#and therefore develop lots of reason for the stuff he does

[nataliedecorsair]

In contrast to the gloomy and mysterious world of Heather, Pticenoga and Vaughn’s AU is pretty cheerful and full of nonsense. This is the world of Borderlands, and therefore it is reckless, sometimes dark, but nevertheless very alive. The tone of the art with them, respectively, differs from the tone of the art with Heather. And, since this is an AU (means alternative universe), some moments from the canonical Borderlands were changed. For example, the third Borderlands game and everything related to it doesn’t exist here. Also I should remind you that Pticenoga is my OC way from 2011 and she had nothing to do with the game originally, and I created the Borderlands AU for her several years later.

In this universe, Pticenoga (or Hedwig, or Yadwiga - that's her name; Pticenoga is more like a nickname) is a "messed up" siren who, even before her birth, was influenced by natural Eridium, and as a result her "siren power" went out of control. Normal sirens sometimes have "magical wings" - Hedwig was born straight up looking like a bird, with all the accompanying pros and cons. Shade, her adoptive father, found it pretty amusing and liked it a lot, but most of the other people weren’t that impressed. And, given the fact that the closest bird to her would be a vulture, her behavior did not contribute to her popularity in society. But time passed, she grew up - and Hedwig learned to more or less control her siren powers and she could transform into an ordinary woman. But in this form she loses all the advantages of Pticenoga: she cannot fly, loses her strength and endurance, loses resistance to fire damage, and so on. But she can merge with the crowd now, if it’s necessary. All in all, Hedwig is a woman with a bit of bells and whistles... After all, this is the world of Borderlands. For example,  she can smear herself with rotten corpses to use the stench as a weapon. Or  in the heat of a battle, she can bite off an enemy's finger, devour it, and ask for more. But in a sense, this craziness is partially the reason why her relationship with Vaughn was developed.

A portion of passion, a portion of humor and a pinch of trash with raw meat - it’s pretty much the recipe for the pairing between Pticenoga and Vaughn. He is a former corporate accountant learning to survive on the wild planet of Pandora; she is a bit of a deranged, "wild" siren, ready to protect her loved ones and punch enemies in the face (not always successful, but nonetheless). After arriving on Pandora, Vaughn discovered his love for crazy stuff  and was happy to occasionally let loose his suppressed aggressive side - and Pticenoga is happy to help him with this. But sometimes she is also happy to "calm down" and feel normal, and Vaughn doesn't mind showing her that side of life. Of course, their shenanigans do not always end well, and the "loser" side of Vaughn didn't go anywhere, just like Hedwig's instability. But they are ready to support each other, no matter what. Even if this support sometimes takes strange forms (for example, Vaughn can gather corpses for her if necessary...). Or, as a bonus, Pticenoga can sometimes troll Vaughn a little. But he does not mind; he answers her the same way… when he can. --- Also, I was messing around with GBA sims thing and you can see the result in the end xD --- Almost all interactions are based on me & my husband’s shenanigans The engagement ring was also Borderlands themed

[pikahlua]

Uh oh, it's sleepy grumpy Pika. Y'all know what that means, right?

It means I have no filter for my opinions.

If you're dissatisfied with the way Katsuki's bullying of Izuku is handled in MHA because you expected him to be confronted by someone else about it in some way, it's probably because you are unaware of the difference between bullying and attitudes towards it in Japan versus in your country of origin. I believe everyone would benefit from researching bullying in Japan. They do NOT view it the same way the west does, y'all.

And I guarantee when you learn about it, you're gonna find some stuff that makes you uncomfortable and horrified, because it's gonna take a while for you to get enough information to give context to a lot of the history and attitudes you'll find. AND EVEN THEN, EVEN WHEN YOU HAVE THAT CONTEXT, you're still definitely not going to like it.

However, with any luck, you'll see how MHA's portrayal of Katsuki's bullying is shockingly sympathetic and heartwarming to many people. It's because, from the perspective of a Japanese audience, Izuku was not targeted and bullied by Katsuki in the way we're used to seeing such situations portrayed in the west. Izuku was bullied by everyone. His classmates, his teachers, the pro heroes he encountered, and society in general ALL participated in the bullying of Izuku, because societal pressures to conform in Japan are MASSIVE, and that can often manifest as one form of bullying or another.

Katsuki's bullying is just the one that the story chooses to flesh out. It's the one that Horikoshi develops. Katsuki is the bully that changes his own perspective first and drastically, the one who realizes the greatness in Izuku and accepts that and comes to his side long before the rest of society can catch up. It is largely understood by the Japanese audience that Katsuki in middle school didn't seek Izuku out and follow him home every day to beat him up; Katsuki mostly ignored Izuku until Izuku would do something to remind Katsuki of his insecurities, and so he would lash out. And no one else at let's say Izuku's middle school would understand the true reason why Katsuki would lash out because what he does resembles what all of Izuku's bullies do to him: pressure him to conform. Pre-One For All Izuku stands out as different and constantly tries to rise above his position to become something society decrees he cannot be. Therefore, a significant part of Japanese society will generally approve of attempts to make him conform, even when some of those attempts are harsh and cruel and unreasonable and reactionary. MHA presents a caricature of that in the form of Izuku's middle school.

The fact that Katsuki identifies this toxic behavior in himself later in the story and decides to actively do something to change it IS the radical part. It's the piece that fits into the themes of MHA. It highlights a generally-accepted behavior in society that maybe society should rethink. It's asking for society to reconsider how it pressures people to conform, that sometimes nonconformity is good or at least should be tolerated to some degree. That's why Katsuki's story focuses so much on how his old behavior stems from fear. From the perspective of a "properly-functioning" collectivist society, pressure to conform should be done for the good of everyone in the society, not out of fear and misunderstanding. Katsuki's character arc provides one potential map for others in society to see the light and get to where he does.

And that's to say nothing of how Japan's versions of confrontation or retribution often look different from how they do in the west, that many of the forms of confrontation some people in the western fandom cry out for with regards to Katsuki sound absurd to an audience in the know. The karmic punishments Katsuki endures throughout the story are often overlooked by western readers, and is it any surprise? That readers from some societies--societies that laud nonconformity, tolerate counterculture, openly criticize the systems that be, preach about individual freedom and responsibility and justice and fairness, and watch and make movies and TV shows and other media about how victims of bullies achieve their righteous revenge--often miss how MHA doles out subtle, divine, poetic, karmic consequences for Katsuki's actions? That such readers often don't feel satisfied by MHA's dramatic ironies which serve more to guide Katsuki in a harmonious, productive direction rather than vindictively punish him and rest on its laurels as it laughs at his deserved misfortune? I don't blame anyone for feeling unsatisfied when their own societies have built up their expectations in such ways, but I do hope to draw your attention to it.

Now, does that mean you have to like and accept the Japanese attitudes about bullying? That you have to agree with the framing of pressure to conform as beneficial and productive? That, if you're triggered by the lack of overt condemnation of bullying in the story, you still have to like MHA? That, if you have personal traumatic experiences with Japan's bullying situation, you should shut up about it and accept that it's a good thing? No! In fact, I personally would hope that you don't! I think everyone should always have their perspectives on ANYTHING challenged so they can rethink and improve them, and Japan's attitude towards bullying is no exception! (And MHA actually does that in its own way!)

(And even saying that, I will always acknowledge that my perspective and opinions on this issue are heavily colored by my own experiences in life and the society in which I grew up and the ideas to which I've been exposed. This is and always will be my bias.)

But the question of what's the correct take on bullying is an entirely different beast. The question at hand here is about understanding the story and its characters as presented in MHA. If you don't come at this with a basic acknowledgement of how Katsuki's story reads to a Japanese audience in-context, you're going to be upset about what you see (which is a reasonable reaction). But I think if you're going to read a story, it's only due courtesy to understand the context surrounding its creation before you try to hold it to far-removed, foreign standards. There's a reason literature classes go over the history and context surrounding the older works they study. MHA is a Japanese story written for a Japanese audience. To focus on how it does not adhere to the typical western narrative of a bully's character arc is to miss the point entirely. If you are reading the story outside of Japan in a language other than Japanese, it is being translated so that you can read a Japanese story, not a story from your own culture. It's rude and self-defeating to expect stories from other cultures to suddenly cater to your own.

TL;DR Understanding the social context that informs bullying in MHA just might actually make the story more comprehensible and enjoyable for anyone who dares to learn about it, what do you have to lose?

[carrymelikeimcute]

Going over the izzy/lucius/shark exchange is so interesting in the context of this being an episode about apologies. About making concessions and trying to fix things.

(In this ep there's a lot about ed making amends/accommodating the crew's triggers and trauma. It's also about stede having to fix things when he upsets the superstitious crew by not treating their feelings as valid.)

At the start we have Ed's (probably well intentioned) but evasive, non-apology. He does an 'I'm sorry you feel that way' sort of apology about 'whatever that bad stuff was'. It's a wish to do better, but it doesn't really cover what went before. A lot of people interject here, but Izzy remains completely still and silent, off to one side.

Lucius says he never used the word 'sorry' and rightly calls this out. Roach however, says he's never heard an apology before - and liked it - so this seems like as much as it's a first for Ed to take even some accountability, it's probably the first time some of the crew have seen a captain (or anyone else) do this too.

Archie says 'They just get away with it and we move on'.

Lucius rounds on Izzy, because obviously Izzy should have the biggest grievance here. But Izzy responds to the question about Ed's apology as if it was about piracy in general - clearly showing that the cycle of abuse is a feature, not a bug. This is part of his life and identity as a pirate. This is, actually, things going back to normal. You get whipped (and we see these scars on him later) no one apologises, and you just reset to how it was before, pretending nothing has been altered until it all bubbles over again.

Ed then tells stede that he's never apologised for anything. Confirming that most of the crew's responses are in line with their past experiences.

Then Ed goes to fix the door and tells it that it's not its fault that it's broken, it was just doing it's job. This directly parallels Izzy's rant to the figurehead about it failing to do it's job. Ed could be talking about himself here, as Izzy was talking about himself - but to me it doesn't fit that well, because what 'job' was Ed trying to do? He could instead be acknowledging, indirectly, that he is aware that Izzy was doing his job - trying to make sure they all survived and functioned as a crew. Ed probably broke that door, and he broke Izzy. But he has yet to talk to him about it.

Immediately following this, is when he scares the BEJESUS out of Lucius and tells him 'it would be faster to get all this out in one go'. It sounds like a reasonable suggestion, but we know that it doesn't actually work. Lucius pushes him off the boat and it doesn't help. Because 'I hurt you, so now you hurt me' doesn't benefit the abused, it's still about making the abuser feel better - making them feel punished and therefore redeemed, even when their victim isn't healed. I don't think Ed is trying to manipulate Lucius here - both of them think it might help to 'fix things' but fixing things takes emotional intelligence that's not really developed yet.

ENTER, THE SHARK

Izzy starts working on the shark, after the non-apology. He doesn't have it in the 'candle fighting' scene obvs - but he does receive an apology in that scene, when stede says 'feet' and then corrects himself to foot. It's a simple straightforward apology, even if he does sort of laugh awkwardly. Izzy also at least attempted to apologise to Stede in ep. 3 - so he clearly sees the use in apologies - AND right after the apology, Izzy agrees to help stede. Their relationship changes. It gets better and they're no longer stuck in those old patterns. Izzy is full-on gentle parenting stede - even when he shoots down a fucking sail.

He also, notably, states that the crew's feelings on the curse are important. Meaning, how the crew feels is important to him, period.

After this, we're back to Lucius throwing Ed overboard. But it doesn't work because Ed doesn't remember the talent show thing, he doesn't really know why Lucius was so blindsided by that betrayal of trust. It's not about who goes overboard. It's about the dynamics underneath that and those can't be fixed by just trading places for a moment.

FINALLY. We see Izzy finishing the shark, and he's completely unsurprised that Lucius pushing Ed into the water didn't fix things. Izzy's done this 'tit for tat' thing - betraying Ed to the English over being banished - and it ended terribly for both of them. It escalated things. He knows it's not as simply as getting even with someone.

The solution Izzy has chosen to the cycle of his relationship with Ed is to pretend that Ed hasn't done anything to him. A shark did it. Like with the non-apology, blame is being shifted to a third party 'the bad things' the 'bad times'. Lucius (rightly) points out that this is not healthy, but Izzy's response, that's better than not moving on, clearly resonates.

Izzy's response to being hurt was to 1. Get even and 2. (when that proved deeply unsatisfying and made things worse) to put the unresolved conflict behind him. Because he doesn't think Ed is ever going to apologise or change, and wanting those things just hurt more.

Anyone who has parents/a partner/friend who's NEVER apologised for anything, knows how he's feeling. You stop trying to have it out and fix the relationship, and it starts to wither, even though the other person thinks it's healthy.

'Not moving on is worse' is a warning, and it's one that Lucius takes to heart, immediately trying to centre positive things instead of resentment and anger. He shares his feelings with Pete, and their relationship thrives.

