#and there is something deeply fundamentally wrong with all of them

[burningcheese-merchant]

I NEED GENERAL HCS ABOUT YANDERE BEAST!!!

YOU GOT IT, BOSS 🫡

Mystic Flour is the only one who's self-aware and knows how fucked up and ridiculous all of this is. She hates herself and her friends for being this way, she hates Dark Cacao for making her feel this way (but also understands how unreasonable it is to blame him), she hates that she's ultimately been ripped away from enlightenment through this... disease that's been brought upon her. But she also can't change and doesn't really know how to (and the feelings are honestly so strong that they practically control her. She wants to obsess over Cacao but also doesn't. She has to endure a lot of cognitive dissonance and being at war with herself all the time, and it causes a massive mental and emotional strain on her), so she's essentially stuck with this bizarre infatuation with the man she's supposed to hate

Silent Salt is the most "successful" of the five, in that he makes the best effort to actually understand who White Lily is as a person and accommodate her accordingly. He knows what flowers she likes and brings her them. He knows what she likes to eat. He knows how she braids her hair (he learned that by watching her do it lol). Things like that. And he really, truly has no interest in harming her in any way, so he's also technically the least threatening one. Lily is more willing to put up with him than the others are with their Beasts because of this: he's able to demonstrate that he's capable of being docile, thus lulling her into a big enough sense of security that she doesn't run from him on sight. (But make no mistake, Salt is still creepy and a sick person and what he does is wrong. The dynamic between him and Lily is arguably the saddest one because Lily feels a certain sense of obligation towards him; she doesn't return his feelings but still feels sort of touched that he makes this effort for her, and also - more importantly - she feels like she has no right to judge or condemn him for his actions because of her own as Dark Enchantress. She's a bad person, too. So in a way, to some degree, she understands him. In fact, she almost has this misguided notion of maybe "fixing" him, as a consequence of him being so calm around her. They lose ground with each other whenever the yandere tendencies REALLY come out of Salt (as in, when she spends time with other people lol); he scares her and pushes her away further with his controlling behavior, she feels like she undoes whatever semblance of progress she made in "taming" him. They're trapped in a very strange and tragic loop where Lily is constantly victim-blaming herself and accidentally enabling Salt's obsession, and Salt is not facing proper consequences for his behavior nor fully grasping that he's being abusive.)

Eternal Sugar, having once been the Herald of Happiness, has experience with charming and pleasing others, and understanding one's joys and wishes. However, after becoming a Beast, she's come to ultimately place HER happiness before all others', and this mentality manifests in her attempts to woo Hollyberry. She'll give Holly happy dreams full of things she knows Holly likes (she, like Salt, actually does make an effort) - BUT, many of these things end up being warped to Sugar's own liking, as she is a fundamentally selfish person and believes her way is superior. Thus, whatever pleasant dreams she grants Holly always end up conforming to Sugar's own tastes (and she always does SOMETHING to Holly's friends and loved ones in them, because Sugar is extremely petty and jealous). Holly is not happy with this, but allows it to happen because she believes it's a better alternative to incentivizing Sugar to come to her in person (she hates enabling Sugar in this way, but Holly always prefers to try deescalation if and when possible). Holly honestly feels really sorry for Sugar, she thinks Sugar is a deeply sick and unhappy (haha) person and, like Lily with Salt, wants to help her. However, unlike Lily, she's more level-headed about the situation and fully grasps the gravity/severity of it all, and so everything she says and does with/to Sugar is extremely calculated so as not to antagonize her and risk retaliation (against her loved ones; Holly can handle herself and isn't afraid of anyone).

Shadow Milk, like Flour, also grapples with a level of cognitive dissonance regarding his obsession with Pure Vanilla, in that he is hateful and endlessly frustrated towards Vanilla but also genuinely adores him. He will be caught sweet-talking and kissing his Vanilla puppet, only to destroy it in anger moments later (and then he'll make another one to replace it, because he legitimately cannot function without Vanilla, even just a puppet version of him). He's waxing poetic about Vanilla's virtues in one breath, then hemming and hawing about Vanilla's flaws in the next. He's irritated by Vanilla's unyielding goody two-shoes nature, he wants to break his mind and spirit as completely as possible... but he also LOVES Vanilla's mental strength and endurance, it's his favorite thing about the man, he never wants Vanilla to break and hopes he stays strong no matter what Milk throws at him. He's cultivated a very Batman/Joker-esque dynamic between them in his mind; of course he wants to "win", but he also adores this game they play together and never wants it to end. Regardless, what underlies Milk's volatile emotions is a very strong sense, albeit deranged, of connection and kinship towards Vanilla. He loves Vanilla because they understand each other so perfectly, are on the same intellectual level (Vanilla is smart, Milk likes that, he wouldn't love him if he was dumb, the only thing dumb people are good for is cheap entertainment), and are ultimately, LITERALLY designed for one another. He hates Vanilla because Vanilla is refusing to accept Milk's POV about the world (not understand, he KNOWS Vanilla understands, VANILLA IS NOT DUMB!), is refusing his advances despite all the love and effort he puts in constantly (come on, who doesn't want to be romantically and sexually harassed inside their own thoughts?), and is actively hindering any other sinister plans Milk has in general (Vanilla knows how to play mind games too. He often stalls Milk for time to figure out how to properly outsmart him. And he always manages to do so, however long it takes). He loves Vanilla, he hates Vanilla, he loves Vanilla, he hates, Vanilla, BUT NO ONE CAN HAVE VANILLA BESIDES HIM REGARDLESS!

Burning Spice, on top of his feverish obsession with Golden Cheese in general, has an obsession WITHIN that obsession: he's obsessed with the concept of marking/branding her. Hickeys on her neck, bruises on her waist and stomach (be they from holding her or outright punching her), scratches on her back. Anywhere and everywhere he can reach with his hands and mouth, he wants to make his presence known, both to her and to anyone who sees her. And that's what's driving it: he wants people to see what he's done to her and know that it was him. It's a way to convey ownership of her. Golden Cheese is HIS, she is HIS to fight and beat and break, HIS to touch and taste, HIS to love and adore, and he wants to rub it into everyone else's face. (On the flipside, he actually would love if she did the exact same to him; nothing would bring him greater joy than her "claiming" him as he wants to "claim" her... and really, he just loves when she's feisty)

Apparently, there's an actual character limit to posts? So I guess I'll stop here lol. One factoid about each Yandere Beast. I have more to offer, all you have to do is ask for it

[cosmicjoke]

Levi never Glorified Violence and Never needed to be Taught a Lesson that Violence is Wrong:

Nothing makes me want to rip my hair out more than when I see clowns saying Levi was "blinded by revenge" over wanting to kill Zeke, that he was "too violent", and that's why he got blown up by the thunderspear.

It's such a deeply, fundamentally WRONG understanding of why Levi wanted to kill Zeke, and also, of why he ended up getting blown up. I've already spoken about the strategically sound reasoning behind Levi's actions, which you can read here, if you're interested: https://www.tumblr.com/cosmicjoke/746918499422781440?source=share But to summarize, Levi hooking Zeke to the thunderspear made perfect, logical sense within the context of Zeke's own actions and behavior up to that point. Zeke was someone who until then had engaged in tactics of deception and double-crosses, who had only killed others while at a safe distance and within the cocoon of his Titan form. Decidedly the actions and behavior of a coward. Levi had no, good cause to suspect Zeke would be willing to blow himself up to also take Levi out, and so his reasoning that the thunderspear would act as insurance against Zeke escaping while Levi was preoccupied with driving the cart back to the capital was a reasonable and logical conclusion for him to make. It wasn't a decision blinded by rage or an action taken in hast. Just like it was reasonable for Zeke to assume Levi would rather die than cut down his own comrades, because he knew of Levi's compassion. Both of them underestimated each other, and both of them paid for making assumptions about the other.

But further to the point, this whole idea that Levi was being "punished" for his violence is the stupidest shit I've ever seen. Because it basically posits that Levi glorified violence, and so needed to be "taught a lesson" that violence was wrong, when he's the one character in the story who NEVER did that. He never reveled in violence, he never tried to frame it as something good or desirable, or even tried to justify it. He always spoke about and treated violence for what it was, a means to an end and nothing more. He never tried to moralize it or excuse it. He was always completely objective about it.

Compare, for example, the matter of fact way Levi explains violence and killing to Armin and Jean, versus how Zeke frames his own actions of violence. Zeke calls his murder of people a "mercy". He frames it as a positive action which results in a positive, better outcome. He has a totally warped view of killing and violence because he tries to justify it and moralize it to himself and others. He tries to frame his violence as something which makes him a hero. Levi does no such thing. He tells Jean and Armin that he doesn't know if it's right or wrong to kill, only that if Armin hadn't killed that MP, they would all be dead, and that Armin can't go back to the person he was, because he's now taken human life. He isn't justifying it, or moralizing it, he isn't trying to spin it into something positive or good, or even into something bad or wrong. He's simply stating an objective truth and then telling the 104th that they need to make their own choice about what they believe is right and wrong in any, given situation.

