#and the thing is there is no specific moment or ep i can point to or rewatch to get out out of my system

[jemmo]

i didnt watch unknown as it was airing bc i knew it would consume me so i decided to binge it all today. i was correct. it has consumed me.

[skrunksthatwunk]

not my dad not liking moral orel season 3 🤭🤭🤭that's so embarrassing for him (<- he's not wrong for feeling that way but i think it's like 60% because he doesn't like it when art gets weird and that's so so tragic for him)

[andysfandomcorner]

I'm starting to lose it with my fellow pjo book fans. Specifically about the pearls.

Have we lost the ability to think critically??? First of all,this is an adaptation,things are going to be different. Secondly, Percy has already had an instance (with the pen, albeit temporarily) of losing things, AND accidentally (with the spear) breaking things???

Literally the moment I saw four my first thought was "Well, one of those isn't making it to Hades."...... Like what??? And even if it does.... So what??? This is an adaptation. It's not going to be exactly like the books. Those fuckers are old. Not ancient but hey, times change and the next gen/People who didn't catch it the first time around deserve to be able to enjoy it the way we did.

Also, about the deadline shit:

This a.) Creates more tension cause now there is a war happening (which like.... I think is a cool element), And b.) It further cements these kids desire to do good and to be better than their parents. Which..... Yk..... Is kinda a major point in this story???

(specifically: they now have no real incentive to do this. They SHOULD just go home. But they actively choose 'No, we are better than this, and we can still fix it'. Hubris may not be their fatal flaw, but my god is it what makes them human, and what cements that they are still just kids! This is a great addition imo)

There needs to be tension. This will, Inevitably create it. There is still so much to go. And Rick is notorious for monkey wrenching shit. Hold fast y'all, for fucks sake.

Anyway, I personally loved episode six. I love the change in the deadline having passed, and the four pearls.... The lighting kinda sucked ass, and there weren't any super obvious cameos of the Di'Angelos but hey. It is what it is.

But seriously guys, let's think critically and not let our nostalgia cloud our judgement of this. Kill the cop in your head. Fr.

Edit (spoiler for ep 7): They lost a pearl. Shocker. I CALLED IT!!! Also this episode had way more changes than were- eh. But hey! Uncle Rick is evil and we love him anyway so really no big complaints still.

[stackslip]

I wanna ask what’s going on with arcane but I feel like I’m opening pandora’s box 😅

the thing about arcane s1's writing, is that every plot beat flowed naturally from characters' choices, and every one of the characters' choices made sense in the context of who that character was, where they came from and what information they are working with at the time they make that decision. it felt like a tightly written tragedy where on a rewatch, it all feels completely inevitable that things would end this way because it made sense to who we learned these characters were. and said characters were layered, much time was devoted to giving them a certain degree of depth and believability (bar cait). you can criticize other aspects of s1's writing such as liberal wishwashiness but s1 of arcane was a *good* tragedy with a genuinely compelling cast! the final scene of the show is a confrontation between three major players who were all working with different information and whose motivations are completely at odds but who have a deeply personal tie, it's about jinx as the end result of the zaun-piltover conflict, it's about vi and silco being two deeply broken people who see her in an idealized version they deeply love and want her to remain this static thing they can be comfortable with until it turns out she can't be and she shatters and at the same time irreversably destroys her relationship to both, leading her in her despair to set off the ticking time bomb that is piltover and zaun's inevitable conflict!

so like, s1 has its flaws but its finale imo was perfect and made the whole thing self contained. i was ok with s2 happening. the only thing i wanted was more the dynamic character writing. i expected wishy washy politcs. and act 1 of s2 already struggled with character, but at least the plot beats were interesting and while not earned, made sense according to the characters we'd left in s1.

s2 act 2 is an absolute catastrophe, even compared to the previous act, nevermind compared to s1. it's not just that the plot beats don't feel earned, it's not just that it's missing connective tissue between them--it's that all the most interesting conflicts and dynamics just cease to exist. they don't get "resolved", they either are completely forgotten or are just waved away magically to pave the way for an utterly stupid, shlocky, wannabe shock value emotional final ten minutes of episode 6 that is honestly infuriating in how it's trying to push you to have feelings about it. i don't have any feelings besides revulsion and bafflement frankly. even before these final ten minutes of ep 6, the sheer lack of buildup or of character moments, the way characters are basically willed by the plot to be there at specific points for plot to happen to them instead of them arriving at it naturally--the way it reframes interesting aspects of s1 and s2 act 1 into shlocky, tropey bullshit--it's honestly near mesmerizing? it's like they brought in whole different new writers specifically for this who decided to back down on ANYTHING the show did that was interesting to try to instead push to the league's status quo instead, no matter how little sense it makes. i'm almost in awe. how do you mess up so badly.

this isn't just like, the plot is rushed and we need to get there as fast as possible--none of these resolutions make SENSE. jinx and vi's relationship was the core of season one, and suddenly magically jinx shows up at vi's door and vi bitches a little and then they go hunt vander down together and then they all hug because he was their father too <333 isha. i'm supposed to have emotions about isha? she sacrifices herself for.... forwhat? what? why? it's like they knew they had to kill her off to give jinx feelings and do so in the most stupid and absurd way possible, i was laughing hysterically when the music came in. it was so blatantly manipulative and uncalled for. ok i guess! sevika helps jinx and then once she's served her plot purpose she just vanishes! doesn't she wanna meet vander??? ekko's disappearance doesn't both people much i guess even his own firelights. ambessa says a single line about mel disappearing, and can i say i'm kinda infuriated that two out of three of the main black characters are just locked away from the plot and main cast for a large period of time. jayce--i guess they'll give us an explanation as to why but here it's like he just...... shows up angry and "ruins" things and that's it. whatever there was to ruin lmfao sky and viktor's heterosexuality mind palace leading to him being cyborg satan or some shit? cait finally FINALLY gets some personality, something interesting to her, she is openly a reactionary fascist who gassed half the undercity to sniff out jinx, and then she meets vi and within a solid minute is now back to being Nice and helping out jinx. i guess. silco and vander's backstory kind of completely destroys a lot of the stuff that made vander and silco's relationship to vi and jinx interesting and goes for a Family Is 5ever approach i guess.

just. i don't think there's a single thing there that's redeemable or interesting. it's comically bad. vi has no personality or motivation. she just does things. she got an emo trauma amv so that we get that she's sad but it might as well not have happened bc she barely is a character. jinx is a sad manic pixie dream girl. her psychosis is gone or barely there now apparently. sevika is plot and then vanishes when her part is done. ambessa is not a mastermind as act 1 hinted at but the most stupid comical villain alive. mel is--is she just going to come back to do a big plot thing in act 3 and then that's it? ekko the same? we have no idea what jayce is even doing or what or why. piltover and zaun are gonna ally now i guess lol. ok sure why not. why anything. why do anything at all! what's the point!

it's funny bc i was willing to give this season a chance despite act 1 being so rushed bc again, the plot points were interesting and while the characters needed more time fleshed out for their decisions to make sense i COULD see the characters making these choices and it was just a question of missing buildup. here it's like everyone is a zombie of their actual self. there's no point to anything. it's so stupid. it tries hard to play the emotion part but why should i feel any emotion except befuddlement? why are caitvi shippers happy? i'd be insulted. i feel insulted. i heard via a friend that riot had intervened in the writing more and so far i hadn't felt it but now i'm wondering if that's not exactly what happened bc it genuinely feels like the writers were fired right after act 1. what the fuck lol. i don't think i even wanna watch act 3 after this, i feel genuinely insulted that i should be expected to think this is the same show as s1 or that i should feel any kind of positive feelings about it. fuck this show so bad lmfao i'm sticking to s1 and pretending nothing happened after it. maybe grabbing some act 1 plot points for fun and that's it. it's so bad

[alltimefail]

Trying not to think too hard about what is going through Edwin's head in ep 4 when Charles is crying and saying that he hates being dead, that he "puts on a smile" for the sake of everyone else - singling Edwin out specifically, saying "Are you gonna do that Edwin, huh?"

I really hope this moment is addressed next season because it's heartbreaking. Knowing what we know, Edwin is starting to figure out that he is in love with Charles at this point, but he's also starting to realize that Charles has buried so much pain in their 30 years together that Edwin wasn't fully aware of (and, in all fairness, this sentiment goes both ways). It was never for a lack of caring; Charles had been denying the pain himself; I think about him telling Crystal his dad wasn't the nicest guy, Edwin then parrotting this sentiment later to Crystal at the Devlin house: "He wasn't a... nice man." Edwin can only know what Charles has been willing to share, but still... knowing Edwin, he probably feels a lot of guilt (which Charles would be devastated to know he played a part in, btw, because I truly don't think he intended for his feelings to come out, nonetheless as "harshly" as they did).

