#and thinks the way we talk about these things does in fact matter

[riririnnnn]

It might seem crazy what I'm about to say, but I think Sae is the more nice-r Itoshi:

Okay, the "Thanks for your hard work" is, probably, just the translation for the simple "Otsukaresama," but you do get what I mean to say, right? Like, he just seems to be someone who is straightforward and does NOT sugarcoat anything and would be chill af as long as you aren't bothering him in any way.

Besides, he never said anything bad against Japan or Japanese soccer player UNTIL he came back from Spain which, of course, means that he experienced something firsthand and wasn't just making baseless claims. And despite everything, he still reviewed U-20 players' playing videos..

..before calling them shit.

I mean, he didn't need to watch any kind of footage—he had been calling Japanese soccer players shitty, so he should've automatically assumed that Japan's U-20 are shitty too, but no! He did not! But he, in fact, was very straightforward about it. And even during the U-20 match, he gave THREE chances to the team to score before he took matters in his own hands which is indeed a very nice thing to do, especially for someone like Sae.

Meanwhile, the younger Itoshi.

He is straight up disrespectful, ngl. He doesn't give a damn about you and is just actively saying, "You are shit" to anyone who is not Sae. He literally doesn't care to look at you play first to form a correct opinion of you and automatically considers that you are an ass player since you are not Sae.

Moreover, Sae did give Rin a chance to, kinda, prove himself:

(This needs to be talked in more detail which I'll do later in a separate post.)

If you remember the events of the Snowy Night, Sae didn't just start yelling as soon as he saw Rin or heard Rin talk back to him—he first did try to calmly explain things to Rin, and then the 1V1 happened between the brothers, and then Rin laid out his feelings, and then Sae got possessed by whoever that was.

Also, we can't forget:

Those who know..

..they just know.

[thefirstlioveyou]

Mike only fights back against bullies after they hurt someone he loves, but never for himself.

When he was tripped? When he was pressured to jump off a cliff? he just took it and never fought against it later. He never got back at them for it.

Mike's learned to take it, but he's ashamed of it. Watching back the clip where they trip him, you can notice Mike is trying not to cry. You can hear it in his voice with the way it cracks and shakes, and especially with the noise he makes at the end. He hides how they actually make him feel.

He tries to hide the real reason why he had a mark on a chin from el, afraid she'd think of him as a wastoid/loser. He just wanted one person - just one - to not think of him the way he thinks everyone else does - the way he thinks of himself.

He hides the reason for the bruise from the first girl that's ever shown interest in him. He doesn't tell his parents. (there is zero implication his parents are aware of the bullying until finally when his son is wanted by the whole town s4. karen is right there in front of him to see the scab but we never see acknowledgment from her). There's a good chance nobody but Dustin and El know about the whole cliff thing.

We are explicitly told how Will and El feel about the bullying and hate they've faced in their life, but not Mike. They are hiding him cause LOOK AT HOW HES OUT OF FOCUS IN BOTH OF THESE SCENES!! DURING THESE LINES!!!

MIKE UNDERSTANDS THEM. He knows where they're coming from!! why isn't he just saying that? pride. shame. fear. downplaying his emotions because his parents have taught him what he thinks/feels/does does not matter. not that they insult him.. they just ignore him or things that matter to him. that's enough to make a child feel insignificant.

buddy all you did was slightly open up about feeling not needed and insulted yourself in the process...

karen failing to call it by the actual name implies she doesn't remember details about him -- the things that matter to him. his correction implies it's important to him that she refers to it by its actual name, and this is most likely not the first time he corrects her by the way he says it casually.

the fact mike has zero reaction to any of this implies this is a normal thing for him to hear in his house (another instance in which he doesn't defend himself from insults, because he himself believes it)

His parents do not go to him. They do not intervene and rather wait for him to feel better on his own. Mind you this is a 12-14 year old boy. Why on earth is it all on him to manage alone???

"how is this bad?"

this plays exactly after we get a scene of Joyce not confronting Jonathan - her son - crying in his bedroom. Jonathan is parentified. He doesn't receive the same attention he needs as a child the way Will does because he needed to help provide. Although they're entirely different situations from each other (put down the fucking pitchforks), they both include a parent avoiding emotional connection with a child that's dealing with grief to let them take care of it by themselves. this is a clear parallel that's meant to be noticed.

they continue to just wait for mike to fix it all himself.

Mike feels worthless. He feels like a loser. He feels like he doesn't belong the same way El and Will do. He doesn't feel needed. But he's not gonna say it because he's learnt it doesn't matter. We have all the reasons to believe why he would feel that way.

Instead, during scenes where Will and El talk about bullying making them feel worthless, the director and cinematographer will simply just make sure he's in the background and out of focus, much like he his to his parents. Much like he is to the GA. Much like how it feels to suffer from depression.

[stagefoureddiediaz]

I will just be over here screaming until the end of time (and not just because this is a beautiful shot!)

I am trying not to read into this set too much - because it was clearly filmed during the s7 filming (its Eddies old living room rug - hes changed to a striped one now!)- but man is it hard!! Also that red Persian rug is very heavily tied to Eddie‘s wife and his girlfriends.

It’s very interesting to note that that red Persian rug first appears when Shannon comes back and has now left the moment Marisol has gone and the moment Eddie vocalised to Kim his internal struggles and unresolved feelings around Shannon and her request for a divorce. The thing is Persian rugs are very tied to the concept of status and history and they’re quite symbolic, particularly in western culture, of family and familial expectations (I need to write a matter on the history of the Persian rug and it’s meaning in western Society but that will have to wait till hiatus but basically they were expensive and therefore handed down through the family and became attached to the concept of upholding family values) so there is this idea that Eddie‘s Persian rug is about him conforming to society and familial expectations i.e. marriage before children and being a family - divorce being a bad thing, as well as heteronormativity.

The fact it’s now been changed to stripes - which are heavily connected to the Buckley-Diaz family dynamic, and specifically to Chris, and the concept of change being brought about by struggle or danger. A few examples of this or the fact that Chris is wearing stripes at the beach when Shannon tells Eddie she thinks she’s pregnant, we also see Chris and stripes during the tsunami, Chris‘s room is heavily striped with rug bedding and curtains, he’s wearing stripes in the lead up to Eddie‘s breakdown in season five. We also see him in stripes in the build up to the shooting. With the connection to the Buckley-Diaz dynamic - these are all moments that ultimately strengthen the bond - making the family unit stronger. So Eddie striped rug is suggesting to me that the Buckley-Diaz family unit will become even stronger when they get through this current arc (I mean that’s saying Buddie Canon very loudly to me but I’m a clown so take or leave that as you wish!)

Hello gut stuff still being up on Eddies fridge I desperately need to know if it’s actually still there in s8 filming time!

Plus boxing gloves hanging on the wall above the yoga mat - I see you reference to fighting and to finding inner calm. Eddie fighting - fighting to get Chris to talk to him - to tell him things - to be open with him. Fighting to be a father. But doing it in a calm and measured way - moving through the sequence like one does in yoga.

But its actually the sitting on the coffee table of it all that I am screaming the most loudly about - that is a choice - its a place we see him sit when he talks to Chris when things are serious - think when Chris is playing video games late at night and Eddie finds him and they talk, think when Eddie spills hot chocolate over the gingerbread house and Chris throws the house to the ground - both times Eddie sits on the table - he’s also sat on that same table when he asks Buck to try and talk Chris out of leaving (wearing the same shirt I might add!!). So this Eddie sitting on the table is very much connected to difficult parental moments for Eddie - moments when he is super respectful of Chris (hell even the Marisol phone call at the end of s6 plays into this theme - Chris being included in Eddies potential romantic relationship from the start - the lesson learnt from the Ana of it all and showing Eddie is holding open dialogue with Chris), of Chris’s wishes. It’s indicative of the idea that Eddie will be patient with Chris, but he will eventually win out - and that they will be stronger for it as father and son.

Interestingly Bobby also sits on that coffee table - when he talks to Eddie in the aftermath of him smashing up his room - when Bobby is doing a similar thing to Eddie as Eddie does with Chris - supportive but strong and firm right down to the use of same maroon/burgundy for the ��parents’ shirt.

Right Eddie house screaming done - now on to screaming about Chris on my next post!

[minswriting]

Do I Wanna Know? - Step-Brother Spencer Reid x Reader

About: It’s not easy fucking for your nerdy and hot step-brother when feelings become involved.

Warnings: NSFW, MDNI, step-cest, step brother spencer, oral (f receiving), vaginal sex, unprotected sex, guilt, shame, unspoken pining, etc.

Word Count: 1702

“Have you got color in your cheeks?

Do you ever get that fear that you can’t shift

The type that sticks around like summat in your teeth?

Are there some aces up your sleeve?

Have you no idea that you’re in so deep?

I dreamt about you nearly every night this week.”

Your mother married her husband a few months ago. At a time when they had only been together for a few months but they apparently just “knew” it was meant to be. Who were you to judge, really? If you know, you know. You were just glad that your mother was relatively happy. There was also that added bonus of having a very new step-brother.

Spencer Reid, a profiler for the BAU and now your step-brother, was this nerdy guy. He had an eidetic memory, dressed like a grandpa, and was extremely hot for no reason. The day you met him, you were overwhelmed by his attractiveness. And he was so awkward too, adding to the appeal. You don’t see him often strictly due to his work and the fact that he lives in D.C while you live in Las Vegas. But when he does, it’s as though you’re in heaven. And tomorrow, Spencer is flying out to visit.

“How many secrets can you keep?

‘Cause there’s this tune I found

That makes me think of you somehow

And I play it on repeat

Until I fall asleep

Spilling drinks on my settee.”

Spencer: I can’t wait to see you.

You: I can’t wait to have your face buried between my thighs.

Your phone buzzed with another text.

Spencer: That will be divine.

You couldn’t help the smirk that traveled on to your face. You remember the first time you ever initiated anything with Spencer. It was a month after the wedding. He had flown back to Las Vegas for a case he was working on and decided to stay at the house rather than in a hotel with his team members. You noticed the way he had looked at you whenever you guys saw one another. Like you were forbidden fruit. But he was always too awkward, too shy to say anything to you. You guys hardly spoke unless necessary.

That was until you cornered him one night after he had gotten back at three in the morning after his case had been concluded. You remember the words you had spoken to him. “I see the way you look at me,” You had said quietly but seductively. That night you had gotten on your knees and gave him the worlds best blow job imaginable. And ever since then, the two of you had a very secret thing going on.

Late night phone calls, sexy photos, videos of one another sent privately. The past few months had been absolutely blissful. The amount of orgasms that you had every week was astounding and you were absolutely never sick of it. Because you got to hear the hot and sexy sounds that Dr. Spencer Reid, your step-brother, make.

As the months had gone on, these late night phone calls would turn into more than just sex. Talks about your days, life, books you both had been reading, the shows you’ve been watching. What was supposed to be nothing more than physical was slowly becoming emotional. At least for you. These days you often wonder if Spencer felt a similar way. But that didn’t matter as much. You would never allow yourself to cross the emotional territory. Or at least you’d never actively admit it.

“(Do I wanna know?)

If this feeling flows both ways?

(Sad to see you go)

Was sorta hoping that you’d stay.

(Baby, we both know)

That the nights were mainly made

For saying things that you can’t say tomorrow day.”