Or compare the way Levi approaches torturing Sannes to how Hange does. Hange goes into that situation gung-ho at the idea of torturing Sannes, because she wants revenge on him for killing Pastor Nick. She thinks she'll enjoy torturing Sannes, and attempts to enjoy it by taking it to an extreme, only to realize she's getting no satisfaction at all from her cruelty. By comparison, Levi never does or even attempts to take pleasure in the act of torture. He approaches it as a means to an end, something he has to do in order to obtain the information they need to overthrow the current government. There's no justification in his mind, no excuse he tells himself to make himself feel better about it. He already knows it's horrible and ugly. He already understands perfectly the wretched reality of violence. Again, he's the ONLY character in the story who does, from start to finish. It's why Hange is so rattled and upset after torturing Sannes, because she thought it would be fun, only to learn it was anything but. Levi never thought it would be fun, he never expected it to be, never wanted it to be, and he never tried to convince himself that it was anything better than what it actually was. It's why we see his shocked expression when Hange engages in unnecessary cruelty by ripping one of Sannes' teeth out. He's always been the most objective character when it comes to violence. He's never labored under any belief that his violence made him a hero, and he never tried to glorify violence to anyone or told them they were heroes for killing.

It's also why Yelena says to him what she does, during the final arc, and the battle at the docks. Because she knows that he knows, better than anyone, the inherent violence of the human condition and the ugly reality of it. Yelena is trying to again push her fanatical belief in Zeke's antinatalist philosophy, by pointing out that people are always going to kill and be cruel to each other, and she makes the point to Levi specifically, because she knows Levi is the only one who'd already long ago understood and accepted that truth.

So this idea that Levi is this ultra-violent, revenge-obsessed lunatic that needs to be taught that "violence is bad" is fucking moronic, and I am SICK TO DEATH of seeing people perpetuate that bullshit take. I want to tell everyone who does to just shut the fuck up already, because they're actively damaging the perception people have of Levi's character every time they spew that garbage.

[idensgarden]

kinda dislike when people argue that bill is under the same umbrella as other depictions of abuse in media. like ive seen him compared to *checks notes* thefucking moth guy from hazbin hotel. (previously this post came off as a very uhh "bill didnt do anything wrong!!!" type post and i am NOT about that)

that is to say i love the portrayal of a toxic relationship, that was very good on alex hirsch's part

[whimsysalesman]

having Big Feelings in the tags. you neednt read them, but you should go drink water and stretch your eyes

[renthony]

It's darkly amusing to me that some people thought my mom didn't "discipline" me enough as a kid, were not shy about making sure both she AND I knew it, and now as an adult I'm one of the only people in my friend group who still wants anything to do with their parents. The proof is in the pudding, as they say.

When I was a kid, I broke a ceramic soap dispenser. I burst into tears and was terrified that I was going to be in trouble. My mom told me that it was okay, because accidents happen sometimes, and the important thing was that I didn't do it on purpose and apologized.

When someone else I know was a kid, they broke a dish on accident and got screamed at and guilt tripped. To this day, they have to push down a panic attack at the sound of broken glass, and have had to actively work on healing from that trauma. They will always have to carry that.

I think maybe it's not MY mom who fucked up in the "how to discipline your child" department. Quite frankly, I think the idea of "disciplining children" is fucked up and deeply harmful on a fundamental level.

When a kid does something wrong, you have to teach them how to fix it and do better. Humans are messy and complicated and we don't know everything there is to know just by being born. Children are learning how to be human beings, and that's a really hard thing to learn.

Kids question and fight back against authority that mistreats them, but someone treating them like a human being with human emotions is usually going to have a lot of success. Kids just want to be respected, and it's our job as adults to give them that basic human dignity. The world is utterly terrifying, and made scarier when all the grown-ups seem to hate you and wish you would just shut up and go away, even the ones that claim they want you around.

Kids can be mean, because they're still learning how to socialize and communicate and collaborate. Sometimes you have to give them time to cool off, and sometimes you have to redirect them. Sometimes you have to be firm. Sometimes you have to be an adult, and hone your conflict de-escalation and resolution skills. None of that requires punishment.

And if a child does something truly cruel and fucked up and shitty, and it hurts someone in a big way? My first question isn't "what should their punishment be," my first question is always, "who taught this kid that, and is this child in active danger from them?"

[afterthefeast]

the tragedy of rhaenyra and alicent is that they cannot ever truly see the other without destroying the foundations of their own self-image. rhaenyra cannot see alicent as a child married to a man old enough to be her father because that’s rhaenyra’s father. and the image she has of both viserys as a just and kind man and of herself as the beloved daughter of that man would collapse under the weight of that realisation. the resentment she holds against alicent would have to turn upon viserys. if she recognised that viserys treats alicent little better than a broodmare, she would have to realise that fundamentally that is all her mother was to him too. if she understood why alicent was disgusted by her marrying daemon she would have to see herself not as someone with agency marrying a man she loved who happened to be her uncle but as someone manipulated and groomed since childhood. the agency she clings to, which is so important to how she sees herself, would be revealed as an illusion. by extension she would have to see her family as one in which the familial is warped almost beyond repair. her self-image, so rooted in targaryen exceptionalism, would collapse.

likewise alicent cannot fully grasp why rhaenyra was so upset that she married viserys because she would have to fully see viserys not as the king but her friend’s father. she would have to face the horror of her life head on. moreover she would have to see viserys in her own father. for her to accept that rhaenyra is not selfish or undutiful for having affairs and trying to carve out whatever agency she can, the pedestal on which alicent places duty would have to be destroyed. she would have to realise that duty is only as important as she believes it to be, that it has no meaningful moral weight to it, and that all of her suffering has been for nothing. alicent tells herself that her sadness is a condition of her existence, as a woman, a mother, a daughter, and that by trying to claw whatever happiness she can from the world rhaenyra has turned her back on all of those things; she is the wrong kind of woman. if she could ever accept that rhaenyra had slept around and birthed bastards without judgement the core of alicent’s identity as a good mother/wife/queen would collapse. she would have to face the reality that nothing that happened to her was justified, and crucially that her submissiveness at every turn was not noble or good and was never going to let her win, but only trapped her further. every cognitive barrier she has built up to protect herself and provide some sort of meaning to a life in which she has only ever really suffered would have to shatter.

and they both realise these things to some extent, rhaenyra knows that viserys is flawed and fallible because she’s experienced his mistakes firsthand (and she is definitely aware of daemon’s violence) and in many ways alicent is so viciously judgemental of rhaenyra’s choices because she wants that level of freedom so desperately for herself, and they so clearly love each other still that they both want to believe there’s something good in the other. but they bury those doubts under layers and layers of cognitive dissonance so they don’t have to face deeply painful realities, because neither of them can truly see the other without destroying themselves.

[confessedlyfannish]

DP x DC Prompt #4

When they all convene at the cave, Alfred is silently wrapping Dick's knuckles. Damian hovers beside him. Tim and Barbara are hunched over the batcomputer, not even sparing Bruce a glance as he strides over.

"Report," Batman grunts. No one reacts.

"Report!"

"Hood pushed his panic button at 2:34 AM," Barbara says shortly, straightening.

The button had been a joke, mostly because Jason would never use it and everyone knew it.

"I patched into his comm at 2:35. This is what I heard initially." At her nod, Tim presses play. What occurs next is a garble. There is the sound of high winds, as if Hood is rushing through the air, even though the comms are designed to filter out any ambiance otherwise the Bats would never hear each other. Interspersed is a mixture of static punctuated by high, inhuman screeches of metal and something else unknown.

"This goes on," Barbara says after thirty long seconds, switching it off. "Red Hood failed to respond to any attempts at contact. I dispatched Nightwing to Hood's location at 2:36 AM. He was approximately two miles away." She pulls up a GPS map of their respective locations, their beacons blinking.

"At 2:41 AM, Red Hood's comm goes off, as does his GPS," Barbara says, swallowing softly as the red beacon indicating Jason disappears. "Nightwing arrives at 2:42 AM."

Dick doesn't say anything, head hanging low as he grips the metal table he sits on. Damian glances between the two of them, expression flat but fists clenched.

"Nightwing, report."

"..."

"Scene was empty, B," Tim speaks up. "No trace of Hood, no sign of a struggle. No cameras in the alley. We've been checking the ones nearby but so far there's no sign of anyone but Hood heading in that direction...and no one, Hood included, caught in the cams heading out, not within that time frame."

"So he's still in the area," Batman concludes. "The local buildings?"

"All the entrances have cameras, which showed no evidence of Hood nor any evidence of being tampered with," Barbara says. "Nightwing, Red Robin and Robin canvased within a half mile radius to check for any signs of disturbances in any of the windows or rooftops but found no evidence to support Hood being taken. A scan confirmed several serial offenders, but when interviewed and searched there was no sign of Hood. Several in the area reported an unusual quiet for Crime Alley."

Batman forces the next question out. "Did you check the dumpsters?"

"Yes," Nightwing grits out. "Empty."

Barbara clears her throat. "I have attempted to reconnect to Jason's GPS and comm as well as restart both remotely but there's no signal at all. The thing is, when there's a disruption like that it usually leaves some sort of sign" she pulls up the audio waves, pointing at the end where the spikes conform into a straight line that makes everyone deeply uncomfortable. Upon playing, the noise from before plays before going abruptly silent. "But there is no large spike, this is clean. It just ends. His GPS is much the same. It's not off, it's just gone."

"I know you don't like to hypothesize this early on, B, but we think this involves a meta," Tim says, rewinding the audio. "We've been running the audio from Jason's comm through different filters, playing with the levels and isolating what we can and, well, take a listen--"

The screeching drops to a sort of muffle and in the background, distantly, they can hear bits of Jason's voice.

