a vast underestimate, given that the survey takes 20 minutes to complete online (Latinos have lower rates of broadband internet), and reaches only a sliver of the U.S. population. Experts like Verduzo-Gutierrez believe that true rates of long COVID in Latinos are higher than any reported statistic. California long-hauler Karla Monterroso agrees: “We are underdiagnosed by a severe amount. I do not believe the numbers.”

This fall, a UC Berkeley study reported that 62% of a group of infected California farmworkers developed long COVID. Weeks later, a survey from the University of Washington’s Latino Center for Health found that, of a sample group of 1,546 Washington Latinos, 41% of those infected became long-haulers. The Washington results may also be an undercount: many long-haulers wouldn’t have the energy or brain clarity to complete the 12-page survey, which was mailed to patients who’d seen their doctor within the prior six months. Meanwhile, many long-haulers stop seeing doctors after tiring of the effort and cost with no answers.

“Our community has not bounced back,” says Angie Hinojos, executive director of Centro Cultural Mexicano, which has distributed $29 million in rent assistance in Washington and hasn’t seen need wane. “That is going to affect our earning potential for generations.” The United Farm Workers’ philanthropic sister organization, the UFW Foundation, says union organizers hear about long COVID, and how it’s keeping people out of work, frequently.

Cultural and linguistic disconnects abound between doctors and Latinos on long COVID symptoms, some of which, like brain fog and fatigue, are nebulous. If doctors lack patient rapport — or don’t speak their language — they’ll miss what patients aren’t sharing about how long COVID changed their lives, work and relationships. That’s if Latinos actually go to the doctor.

“If you’re working in the orchards and your muscles are always sore, it’s just part of the day-to-day reality,” says Jesús Hernández, chief executive officer of Family Health Centers in north-central Washington. “If you’re constantly being exposed to dust and even chemicals in the work environment, it’s easy to just say, ‘Well, that’s just because of this or that,’ and not necessarily be readily willing to consider that this is something as unique as long COVID.”

Even Victoria says if not for the cough, she wouldn’t have sought medical advice for her fatigue. “There are a lot of people out there that are really tired, in a lot of pain and have no idea why. None,” says Karla, who was a nonprofit CEO when she became sick. “I have heard in the last three-and-a-half years the most racist and fatphobic things I have ever heard in my life. Like, ‘Oh, sometimes you got to lay off the beans and rice.’ I have a college education. I’m an executive. I am in the top 10% of wage earners in my community. If this is my experience, what is happening to the rest of my people?”

Conspiracy theories and misinformation As Yakima Valley’s Latino vaccination rates continue dropping, I hear all the COVID conspiracy theories: the vaccine has a chip that’ll track you; the vaccine makes you and your children infertile; COVID tests are rigged to all be positive; that hospitals get paid more for COVID patients. Victoria laughs at the most absurd one she’s heard. Her mom’s explanation for her health problems nearly three years after COVID: the vaccine.

Across the Latino United States, social media algorithms and WhatsApp threads promoting COVID disinformation proliferate. Last summer, Latino Center for Health co-director Dr. Leo Morales did a long COVID community presentation just south of Yakima Valley. The audience’s first question: Are vaccines safe? “This is where we’re still at,” Morales says. “That’ll be a big stumbling block for people…in terms of getting to talking about long COVID.”

One morning in early November, Morales and his team gather in Toppenish at Heritage University, where 69% of students are Latino, to present their survey data. Neither presenters nor attendees wear masks, an essential tool for preventing COVID transmission and long COVID. “The only conversation that I’m having about COVID is in this room,” says María Sigüenza, executive director of the Washington State Commission on Hispanic Affairs.