The issue here, is that denial doesn't work. Lucius might be able to move on from what happened to him without a proper apology from Ed, but that's because he's not in a relationship with him. Izzy's the one who's really in it with Ed - he's had DECADES of this shit. That can't be willed away.

Stede's resolution to the curse conflict models a healthier method and one that I'm hoping we see in a future episode between Ed/Izzy. He validates the crew's feelings, make a sacrifice (the suit) and TOGETHER they collaborate on a solution to the issue that is mutually satisfactory - he even gets to keep the shirt, as a sort of compromise. It isn't about just making stede or the crew feel better, it's about moving on together.

This happens with Ed and Fang! Ed actually apologises once he realises what, specifically he did wrong. Fang says they're 'sweet' because he beat Ed to death (oof) which outwardly seems like retaliation working - but there has also been an actual apology and Fang wasn't retaliating against Ed, he was standing up for himself - a physical version of saying 'that wasn't OK - you need to change'.

This method of resolution is echoed in the final scene, with stede and ed. They reach an understanding about the pace of their relationship and find a happy medium (holding hands) - mutually satisfied and moving forwards.

Bottom line? I hope we see 1. Ed actually apologise to Izzy and 2. the pair of them outline what it is they want to change in their relationship moving forward, ending the cycle for good.

Thank you for coming to my Ed talk.

[nose-rice]

Guys I NEED to rant about my thoughts on Nuru because i love her <3 ramblings ahead

Like I feel like in almost every fic i read, she's just like, a side character that's there to make whitty remarks to Hugo and be the levelheaded one. If she has an insecurity or problem it's usually pretty surface level and solved quickly, or only mentioned once or twice. I think there are SO many aspects of her character that are so cool.

Okay first, I think we sometimes forget that she's a nerd just like the rest of the gang. Yes, on the outside she's definetly the most 'normal' one, but I think we should concider the fact that she's the only girl in the group, and she's literal royalty. She was raised with a completely different set of standards than the other three. I don’t think I've really ever seen anyone cover that. I feel like she would get called "mature for her age" when she's only 15/16, and almost always gets critisism when she talks back with her own ideas (like her concerns about the meteor shows for example). I feel like out on her journey, she would finally get the freedom to just be herself, and be a kid and be able to rant on about her intrests with the rest of the group. It could be a struggle at first, but it would be awesome to see her getting more comfortable with the group the longer they spend together! Nerds encouraging nerdy rants lol

Since she is a kingdom figurehead, you could also argue that she always has a lot on her hands (especially since she's very proactive when it comes to science and solving problems). This could bring up a need to be productive, or always feeling like she needs to make the right decision, even for the littlest things.

I also feel like a lot of the time she's potrayed as the "right" one, who is 100% right when it comes to stuff like arguing with Hugo. Since they're opposites when it comes to class, they often are compared through that lense. I think it's cool just having Nuru tell Hugo off for judging a book by its cover, but I feel like they have a lot more in common than they realize. I think it would be interesting to see Nuru judging a book by its cover too. Maybe not to the degree that Hugo does, but I feel like calling out both their judging would not only call out character flaws, but it also enforces that even though they hate eachother and would never want to be like the other, they have a lot of the same flaws.

Also, being sheltered in a palace her whole life, I think she might think kind of black and white sometimes, and while she knows when people are just being mean as an act, she might struggle when it comes to people like reformed criminals.

Maybe she's able to be meaner to Hugo because she justifies it by telling herself he's criminal, and therefore bad, possibly glossing over the reasons he might be like that (maybe it crosses her mind, but she tells herself it's not a good enough reason, because stealing is still stealing, and he literally steals EVERYTHING. Even little trinkets and stuff he definitely doesn't need!). When they find out about Varian's criminal history, maybe she reexamines her views on morality and how she used to see people, because by her standards, Varian is a 'bad guy' who's caused harm to SO many people, but he's also the kind, caring, helpful friend that she's been traveling with who would never willingly hurt anyone.

Moving on to Amber x Nuru, I honestly never find myself liking the ship because Amber isn't developed enough which is fine. I don't think every character has to be a magnificent work of art. Side characters are side characters, but their romance is usually written like: "wow that girl is cute! I have a crush now!" Which is cool, but then that's about as far as it gets, then timeskip! Or offscreen they're a couple now. I know it's a side couple so it won't have as much devlopment as something like Varigo, but I never really see their dynamic play out in different situations. Like I don't know how to explain it, but it feels like they solely exist to be a couple? Amber sometimes just feels like an extention of Nuru, and their relationship feels surface level a lot of the time.

I feel like too often she's just watered down to the nice, smart, grounded friend, and I don't know I just think there’s so much more to explore with her. She’s not just some side character. She's literally part of the main cast! Even in fanart I feel like she doesn't really get a lot of stuff besides funny art and just like, pictures meant to look pretty. Unlike something you get a lot with characters like Varian or Hugo.

And honestly I get it. Some characters you just don't take an intrest in. I know I find Varian, Hugo, and Nuru more relatable than I find Yong, but I feel like part of that is developing their characters rather than just seeing them on a surface level. Ofc there are exceptions and there are some stories that dive deeper into Nuru's character out there! I just happen to see this A LOT.

Wow i said "surface level" a lot didn't I 😭😭

Anyway thank you for reading my rant i wanna know what you guys think!!

[absolutepokemontrash]

Ignore how late I am but I saw the post and I feel the the need to complain about this. A squick I have when it comes to fics and headcanons is when Belphie is completely villainized while the rest of the brothers hate him with their whole being while also depicted as perfect. And while that's annoying on its own, whenever this happens everyone else in the work also gets fucked over.

I specifically mean works where Belphie gets reduced to "the cold and callous villain who killed MC" and that's it. No acknowledging any circumstance around or about why he did it and making being manipulative his entire personality trait. And the rest of the brothers hate him for killing and manipulating MC, which I would understand more if this didn't so frequently come with them acting like they've never even hurt MC before.

The brothers love and protect MC by lesson 16, yeah, but they also almost put MC six feet under on multiple occasions themselves and only just got used to seeing humans as equals. They would be upset with Belphie for killing MC, but they wouldn't hate or never forgive him because they've been brothers long before MC got there and it would be hypocritical.

And this causes the rest of the brothers to act extremely out of character as well. Especially when it comes to why the brothers can't forgive him. Sometimes the brothers will hate Belphie for "killing Lilth" or hurting her descendant which is??? Or they'll treat MC like they're a replacement for Belphie, which is also???? And in these situations, MC acts like they're the antagonist of a replacement AU.

For some reason in works where Belphie's personality or lore gets tossed out of the window, so does everyone else's and both of these are so nerve grating to me. Okay, done complaining.

I have so many thoughts and opinions on Belphie and the fandom’s treatment of him, that I could deadass write a peer reviewed thesis on him…

TLDR: The mischaracterization of Belphie in the fandom is so rampant that I’m convinced some people writing him or complaining about him haven’t played the game.

Just to get this out of the way, Belphie’s character redemption arc suffered due to the 20 lesson limit in season one. His grand evil plan got put into motion in lesson 16, and we had to spend the entirety of lesson 17 (and into lesson 18) turning him into a viable Husbando (tm), therefore, his redemption and development was incredibly rushed.

Onto the good stuff 😈

My take on Obey Me and the brothers as a whole is that while yes, the writers have been woobifying them a whole lot, a LOT of their “toned down” behaviours can literally just be explained by them not having a *reason* to be assholes anymore because MC has done so much work to help them repair their relationships with each other.

I was raised Catholic (decently progressive Catholic, still got the fun guilt though lmao) and the way I was taught to view sin, was that it was an act of violence against someone else, and/or yourself, because there is some kind of deficiency or problem in your own life. It’s that whole “hurt people hurt people” thing, and you can literally SEE it with the brothers.

Lucifer isolates himself and puts on the persona of the tough, scary, intimidating eldest brother when in reality, he’s scared, and guilty, and fucking embarrassed about what happened with Lilith. You can see this when Luke took the Grimoire, Lucifer wasn’t acting out of rage, he was acting out of fear and disguising it, and then lashed out at Luke and MC and only stopped when Diavolo told him to because Dia is literally his boss.

Now what does this have to do with Belphie? Belphie is downright homicidal when the game starts in season one (which is why Luci locked him in the attic, to protect him AND the exchange program), now the question is “why?”

To put what Belphie has been going through in perspective: this guy has been drowning in guilt, trauma, grief, and self loathing for thousands of years. He feels guilty that Beel saved him instead of Lilith, and most importantly, he feels guilty that he led Lilith to the human world to begin with. He’s lashing out because he’s been grieving for thousands of years with no one to turn to about it BECAUSE THE OTHER BROTHERS ARE ALSO STILL GRIEVING

Now of course, this doesn’t excuse what Belphie did to MC, but it does EXPLAIN it. He’s so angry at humanity and himself that he’s the emotional equivalent of a suicide bomber. He’s self destructing and trying to take the people he’s blaming with him and praying that makes the guilt go away.

Finally, when Diavolo and Barbatos reveal Lucifer’s secret about what really happened to Lilith (how she was reincarnated and got to live a happy life as a human), this is the kick that gets ALL the brothers to finally be able to move on. We spent the entirety of season one making pacts and going on silly little adventures with everyone, all the while being the support system they needed to finally move on from their grief.

So THAT is why it makes me so angry when people act like Belphie is uniquely The Worst.

This is coming from someone who doesn’t mind writing the brothers at what I believe to be “their worst” in terms of shitty behaviour (if you want an example, look at how Asmo is currently behaving in A Lovecraftian Exchange Student). But I think characterizing Belphie as some pure evil villain is a massive disservice to him as a character. (Ignoring his survivor’s guilt and grief etc etc)

Also, to act like the other six brothers would immediately hate and despise Belphie over this is so wrong, I’m sorry but it’s grossly wrong. Belphie is their sweet baby brother, yes they love MC, but guys, especially at that point in season one, yes they liked MC, but BELPHIE 👏 IS 👏 THEIR 👏 BABY 👏 BROTHER. I think they’d be disappointed and maybe angry at him, but they’re not going to just up and abandon him, no chance about it.

I’d say the brothers didn’t truly begin to love-love MC until the end of lesson 18-20 after they’ve done some growing as people, but that’s just my interpretation.

Finally.

Y’all.

Did you forget that Belphie literally offered a pact to MC, SPECIFIED THAT IT WASNT BECAUSE OF THEIR CONNECTION TO LILITH BTW, and did this entirely of his own free will because he liked them???

Guys, a pact is offering control of the demon’s entire being! Belphie had grown enough in trusting a human to the point where he was willing to put his life in their hands!

This was so ramble-y and confusing, I’m so sorry- I just have so many thoughts about the brothers and Belphie in particular 😭😭😭

[unordinary-diary]

Arlo’s Ability Potential

Arlo could actually be so fucking OP and I’m not kidding.

In my last entry, I mentioned that Arlo could do so much more with his ability: things ranging from very unlikely to happen in the story, to things that are foreshadowed enough that I genuinely think he’ll be getting a powerup soon.

I’m gonna start with the most reasonable stuff and then wander out into speculation.

First of all: Disks. Do y’all remember Lennon from episode 196-ish?

^ this fucker.

Currently, Arlo’s fighting style is to put up a strong barrier around himself, and watch his enemies hurt themselves with their own recoil damage. His only offensive technique is to put his enemy in a barrier and make it smaller. Now, this has changed in recent chapters, with him developing that softer kind of barrier that he hits people with like a shockwave, but ultimately, his offensive power isn’t very diverse.

However, Lennon up there^ uses his disks in many ways.

He throws them, they’re very sharp, he can use them to fly, and therefore attack from the air. Blyke had a LOT of trouble against this guy.

How is this relevant? Because Arlo can make these disks too.

When Sera, Leilah and Arlo are fighting Spectre agents under the dampener, Arlo conjures one of these disks as a substitute for his usual barrier.

Not only do we know that he can make these, we know that they are significantly easier for him to make and maintain. So, in theory, Arlo should be able to do all of the things Lennon can and more.

With him currently being able to make three regular barriers at once, how many disks could he make? And how many disks could he make while having a full barrier up? I imagine that the future holds lots of fights against large groups of people, so Arlo learning these techniques would be extremely convenient and very well-timed. Especially since being able to attack from the air is super effective against opponents who can’t fly (which is most of them let’s be real) since they usually can’t hit back.

But there’s more things that I think these disks can do.

Imagine him practicing with a ball—

Pick it up, bounce it up and down.

Add another disk, make it ping-pong.

but he could also just put the ball in a regular barrier and just... move it around. Move that sucker to a different location.

he could pick the ball up, carry it really high, then drop it.

Now imagine the ball is a person.