"No, I'm not---"

"--don't need--"

"get AWAY from--"

a particularly desperate yell that makes Tim flinch, "I am NOT--!"

and almost a whimper that makes Batman's blood run cold, "please..."

And then, unfairly clear even through the faint garble, Jason says "I don't have a choice, do I."

And a minute later, quietly: "Ok."

The audio cuts off.

The defeat in Jason's last words is palpable, and fundamentally wrong. Jason has never sounded defeated a day in his life, and no one knows how to process Red Hood all but giving his hands over for the cuffs. Nightwing pushes himself off the table.

"I'm going back out there," he growls. No one tries to stop him as he stalks out the cave, not even Alfred.

"I will accompany Nightwing, make sure he does not punch any more walls." Damian says, nodding tightly.

"B?" Barbara asks.

"Keep working on it. See if you can identify what could be making those noises if Hood was standing still in an alley," Batman says, walking towards the zeta tube. "I'm going to make a few calls."

[calliesmemes]

ABSOLUTELY UNHINGED COMEDIC RELIEF

ASSORTED QUOTES FROM TUMBLR TEXTPOSTS, X (formerly known as twitter) POSTS, TIKTOK, MEMES, AND OTHER SOURCES AROUND THE INTERNET

CHANGE gendered words and in-universe phrases as needed.

SPECIFY muse for multimuses.

“   Currently considering becoming a bother and a nuisance, maybe even a menace or a rascal. ”

“   Hungry? Eat the government. ”

“   Yes, I wanna fuck after every argument. ”

“   Silence, you uneducated peanut! ”

“  They should invent a being alive that isn’t so difficult. ”

“   Women have to think I’m hot or none of this matters. ”

“   Due to personal reasons I will be named an enemy of the state. ”

“   Being overdressed is a myth made up by people who didn’t want you to have fun and be sexy. ”

“   What even are daddy issues? Just traumatize your father back. ”

“   I LOVE complaining! You can’t take that away from me! ”

“   I went to the silly goose convention and they all knew you. ”

“   I’m simultaneously ‘I’m tired of this grandpa’ and ‘that’s too damn bad!’ ”

“   The word ew coming out of a pretty girl’s mouth holds so much power … I think that it can tear apart nations. ”

“   Someone made fun of my shoes and the whole time I just thought of ways to push them out the window. ”

“   If you’re short, simply get taller. ”

“   I better think twice? Buddy I don’t even think once. ”

“   My off putting looks, awkward demeanor, and strange behavior have captivated you. ”

“   There’s something deeply, fundamentally wrong with you. Can we kiss? ”

“   You are a fool. When you walk, clown music plays. ”

“   I mean yeah he’s evil and all but what if I were his favorite? ”

“   I really do hate thinking. ”

“   In my defense, I simply do not vibe with the law. ”

“   I’ve done nothing wrong. Except all the atrocities. Besides that, I’m innocent. ”

“   Sorry I couldn’t hear you over my internal monologue. ”

“   Of course you have white hair and trauma. ”

“   So apparently the bad vibes I’ve been feeling are actually ‘severe psychological distress’. ”

“   Stop calling me a bad person just because I’m orchestrating your downfall! ”

“   The more lip gloss I collect the longer I live. ”

“   Sorry that I am obsessed with you in the unhealthiest way possible. As if it's my fault ”

“   The multiple failed assassination attempts against me have helped build both character and self esteem. ”

“   I could be your loser boyfriend. Do you ever think about that? ”

“   Accidentally went and got myself killed yesterday, but god wont let me die so I’m back ”

“   What do you mean napping isn't a good coping mechanism? What do you mean my problems are still here? ”

“   Academic validation is required for my sanity. ”

“   RIP to everyone killed by the gods for hubris but I’m different and better. Maybe even better than the gods. ”

“   Researching the stages of grief to see if I can get them finished in ten minutes tops. ”

“   My parents were like I’m gonna make a child that is so beyond help. ”

“   It’s not easy to admit when you’re wrong, and that’s why I won’t do it. ”

“   Why can’t this family ever have a funky good time? ”

“   How do I show people that I’m more than my unethical career choice? ”

“   I fucked my way into this mess, and I’ll fuck my way out. ”

“   You look so biteable today. ”

“   Why am I suffering? I have so many correct opinions and takes. ”

“   I AM HAUNTED BY A PAST THAT I CANNOT GO BACK TO! anyways ”

“   Challenging authority, angering gods. The family business. ”

“   Third base is me telling you about my father. ”

“   Hey girl. Plagued by terrifying visions? ”

“   Got caught giving a fuck. Embarrassing. ”

“   I didn’t ‘miss’ the red flags; I saw them and thought that they looked sexy. ”

“   Do my dark circles and deteriorating health make me look hot? ”

“   I get my news from the only reliable source, cryptic symbolism in my dreams. ”

“   Another day of being a bisexual disaster. ”

“   I’m going to let myself be a little unhinged today, as a treat. ”

“   Some of you act like murder is such a big deal. ”

“   You wanna hunt me for sport so bad that it makes you look stupid. ”

“   You’re not a girlboss unless you’ve killed someone. ”

“   It’s so weird how no one ever has correct opinions about things except for me. ”

“   Hello, my love — I mean, my rival ”

“   No one is calling me baby and it’s outrageous I can’t believe it. ”

“   No talking stage. Mutual obsession and you see god in my eyes or nothing. ”

“   I DON’T UNDERSTAND HOOKUP CULTURE DIE IN MY ARMS ”

“   Yes baby your emotional walls are high and impenetrable can we kiss now? ”

“   Affection is disgusting. Drown me in it. ”

“   I am gatekeeping my respect from you. ”

“   Well, well, well, if it isn’t the consequences of my own actions. ”

“   I am equal parts fuck around and find out and please don’t yell at me I’ll cry. ”

“   Short legs, big butt. I’m a corgi. ”

“   Fuck being the bigger person; I’m going to start biting people. ”

“   Well that wasn’t very slay of you! ”

“   May I please get a crumb of affection? ”

“   I crave power! Please don’t yell, though; I’m sensitive. ”

“   You call it a near death experience; I call it a vibe check from God. ”

“   Here are some scissors. Now cut it out. ”

“   Might commit a little tomfoolery, maybe even some shenanigans. ”

“   All these flavors, and you choose to be salty. ”

“   How can I live, laugh, love in these conditions? ”

“   What if I said ‘to be honest’ but then lied? ”

“   I'm financially at a stage where I understand why people do fraud. ”

“   Yes I may be evil and morally corrupt, but I’m also incredibly beautiful and I think that makes up for it honestly. ”

“   Debates are stupid. Why would I want to sit down and argue with someone blatantly dumber than me? ”

“   I forget but I do NOT forgive.. I'm just walking around hating bitches can't remember why ”

“   Ding dong your opinion is wrong! ”

“   I’m coming for your kneecaps. ”

“   You dropped your nose you fucking clown. ”

“   Are you a fire alarm? ‘Cause you are really fucking loud and annoying. ”

“   Call me an escalator, because I let people down. ”

“   I love me a good lesbian scandal! ”

“   If you can’t run away from your problems, you’re not running fast enough. ”

“   Everything I want to do is illegal. ”

“   Don’t make me hit your ankle with my Barbie scooter! ”

“   I tell gay jokes because I am a gay joke. ”

“   Fuck! I dropped my mental stability! ”

[volchitsa-of-winterfell]

the way patrick zweig is so clearly a creature of desire; so fundamentally hungry. always devouring, uncaring of how desperate he might appear for it—taking a bite of the line judge's bagel sandwich before he even sits down; scarfing down his hotdog before grabbing a bite of art's, and then later treating their churros exactly the same way; picking the cigarette that tashi slapped out of his mouth up off the literal alleyway street so he can finish smoking it. acting on his hungers without asking permission first.

the way art donaldson is comfortable expressing desire without acting on it; content to yearn. mr. i-do-what-she-says-and-then-i-win obediently drinks his green juices, his electrolyte mixes; he lays his heart on the table for tashi, twice, and lets her decide when to take it; he tells her he wants to kiss her, but then lets her come to him to actually do it. a lapdog, just like patrick says: he'll turn his pleading eyes to you, desire writ across every line of him, but he is too well-bred to ever snap and just take.

....except, of course, with patrick; but even then, only when he can sublimate his desire for patrick into the appearance of desire for another woman. snapping at the churro when patrick calls him out over sowing doubt in his relationship with tashi is the obvious one, but also the fact that art is the one to come first in their mutual-masturbation experience when talking about kat zimmerman (how much of it was because of miss zimmerman and how much of it was art letting himself imagine patrick with her?). patrick, in the churro scene, describes it as seeing art "lit up about something," and while he's not wrong i think it's more specific than that. art feels deeply, keenly, but he guards the flames of his desire so carefully; banks them down and keeps the embers glowing for years. tashi is content to meet art halfway, to take the quiet longing invitations he extends. patrick is not. his desire, his hunger, is bigger than that. he wants to see sparks fly. how perfect, then, that he is the only one who can bring that out of art. he does exactly that with the racket-neck signal, and art (once he's over his shock) is once again lit up; ready to take the win, not to have it handed to him.

the way tashi duncan understands them both, perfectly, from their very first night in that hotel room that was so formative for all three of them. she kisses art first, because she already knows that if she kissed patrick first, art would take that as a rejection and retreat; put his desire away. she kisses art first because she knows patrick will not give up on his own desires that easily. she understands how to stoke art's desires and how to temper patrick's and teach him patience. and because of that, she gets them both: she doesn't have to choose.