I know Charles briefly touched base afterward and told Edwin he wouldn't want to be dead with anyone else, but I have a feeling that since we explored so much of Edwin's personal development in S1, that Charles' development (sexuality/feelings for Edwin AND facing the trauma he's been burying, among other things) will be at the center of S2...🤞

[therantingsage]

Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:

Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos

Under the cut cuz it got obscenely long oops-

Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.

We all saw this scene:

And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.

Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.

Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.

Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:

...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.

I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.

Backing up a bit, Uzi's reaction to Nori's reaction:

This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."

In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.

When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.

As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.

And guys. Guys.

This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.

Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."

And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.

Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.

Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:

Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.

This:

Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-

This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.

And after:

Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.

His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.

And when she cuts Uzi off:

He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"

And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.

But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?

Guys. Guys.

N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.

But based on V's reaction to the handholding in Dead End:

I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.

Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.

Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.

[heliza24]

A few Armand thoughts that currently have me in a chokehold:

1. The building in Dubai only “groans” when Armand is around, and specifically when Armand is mad. Some of my favorite times I’ve noticed it include when Louis tells him to go take care of Daniel’s room in ep 1, after Daniel slaps Louis in episode 5, when Daniel tries to put Dr Fareed “on the record” in episode 6, and when he declares “this session is over” after Daniel starts pressing Louis about the rats in episode 7.

2. This, along with the fact that Armand is literally controlling the windows and balcony doors with his iPad, really adds to the feeling that he’s holding both Louis and Daniel hostage in a trap of his own design. When he mentions the interior designer that pitied Louis and his separation from the natural world and added the tree to compensate? That was definitely Armand’s idea, to make the captivity a little more bearable.

3. I’ve always wondered why I find the Beethoven Sonata 14 to be such effective scoring at the end of episode 7. There are a lot of contributing factors I think— it’s dramatic, it’s recognizable and therefore builds suspense, it’s used in the beginning and end of the episode as bookends. But it feels so *right*— even though I LOVE all of Daniel Hart’s original score. But here’s the thing. Armand controls the diegetic music being played in the penthouse. That’s established in ep 2 when he turns it on before Daniel and Louis have dinner. And when the sonata is first playing at the beginning of episode 7, Daniel and Louis are back in the dining room (being served by Armand/Rashid). So we can assume that the music is diegetic in that scene, and that Armand is controlling it. When it comes back in the moment of conflict and reveal at the end of the episode 7, the music is nondiagetic. It’s not playing literally in the room for the characters, but is part of the score. But we’ve already established that Armand is controlling it. It’s like his control has suddenly spread to the entire narrative that we’re witnessing. He’s in control of the whole show.

4. This is kind of a separate thought and more oriented towards season 2, but Armand is always styled— costume but also especially hair— to match whoever he’s romancing at the time.

I kind of assume the Dubai aesthetic is what he has chosen, and Louis is more matching him (see above points for my reasoning on that I guess).

But when Louis meets him in Paris, he’s perfectly positioned aesthetically to be attractive to Louis (especially coming off his experience with Lestat). He looks mature, capable of leading the coven. He’s suave, with his well fitted suits and slicked back hair.

In the 18th century flashbacks (god I can’t believe we are getting to go back to the 18th century, my favorite of all historical eras) he is matching Lestat like, down to the color palette.

But in San Francisco (and forgive the bad quality screen grab for these, I don’t think we have any high quality stills of this yet) his hair is light and curly, and he looks a fully 5-10 years younger than the Paris or Dubai scenes.

Because he’s matching a 20-something Daniel.

*proceeds to internally combust*

[confused-pyramid]

One Step From Grace | s4

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 19.2k

warnings: canon!typical violence, mentions of abuse, mentions of death, abortion mention, implied SA, gun violence, specific episodes mentioned in this part are 4x01, 4x02, 4x03, 4x09, 4x11, 4x16, 4x17, 4x18, 4x23, and 4x26

a/n: Some more tension in the slow burn! I included some more specific episode details in this one, because some of the eps and characters are important to future seasons :') P.S. I love hearing all of your thoughts and comments (it's honestly what makes all of this worth it) so lmk what you think:) Title is from Grace by Rag 'n Bone Man

series masterlist

"Garcia, is everyone okay?"

You can hear the sound of sirens blazing down the street a few blocks away from you, but you're too far away to make it there in time.

"Oh, thank god, you're alright," she gasps over the phone, her voice thick with tears. "Rossi and Reid called me just now, and Derek's on the line."

He greets you with a frantic urgency. "Hey, Y/N, I'm heading to the explosion site to see what happened."

"Okay, sounds good, keep calling people," you instruct Garcia, before swerving across the lanes and turning at the next intersection.

She calls Emily, who tells you that she's also going to the NYPD's critical incident command posts. When she tries JJ, the call doesn't go through, and then suddenly the line goes quiet.

"Garcia?" you call into the void. "Penelope, are you there? Derek? Emily?" No one responds, and your heart rate spikes again as you pull over in front of the command center and rush inside.

Rossi and Reid envelope you in big hugs when you find them in the main bullpen, and soon after, Emily and JJ join you inside.

"Do we know what happened?" you ask them as you crowd around the city map where Reid pinpointed all the prior crime scenes. "What street was the explosion on?"

Reid opens his mouth to answer, when Emily's phone rings. "Yeah, Garcia, I'm back. JJ's here too."

She listens for a few seconds, before her eyes widen and she glances over at you. Lifting the phone from her ear, she puts it on speaker and says, "Can you repeat all of that?"

"Derek's chasing after the bomber," Penelope says, her breaths coming out in short spurts. "The bomb... it was in Kate's SUV, or under it. Hotch is out there with her."

Your heart stutters and you press your palms against the back of the chair in front of you, leaning over it to get closer to the phone. "Is he okay?" You squeeze your eyes shut for a moment. "Are they okay?"

"He seems okay, but she looks really hurt. He hasn't moved her."

You release the breath you didn't realize you were holding and stand up straight, turning around to catch your breath. If something had happened to him...something irreversible...you don't know what you would've done. Especially after the last thing you said to him.

It's not your place to have this discussion.

Screw you.

"Where was Kate's SUV parked?" Rossi asks from behind you as you rub your eyes and turn back to face Emily's phone.

"2 blocks East of Federal Plaza."

***

You keep picturing the security camera feed of his SUV blowing up as you rush into St. Barclay's hospital. The moment Morgan called with the update that Hotch was taking Kate there in an ambulance, you all piled into an SUV and drove straight over.

You know Garcia and Morgan said he was fine, but not all injuries are visible. You're the first person inside, and you rush down the hallways until you spot a nurse in the ER. After you flash your badge, she points you to the curtains behind her.

When you push past them, he's standing up, working on the last few buttons of his shirt. His face is covered with tiny abrasions, and there's a piece of gauze stuck to his right ear.

"Aaron," you whisper, not wanting to startle him. He looks up as he grabs his tie out of the bag they put his clothes in. "Let me do that."

You take the tie from him as he sighs and closes his eyes for a long moment. It's silky against your fingers as you loop it around his neck and slide it under his collar.

"How are you feeling?" you ask him, trying to keep your voice soft.

He dips his chin to meet your eye and he squints as he shakes his head. "I'm fine, but Kate's in surgery. It didn't look good."

"I'm sorry," you whisper, forgetting about any prior gripes you had with her. "I'm sure she'll pull through."

He purses his lips and nods, just as the rest of the team pushes past the curtain. You step back quickly without thinking, and you don't miss the flash of confusion in his eyes before he turns to Morgan for the latest update on the bomber.

You swallow thickly as you look at your feet, letting everyone else walk around you. You don't know why you stepped back. Maybe it's the freshness of his divorce. Maybe it's the way Agent Calvert from the Portland office looked over your shoulder after you told him you weren't ready for dating again.

Whatever it was, you know you hated how it felt.

***

"There's a bomb on the ambulance."

Fear spikes through him as he turns around. "The ambulance which I drove in here." This day has already been longer than any of them expected it to be, but each passing minute seems to bring another surprise.

Rossi shoots him a knowing look that he reflects. "The hospital is their target."