... yeah.

but there’s more that he could do.

say that someone is coming at him with enough strength to break his barrier

If aimed right, the opponent shouldn’t hit the third barrier head on, but rather at an angle. The angle should be enough to prevent the barrier breaking, but still cause significant recoil damage. In this particular scenario, the recoil damage will go straight to the head and neck, using all their force against them. Depending on how much force is coming at him, the third barrier could still break, but it isn’t his main line of defense at least. With practice, Arlo should be able to use disks to divert attacks, and control where his opponent aims. The only person this wouldn’t work against is probably Seraphina bc Arlo can’t react in time.

Another thing to consider is: how small can he make the disks? Could he make little shurikens? If so, would making them very small allow him to make more? Could he stand behind his full barrier, while sending out a flurry of tiny chakrams? And if so, wouldn’t that be dope as fuck? Especially against a large crowd.

And since, in theory, he should be able to fly, he should also be able to make other people fly. Imagine all of them flying on top of a disk with Blyke and Isen loudly singing I Can Show You the World. I see zero reasons why this can’t happen.

Moving away from disks, Arlo should start filling his barrier with stuff. Now, we rarely see characters weaponizing things that aren’t abilities or their bare hands, but it does happen. This is where the idea of water balloons comes in. Fill that sucker in the sink, throw it, then pop it whenever he wants to.

But it’s not just water, he could put anything in there. He could put a shit ton of glitter. He could put sewing needles, caltrops, a big rock, anything. He could probably even put a barrier over his stove, gather steam, compress that shit and make smoke bombs!

But enough with that bitch baby shit.

What about chemicals?

Make water balloons but instead of water it’s hydroflouric acid. Or fill that shit with liquid nitrogen. Make smoke bombs but instead of steam it’s mustard gas— he and his friends will be protected inside a full barrier. There is any number of chemical weapons he could use, and some gases could even be made at home by mixing the wrong cleaning materials.

But what about insects? Go to the woods, find a beehive and yoink that shit.

The main problem with the “putting things in barriers” idea is that he’d have to prepare ahead of time, and keep those barriers up and his ability active until he uses them. That means it isn’t useful unless he knows the fight is gonna happen, and has enough time to prepare before it, but not so much time that he loses energy keeping them up. It’s also not useful if he wants to be non threatening at first, because his ability will need to be active. And also, unlike other weapons, A lot of these can’t be stored. He has to use all of them before the end of the fight— especially since gases can’t be released without using them. So, not very convenient or practical most of the time, but it would be super cool and effective in certain circumstances.

The next unlikely technique for Arlo to develop is vacuums. Arlo could make a really tiny, spherical barrier. Airtight. EXPAND that sucker. Make it real big- a near vacuum inside. Then make a tiny hole in it. Depending the size, that could create some insane suction. Suction is something so versatile that it could actually be a whole ability in its own right. That’s a whole ass mid tier added to Arlo’s already dope skill set. Possibly more.

Seriously, just think about suction for a second. You could bring anything close to you— Arlo actually has an easier method of telekinesis as we’ve gone over, but still— you could probably break and bend things with enough force, divert an attack by sucking it, or your opponent’s body in a different direction, you could cause some severe damage by sucking directly on someone’s skin. (I’m trying so fucking hard not to make a sex joke oh my god)

Here’s where Arlo’s capabilities get… gruesome.

My brother suggested that he could suck someone’s brain out through their skull. I was incredulous, but with enough force and with the tiny suction hole placed on an eye or nose, he definitely could.

But there’s an easier method of killing right there: put the vacuum over someone’s head. It doesn’t have to be an intense enough vacuum to explode their head (it could be though), just enough to suffocate them. Even without killing, suffocation could be used for intimidation or to knock them out.

But if we ARE killing… Arlo could put someone’s whole body in a vacuum and have the same effect as throwing them into space. They explode, their blood boils, it’s fuckin freaky what happens when a person depressurizes.

Even without a vacuum, (or any of these, really) it’s a good thing Arlo isn’t willing to kill because there are about a million ways he easily could.

The question that inspired the whole idea of a vacuum to begin with is: could Arlo make a barrier inside of someone, then expand it? The answer? Probably yes.

This gruesome shit is the reason I imagine Arlo at his full potential to be like… a villain au. Also because having an OP villain doesn’t have the same narrative pitfalls as an OP protagonist.

What’s Arlo’s range like? Could he expand his range with practice? How far out could he shoot a disk? Could he puncture the hull of an empire class battle ship leaving thousands to drown at sea? You know, because it’s so sharp?

Seriously though, could he take down airplanes?

Making barriers bigger or smaller doesn’t seem to affect his energy at all, considering that he never has to shrink it to save energy even when it would make sense (like with the dampener— Arlo just warned that he couldn’t keep it up, then took it down and switched straight to a disk even though there was plenty room to shrink it). So if the size of it doesn’t matter, then how big could he make it? Could he make Atlantis? Pick up a city and put it underwater with a barrier as an air dome? Could he make a dome around the earth and block meteors? Could he crush the core of the earth and blow up the planet if he wanted to??

Sadly, the answer to all of those questions is “probably not”.

Arlo is already super OP, they don’t call it a god tier for nothing. But he could be so much more godlike. I know I got really crazy at the end there, but back up just a little bit and he could realistically be a god among gods with just a little creativity. Especially at the top where the images are. Most of this stuff would not be hard.

[pyschedtrickster]

TADC Ep 2 - Depression and the Meaning of Life

Well, I may or may not be a day late to release of the episode, but I've watched it three times so far and I have some thoughts. Let's get the gritty stuff outta the way.

First of all, The Amazing Digital Circus belongs to @gooseworx and therefore everything I say here is just my personal take on the episode. I could be wrong, talking out my ass, etc. But this episode really spoke to me, so good job Goose.

Secondly, spoilers <3

Third, I think I've written enough that people won't get jumpscared with spoilers. This is gonna be a long read, so bear with me. This post will contain ALL my thoughts on the episode, both meaningful and just silly things I liked.

BUBBLE

So anyone who knows me from Bunnydoll Burrow knows I love Bubble. They're my favorite so far and this episode only cemented that further. They're wonderful comedic relief and even if they don't have any character development (which I don't think they will), I will always love them.

Caine Cares Too Much

While watching this, I was immediately off-put by Caine's reactions, even beginning with him calling Zooble back. He sounds so... dire? I don't know if that was intended to mean something or if it was just to put emphasis on how much Caine cares about his creations. Caine is AI, so world-building is likely his ONLY goal, or his prompt if you will. It wouldn't surprise me if that was why he was so upset by everyone's reactions.

But I can't help but wonder if this will play into his character arc. We understand that Caine is ambiguous right now and there's no real explanation of what his intentions are in the Circus. Something about this just really set me off. It made me feel unsafe in a way as if staying behind would result in danger of some kind. Obviously, it couldn't be that bad, as Zooble did stay behind and turned out fine. Still, I can't shake the feeling that this is foreshadowing.

Zoobie

Hilarious. What a solid nickname, I've seen so many headcanons that Zooble would be a stoner in the real world. This only makes it better. They are now Zoobie in my mind.

Pomni's Child Comment

While I'm sure this was just a silly comment to be made, I kinda liked it. Just a little in-show reminder that through all of this, Pomni is a real, grown-ass woman stuck inside some digital Hell. The whole first episode, we see her wallowing and panicking, justifiably so. Finally, we get to see her grow more serious and stable.

Through the episode, we see more of her being a good character and becoming more at terms with her situation. I'll touch on this more soon.

Gangle

My girl CANNOT catch a break. Gangle is such a funny character and so, so sweet. She's level-headed in my opinion, even through her emotions. She seems to have a good grip on the shit happening around her but has a hard time communicating properly because she has a lot of feelings going on. Me too, honey, me too.

Even in the face of violence, danger, and overall shitfuckery, she doesn't shut down. Sure, she cries. But I've cried plenty of times while still holding the fort down. I think I just relate to her.

Lastly, I NEED to know what this means like I need oxygen.

Government Mandated Shipping

I dunno man, I just really liked this. I'm a shipper at heart. I've been writing fanfic since middle school. I saw pure fanfic material when I watched this scene.

Kinger and Raggs

This scene made me smile. It's a cute nod towards how Kinger is the longest-standing character and, according to some lost post of Goose's, Ragatha is the second. Plus, all of episodes one and two, we see her trying so hard to be a rock for Pomni. She tries to include everyone, keep everyone cheerful, and be a stable constant in a realm of chaos; Seeing Kinger recognize how far she's come and using that to bring her back to reason was just so refreshing. Ragatha deserves more appreciation like that: less about what she does for others, and more about what she's done for herself.

Jax's Disappointment

So we don't know much about Jax besides how Goose loves him and says he's an asshole who may or may not be irredeemable. When he started talking about violence and getting excited at the thought, I chalked it up to him being an ass. But it struck me just how much this mattered to Jax in this scene. I have questions, man. But I'm about to go on a wild tangent, so hear me out.

Jax is happy when being destructive. He gets immediately upset when things go well. And in the circus, we can assume that there have been a lot of traumatic, wild things that have occurred. I wonder if the chaos, the violence, is a comfort for Jax because of those traumatic experiences. As a person with trauma, I've learned that there's a funny cycle that I and other traumatized people experience.

We don't like the situations we're in, but when faced with normalcy, it's so much scarier than the damaging situation we come from. So, we run from 'normal' back into the suffocating arms of our traumatizing situations for comfort. Going back to the situation means more trauma, more trauma means a harder time finding peace in a safe, normal environment, which means more trauma... you get the picture.

So am I saying a fictional purple bunny is using violence in a digital realm to cope with the very real topic of trauma? Maybe. Yes. Yes, I am. This is how I cope.

Depression, Finding Your Place, and the Bigger Picture

Now you may be saying, "hey! You skipped over some major scenes to talk about silly stuff! What gives?"

Well, as the title of this post suggests, I had some heavier stuff to address in this episode and wanted to compile it all in one section. So that meant skipping over a scene to bunch it in with other ones. I'll break it down.

Depression

Let me begin with the fact that I have been diagnosed with depression for years now. I've been hospitalized for it and I've had family members struggle with it around me. This heavily influenced how I viewed this episode and specifically this scene.

Gummigoo had a perfectly reasonable reaction to seeing the perfect replica of him that is his model. Seeing something like that would shatter your world, and we see that happen to him immediately.

But when Gummigoo talked to Pomni and asked why anything matters, it gave me this really familiar feeling. Thoughts of being nothing, of feeling meaningless, the mere idea of being an obstacle--I've experienced all of these. I'm sure others have. Pomni was right when she said it's normal. Everyone has felt down from time to time.

But what Gummigoo is talking about really hit home with my depression. Thoughts like these, especially when they linger for long, change how you view the world. Everything is tinted blue and desaturated. You feel empty and eventually, so does the world around you. You feel like when the party is over and everyone leaves, you disappear--or you think you should, at least.

"Why are you trying to cheer me up? How does this benefit you at all?"

And it's so, so hard to accept help when feeling like this. Depression is a bitch in the way that it wants you to stay depressed. It feels like everyone around you wants you to feel better because it is a convenience for them. It almost feels transactional if you smile.

But Pomni says it so beautifully; "I guess I just don't want you to feel like you're nothing. I don't want anybody to feel like that."

The way she says it makes me feel like she knows the feeling too, and in reality, she says she does understand in a way how Gummigoo feels. But that? That made it real for me. I don't know why. This whole scene, the entrapment and loneliness despite not actually being alone, just embodied how I've felt for years. What amazing writing.

Finding Your Place

This scene was really the cherry on top of everything I just spoke about. We see that these two understand each other, at least as much as they can. They recognize all of this, it's ridiculous. They're hurtling through space into the unknown, hoping everything works out. They may feel empty, but they're not alone. They've got each other, for better or worse. Maybe they don't know where they belong in this liminal space, but they know where they stand in each other's minds.

And then we get this ending scene. God. Fuck.

I knew that there was obviously something to that dream Pomni had in the beginning, but somehow I didn't expect this to be the conclusion to it. I guess I was too distracted by everything else. So when I got to this shot, I got all warm and teary-eyed.

Pomni finally feels like she's got a pack, a place in this digital circus. When you don't feel mentally alone anymore, there seems to be a weight that's lifted off your shoulders. It doesn't cure the sadness, but at least you know that if you need to be picked up, someone will be there. Depression wants you to be alone, but it just lost that battle. The internet has said it best: A win is a win.

The Bigger Picture

We all know where the end of the road is. How we get there is the mystery. This thought can really make a person feel small, especially when depression comes in to tell you that you in fact are small, according to the chemicals in your brain. But the power of numbers and knowing your place in the world makes facing the unknown a little easier.

I'll be honest, the words are kinda lost on me at this point. Our demise is a really hard topic to broach. I've lost a lot of people, especially some major players in my life (shoutout to the Dead Dads club), and still, I don't understand it all. But the best way I can explain it is through my own experience and how I applied it to this episode.

I had for a long time gone through life trying to prepare and prepare. I played the role of the strong, unaffected individual after being hardened by trauma in childhood. I didn't want to be outwardly emotional, because if I was I would have to admit defeat.