[tainbocuailnge]

this is a final fantasy fourteen dawntrail post. it speaks incredibly for the desperation of the people of alexandria in its decline that they both couldn't bear to remember the dead and couldn't bear the thought of the dead no longer being remembered, and thus created this contradictory system where the dead are only remembered by something other than those to whom that memory is meaningful. so crushed by collective trauma and grief that they directed every effort to eradicating awareness of mortality altogether and it's resulted in a paradise where everyone is incredibly blasé about dying because the dead live forever in the cloud until they run out of spare souls and are completely paralyzed with fear of their own mortality.

but even more than desperation it speaks of a naive sincerity that the scientists and officials behind the project just actually genuinely built and maintained this giant memory database to preserve the deceased at increasingly large cost, rather than just lie that they totally did that to a populace who won't remember those deceased anyway. they're not harvesting souls to power the war effort while using a recreation of the beloved princess as puppet figurehead, they completely sincerely recreate the dead from their memories and simulate them living happily ever after, started by a sincere desire to not lose their beloved princess. living memory is an eternal theme park that actively goes out of its way to facilitate letting people who remember each other fondly meet again. it's the manifestation of a childish wish for a world where there are no partings, only reunions. it's a theme park rather than an actual city with a dmv and shit like amaurot was precisely Because it's a childish dream. it's fundamentally an artificial experience, but one which sole motive is to bring joy and relief from everyday sadness.

and sphene is the first and most prominent victim of that naive sincerity. she's the mascot of this theme park, and because she's the mascot in charge of providing this artificial but kind experience she can't ever break character. the people of alexandria couldn't bear the thought of her being forgotten, so they created a memory of her that would last forever, but they also couldn't bear to actually remember sphene, so she's a mascot instead of a person. she loves her people, and they love her, but none of them can possibly understand the weight that love puts on her shoulders. the sphene we meet is fundamentally trapped by other people's deeply limited understanding of her.

it's so so so important to her character that she's a small dainty feminine woman that exists to take care of everyone emotionally and be loved by them for being so nice and sweet and loving, and when she tries to arrange some kind of secure future she ends up with an abusive husband who ignores her wants and needs for his own ambitions, and she is fundamentally unable to act outside this highly gendered framework. sphene reads like the commonplace tragedy of the straight woman to me to the point where making her in lesbians with wuk lamat is like. I can certainly understand wanting to grant sphene the sense of liberation and comfort that many lesbians themselves feel at the realisation that they don't have to marry men, so far be it from me to say anyone is wrong to do so. but it's kinda ignoring part of what her deal is for the sake of that comfort I think.

not that lesbians have never ended up in abusive marriages with men but sphene very explicitly does not have other options, part of the tragedy is that you fundamentally cannot actually grant her that liberation and comfort. cahciua explicitly says there's no way to know what the real living sphene would have done because this sphene is a recreated memory of the beloved princess whose job is to sustain living memory. their darling sphene who will always listen to all their troubles and is always nice to them and will always take care of them. she's literally trapped by the role society assigned her, and that role is essentially to be their tradwife mother. the living sphene may have been into women, but the people who recorded her to create the sphene we meet never even considered the option.

do you guys know that tweet thread where OP describes going to a funeral for a woman they didn't know who'd died young of a heart attack, and the husband spent most of the eulogy talking about himself instead of his recently deceased wife, and by the end of the ceremony OP had learned nothing at all about what this woman was like beyond being a wife and mother? everyone fondly remembers the princess and queen of alexandria, but nobody remembers sphene. and just like all OP could still do for this woman was go to her casket and acknowledge that she too had been a full person in her own right before the stress of swallowing everything about herself killed her, all wuk lamat can really still do for sphene is think of her as the full person she must have been.

we're not told anything about what sphene was like as a leader, what her policies were, how she actually did her work, her vision for the future of her country before she died and was reconstructed. they only tell us everyone loved her so dearly because she was so kind to them. we're shown her dying moments and it's her using her airship to shield a civilian, so we can assume her love for her people was indeed true. but none of sphene's history that we're shown and nothing of how otis (who knew the living sphene) talks about her tells us anything about what she was like outside her role as beloved princess. her memories from after her "revival" are dissonant and corrupted and possibly not even real, and her policy of preserving living memory no matter what is a wish implanted in her by the people who reconstructed her. we don't even get to see what she looked like when alive. the only sphene the people know is the theme park mascot of living memory.

cahciua was exactly as erenville knew her and was true enough to herself to be able to turn against the system, so we're not given reason to believe any of the endless were tampered with. but sphene was already dead by the time they even tried to figure out how to preserve her memory, her actual soul and memories definitely long gone by the time the technology worked. we're explicitly told that nobody in everkeep really cared who or what sphene was as long as she adequately fulfilled this role of loving them all so much. she can't even tell you her favourite food, none of the people who labored so intensely and sincerely to bring her back bothered to write down even her most basic personal preferences when they reconstructed her. she has to deflect the question with "when I think of the people who make the food I can't pick just one" because the only preference she's allowed is loving all her people equally. she's completely thrown off that wuk lamat would even ask.

and it's precisely because she is remembered only as this kind loving woman who gave everything for her people that she is weak and powerless to actually do whatever it takes to keep them safe. she does not have the freedom to assert herself, let alone to be cruel or violent or take extreme actions. society does not give her that freedom, because she is a small dainty woman and (therefore) the only role allowed to her is to be their tradwife mother. so while her desire to protect her people is as real and true as it can be part of her plan to lobotomise herself in order to become someone capable of violence and cruelty also reads to me as that specific female frustration of wanting to destroy the sweet babygirl image of yourself by doing something extreme. like britney spears shaving her head. but in sphene's case destroying the babygirl image amounts to destroying herself completely, because the babygirl image of her is all that comprises her. and so when all is said and done the only fragment of sphene that is restored and lingers just a bit longer after that image is destroyed is the sphene that wuk lamat sincerely wanted to get to know.

[comicaurora]

I'm sorry that the terfs made their way onto your blog but it does feel good to see you support trans people. Thank you for that

Always.

I think, charitably, that the discourse going down on that post is an extrapolation and over-focus on one element of the point I was making: that for me, determining with certainty that I was cis was a rather fraught process. I was presented with many alternatives, but underlying their imposition on me was the oddly regressive idea that the things I liked, the principles I valued, the parts of myself I was proud of were not permitted of women. My whole life I got smacked with the background radiation that I couldn't like being strong because women aren't allowed to be stronger than men. I couldn't like being loud and boistrous because women aren't allowed to take up space. I couldn't be a math geek because women aren't smart. It was all deeply regressive misogyny from day one, but I started getting hit with it slathered in a fresh coat of paint - all those assumptions still held to be true, but now there was the out that I could do all those things if I just wasn't a woman.

Concluding that the underlying bioessentialist premise was wrong was very important. Absolutely none of those statements were true, and were only ever maintained by cultural saturation, goalpost-readjustment when they were actively disproven, and the occasional bout of lying with statistics to pretend they weren't just Shit All The Way Down. The core premise that certain things were only permitted of or possible for men was bullshit, and I didn't need to surrender the gender I liked best in order to play in the spaces I wanted to. I could simply exist the way I was already existing. I didn't need anything else.

The misinterpretation is the assumption that this being true of me means this is everybody's relationship with gender. I turned out to be cis, so for me, feeling that holding onto my assigned gender wasn't allowed was distressing - just another invocation of the same bioessentialist bullshit I'd been dealing with since the preschool playground. This is because misgendering is fundamentally denying that a person has the right to express themself the way they want. When aimed at me, it says I'm not performing traditional femininity well enough to deserve my pronouns. The same disrespect is the root of misgendering when aimed at trans people. "Perform your gender to my satisfaction or I will confiscate it."

The problem is, bioessentialism is 100% ingrained into the terf playbook, which is why, for instance, all their shitty talking points about trans athletes eventually boil down to "no woman can ever defeat a man in any contest because we are simply naturally weak and stupid and there is nothing we can do about it" and quite frankly nothing disgusts me more than the defeatist acceptance of the very lie that feminism is dedicated to overcoming. Instead of accepting that the paradigm of bioessentialism is a false dichotomy right from the jump, they embrace and weaponize it against the people whose existence proves the dichotomy is a lie. If gender essentialism is fundamentally false, then it is nobody's fucking business what anybody does with their gender. If the lines don't exist, nobody needs to enforce them. And yet there the terfs go, hunting down people whose lives are none of their business and trying to argue that they represent some great and terrible evil, some downfall of society made flesh, something that makes it totally correct and normal for them to spend so much time thinking about strangers' genitalia. They want this to be a noble crusade so badly they won't even examine what flag they're flying.

I love and support the trans people in my life and will always, always stand on the side of your right to exist, but alongside that, terf rhetoric especially disgusts and infuriates me because it is, at its heart, utter cowardice. The world told them they were weak and stupid and inferior and they fucking believed it. And now they think Fighting The Good Fight For Women means turning around and using the same paradigmatic weapon that hurt them to hurt the people whose existence outside the binary proves the weapon is a lie. They're the same shithead schoolyard bullies who made me believe my entire existence was foundationally wrong for years of my life and I will never, ever side with them or the shitty, cowardly rhetoric that contributed to the loneliest years of my life.