Yakima Valley health institutions are also ignoring long COVID. Of the two main hospital systems, Astria Health declines interview requests and MultiCare reports that of 325,491 patients seen between January and November 2023, 112 — or 0.03% — were diagnosed with long COVID. The Yakima Valley Farmworkers Clinic, where María’s doctor works, refuses to let me speak to anyone about long COVID, despite providing patient information for the Latino Center for Health’s survey. Their doctors simply aren’t seeing long COVID, the clinic claims. Same with the other main community provider, Yakima Neighborhood Health Services, whose media officer responds to my interview requests with: “It’s not going to happen.”

“I think they’re not asking, they’re not looking,” Verduzco-Gutierrez says. “Do the doctors just…look at your diabetes or your blood pressure, but not ask you, ‘Did your diabetes get worse when you had COVID? Did your blood pressure get worse? Did you not have blood pressure problems before? And now do you get dizzy? Do you get headaches? Do you have pains?’” She believes that many, if not most, Latinos with long COVID aren’t getting care, whom she calls “the ones that we’re missing.”

An uncertain future The outlook for Latinos with long COVID is grim. Cultural stigma and ableism cause now-disabled long-haulers to feel shame. (Ableism is societal prejudice and discrimination against disabled people.) Disability benefits are nearly impossible to get. Long-haulers are losing their homes, jobs and insurance. Latinos’ overrepresentation in sectors that don’t offer sick pay and are heavily physical — cleaning, service, agriculture, construction, manufacturing, homecare and healthcare among them — may automatically put them at higher long COVID risk, given ample anecdotal evidence that pushing through a COVID infection instead of resting can lead to long COVID. Latino care providers will become ill in greater numbers, imperiling the healthcare industry.

But Latinos may not be clear on these factors, says long-hauler Karla Monterroso. “My tío had said…'We must be defective because we get sick more than the white people.’ And I’m like ‘No, tío. We are exposed to the illness more. There’s nothing defective about our bodies.’ I’m afraid for us. It’s just going to be disability after disability after disability. We have to start in our small communities building caring infrastructure so that we can help each other. I am clear: No one is coming to save us. We’ve got to save us.”

Disability justice advocates worry about systems unable to cope with inevitable disabling waves of COVID in the future. “(Latinos) aren’t taking it as serious as they should,” says Mayra Colazo, executive director of Central Washington Disability Resources. “They’re not protecting each other. They’re not protecting themselves.” Karla sees the psychology behind this denial: “I have thought a lot about how much it takes to put yourself in danger every single day. (You have) to say ‘Oh, it’s fine. People are exaggerating,’ or you get that you’re in existential hell all of the time.”

Reinfection brings additional risk of long COVID, research shows, and Verduzco-Gutierrez says, “We still don’t know the impact of what is going to happen with all these reinfections. Is it going to cause more autoimmune disease? Is it going to be causing more dementia? Is it going to be causing more cancer?” She believes that every medical chart should include a COVID history, to guide doctors to look for the right clues.

“If we were to be lucky enough to capture everybody who has long COVID, we would overwhelm our (health) system and not be able to do anything for them,” Victoria says. “What’s the motivation for the medical field, for practitioners to find all those people?” For now, Victoria sees none. “And until that changes, I don’t think we will (properly count Latino long-haulers),” she adds.

Flashes of hope do exist. In September 2023, the federal government granted $5 million each to multiple long COVID clinics, including three with Latino-specific projects. In New York City, Mt. Sinai Hospital will soon open a new long COVID clinic near largely-Latino East Harlem, embedded in a primary care clinic with staff from the community to reach Latino long-haulers. Verduzco-Gutierrez’s San Antonio clinic will teach primary care providers across largely rural, Latino South Texas to conduct 15-minute low-tech long COVID examinations (the protocol for which is still being devised), and will deploy community tools to educate Latinos on long COVID.

Meanwhile, at the University of Washington long COVID clinic, staff are preparing a patient handbook, which will be adapted for Latinos and then translated into Spanish. They will also train primary care physicians to be local long COVID experts, and will return to treating patients from the whole state rather than just the county containing Seattle. After palabra’s inquiry, the UFW Foundation now has plans to survey United Farm Workers members to gauge long COVID pervasiveness, so the Foundation can lobby legislators and other decision makers to improve Latino long-hauler care.