He glances at you and you look back at him, your eyes filled with what he can only guess is fear. His mind flashes back to your interaction earlier, but he pushes it out of his brain as he realizes that they are down a man. "Where did Morgan go?"

Emily turns back. "He went to find the ambulance."

"Alone?" you gape at her, reaching for the gun in your holster.

He figures they only have a few minutes before the cell signal returns, so he grabs his own gun and nods. "Let's head down."

The ambulance is gone when they find the bomber in the parking garage, holding a knife to his throat. Before any of you can approach him, he slits his own throat. He can't help the grimace of disgust that crosses his face as the terrorist falls to the ground.

Once the immediate danger to the hospital is alleviated, everyone starts to relax. The rest of the team stays behind to clear the scene as he sprints up to the seemingly empty surgical ward. He finds the operating room that Kate was supposed to be in, but when he pushes through the doors, all he sees is a few janitors mopping the blood off the floor.

"What happened?" he gasps out. "Where's the surgeon."

A man in a blue scrub cap comes forward and pats his shoulder, a resigned look on his face. "We did all that we could. I'm so sorry."

All of the momentum leaves his body as he releases his breath, his shoulders deflating along with it like a circus balloon. The surgeon leaves the room and he looks down at her blood seeping down the floor drain. He watches as it mixes in with the cleaning fluids, and he can't help but wish that her death could've been less painful.

***

You wait outside the hotel the next morning, your go-bag hanging heavily off your shoulder. When the doctors told Hotch he wasn't cleared to fly yet, you told the NY agent assigned to drive him that you could take over.

"What are you still doing here?"

You turn around to see Hotch walking out of the hotel, the bag in his left hand evening out his gait after the explosion gave him a temporary limp.

You smile, pushing your sunglasses down from your head. "I'm your ride."

His eyes twinkle in the bright sunlight. "You really didn't have to. The flight is much quicker."

"It's okay," you shrug, before grinning. "Besides, I would never pass up an opportunity to annoy you for three hours."

That makes him laugh, before he winces slightly. Got it. No jokes.

He doesn't complain as you take the driver's seat, and that's when it hits you how much pain he must be in. For as long as he's had his license, he has preferred to be the one driving, sometimes even when he's in your car.

The first few minutes of the drive are quiet, but eventually you need to fill the silence. "I'm really sorry about Kate."

"Thank you," he sighs, his eyes squinting at the sun as you pull onto the highway. "I've known her for a long time." He exhales sharply. "Knew her."

You remember him telling you about a case he worked, years ago, that took him to Scotland Yard. He had sounded almost excited as he recounted the differences in how the British government handled procedure, but he had kept one thing to himself.

"You never told me about her," you say gently, trying to keep the blame out of your voice. You're not angry, you just don't understand why it would have been a secret.

He turns his head to gaze out the window for a few moments, before he looks back at you. "I wasn't sure about how that case would go when I agreed to take a look, but we ended up working really well together. I had spoken to her a few times before, mostly over the phone, but it was our first time meeting in person. We caught the guy we were looking for in just a few days, so before I left, she invited me to join her team for dinner."

You can guess where this is going, but you let him finish, in case you're wrong.

"When she dropped me off at my hotel that night, she made a... suggestive remark that I would've ignored if the implication hadn't been so clear. I shut it down immediately, but I didn't tell Haley when I got back, and I guess I just felt so guilty about it that I couldn't bring myself to tell you either."

Hotch feeling guilty about something. There's a shocker.

You glance over at him with a small smile. "I get it."

The "Welcome to New Jersey" sign flies past as you cross the bridge, and you both sit in comfortable silence as the sun glints off the water and reflects onto the cars around you. You see him looking out the window, and you wonder if he's thinking about Haley again, but then he turns to you with a curious expression. "The unit chief job here is yours if you want it."

Do you want it? You know you like leadership, and you would be lying if you said you hadn't thought about the possibility of moving up the ladder at some point, but now that you're confronted with the opportunity, it doesn't feel how you thought it would.

The thought of leaving this team, when they've become your second family, tastes bitter on your tongue. You know you could assume that other teams are like this too, but when you actually try to picture it, it doesn't feel possible.

"You can think about it," he says after a minute, "but not for long. They need a replacement ASAP."

You glance over at him and a realization clicks in your brain. "Wait, they needed your recommendation before offering me the position, didn't they?" You crack a smile. "You tryna get rid of me, boss?"

He laughs, before it turns into a small grimace from the pain. "No, of course I don't want you to leave. I just know you're destined for more than this. You could be doing so much good work, leading your own team."

The sun peeks out from behind the buildings in front of you, and you reach up to pull down the sun visor. "Maybe one day. But not today."

His eyes flit over to meet yours and you share a smile before you turn back to the wide expanse of road ahead of you.

***

You've been watching him all day. He was cleared to fly again, but you saw how pained he looked when the jet took off, and again when they exhumed Cortland's grave. The way he's been flinching back at the slightest sound, and cowering in pain after the louder screeches.

You tighten the strap of your kevlar vest and glance over at him again as he whispers something to the local sheriff on the Angel Maker copycat case. You've cornered the unsub in the latest victim's house, and Morgan got her out before she could be killed, but Emily continues to speak to the unsub through her megaphone, coaxing her out and into custody.

"It's over, Chloe," she says calmly as Morgan deposits the woman into the awaiting ambulance. "We have Faye. You have nowhere to go."

After a few moments, the front door creaks open and everyone lifts their weapons. She looks surprised when she sees the dozens of guns pointing at her, but then she lifts her own and Hotch steps in.

"Chloe, drop the gun."

The sheriff, with much less composure, jabs his weapon forward. "Damn it, lady, drop it!"

She takes a step forward and the sheriff fires, taking her down in one shot. Hotch goes down at the same time, doubling over in pain, his hands going up to cover his ears as he lets out a low groan.

As everyone else goes to Chloe, you rush to him, lifting your hands to press them over his in an attempt to help him hide from the external chatter and noises. "Aaron, it's okay, you're gonna be okay."

His body folds into yours as you wrap your arms around his head, clutching him to you, unable to help. "It's okay, it's okay."

It takes a few seconds for him to relax in your arms, and then a few more for him to remove his hands from his ears and stand up straight again.

"I'm okay," he sighs, his brow still furrowed with tension. "Thank you."

"Of course," you whisper, your chest heaving as the stress slowly seeps from your body. "You're not flying home."

He takes a deep breath before slowly dipping his chin into a nod. "It's a much longer drive. You don't have to accompany me this time."

The corner of your lip quirks up. "What makes you think I was offering?"

"Okay," he chuffs, rolling his eyes. You can still see the image of him doubling over in pain splashed across your eyelids, but you manage to push it out of your mind long enough to return his smile.

***

"Stand!"

You look up from the young girl you were interviewing with Emily and Spencer as Cyrus storms into the room with a gun, his second in command hot on his heels.

"What's going on?" Emily asks as she and Nancy Lunde, the state officer you came onto the cult compound with, stand up and approach him.

He squints, scrutinizing each of you. "We just got A very strange phone call from a news reporter. Is there anything you want to tell me, about a raid, maybe?"

You frown, genuine confusion coloring your expression as you shake your head. "We told you, we're child victim interview experts."

He takes another moment to consider your answer before nodding and instructing the man with him to lead you to the tunnels for safety while the raid continues.

You let Spencer, Emily and Nancy go ahead of you as the sounds of gunfire from the back get louder. When you reach the tunnels, they head further in to help the children take cover as Nancy turns back and gives you an earnest look. "I can talk to him."

You're shaking your head before she's done speaking. "No, you can't. It's too dangerous."

You try to grab her arm, but she rushes forward and past the small crowd of children that safely made it out of the school. You run after her as she calls out, "Mr. Cyrus, let me talk to them."

She's too close to the window. You reach forward to grab her arm and pull her back but then another round of gunshots fires off and she drops to the ground in front of you. You start to crouch down, out of the line of sight of the window, when a searing pain shoots through your abdomen. You keel over, falling forward into the wall of the chapel as you gasp out in pain.

It doesn't hurt as bad as it probably should, but the adrenaline coursing through your veins won't last forever. You press your hands against the bullet wound that ripped through the side of your abdomen, and try to calm your breathing as fear washes over you. The team knows you three are in here, they'll figure out how to get you all out.

You know the minimal loss scenario by heart, and the BAU was the one who wrote the CIRG playbook, so it's a small comfort to know that you'll be able to predict their moves. You can only hope that they will be able to predict yours just as well.