The day Spencer had arrived, you spent the day teasing him. You wore a red dress that covered just enough to be considered appropriate. But if you bent over in the slightest, which you certainly did, you could see the sexy red lingerie set you wore underneath, Spencer’s absolute favorite on you. He hadn’t had the opportunity to see it in person until now. After your family dinner and your parents had gone to bed, you had dragged Spencer to the bedroom, not even bothering to take your time.

Maybe it’s the way his tongue moves around your cunt, lapping up your juices. Or the way Spencer sucks on your clit, doing whatever he can to bring you the most pleasure. All you know is that you have to try your damn hardest to keep quiet, to make sure neither your mother or his father wake up to hear what their children are up to. Spencer’s face is buried in your pussy, tonguing your hole while his nose runs against your clit. If hell were real, you definitely would be going with how much you enjoy fucking your step-brother. And it would be absolutely worth it if you get to live this lifetime underneath Spencer.

When you finish twice from his tongue, Spencer finally removes his face from your cunt. His face glimmering from your juices as he reaches his hands to undo his shirt. You were already naked, something Spencer had done as soon as you closed the door of the bedroom. As he took off his shirt, Spencer licked his lips, looking at you with a look that you couldn’t quite interpret.

You knew this was wrong. So ridiculously wrong. He was practically family, at least legally. He was supposed to be your brother, someone you can depend on. Well you certainly depend on Spencer for something. And it’s certainly not for anything family friendly either. You’ve tried calling it quits. Three weeks in, you tried leaving it be by not calling Spencer or texting him. You only lasted a day before you started craving him again.

“Crawling back to you

Ever thought of calling when you’ve had a few?

‘Cause I always do.

Maybe I’m too busy being yours to fall for somebody new.

Now, I’ve thought it through

Crawling back to you.”

With you laying on your back while Spencer pounds into you like his life depended on it, you were absolutely trying so hard not to moan like the slut you know you are. You had a fist to your mouth while you looked at Spencer, who was leaned over you, arms on either side of your head, while his cock was thrusting in and out of your tight pussy.

“You’re so wet,” Spencer whispered shakily, looking at you in your eyes. “So tight. I could be buried inside you forever.”

You couldn’t help the whimper that escaped your lips as you looked back up at Spencer. The look in his eye. the one you can’t quite put a name to, was still there. Lust? Guilt? Love? It couldn’t possibly be the last one.

“Have you got the guts?

Been wondering if your heart’s still open

And if so, I wanna know what time it shuts

Simmer down and pucker up

I’m so sorry to interrupt, it’s just I’m constantly on the cusp

Of trying to kiss you

I don’t know if you feel the same way as I do

But we could be together if you wanted to.”

His lips went to yours, kissing you like you were his last breath and he needed you to hold on for life. His cock plunging into you at a rapid pace. The room was filled with the rhythmic sound of skin slapping skin and the wet sounds of your pussy. Had your mother and his father been awake, they’d certainly question the noises going on.

“(Do I wanna know)

If this feeling flows both ways?

(Sad to see you go)

Was sorta hoping that you'd stay

(Baby, we both know)

That the nights were mainly made

For saying things that you can't say tomorrow day

Crawling back to you (crawling back to you)

Ever thought of calling when you've had a few? (You've had a few?)

'Cause I always do ('cause I always do)

Maybe I'm too (maybe I'm too busy)

Busy being yours (being yours)

To fall for somebody new

Now, I've thought it through

Crawling back to you”

You could feel the heat building in your abdomen as Spencer’s cock hit your g-spot repeatedly. “Oh fuck,” you whisper moaned, breaking off the kiss. “So close, Spence.”

“Go ahead, sweetheart,” he whispered back. “Cum for me like a good girl.” He continued his movements, fucking you to completion.

You let out a whine, trying hard to not be loud as your orgasm grew closer. Spencer reached down between the two of you, rubbing your clit. And you gasped loudly, bringing your hand back to your mouth as your walls tightened around Spencer’s cock. Within seconds you were cumming, hard, spilling your juices onto his cock and onto the mattress. Your back arched as you came, your toes curling from the best orgasm you’ve ever had.

Spencer followed you, cumming inside of you with ropes and ropes of his cum, filling you with not a single care in the world. Maybe it was a sick thought on his part. Maybe if he got you pregnant, he could finally claim you as his. Or maybe that was just your fantasy. You were on the pill, it was very unlikely.

Afterwards, it’s the cuddling. The soft words spoken about how beautiful you are and how good you did that make your heart flutter in your chest. The way Spencer looked at you with that same look. And in your heart you absolutely knew what that look was. Love. Adoration. Mesmerized by you. Your step-brother loved you. Just like you loved him.

But you’d never admit it out loud. Neither of you would. Because your circumstances wouldn’t allow for such a thing to happen.

So in the shadows you guys remain, caught in your own little bubble where it’s nothing more than sex. But the calls while he’s away become more frequent, more about missing one another and wanting to hear each other. Many words spoken and yet many remained unspoken. Just as it will remain.

[sleepystargaze]

On Caitlyn's 180: An Essay

This is all spoiler below. But I NEED to talk about it.

What if this is the exact moment Caitlyn puts everything together, including Vi being one of the children who burglarized Jayce's penthouse.

Hear me out.

So, Caitlyn asks Vi what she's doing there, and Vi says, "Trying to save my dad." She has this little "AHA!" moment.

(go look at the last panel of this gif set rn for more context)

That woman just had an epiphany. Furthermore, the way the music swells at this exact moment just feels like it's clueing in on more than meets the eyes.

She clearly realizes, at minimum, that her and Vi are here for the same thing: Warwick. And then doesn't even really question it. This got me to thinking, "but how she do that though?"

Well, she has all the information she needs to put it together, this is just the first time she's had a reason to pull that SPECIFIC information together.

Let's start with the fact that Caitlyn loves a mystery, and the rise of shimmer is a part of her favorite mystery.

Literally, in her giant bedroom, the only part of it that looks lived in is the big map at the foot of her bed. The show doesn't indicate when exactly this obsession started for Caitlyn, but it makes it clear that it's been on her mind for a very long time. Jayce called it "the great conspiracy," so she definitely talked about it a lot. And Jayce's flippant attitude tells us she's definitely been thinking about it since she was a teenager.

Educated guess, I believe this started with Sheriff Grayson's murder. (a) It would be unsurprising Caitlyn felt a great need to bring justice to the person that murdered someone she cared for. (b) It was a murder that would ultimately become a cold case. (c) Silco being the main conspirator to her murder, the trail would lead her to a larger conspiracy.

And from this scene above, we know that Vi is impressed with what Caitlyn was able to gather without ever going to the Undercity. Which means, we know her board was really close to the truth. Afterall, it did lead her to Vi, who single-handedly led her to the answers she sought.

So, why the hell does this matter in regards to Vi being involved in the burglary?

Caitlyn knows that Grayson's main priority at the time of her death was finding the culprits of the explosion.

Caitlyn's parents clearly involve her in the conversations revolving around the explosion at the penthouse. I don't feel it's a stretch to assume she also knew that the council were putting pressure on Grayson to solve the case.

The explosion of the warehouse happened on the same night as Grayson's murder. While I don't think Caitlyn had a way to really connect the 2 explosions except that they happen within days of each other, I doubt Caitlyn forgets this fact even if she does not connect them initially. 

Now you may being wondering why the heck that matters. What does the warehouse have anything to do with it?

Caitlyn was in the ruins of the destroyed warehouse at the end of season 1.

In which she heard this conversation.

Thing is, she was going through an extremely traumatic experience at the time... Then her mom was killed... So I doubt she realized it was the same place nor had the mental capabilities of processing the information. And by the time she did have the capacity to really consider it, she likely had no reason to...at least yet.

Regardless, she's here for this conversation. She now at least knows Vander's name and that he was important to them and that Silco murdered him here.

So, she has her connection here. If she realizes this was the location of the second explosion, she now knows that Grayson and Vander were murdered on the same night. And if she connects it to the penthouse explosion, Grayson's investigation and main focus at the time, she also knows that...

4 children were fleeing the scene.

Seems like everyone knew this within the hour after the explosion. Word spread so fast, Vander knew before the kids even got home. Caitlyn undoubtedly knows about the kids. She just doesn't know who they are, but she has seen them.

Caitlyn has an eye for detail and a mind for investigation. I doubt she lets much fall between the cracks. They didn't leave Ekko's home until it was dark. She had plenty of time to look at this mural, at the 4 children including Vi. Then at the tea party when Jinx starts talking to her hallucinations, she's pointed to...

Again, traumatic experience. Probably not thinking about it that hard, but she did see the puppets. Again, no reason to connect those things yet. But she does now have the context to connect that these 2 other children are important to Vi and Jinx and that they were important enough to be brought to the "tea party."

And because of the mural, she knows that these were real people and that they died.

FURTHERMORE, they undoubtedly know who Vander was by the reputation he left behind.

When that one guy getting tortured gave up Vander's statue as the meeting location, Ambessa's second-hand man, who is not from Zaun OR Piltover, knew exactly where that was. There's no way Caitlyn doesn't also know about the statue. Besides that, she also saw him in the mural. If she's seen this statue, she knows it's the same man.

Caitlyn would now know that Vander is important to the whole undercity. "Well respected."

Lastly, Singed told Ambessa about the man behind the monster.

This one is a bit of a stretch, but think about it. Ambessa has no reason to withhold the information Singed gave her. Here it is below if you want a reminder:

"He isn't a monster. He was once a man. Well respected, at that. Victim of great tragedy. He had a furocious will to live. An incredible tolerance for pain. With him, I was able to make strides impossible with any other specimen. But the mind... the mind I could not recover. The man forever lost in the bowels of the beast, compelled only by the scent of blood. Or so I thought. It now seems I had yet to uncover the right catalyst."

Singed is awfully forthcoming with information once he realizes he doesn't have to hide it from Ambessa. And when Caitlyn walks in on them in Singe's lab, Ambessa makes no effort to hide her current involvement with Singed. AND even if Ambessa realizes Singed is talking about Vander, I highly doubt Ambessa has the information necessary to realize she's literally delivering Caitlyn to a connection to not only Vi, but Jinx.

Caitlyn, however, does have all the information. If Ambessa or Singed told Caitlyn the same info or even more, Caitlyn could likely start making some assumptions on who the man behind the beast is.

She just didn't have a catalyst to put everything together... Again, yet.

And while we're on the topic of this scene...

We learn Caitlyn abhors a gap in information.

Caitlyn talks about the mystery of shimmer, "This led to one other missing puzzle piece whose absence has always gnawed at my mind."

She wants all the details even if it does not add much to the full picture.

She already knows Silco and the chembarons are responsible for the manufacturing and distribution of shimmer. Learning who made it only tells her who made it. It doesn't solve anything or change what she would have to do to stop the spread of shimmer. But she wants to know. She HAS to know.

She wants all the dots to connect and is not satisfied until they do.

So, when Vi says, "Trying to save... my dad."

What if this one sentence was all Caitlyn needs to connect everything she didn't understand before. I mean, how else do you explain that little "aha" head move she does.

There is no way she did not take a greater interested in how the heck Vi was involved to begin with and especially as a child.

Her main focus has been on Jinx: finding her and bringing her to justice. She's been distracted.

What if this is the catalyst, the first time she has a reason to connect all those dots to make what Vi said make sense. And suddenly it all does.

Honestly, it would explain why Caitlyn jumped ship so easily.

In conclusion.

Caitlyn has all the information she needs to connect the dots.

She has the motivations to continue seeking those answers.