It made me feel weak, especially when my depression would whisper nasty things to me about my self-worth. The bigger picture at that time didn't even exist in my mind. I lived to serve and die. It was no way to live.

Only recently, with time, a couple grippy sock vacays and therapy have I started to form my own, new big picture. At the center of this is my interactions with others. Family, friends, and strangers, all of them are affected by my actions. Even during the days when I feel worthless or alone, I remind myself that even the little things I do have a spiderweb effect. I have worth, more so than serving others or being some obstacle. I can simply walk down the street and perhaps I'll be the person who some kid looks at and hopes to look like when they're older. My existence is so much more than just a give-and-take situation with everyone around me.

It felt like Pomni found her purpose in the circus, and it was more than just playing along until the end. Rather, it was to befriend the people around her who have proved in one way or another way that they care. Abstraction wasn't in vain to them. Lives mattered, and therefore so did Pomni.

In a vast, digital world where chaos looms like a grey cloud, Pomni always mattered. She just had to realize how, and it was much more than being an obstacle or a pawn. And so do we, I think.

[harleyspinn]

i reworked the noble hierarchy in westeros

i saw a tweet about this yesterday and couldn’t stop thinking about it. it said something along the lines of “i wish grrm had used more diversity in highborn titles bc everyone is just a lord.” while i think grrm said he did this on purpose to make it all less confusing, i had a hyperfixation on noble rankings a few months ago and started developing more nuance to this stuff once i fixated on asoiaf. because of the tweet i really Really wanted to share this but i do not have a public twitter account (thank god)

also i don’t like that the literal king of the continent is called “your grace” when that title usually refers to non-royal dukes / duchesses. yeah it used to be a monarch’s title but the term “majesty” is so much more dramatic and i Love that stuff !!! i used a combination of english and canon titles with a dash of russian influence

THIS IS JUST FOR FUN it’s completely self serving and i wanted to share it for anyone else who desires even more complication in this fuckin series Don’t Attack Me.

so yippee here is my personal opinion on how westerosi nobility should be addressed (under the cut bc long post). the heading is the reworked title and form of address, and below i have random notes and reasonings aka me infodumping

pm if you have any questions or want to contribute!!!!

King / Queen of Westeros - “His / Her Imperial Majesty”

i wanted this to be more commanding and imposing to really show how coveted and important the throne and its power is aka give more realistic purpose for people to want it so bad. i think grander titles can put that idea him to people’s heads (besides “it’s neat” or as daemon said “a big chair made of swords”)

the title king / queen is perfectly good but i think it should be reserved for only the sole person on the throne. in my made-up ending of asoiaf, dany is queen of the six kingdoms (the north seceded and is ruled by sansa like in the show, and they have a close political allyship) and abolishes male-favoring primogeniture.

she also does some other stuff but that doesn’t matter here

westeros is technically an empire but i don’t want to call the monarch the emperor or empress, so i used just the form of address. since it’s a lot of syllables, the full three-word title is only needed during introductions or the very first address of the monarch. afterwards, the person speaking to them can just call them “your majesty” or “majesty” or “my king / queen”

—

Spouse of the King / Queen:

Grand Duke / Duchess - “His / Her Imperial Highness”

again, i wanted the king / queen to be The Person In Charge (whether or not the actual person does the work they should lol) so their spouse is less powerful than them and therefore not called “majesty”

i wanted to change this title more drastically because of my made-up ending (where dany is queen) and how there would definitely be future female monarchs who marry men, and i think having the king consort be called King would be confusing to people who are used to having only male rulers. it’d mess with their little heads

a duke is a nobleman who rules over a duchy and a lot of them are royal. in a lot of european monarchies, the grand duke title holds a similar amount of weight as the grand prince or archduke (i think used only in austria, so i didn’t go with that one) and only less than the king / queen so i thought this was a good fit :)

THAT BEING SAID!!!!!! this is also a lot more syllables. i decided that culturally and historically, most people have shortened their reference to the king’s wife and call her the queen. in all formal situations she would be the grand duchess, but calling her the queen for ease of conversation isn’t treason

—

Widowed spouse of the King / Queen:

Grand Lord / Lady - “His / Her Imperial Highness”

this was a recent addition because i thought everyone calling alicent the queen in hotd was a little silly. she was the queen for some time and is now the mother of the current king (and queen) and i like that they call her “queen dowager” sometimes, but since she would have been called the grand duchess in this timeline, i adapted that into something that seems respected and important but matches the political power they hold (not very much)

like how the grand duchess is casually called the queen, a grand lord / lady is sometimes called the queen dowager or the queen mother (see next point)

there is an exception to this title: if the widowed spouse is regent while their child is underaged or unable to rule (ceresi after joffrey is crowned) then they are called the queen regent or the queen mother, but becomes grand lady after their child comes of age. another example of this would be aegon ii being crowned when he’s an adult, so alicent was never his regent, therefore she would only be queen dowager or mother

all of this also swaps to if there’s a male widow it’s all the same thing just made masculine bc i don’t know the nuance of gender identity in westeros

i don’t like this one as much but idk what else to call it lmao

—

Siblings of the King / Queen:

Grand Prince / Princess - “His / Her Imperial Highness”

similar reasoning to the grand duke / duchess. siblings of an active monarch are super important but are not the same as their spouse

concerning targcest: the more important title overrules the one they’re first entitled to. example: helaena is never a grand princess because her and aegon married before he was crowned. she goes right to grand duchess, whereas aemond and daeron (yeah.) are grand princes

importantly, this title stays the same if and when the sibling outlives the monarch. they keep it for their whole lives Unless they gain a more important one, whereas almost all other titles change as soon as the monarchs do

—

Children, Grandchildren, and Siblings-in-law of the King / Queen

Prince / Princess - “His / Her Imperial Highness”

sometimes simplicity is key. in my head, any augments to this title indicates a lowering in status (the addition of “grand” meaning that they aren’t in line for the throne anymore, and the addition of “lord / lady” lowering them to a further removed position. second one is coming up next)

—

Children-in-law and nephews / nieces of King / Queen:

Lord Prince / Lady Princess - “His / Her Highness”

these guys either aren’t blood related to the monarch or aren’t really in line for the throne. since non-royal nobility is still all variations of lord / lady to me, giving them this additional word kind of removes them from the main royal family

also taking away the full extent of the address by removing the “imperial.” they’re deserving of respect because of their relation, but are still more lowborn

the children-in-law of a monarch can keep their royal title(s) if they are widowed, but they lose them if they divorce

—

Great-grandchildren of King / Queen:

Great Lord / Lady - “His / Her Grace”

and so appears the title of “your grace”

i wish i didn’t have to come up with this one but people have kids so damn young in this world that the kids often have actual relationships with their great-grandparents. so here we go, a royal-friendly variation of the lord / lady title. they aren’t grand, but they are great

—

King / Queen of The North - “His / Her Majesty”

i like the idea of a free north. idk what the iron islands are doing and i haven’t thought about it enough to care yet

the north is not an empire, so they don’t get the addition of “imperial”

—

Spouse of the King / Queen of The North:

King / Queen - “His / Her Grace”

again, i just wanted to be loyal to grrm’s choice of address. and i don’t think the north would care as much as to who is who in terms of The Ruler, so sansa’s husband can be called the king

—

Widowed spouse of the King / Queen of The North:

Lord King / Lady Queen

they’re royal but they’re also not too politically powerful. same as the westerosi one. i just got hit with sleepiness so sorry if these notes fall off in terms of quality

they don’t have a form of address beyond “my lord / lady” bc the north is less formal

—

Siblings of the King / Queen of The North:

Prince / Princess

same as above in reference to the form of address!

i didn’t want to name it this for a while Only Because arya would not like being called princess. but it made sense for everyone else, so here we are

—

Children of the King / Queen of The North:

Prince / Princess - “His / Her Grace”

if there aren’t any kids of the king or queen, then the younger sibling that they name their heir is also called this. like when robb is king then bran is his heir bc he doesn’t have kids so he is called this when it’s just him and rickon in winterfell early in the series

—

Prince / Princess of Dorne - “His / Her Highness”

full respect to the dornish wanting to keep in their ways hell yeah

this also goes for the spouse of the ruler! the both of them are meant to rule in tandem because dorne is less exclusionary than the rest of westeros in this sense

—

Siblings of the Prince / Princess of Dorne:

Lord / Lady

dornish royal custom is more informal but i still wanted the family to be called something, so i mirrored the rest of the continent

—

Children of the Prince / Princess of Dorne:

Lordborn / Ladyborn - “His / Her Grace”

same as above!

—

Head of a Great House - Highlord / Highlady - “His / Her Grace”

this is basically a lord paramount. the primary house of a region (the old kings) is called a great house. i wanted to keep some of grrm’s titles so not much would reallyyyy have to change, but there’s basically no difference between a lord paramount and a vassal house and a lowborn one so here we are

the books refer to these people as “high lords” so that’s mostly where this came from. i also really like combining words that make sense to be combined! that’s why some of these new titles are Just altered versions of lord or lady

i want the highlords to be distinctly different from lower houses, so they have a simple form of address

—

Spouse and Siblings of the Head of a Great House:

Lord / Lady

yes both of these guys have the same title because they probably carry similar power and influence with the highlord

—

Children of the Head of a Great House:

Lordborn / Ladyborn

this is also inspired by the term “lordling” that’s used in the canon. once one of the children becomes a highlord, their siblings all take the lord or lady title

—

Head of a normal House - Lord / Lady

boring run of the mill yes yes let’s go

i don’t feel like making another category: the spouses of a head are also called a lord or lady. same thing

—

Children of a Head of a normal House:

Lordborn / Ladyborn

born of a lord. girl is lady born of a lord

—

MISC NOTES!!!!

knights are still Ser ofc

once a person is appointed to a role of importance, they themselves are obligated to the title of Lord or Lady. this doesn’t extend to their family members. in my mind, these roles are ones on the small council or a high steward. ofc if this person already has that title then they just keep it

instead of “my lord husband” (example), the royal family would refer to other royal family members as “my royal husband” or “my royal hand” if the hand of the king is another royal family member

if a highlady marries a man then the husband does not need to change his house / surname, but if a highlord marries a lady or ladyborn then she becomes “Lady [name] [house surname] of House [husband’s house]”

the daughters of a head can keep their lady title if they marry someone with no titles but they hold little power

widows of a head may also keep their title but them and their children hold little power after the passing of their lord

nieces and nephews don’t get titles unless they’re related to royalty

children born to a lady and a non-lord do not get titles

idk if this is canon but in my head all dornish bastards are legitimized if they are children of any royal family members

the introduction “of House [name]” is reserved for royalty, great houses, and the head of a normal house. everyone else who belongs to a lower house is just called “[first name] [house name]”

continued from above and similar to the informal address of a grand duke / duchess, royalty and nobles and such are still addressed without the “of House [name]” but only in informal settings or after being addressed with their full title

i probably said this, but titles of all house members change right as fellow members or lose titles (examples: if a head of house dies before their siblings the siblings return to their prior titles, often lordborn / ladyborn if they were also children of the previous head. same for widowed partners)

IF YOU READ THIS ALL THANK U I AM FUELED BY AUTISM AND EGGO WAFFLES

[youremyheaven]

https://www.tumblr.com/youremyheaven/754446269650452480/they-dooo-notice-everything-i-love-it-sometimes

Jupiter women can lowkey be like this too. Idk about the Freud stuff, but jupiter is the husband. When their dad fails to display positive jupiter traits and becomes arrogant, withdrawn and selfish, they become their own dad. So they embody or atleast attempt to embody positive jupiter traits of generosity and virtue. Now that I’ve typed that out, it doesn’t sound as relevant as it did in my head 😭

However I do think that what OP was describing is more of a Bharani thing than anything else. I’m sure other venus naks do it too but still.

Bharani has major connotations to childbirth and so many women make sacrifices when they have children, some are forced to leave education, some develop long term health problems, and some struggle to leave difficult relationships since children complicate that kind of thing. Before medicine advanced it was somewhat common to just die entirely bc of childbirth.

So therefore I think a lot of Bharani natives (esp moon bc we’re talking about mothers) are overly aware of the sacrifice their mothers made and it weighs on them. It becomes their “burden” as the translation of Bharani, “she who bares” takes on a literal and metaphorical interpretation. So basically Bharanis like to acknowledge the people who came before them and their sacrifices but they can have a bit of a chip on their shoulder bc of it. Inheriting their karma in a sense.

So when they experience that humiliation from their abusive parent they “eat the pain” as part of the burden they bare. Fighting back will always lead to more suffering for them despite their anger and resentment (aries). In mythology Yama was about to kick his mom but even though he holds himself back, she still cursed his foot.

Yama’s father ☀️ ☀️ also got mad at his mother for struggling to look directly at him and cursed Yama as a result, which is such a good example of the dynamics their parents have and how they suffer from it.