Back at the Yakima Valley survey presentation, attendees brainstorm new care models: Adding long COVID screening to pediatric checkups, given that long COVID most impacts child-bearing-age women, so moms can bring information to their families and community. Using accessible language for long COVID messaging, or, as Heritage University nursing faculty member Genevieve Aguilar puts it: “How would I talk to my tía, how would I talk to my abuelita? If they can understand me, we’re good to go. If they can’t, olvídate. We have to reframe.”

More than anything, personal narratives will be the key to open people’s minds about long COVID — although that path may be challenging. In Los Angeles, Karla has dealt with a lack of full family and community support, in part, she believes, because her body represents COVID. “I am living, breathing proof of a pandemic no one wants to admit is still happening, and that there is no cure for what I have. That is a really scary possibility.”

While Karla does identify as disabled, Victoria and María don’t. Victoria has learned to live and move within her physical limits. At work, she sometimes feels inhibited by her cognitive issues. “I tell my boss all the time, ‘Oh man, you guys hired such a smart person. But what you got was after COVID, so it’s not the same.’” At times, she worries about the trajectory of her career, about how her work’s intense problem-solving wears out her brain. Will she be able to pursue larger challenges in work in the future? Or will long COVID ultimately make her fail?

Victoria tells me she “remains hopeful that there is a solution.” In a surprising twist, her cough completely disappeared eight months ago — when she became pregnant. (Other long-haulers have seen their symptoms improve with pregnancy, as well, likely due to immune system changes allowing a pregnant person’s body to not reject their baby’s growing cells). Victoria is optimistic that her other symptoms might disappear after she gives birth. And that, maybe someday, her parents will admit they have long COVID, too.

[raven-at-the-writing-desk]

Idk if you've already posted about this but opinions on Jamil's relationship with Kalim?

I’m pretty sure I’ve talked about the Scarabia duo’s dynamic before, although not in this broad of a sense 🤔 I guess it wouldn’t hurt to try and condense my thoughts?

I think Kalim and Jamil’s relationship is one of the most complex among the core cast of 22. To simplify, it’s similar to “frenemies”, but it runs much deeper than that. There is a relationship on an individual level, but that in of itself also speaks to the expectations places on them in-universe , as well as real-world cultural differences.

I won't bore you with a summary of Jamil and Kalim's history I'm going to assume you did the required reading for that/j, but essentially their conflict is this: Jamil's family, the Vipers, have serviced Kalim's family, the Asims, for generations. Kalim sees Jamil as a childhood friend that has grown up alongside him, but Jamil sees Kalim as an ignorant and useless master. Jamil doesn't want to live this life of servitude, nor does he want to keep playing second fiddle to Kalim by downplaying his own abilities to maintain the illusion of Kalim being better than him. When this is revealed in book 4, Kalim tries to apologize to Jamil and even insists that they can still be friends or just start over as rivals. This offer is swiftly rejected by Jamil, who claims he wants nothing to do with Kalim anymore. Come book 5 though, Jamil informs us that he has decided to stay by Kalim's side for now, as it just isn't feasible for him to "break free" right away (Jamil wants to work on rebuilding his reputation, which has taken a plummet since book 4).

Now, before I move on with my thoughts, I want to point out a difference in how EN and JP presents Jamil and Kalim's relationship. JP is very clear in delineating that Jamil is a servant and Kalim is the master. Meanwhile, EN obfuscates the true nature of their relationship by labeling Jamil an "employee" and Kalim as the "employer", which come across as less of a power dynamic than that of servant and master and thus dampens the seriousness of his eventual emotional breakdown.