Figure out who you are and do it on purpose. Find the real source of the misery in your life and try fighting that instead of the other crabs in the bucket. Trans rights.

[barnacles34]

Beautiful Relationship

Tags: Romance, Sex, Soft Ryujin, Male Reader

With her nestled against the edge of the tub, I reached for the book I had left on the counter, opening it to where we had left off. It was an old copy of "Anna Karenina," the pages slightly yellowed, the spine well-worn from countless readings.

Ryujin sighed contentedly as I began to read aloud, my voice low, resonating in the quiet intimacy of the bathroom.

“‘All the variety, all the charm, all the beauty of life is made up of light and shadow,’” I read, my fingers absentmindedly tracing patterns on my lap. The words seemed to echo in the room, intertwining with the stillness around us. “‘In seeking happiness for others, we find it in ourselves.’”

Ryujin tilted her head back slightly, her eyes closed, her body fully relaxed against mine. “I love hearing you read,” she whispered

----------------------

The foggy weather clung to my skin like a second layer, a damp embrace that blurred the edges of the world around me as I stepped out of the condo. Each step felt light, almost floating, buoyed by the strange clarity that had settled over me. The condo itself—where I had just experienced something raw, something deeper than anything I’d known—felt miles away already, even though Ryujin's presence was still etched into my senses. Her face buried in a book, she had waved lazily from the large leather couch as I left, a gentle smile on her lips, a silent reassurance that lingered in the back of my mind.

The streets outside were nearly empty, a ghostly contrast to the usual bustling of Seoul. It was the kind of solitude I had long craved, the quiet that comes after the rain when the air smells of wet earth and fresh grass, mingling with the faint, distant scent of exhaust and city life. The kind of quiet where thoughts can breathe, where the world's noise feels muted, and the only sound is the gentle patter of raindrops on pavement. I inhaled deeply, feeling a strange contentment in the cool, misty air—a sensation that was somehow both calming and electric.

Enough of the background setting drivel. My mind snapped back to the task at hand as I drove toward Samsen HQ, the cityscape slipping by in a blur of gray and silver. The receptionists at the front desk were visibly surprised at my unexpected arrival. I saw them exchange glances, a flicker of confusion passing over their faces before they snapped back into their polished smiles. I had been absent from the office for a few days—unusual for me, and certainly enough to stir the quiet currents of office politics that always buzzed beneath the surface. There was always a game being played here, even if you sat at the top.

The days of absence had been deliberate, of course, a move calculated to keep the lesser sharks on their toes, to stoke the fires of intrigue among those who thought they could outmaneuver me. Let them wonder, let them speculate—it kept them busy and distracted. To be honest, the supposed mind games were more of an ego trip than any real threat. These pretenders held barely any power to undermine me. They were nuisances at best, and any one of them could be removed with a single call. The irony was almost amusing. I had the president’s number on speed dial, and yet these people acted as if they could orchestrate my downfall with hushed whispers in the hallways.

“Viva la Seoul!” I muttered to myself, a half-smile playing on my lips as I navigated the labyrinthine corridors of corporate life. The place had always fascinated me, with its paradoxes and its hypocrisies, its cutthroat maneuvering, and its strange, almost poetic absurdities. The Nietzschean interns who would debase themselves for a fraction of my hourly wage, desperate for approval or advancement. The older managers, balding and paunchy, somehow managing to crawl up the ladder faster than those who had dedicated themselves to optimal efficiency and health.

Was I evil for thriving in this environment? Was there something fundamentally wrong with finding beauty in these contradictions, in relishing the dance of corporate warfare? The thought amused me more than it should have. Maybe it was the fact that my entire existence was built around these principles, these axioms of survival. Maybe that was why I found it so hard to believe that anyone else could see the world any differently.

But then there was Ryujin, the outlier, the anomaly that challenged everything I thought I knew. She was proof that there was another way, that life didn’t have to be a series of calculated moves, that it could be something more—a mix of spontaneity and sincerity, without pretense or strategy. She was the exception to the rule, enough to make me question the very foundations of my beliefs, to make me wonder if maybe, just maybe, there was a different way to play the game.

The danger she posed was undeniable—she could unravel me, expose me to vulnerabilities I hadn’t known existed. And yet, the benefits she offered were so much more profound, so much more intrinsic. With her, everything seemed more vivid, more real. The same conversations I’d grown to hate with others—talks of relationships, the future—felt fresh and exciting with her, filled with possibility and promise.

I was so lost in thought that I almost missed the knock at my door, the sharp rap that pulled me back into the present. My new secretary entered without waiting for a response, a young woman with bright eyes and a sharp tongue, one of the few I hadn’t hired for her looks or her connections but for her brains and her grit. She had been foisted on me by my so-called equals, who thought I needed someone to keep me in check. They didn’t realize that I’d turned her into an asset, someone who could see through the corporate fog almost as well as I could.

“Sir!” she burst out, a hint of panic in her voice. “A rival competitor has just published an article about your recent absence. And they’ve announced a new home appliance chain aimed directly at Samsen’s market.”

I felt a slow smile creep across my face. “Good,” I said, leaning back in my chair. “Let them make their moves.”

It was showtime. The familiar thrill of the game flooded through me, sharpening my senses, focusing my mind. The room seemed to hum with a new energy, the fog outside thickening as if the world itself was holding its breath, waiting to see what would happen next.

I liked the unpredictability, the dance of strategy and counter-strategy. I could already imagine the maneuvers that would follow, the ripple effects of this new announcement, the way I would turn this challenge into an opportunity. In the end, it was all just another move on the board, another chance to prove that I was still the master of this game.

But even as I prepared to dive back into the fray, my thoughts drifted back to Ryujin. Her face, her smile, the way she made everything seem a little less bleak, a little less calculated. She was the only unknown variable, the one piece of the puzzle that didn’t quite fit. And maybe that was why I couldn’t stop thinking about her, even now, with the scent of competition in the air and the thrill of the fight ahead.

“Alright,” I said, snapping back to the moment, my voice calm but firm. “Let’s see what they’ve got.”

The secretary nodded, turning to leave, but not before casting a quick, curious glance over her shoulder. I didn’t mind. Let them wonder. Let them speculate. They had no idea what was coming next. Neither did I, but for once, that uncertainty felt like an advantage.

—--

After a whole day’s worth of intrigue, the outside felt damper than before with the slight tint of the night on the sky. The executive cars quickly pulling away to their respective areas after Samsen closed in a new historic high on the stock market. Greene’s power laws were accurate, accurate in their vagueness, in what constitutes as a power play, a masterful case of deception, and it just so happens that I have internalized it. 

Crooked? Maybe. 

The drive back home felt even fresher, unburdened by the rush of being down on the market, and burdened by the smell fresh of the damp grass, the damp streets with my windows all the way down. Pedestrians drew their phones, seeking to record the person that seemingly sways the national politics wherever he went. 

I promise you this is not an ego play, I really do control the national politics, but the magnitude of power also brings about the same magnitude of the potential to fail. But I’m used to that, my years of training, being down millions, multiple millions have utterly destroyed whatever the fuck part of brain controls my ability to discern risk. People don’t know how leveraged I am on the stocks, how leveraged to the fucking tits I am, my entire multi-billion fortune rests on the slight percent nudges of the hour, the minute, the second. 

That’s what drives me, performance adapts to what you expect and prepare for. Fortunately for me and unfortunately for the public, The government is readily available to bail me out in the billions.

Finally, I pull into the parking lot. I anticipate what I might see when I enter the condo, excited for the possibilities and excited for whatever the singular possibility might be. Will I see my hot girlfriend splayed onto the armchair, with only a tight-knit sweater dress on? 

The smell of vanilla wafted in the air as I approached the condo. As I approached, I was about to input the code into the door but it just opened with the touch of my fingers. And I saw Ryujin standing there, in a tasteful pajama set with loafers waiting at the door.

“Did you really read books all day?” I asked.

“Sometimes these days are warranted.” And hugged me below my shoulders, it’s always a spectacle to feel how small a kpop idol truly is, not that I have experience with them, it’s just that Ryujin feels small. I held her waist as I slowly entered, as she slowly moved backwards.

“Did you eat?” She asked, stepping away so that I could take off my shoes. 

“No, I just wanted to be home early.”

“Aww, you must be tired,” Ryujin said softly, stepping back to give me space as I entered. She glanced at the table, where dinner was already laid out, a quiet gesture that spoke volumes about her care.

I looked at the meal, then back at her, a small nod of acknowledgment passing between us. “You didn’t have to wait,” I said, my voice steady, though the hint of gratitude was unmistakable.

She shrugged slightly, her hands finding their way into her pockets, a gesture of both nonchalance and shyness. “I wanted to. Besides, I wasn’t really hungry until you got here.”

I raised an eyebrow, a faint smile tugging at the corner of my lips. “Convenient.”

Ryujin met my gaze briefly, then looked away, a subtle flush creeping up her neck. “Yeah, well… I figured you’d be starving after today.”

I walked over to the table, pulling out a chair for her. “Sit,” I said, more as a gentle command than a request. She hesitated for a split second before complying, her movements almost tentative as she took the seat.