She just didn't have the mental opportunity to really consider it... until she did.

Anyway... Maybe I'm wrong. Maybe I'm reading too much into it. Maybe one "Cupcake" is just not enough to convince me she'd immediately plan a mutiny, but maybe she is that simple! (She's definitely not. *coughs*)

But you know what, even if she didn't glean that Warwick is actually Vander and Vander is Vi's dad in that moment, she definitely knows after this...

So, anyway, I think she definitely knows or is at minimum primed to have the realization. Guess we'll see.

[leexsa]

after watching lloyd be so repulsive towards garmadon in the later seasons really got me thinking of how complicated it must be to be around him

your father died like what two times and the latest resurrection doesn't even bring back the part of him that loves you (of course this is still to be debated about as seen in his Journey To Be Compassionate in season 15)

and that just reminded me of the fact that lloyd never wanted to fight his father in the first place. we've seen lloyd and garmadon hug many times on-screen, but the hugs that were most vivid in my head was:

lloyd trapped in the volcano and garmadon freed him and swung him right into his arms

the hug on the destiny's bounty, with lloyd explicity saying that he doesn't want to fight garmadon and keeps asking if he's sure he needs to go because he wants to keep seeing garmadon

and so many things happen after he defeated garmadon/overlord in season 2. lloyd misses garmadon so much, but garmadon irl has morphed into something borderline unrecognisable to lloyd, especially with the only-oni-side-resurrected schtick.

and to makes matters worse only-oni-side garmadon says that harumi was like a daughter to him. to lloyd's face. and i'm pretty sure i'm delusional but i could almost see lloyd snap into reality and it sucks because why the hell would you say that to your blood son? who got betrayed by the very person you were talking about??

so it's fully justified to me as to why lloyd acts that way around garmadon now. i definitely think his movie counterpart took this to another level and definitely influenced his character in the show, but i feel like lloyd is misunderstanding why he doesn't like garmadon now

it's because this version of garmadon is nothing like the father he used to know and love, and neither does only-oni-side garmadon think that he loves lloyd. of course, that is still to be debated as we see certain moments between the two that could tell us otherwise, but nonetheless lloyd hates this version of his father because he has shown capability of loving-ish (harumi case in point) but still doesn't love his own blood son

these two need family therapy stat

[brunettemarionette]

𝐈𝐦𝐚𝐠𝐢𝐧𝐞 𝐛𝐞𝐢𝐧𝐠 𝐖𝐚𝐝𝐞 𝐚𝐧𝐝 𝐕𝐚𝐧𝐞𝐬𝐬𝐚'𝐬 𝐝𝐚𝐮𝐠𝐡𝐭𝐞𝐫

↠ female reader. no description of features. no mentions of size.

a/n: pictures made by me, spoilers I guess if you haven't watched Deadpool? No warnings just fluff and dumbassery.

Some time after Deadpool & Wolverine, they get back together, and you're a total surprise for them despite the two wanting a baby before Vanessa died.

"So... are we having a Sonny or a Cher?"

Not being called either of those names and definitely not being called anything 'strippery'... or Wade Jr, Wada, Darth Wader and definitely not Todd, either.

No matter how much Wade worried about being like his dad, all that went out the window when you were actually born.

"I've only had a daughter for a day and a half, but if anything happened to her, I'd kill everyone in this room and then myself... come back to life fuck shit up and die again. Rinse and repeat."

Wade leaving you with Blind Al as a babysitter (sometimes she wouldn't even realize you're there).

"Wade, you can't just leave the baby with a blind person." *Surprise Pikachu Deadpool * "...ableist..."

I feel like Wade, at some point, either dropped you or you fell when you were a kid, but it's for the best since that's how he and Vanessa found out that you're a chip off the ole' block when you heal super fast.

Despite what Vanessa thought when they first agreed to make a baby, they did, in fact, make a 'super baby.'

Always following your 'Uncle' Logan around no matter how much he tries to get rid of you.

"'Babypool' go-... play or something, okay kid?"

Growing up surrounded by mutants means you never think you're different or a freak but instead becoming very protective of your mom. After a talk with your dad about your mom dying, you realize just how fragile people are.

Surprisingly, Wade makes a great girl dad. He does the tea party thing and, of his own accord, puts on the dress and clip earrings; he serves tea to the plush bears and scoffs when others mock him.

"Clearly, you people have no class."

As you got older, you started to look more like your mom, but no matter what situation you found yourself in, you could stop the snark, so much so that it earned you the nickname 'Mini mouth' – Wade was so proud.

Wade took you to the roof of the building to 'bond,' which Vanessa knew was him teaching you how to fight – something she was okay with until you both fell off the roof... more than once.

Them both knowing that despite wanting to give you a normal childhood and life you were going to be some kind or 'hero/antihero'. So they roll with the punches, and Wade makes sure you know exactly what you need to know about it.

"No, spermpool, red is my color. Just ask your mom when we-"

"Ew, Dad... and don't call me that."

On that note, investing in headphones was something you picked up the older you got, asking the store which ones cancel noise the best and then buying earbuds to go with them.

"Minipool, Girlpool, not-as-good-deadpool, Wishpool... ow... okay! We'll think of a better name for you!"

Despite you and your dad both being mercs who have been killed or hurt in every which way, your mom still rules the house. That's how you two find your katanas confiscated when you started playing 'Star Wars' during Thanksgiving.

Your dad makes a lot of Batman and Robin jokes when you're working together, only after he made a weird Batman and Catwoman joke until he realized why that was gross. So you became his Robin.

For someone so laid back about love and sex, Wade is very protective when it comes to you. Seeing the bad guys flirt with you, his deadpan snark reaches a few levels higher than his norm – it doesn't help when your mom hypes up your catsuit.

"I told you we should have gotten her a costume like what the lady three floors down wears."

“Red, that's a Muumuu.”

Being impulsive is like an inherited trait from both of them, which just makes up a chaotic household, and yet you all love every minute of it.

"One of the best things my dad ever gave me, not by choice, are these two gold-plated 50 caliber desert eagle pistoleros...."

𝗧𝗵𝗲𝗺𝗲 𝗦𝗼����𝗴𝘀

The Nights by Avicii

GDFR by Flo Rida

X gon' give it to ya by DMX

𝗥𝗲𝗹𝗮𝘁𝗶𝗼𝗻𝘀𝗵𝗶𝗽 𝗧𝗿𝗼𝗽𝗲𝘀:

Chaotic parents x Inherited Chaos (you)

Matching Family Energy

Dumbasses (wade, you) x Oh, those are my dumbasses (vanessa)

[otomehoneyybearr]

Kagari Amagase

Things I can Only Do With You at Night: Ch1 | Ch2 | Ch3 | Ch4 | Card

A few days later—I found myself running around town alongside Prince Kagari.

Emma: "Good work out there! I’ve placed the signs and flyers in the designated locations!"

Kagari: "I’ve picked up the supplies. I’ll leave them here."

The corner of an inn serving as the festival’s operations headquarters was overflowing with packages.

A staff member at the counter poked his head out, bowing repeatedly as he rushed over.

Man: "Thank you so much! You’ve been a great help."

Man: "I must admit, I was startled when Prince Kagari arrived, but having extra hands is always welcome."

Man: "Still, Miss Emma, you’re a visitor from another country. Are you sure you’re okay with this?"

Emma: "Yes! In fact, helping out is a great way to learn more about the town, so it’s a win-win for me."

Kagari: "You seem like the type who gets taken advantage of easily."

Emma: "…Are you really one to talk, Prince Kagari?"

●●●●●● Flashback ●●●●●●

Kagari: "Among all the regions in Kogyoku, my territory is relatively the safest. It even attracts a fair number of tourists."

Kagari: "Even if this festival is small in scale, it has more liveliness and entertainment than festivals in other territories." Kagari: “Which is why—you’re going to help with the festival preparations, Princess."

●●●●●● Flashback End ●●●●●●

Emma: "If you’re going to say that, then I’ll demand five dorayaki as payment instead of just one!"

Kagari: "...? Who said anything about one? I was planning to give you twenty."

Emma: "That’s way too many for me to eat!"

Kagari: "Then I’ll help you eat them. Problem solved, right? No leftovers to worry about."

Emma "But it’s supposed to be MY reward. Isn’t this just benefiting you, Prince Kagari?"

Man: "Haha, you two get along well. Still, I’m surprised Prince Kagari has a girlfriend!"

(Ah… there it is again…)

I’d already heard that comment dozens of times since arriving in town, but I still wasn’t used to it.

Emma: "Um, no, we’re not a couple."

Man: "Really? Then are you long-lost siblings? Or newlyweds, maybe…?"

Kagari: "None of the above."

Man: "I see… It’s just unusual to see Prince Kagari with a woman, so everyone was talking about it…"

From the corner of my eye, I saw Prince Kagari sigh quietly, looking slightly annoyed but still expressionless.

Kagari: "It’s always the same kind of talk wherever we go. It’s starting to feel tedious correcting them."

Kagari: "Maybe it’d be easier if I just made it true."

Emma: "Th-that’s obviously not an option!"

Kagari: "Relax, it’s a joke. Don’t take it so seriously. Your face is red."

(He’s teasing me!)

Kagari: "Still, even if I correct them, people might assume you’re my favorite which might actually be more convenient that way."

Emma: "Huh?"

Kagari: "Let’s go, Princess. We still have work to do."

Emma: "Oh, right."

(He brushed past that like it was nothing, but what does he mean by ‘favorite’…?)

(And why is he okay with the townspeople thinking I’m this…?)

Even if it didn’t matter to him, the thought left me feeling awkward and self-conscious. I’d need to steel myself every time I walked through the town from now on.

(Come to think of it, why did Prince Kagari ask me to help with the festival preparations?)

(From the conversation with the kids earlier, it didn’t seem like they were short on people…)

As I mulled it over, I walked toward a pile of wooden crates and checked a sheet of paper nearby.

(Next, we’re supposed to deliver these supplies to the sweets shop… Oh.)

As I reached for one of the crates, a hand appeared beside me and effortlessly lifted the crate away.

The crate should have been filled with heavy items like flour and fruit, yet Prince Kagari’s expression remained composed.

Kagari: "Your job is to guide me to the sweets shop, Princess."

Kagari: "You’ve been running around all morning, so you should know the way by now."

Emma: "Understood. Um, thank you."

The sudden subtle kindness made my heart skip a beat.

At the same time, I couldn’t ignore the stares from the people busy with the festival preparations.

(…It really feels like everyone’s convinced I’m Prince Kagari’s ‘favorite.’)

The destination for the delivery was the shop owned by the family of the boy I had met at the dojo.

Boy: "Miss, you were so excited about the festival, but you didn’t get invited by Teacher, huh?"

Emma: "I never wanted him to invite me, nor did I want to go with him, you know."

Boy: "…Oh, yeah, I guess you’re right."

While I waited outside for Prince Kagari and the shop owner to finish their conversation, the boy gave me a look of pity.

I swallowed the faint frustration I felt.

Boy: "Oh!"

As if suddenly remembering something, the boy dashed inside the shop and quickly returned.

He handed me a long, slender wooden box.

Boy: "Here, take this. These sakura sparklers are sold a lot during festivals here in Kogyoku."

Boy: "They might not seem like much to us, but they could be something unique for someone from another country."

Emma: "Wow, how pretty! Thank you!"

When I opened the lid of the box, I found several delicate, pink-colored sparklers inside.

(I’d heard about these from the owner, but this is my first time seeing them.)