Another major difference which may impact how you see the duo is some book 4 dialogue changes. When asked by Grim why he doesn’t stand up to Kalim, Jamil very explicitly says in JP that Kalim’s father could make the Viper family suffer for it. In EN, this was changed to Jamil complaining that his parents would lecture him. In the original JP text, Jamil then continues and says that his whole family would be put out on the streets due to his own selfishness, and that’s something he won’t allow to happen. He also remarks that “this is the fate of those born a Viper”, referring to generational trauma. In EN, this doesn’t happen; Jamil just implies he doesn’t want to get scolded, which is admittedly a much… lesser consequence than what was stated in JP.

Please note that these differences between the original script and the localization may affect how some fans interpret Kalim and Jamil's relationship.

These are things I've mentioned in other discussions of "potential solutions" to this conflict, but I'll repeat them here before going into more detail since they are relevant. In book 4, Kalim offers Jamil whatever he wants (even the dorm seat and Kalim going home to his family). To this, Jamil refuses and states very clearly that "as long as Kalim exists", he can never be content. I feel that oftentimes this is interpreted very literally, as in "Jamil wants to kill Kalim because he hates Kalim and/or hates serving Kalim". But just because a character says one thing doesn't mean it's what they actually mean. If you think about it, what does killing Kalim do for Jamil? Aren't there countless other Asim siblings he could be sent to serve once Kalim is gone? What Jamil is literally saying does not make sense.

The other way to interpret his words is that Jamil is using Kalim as a scapegoat for all of his frustrations with larger problems that have no physical form or simple solution to them. Recall that their arrangement has been going on for several generations now—Jamil's parents, too, were given no choice in whether or not they wanted to devote their lives to the Asims, but it's all they've known and all they will enforce onto their own children to keep the cycle going. This is the root cause of Jamil's suffering—but he isn't exactly a time wizard, and there isn't a simple solution to something that has been brewing for hundreds of years. It's easier for him to cope with the unfavorable circumstances by directing his hatred towards someone convenient. And who could be more convenient to blame than the young master Jamil is forced to serve? He becomes the symbol, nay the face, of what Jamil detests about the system that put him here. This is a case of generational trauma and Jamil not knowing how to cope with it other than lashing out at someone who is unaware of his suffering.

On the other side of this equation, Kalim gets a lot of flack for not noticing Jamil's pain and not intervening to help him out despite claiming that he cares for Jamil. This coming from an omnipotent perspective (as in, we have all the information so we feel entitled to cast judgment on the characters), rather than from Kalim's perspective. We, the audience, understand Jamil's inner turmoil due to how the game presents us with each OB boy's backstory. Kalim doesn't get to have that. He may be an empathetic individual, but he also isn't a mind reader. Jamil actively hides his true resentment from Kalim. And if you were in Kalim's shoes, given everything you want and praised endlessly, why would you suspect your childhood friend, who is always at your side, to hate of you or to hate working for you (especially when Kalim is the type of person to blindly trust others)? Of course he would be totally oblivious. The Asims are so obnoxiously wealthy and privileged that they can afford to shelter their children from the harsh realities of the world, and that includes the plight of those that toil for their family. Kalim is not used to people telling him he's wrong or he sucks or he can't have something; it's how he was raised and in part why he remains largely ignorant of the real world. He shouldn't be faulted for how he grew up and the limited worldview that resulted from it; that’s something he cannot control. What he can control is his own behavior, and that’s why we see post-book 4 as he takes steady strides to earn recognition rather than be handed it simply for existing.

On the topic of Kalim intervening (whether that is through speaking with his own father and/or speaking to Jamil's parents), well... Firstly, I don't think Kalim is someone who would intentionally keep another in a bad situation out of malice or out of selfishness/not wanting to lose Jamil (as some have suggested). Yes, he deeply values Jamil's company, but I don't think he would keep someone with him knowing that they would be completely miserable even if he would be happy. Kalim is someone who cares so much for the wellbeing of others, especially his friends. He will literally give you the world at the slightest inconvenience. I suspect that there is another reason why he hasn't spoken to an adult about what went down: and that's actually consideration for Jamil’s situation.