Another wave of pain shoots through your side and you grit your teeth as the adrenaline starts to wear off. They better hurry.

***

He knows he's emotionally involved. They all are, but if his people aren't the ones leading this negotiation, he won't be able to forgive himself for any outcome that doesn't end with the three of you coming out in one piece.

He's listening in as Dave speaks with Cyrus, and he can't help but notice how cavalier his tone is after his followers were just shot at. He continues to rant about the final battle he has foreseen, until Dave manages to get him back on track.

"Now, the four child services workers..." he says slowly. Hotch can hear the concern coloring his tone even as he tries to act detached.

Cyrus's voice is crisp over the line. "One of them is dead."

His heart jumps to his throat. Your face flashes in his mind and he closes his eyes as he silently begs whoever is out there for it not to be you. Not you, not Prentiss, not Reid. Please.

"Her name was Nancy Lunde."

His breath comes out like a gasp, and Dave turns to him with an equally relieved expression. He's so thankful that the guilt for wishing harm on anyone takes an extra second to take over.

But Cyrus isn't finished talking. "One of the other child service workers was shot during the same raid. Once again, by your people."

He looks up at Dave, waiting for him to ask who it was, but he doesn't have to. The next word out of Cyrus's mouth is your name, and his stomach twists with nausea and anguish even as he assures Dave that your wound has been cleaned and properly dressed.

He turns to look at the compound, as though he could see you if he squinted hard enough. Hold on, he thinks, hoping you can hear him somehow. You've always had a way of reading his mind. Please hold on.

***

You wake up on a small cot, with a woman bent over you. You hiss as she presses down the edge of the bandage on your abdomen, and you bring your chin to your chest to see the current state of your gunshot wound.

You're surprised to see the blood washed off, a clean bandage and gauze left in its place.

"You got lucky," the woman says when she realizes you're awake. "The bullet went all the way through."

"Thank you," you whisper, before turning your head to look around the room. "Where are the people I came in with?"

"I'll take you to them," she nods, reaching her hand out. You take it and let out an involuntary groan as she helps you into a standing position. You try taking a step, but another spike of pain shoots through you, so the woman latches her arm under your shoulder to help you walk.

It takes a few minutes, but eventually you get back to the main chapel, where Emily and Spencer are sitting with the rest of the followers. They turn when the doors open in front of you, and they immediately jump out of their chairs to take over for the woman helping you.

"How are you feeling?" Spencer asks, his eyebrows pinching as he looks at you.

"I'm okay," you assure him, even as your vision blurs from the pain of having to walk so far. "Can we just sit down, though?"

"Of course," Emily nods, helping you sink into a chair. "I'll get you some water."

Spencer sits down next to you when she rushes off, and you don't miss how he keeps glancing down at your stomach.

"It'll be okay, Spence." He meets your eye and you nod again. "We know the playbook. We just have to follow it."

Emily returns with a water bottle that she opens and hands to you, and you chug half of it before setting it down. Hotch, please hurry, you think, wishing he could hear you.

***

The next morning, you wake up to a knock on the front door of the compound. You peel your eyes open and try to sit up, before remembering what happened the night before. Your skin feels wet as you run your fingers against the edge of the gauze, and you look down to see that you're bleeding through the dressings.

"Emily," you whisper, pushing her shoulder gently to shake her awake. "I need you to get the first aid kit again."

You feel more blood drip down your stomach, and your vision turns hazy for a moment, like a confirmation. She walks across the room to get the kit, and you almost forget about the knock on the door, until Cyrus opens it, revealing a stone-faced Rossi.

They shake hands as Emily removes your dressings before tearing open a new packet of gauze and pressing it into your wound.

"The children," Cyrus tells him, gesturing to the crowd. He then points at the three of you. "And our guests."

Rossi meets your eyes for a split second, and you make sure to keep your expression neutral as he nods and turns back to Cyrus. You're glad it's him who came inside, and not Hotch, because even though you want nothing more than to see him right now, you also don't want him to see you like this.

Rossi tries to get him to release the children, but he ends up leaving with nothing more than a promise to send food and supplies.

***

"Prentiss, Reid, and L/N are okay," Dave says as he jogs back to the tent outside. He turns to Hotch then. "She's been shot in the abdomen. They've tried to dress her wound, but she's losing blood."

Shit. He shuts his eyes as he tries to think about what he can do from out here to speed up the playbook.

"I have a signal!" Morgan beckons them over as he lifts a few sets of headphones for them to wear. With the bug Dave left on the compound, at least they have ears on the inside. It's not all he wants, but it's something, at least.

***

"Which one of you is it?"

Cyrus storms into the basement, where Spencer and Emily are sitting next to you as you lay down on the small cot from earlier. After Emily changed your bandages, Spencer managed to convince him to let you rest away from the followers.

"Which one of you is the FBI agent?"

Spencer jumps in before you can react. "Why do you think one of us is an FBI agent?"

You haven't had the time or capacity to properly profile this man yet, so you don't know if his evasive tactic will work, but you also know he's smart enough to have thought this through.

Cyrus sighs, almost like he's disappointed. "God will forgive me for what I must do." He steps forward and points his gun at Spencer's head. You gasp, trying to keep a look of confusion on your face as you fight the urge to step in.

"I-I don't know what you're talking about," Spencer says, stumbling over his words. His eyes are wide with fear, and you can't tell how much of it is real and how much is for show.

Cyrus tuts. "One of you does. Who is it?"

You open your mouth to say something, anything, to distract him, but then Emily stands up. "Me. It's me."

The moment of relief you feel when he lifts his gun from Spencer's head is gone as soon as he grabs Emily by the hair and drags her to the door. Your legs burn with the desire to leap off the cot and tackle him to the ground, but you can't move as the door shuts behind them.

***

It's almost night fall by the time Emily joins you again. You and Spencer were moved back up to the chapel after Cyrus took her away, and seeing her now, she looks awful.

Splotchy bruises of purple and blue paint her neck and chest, and there's dried blood on her temple and the corner of her mouth.

"Emily," you gasp, trying to control your expression so that Cyrus and his diehard followers don't think you know her as well as you do. You hate the feeling of letting her take the brunt of his punishment and blame, but it won't help to expose yourselves as agents too.

Spencer leans over you to get a better look at her. "Are you okay?"

She nods, flashing him a small smile. "Yeah, it looks worse than it feels." You can't imagine she's seen her reflection today, but you still appreciate her trying to relieve his stress.

Right then, the front door opens again and a shipment of food containers are carried inside. Men lift the boxes and bring them around the room to feed everyone inside, and when they set a box in front of you three, you notice a familiar scrawl of handwriting on top of the to-go container. 3AM. They're coming in at 3AM.

***

When the followers leave to go to bed, Cyrus takes Emily away again to separate her from you and the others. You fight the exhaustion pulling your eyes shut as you sit on the floor with your back against the wall. Spencer has been talking to Cyrus's second in command, trying to convince him that the Bible can be used to manipulate anything, but Cyrus catches on quickly.

You keep glancing at the door, hoping that Emily will find her way back up before 3AM hits, but as each minute ticks by, the idea becomes more futile.

You saw the diehard followers rigging the compound with explosives earlier in the night, and the detonator is clutched in Cyrus's hand like a lifeline. The irony doesn't escape you.

"Something's wrong," the follower reports, his eyes scanning the darkness outside through the window of the chapel.

Cyrus walks over to check, and you use the moment of distraction to lift the edge of your shirt and check your bandages. You're starting to bleed through the gauze again, but it's not bad enough that you need your dressings changed just yet.

When Cyrus realizes that he's been lied to, Spencer tries to distract him by spouting off verses at a rapid pace, but Cyrus just rams the butt of his rifle into his head, sending him to the ground.

"You cannot convert my brothers," Cyrus says before hitting him again. You crawl over to him, ignoring the screaming pain in your side, and clutch his arm for some semblance of comfort. Cyrus looks down at the both of you, his eyes squinting. "No one had to follow. God could have stopped me."

"He just did."

There's a gunshot, and you whip your head around to see Morgan and a young girl racing out of the tunnel before he crouches beside you. "You two alright?"

You nod, reaching your arm up to let him help you into a standing position. "Where's Emily?"

"We got her out of here," he explains, before turning to the girl. "Sweetheart, come with me."

She looks at each of you, her face twisted with panic, before bending down and picking up the detonator from where Cyrus dropped it. Your eyes widen and you yank Spencer in front of you before pushing him down the tunnel. "Run!"