In conclusion, Bharanis are stoics become pushovers with daddy issues. Sorry for the unsolicited lecture, it may happen again

Nahh you're right. Jupiter women and their daddy issues are well documented (by me lmao 🤣🤡) they do become excessively giving because their dad's weren't giving at all 😤

Jupiter is a masculine planet for a reason after all. Reminds me of Rekha, Purvabhadrapada Moon. She and her siblings were the illegitimate children of a famous actor and he never acknowledged them publicly. Her mom had many other kids from other relationships etc and they were dirt poor. Rekha even went to school with her father's legitimate kids and other kids in school knew about the whole situation and called her a bastard 🥺🥹

She started acting at the age of 13 to support her ailing mother and 6 or 7 siblings. She hated being an actor and was severely exploited in the industry, esp since she had no mentors or father figures :(((( in turn she made sure none of her siblings ever had to work in the movies to make a living and supported everyone financially until they settled down 🥺 she in turn never got married or had kids :((( (she was manipulated into marrying a guy once and he committed suicide and she was hella traumatized by that as well, but that's a separate story 💀)

Here's a pic of Rekha with some of her siblings (2 or 3 are missing in the picture)

She does embody that Jupiter woman being the man trope.

(This is Rekha & her mom Pushpavalli)

Despite everything, she's never spoken ill about her father or even her mother, who clearly made her the scapegoat and placed undue pressure on her to provide even though she was a literal child. She even named her house after her mother 🥺

Anywaayyyyyssss

I agree that Bharanis are in a unique position because of their mythology and in general I think Bharanis are more dignified and humane than other Venus naks

They're outcaste naks who know what it's like to be the outsider and work their way up

But yes they're pushovers with daddy issues 😭😭😭😭

I lowkey like how empathetic they are to women bc of what they saw growing up 😔😔 like they're genuinely just like "no this is not how it should be, women need to be worshipped period, my woman will never suffer this way" and 🤧🤧😩😩😩i fall for that shit lmao

I had a recent experience with a Jupiter conjunct Purvashada Rising man who thought that broke men did not deserve to have women 💀💀💀 he said men who cannot provide have no business dating or marrying 💀💀and that "real men" should never ask for a 50-50 and put the burden on his partner and if he truly loves her, he should want her to be relaxed and enjoy life. He said things like "what's the point of me working so hard if my family isn't enjoying themselves and having a good time, my wife can do whatever she wants and I'll support her but she will never have to work to pay the bills" and ngl I love this mentality lmfao 😂🤣🤪🤭

Venus men being scarred by incompetent dads and overcompensating by being the provider and father they never had is >>>>> 🥵🥵🥵🥵so sexy of them tbh

[kalys-404]

Atlas "Sentinel" Osmerova backstory and headcanons

So I finally decided to give my OC a background story, which is kinda complicated so I'm just going to put the big lines here. There is also some headcanons on how she interacts with the rest of Shadow Co. and her personal life.

Background:

she was born in Vladivostok and has two older brothers who were already in the military when she was born.

her mother was very absent and uninvolved in her education.

her dad raised her in a military-like style because he didn't want a daughter.

when she was in 5th grade she got into a navy cadet class (cadet classes are a thing that lasts the child's whole education in Russia).

in 8th grade she was noticed as an excellent student and offered a transfer to an elite military school in Moscow, which she accepted.

she started coding at 6 and was fascinated by the dark web and more specifically the classified info that can be found there.

at 16 she knocked on the door of the FSB with a file that contained classified info from the Russian government and asked them to hire her because she was bored at school and knew she could do more.

they refused but offered her a position as soon as she graduated.

she was given a cyber-security degree from Moscow State University without ever going to university to make her employment look more legit.

she actually spent a year doing missions with the Spetsnaz as a form of field training. Afterward, most of her duties were centered around the FSB headquarters especially when she started rising in rank.

she got annoyed with the political bullshit and how it limited her range and freedom of action and left at 21yo.

she offered her services as an intelligence contractor on the dark web and met graves when he hired her for a job.

he hired her once, was impressed by her work and how she made sure the whole thing stayed quiet and hired her a second and then third time. Ultimately, he thought it would be a good idea to develop Shadow Co.'s intelligence by creating a designated department and offered her a leading position as it was safer than hiring someone he had never worked with.

Personal life and relationship with the rest of Shadow Company:

she has no contact with her family whatsoever and does not wish to contact them.

she functions solely on RedBull and spite.

she has a schizoid personality disorder and therefore does not have a very close relationship with the rest of shadow co., she is relatively close with 7-11 though and they banter daily.

even though she might seem distant from the rest of the shadows, she still gives off the "no one bullies my siblings but me" vibes and will kill anyone who messes with her guys.

she doesn't do any sex or romantic stuff but is an amazing cuddle buddy if you catch her at the right time and give her enough puppy eyes.

she doesn't really do any combat and people often assume she can't fight at all. Little do they know, she has been able to kill a fully armored soldier with her bare hands since she was 15 and is one of the most dangerous snipers to ever live. The shadows have bets going about her kill count, which only Graves knows.

her lack of empathy due to her mental illness makes her the voice of reason in any and all situations, which can be crucial during missions that take a bad turn.

she knows everything, and I mean EVERYTHING, like a shadow comes up to her like "Hey, have you seen my-" and she immediately goes "In the gymnasium.", or when someone starts telling her an anecdote about someone and she's like "I already knew that" even though said anecdote happened like 30 secs ago and she wasn't even there when it happened. She also knows a lot of stuff that is definitely some of the most classified shit on earth but no one mentions it.

she has 50 backup plans and is creating more by the second.

knows some of the more elaborate torture techniques to ever exist and will not hesitate to use them if need be.

her lack of facial expressions makes it impossible for people to know what she is feeling, even the shadows have a hard time guessing her emotions (if she even feels any).

probably the most blunt and honest person in the company.

she goes by her callsign most of the time and Graves is the only one to call her by her first name when he feels like he has a death wish.

she is fluent in French, Russian, ASL, FSL, Spanish, Japanese, Korean, German, RSL and Mandarin. (and obviously English)

she is semi-verbal and uses sign language when she doesn't feel like talking.

I don't have any other ideas right now but if you'd like to know how she would react to certain situations let me know and I will add it.

[rottenzombrainz]

What was your inspiration for Yichén and Alli?

Ooh what a fun question!! Thank you for the ask, anon!

I'll start with Yichén since the explanation for him is simpler. I used to watch a lot of ASMR and there was this certain channel I watched (TingtingASMR, I think) and she did a lot of traditional Chinese roleplay like "Chinese princess helps you get ready for festival" or "Traditional Chinese pharmacy roleplay". Anyways- one of the first thoughts I had when I first played tkdb was "It would be cool if there was a Mortkranken ghoul who practiced traditional medicine!!". Then, after I started getting into making tkdb OCs, I remembered all that ASMR roleplay stuff I mentioned before. I think that's also why Yichén is so shy and soft-spoken? Since he's based on characters from ASMR roleplay? Yichén's whole character is still a huge work and progress, so I don't really have much else to say about him....

Next is Alli, my precious bbg 💕

Alli originated as a self insert/yume/ whatever the term on Tumblr is. She was based on me, but evolved pretty quickly. Originally, the idea for her was that she was a ghoul who floated in-between houses since she didn't fit anywhere (aka I couldn't decide which house to put her in).

Her toxin immunity whatever thing came from the original concept of her basically being like a horseshoe crab. If you don't know, horseshoe crabs have copper-based blood and long story short it's pretty useful in making vaccines and such. Her special blood was why she spent so much time at Mortkranken and eventually developed a thing for Jiro.

I don't remember what inspired me to give her Kithy, but I'm happy Kithy is a part of her character. Because of her stigma, she's been compared to a Disney princess. and every Disney princess needs their animal sidekick!! Kithy's actually based off a monster from a game I play and a monster from a music video I love. I won't say which ones though, because then you guys would get spoiled on what he actually is!!

After Kithy, I was like "well I might as well put her in Jabberwock since I love animals therefore she loves animals!". I forget how, but that expanded into her loving reptiles specifically. Especially snakes. Because I love snakes too.

Since I felt like her personality was already pretty developed, I started working on her backstory. I got the idea for her being tormented by her demon from the original backstory of my persona (who's just basically a general self-insert). The idea for Alli and Lucy's relationship has changed since then, but I'm saving that bit of Allilore for another time.

Originally, Alli's stigma allowed her to ~mind control~ anyone who ingested her DNA. But something about it just felt.... bleh. Then I remembered an ability the characters in Neo: The World Ends With You have. It's kinda hard to explain if you've never played Neo before, but they can basically send ideas into the brains of normal people. I felt like it was a more tame version of the original idea for Alli'a stigma. And it worked well with her being in Jabberwock.

Little sidebar- I absolutely love characters who seem quirky and "just for the laughs" but who actually have deep and thought out back stories. Which is I guess just about every character from good comedy shows. The more "random" Alli's personality became, the more I wanted to give her a reason behind it. That's where I got Nadja from. Nadja was originally a d&d npc for a campaign I was working on in case I ever met anyone who wanted to play d&d with me..... Anyways- Alli's history with Nadja just kept filling in more and more "why"s in her personality until eventually, almost everything had a clear reason. Like when you finally have enough pieces in a puzzle to see the whole picture.

I was really self-conscious about if people would like Alli when I introduced her. If they didn't like her, then what does that say about me? I guess that's why I've been so adamant on "she's based on me she is not me!". But now, I'm starting to not care. Because no one cares about stuff like that on Tumblr - you all just mind your own business and I absolutely love it!

Can you tell which one of my tkdb OCs is my favorite? I love Yichén too, but ideas for him just don't click like they do with Alli. I'll figure out more for him eventually </3

Hopefully that answered your question, anon! Sorry for yapping so much and if this isn't very cohesive or coherent or whatever 😭😭😭

[ranticore]

answering oc asks all in one bunch as promised

@fair-lead

don't worry about the broken emoji it's the only one of the set so i know which question it is hehe

🪽does this character believe in a higher power?

Yes! Ishmael has a strong belief in the same higher power that every other settler of his time believed in - Atom Genetech, of course, the corporation that developed him & the other GMO humans of Siren. The reverence held towards Atom was practically religious - the Company was the reason for being there, the Company was always watching, the Company had mysterious designs upon this world which most people were not privy to.

Unlike all of us, Ishmael knew for a fact that he was designed exactly to be the way he was. He had a creator. But he also had a belief in destiny, and that it was his destiny to have been born into that strange twisted form. Once he accepted that he was never going to become normal, he had to accept that he would always be like That. Therefore it was his destiny to suffer, and the creator, his creator, made him for the sole purpose of recording that suffering.

🪱 would this character move a worm off the pavement or save it?

When he was growing up, Ishmael had not much feelings for the smaller animals around him. He was never taught to view them as anything other than strange aliens to be documented by people smarter than himself. But once he was released from active study (he got too big and uncooperative) and spent more time in the seas of Siren, the natural world, he was able to observe the smaller creatures in situ, and he found a lot of peace in that. Once he began to recover from his entire childhood, he was an emotional wreck, feeling things all at once and far too strongly and unable to dissociate from those feelings anymore. And many of those feelings involved a deep, aching pity and empathy for the animals around him, to the point where he tried to be vegan for a while. So yeah he'd move a worm off the pavement lol but only at that point (and he'd beat himself up for not doing the same in his earlier years)

⚖️ how do they seek justice?

Through violence.

@sleepvines

👛 what is always with this character?

His glasses are the obvious answer but I also think he carries with him a small library of literature wherever he goes - mainly guidebooks of deciphering ancient languages and navigational charts that point the way to the ruins of the first settlements on Siren. He already can't fly so it gives him a little bit more freedom to carry around heavy stuff than other shortwings (and, anyway, Huarva does the carrying). Hidden among his scrolls cases of important archaeological guides and lexicons you will find a collection of adventure serials which he avidly collects; monthly releases of chapters written by some of the most famous novelists of the Spire.

🪷 what gives this character inner peace?

I don't think he experiences inner peace tbh. His life is extremely hectic and dangerous and his favourite activity is debating people under the table, he might find a peaceful mindstate a little boring. He might enjoy a moment of silence while crossing the sea on the raft towed by Huarva but it would be very quickly broken by him needing to say something; he can't just sit with himself. He has to DO something.

@magmacannon

🐁 how are this characters ethics?

Qedivar: actually not too corrupt all things considered (and corruption is the way of the things at the university). When he discovered the Truth at the end of his archaeological quest, he knew that it was information he should release publicly (i.e not behind a paywall and also not after the other scholars had edited out all of the juicy bits), and he was faced with an ultimatum - release it, and risk his life, or keep it hidden and accept the nice promotion the scholars dangled in front of him. He chose to release it instead.