The tips of the thinly twisted paper were filled with gunpowder, and each handle was adorned with a single sakura flower.

Boy: "Oh, by the way, did you know?"

Boy: "There’s a legend in Kogyoku that—"

.....

(A legend in Kogyoku.... I wonder what is was?)

Just as he was about to explain, Prince Kagari stepped out of the shop, and I didn’t get to hear the rest.

On the day of the festival, the town was bustling with excitement.

Lanterns adorned with sakura patterns and rows food stalls lined the streets, filling the town with vibrant colors and happy faces.

Carefully navigating through the crowd, I wandered from stall to stall, soaking in the atmosphere of the Kogyoku festival.

Stall Owner: "Here you go. One extra skewer of dango, on the house!"

Stall Owner: "Is Prince Kagari not with you?"

Emma: "No, I haven’t seen him today."

(I thought I might have the chance to bump into him, but finding him in this crowd seems impossible.)

(Actually, knowing how busy he is, he might not even be here.)

Suppressing the inexplicable sigh welling up inside me, I thanked the stall owner.

Stall Owner: "Miss Emma, here’s another skewer, on the house! Eat up and enjoy the festival to your heart’s content!"

Emma: "Thank you so much! I’ll enjoy it!"

(This feels more like a consolation gift.)

I accepted the dango, feeling both happy and slightly apologetic, and slipped away from the stall.

.....

Finding a quiet back alley to avoid the crowd, I began savoring the food I’d bought at the stalls when—

Kagari: "You’re eating that with real enthusiasm, Princess."

Emma: "gulp… Cough…! Pr-Prince Kagari!?"

I looked up in shock as Prince Kagari suddenly descended from the rooftop without a sound.

I should’ve been happy to see him, but his sudden, stealthy arrival startled me so much I nearly choked.

(He’s a prince, but he moves like a spy.)

Before I could recover, he casually grabbed my arm and took a bite of the skewer of colorful, sweet bean-paste-topped dango I was holding.

Emma: "Don’t steal bites of my food!"

Kagari: "You’re the one who made it look so delicious. You’d make an excellent food advertiser."

Kagari: "Here, finish the last bite before it gets cold."

Kagari: "Or would you prefer me to feed you?"

Emma: "I can manage, thank you."

(…From the way he’s acting, he probably doesn’t even think twice about this kind of thing.)

I glanced at the now slightly nibbled dango, steeling myself to eat the last bite.

The heat rising in my cheeks made it hard to focus on the flavor.

Kagari: "Are you enjoying the festival?"

Emma: "Yes! The sakura-themed food and decorations are adorable, and the unfamiliar music makes it more exciting!"

Emma: "Also, the shopkeepers were incredibly kind and gave me more than I could ever eat."

Kagari: "The people in this territory are naturally friendly and generous. They’re the type who thrive on camaraderie."

Kagari: "Looks like you’ve been well-received, Princess."

Emma: "That makes me happy to know that."

Prince Kagari’s eyes softened slightly with satisfaction as he reached into his pocket.

Kagari: "Here, take this."

Emma: "Huh?—Mmph!"

Without warning, Prince Kagari gently cupped my chin, prying my mouth open with his thumb before tossing something inside.

(Huh…? Candy? Wait, this flavor…)

Kagari: "It’s a dorayaki-flavored candy. I had it specially commissioned and supervised its production myself."

Emma: "Your passion for dorayaki is truly impressive."

Emma: "The flavor is spot-on. If it were a product, I’d definitely buy it."

Kagari: "It’ll be on sale at the confectionery shop starting tomorrow. Make sure to support it."

As the candy melted on my tongue, the taste of dorayaki spread in my mouth, creating a strange yet delightful sensation.

(I should stop by and buy some tomorrow.)

(I knew Prince Kagari loved dorayaki, but to go so far as to create a candy… I underestimated him.)

(He’s the type to pour himself entirely into the things he loves.)

Emma: "Wait… Prince Kagari?"

When I looked up, Kagari had vanished without a trace.

The lingering taste of the candy reassured me that the events just now were real, even though his sudden departure left a strange sense of emptiness.

(I guess he was on duty after all.)

(Maybe he called out to me because he happened to see me…)

(If so, I’d be happy...though that’s probably not it.)

Shaking off my hopeful thoughts, I felt a small pang of loneliness as the candy melted away.

(...It’s so quiet now.)

Prev | Next

▼・ᴥ・▼

[marshallpupfan]

Well...

I learned some PAW Patrol news today that, I must admit, has left me rather disappointed. Don't worry, this isn't a rant or anything. I just wanted to talk a bit about it.

If you were to ask me who my favorite PAW Patrol character is, my answer is obviously Marshall. As for my second-favorite? It's not one of the other main pups or any of the part timers. That's not to say none of them are on my favorites list though, as Chase, Rocky and Everest are in my top ten, just to name a few.

No, my second-favorite PAW Patrol character is... Claw!

Seriously, I just love this doberman. In fact, I became a fan before even getting to see him in action in the cartoon. The moment he first popped up in a leaked Rescue Knights image, I quickly fell in love with his design, especially his awesome-looking armor. That, and he was flying around on a huge dragon, which... come on, that's cool. And when I finally got my chance to watch him in an episode? In my opinion, he did not disappoint. For me, he's not only one of the most memorable aspects of Rescue Knights, but of season 8, period.

Naturally, once the subseries came to an end, I kept hoping that, someday, we'd return to it and see him again. Or, if anything, he'd pull a Sid and Arrby and appear in some regular episodes. Sadly, two and a half seasons have gone by since then, and both he and Rescue Knights have been a no show. Despite that, I held on to the hope that he'd eventually pop up in the cartoon again.

Regrettably, I might have to let go of that hope.

(Source)

Some of you might doubt this information, but Tybsy has provided many accurate leaks and insider info in the past, and he continues to do so. I've learned to trust his words.

It seems that, for some reason, the writers have been told to avoid pitching ideas for episodes based around Rescue Knights. Worse yet, they were told to do the same with Dino Rescue. Not only does this mean there's a slim chance of seeing Claw again, but possibly even Rex, too... another pup who I'd love to see more in the cartoon.

Now, there's a possible reason for them to do this with Rex and Dino Rescue. Given that a few sites have already started listing the third film with the name "The Dino Movie", it's possible it will indeed be quite similar, at least in some way, to Dino Rescue. It may even involve Rex! Currently, we still don't know for sure, but there have been some hints here and there that suggest he might be involved.

EDIT - I forgot there was another leak some time ago involving some file that relates to the third movie, and the metadata specifically mentioned Rex. There's a very, very good chance he'll be in the movie!

And although Tyby jokes, it is possible, however unlikely, that they do want to avoid creating continuity errors with what we've already seen with Dino Rescue. Just look at the errors we got with The Mighty Movie and the season 10 Mighty Pups episodes, most of which still confuse viewers to this day. If I were running things, I'd absolutely tell the team to make sure that DOES NOT happen again...

Rescue Knights, on the other hand? I see no logical reason to avoid it. I have my doubts that Claw or his dragon will appear in a theatrical film, especially before certain other characters (not impossible, but I wouldn't bet money on it), and I'm going to assume we'll never see him in Rubble & Crew or the two Youtube spinoffs, so... what gives? To make matters worse, now that the main TV series has switched to a new style, they'll have to modify or remake Claw's model to match the new designs, and I can't see that being a high priority. Again, not impossible... but it certainly doesn't help his odds.

My hope of seeing Claw again isn't 100% dead or anything, but I can't help but feel pessimistic about his chances. To think, all this time, it never happened because Rescue Knights has been restricted from appearing in future episodes. That's so disappointing, you know? I can only hope that they do indeed have something special planned someday for Claw, or they'll finally lift that restriction on his subseries... but truth be told, I'm not going to get my hopes up.

Well, here's to you, Claw. Even if we don't see you again, you'll always remain my favorite (ex) knight of Barkingburg! Still, here's hoping that we do get to see you again... someday.

[finderseeker]

@leucoratia Thank you for giving me the opportunity to talk about him even more

First off, I’m glad this solution seems to be such a hit!! I just couldn’t reconcile the character WD was becoming/had become with what we know of Gaster. So this works well!!! (Despite the questions it raises meta-wise.)

*Rubs my hands together evilly* Okay SO! WD and his relationship with Grandpa here. I haven’t completely decided on anything just yet but I do have some Ideas. Some Notions if you will.

I think there’s pressure to get into the field from family, yes. But I don’t think it was necessarily negative pressure, if that makes sense. Like, I’m not sure it was the kind of thing where they would have been disapproving or upset if he chose some other career, per se. More that they didn’t even consider the possibility that he would choose anything else. Sans is a physicist, Papyrus is an engineer/mechanic/something like that, and they’re both very smart, but WD, oh, he’s the prodigy. He’s the golden child, even for all his quirks and rarities. An anxious disposition and weirdly long tail and unusual font and cracked lip aside, he’s got so much going for him!

I think that, likely, in their efforts to ensure that he didn’t feel any different than anyone else regarding disposition and physical traits/limitations, and that he knew he was ✨special✨ because he’s so smart, his parents probably made it all worse, actually. Not acknowledging that he was, in fact, different and unusual only made him feel more invisible. Which of course made him feel bad, because he was the main focus of his family’s attention. (‘How can I be unsatisfied with when I get so much attention compared to my brothers? Am I just spoiled?’)

He felt he had no time to goof around, no time to play, because he ought to be studying and learning more. ‘Why, with a mind like that, he surely takes after his grandfather in more than just font! Perhaps he will be the next Royal Scientist!’ said everyone. Which, y’know, gets to you as a kid.

While it was only ever meant to be encouraging, the pressure to live up to that was overwhelming. It’s not just that he’s named after his grandfather, it's not just an abstract sentiment for skeletons. He’s got his font. Which, apparently, suggests some other similarities. He’s always The Serious One among his brothers because they’re always goofing off (from his POV anyway) when they should be working! How can they be so lackadaisical? The fate of all monsters rests on them helping their grandfather; how can they be so relaxed just because they aren’t on the clock? Is their pay the only thing that matters to them!? They should be endeavoring to find solutions at all times!

So. Yeah. His mindset is very much shaped by the idea that it’s his responsibility to use his abilities to help others. It’s not as simple as letting his family down. What he wants has never been a factor in the equation, and so he doesn’t linger on it. The way he exists has already dictated his life course. It’s as simple as that. It’s not out of love for others— whether his family specifically or monsterkind at large— but rather out of obligation and responsibility. He does not feel a particularly strong affection towards monsters in general. (The opposite, actually.) He has never seen the surface, and frankly, with as dangerous as humans are, he doesn’t entirely understand why or agree with the idea that getting up there would be a good thing to begin with. But breaking the barrier is the goal that’s been put in front of him, and so that’s what he works towards. Along with the supposedly more achievable goal of “helping people,” despite that being an incredibly vague and nebulous concept with no real direction.

He’s got this whole complex about what he’s supposed to be. No one is actually stopping him from being anything else, but the barriers he’s erected in his own mind feel immovable. If he has all of this ability, how could he not use it? Everyone is relying on him to be as brilliant as his grandfather and carry this mantle, but no one understands the pressure he’s under. No one understands anything! Even Papyrus, who practically never sleeps, doesn’t appreciate why he can’t just “take a break.” If he doesn’t accomplish something, he will never be free from these expectations!