Derek wraps an arm around your shoulder, holding half of your weight as you both sprint down the tunnel after Spencer. You're almost outside when the explosion goes off, pushing you to your knees with a strong gust of air and smoke.

***

He yells out your name as the blast engulfs the compound. His throat feels ragged as he yells out for Reid and Morgan too, but he can't see anything until three figures stand up from the plume of smoke and stumble down the steps.

He rushes up, meeting you halfway as you collapse from Morgan's arms into his. He grabs onto you as your knees buckle, and he manages to pull you towards him before you hit the ground.

He can't breathe as he clutches you to him, trying to be mindful of your wounds. Your breath comes out in gasps that mix in with his own as he sags with relief that you're here, back in his arms, where he can keep you safe.

He pulls back when he sees the paramedics approaching, and it's only then that he finally gets a good look at you. Your skin is gaunt, and his heart thuds loudly in his ears as he sees you wince in pain.

When they load you into an ambulance, his feet finally start working again and he races after you. "I'm coming with you."

You nod as he climbs through the doors and you reach your hand out over the side of the gurney. Your fingers feel cold when he clasps your hand in his, and he syncs his breaths with the sound of the sirens as your eyes fall closed.

***

The first thought that goes through your head when you wake up is that it's too bright. You squint as your eyes peel open, and in the few moments it takes for them to adjust to the light, a chorus of quiet 'she's awake's filter around the hospital room.

"How are you feeling?" JJ asks, stepping closer to stand at your bedside.

"You gave us a real scare, Mama," Penelope adds with a gentle smile.

You open your mouth to respond, but your throat is so dry, no sound comes out. Emily darts forward to grab the cup of water on the counter, and you glance over to see the yellowing bruises on her cheekbones.

After a few sips, you clear your throat and say, "I'm good. How long was I out?"

"Just a day," Derek responds from the foot of your bed, where he's standing with Spencer and Penelope.

Spencer chimes in. "You got out of surgery a few hours ago, and the doctors said you can go home tomorrow morning."

You nod slowly, stretching out your arms and legs to test the limits of your mobility. When you push yourself up into a sitting position, it doesn't hurt as much as it did on the compound.

"Ah, you're awake," Rossi smiles as he joins you all in the hospital room. It's not exactly huge, so everyone has to stand to make room, but it still doesn't escape your notice that someone is missing.

You return Rossi's smile before glancing over at the door, trying to see if he's just outside. Noticing your gaze, Spencer walks forward and takes your hand, giving it a small squeeze. "He's on the phone with your father. I think he got a flight for tomorrow morning."

You exhale slowly and take another sip of water. "Thank you." He nods and moves to release your hand, but you grip it tighter, holding him back. "Seriously, Spence, thank you." You turn to Emily, who is on the other side and her eyes shine, reflecting the tears in yours. "That whole operation sucked, but I'm really glad you two were in there with me."

She lets out a watery laugh and bends down to press an kiss to your temple. "I'm glad you're okay."

When you start fading again, the team leaves with promises to see you back at work in a month, and you close your eyes to get a break from the harsh fluorescent lighting.

***

"Alright," he says into his phone, nodding. "We'll see you in the morning, Mr. L/N. Yes, she's doing a lot better...okay, good, see you soon."

He ends the call and tucks his phone back into his pocket, before walking over to the vending machine at the end of the hall to grab a few of your favorite snacks. He loads up on chips and pop tarts before heading back up the hallway to your room. When he reaches the door, he realizes that the rest of the team has left, so he steps inside quietly and takes a seat in the small plastic chair next to your bed, before gently setting the snacks on your bedside table.

Your eyes are closed and he figures you must have just fallen asleep, so he crosses his arms over his chest and just sits there, watching you. Your face is covered in little scrapes from the explosion, and you still look a bit ashy, but you somehow still do look beautiful. This isn't the first time he has thought this - it was more of a recurrent notion when you were younger - but he can't deny that you're just objectively a beautiful person. But then again, he's not sure if beauty is ever really objective (eye of the beholder and all that), so he pushes the thought aside and turns back to you.

His thoughts are interrupted when his phone chirps with a text message. Pulling it out of his pocket, he checks the name and sees that Haley has arrived at the hospital. He had called her after you went into surgery, knowing that she would kill him if he didn't keep her constantly updated on your condition.

When he finds her at the end of the hall, she pulls him into a quick side hug that's slightly barred by Jack, who is clutching onto her tightly. He can imagine how scary the hospital looks to a three year old boy.

"Hi, bud," he smiles, pressing a kiss to the top of his head, before looking at Haley again. "She's sleeping, but I'll take you to her room."

"She's alright, Aaron." Haley is looking at him like she's worried he may break down, and it makes him wonder what his expression looks like right now. Ever since you got out of surgery, he has felt a weight lifted off his chest, but if he really thinks about it, he doesn't know if he feels all that much lighter at all.

But he doesn't want to say any of that out loud. Nodding, he cocks his head at the other end of the hall and leads her to your room, where you are blinking your eyes open again.

"Oh, sweetheart," Haley coos, adjusting Jack on her hip and walking over to your bedside. "I hope we didn't wake you up?"

You shake your head with a smile, but he can tell you're lying. You look exhausted, and he can see you periodically glancing at the light on the ceiling to keep your eyes alert.

"Well, hello," you grin at Jack as you carefully push yourself up into a sitting position. "How's my little Jack-o-lantern doing?"

His mouth twitches and he reaches his arms out as he lets out a loud, "Good!" You reach forward slowly, likely testing the limits of your mobility, and take him from Haley, who hands him off with a concerned look on her face.

"Be careful, baby," she tells Jack, before stepping back and crossing her arms. "Aunt Y/N is a little fragile today."

To his credit, Jack just slumps down into your arms, absentmindedly playing with the ends of your hair as you turn to Hotch. "Reid said you called my dad?"

He nods, taking a deep breath. "He'll be here in the morning. I assured him you were just fine, but he wants to stay here for a bit to keep an eye on you."

"That's okay," you shrug, much to his relief. After your last conversation about your father, he wasn't sure where you stood and how far he was allowed to push. "It'll be nice to have some company while I'm off for the next two weeks."

"Two months," he corrects with a stern look.

"One."

"Fine." The only reason he relents so quickly is because he knows how quickly he would be back at work if he was in your position. "But I'm limiting your field work until you're more healed."

You nod after a second. "I'll take it."

Haley huffs out a laugh and looks at him with an expression he remembers from their marriage. Affection with a hint of exasperation.

"Alright, you two," she smiles, reaching for Jack again. His entire fist is tangled in your hair at this point, but you don't seem to mind. "I should get him to bed. It's already past his bedtime."

You nod and hand him back, before letting her envelope you in a warm hug that you settle yourself into. "Love you, Hales. Thanks for coming by."

"Love you too, honey."

***

Haley leaves with Jack, and you slump down in the bed, feeling tired, but no longer sleepy.

"I can head out too," Hotch says quickly, reaching for his coat, "if you want to sleep."

You shake your head, and he drops his arm immediately, as though he was just looking for an excuse to stay. The thought makes you smile and his brow pinches in confusion. What's on your mind?

"I'm just glad I met you." You reach for his hand he takes it, giving it a soft squeeze, before taking a seat in the chair beside you.

"I brought you some snacks from the vending machine," he points out, glancing over at the pile he made on your table. "I got your favorites...at least out of what they had."

You grin, feeling your chest fill with warmth as you take in the assortment. "Sunchips and cinnamon pop tarts. You remembered."

"Of course," he shrugs. "You're the only person I know, other than my three year old son, who still eats pop tarts."

You make a face, swatting your hand at him, but he's just out of reach. "It's not my fault toddlers have great taste."

He chuckles as you tear open one of the packages and break off a piece. The buttery, sweet taste brings you back to your childhood when your mom was still alive. She would wake you up with two brown sugar cinnamon pop tarts before school, the sweet smell enough to drag you out of bed at eight in the morning.

"What are you thinking about?"

You look up with a smile, your gaze wistful as the memory slowly fades away. "My mom, actually. I don't have a ton of memories of her, but sometimes the most random thing will trigger an emotion or a memory that I forgot I had."

He nods, his eyes thoughtful. "Like the taste of pop tarts."

"Exactly." You break off another piece and toss it into your mouth, before setting the package back on the table. "Last week it was the smell of this perfume I found at the back of my dresser. It wasn't even the exact scent she would wear, it just had the same base notes."