Ishmael: all fucked up, bouncing between extremes (as I said above). He was never raised to be someone who acted ethically or unethically, he was raised to be studied. He was never given lessons or even a good example to follow, especially since all he knew for a LONG time were the lab techs who were not ethical towards him. So an important part of his character is that he turned around and enacted the same bad treatment on the only people of the settlement he considered 'below' him, the beta phocids. He got better later, after developing a friendship with Cherta, but it was always a bit of an uphill battle to get him to behave normally, he was always hard to be around, always offputting, and had no benchmark for 'normal'.

Mia: not quite so high stakes as the other two but he is a terrible gossip and is not above opening other people's mail just to spectate on the private lives of others. Other than that he does his job well and makes sure the letters are delivered on time, which i guess is ethical?

♟️describe how they would play chess, if they would.

Qedivar: he'd be good at it for sure but overly defensive, maybe not taking advantage of as many openings as he should.

Ishmael: overturns the board the first time someone captures one of his pieces

Mia: gets 75% of the way through the game, loses interest

🦇 biggest material fear (ie heights, bugs etc)

Qedivar: heights is probably accurate. He can't fly. He also hates sipho nymphs (which resemble winged silverfish and are about a foot long) because of how they wriggle.

Ishmael: needles

Mia: drowning; a practical fear, as he spends so much of his time on the wing over the sea. He is buoyant and can rest on the water, unlike many longwings, but bad weather can be so dangerous over open water. So probably a fear of storms as well.

🛡️how does this character protect themself and others?

Qedivar: he's very bad at this. He'll try to argue, use his words, but he's a scholar and quite insulated from the real world. He can fight shortwings as part of a spirited thesis defence, but if someone really wants him or his friends dead there's not much he can do about it. He is a songbird.

Ishmael: with violence

Mia: just fly away man what's all the fuss about lol

⚖️ how do they seek justice?

Somewhat naively, Qedivar believes that justice is inevitable, and that if enough knowledge is spread, if enough people see Facts and Truths, they will naturally come to the most just conclusion on things.

Mia hasn't had to seek justice really since all he does is deliver letters and stuff but he has a 'live and let live' attitude and up to a certain degree of severity, he's probably not going to seek justice at all.

i know that guy

🪷 what gives this character inner peace?

Inner peace? what the hell is that

♟️describe how they would play chess, if they would.

If you could play a glass cannon in chess i think it would be like that. It's all attack all the time, but the defence is lacking. He IS good at 4 player chess because his opponents' attentions are divided and his bad defence isn't such an issue (unless they team up on him).

🐌 do they carry their home with them or is it a place?

He has no special attachment to any place of residence; his actual home, where he's supposed to be living, is mainly a place to store stuff (the bed is dusty at this point). He does get homesick about Ferru but more for the practical, everyday stuff than any intangible concept of Hometown(tm). He misses the climate, the food, but not the people.

🪓 would they make it to the end in a horror movie?

Not in a million years would John be a final girl. He wouldn't be the first dead, but he would be the intellectual/sciency character who tries explaining the horror away as EMF waves or whatever, and when he inevitably dies, it changes the tone dramatically because now we know it's Serious.

[khlorhine]

Jjk oc opinions

Kitagawa Tamaki edition

I don't have any new art so make do with this slightly older drawing that was hidden in a week old post. Please click the link for info on her background. That's her boyfriend to the side as a human, his name is Fuyuki Mitsuya.

It's mentioned later in the post but I prefer reading powerscaling stuff over shipping stuff so correct me if my characterisation if a character is wrong. I love making cursed techniques. Ask me about cursed techniques, I'll happily brainstorm some with you. I feel like my chaarcter is too much of a Mary sue because other than two characters in here everyone is either indifferent to her and doesn't hate her.

Mai Zenin

Mai only hung around Tamaki because she was strong. It's the same reason why Mai hangs around Todo although she prefers Tamaki over him because she didn't have as bad as a personality as him and she finds it easier to get along with girls. Tamaki liked this type of relationship at first because Mai didn't point out her irregularities, just silently judges her. Mai stopped after Tamaki got into a fight with her dad, Ogi, which in turn caused her to get into a fight with Naoya and lose. It put a bad impression on her clan so she just stopped talking to her for a while. She realised she relied too much on other people like how she relied to much on Maki back when she was in that clan. After that they're doing pretty great together. Also Tamaki’s trying to teach Mai how to use rct because she wants to see what a cursed technique reversal would look like with construction.

Kasumi Miwa

The only thing they had in common with one another was the fact that they used swords. There is another swordsman, two years above them (oc: Sai Mizuhara) but hes a first grade and barely had time to train her. Tamaki couldn't train very well with her since she doesn't have a technique to build on so she manipulated Miwa's cursed energy in a way that would emulate a few of her non innate techniques until she got the hang of it. In contrast Miwa helped her with barrier techniques because she just sucked at them, thinking they were literal shields rather than seperators of different zones. After Tamaki went through a switch in weapons their weaponry training started to pick up the pace. Their personalities don't mesh well though, Miwa thinks she's scary in the the same way she thinks Todo and Kamo are scary because she's always itching for a fight.

Kokichi Muta

Mechamaru has information on her that only the principal has like the fact that she killed her boyfriend, and when he came back as a curse she turned him into a human curse hybrid. His heavenly restriction was unfortunate but his (oc: Mitsuya Fuyuki) was deliberate. He empatises with him because it wasn't his choice in the matter, therefore he can't bring himself to like her. Tamaki does not like him either because his technique has a lot of potential that he just does not take advantage of.

(Ok I know this is opinions but there's like a whole body swapping part where a curse switches their body and I wanna write it so bad but I literally only have a third of Tamaki's backstory (mind you backstory it's still in the first arc) written so writing something like two arcs ahead is just stupid. Basically they start to respect each other because in Tamaki's body, mechamaru develops a heat blueprint (refer to the licked post up there) and Tamaki does some insane RCT in his body that can only be done with his amount of cursed energy using it basically how mahito does with his own body but with RCT. This is because mechamaru wants to live in a body where he's not in pain all the time and Tamaki wants to prove to him how cool his body is and also because she wants her body back she can't do her experiments as well as she normally can in his body)

Aoi Todo

He mistakenly thought she had a thing for cursed spirits when he first saw her and he respected her on the basis that she wasn't boring until she corrected him, telling him she would quite literally date anyone who talked to her because she talks too much about jujutsu and nobody liked her at her old school, which caused them to get into a fight. They're pretty good allies though since they're both strong and the fact that they were both initially trained by special grades before their enrollment. (I realise most of the characters compare her to him but I really am bad at describing relationships when all I want to do is make up overpowered abilities. I'm more of a powerscaler than a shipper)

Momo Nishimiya

She's kinda weak so I can't go on a tirade about improving techniques with my oc because tool manipulation in theory is super awesome but I don't know the limitations of her abilities. It's definitely not weight since she can carry a fucking panda and three humans including herself on the broom. It probably has to do with focus, I guess she just can't split it between two different tools but if that's the case why can't she carry around a spare knife to throw at someone when she's not on her broom. That leads me to another theory where she can only manipulate objects she herself cursed but she's not part of the main cast so why do I even care so much.

Being serious here, Nishimiya is cool with Tamaki because she often breaks gender norms though Tamaki cannot get along with her because she used to care so much about not being normal that having a reminder that she's actively go against that makes her freak a little because she already knows all that she just doesn't want anyone to vocalise it to her. Also she feels her technique is under utilised.

Noritoshi Kamo

Noritoshi does not like Tamaki because she's experimented with making human curse hybrids before. Her obsession with his evil namesake ancestor doesn't help either. He can respect her for her strength but Tamaki genuinely can't understand why his clan is in the big three when the six eyes and ten shadows are much better techniques than blood manipulation which doesn't help their relationship. She beats the fuck out of his half brother (oc: Takayoshi Kamo, he's doing illegal stuff so it's justified sort of), takes away his technique(s because he eats a death painting and gets blood manipulation) so now he just sees her the same way he sees Todo. Bad personality but reliable. Also free rct. She heals him when he asks and she's also teaching him how to use it as long as he does her favours like ask his half-brother stupid questions in his jail cell or give her his blood or let her take a peak at the remaining eight death paintings. Stuff like that.

Arata Nitta

Arata just sees her as a bit overbearing because she fixates specifically on him for rct training. His technique is really useful in medical situations and Kyoto tech does not have a dedicated healer. This so also because she killed her boyfriend and in the moment developed rct but was very sucky with it so having someone like Arata to step in would've been pretty good so it's mainly done out of guilt for being a sucky person.

Iori Utahime

Utahime understood her situation from Gojo and tried her best to guide her in the right direction. Tamaki, at the time, couldn't respect her at all because she only cared about hyper offensive techniques and her aggression fucked her over in a few fights. After that Utahime suggested she practice weapon forms, kind of like Utahime's dances and she got better at handing her emotions and started respecting her teacher.

Yoshinobu Gakuganji

He wants her DRUGGED, BEAT, EXCECUTED, BURNED, AND THROWN INTO THE OCEAN. jk it's not that serious but he does want her dead. She used to work with Geto and he thinks she's a bad influence on his students since he cares about them so much. He's a traditionalist in every way and everything Tamaki does is the complete opposite of what he wants. He prefers her in Kyoto tech rather than Tokyo tech because this way she can be closer supervised and taken care of the moment she steps out of line unlike in Tokyo where Gojo would be prevent that.

Tsukumo Yuki

They can respect each other but they just don't get along. Yuki wants a world without cursed energy but jujutsu is the only thing Tamaki is good at so to take it away would make her life miserable. It doesn't help that Tamaki’s technique could also be used to increase or reduce someone's cursed energy levels or take away techniques so Yuki has an excuse to bug her. They like to talk about research but it gets real awkward when Yuki tries to bring up that subject. It also gets awkward when Tamaki starts accidently talking about evil ancestor Noritoshi because no jujutsu sorcerer likes him. Tamaki really likes Tsukumo in terms of jujutsu. She knows rct, domain expansion, it's very heavy hitting which is what Tamaki likes.

Suguru Geto

He was her mentor. They have pretty similar techniques since they can both manipulate curses so he was a great teacher for her. Geto can give commands to his cursed but they can think for themselves, Tamaki's just takes away whatever free will they have and contorts their body since she can't manipulate their souls, just the part of them that is cursed energy but whatever overlap they had was very helpful. Initially he wanted to keep her away from all this because she didn't hate non-sorcerers. He's got a soft spot for her and while he was dying, rather than tell her to regroup with the others he told her to go to Satoru Gojo because that kind of path would've been better for her. Shes not very grateful for that because she could've been working with Kenjaku if she had gone back but she doesn't hate him for that because that's just stupid and he was a really nice teacher to her.

Kenjaku

He inherited Geto's soft spot for her when he took over his body. She has a very clear obsession with him because of his want for pushing jujutsu to its limit meanwhile Kenjaku thinks she's a great back up body if Geto's were to ever perish because she's got a good technique. Kenjaku's genuinely never heard of her before he took over his body but he finds her interesting even without her technique with what he knows now. They don't share the same opinions on some things though. Kenjaku is very disappointed with all his creations because they never go beyond himself, meanwhile Tamaki loves his creations because they're the physical proof of what jujutsu could be and the building blocks of most of her creations which she loves very much so she could never understand why he'd even be disappointed. Being able to create something, anything is an amazing feat, especially for someone as academically challenged as she is.

Choso

Tamaki really likes him but never tried to talk to him because she knows Noritoshi finds her gross for liking Kenjaku but she doesn't care because they still work together fine regardless of that but with Choso so she wants to respect his boundaries and they are never forced into working with eachother so they can't even form a similar relationship to what she has with Noritoshi. Choso doesn't hate her though because if Yuji is fine with her then he is too. He knows she only likes Kenjaku for his research but telling this to her isn't his main priority since they're not really a big thing in eachothers lives.

Yuji Itadori

They met after her head injury so she was a bit crazy compared to how she was with Megumi and Nobara when they talked. She was in the room when Sukuna revived him and his body was what interested her the most because it was strong like someone with a heavenly restriction but also held tons of cursed energy thanks to sukuna's fingers. She's weird around him because of sukuna, she likes to ask questions about what it's like being a vessel and holding another person inside your body so obviously he thinks she's weird but from what he's heard from Kugisaki and Fushiguro she's reliable so he thinks that too.

Megumi Fushiguro

They met when she was working under Geto. Tamaki never told him this though but he was aware of the fact that she's a curse user, he just chose not to mention it to anyone but Gojo picked up on it because duh he has the six eyes. Megumi thinks she has a good personality since she got along with his sister in the time Tsumiki was still alive and conscious. During the sister exchange event he was surprised to see her again as a sorcerer and not a curse user and they exchanged contacts after it. The ten shadows is a very good technique so she's really excited to see him eventually tame all the ten shadows. (That never happens through megumis hands) At least she has his permission to disect him when he dies.