I think deep down that’s why he kind of idolizes sci-fi supervillains? All the intelligence, all the means, and they use it for their own interests! They are beholden to no one, only themselves, and even the “heroes” can never stop them for good. Sometimes, the villains have better motivations than the heroes, even. I think WD’s fantasy, subconscious or not, is being able to go completely off the rails and create and do something utterly selfish. He has some bizarre resentment, I think, against people in general. Maybe it’s envy, in the sense that they lack the burden he does. Maybe it’s some kind of frustration that they’re all just standing around, twiddling their thumbs and waiting for some kind of “salvation” from either the king or from them, the scientists responsible for every other quality of life. If this solution needs to be found so desperately, why is it being left to so few people!? Why aren’t study of human magic and other magical-scientific disciplines a required field in schools? Why is there not a requirement that all who are able work on this pressing issue!?

So. He’s got this buried, probably subconscious resentment. He’s always irritated because of it. It feels like he’s the only one taking this seriously, and therefore the only one who can do anything about it. Rather than be reassured that no one is forcing this on him, his perception is that because no one else will “take it seriously” (read: “work ceaselessly”), it must fall to him. He has to. Because otherwise it will always be hanging over his head.

Now. Grandpa Gaster definitely doesn’t approve of… any of this. (In general, not the supervillain thing. WD is taking that secret to the grave.) Gaster encourages him to take breaks and not work himself so hard. Unfortunately, despite his kindness and reassurance, WD only sees that as, “Look, this is so simple for him that he doesn’t even need to exert effort! He thinks I’m far more capable than I am, he must think I’m accomplishing more than I actually am. I have to work harder so that I can reach that level and live up to this.”

Yeah.

Gaster is quite caught up in his own work, and although he cares very much for his grandsons, I don’t think he’s entirely… connected with them. He doesn’t realize what WD is putting himself through, entirely. He just sees a bright, like-minded young man with a strong work ethic and a love for helping others! Even if he’s a bit prickly and perhaps embarrassed about it. But he’ll come around! Young people are so caught up in how they’re perceived by others; surely WD will mellow as he ages.

(Spoiler: he doesn’t. Or, he doesn’t really get the chance to.)

The biggest difference between them is that Gaster is doing this because he loves people and he loves his work. All his efforts are a labor of love. For monsters, for unity, for freedom, for the universe. WD is doing this because he feels that he must. He is not especially moved by love. He doesn’t gain a sense of purpose from this, he only feels burdened.

Gaster doesn’t quite… pick up on this. I think he would love to have a warm relationship with his grandsons, and prooooobably does more with Sans and Papyrus. WD, meanwhile, has so many self-inflicted mental barriers and blocks and restrictions and obligations that he’s created this artificial distance between them. It really, really doesn’t need to be this way, but unfortunately our perception shapes our reality, and the stronger a person believes something to be a certain way— that is, the less open they are to being wrong— the stronger they shape their reality. Someone like Gaster, who is open to different interpretations and understandings and so on, is more likely to see reality for what it is— but even he’s not infallible, because he is a singular person who has his own experiences and therefore his own perception. He thinks WD is just “at that age” (whatever that means) and is simply trying to prove something or is overly worried about what other people think of him, and that it will pass with time. He doesn’t understand that WD is torturing himself over pressure that isn’t even real.

He thinks it's so wonderful that WD wants to work with him and spend time with him, and oh, he's such a bright young man, he will surely accomplish so much! He's so proud of him.

WD is... not really capable of accepting love (in the form of acceptance or pride) from others right now, because I think he feels like he has yet to earn it, maybe? He's got this impossible standard he's trying to reach,* and he's depriving himself of everything until he can get there. (Which will be never.) He's miserable and it's all self-inflicted. It doesn't even need to be this way. ((He and Seeker (the character) have this in common I think…))

He does love his family. He loves his brothers and his parents (probably?) and his grandfather and his cousin(s). He loves them way more than he'd ever admit out loud. He's exasperated that none of them seem to Get It, but he's so convinced that he's the only one who's right that there's really no telling him otherwise. He doesn’t even know what he wants, only that he doesn’t have it and can’t have it. (Except, he can, of course, if he would just freaking calm down for a second.)

The funny (or sad) thing is that if he could just get past this thing he’s got in his mind, he’d be a much happier, more fulfilled person. If he weren’t busy stressing himself out and running himself ragged (and actually making his own anxiety worse in the process), he’d be a warm, conscientious person and a loving, attentive partner. As it stands, he’s Stress Response Central and essentially is slowly cutting himself off from the people who care about him, rather than rely on them. (This potentially includes Asteri, but their relationship is a whooole different post.)

If he keeps on this path, one of two things is going to happen: he’s either going to end up killing himself (or worse) by falling into the same thing that shattered Gaster in some desperate last-ditch attempt to Fix Everything; or he’s going to crack (no pun intended) under the pressure and burn out in an absolute fireball of metaphorical explosives.

And from the outcome where he doesn’t die/end up meeting a similar fate as his grandfather, there are two outcomes.

So, he’d burn himself out gifted kid style, but like several times worse. Has a complete breakdown and it resigns him to being stuck at home/in bed recovering his mental and emotional energy. But also being extremely depressed and probably rotting a little bit. And isolating even more, honestly.

The good ending would be him slowly recovering and making peace with not being The Only One Who Can Fix Everything, and maybe not even staying in the same field of work (if he can work anymore). The good ending also involves him being on good terms with Tempus again. (But that’s an entire can of worms I’m not touching here.) If he’s anything like me, it’s gonna take a few years (minimum) of rest and recovery after pushing himself that hard. I would not be surprised if he causes some permanent damage to himself (either mentally/emotionally or physically) that renders him unable to work/do what he used to.

The bad ending is that he rots in bed and wallows in depression and mourns the fact that he “wasn’t good enough” to stand up under the weight of everything and Fix It. And he just. stays like that. Isolating himself more and more, refusing to talk even to his brothers. And also Tempus still hates him. And that’s it that’s his whole life. The rest of it is spent mourning and regretting and reliving every decision that got him here, reflecting on all the things he deprived himself of in pursuit of his goal, only to fail and end up unable to have those things now that he has all the in the world. Self-deprivation of pleasure or enjoyment or rest, and for what? To break down under the weight of it all and have none of it anyway. He should have enjoyed what he was offered when he had the chance to accept it.

Anyway, as you can see I have a lot of feelings and thoughts about him (and this isn’t even all of them). I doubt that he resents his grandfather, but I do think that with the way things end up, he feels like a disappointment to him and there’s really no way to ever be assured otherwise because Gaster’s gone by that point. But I guess that’s part of the point, really: that you’ve gotta be okay with where you are so long as you’re doing what you can (to a reasonable degree), even if it disappoints other people. I think WD needs a lot of things but honestly I don’t even know how to begin to help him. He needs to go on vacation.

On an ENTIRELY unrelated note, I may have come up with a really funny (read: “stupid”) solution to the problem mentioned in the second half of the tags on this post.

Which isn’t what I wanted to focus on. I need to work on the stuff I already have going. But. It would be funny and unfortunately sometimes that’s the most compelling thing.

I will elaborate on what this possible solution is tomorrow.

[foundfamilywhump]

i get where ur coming from but i feel like “carewhumper” does just designate a specific type of abuse. my understanding is that a lot of real life abuse does encapsulate cycles of cruelty and kindness but whump is not a 1:1 w real abuse and so the cruelty tends to be exaggerated and constant. which is why it might be useful to have a distinction between purely sadistic and harmful whumpers w ones who seem to contradict that role and show some form of affection or intimacy. i think this meta is very interesting though id be interested in the other people who voted “no” in that poll and i appreciate ur commentary 🤔 do you think its actually dangerous?

i'm gonna start by providing some context about my relationship to these terms: to my understanding, words like 'whumper/caretaker/whumpee' are situational shorthand that describe a character's role in the scene or story being told. they are not all-encompassing, all-descriptive, and prescriptive of every action a character referred to this way takes. i do not know where the idea that they are supposed to be flat, reductive, 'this word means this character is All Good Or All Bad All The Time and they behave x way 100% of the time' came from, and i do not agree with it. that's not how i use those words, and it's not how i've ever perceived the intent of those words to function in the broader whump community.

that said, here's why i don't think 'carewhumper' is a distinction between 'purely sadistic and harmful whumpers with ones who seem to contradict that role and show some form of affection or intimacy', at least not the way i use these words, and why it's not a word that i will ever use or like. and why i think it's not necessarily dangerous per se - that's a strong word - but it is something i think plays into some harmful societal narratives about abuse and abusers.

you're right that whump isn't a 1:1 with real life abuse, and i definitely am not operating under the impression that it is or should be! there are a lot of extremes in whump, that's very true. but it's also true that the extremes aren't the only thing that exist, and they aren't the like. default setting of what 'whump' or a 'whumper' is. they might be to some! but i don't think that's the default for everyone, or even the majority. and i don't think a whumper behaving kindly sometimes makes them... not a whumper anymore. the way that 'carewhumper' as a term implies.

there are a lot of issues in real life about people thinking ‘oh so and so would never abuse anyone, they’re so kind’ or pointing out that an abuser cared for you when you were sick or something so it couldn’t have been ALL bad. abusers themselves point to their acts of kindness and care to confuse victims and excuse their behaviour. oh you can't cut that person out, what about all they did for you. oh you can't throw away your family/relationship, what about the good times. etc. they weren't All Bad. they didn't intend to hurt you, their intentions were good. these are things real life abuse victims, myself included, deal with on a daily basis.

obviously fiction is not responsible for this, but it can play into it. and when the term carewhumper comes up it really feels to me like something taking a really flattened, reductive concept of a whumper (who is bad and cruel all the time forever and intends to be) and a caretaker (who is good and kind all the time forever and intends to be) and saying ooooo what if it were ~more complicated and nuanced. when like… there are posts about intimate whumpers, manipulative whumpers, whumpers who show kindness, all the time. they don’t need a special word to contain that sort of variation. they all follow a common format of '[adjective] whumper' to denote a specific subtype of whumper. 'carewhumper' not only bucks the trend of how specific subtypes of whumpers are designated, but it combines that with another specific role that is not the whumper, as if to imply 'oh but they're not a whumper. they're Something Else. because they're nice sometimes. or they didn't mean to hurt someone on purpose (as if that is at all relevant to whether or not they did)'

and I don’t think it’s true at all that ‘whumper’ is generally accepted to mean someone who is only violent all the time. whump ISNT a 1:1 with real abuse but the way it’s discussed can mirror that, and saying that the presence of care or affection somehow moves a character into a category that isn’t a ‘pure’ or ‘total’ whumper but instead is something else - something mixed with a role that is shorthand for a positive, caring presence, not interpersonally and diagetically but narratively - makes me personally very uncomfortable as an abuse survivor in the whump community. it's mixing the roles of caretaker and whumper in a whump narrative when those roles are, BROADLY SPEAKING, meant to convey 'this is the person causing active harm' and 'this is the person whose presence is meant to contradict/combat that harm and promote healing and safety'.

caretakers can fuck up. caretakers can be complex and nuanced and angry and imperfect and busy and tired etc etc etc. that doesn't somehow make them not caretakers, though i know there are a bunch of people who for some reason insist the mere act of calling a character a caretaker is somehow reductive and dehumanizing and making their whole existence revolve around the whumpee. falling again into the idea that these words are meant to be concrete intrinsic character Types and not a situational shorthand for a role they are fulfilling in a specific story so that you don't have to explain in every single generic post who tf this person is. caretakers being imperfect or not all helpful or all good all the time doesn't make them not caretakers or not a positive force in the story. the same is true for whumpers. someone who punches you in the nose and then cleans up the blood and tucks you into bed is not somehow less violent and cruel than someone who stops at punching you in the nose, and implying that they are or that their acts of care somehow meaningfully dilute their violence and cruelty is deeply, deeply troubling to me. 'whumper' is not a nuanceless term unless you make it one and i don't know why you'd want to make it one.