I settled into the chair across from her, the space between us charged with an energy that was still new, still unfolding. There was a comfort in the silence that hung in the air, a kind of unspoken understanding that neither of us felt the need to fill with words.

“Did you make this?” I asked, gesturing to the food, though the answer was already clear.

“Yeah,” she replied, her voice soft. “I hope it’s okay.”

I nodded, picking up my chopsticks. “It’s more than okay.”

We started eating, the clinking of chopsticks against bowls the only sound for a while. I could feel Ryujin’s eyes on me from time to time, as if she was trying to gauge something, but she didn’t say anything. I let the quiet stretch on, content to let the moment linger.

Eventually, she broke the silence, her voice low, almost as if she wasn’t sure whether to speak. “I’ve been thinking… about us.”

I didn’t look up right away, taking a moment to finish my bite before responding. “Yeah?”

She shifted in her seat, her fingers fidgeting slightly with her chopsticks. “I don’t want to mess this up.”

I placed my chopsticks down, meeting her gaze with a steadiness that I hoped would reassure her. “You’re not. We’re figuring it out.”

Her lips curved into a small, uncertain smile, and she nodded. “I guess I just… I want to be what you need.”

I leaned back in my chair, studying her for a moment before replying. “You already are. But this isn’t just about what I need.”

Ryujin’s eyes flickered with something—relief, maybe?—but she didn’t say anything, just nodded again, as if she was absorbing my words.

Our dinner ended in satisfaction, and plates were washed under our melodic humming. And the area of our participation changed, onto the couch.

The room was dim, the glow from the TV casting shifting patterns of light and shadow around us. "Twin Peaks" flickered on the screen, the eerie opening score filling the quiet. Ryujin leaned into me, her body fitting neatly against my side, one arm draped over my stomach.

I tightened my hold around her, my hand resting firmly on her waist. She sighed softly, a small, content sound, her eyes fixed on the screen but her body melting further into mine.

“You like this show?” she asked quietly, almost as if testing the waters.

“I do,” I replied, my thumb rubbing gentle circles on her hip. “It’s got that strange charm”

She chuckled under her breath, a sound that sent a warm hum through me. “Kind of like you, then.”

I smirked. “Maybe. But you don’t seem to mind.”

She shook her head, nestling closer, her hand moving slightly against my shirt. “No… I don’t.”

I could feel her pulse, a steady beat beneath my palm, her head resting on my shoulder, her breaths syncing with mine. She was so quiet, so small in these moments, her usual boldness softened by the closeness between us.

Without a word, I shifted, pulling her fully into my lap. She let out a surprised breath, looking up at me with wide eyes. “What are you doing?” she asked, though there was no real protest in her tone.

“Getting comfortable,” I replied simply, guiding her so her legs draped over mine. “Is that a problem?”

She shook her head, a slight blush creeping up her neck. “No… it’s fine.”

We settled again, her hands resting lightly on my chest, as if she wasn’t sure what to do with them. I covered them with mine, holding her in place. Her cheeks flushed deeper, and I could feel the way her heartbeat quickened just slightly under my touch.

We watched in silence for a while, my fingers tracing idle patterns on her back. Ryujin shifted now and then, as if finding new ways to fold herself into me, her body instinctively seeking more contact.

The sound of Agent Cooper’s voice drifted through the room, but I was more aware of her—the soft rise and fall of her breathing, the way her fingers occasionally twitched against my shirt, as if she wanted to say something but wasn’t quite sure how.

“Do you think they’ll solve the mystery?” she asked at last, her voice barely above a whisper.

“I think it’s less about the mystery,” I said, my tone low, “and more about how it pulls everyone together… or apart.”

Ryujin nodded slowly, her eyes still on mine, her thumb brushing over my hand. “Kind of like us,” she murmured, almost absently.

I chuckled softly, leaning down until our foreheads almost touched. “Are you saying I’m a mystery?”

She bit her lip, a smile tugging at the corner of her mouth. “Maybe… but one I don’t mind trying to solve.”

I smiled, pressing a quick kiss to her temple. “Good. I like keeping you guessing.”

She laughed, the sound soft and genuine, and then snuggled deeper into my hold, her head resting just under my chin. Her fingers found mine, and she gave a light squeeze, her body relaxing completely against me.

And there, in the flickering light of the TV, we stayed close, without the need for any more words.

A dim warmth spread through my body, a quiet satisfaction as Ryujin nestled into me, her legs folded beneath her. Her soft breaths were steady, rhythmic, her chest rising and falling in a comforting cadence. The episode of "Twin Peaks" ended, but our embrace didn’t. The TV hummed faintly, the credits rolling into a quiet, glowing blue, and yet neither of us moved, content to linger in this stillness.

Her fingers traced over my hands, studying them in the dim light, her thumb brushing against the calluses. “How did your hands get so rough? Did you fight every day or something?” she asked, a soft chuckle escaping her lips.

“After training, yeah,” I replied, a small smile forming as I remembered. “I used to be part of an underground fight ring. It was fucking crazy… I still don’t know why I joined. It was full of middle-aged losers, and we’d just beat each other up, badly, almost every day.”

Ryujin's laughter bubbled up, a sound both amused and surprised. “What the hell? Seriously? Was the owner some big 'Fight Club' fan or something?”

“I don’t know,” I said, shrugging. “But there was this weird nostalgic element to it… getting stitches almost on a daily basis, feeling like I was constantly on the edge.”

Her laughter faded into a more thoughtful expression, her brow furrowing slightly as she massaged my hands, now resting on her lap. She slowly turned on my lap, shifting until she was facing me, her gaze searching my face with a mix of amusement and concern. “Gosh. What would you do without me? Look at these scars, and how rough your hands are! How did your face not get nicked?”

I smirked. “Oh, it got nicked. Plenty of times, at first. But a teenager learns pretty quickly among a bunch of 40-year-olds. By the end, no one really wanted to fight me.”

Her eyes softened, a small smile playing at the corners of her mouth as she continued to trace the lines of my scars. “Sounds like a mix of ego and insanity,” she teased, but there was an underlying tenderness in her tone.

I leaned back, letting her study me, feeling the weight of her gaze on my skin. “Maybe,” I admitted. “But it made me who I am, for better or worse.”

Ryujin shook her head, still smiling, and then leaned in, pressing her forehead to mine. “You're a little crazy, you know that?”

“Is that a compliment?” I asked, my voice low, teasing.

She laughed softly. “It’s an observation. But… yeah, I guess it is. You pretend like you don’t need anyone, but here you are, with me, letting me hold you like this.”

I felt a warmth spread through my chest, her words sinking in deeper than I’d expected. I tilted her chin up, meeting her eyes. “Maybe you just have a way of breaking through,” I said, brushing my thumb over her cheek.

Her cheeks flushed slightly, but she didn’t pull away. Instead, she settled closer, her hands resting on my shoulders now, her body melting into mine as if it was the most natural thing in the world. “Maybe… or maybe you just needed someone to see you,” she whispered, her voice soft but certain.

I didn’t reply right away, just let my fingers move to her hair, tangling in the soft strands as I held her close. I felt her relax, her body going pliant against me, and there was a peace in that moment, something that felt unspoken but deeply understood. 

A slow movement between each other occurred, and a slow kiss formed out of it all. A passionate, an unendingly lovely kiss, a kiss that could only be shared by two lovers. I reached deeper, my head moving forward deeper into the kiss, trying to get more out of Ryujin, her taste, her beauty. I slowly stood up, with her still on my body, I held her up with my arms around her waist while still sharing a passionate kiss. 

How could a girl be this lovely? Holy shit.

I quickly plant her on the leather couch, a black luxury couch too expensive for a single man, but a perfect frame for the most beautiful girl in the world. She laid on the couch, motioning for me to join her, in laying, in loving. The next seconds were a haze, the warmth of a kiss being shared, her soft bosom pressed up against me, The warmth shared by two bodies aggressively pressing each other to get more out of each other.

My left hand went from her waist to her breast, gripping firmly against the soft of her clothes, the soft of her breast. She mewled in my mouth, taking quick breaths trying to continue the kiss as long as possible, unbearably aroused by my body.

I quickly pulled away, she was irritated, I quickly took off my button-up, more like ripping it apart, buttons everywhere. That didn’t matter at all, we quickly continued our session, she softly rubbed her hands all over my back as I kissed into her. 

Then, clothes flew off each moment, and a kiss shared in each layer, and a mess on the floor. Her creamy-white skin caved at my touch, the slight ripple of her semi-abs visible as I greedily took more of her. Finally, her bra came off, the perfectly pink nipples were visible, and completely rigid. The kiss transitioned as my mouth traced over her body down to her breast.

I sucked lightly, fingering at her other nipple. Her loud moans and body ripples only inspired greater performance, I felt a slight tug when I felt her fingers around my hair and she seemed to be moaning louder.

I nibbled at her nipple, kissed the white skin around the nipple, which compressed at the slightest touch. It was almost heaven, a girl who gave me her virginity, a girl who is witty, smart, and loving. 

After enough teasing of her nipples, she began to be more reactive, perhaps signalling that it’s turned into pain rather than pleasure. So I stopped, caressing the pads of my fingers along her body, her curves, her identity, all the way down to her thighs where my thumbs hooked on her panties that were damp. 

“You must be excited.” I teased.