Nobara Kugisaki

They initially met in a one off interation when she was still working with Geto. Nobara thought she was kinda wimpy but the wimpy type that she should protect because she's a city girl and not used to the countryside. During the sister exchange event Nobara was happy to see her and was pleasantly surprised to see Tamaki be a bit unhinged. They also got each others contact after that. Tamaki also enjoys Nobara technique. Techniques that are accociated with the soul are really interesting to her.

-----

For the next bit I have to say Tamaki was involved in the night parade on Geto's side like she was literally with him and fighting yuta and stuff and she also fought a few of the Tokyo seconds years.

-----

Maki Zenin

Tamaki thinks she hates her for being aligned with Geto when they met. Maki can empathise with her because Tamaki did it to practice jujutsu when she couldn't under her uncles supervision and Maki moved from Kyoto to Tokyo so she can get revenge on her clan so they're not that different. Tamaki thinks her heavenly restriction is cool and (unlike another person with a heavenly restriction) she's making the most of it. Maki would like to see what weapons Tamaki has inside her cursed spirit's inventory. (It's mainly non-weaponty like furniture, dirt, sand, stuff that you can throw at an opponent and now care about wasting stuff)

Inumaki Toge

Not much to say to eachother. They don't talk (haha get it) so they can't form personal opinions on each other. She can form opinions on his jujutsu though. It's decent but the drawbacks aren't worth it in her opinion for someone of his caliber but he's utilising it the best he can and he's a fast runner. She's never seen him do hand to hand or use weapons and imbue them with cursed energy. Maybe it's a binding vow to increase his speech technique.

Panda

He's a panda, pandas don't hold grudges or at least that's what I think he would say. She thinks his technique is OK but it's really all Yaga's doing so she's not very interested in him.

Yuta Okkotsu

He beat her in a fight once and all he got from that is that she's mentally unstable and should seek help (she won't). Because he's not much of a fighter his opinion of her ties strictly to her background and not her capabilities. He can relate with her because they both have dead lovers that they kind of brought back from the dead in a weird and twisted way. He thinks she should try to let her dead bf go because it'll help her mental health (She really doesn't want him to point that out though because she know it's healthier for her but she just doesn't want to let him go).

Kinji Hakari

He thinks she has a lot of fever. She's always itching for a fight so he likes her. Tamaki likes him, he's easy to get along with and he's also the basis for a few of her moves. Their domain hand signs both come from the seven lucky gods and the 24 devas (benzaiten and bishamonten) so they're good buds.

Kirara Hoshi

Tamaki thinks her technique is really cool while Kirara likes her for her hair. Somehow it's not damaged from all of Tamaki's black hair dye. (Idk what else to say, Kirara has only ever been shown using it once as far as I'm aware, defensively but I'm sure she makes good use of it. I can imagine it being used as a homing missile and stuff. It's such a cool concept.)

Satoru Gojo

So they officially met after Geto's death and he kind of sees her as the last bit of Geto, like a gift from him to Gojo. Obviously this means he has to protect her but it was her choice to go to Kyoto tech so it was harder to do the from Tokyo, especially with how much trouble she causes but shes still somehow alive. Gojo thinks her curse is kinda cute, if not a bit unhealthy. Love is a curse and something something idk where I was going with that. Tamaki honestly regrets not going to Tokyo tech to study under him. He's very strong and with his six eyes he could honestly give her some really helpful pointers. She knows more than she should about him because of Geto lol.

Shoko Ieiri

Besties honestly. Shoko was the one who helped refine Tamaki’s rct. Every once in a while Tamaki goes to Tokyo to talk to her and also take off some of her workload.

Masamichi Yaga

He can make an army but he chooses not to, the fuck? At least everyone who comes out of his school is strong.

[sparklepoint]

hey i saw stuff about ur asau (hermit!yusuke is perfect and kitteh ann is the fluffiest little baby and i love her) and i just wanted to ask if you have the other arcanas planned? is it a direct one to one swap or is it different?

omg. ty for giving us a chance to introduce

 ฅ^•ﻌ•^ฅ card shuffle ฅ^•ﻌ•^ฅ

@floodbender’s and mine roleswap au in which the story roles are remixed based on randomly reassigned arcanas + canon backgrounds

it’s kind of a work in progress so this is not q definitive & some arcs are less developed than others, but we do in fact have something planned for everyone :3c let's meet the cast!!

starting with <3 bitter bitch besties <3

○ the fool – akechi

he has pretty much the same backstory as canon, but without Metaverse access; therefore his only outlet has been trying to prove himself academically etc. to show them all

it isn’t really working. even with all the effort, he still gets written off automatically most of the time

there is no arrest/probation/anything out of the ordinary that brings him to staying with Sojiro and going to Shujin, just a last minute arrangement by his previous foster placement 

Akechi POV: you’ve been booted from a family who didn’t want you there for the n-th time in your life and are now moving to stay with some rando who doesn’t want you there either. and everyone at the new school immediately labels you a troublemaker with a problematic background

(of course Shujin is going to make up rumors regardless)

personality-wise, it is as you might expect from a no powers AU Akechi - at the start he’s a bitter, cynical bastard masking behind his Pleasant Boy mode

would have eventually snapped in some self-destructive way if he didn’t meet someone who gets it

rest of the story is spent rehabilitating this man with the power of friendship, mutual understanding, and insane romance. and flufy kity

akechi and makoto: the world is a cruel and unjust place. *minutes later* omg lady ann!!!

i. the magician – ann

flufy kity

backstory inherent to the arcana role

she does not have hang ups about not being human specifically and embraces cathood quite well

instead her issues stem from feelings of comparative inadequacy and not knowing what her role in life and on the team is supposed to be, especially after the PTs get a dedicated navigator

similar to her canon arc, she does mostly handle these feelings by focusing on trying harder & with more purpose rather than growing resentful

when Morgana coined the ‘Lady Ann’ nickname it stuck and now everyone calls her that

still has a widdle crush on Shiho

the only reason Akechi has any side confidants

vii. the chariot – makoto

Makoto handles pressure from Sae far worse in this one

attempted to investigate and expose Kamoshida’s behavior on her own last year and got kicked off the student council for her trouble

grades are suddenly hard to keep up even though she’s putting in the same amount of effort if not more. keeps being left ‘accidentally’ out of the loop about important info. school just kind of making it clear it doesn’t like her anymore

entire social circle crumbled and no support from Sae who at this point is simply mad at her for ‘sabotaging herself for childish reasons’ 

would have eventually snapped in some self-destructive way if she didn’t meet someone who gets it

disillusioned, desperately lonely, and stewing in a lot of suppressed rage

in light of this it’s not surprising that she and Akechi end up bonding pretty much right away in spite of his typically raised hackles

used to be friends with Haru in middle school

vi. the lovers – haru

while Okumura still has a Palace, his behaviour towards Haru is more distant and less outright abusive, and she does not have an engagement hanging over her

instead Kamoshida creeps on her, fixated on adding a demure chaebol princess to his conquests 

Haru’s having trouble rebuffing him as she has issues setting down boundaries with men in general due to her proper upbringing, and is of course scared of his position of authority

in particular, the rooftop garden becomes a hazard for being cornered instead of a sanctuary; 

(fortunately it is also a prime place to be overheard by anyone who's heading up there for definitely not a teen vigilante meeting)

Kamoshida lets out that Haru is the Okumura Foods heiress, which makes her seem like a stuck-up rich princess to the Shujin rumor mill and leaves her ostracized

with regards to Makoto: in Shujin Kamoshida Issues forced them to drift apart, and now, even though both of them want to reignite the middle school friendship, each is reluctant to involve the other in her own respective mess via association

(pictured: childhood friend matching bwacelets)

after that is sorted, they reconnect and begin a prolonged awkward romance dance

(meanwhile the rumor mill is busy debating which one of them is dating Akechi)

iv. the emperor – joker ren akira

legal name, under which he is mildly famous, is Ren Amamiya, actual name he goes by is Akira

for these claiming your chosen identity reasons, his codename is Daybreak :)

his parents are both in the entertainment industry, and the second Palace belongs to his father

Dad Amamiya is a formerly acclaimed, currently washed-up movie director. a nightmare to work with who uses his old connections to run people he doesn’t like out of the industry and ruin their careers

his wife is aware of his transgressions but is too attached to the lifestyle to care 

to Akira’s parents, he is more or less a prop in their public performance as a happy picture-perfect celebrity couple; in his father’s Palace, his cognition is played by an actor

he had long since learned that going against his parents achieves nothing, and has been going through the motions keeping his head down until he meets the team

the meeting is a chance encounter prompted by Emperor-typical  overwhelming fascination with Ann, which in his case is because he’s That Much Of A Cat Person 

rest of his arc is about separating himself from his parents’ legacy as somebody who still wishes to pursue a career in entertainment

ii. the high priestess – morgana

he has Ann’s parents and last name since she doesn’t need them anymore

unlike her, he doesn’t handle their constant absence well and is therefore desperate for the Thieves’ companionship (while being just as tsundere about it in human form as he is in canon)

he kickstarts the Kaneshiro plot despite not being on the student council: since he is a very special smart boy, he can absolutely solve Shujin’s mafia crisis all by himself!

(it is probably rather obvious how well this goes)

his arc is a more mundane version of his canon one about recalibrating the self-worth issues and loneliness until he can be comfortable with himself and his place in the group

his awkward crush here is converted into being an even bigger Ann Stan than the rest of them

still besties with Akira. also perpetual ninth wheel

ix. the hermit – yusuke

Madarame does not have a Palace

without the international recognition from stealing Kitagawa-san’s masterwork he has to subsist on smaller-time forgery and predatory contracts and the like

his main victim is Yusuke’s mom, who lived long enough to start actually raising her son, but her poor health made her the perfect exploitable dependant 

after she succumbs to her illness, Madarame proceeds to take his frustrations over losing the convenient setup out on Yusuke in his typical insidious way

over the subsequent years trapped in an abusive living situation you’re told to be grateful for, the comments about how she would have lived longer and created masterpieces if she didn’t have to take care of you accumulate to create the most depressed teenage boy in the world

as far as Madarame’s concerned, if Yusuke’s too miserable to keep up with his schoolwork, it’s just another instance of him being a drain on everyone in his life. Madarame’s not going to cater to him and pay for his scholarship – he can just stay in and keep house, if that’s all he’s good for

that leaves Yusuke just listlessly haunting the place, convinced that all he can really do with his life is wait to die and go to hell for the sin of being himself: he sees his life with Madarame as perpetual penitence for his mother’s death, his work as almost ritual sacrifices to appease him, and the shack as his purgatory [--beginning navigation]

his Palace is stylistically themed after the Shinto Yomi with more general underworld theming as well; cognitive Madarame is of course the final boss, although he only drops the benevolent underworld guide pretence once thoroughly provoked

the gang finds out about All This after a series of Mementos requests from Madarame’s latest underpaid helper

post change of heart we’re getting Yusuke the fuuuck out of there

Sojiro ends up taking him in, first temporarily and then permanently

neither of us has the vocabulary to concisely explain the respective holes in their heads this Yusuke and this Akechi have about each other

team navigator. please take a moment to imagine yusukespeak navigator lines

iii. the empress – sumire

the Okumura setup is still happening (sorry Haru), but the PTs recognize it as bait and stay away, instead ending up doing a different palace entirely

the Palace Ruler for this arc is the Yoshizawas’ abusive coach (not the one from Sumire’s confidant)

a classic unethical teen sports situation with disproportionate pressure and a concerning disregard of their physical and mental wellbeing as long as they Get Results tm

neither of the sisters is good at standing up for herself, which in Kasumi’s case spirals into continuous self-denial for the sake of The Sport and in Sumire’s exacerbates her feelings of inadequacy

at the moment Kasumi is being pushed to compete despite an injury which would put her out of commission, which is the deadline/reasoning to deal with this ASAP

the palace theme is Colosseum/gladiatorial arena, with the implication of entertainment of the masses at the expense of the athletes’ lives

(pictured gladiator!cogsumi)

xi. justice – ryuji

Ryuji is the one to get slapped with the arrest record courtesy of Shido in this one

the consequences for a 14yo on scholarship and with no support system outside of his mom (except he just feels guilty about creating problems for her) are predictably devastating 

he winds up at Shido’s Palace afterwards by accident while loitering around the Diet building, which is where his awakening happens

he’s spotted entering or exiting the Metaverse, which leads to Shido making him the job offer he cannot refuse

initially framed as “help with secret research” in exchange for erasing his record and bankrolling opportunities for a sports career, but it’s not like there are any easy ways out once the requests starts getting seedier

he’s just the Metaverse assassin/errand boy for the conspiracy, no astroturfed public persona

to an extent Ryuji convinces himself this is for the best since many of his targets do very much have it coming and it’s AN outlet for letting out some steam over the bleak as shit view of society he now has, but ultimately this arrangement and all the murder involved make him utterly miserable, and on a level he understands this is not going to end well for him

gives himself away to the Phantom Thieves early and in the dumbest way possible

for all the above reasons, he’s not at all hard to persuade to switch sides and start double-agenting

did you guess who’s faith no you didn’t

○ faith – hifumi

we just really like hifumi so she’s included

at first her deal is a toned down version of her canon arc, with her mom pushing her towards an idol-like career based off of shogi. then her father actually dies

mom’s grief response is to lean in further into building her career, thinking that this is what her dad would have wanted; Hifumi’s own grief response is to start crumbling under that pressure until “I wish I could just be the person my mother wants to see” is the prevailing sentiment

this is where Maruki’s unethical therapy comes in and actualizes her into the perfect teenage celebrity personality

thirdsem Hifumi is terrified she will never be enough as herself and it takes the team effort to get her to let go of the idol persona, but conveniently there are SO many people with parent issues here to talk to her about it .

bonus: xvii. the star – futaba

Wakaba survives the assassination attempt, but is left unable to continue her scientific work, igniting Futaba’s interest in researching the topic herself

her confidant’s Mementos quest block is still her uncle, who is not as horrifically abusive, but treats them poorly and demands Futaba reimburses him for taking care of them financially

Sojiro is still a pseudo-parental figure in her life, but his role is limited since he cannot insert himself into the situation without permission and Futaba conceals the extent of it from him

she becomes available as a confidant during Yusuke’s arc, which still overlaps with the Medjed crisis

her fixation with cognitive pscience leads to digging into the Phantom Thieves leads to offering to deal with Medjed for them – but only if they prove themselves to her by sorting out a specific request that hit a little close to home. cue Yusuke arc

from then on she’s their tech guy

and that's everyone ✧∘* thank you so much for expressing interest and thank you @floodbender for cowriting this post with me ♡

[wordsandrobots]

IBO reference notes on . . . pilot ability

I was typing this up as an author note on the latest chapter of Wishing on Space Hardware and it overflowed any sane word count for such a note, so I'm pulling it out as its own thing.