Let's imagine a scenario where Kalim does approach his dad or the Viper parents. What exactly would he say? I suppose Kalim doesn't necessarily need to tell them about the OB, but just telling them "Jamil is not happy doing this" may not be enough on of itself to invoke a change of mind. To the Asims, they get capable people they can trust and keep close to them. To the Vipers (the parents), they are compensated for their work (Jamil implies the Vipers are quite well-off, though not to the same extent as the Asims) and are provided job stability. I don’t think either side would be willing to end a long-standing arrangement like what their families have so quickly just because there is one open instance of discontent. It is practically tradition and mindset at this point. The groups are mutually benefitting (at the cost of individual freedoms). Letting go of that isn't as easy as deciding whether or not it would be pleasant to be punched; it isn't a binary of "freeing the genie" or "keeping the genie bound to the lamp", there will inevitably be a mess left in its wake to clean up after. Again, this is generational trauma which has been normalized for generations and generations. It cannot be solved with a single conversation, the same as all the other OB boys' traumas.

Let’s say that Kalim does spill the beans about Jamil’s OB in an effort to convince them then (assuming they’d need some extreme justification). Wouldn’t that just make everyone panic and further damage Jamil’s reputation? What would the Asims and the Vipers think of him? Maybe Jamil would be released from his duties out of concern for Kalim’s safety, but what would this do to the Viper family as a whole? Jamil mentioned they could be thrown out onto the streets if they were dismissed from the Asims or found out to have so much as spoken out against Kalim. That fear could become their reality.

Another variant of "Kalim could do something about it" is simply "Kalim can release Jamil on his own". In book 5, Jamil even says that he will continue to be Kalim's aid "until Kalim dismisses him". So why not give Jamil the freedom he wants? Kalim himself seems pretty receptive to the idea, or at least to what he views as a very simple solution. Well, 1) there's no way their families wouldn't find out and question it, they are teenagers and cannot just give the middle finger and proceed to do whatever they want, and 2) again, consideration for Jamil. (It could also be said that the current Kalim just isn’t mature enough or emotionally ready to let Jamil go, but we’ll save this point to discuss later.)

Jamil cannot leave of his own will because he worries about what that would mean for his family and their livelihood. (Again, this harkens back to the line he had in JP where he said the Vipers could be thrown out into the streets.) They could get jobs doing something else, sure—but their reputations may be forever stained by departing from the Asims (especially if Kalim basically fires him). They could be scorned, ostracized, maybe even blacklisted, no matter how amicable the departure is. Kalim being Kalim would offer to pull strings to smooth things over for Jamil—but the thing is, that’s probably not what Jamil wants. He wants to be able to live free from the Asim’s influence, and likely has too much pride to accept assistance from them.

I would argue that social shame is a very subtle yet looming threat for the Scarabia duo, and particularly Jamil (especially if you look at the original Japanese text). Social shame is something that is prominent in Japan, and this aspect of Kalim and Jamil's story may not translate well for western audiences. Japan is a collectivist culture. That means the status of the group (the Viper family in this case) is more valued than the status of the individual (ie Jamil). In western countries, this is reversed and the individual is seen as more important than the group (individualism). Because of this, western audiences may not fully understand why Jamil is putting his family's needs above his own, why he doesn't talk back to parents that actively keep him down, or why he doesn’t just… rebel on the spot.

Jamil would bring intense social shame upon his family if he chose to leave or got fired. His behavior would reflect poorly on his family, likely attracting criticism of his parents for how they raised such a rebellious child and perhaps even limit the opportunities they have in the future depending on how intense the shaming is. He would feel guilty about being the cause for their fall from grace. Jamil is immensely worried about what his parents, his dorm mates, and society at large will think of him breaking from tradition and betraying the family for what would be seen as selfish and self-serving reasons. (Ideas which are all reflected in Jamil’s JP dialogue, where he comments on his own selfishness and how it could impact his family.) These may not seem very serious to those from western countries, but social shame and intense filial piety has the capacity to put so much pressure on an individual and cause their mental state to deteriorate.