and 'carewhumper' to me is not describing the complicated feelings a whumpee might have to a whumper who displayed kindness, either. because these words are not referring to diagetic interpersonal relationships. they describe an external meta-narrative role that a character is fulfilling within the perspective of the story being told. a whumpee having complex feelings about a whumper doesn't mean they aren't a whumper anymore.

there are plenty of posts around about whumpees feeling complex things about whumpers - missing them, loving them, trusting them, being devoted to them, etc. the ‘carewhumper’ thing is just to me at best superfluous and annoying to the part of my brain that is like. that’s just a whumper with a particular type of tactic and there’s no special word for any OTHER kind (captivitywhumper? superwhumper? etc?). and at worse it’s actively conveying the message that ‘if someone is sometimes not completely violent and cruel 100% of the time then what they’re doing isn’t actually As Bad and they’re not - NARRATIVELY SPEAKING - the Bad Guy. they’re ~nuanced and complex. as if everyone isn’t. as if that can undo the harm they did.

again, im not the cops im not anyone's mom. i hope i dont come off sounding aggressive or like im trying to police what anyone is writing about. i don't judge anyone writing dark things or writing about common abuse dynamics - me of all people lmao. i am 38k into a fic right now about rape and abuse that is pretty graphic and deeply deeply upsetting and triggering. but what i do care about is the way that these things are talked about. i do think it matters when these implications are popularized uncritically, and i think that 'carewhumper' is not a good term, especially if people are intending to merely convey a type of whumper and not a character who isn't 'wholly' a whumper at all. if that's what people mean, i would suggest affectionate whumper, intimate whumper, manipulative whumper, etc. something that aligns with other language commonly used to refer to specific subtypes of whumper rather than directly implying a different category of role altogether, and one that mixes that role with something that is generally accepted to be positive/good.

[straightlightyagami]

you know until relatively recently i thought i'm at least like.. noticeably above average appearance-wise, i took it basically as a given since i was a little kid. but then i realized i'm actually ugly as fuck and nobody would ever pay any attention to me or find me good-looking or hot or whatever and i will be alone forever and die alone. so.

[autism-disco]

sometimes i think i’m a fully proper binary guy. and then i think about gender for a minute too long and

[starlooove]

What material gain do we have an LGBT community? Do you ask trans peopel what they materially gain from exclude cis people? Do you wonder why we have gay spaces?

It is BECAUSE of the current politcial landscape we should stop catering to our oppressors. Because a cishet person who happenst o ont feel sexual attraction demanding lgbt space, resources, support is in fact an oppressor.

Who is the real bitch here? The cishet making demands of those they oppress or the oppressed?

I said it in the tags last time but comparison answers don’t do much here because the question I’ve been asking is specifcally about ace/aro ppl in relation to the community. I wanna know what exactly excluding those specific people provides for the community. What resources, space, and support are they taking? I want to know the real negative impact they specifically cause that makes this amount of vitriol valid to you. Does it matter if you can’t even answer that without making comparisons to other members of the community? Is it that serious if you can’t provide physical issues they’re causing that’s not a vague “they’re taking resources.”

And not to be mean but if you’re the same anon you’re still very clearly the bitch here like between you getting that mad and a hypothetical “resource thief” I think the answer is lowk obvious

[tonycries]

FIVE! - C.K.

Synopsis. Five hours - it’s all it takes for Choso’s baby fever to take over. After all, you’d look so pretty with his kid - five of them, in fact.

Pairing. Choso Kamo x Reader 

Content. MDNI, fem! reader, established relationship, unprotected, bréeding, Choso with rings + a tongue piercing, creampíe, mentioned kids, cúmplay, he goes feraI, oraI (fem receiving), Itadori family shenanigans (mild spoilers for unc-kuna), overstím, fíngering, pet names, swearing.

Word count. 5.9k

A/N. Will I ever write a Choso fic without the Itadori family? No absolutely not.

4:37PM.

“Ooo, Cho can we check that place out?”

And, listen, just because Choso would give you the moon right along with his heart doesn’t exactly mean he’s jumping with joy when he follows your gaze to that gaudy little shop tucked away in a corner of the mall. Flashing a loud, glittering sign reading, “FORTUNES: FIND YOUR FUTURE!”

Traitorous memories flash through his mind with each step you drag him closer. Of all those fortune shops he’d frequented years ago, trying to figure out whether you’d say yes to a date - before even thinking of actually asking you. 

He won’t ask anything, Choso reassures, stepping through the heady, curtained doorway. Probably not anything, he’s musing, pulling out his wallet to pay for your session. Well, maybe some things, he concludes, eyeing the sprightly old woman that takes a seat opposite you two, peering down at her dramatically large glass ball on the table. 

But that doesn’t mean he’ll-

“Babies.”

“Huh?”

“Yes.” the woman gives a solemn nod. “Five of them.”

Both of you let out a squawk of surprise, much to the amusement of the fortune teller. And Choso can feel his palms getting sweaty against your own as he manages to croak out a low, disbelieving, “Five?”

All but toppling out of his seat in suspense as she takes a moment to scrutinize her orb once more. And, surely glass balls can glitch, right? Mix up fortunes or something? Because while he knows you’ll be by his side in this life and every other one after - kids were a whole other responsibility that neither of you had talked about, yet.

At least, that’s what Choso was trying to convince himself right before the woman lets out a thoughtful hum, “Well, you-” pointing a wisened, accusing finger right in his flushed face. “-want more - about eight - but, of course, your future wife says no.” Gesturing to your giggling figure, “Honestly, young man, learn to keep it in your pants, the poor dear!”

Shit, he was going to run away, do something to end up on the national news - and judging by the way you squeeze his hand, you could tell, too. 

Subconsciously, Choso’s eyes scan the wall for any hidden cameras, wondering what type of strange prank this was. It had happened once four years ago - and just-so-happened to be what made him give up and finally ask you out - but, hey, it made for a pretty great first date story, right?

Finding none, he sighs, barely opening his mouth to ask before she plows on, “And of course there’s only so many your uncle can piggyback at once, right? No matter how much that grump says he doesn’t like it.”

Right.

Of course.

Oh god, he thinks he could faint. 

Choso doesn’t dare say anything for the rest of the session, nor does he look directly in your eyes. Save for that one time to admire your delighted laugh when the fortune teller prattles on about how your kids will “fight his needy self for your attention.”

Not until the two of you are stepping back out into the too-bright mall, your fingers intertwined with his, voice sweet in his ear as you continue with your forgotten mission to find the good brownie mix for the family dinner tonight. 

“Eyes like yours and hair like mine.” You sigh, repeating what you’d heard mere minutes ago. Hooking a finger subtly into his belt loop, smirking, “Sooo, five, huh? You’re this worked up over that?”

“N-no.” Choso replies hastily, but the heavy gulp he takes is a dead giveaway he can’t stop thinking about tiny combinations of the two of you running around. Face too-hot, hands jittery, brows furrowed as he decides for the second time in his life that, yeah he’s never stepping foot inside a fortune shop again. 

You notice - of course, you do. 

Especially when he pulls you into the nearest changing stall, knuckle-deep inside your drenched panties, rings cool against your cunt, lips kissing at your throat. Ignoring your teasing complaints about “getting late”, despite how you’re letting him have his way. 

He feels the vibration of your voice under his hot tongue, laughing - even when he gives your pretty clit a little pinch. “Five.”

And through it all, he can’t help but think - hypothetically, of course, that he hopes they all have your laugh.

---

7:16PM.

Honestly, the one thing that made the Itadori residence more of a home to Choso was having you there. Even when you’re standing with him outside the front door, letting out a sigh as you glare at your sad excuse for brownies.

“Ugh, Cho, we totally burnt them.” you grumble up at your boyfriend. “Your dad is gonna hate it and Sukuna’s gonna make fun of me and-”

“Sukuna can try.” Choso hits the doorbell once more, sure that the ruckus inside was too loud to even think over. “And he probably will.” Before turning back to your adorable pout, and ah he can’t stop himself from cupping your face, smoothing over that furrow in your brow. He leans in to give your lips a chaste peck, “But, he’s still gonna steal some. N’ dad’ll love it, and you already know gramps is gonna sneak in some even though his doctor told him not to.” He’s getting out through kisses, pulling your giggling face closer to his. “And we’ll be lucky to get any before Itadori inhales them.”

He ends his little speech with a slow, lingering kiss. Sliding his soft lips across your now much happier ones. Dancing a hand down to pull your hips closer, murmuring throatily, “N’ most of all, I’m gonna love ‘em, baby.”

You gasp at the feeling of his long fingers pressing just at the hem of your panties through your dress, “You’re- you’re too much.” You hiss, but it comes out more breathless than you intended. “But, the brownies really are-”

Slam!

“Yeah yeah, Jin, the brats are finally here, jus’ fucking on the porch!” 

If there’s anything Choso’s learned from all the times you’ve had dinner with his family, it’s that 1. Yes, the brownies - as burnt and questionable as they were - will always turn out to be a hit in the Itadori household. 2. You were really, really too perfect for your own good, even amidst the chaos. 

“Oh no, let me.” you flash Jin a beaming smile, taking over the well cleared-out plates to the kitchen. Only to be followed by an enthusiastic Yuji almost tripping over his own feet to help you out. 

“You got a good one there.” Choso snaps out of his soft stare to whirl around at where his grandpa was seated next to him. He tips his head over to where you were chattering animatedly with the younger boy taking your load of dishes. “Real lovely. Though, the desert I’m assuming you helped out with.”

Jin pipes up, “Bah! I thought that liquorice was great.”

“They were…brownies.” Face burning, he stammers, knowing full well that you were the one that forgot them in the oven. “And uh y-yeah, you got me…”

And, of course, because it’s a family dinner, Sukuna has to lean over to rile him up. Interjecting teasingly, “Then you best wife that cute lil’ thing up before those baking skills of yours make ‘em run off n’ find someone that can bake.” He smirks devilishly, eyes flitting to the view of the kitchen, “And…”

“And?”

“-is fuckin’ great with kids, too.”

Several things happen at once - the words are barely out of Sukuna’s mouth before he’s being swatted over the head. Hard. After all, being the nicer of the two doesn’t make Jin Itadori forget his roots as the older brother.

And Choso’s jaw is dropping into a soft oh! Not at the unusual display of strength, no, instead it was at the heavenly scene before him.

He swears, the lights grow just a bit brighter and the world becomes a little rosier at the sight of you teaching an eager Yuji the correct way to scrub strainers. Gently guiding the boy until that confused furrow between his brow disappears. “Yeah, just a bit more on the side and you’re done!”

He gives you a very soapy high-five, “You’re literally a lifesaver, Kugisaki was just making fun of me for this the other day.” Moving onto the rest of the workload, “‘Can’t do shit’ gonna show her, seriously. Thank you mom- uh-”

Yuji freezes. You freeze. And it seems that everyone in the world might’ve frozen, except for Sukuna who was still rubbing that bump on his head. 