Basically, when thinking about how good a pilot is in the Iron-Blooded Orphans setting, I tend to group them into one or more of the following categories:

Also-ran. The jobbing pilots, like the Dort and SAU workers or the pirate grunts Shino and 598 beat up in Urdr Hunt. People who have some ability and maybe a little bit of training but don't necessarily know much more than a few basic moves.

Formally-trained. By this, I tend to mean formal military training, though not necessarily training in a military context. Just that they've been explicitly taught to fight in an organised manner. Almost everyone in Gjallarhorn is in this bracket, along with the Turbines, much of Teiwaz, probably a lot of the Dawn Horizon's better pilots, and the non-augmented people in Tekkadan.

Expert. While most of these are not intended as tiers by themselves, this group extends out of the previous one. These are people who've really dedicated their lives to perfecting their piloting ability. I tend to take Amida as the high end of this category, though McGillis is also a good example. Lots of experience and theoretical understanding to go along with their basic skill-level, which makes them extra dangerous on the battlefield.

Gifted. The people who, for whatever reason, are innately talented when it comes to flying mobile suits. There's not much more to say about them; whatever you need to operate one of these machines, they have it in spades, even without formal training.

Augmented. And finally, of course, you have the people who use the Alaya-Vijnana (or AV-adjacent technology). Obviously this creates a massive starting advantage, allowing most people with whiskers to easily out-match any also-rans they fight and even a considerable proportion of trained pilots, simply because they can react faster and more instinctually. However, it's not an automatic win. Season 1 Shino vs Ein is my go-to example for this: Shino has a lot of advantages from his A-V system but Ein is able to neutralise them via his greater training and experience.

And that's where the ranking comes into it. When I'm making claims about someone being 'a good pilot', in response to what's on screen or while developing a fanfic character, I'm positioning them within one of these categories and then seeing how things work out if you match them up with others.

Let's have ourselves some lists. Some spoilers to follow.

Also-ran

Range Dubrisko ([from the Urdr Hunt game] a former pirate so I'm guessing he falls here; also he's not exactly brilliant at this stuff)

Argi Mirage ([from the Moon Steel manga] I feel Argi epitomises a 'good' also-ran pilot: he starts with no mobile suit training and learns rapidly on the job)

Wistario Afam ([the main character of Urdr Hunt] at least, this is where Wiz *should* go based on his stated mobile suit experience, and yet he's able to out-fight veterans. He's probably therefore a case of also-ran+augmentation but explanations are still pending on that)

Formally-trained

Iok Kujan (regrettably I must concede that he has to have had *some* training; clearly it didn't take and he represents the nadir of this group)

Hush Middy (a bit unfair to place him right after Iok since he's leagues better, but he's a trainee pilot throughout the entirety of Season 2 and is a more realistic 'low end' of the category)

Orlis Stenja

Coral Conrad

Major Bradley ([from the Urdr Hunt game] places higher than Coral on the grounds of lasting slightly more than five seconds)

Coriis Stenja (he at least survived multiple attempts to fight Tekkadan so he's got to be better than his brother)

Ein Dalton (does nothing all that special until Events Transpire and then he changes categories entirely; however he does handle a Schwalbe Graze right off the bat which is meant to be tricky)

Crank Zent

Isurugi Camice

Carta Issue (I place her higher than the rest because I assume she'd have received more training by virtue of her position; she's just kind of hamstrung by lacking practical experience)

Tamami Rokou ([from the Urdr Hunt game] a Turbine, and she does pull off some fancy moves)

Londo Bron ([from the Urdr Hunt game] I figure Londo is probably more driven than Carta when it comes to learning to be a good pilot; he's likely near the top of this group and I'm only not placing him in the next one because he doesn't seem especially inventive)

Cyclase Meyer ([from the Urdr Hunt game] possibly the most capable pilot I'd hesitate to call an expert, although it is a little hard to gauge where his ability actually lies. However, he does wipe out numerous Graze squads and Omden grunts single-handed, in a notoriously hard-to-use machine, so he's got to be pretty capable)

Expert

Azee Gurumin (somewhere on the cusp of formally-trained and expert, leaning towards the latter)

Galan Mossa (seems like he really knows his stuff, although he doesn't get to show off much in the show itself; expert by dint of being a veteran, I would say)

McGillis Fareed (I tend to see him as being driven to learn how to be a good pilot rather than naturally gifted; eventually expert+augmentation, which explains why he can take on an entire fleet's worth of mobile suits by himself)

Amida Arca (I'll always stand by the claim Amida is the best pilot in the show, simply based on how thoroughly she out-classes the people she goes up against. She might be expert+gifted to some degree, but I honestly prefer to think of her as just having years more experience than anyone else.

Gifted

Gaelio Bauduin (yes, really -- my view on Gaelio is that he's a gifted pilot whose innate talent led to getting lazy on the formal side of things, which is why McGillis runs rings around him. Ultimately boosts himself with augmentation to make up the difference)

Lafter Frankland (given her initial fighting style, I feel she fits here; gifted+formally-trained)

Julieta Juris (the poster-child for this group; she's obviously also gifted+formally-trained but it's plain from her side-story that she was supremely good at piloting from the get-go)

Augmented

Eugene Sevenstark (Eugene doesn't actually ever get to pilot a mobile suit with his A-V since the King's Throne doesn't have one, but the implication seems to be he's kind of crap at it)

Elga

Embi

Hirume

Trow

Takaki Uno

Ride Mass

Chad Chaden

Dante Mogro (these aren't really rankings at this point; this is just where most of Tekkadan falls)

Aston Altland

Derma Altland

Masahiro Altland

598 ([from the Urdr Hunt game] seems pretty good at this and also like he's been flying a lot longer than most of Tekkadan have; same with the Brewers kids listed immediately prior)

Norba Shino (Shino's skill level rises notably as he gets more training but he remains third in the pack by a long chalk)

Akihiro Altland (augmented+formal-training, and he doesn't know what to do with his life except work and train so he gets really, really good at it)

Mikazuki Augus (the nuclear option of augmented+gifted, where 'gifted' equates to 'a horrifying capacity for violence owing to a really screwed-up sense of his own worth')

Now, obviously this isn't an exhaustive list. But you get the idea. Someone can be in a category where you think they'd have a natural advantage, yet be out-classed by someone at the very top of another. By rights, Julieta should be much, much better than Mikazuki, since she has a lot more formal training. However, his A-V system and greater sacrifice in using it means he's able to pushing himself much further than her. Similarly, Amida being vastly more experienced out in the real world means Julieta comes up short against her. Conversely, while Argi lacks the grounding to be a good pilot, he is dogged enough to power through against Gjallarhorn-trained pilots, in a machine that is a cut above theirs.

(That's another big factor in deciding the outcome of battles. Having written quite a lot of fight scenes over the years, I can safely say it helps to have in-built factors that can assist you in getting the outcome you want and the individual capabilities of mobile suits is a great one. Especially you can twist it around to show that a really skilled pilot can make a less powerful machine work for them. Galan's Geirail thwomping Julieta's Graze in her side-story is a perfect illustration of this technique.)

Anyway, I don't have any deeper conclusions to draw from all this, I just thought it might be interesting to explain what's behind my reasoning. To bring a long, meandering point to a close, this is where the Goibniu Unit test pilots fall:

Kipchoge Ordsley (original flavour) -- formally-trained (mid range)

Mackenzie Croft -- formally-trained, (high end)

Pele Torvalds -- expert (high end, veteran)

Lowri Lin -- expert (high end)+gifted (low end)

Ahmed Fahim -- gifted (high end)+formally-trained (high end)

Norba Shino -- augmented+formally-trained (mid range)+expert (broad experience)

Other reference posts include:

IBO reference notes on … Gjallarhorn (Part 1)

IBO reference notes on … Gjallarhorn (Part 2)

IBO reference notes on … Gjallarhorn (corrigendum) [mainly covering my inability to recognise mythical wolves]

IBO reference notes on … three key Yamagi scenes

IBO reference notes on … three key Shino scenes

IBO reference notes on … three key Eugene scenes

IBO reference notes on … three key Ride scenes

IBO reference notes on … the tone of the setting

IBO reference notes on … character parallels and counterpoints

IBO reference notes on … a perfect villain

IBO reference notes on … Iron-Blooded Orphans: Gekko

IBO reference notes on … an act of unspeakable cruelty

IBO reference notes on … original(ish) characters [this one is mainly fanfic]

IBO reference notes on … Kudelia’s decisions

IBO reference notes on … assorted head-canons

IBO reference notes on … actual, proper original characters [explicit fanfic – as in, actually fanfic. None of them have turned up in the smut yet]

IBO reference notes on … the aesthetics of the mobile frame

IBO reference notes on … mobile suit designations

IBO reference notes on … the Gundams (part 1)

IBO reference notes on … the Gundams (part 2)

IBO reference notes on … the Gundams (part 3)

IBO reference notes on … the Turbines, or ‘Tekkadan done right’

IBO reference notes on … the Gundams (Addendum 1)

IBO reference notes on … deals with the devil

IBO reference notes on … odds and ends

[sjofn-lofnsdottr]

God, I just realized something.

Some of the stuff that annoys me about Wuk Lamat, also annoys me when G'raha Tia does it.

Both characters are characters I would like better if they didn't make me feel like the game is making me hang out with them because I am their bestest, closest friend even though it doesn't feel remotely earned to me yet. And I hate that shit!

Like by the end of the CT storyline, G'raha is ... fine, I think my WoLs were on perfectly nice terms with him, but he wasn't a bestie by any stretch, and it certainly came as a surprise to them the lengths G'raha was willing to go to make sure they lived. He keeps himself hidden and distant for the mostpart during ShB so my characters don't feel like they know him any better by the end of 5.0, except for maybe how batshit his plans can get when he's desperate. But the game insists the WoL and G'raha are super best friends (and that G'raha just might be Pining for you), way too early. I'm more comfortable with it now that Endwalker spent time showing G'raha is more than the WoL's Number One Fanboy, and I think his use in Dawntrail was really effective. But I spent a lot of time thinking 'I like you okay, G'raha, but you're at an eleven when I need you at a six" during the ShB patches.

And I feel kinda similar with Wuk Lamat. I like her, I really do, but the game insists on a closeness between her and the WoL way, way too early in a way that does not feel earned to me, like it's rushing that development because she's probably not going to be around a ton going forward and they really wanted to wedge that in there. And it makes me pull back, because like with G'raha, it has the strong vibe of being that friend who is a little too clingy about your friendship. And it feels forced. I hate when that stuff feels forced.

And I can't help but contrast it with the WoL's friendships with some of the other characters. Not just characters like the twins, who have been hanging around forever and therefore have plenty of time to show how they get closer and closer to the Warrior of Light, or Estinien who has good reason to be ride or die for the WoL and Alphie but still takes some expansions off to get his own shit together, but characters we don't see a ton of like Cid. It's pretty clear to me that Cid and the Warrior of Light are good friends, because they have Been Through Shit Together, without it feeling shoehorned in artificially.

On the upside, this makes me feel optimistic about her in the long run. I'll get some distance from her, she'll probably not be So Much when she does show up going forward, and eventually I WILL agree they're good friends!