Your voice trails off, and he looks at you, giving you a moment before speaking up. "What else do you remember?"

"I remember her funeral," you say without thinking, before realizing that it's not a lie. You know that grief is weird, that people usually remember everything or nothing, but for some reason, the funeral only comes back to you in pieces. Your dad crying silently, Hotch holding your hand, your dress being too small on you. You wore it anyway, because she had picked it out for you at the store a couple of years before. "I remember you holding me up."

His eyes flash with something that resembles amusement and he purses his lips. "I remember feeling the opposite. I knew I was supposed to be there for you, but somehow, it felt like you were the one holding both of us up that day."

You shrug, realizing the details don't mean anything. "All I really needed was for someone to hold onto."

He nods and that's when your mind flashes back to New York last month. "Did you go to Kate's funeral?"

"No," he sighs, raking a hand through his hair. "Her family flew her back to London to have it there, and I couldn't take any time off."

You want to apologize, but before you can open your mouth, he beats you to it. "I'm sorry for how I acted in New York."

You frown, but he just shakes his head. "I don't really know why I was trying so hard to protect her. I guess after the close call with Strauss last year, I was less sympathetic to bureau politics, but I still shouldn't have taken it out on you. I should've been protecting you too."

His words are tinged with self-contempt, and you find yourself wanting to take away his guilt even though you were hurt by how he treated you during that case. But that's how the two of you work. The protective instincts don't go away just because one of you is angry at the other.

You remember prom night all those years ago, when he was so peeved at you for convincing him to ask Haley to the dance, even though they had just started talking. She had freaked out and said no, so he was forced to take another girl who asked him after the fact (of which there were many), while you went with Kyle Martinez, who had been showing interest in you for a while. You knew your feelings for Hotch definitely weren't just platonic anymore, but he was into Haley, and he was also Hotch, so you had pushed it aside and gone to the prom with Kyle.

You had spotted Hotch the moment he walked into the ballroom that the school had turned into a Gatsby-themed prom venue. He commanded everyone's attention, and you certainly weren't immune, but you had your own date, so you ignored your best friend and danced with Kyle.

As the night wore on, he had grown bored and asked you if you wanted to get out of there and go somewhere quiet, but you weren't exactly experienced back then.

"I'm okay," you had whispered, trying to maintain your smile. "I'd rather just stay at the dance."

You can still remember the change in his expression when he saw you glance at Hotch, as though it was just yesterday. "What, are you into him or something? You seriously think he'd fuck you?"

You hadn't been able to help it as tears flooded your eyes, and before you knew it, Hotch was standing in front of you, glaring down your date as he asked if you were okay.

"Everything's fine," Kyle had sneered, trying to get around him. "Butt out of our business, Hotch."

He looked at you again. Do you want me to go?

You shook your head, a tear falling down your cheek, and before you had time to blink, his fist was swinging. There was a horrible thump as his fist collided with Kyle's cheekbone, sending him stumbling backwards from the force of the hit.

You couldn't move as Kyle swung back, trying to shove him down, but he didn't budge. He could take physical aggression better than most guys his age, but that didn't make this okay.

"Hotch, please," you had pleaded as he landed another punch. The sound of your voice must had cut through the fog, because he looked up then, unaware of the bruises on his knuckles. You helped him up, and the two of you watched as his date stormed out of the ballroom.

Presently, you look at him sitting in his chair and crack a small smile. "Do you remember prom night?"

He groans and you laugh lightly, being careful not to tear the stitches in your side.

"You never actually told me what that asshole did to you." His tone is light, but you can hear the genuine question underneath.

"It was so long ago," you shrug after a beat. "I don't even remember."

***

Your dad arrives at the hospital early the next morning right before you're discharged. The papers are quick, and by the time the sun has risen fully, you are being taken to his car in a wheelchair, despite your best efforts to refuse.

"I can walk!"

"I don't care."

"Dad, come on."

He frowns down at you. "I drove up here to be of use to you. Let me be of use."

You huff in frustration as he wheels you beside his car, and you try to get up on your own, but you twist the wrong way. You gasp out in pain as one of your stitches pulls and your dad immediately comes around to assist you.

"I hate your job," he grumbles, taking your arm to help you into the passenger seat. "If I had my way, you'd be working out of an office cubicle."

"I know, Dad," you soothe, turning your head back to smile at him. "I'm glad you're here."

"Me too, sweetie."

The drive to your house is quick, and he takes your arm again when you get out to help you inside. Once you're laying down on the couch, you insist that you don't need any more concessions, but he doesn't sit down in your armchair until after he has brought you a glass of water and a blanket.

"Dad, I'm fine, really." He doesn't look convinced, so you paste on your brightest smile, and he finally cracks, smiling back at you. "What do you want to do today?" you ask him.

"Wha- do today?" he sputters. "You need to rest, young lady. I'm not letting you leave this couch until you head up for bed tonight."

You can tell he's serious about this, so you sink back into your pillows with a sigh and grab the tv remote. "What do you want to watch then?"

He leans back in his armchair and brings his palm to his face: his thinking expression. "What's on?"

You click on the television, and the first channel it opens up to is playing a rerun of Breaking Bad. Neither of you seem interested in watching it, so you keep flipping through the channels, but after 20 minutes of mindless surfing, you eventually end up back on Breaking Bad.

"We could just play it in the background," you suggest with a shrug, "while we talk."

"Sure," he agrees, placing his hands on each armrest.

Two hours later, your eyes are glued to the television after having watched three episodes.

"We should probably do something else," Dad suggests at the next ad break. "All of this meth production is rotting my brain."

"Yeah," you agree, taking your time to reach for the remote before clicking the tv off and tossing the remote aside. "We can have lunch in the kitchen..."

"Nice try," he chuckles, before standing up. "Aaron is coming by with takeout soon, and you can eat that right from here."

He had been coming by a lot after your movie night a few months ago, and while hanging out with your best friend isn't an anomaly, it does reinforce the reminder that neither of you have anyone to go home to at the end of the night.

It's another half hour by the time he shows up, Thai takeout in hand, and by then you're starving.

"Thanks for bringing food," you say genuinely after your dad lets him inside the house. "I was worried I would have to live off Dad's cooking for a week."

"Very funny," he says with an eye roll. "But yes, thank you, Aaron."

"Of course," Hotch says simply, before handing your dad a fork and napkin. "I'm also hoping to convince Y/N to take more time off."

"Not fair!" you complain, feeling like you're reverting to your high school self with your dad and best friend sitting across from you. "I'm not starting field work for a couple of months. I just want to come in soon to meet the new press liaison."

"Is JJ leaving?" Dad asks as he takes a bite of green curry with rice.

"Just temporarily," Hotch says, reaching for the pad kee mao container. You nod, chiming in, "She's due in a couple of months, so she's gonna start training someone soon to take over while she's gone."

"Is she still with that cop from...where was it again?"

"New Orleans," you answer with a laugh. "Yeah, she and Will are still together."

You can feel the conversation getting dangerously close to (ex) spouses, so you steer your father away from the topic by having him try all of the food Hotch brought. He ends up staying for a couple of hours as he explains some of the more tame cases you've handled to your dad, who actually seems interested in the finer details of each profile.

Eventually, he heads home, with the explanation that he has Jack that night, and you say good night to your dad before heading up for bed. You cover the stitches with plastic the way the doctors instructed you to before taking a fast shower and getting into your bed.

You can hear the sound of your father's quiet snores from the guest room down the hall, and for a moment, you let yourself imagine that you're back in your childhood home, sleeping in your pink and purple bedroom after spending the day with your best friend.

***

It takes a lot of convincing, but at the end of the month, your dad drops you off at work before making his drive back home. Emily had called you before the team's plane took off, and you timed it right so that you'd get to the office just as they arrived.

The elevator doors open on your floor, and you hear a loud conversation happening between Morgan and Prentiss just before they spot you from the bullpen.

"Y/N!" Emily grins, rushing forward to give you a hug. "How's the healing process been?"

"I feel a lot better," you tell her with a smile as you pull back and drop your bag next to your desk.

"You look a lot better," she nods, before Derek grabs you and pulls you in for a surprisingly gentle bear hug.

"You look great," he says, grinning at you. "Are you cleared to come back to work?"

"Not field work," you sigh, pushing your hair back behind your ear. "I'm just here to turn in some paperwork and then I'm stuck to my desk for a few more weeks."