Remember, too, that Jamil is already facing social shame at school for what he did in book 4 and he specifically says he has chosen to stay with Kalim to regain the lost rep. This is why he cannot be freed from his shackles as easily as Aladdin made a wish to grant the Genie his freedom. Jamil constantly has to consider the consequences and social ramifications of his own actions on his family and their wellbeing. Isn't it plausible, then, that Kalim, who is now aware of Jamil's true feelings but is also aware of the long-standing circumstances between the Asims and the Vipers, to bite his tongue and wait for less precarious conditions before even pitching the idea? Additionally, he would also technically be supporting Jamil's current wishes by standing aside for now (Jamil is willingly staying to aid Kalim in an attempt to rebuild his reputation). Is that not in the spirit of mindfulness that Scarabia extols? Mindfulness is not just knowing when to act, but when to not act. I think Kalim’s just doing what he can within a preexisting system to support Jamil’s decisions and (limited) autonomy.

Something that I feel often isn’t brought up is the responsibility that Jamil’s parents play in all of this. A lot of the blame is put on the Asims for hiring the Vipers as servants, but the fact of the matter is that the Viper parents are the ones forcing Jamil to be subservient to Kalim. They are also guilty in perpetuating the problem by projecting onto their eldest child and urging him to follow in their footsteps. Jamil is their child, so there should be some responsibility on them for not giving him the freedom to choose his own career path and teaching Jamil that he should keep his head down and always be inferior to Kalim. The blame isn’t squarely on Papa Asim (who isn’t even guilty of starting this relationship, it has been happening for generations before him; he’s just perpetuating it), this is a shared issue.

Now, as to whether or not Kalim and Jamil could or should be friends despite the bad blood between them?? It’s really on Jamil if he will reciprocate or not since Kalim already offered the olive branch. As it’s currently going, I don’t think it will happen anytime soon. There’s no doubt that a relationship with Kalim would be a valuable asset (not just for negotiating Jamil leaving and doing his own thing, but in general for the future), but whether the benefits outweigh the mental anguish of associating Kalim with his generational trauma is worth it… well, there’s no doubt that Kalim wants to start over, make amends, and be equals with Jamil, but it’s not up to Kalim to decide to make friends or not. That’s Jamil’s choice, and ironically one of the few choices he does have 😔

I do think Jamil would be happier away from Kalim for some time, finally allowed to enjoy solitude and doing whatever he wants to. Kalim would be sad about this, but then again who wouldn’t be sad to lose someone you consider your friend since childhood? That ability to let go is also something he has to learn for himself, and I feel that’s going to be a component to Kalim’s future character development.

Kalim has been doing his part to keep a distance from Jamil and develop his own agency and sense of awareness (at least in the main story; the events and vignettes are kinda screwy timeline-wise). Jamil’s working on getting over his own ego and learning how to use his own traits as strengths rather than wallowing about what he doesn’t have or looking down on others. They’re trying to improve themselves independently of one another, and I think that’s beneficial for them both.

I would personally label the Scarabia duo’s dynamic as a toxic one, but it’s not “toxic” in the way we typically think of. Often when we see “toxic”, we think of someone who is malicious and intentionally so. In Kalim and Jamil’s case, Kalim isn’t purposefully mistreating Jamil, but their circumstances are such that Kalim existing hurts him and starves Jamil of freedom. This causes Jamil to lash out (which is more closely aligned with what most would perceive as “toxic”)—but, in a way, many can understand and sympathize with Jamil’s actions. It’s like a never-ending cycle of hate 😔

I do find their dynamic (Kalim being a big ol’ gullible ball of sunshine, Jamil hovering and nagging him for being silly) entertaining on a surface level. However, it’s really stressful for me to observe them for prolonged periods of time knowing the family history keeping them in these arbitrary roles 💦 It’s quite interesting to look at their conflict on a larger scale rather than an individual one; it’s a problem with society and systems they can’t necessarily fix on their own, but when the question arises as to whether they can work together to tear down those expectations, Jamil’s pride and negative feelings for Kalim pose a roadblock.