And you, of course, promptly cutting off the flurry of apologies that looked like they were about to burst from Itadori’s lips. Smiling at the flustered boy softly, “Well…good job, Yuji.” you bump his hip. “And now onto the blender.”

“AW, MAN.”

Suddenly, everything was normal again. Except for Choso - definitely not Choso. 

Mom? 

So utterly, completely not Choso when everyone’s still talking downstairs, and he’s not. Making some cheap excuse about a ‘bathroom break’, which really didn’t explain why he covertly drags you behind him by the hand. All but shoving you into his childhood bedroom, shutting the door as quietly as he could without alerting anyone of your tryst. 

“Ch-Cho-” you squeal when he pushes you against the wall, dropping down to his knees with a fervor that makes you wince. But if it hurt, then Choso doesn’t show it - doesn’t show anything but pure need when he bunches your dress up at your waist. Soft tongue darting out to glide along your drenched slit, “What’s gotten- hngh- into you?”

The only response you get is a murmured growl of something you can’t bother deciphering. And he doesn’t give you any other, either - sluggishly nudging away your panties to admire your glistening cunt. 

So close. Just hovering over your puffy folds, smiling at the way they only get wetter at his hot breath, “Five.”

Too close. Glossy pink lips falling slack to wrap around your clit and-

KNOCK! KNOCK! KNOCK!

Though, it was more of a bang. And an even louder voice from outside, “OI, you brats better be decent, gramps found some dusty old albums n’ wants you two down.”

---

9:02PM.

“Awww, this is from his first fight with Yuji- yes, Choso so what if I took a picture?” Jin excitedly points to a photo on the page, “Yuji was the one with a bruise, but Choso was the one bawling.”

You titter at the glossy picture, a confused-looking Yuji as a toddler, being smothered by his older brother in a hug - big, fat tears running down his pouty cheeks. Adorable. And somehow that encounter with the fortune teller today rings in your mind - wonder if your kids would have those same eyes?

“As cute as ever, huh?” your gaze dances across all the gems of childhood on the page. 

“Disagreed.” Sukuna leans over, no matter how much he’d like to pretend he wasn’t interested in these albums. “Look how attached the lil’ anklebiter used to be.” A painted nail pokes at one of Choso on his uncle’s shoulders, tiny fists happily gripping onto pink hair - much to his disgruntlement. “And then I look over at him now and-” He glances over at the man in question, very much unamused. “Well. That’s disappointing.”

Choso rolls his eyes, “What’s disappointing is how you’re this old but still can’t find a-” 

“Ooo look this is from when he’d run away during bath time!”

That album is snatched so fast out of Jin’s hands that you wonder whether it might just be your imagination. But you look over at a red-faced Choso, seeing him hold it way above your heads. Muttering out a hasty, “I think that’s enough photo time.”

Amidst the collective groans of disappointment - even Sukuna lets out a low huff, you hadn’t gotten to those ugly matching Halloween costume pictures yet - only Yuji speaks up, “Do you think I’d be like that, too?”

Sukuna scoffs, “What? An emo bastard? Might just work out for ya, kid, the dumbass look isn’t doing you any favors.”

Yuji juts his chin in indignance, “No- we already have Fushiguro for that.” Tilting his head over to the album still tight in Choso’s clutches. “Do you think your kids would like me? Would I be that cool favorite family member?”

“No way, brat. It’ll be me.”

Choso’s grandpa also chimes in as well, “Huh? No, I’d be the favorite.”

“Gramps-”

“Says who?”

“DISRESPECT TO YOUR ELDERS!”

“Hey!” Everything turns to Choso, startled at his sudden outburst. Tension crackling as he pokes a thumb at his chest, “I’d be their favorite. For all five of them.”

And you knew a fist or two to be thrown, hell, you half-expected the album to be used as some type of weapon. Because before you knew it, Sukuna was on Yuji, and both Yuji and Choso were on Sukuna. Falling to the floor in a tangled pile while his grandpa sat on the sidelines, chanting an elated, “Fight! Fight! Fight!”

Ah, it’s times like this that you wonder how Jin Itadori really had the patience. Because with all the grace that was lacking in the current scuffle on the living room floor, he claps his hands loudly. “Alright. Perhaps Choso’s right, that’s enough photo time for tonight.” He plucks the album out of a dazed Choso still gripping onto it, before moving to walk out. “And for the record-” Flashing you all a devious smile which suddenly had you remember that shit, him and Sukuna were twins, after all. “-I’d be the favorite.”

The arguments that followed were ones you had to record on your phone to giggle at later. And, yet, through it all, the only thing you could truly focus on were Choso’s words - all five of them.

Fuck. You were truly, irrevocably so fucked, and one sideglance at the pretty pink blush burning at the tips of Choso’s ears told you he wasn’t faring any better. 

You jolt when his hand wraps around your waist - nothing out of the ordinary - but what was was the way he strayed past their usual perch at your hip, trailing slightly above to just caress your stomach. Something so electric in those eyes when they catch yours briefly. 

All five of them, huh?

---

9:37PM. 

SLAM!

“Cho, why’d you-”

“Shut up.”

You don’t know what’s hitting you first - his lips crashing against yours, or the realization that this was Choso. Dark eyes half-lidded, skin burning, breaths heaving with the fervor he was drinking you in with. 

“What-” you yelp when he pulls away lazily to suck on your lower lip. “What got-” Only to come clashing back down again, drawing out all the air in your lungs as he blindly shoves the two of you against the nearest wall. “What got into you this- mmpf-” And again it’s like Choso didn’t want you to talk - could bare another word in your sweet voice for fear of poking some deep, visceral part of himself awake. 

This time, not even daring to break the kiss, he pants into your open mouth, “Shut up.” So bruisingly sloppy, “Please.”

And oh he was so very determined to have it that way, because all you can do is let out breathless gasps when his hands dance down your body. Handling you so rough with the way he snaps the neckline of your cute lil’ dress, kneading your breasts, your hips. Everywhere and anywhere he could reach until he makes his way down to cup your already-damp cunt through your panties. “-because tonight m’gonna have her talking.”

Choso pushes his hips against yours with a strained grunt. Lips curling into a sinful leer when all you can do is gasp at the outline of his thick erection through his pants. Grinding down onto his palm subconsciously, dragging your sloppy pussy. 

“Shit.” Choso immediately brings his hand up to admire - now all glistening with a sheen of your syrupy slick. Looking you right in your glassy eyes as he pops a wet finger into his mouth. His own rolling to the back of his head, “Oh shit.”

Oh, he was going to enjoy this. So very, very much.

“Turns out…” he trails off, cutting himself off by dropping to his knees. Hard. Large hands groping your ass closer to his greedy mouth, “-she says we got some unfinished business.”

You whine when Choso hooks an index underneath the mound of your drenched panties sliding it along your puffy folds. All the way up until he was nudging at your pretty clit, then down, down, down until you were just coating his fingers. 

“Ngh- Cho-” your knees weaken, when his hot breath hits your pussy. And he notices - of course he does. Circling his muscled arms around your legs to hold you up, “Oh my god s’too much.”

Too much? He’s barely even getting started. And he tells you that - slurs it between his sharp canines biting down on the thin fabric of your panties. He tugs with his teeth, “M’gonna- fuck you smell so heavenly- m’gonna ruin you.” 

You whimper in disbelief. Knowing he was too entranced with your cunt to tease you again, you mewl, “Wh-what’s got you this- fuck- worked up, Cho?”

The only response you get is a throaty growl - like the mere idea of the answer to that has Choso losing his sanity. 

And, honestly he feels like he’s lost it already. Instead, taking his time to watch the way your slick beads through the see-through fabric with each passing second. Breaths coming out in little puffs as he pulls your panties back every-so-slightly and-

“Fuck!”

And then he’s pulling - ripping your poor panties to shreds. Cock twitching wildly at the strings of slick connecting your pussy to the fabric. Mouthwatering. 

Your panties lay in tatters on the floor. The cold air hitting you right along with his steady stream of saliva. Once. Twice. Smearing it across your folds with his thumbs as Choso repeats a single, jagged whisper, “Five.”

But you barely even have the time to register his response before he’s diving nose-deep into your dripping cunt. You don’t even know if he took the time to breathe - hell, he was kissing your puffy folds like he didn’t need to breathe. 

“Shouldn’t have taken me to ngh- that fortune shop.” his lips mesh sloppily with yours. “Shouldn’t have gone to dinner, too.” Licking down your folds, the cold metal of his piercing making your head spin. “Fuckkk we shouldn’t have. Ohhh we shouldn’t have- ”

He can’t help but let out a guttural, fucked-out little grunt at the sight. Looking right up into your glassy eyes as the tip of his nose bumps against your throbbing clit. On purpose. 

You buck your hips deeper into his pretty face, mewling. “O-oh. Fuck- fuck fuck fuck-” Letting him lick so filthily all over your clit - your folds - just barely dipping into your hole like he couldn’t decide. And it finally sets in that just maybe you weren’t getting off easy this time. “Five?”

And fuck you can feel the way Choso grins against your pussy, wrapping his now-glossy lips around your clit to suck so harshly.

“Mhmmm.” he moans, cheeks hollowing as he tugs on your poor, ravaged clit. Rolling his tongue - the ball of his piercing - right across the sensitive bud in just the way he knew you liked. “Shouldn’t have put those thoughts in my head, baby.”

Oh.

Oh, shit. Five. 

You definitely weren’t making it out alive today.

The same sentiment seems to ring in Choso’s pussydrunk head as he pulls away with a lewd squelch to grin up at you. So fucking pretty with his eyes miles away, hair messily framing his smudged eyeliner. Lips all puffy and glistening, your slick covering the lower half of his face, his chin - some even on his jaw like Choso was trying to get messy on purpose. “Ya finally got it, baby? I could feel her gettin’ wetter.”

You did. How could you not?

You jump when Choso reattaches his lips, this time bullying his tongue past your folds, into that first, feeble ring of resistance. Stretching out your sopping entrance on his tongue in persistent, rough pushes. “Seems she hngh- really likes the idea, hm? Of me breeding this lil’ cunt?” he moans, muffled with the way he was thrusting his tongue deeper and deeper with each second. Roaming for those cute sensitive spots he knew so well, “N’ who am I to say no to the fuck- mother of my kids?”

“There! Oh my god there-” you cry when his piercing just hits at your g-spot. “I-I thought you ngh- didn’t want kids, Cho–”

As if to prove you wrong, Choso’s only curling his tongue deeper into your walls. Squeezing past your walls to fuck you exactly the way he wanted to with his aching cock right now. Hitting that magic spot again and again and-

“Oh yeah? Seems-” Like he was fucking addicted, Choso surges forward again. And again. And again and again so deep that you could feel the curve of his chin, each and every movement of his jaw. “Seems the last five hours were a bit- eye-opening. Fuck- you’re squeezin’ me s’fucking- mmf- tight”

And it was true - your walls were milking Choso’s tongue so hard you half-lucidly wondered whether it didn’t hurt. Whether his tongue wasn’t cramping up at this point, lips aching. 

But if they did, then Choso acted the exact opposite. Nails leaving neat little patterns on the plush of your hips as he makes you ride his face harder. 