“Ah… please I’m so wet, you kept teasing my nipples you bastar- Ah!” I slipped a finger inside her, interrupting her, amusing myself in her arousal.

I took the finger out, it glistened even in the warm light.

“Open your mouth.” I demanded.

She complied, with her mouth open, I inserted the glistening finger inside her, “Tastes good?”.

“So Gooth-.” She replied with my finger still in her mouth. A slight vibration, a fiercely erotic sign, a sign that she was so stimulated that her body was vibrating as a coping mechanism after realizing other ways of coping with it were futile. 

I took out the finger out of her tender, warm mouth, with a trace of saliva still on my finger, I slowly tracked down her body, the shine of her saliva following suit, the rise of her breasts, the drop to her ribs, the softness of her belly no, abdomen, it would be an insult to call it a belly, it was the perfect midriff. The quiver getting more intense as the tip of my finger slowly approaching her pussy.

I pulled off my hands off her body quickly, and hastily set to pull off my belt; suddenly, Ryujin laid her hands on my belt, showing that she wanted to take it off, that she wanted to see my cock entirely of her own volition. Slowly, making sure that whenever her hands were not occupied with taking off my belt and undergarments, she grazed my abdomen with her fingers any chance that she got. She was kneeled on the couch, crouched over, I was kneeled up straight, and she took her time enjoying the rare opportunity to tease me.

She was entirely naked, and I got to see her back, her beautiful back, one that was crafted through sheer divination by the lords above, there was absolutely no other way to achieve that back, the hourglass shape of her waist and the curve of her hip bones, lord almighty.

I traced the lines of her back with my hands as she finally got down my underwear. Whilst I busied myself with her breasts, now that it was hanging, it was even softer, even more beautiful and absolute euphoria to handle.

A firm grasp disrupted my vivid imagination. “Are you gonna keep teasing my breasts, is it that lovely?” she said with a laugh, slightly firmer on the cloth that barely hid my erection. “Is underwear like this even practical? It looks like it’s a camp site!” Somehow she found some humor in this situation, most likely embarrassed about giving me fellatio. 

Of course, I know the cure. I grasped her hair tightly, the hair that has been diligently grown, perfect to grab tightly and insist on what actions you want. She obliged in the pull, her legs completely folded in obedience, and obliging in the slight pulls and pushes of my hand. 

“Too hard?” I asked.

“I don’t even know why you have to ask.” She replied, with a bright flush in her cheeks, knowing that she likes it and that I know it.

“You’re gonna suck my cock, and you’ll do it diligently; and you’ll get fucked into this couch.”

“Ye- Yes.. please Koji.” She submitted with speech.

I swiftly pulled out my erection, and I leaned into the railing of the couch, inviting Ryujin over. She moved closer, still kneeling, still crouched, and slowly approached my erection. She breathed deeply, getting closer to my dick, and started to stroke it with her hand. The soft coldness of her hands confirmed my suspicion, she was so nervous that all the heat went to her torso, “you don’t have to be so nervous, baby.” She smiled at the remark, and immediately took my dick in her mouth.

She learned so quickly, it was unbelievable, what a virtuoso. She sucked on my length, going halfway with an incredible suction. The pleasure was intense, a sensation of sucking was strong, and I would peak too quickly to enjoy her body. 

“My muse, aren’t you learning a little bit too fast?” I said with a chuckle, gritting my teeth against the pleasure.

She released, still very close to the tip, “it’s so delicious that I had no choice but to learn, and it seems it paid off.” Yes it has, but of course there’s an opposing force every force. Before she could continue sucking me off, I pushed her onto the couch. 

“Should I make you cum in one stroke?” I asked, fully intending to do.

“You wish.” Scoffing at my threat. “I was a virgin then-”

I quickly placed pressure just at the edge of the pubis bone, then the other hand traced the outer lips of her pink pussy. Her solid determination was nearly broken at that moment, a hand placed on her lower abdomen pressing into her was getting her off so well.

And it was a technique that only got more arousing the more it was used. She was a goddess personified and I was disgracing her by almost getting her to cum with light presses and pressure. The fingers that traced the outer lips of her pussy slowly converged on her clit hood, applying almost a graze over it, each graze getting a sizzling inhale from Ryujin. 

“Ah~ fuck, I’m gonna come! I’m gonna come!”

I immediately took off my hands, and I stared at her. “Wha- What are you doing? I was so close.” I didn’t reply, I swung my left hand against her hip bone, a firm slap, as close as you could get to her ass in missionary. 

She yelped, and I covered her mouth with a firm grip, “it would be a disgrace for you cum on my fingers, and even less so without me penetrating you at all.” I leaned into her with a hand still on her mouth, leaving enough room for her to breathe through her nose. I was still quite above her to let her see me entering her, she looked down, as I slowly pressed my member at the heat, prodding, then slowly entering. When I saw that she was not looking down and when she was trying to deal with the pleasure, I quickly took the hand off her mouth and pulled her head forward to make her look as I entered inside. Each inch pain-stakingly slow and purposeful, she stared with pleasure ablaze.

“Princess. I am the only one who understands you.”

That was it, that was the moment she lost it. I immediately entered to the hilt, then pulled out. She spasmed at the intensity, squirting all over the leather couch, screaming and moaning at the pleasure. “Oh my fucking god!” She placed a hand over her head to recover.

The latter minutes were spent with a more furious kind of love, an intense love.

A manner in which I fucked her, with love and embrace. I held her in missionary position, grasping the nape of her neck, sharing our mouths as I repeatedly and fully drew inside her fully. The motions bringing the deep moans of pleasure out in the form of vibrations in her body, and mewls of her mouth.

She loved giving up control in intercourse, it was something that brought her pleasure to no end. To know that she was not in control of her orgasm nor mine, that any second I could pull away and let her mewl in anticipation, and suffer right under the eclipse of her orgasm. However, she loved it more when we shared our arousal, in this position, she could kiss my shoulder, kiss my jaw, caress my back, and even massage my shoulders. Of course, she engaged in these sorts of affection, she couldn’t control it and I could never resist it. The deeper I went, the more her moan hummed against my jaw when she kissed it.

Sometimes I pulled off to maintain eye contact with her, noticing the twists in her eyebrows, the whiskered dimples of her cheeks as she was drawn to climax again. This time though, her legs locked me inside her, she knew that it would take multiple orgasms for her to get me to eclipse, she acknowledged it and was fully intent on it. Of course, the significant height and weight difference didn’t allow Ryujin to maintain much control at all. Instead of the leg lock, I swiftly kneeled up while my dick was still inside her, while she stared expectantly. 

I seized her legs, right above my shoulders, “Oh not again!” She definitely remembered the first time I did this. Then I lowered myself to kiss her, her legs were now placed next to her ears.

“I feel this is my obligation, to train your flexibility.” Still punishing her cunt with my deep strokes inside her

“Oh please-ah! Yo- You just want to fuck my brains out!” She was right.

 I still held her legs as the way they were, but I wanted a fuller picture, a picture where I saw Ryujin enjoying herself to the fullest. I observed the strokes, her cunt glossy with her arousal, I wanted her to enjoy it even more.

From then and there, I placed my hand on the place of her pubis bone, compressing the canal that anticipated my strokes, and a slight thumbing on her clit.

One, euphora

Two, amazing

Three, orgasm

She came again, this time she was allowed no movement, my hands acted as braces that held her down, and she vibrated in pleasure.

She tightened even further, her moans became more guttural as the added pleasures of my hands began to feel more like punishment.

I chuckled, she was such an angel. I released my hands, the hands thus landed on the breasts, the warm pliable breasts with very noticeable aroused nipples.

I had been pumping so quickly and hadn’t realized that I was getting close, I was enjoying her mewls and moans so much that I realized that I might cum this instant. Despite the fact that I finally bought condoms because I kept cumming inside her, I forgot to use it. 

Trying to resist pulling out of Ryujin’s pussy was impossible, it wasn’t ‘almost impossible’ it was plain and simply impossible. And Ryujin definitely felt the twitch my cock, “Please Please Cum inside me! Do it inside me~!”

Finally, I pumped into her one two three times and fell onto her as I filled her with my seed.

“I might actually get pregnant at this rate” she chuckled with her hands getting tangled in my hair

“I don’t even fucking care anymore” I breathed by her side, ear-to-ear.

“Would you like that? A little Koji running around?” She asked.

“I don’t know, what about you?” Genuinely curious about her opinion.

“I think it’s cute to see a little Koji running around, a little Koji that has a happier childhood.”

“I love you” I kissed her lips.

She murmured something against my lips, most likely “I love you” too.

The warmth of the embrace lingered as we finally moved from the couch. The night had drawn on, but the intimacy between us only grew stronger. Ryujin stood up, her hand slipping into mine, and without a word, she led me towards the bathroom.

The bathroom light flickered on, casting a soft glow across the tiles. The shower was already running, steam curling up and filling the small space with a comforting heat. Ryujin turned to me, her eyes gleaming with a mixture of affection and something deeper. She reached up, gently tugging at my hand.

Soon, the warmth of the steam wrapped around us both.

We stepped into the shower together, the hot water cascading over our bodies, washing away the day. Ryujin reached for the soap, her hands lathering it up before gently running it over my chest. Her touch was soft, methodical, as if she was memorizing every inch of me. I closed my eyes, leaning into the sensation, the warmth of her hands, the soothing pressure as she worked the soap across my skin.