[rahabs]

Was there anything you liked about Veilguard?

The hair was an improvement over Inquisition's notorious fifty shades of bald. Emmrich had a lot of potential and was easily the best of what turned out to be bland, underdeveloped batch of companions that the game makes you coddle and affirm at every turn (or, in Taash's case, an insanely childish companion that I felt I had to babysit constantly). Davrin was also fine. The architectural design was beautiful to look at, even if the cities felt empty and stale. Some of the armour was nice, and an improvement on Inquisition. I wasn't a fan of some aspects of the CC (but that's more my general dissatisfaction with BioWare constantly issuing massive overhauls to the designs of elves and qunari, so it's not Veilguard-specific), but it was also a marked improvement over Inquisition. Combat was... fine. It got dull after awhile, but it was just your standard stuff. Nothing offensive. Solas' voice acting was great for the .5 seconds we got to see him. Some of the other characters were voiced well.

As I've said, my main issue just lies in the sterile, corporate writing--not just the companions. My dissatisfaction also extends to the general culling of roleplay options (and some of the reasons why they were cut--namely, because a certain head writer was against players being able to do things he personally didn't approve of, and yes, it's common knowledge as Weekes was vocal on social media about it for years), the rampant lore issues (which BioWare has always struggled with in this franchise; lore consistency is not Dragon Age's strength), the coddling and hand-holding (not just for companions but for all major plot points; it's like the game thinks we're all stupid toddlers who need everything spoon-fed and told to us in the most simplistic terms, leaving no room for nuance or discussion), and just how... demeaning a lot of this game felt, I suppose? Someone pointed this out once and it stuck with me, but this game feels more like it was designed for "lonely people who really like found family fanfiction and project way too hard onto interactive media." Everything's just constant affirmation, constant "how-are-yous" from Rook to the companions; you cannot disagree with a companion or risk hurting their pixel-feelings, even when the companions are objectively acting like arseholes. It kills the roleplay aspect BioWare has always been famous for.

Editing this response I gave to someone else on this post, because I should have expanded originally:

[…] I think part of the reason Veilguard fails is that, unlike DA2, in trying to cater to that “found family” crowd and recreate the feeling people got with DA2 especially, the writers forgot a crucial aspect of what makes found family dynamics work, or what makes them feel worthwhile to the audience: the conflict.  Part of the impact with DA2 is it takes time—literal years—for Hawk to help build that dynamic, and there are serious differences of opinions and many arguments, whether between Hawk and one of the companions, Fenris and Anders, Isabella and Aveline, Fenris and Merrill, Anders and Merrill, Aveline and Merrill, Sebastian and Anders, Hawk and their sibling (whether Bethany or Carver), et al, etc.  Can you imagine if Fenris and Anders had had one minor disagreement and Hawk held their hands and went, “I see you’re feeling a lot of big emotions about this, are you okay, maybe you should try getting along and seeing things from his point of view?” and that was that? Because that’s essentially what Veilguard does, and it’s part of why the game rings so hollow and the found family dynamic seems so contrived: it feels unearned. It is unearned.

In the end Rook feels more like a therapist to a bunch of whingey thirteen-year-olds than a leader of professional adults, and the sterile writing as well as the writers' deeming determination to coddle their audience just makes this M-rated game feel G-rated, and not in a good way. In the risk of going into spoilers, I'm not going to rant about the Executors (though know I hate them so very much) or about the whole thing with Southern Thedas (yes I'm mad, because it's so unbelievably lazy), but so many aspects of Dragon Age's lore was just... watered down to the extreme in this game.