“Cho!” you buck your hips wildly when that wasn’t enough for your needy boyfriend either. Big, fat tears of overstimulation rising up to your eyes when he swipes his thumb across your pulsing clit. Rings cold against your cunt when he starts to draw urgent, messy little circles in time with his tongue.“Oh fuck-” 

“Five.” he’s spitting into your cunt when your thighs start trembling beside his head. Jaw sagging open so lewdly as he gets faster - sloppier. Fuck any rhythm or reason. “Five.” he moans, sounding as strained as you felt - as taut as a tightrope right now with each drag of your sloppy cunt over Choso’s ravenous mouth. Greedier - letting your slick run all the way down his wrist now with how messy he was getting. “Five.” he whispers, when you finally cum. 

And shit, you’re such a vision when you do. Tears springing to your eyes, fingers tightening on Choso’s hair. Letting out such cute sobs of his name, hips moving out of control all over his mouth while he still pulls and pushes his tongue into your gummy walls. Fucking you so obscenely through your high. 

“Yeah? You all done with the first one, baby?” he rasps, giving your sensitive cunt one, last peck at your delirious nod - and another extra, just to watch you squirm. “Then-” Choso does the same up your body, pressing his lips to your stomach, “-you can-” the valley of your breasts. “-take responsibility.”

That’s all it takes for Choso to easily throw you onto his sculpted shoulders like some ragdoll. Taking long, urgent steps towards the nearest flat surface - that just so happened to be your couch. 

“Cho- slow-” you squeal when he throws you onto the cushions. “-down.”

And he does anything but. Barely paying attention to your zipper when he pulls off whatever’s left of your dress, throwing it god-knows-where behind him. “I’ll buy you a new one when we go pregnancy shopping.”

Choso lets out a long, strained groan when he unbuckles your bra. “Gonna be so pretty as a mama.” Large, soft hands coming to knead and guide your pretty nipples into his mouth, “Gonna be- fuck- so pretty with these all full.” 

And you can only watch, jaw-dropped, as Choso sucks on your tits. Eyes rolling to the back of his head with how harsh he was - as if he was trying to get out milk. Needing to feel it - to taste it on his tongue. 

“And this- oh this-” A hand sneaks its way down to splay out over your stomach. Pressing down, hard. “So round and full with my kid.” He manages to grit out over the metal clinking of his belt, “They’ll look at you and all they’ll see is me.” He pauses, feeling something crinkle in his pocket - a shiny condom. One that Choso chucks along with your dress, “Fuck, they’ll see me. Know how I ruined you. Me me me me-”

Fuck- 

You’re so caught up in Choso’s sinful little mutters that you barely even noticed he’d pull down his pants - just enough for his rock-hard erection to spring free. And he looked so painfully hard, such an angry red at his weeping tip, leaking all the way down, down, down those prominent veins. 

Twitching upwards at the mere sound of your voice, “Why don’t you p-prove it then, Cho?”

You broke him. You were sure you broke him. 

The words have barely left your lips before Choso’s fist is squeezing at the drenched base of his cock. Angry. Desperate. 

All but cumming on the spot when he glides his fat head along your slit - letting your cunt drool all over him before-

“F-fuck-”

“Shhh baby, I know I know.” his mouth crashes against yours in a messy, open-mouthed kiss. Sucking on your tongue while he bullies his massive cock into your snug cunt. Inch by fucking inch. And whatever’s remaining of Choso’s sanity knows he should slow down, let you breathe, maybe stretch you out more - but how could he when he physically can’t. “Fuck- too- too good. God, I have t-to do this more often.”

Your raw cunt too heavenly that he genuinely can’t stop his hips from splitting you apart deeper, from spreading your thrashing legs so far apart it burned.

From feeling the way you’re torn between taking more and flattening your feet to push away- Letting out a strangled groan, “No no no no no- don’t you take this pussy away. How else will I breed her?” He runs his delirious mouth, strong arms just dragging you across the couch back onto his mean cock. “Need this- need this so bad. Fuck-” Choso throws his head back as your cunt sucks up his leaky tip. “-oh god think m’gonna die if I don’t get to breed this pretty pussy. To give her my kid.”

Pushing in small, sharp jabs to bully himself inside, having your puffy folds bulge so obscenely around his cock. Quivering and struggling to take him all. Not even a quarter of the way in yet he was pushing in and out in and out in and-

“Oh- please-” you claw down his toned back, his waist, onto the biceps that were pushing your knees up for easier access, all the way until they were at your tits. Folding you into a tight mating press, “Cho–”

Ah, that little nickname always did things to him. And Choso nuzzles the crook of your neck gently - the exact opposite of his hips, leaving faint, dark streaks of eyeliner on your skin. “What is it? What do you hngh- want, baby? I’ll give ya anything.”

And maybe you were a mastermind. Maybe you were an idiot. Because you hum into his ear, sending goosebumps rising down your boyfriend’s spine, “Wan’ five of them.”

If you thought you broke him before then you fucking ruined him now.

Because in one, harsh thrust he’s bottoming out - feeling like he was pushing all the way into your lungs, your hazy brain. And the stretch - fuck. You could feel each and every dip and curve of Choso’s girth, thrumming against your plushy walls. Still pushing inside you despite bottoming out, stretching you out like such a slut. 

It was all Choso could do to echo, over and over like some type of mantra. “Finally- Five, huh? Five- Fuck!” Leaving little bruises on your thighs from spreading them apart so hard. “Gonna give you five- fuck- five.”

Each word was punctuated by a long, mean thrust, not daring to reel back until Choso could feel his fat head kiss your poor cervix, and his heavy balls smack against your ass. 

It was starting to take a toll on your ability to speak in coherent sentences - as expected, of course. 

“Oh- ngh- Cho, s’too deep. Too- ah-” you blubber tearily, heels digging into his shoulders. And he only fucks you harder into the couch. Bouncing you so rough on his swollen cock. 

“Too deep?” Choso mutters, sounding genuinely surprised. As if to confirm for himself, he trails up a hand to feel for where he knew he was leaving loving little marks on your cervix. Pressing down. “How are ya- hah- how are ya gonna let me breed this cute cunt if even this is too deep, huh?”

You don’t have the ability to answer even if you wanted to - because Choso starts to toy with your still-sensitive clit. Sending flashes of white-hot pleasure with each roll of his ringed thumb over it. Tiny, incessant circles.

He coos over your lewd ah! ah! ah! “Awww. My baby can’t s-speak anymore?”. The curve of his dick fucking you so dumb, massaging your tight walls, hitting sweet spots you didn’t even know you had. “S’alright, jus’ let me hah- take care of it, okay? Jus’ let me paint this oh- heavenly pussy white.” Choso’s knees dig into the cushion as he angles his hips ever-so-slightly to hit that one-

“Fuck! Oh fuck- Cho–”

Found it.

“C’mon, baby.” Choso moans into the valley of your breasts, hips out of control now. Free hand coming up to squish your cheeks together, forcing you to peer into his dark gaze. “L-look at me. Fuck- look at the future father to your kids.”

All while his thick tip hit your g-spot over and over and- 

And oh how he loved how fucked-out you looked already. Capable of only giving him bleary, cockdrunk heart-eyes as he milks himself on your sloppy cunt. He couldn’t think straight - doesn’t think he’s been able to since five hours ago. 

Since he’s been wrecked with thoughts of how he’d do their hair and you’d pick them up from school. And how Yuji would be the best uncle and- Fuck, how he wanted those five kids with you - maybe even more- 

“More?” you gasp. And Choso lets out a guttural groan when you clench so sinfully around him in surprise. Fucking you so filthy, “M-more kids?”

Choso only drawls out a low, “Mhmmmm.” Pinching your clit faster between two fingers to shut up those cute whines because shit- he could cum from just how tight you were squeezing him. But refuses to before the mother of his kids. “Ya don’ ngh- wan’ me to? Don’ want me to fuck a baby into you?” 

You’re crying out harder when he speeds up. Rocking your sloppy cunt so harshly, making sure your poor pussy will remember him for a long, long time. Just trying - needing - to make himself cum. To fill you up with his seed till you can’t take it anymore. “I- ngh- do!”

And it takes everything in Choso to pull away from your ravaged tits, connecting his sweaty forehead with yours. Whispering, “How many?”

“As- fuck-”

“Mhm?”

“As many as you want- hngh-”

That’s all it takes for Choso’s body to bow, teeth digging in right above that rapid pulse on your neck so hard you wondered whether it drew blood. Hips stuttering, giving your sensitive spot one last, harsh kiss.

This time, when you cum you see white flashes behind your eyes - or maybe that was just Choso. Because the sight of you falling apart on his dick was all it takes for him to as well. Hard. Almost painfully so. 

Eyeliner running down his cheeks now with each thick, hot rope of seed he was filling your snug cunt up with. Those cushions below the two of you the last thing on his mind right now as he holds your trembling hips still, fucking his cum deeper and deeper.

The hand on your stomach pushes down, watching awe-struck at how your bloated cunt just coats him in cum. Dribbling down the side of your puffy folds, forming a creamy ring at his base.

“Oh!“ your jaw falls slack at how animalistic it felt. At how slutty your overfilled pussy felt, drooling all down your legs - and his. Onto Choso’s painfully squeezing balls as he fucks you like an animal. Again. And again and-

Again. He was speeding his hips up again. 

Then it’s like something snaps - Choso’s restraint, your sanity, and the couch. Fuck, his hips were so harsh that the couch was sagging entirely too much on your end.

This time, wrangling your legs around Choso’s waist, lifting your limp body up into Choso’s arms before you can react - squirming at the way he still doesn’t bother to pull out. Letting your cum gush all the way down his still-hard dick. 

Hands spreading your puffy folds apart, making such a mess of cum down below as he drags himself across your walls. Like he was marking you from the inside out - and he was.

“Didn’t think we were ngh- done, did you?” Choso’s lips graze your swollen ones. “After all, I did promise five.” Softly pooling a stray tear onto his tongue, piercing burning into your heated skin. “N’ we gotta practice for that, too, right?”

---

“The photo albums, really? Honestly, dad, you might as well have just gone and just outright told them.”

The older man only waves a hand dismissively, turning back to his favorite late-night show, “I’m not getting any younger here. N’ I’d like to see some grandkids before I see the pearly gates.”

Jin only sighs, but doesn’t disagree - after all, he couldn’t deny his father what he himself has been dreaming about ever since Choso finally plucked up the courage to actually ask you out. Yet he persists, “But honestly, Sukuna - you were teasing him a bit too much.”

Sukuna grunts, “Teasing? What teasing?” Crossing two big arms across his chest, “From the way they ran outta here, I suspect he should be thanking me.”

“Well, the true MVP - as the kids say - is this one-” Grandpa Itadori points at a rather oblivious Yuji. ‘Real nice improv to the plan, kid.“

Who only shakes his head before looking around the room for any answers, “Huh, wait. What plan? Did I miss some plan?”

“Ahem- no. Nothing.” Jin coughs, swiftly moving along the conversation above Yuji’s confused protests about what secret plan there was and why. “But, really, it should be that fortune teller you hired, Sukuna. Bit over-the-top honestly, but Choso was telling me all about her and you must’ve gotten a real convincing actress.”

Rolling his eyes, “Huh, I didn’t hire her, I thought that was the ol’ man’s work?”

“Now why would I go looking for actresses, my wife would just haunt me from the grave.”

The silence that follows is a heavy one as it slowly dawns upon everyone in the room - except for a still-floundering Yuji - that this was in no way a creative improvisation to the aforementioned plan. Not at all, really.

Oh. 

Wow. Five…really?!

“GUYS WHAT WAS THE PLAN?”

A/N. This got wayyyyyy longer than I expected lmao.

Plagiarism not authorized.

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!