I returned the favor, my hands moving slowly, carefully, over her shoulders, down her back, the water rinsing away the suds in gentle streams. She sighed, a sound of pure contentment, as I massaged the tension from her muscles, taking my time, savoring the closeness.

When she turned to face me, her eyes were soft, almost vulnerable. I cupped her face in my hands, letting the water pour over us, and she leaned into my touch, her own hands resting on my waist. For a moment, we just stood there, water pouring over us, our foreheads touching, our breaths mingling in the steam-filled air.

Finally, I leaned down, pressing a kiss to her forehead, then her nose, and finally her lips—slow, lingering, full of the unspoken things between us. She kissed me back, her hands moving up to tangle in my wet hair, holding me close.

When the kiss broke, we both smiled, a small, shared moment of understanding. I reached for the shower’s knob, turning off the water, the sudden silence almost startling. Ryujin didn’t let go, though. Instead, she wrapped herself around me, resting her head on my chest as the last of the water dripped off us.

“I want to take a bath,” she murmured, her voice soft, almost shy.

I smiled, pressing another kiss to her damp hair. “Let’s do it.”

We stepped out of the shower, toweling off quickly before I started the bath, adjusting the temperature until it was just right. Ryujin watched me, her eyes following my every movement, a small smile playing on her lips. Once the tub was filled, she sank into it with a sigh, the hot water enveloping her.

I settled on a chair that directly faced ryujin still with a towel draped over my lap, watching as she leaned back, closing her eyes, her face relaxing completely. The room was filled with the soft sounds of water lapping against her skin, the scent of lavender from the bath salts mixing with the steam.

“Join me?” she asked, opening her eyes just a sliver, looking up at me with a hopeful expression.

“Don’t even try” I chuckled at the previous time she asked for me to join her in the bath.

With her nestled against the edge of the tub, I reached for the book I had left on the counter, opening it to where we had left off. It was an old copy of "Anna Karenina," the pages slightly yellowed, the spine well-worn from countless readings.

Ryujin sighed contentedly as I began to read aloud, my voice low, resonating in the quiet intimacy of the bathroom.

“‘All the variety, all the charm, all the beauty of life is made up of light and shadow,’” I read, my fingers absentmindedly tracing patterns on my lap. The words seemed to echo in the room, intertwining with the stillness around us. “‘In seeking happiness for others, we find it in ourselves.’”

Ryujin tilted her head back slightly, her eyes closed, her body fully relaxed against mine. “I love hearing you read,” she whispered, her voice almost drowned out by the water, but I caught it, and it warmed me from the inside out.

I continued reading, my voice steady, letting the words flow through the air, wrapping around us both. “‘But every one of these men, straightway from the first minute of their meeting, was seized by an unwonted feeling of respect, as though they had met with something sacred, and in consequence every word and gesture of hers seemed to them more important and significant than they had ever been before.’”

Ryujin’s fingers played idly with mine beneath the water, her thumb brushing against my knuckles as she listened. The words from the book mixed with the rhythm of our breathing, with the warmth of the water and the quiet that enveloped us.

As I read on, the story of Anna Karenina unfolding in the soft light, I could feel Ryujin’s heartbeat, slow and steady, matching mine. The romance of the scene in the book felt distant compared to the reality of her in my arms, this intimate moment we were sharing.

Eventually, I let the book rest on the edge of the tub, my voice trailing off as I pressed a kiss to her damp shoulder. “You know,” I murmured, my lips brushing against her skin, “this might be better than any book.”

She turned slightly in the water, looking up at me with a playful smile. “Only might be?”

I chuckled, leaning down to kiss her, slow and deep, letting the warmth of the bath and the softness of her lips consume me. “Definitely better,” I corrected softly against her mouth.

Ryujin smiled, a content, sleepy smile, and nuzzled back against my chest. We stayed like that for a while, the water gradually cooling around us, but neither of us was in a hurry to move. The book lay forgotten on the edge of the tub as we simply enjoyed the closeness, the feeling of being utterly connected in this quiet, private world we had created together.

P.S: I have the whole prequel ready but the writing quality is a lot worse than this but its 20k words of setup, comment below if you want it.

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[ccieatchildren]

I’m sure we’ve all seen by now Steve Blackman’s reasoning for Five/Lila stating:

“I felt that Five had to have a love story.”

And how it shows how this man somehow has such a deep fundamental misunderstanding about his own characters. How he helped create the first three seasons of this show and doesn’t realize that

This is Five’s love story.

Umbrella Academy the show wouldn’t exist without Five’s love. The whole plot and story is it.

He is the catalyst of all the plot lines while his family is the center of all the story beats. His love is the instigator for all the events of the show simply because he chooses to do everything possible in the hope that it will save his loves.

It’s not like this was even a subtle idea because Five literally states it himself multiple times over the series!

I just don’t understand how you can get it so wrong.

He creates the Commission in hopes of regulating the timeline so his family won’t get obliterated from existence, tattooing himself with the potential solution to rewriting the universe so they can all live happily one day.

He survives the apocalypse all on his own, when there was no real reason to, just because he believed he could get back to his family, spending 50+ years developing the math to one day do so.

He joins the Commission and murders and maims and manipulates in the desperate attempt that he might have a chance to go back and see/save his family.

He spends the first time he sees his family after over six decades not with them, but rather searching for a way to stop their deaths, sending them all through time when it doesn’t work.

He runs himself ragged stopping apocalypse after apocalypse just for them.

And when he loses all hope, accepting the kugelblitz, he is content to know he is doing so with his family.

As much as this show is about the whole family, ultimately, imo, this is Five’s story about his grueling quest to save the family he loves.

Because otherwise this show wouldn’t exist without him and the rest of the characters would just be decorations in the rubble of a world long gone.

So to say bro needed a love story— he doesn't say romance, but love story— is so durna, like what??? I guess if you really wanted him to have a romance you could do that, but there were many better options than the wife of someone he deeply loves, something he would never do.

(Not to mention all the real world implications of the romance with the actors, production really was waiting for him to be legal ಠ_ಠ)

Also I don’t think it’s a coincidence that many fans view Five somewhere under the aro/ace umbrella (pun intended).

Now, because of this misconstruction the ending of the show also suffers.

Brushing over all the mind boggling things the real ending says about abuse, its victims, and growing from it (which is actually like how did no one look at that and think hmm maybe this isn’t right for the story we’ve been telling), it also misunderstands love. It tells the audience that love isn’t worth it, in a show… about love. Not just Five’s but Hazel/Agnes, Viktor/Sissy, Allison+Claire, and more. How all your pain and suffering and tribulations for those you love are stupid and useless and cringe.

But y’know what, Mr. Blackman, I think you’re cringe for that absolute bonkers bananas ending.

And that’s why having the solution to the series being that Five should have never jumped in the first place would have been the best ending.

Making it so that the only solution to save the whole universe be that Five stay with his family, with those he loved— what he had been trying to do for the whole show— would have been the perfect conclusion to the story. It would show that all he had to do was stay, because that’s all they ever needed, that’s all he ever needed.

AND IT WOULD MAKE LOGISTICAL SENSE.

Five and Viktor are well confirmed to have been the closest ever since they were young. And Five (doesn’t matter if he’s the now Five who lived through the shows events or the young one who ran off) would most certainly be a supportive figure in Viktor’s life. He’s smart, for one, and it wouldn’t be a stretch for him to figure out what was really going on (especially with his hatred of Reginald) and help Viktor that way. But even if he doesn’t, when they grow to adults and Viktor naturally doesn’t take his pills or his power starts showing, Five’s love and care for his (closest) brother would most certainly help prevent the apocalypse. Especially since if Five and Viktor are close, as they grow older, I feel like the others would grow closer as well, maybe not the same degree, but they would be more willing and supportive of Viktor in the end (I feel like Season 1 shows us how at the end of the day the siblings do care for Viktor, but they were just too late, so this time they wouldn’t be).

Through the subway we see the timeline where he jumps still exists, so that should mean there is a way for him not to do that. His jumping (and the siblings he brings along) is what creates the paradoxes and the "need" for the Commission. So by him not jumping, problem solved.

This might come at the cost of the current versions of the characters, but I think if they can make the developmental journeys they did once, I think they can do it again, and have a happy ending.

(Also the Jennifer incident wouldn’t happen either bcs of Five or just bcs that plot line was so fluffin stupid, so yay alive Ben)

(And Diego and Luther meet Lila and Sloane respectively cuz they are also part of the marigold brood so they still do exist at the same time, so yay happy couples)

It is somewhat simple, but I think that works as well, especially for a character like Five. He spends so much time looking at all the different equations, trying to find some complex solution to everything, trying permutation after permutation (as evidenced by our and the diner Five's), when it was right in front of him. Idk, I just think it would be nice if he just decided to stay with his siblings instead of running off.

Sure it may not be completely perfect, maybe Ben still does die, or Klaus can’t meet Dave again, or characters still find themselves prey to their arrogance but I don’t think it needs to be, because real life isn’t perfect. But the bonds we make and the love we share makes it so, a major theme the Umbrella Academy isn't unfamiliar with.

And it just makes me so deeply sad that this isn’t the ending we got. That this isn’t the ending the characters got.

They deserve so much better than Blackman gave them, and it’s a disgrace that he didn’t.