Also, the fact that they turned the Antivan Crows, of all things--you know, the same Antivan crows who purchase and recruit child slaves, who kill them if the deviate, whom we've spent three games going "man, you guys are kind of nasty, aren't you" at, etc--into this soft, fluffy, weird little uwu family unit really stood out to me as a symptom of this game's overall problem, which is, again, the infantile writing and the overall issue of over-sanitisation. Everything has to be uwu family friendly and nice and no one can ever have bad thoughts or do bad things or be mean! Good vibes only! I mean, we spent years being told about Tevinter and its legacy of slavery, particularly in Minrathous, and there's none of that in this game. Just more good vibes because can't risk anyone being upset or encountering challenging narratives!

Also, a petty grievance: BioWare also failed to improve on the issues with the dialogue wheel from Inquisition, meaning you'll choose an option and then Rook says something completely different. Again.

I'm just so thoroughly disappointed in it.

[the-badger-mole]

A Kya lived (but with some serious burns) AU.

Katara's relationship with the other characters?

In what way would this also affect Sokka?

Aang accidentally burning Katara?

Yon-Rha being alive or not,and Zuko and Katara hunting him down.

Depending on what ripple effect Kya being alive has on the series, what other changes do you think would impact things going forward?

Do you think kat*anng would still happen or zutara?

To answer your last question first, Kataang shouldn't have happened in general, so, no they absolutely don't happen here.

This would've been an extremely traumatic event for Kya, and I think she would become very protective of Katara. Sokka would have a complicated relationship with it because on the one hand, he'd get it, and he'd be very protective of Katara too (even more than he was in the show). On the other hand, I think it would very much read as favoritism to him, and he'd probably pull some very dangerous and stupid stunts in order to get his mother to fear for his life like she does for Katara's. I think instead of being sent off with well wishes, Katara would have to sneak away, and Sokka would come with her to protect her.

I think Zuko seeing the burns that Kya suffered would give him pause. He would still try to go in with all his bluster and bravado, but it would be a sight that would startle him. I think it would change the dynamic when he confronted Katara (does Katara get Kya's necklace here? I don't know. I could see it go either way). He might appeal to her desire to end the war instead, promising that once he got home and took back his rightful place, he'd make ending the war his priority so no one would have to suffer like Kya. His arc would then be centered on trying to reconcile what he knows of his father with his own hopes for how the war would end. I don't know if they still go after Yon Rah. I don't think it would have the same impact, to be honest. I think Katara's mother would be what bridges the gap between them still, but I think instead of focusing on their mutual loss, Katara would find out explicitly how Zuko got his scar and why. They would still connect over maternal sacrifices, but also the scars.

Katara, I think, would be the biggest change. I think she'd be a less maternal figure and less inclined to play caregiver to the people around her (which is part of the reason I don't think Kataang would happen). Her anger would be a lot more apparent because not only did her mother sacrifice herself for Katara, she treated her like she was too vulnerable to be let out into the world on her own (this version of Katara would probably have an easier time connecting with Toph, tbh). I think any attempts of people trying to protect her or tell her she can't do something would be met with much more force. Her fight with Pakku would've been much more feral and unhinged because I think she'd actually be out for blood. Like for real, for real. And her stint as the Painted Lady would probably end with a few dead soldiers. I see Zutara not only happening in this version of the story, but happening way sooner because Katara's anger would be easier for Zuko to see and understand, and then connect with. I think her pain and anger would hurt him for her sake, too. Getting to know her would make him finally understand everything Iroh was trying to do for him, and he would in turn try to be that for Katara. In the end, they'd both wind up helping each other find peace.

Also, as for what happened when Aang burned Katara? He'd have gotten a double barrel of anger from the siblings. Sokka would possibly lay hands on him, and Katara would resent him for not taking any of his learning opportunities seriously. I think Katara in this version would be much more militant (a reason why I don't think Aang would have a crush on her in this scenario to begin with). This episode would see him getting thee crap scared out of him, and possibly set him down the path of understanding just how badly the war needs to be ended.