Derek takes the files from your hand and tosses them on your desk before throwing an arm around your shoulder. "You should come out and get burgers with Prentiss and me."

"Tempting," you say, "but I just came by to meet-"

"Hey guys," JJ calls out from the hallway. "I want to introduce you to someone."

She walks up to you all with another woman by her side. "This is Agent Jordan Todd. She'll be taking over for me while I'm on maternity leave."

You grin, clasping your hands together in front of you as she smiles sheepishly at all of you. "Agent Jareau's told me so much about you all."

She turns to Emily first. "You must be Agent Prentiss."

"Yes," she smiles, shaking her hand. "Nice to meet you."

Spencer walks up at that moment and Agent Todd nods at him. "Hello, Dr. Reid."

He waves back, and she then looks at you. You reach out first to shake her hand and she smiles. "Agent L/N, I presume?" When you nod, she takes your hand. "I heard about the cult incident."

"Yeah," you let out a laugh. "Incident is definitely a word for it."

Derek drops his arm from your shoulder and Jordan turns to him with a cheeky grin that piques your interest. "And Agent Morgan. Nice to see you again."

He nods, not giving anything away. "Nice to see you, too. So, this must be the good news."

"This would be my brownie."

Emily frowns, pointing between the two of then. "Uh, you two have met?"

Derek doesn't turn away from her. "Briefly."

JJ shoots him a look before steering Jordan away to meet the rest of the team, and you and Emily turn to Derek with matching expressions. "What was that about?"

"I met her at a coffee shop this morning," he explains, rubbing a hand over his face. "She knew my name then, and I guess this is how."

"JJ's about to pop," Emily says, glancing at you with a small smirk. "Looks like it's about to get interesting at the BAU."

***

Your first case back in the field takes you to Atlanta, where Vanessa Holden was murdered after going home with a man she met on a night out clubbing. Jordan briefs you all on the details back in the office before you get on the plane.

You're still not used to JJ being gone, and you heard all about Jordan's drive from Hotch when he came by your house with dinner periodically over your bureau-mandated leave, but you don't want to make any judgments before getting to know her yourself.

You sit across from Hotch on the plane, and you don't miss the way his eyes follow each of your movements from the second you sit down. Your bandages are still on, but you've regained almost all of your mobility.

As the jet takes off, you lean forward slightly to adjust the back of your blazer, and his gaze shoots to you, his brow furrowing with concern.

You flash your eyes at him, cutting the tension with a small smirk. I'm fine, I promise.

He squints slightly, scrutinizing your expression for a moment, before letting out an inscrutable sigh and turning back to the case file.

When you land in Atlanta, you start off at the police department with Hotch, Morgan, and Todd, and her continued insistence on being the first to meet with the local officials and debrief them surprises you, given JJ's more subtle nature when working with those who call your team in.

The local police let you know that the Holden family has stopped cooperating with their investigation, but the four of you head over to their home to try and speak with her mother and sister one last time. Jordan gets you in the house by sharing a story about her older sister who passed away, and you find yourself feeling awful about your misjudgment of her, until you notice the look of Hotch's face.

"Did you know that about Jordan?" you ask, trying to understand why he looks so miffed.

"No," he says simply, his brow pinched together, "and neither did she. According to her file, she's an only child."

You flash your eyes at Derek.

The conversation gets you a basic profile of the unsub, based on the cocky way he held himself with Vanessa and the way he was dressed when approaching her at the club, but when the moment you exit her home, Hotch corners Jordan on the driveway.

"The information about Vanessa Holden being the responsible sister," he fumes. "Where did you get that?"

She has the gall not to look ashamed, and you can't decide if you respect her resolve or detest her lack of responsibility. "Some of it was online, and some of it was an educated guess based on birth order."

"A guess."

You practically wince and Derek stares at her, as though trying to hypnotically get her to backtrack.

She looks down then, and he delivers the kicker. "And in the process you lied."

You step forward to insert yourself in the conversation (for what purpose, you don't yet know), but Jordan just stands up straighter, ready to defend herself. "That mother was shut down. I needed to salvage some rapport."

Hotch doesn't back down, and as his brow locks into place, you step back again. "I don't know how you did things in counter-terrorism, but we don't make it a habit to lie to get the job done."

"I got you in the door, didn't I?" she spits out one last time. It's both, you realize. Respect and distaste.

"Not only do you represent the FBI, you represent this team."

He shakes his head, and you cock your head at Derek, gesturing for him to head back to the car. You hear the tail end of their conversation as you yank open the passenger side door.

"From now on, everything goes through me."

Jordan gets saved by the literal bell as his phone rings, and when he steps away to answer it, she comes back to the SUV and gets in the back. "So, how bad did I just screw up?"

Derek heaves out a sigh, looking at her with his characteristic stoicism mixed with compassion. "On a normal scale of one to ten, I'd say a six."

He glances at you and you press your lips together. "But on Hotch's scale...an 11."

She rubs a hand over her face and you turn back to face the front, watching as Hotch paces back and forth, his phone pressed to his ear. He doesn't look up until he's back in the SUV.

***

The profile becomes clear when a new victim emerges: an unsub with a possible scar or birthmark above his left eye, who went to a class for pickup artists. After doing some researching with Garcia, Emily returns with a flyer for a man named Viper that makes your stomach twist.

You, Morgan, and Hotch join her at one of his classes later that day, and it takes everything in you not to sneer in disgust as he describes his approach to meeting women.

"This is the jungle, my friends," Viper finishes off, lifting his hands in the air theatrically, "and your prey wants to be caught."

You and Hotch share a look, and he raises his eyebrows as you cringe. What, not a fan?

You shove his shoulder with yours, but it's not hard enough to actually make him budge. Hilarious.

"Will you listen to that language?" Emily whispers from next to you. "He's training serial killers."

"Great," Derek sighs. "We're dealing with a rampant narcissist and misogynist who's turned himself into a snake oil salesman."

Hotch nods. "That's one more thing he has in common with our unsub."

The class ends soon after, and you get the distinct pleasure of meeting Viper in the flesh. When he approaches the four of you, he makes a clear effort to keep eye contact with only the men, likely trying to use his self-prescribed techniques to make you and Emily feel vulnerable. Instead, it just makes you want to laugh in his face.

"So you think this- what did you call him- unsub, took my class?"

He raises his eyebrows at Emily then, in what you can only hope is meant to be a seductive nature, and she practically snorts. Using his clear attraction to her to the team's advantage, she steps forward and takes control of the conversation. By the time she's finished, she has managed to secure his location for later tonight, and get him just flustered enough that a chance meeting later would have him ready to divulge anything she wants to hear.

'Please tell me we are not giving up on that guy." Emily heaves out a breath as you all walk back outside after speaking with Viper. She was just talking to him, but she looks like she's ready to take another shower.

Hotch flashes his eyes with uncharacteristic mirth. "We're just getting started."

***

His eyes keep darting back to the door of the locker room. Prentiss is going undercover at Club Aqua to get more information about the unsub from Viper, and when she suggested that you and Agent Todd join her, he couldn't think of a good enough reason to quash her idea.

He knows he's been hard on Todd. He figured it out on his own, even with your furtive glances from the passenger side of the SUV after leaving the Holden household.

He wishes he could say it all came from a place of protecting bureau leadership, but he knows that isn't completely true. It's been almost two weeks since he last saw Jack, and every time he drops him back at Haley's, that feeling settles back in his gut, like clockwork. The feeling that tells him he's just like his father.

The locker room door flies open and he averts his eyes, trying to maintain some level of subtlety, but it's only Prentiss and Todd. Where are you?

His unspoken question is answered when Prentiss announces that you told them to get started without you. He's still worried that you're not ready for this kind of assignment so early in your return to field work, so, before he can regret it, he stalks forward and pushes open the door.

The regret immediately comes when he sees your bare back, underneath your unzipped dress, on the far end of the locker room.

"Oh, sorry," he blinks, turning his head back. "I didn't realize-"

He moves to shut the door again, but you look over your shoulder and raise your hand, beckoning him inside. "Wait, I could actually use your help."

He steps through the door and crosses over to you, where you turn your back to him after a small glance. "Zip me up?"

The bottom of the zipper is at the small of your back, and he tries to avoid touching you as he pulls it up to the base of your shoulder blades. He isn't able to avoid it completely, and he tries to ignore the heat of your skin as he drops the zipper and nods. "All set."

You turn around and he forgets to step back in time, leaving you only a few inches from him as you glance up with a confused smile. "You okay?"

He nods again, stepping back and clearing his throat. Why is his skin burning? "I should be asking you that. Are you sure you're up for this?"

"I'm getting the bandages taken off later this week," you tell him, partly misunderstanding his concern. "It doesn't even hurt anymore."

That's definitely a lie, but he allows it for now. "That's not all I'm talking about. You haven't been in the field in months. I just worry that I'm tossing you into the deep end on your first day back."

"I'm fine," you insist, reaching out to put your hand on his forearm. "I would have refused the assignment if I didn't think I could handle it."

He's not sure if he believes that either, but in this case, the assignment itself seems odious enough that he can let it slide. "Okay. Are you ready to head out there?"

"Yeah, just one second."

He waits as you pull a thin necklace from your bag and clasp it around your neck. When it's attached, you spin around with a goofy smile. "How do I look?"

"Amazing," he says without thinking. "I mean- you look great, of course."

You just smile at him, before patting his shoulder and walking out the door to meet the Prentiss and Todd at the club. Your hair brushes past him as you leave, and the scent of your perfume lingers in the air behind you, a flowery aroma that persists even when the door swings shut.

***

Emily waves at you when you approach her and Jordan in a crowded part of the club. "Y/N, I'm sure you remember Viper. God's gift to women."

You smile at him sweetly, before glancing at her. "Sure hope he came with a receipt."

"Another friend," Viper says, letting out a weak laugh.

Emily uses this moment of distraction to pounce. "You promised if I met you on your turf, you'd show me something special. So...let's see it."

He starts spouting off some nonsense about chemical signals, and you're about to take Jordan's arm and pull her aside to give Emily some room, when Viper turns to you with a mock-sincere expression. "Does the boss man you're out here, with me?"

You turn back with a frown. "Excuse me?"

For a moment, you forget to mask your emotions and he practically grins as his bravado grows. "What I do for a living is pretty similar to what you all do. I read people...and from what I could tell during your little ambush of my class earlier, there's something going on between you and the supervisor."

You let out a laugh that feels surprisingly forced as it leaves your throat. "I really can't believe there are people out there who pay you for assessments like that, because you're dead wrong."

He shrugs, looking back at Emily, and you roll your eyes at him before turning away under the guise of giving them some space. When you're out of his line of sight, you let out a breath that was caught in your chest. You know you and Hotch are closer than most friendships are at your age, and you're not unaccustomed to people reading more into it than there is, so you're not sure why Viper's words feel like a fist around your gut.

"Hey, you okay?" You turn back to see Jordan approaching you with a glass of water. "He's really trying everything to get under our skin."

You accept the glass gratefully, and swallow a few gulps, before nodding. "Thank you. I think I just needed some air. I forgot how stuffy these clubs get."

"I hear that." She laughs and you feel your chest loosen with relief that she didn't believe Viper's insinuation. "I can't believe I'm saying it, but I'm almost excited to get back into my work clothes."

You let out a breathy chuckle, before sending her back to keep an eye on Emily as she works on breaking Viper. Later that night, when you get back to the station to meet up with the rest of the team, you excuse yourself early to head to the hotel, and you allow yourself to pretend, just this once, that you weren't avoiding him, and you really were just tired.

***

You're sitting in your car in front of the hospital at seven in the morning, because you didn't want to take any work off just to get your bandages removed. You know this is likely the exact sort of thing the bureau mandates time off for, but a small part of you didn't want anyone knowing you were coming here. Or maybe you just didn't want him to know.

You haven't been trying to avoid him. You may be a little embarrassed by how far under your skin Viper got with his one little comment, but you can't help it. The notion stirred something you don't recognize inside of you and you don't want to take the time to think through it.

You take a deep breath and get out of your car, before walking into the hospital and checking in for your appointment. When you called to secure a time slot, the nurse mentioned that, barring any complications, the appointment shouldn't take more than half an hour.

You're a few minutes early, so you sit in the waiting area, flipping through a fashion magazine from the table next to you. After a minute, you're so engrossed in a page about returning trends that you don't realize he is sitting next to you until he taps the side of your foot with his own.

"Oh shit," you blurt out when you see him, more out of surprise than the shame of being caught. "How did you know I'd be here?"

"Garcia saw it in your calendar and told me." You turn to look at him with mock-exasperation, but you're caught off guard by the genuine hurt in his eyes. "Why didn't you tell me the appointment was today? I could've driven you."

You open your mouth to come up with an excuse, but all that comes out is, "I don't know." He doesn't look convinced, but the doctor calls your name then and you stand up, pressing your lips together. "Will you come with me?"

He stands up immediately, without another word, and you both follow the doctor into a back room, where she proceeds to remove your bandages and check where you are in the healing process. The wound is closed, and is almost entirely scarred over, but she recommends that you continue to take it easy - a point which you see Hotch take mental note of immediately - and limit excessive physical activity.

"The wound is healing very nicely," the doctor says as you walk back to the front. "Give me a call if anything changes, but as long as you keep applying the salve, there shouldn't be a permanent scar."

You thank her before she heads back to meet with another patient, and Hotch holds the front door open for you as you walk out into the parking lot.

"Thank you for coming," you tell him earnestly, "even though I didn't ask you to. I should've told you."

He exhales through his nose, bumping your shoulder. "Yeah, you should have."

He loops his arm through yours as you step off the curb and you lean your head on his shoulder for a second before unlocking your car. You were stupid to let Viper's words get to you. He's your best friend.

He's your best friend, and you love him.

***

One of the first happy memories at the office in a long time comes in the form of JJ coming in with baby Henry. It feels like a welcome relief to see her face back in the bullpen, and for a few peaceful moments, everything feels like it's back to normal.

You know firsthand how much this job takes from people, and Jordan's absence in the office now doesn't go unnoticed, even with a sweet baby boy here to take your mind off of it.

Is this my fault?

Rossi had tried to talk her down after discovering that the unsub had killed his entire family in their home, seemingly after her press release, but sometimes the words aren't enough.

I'm not sure I can do this job.

There had been so much anguish in her voice as she admitted to Rossi that she wasn't cut out for this line of work, but no part of you judged her for it. A bigger piece of you almost envied her ability to recognize that she was in over her head - that she couldn't keep going like this.

Looking at JJ now though, you feel a sense of hope again, like maybe this job doesn't take everything from you.

"I thought you could use a surprise," she smiles, cradling Henry in her arms under a swath of blankets.

"He's beautiful," you whisper, stepping in closer to get a better look at his little scrunched-up face.

Penelope comes back into the room with a freshly warmed up bottle of milk, and JJ starts to feed him as everyone leans closer in wonder. "I wanted us to have at least one good memory to hold onto in this room."

Before you can react, Derek is pushing past you and Spencer. "Excuse me, kid. Um, JJ, can I..."

He points to the bundle in her arms and she looks at him with a soft grin. "Of course."

She carefully transfers Henry into his arms as all of the women worriedly chime in with reminders and comments on his form.

"You gotta hold his head up."

"Careful, you're smothering him!"

"I got it," Derek chuffs, before rocking Henry in his arms. "Look at that, what's he doing? He's smiling at Derek Morgan."

Penelope and Emily share a look. "Gas."

He shoots them a pointed glare, before grabbing the bottle from Garcia's hand and feeding Henry himself. "Hey, little man."

You can't help the smile that crosses your face as you step back to give them some room. Your shoulder bumps into Hotch as you step around JJ, and you look back at him, noticing the little curve of his lips. "You're smiling."

He glances over at you with an eye roll. "Gas."

***

"What's up, Hotch?"

You roll over and turn your bedside lamp on as you press your cellphone to your ear. The alarm clock beside you says it's just past five in the morning.

"We have a case."

You frown, pushing yourself up. "Wouldn't JJ usually call us to come in?"

"This one's different." His voice sounds slightly muffled and his tone is colored by a familiar tinge of irritation. "Dallas AG called me last night to come down here, and it looks like they may have a serial."

"You went alone?" you ask, trying to blink the grogginess from your eyes as you get out of bed. You are distinctly aware of how many questions you're asking, but your brain is still fuzzy from being woken up.

"Yeah," he says simply, before you hear someone call his name from the other end of the line. "I convinced them to bring the team in as well. Anyway, I have to go, but I'll see you soon."

"Yeah, see you-" The line cuts and you sigh, tossing the phone down.

So much for a full night of rest.

***

Spencer briefs all of you on female serial killers on the flight over, and once you land, Hotch is waiting at the hotel. You drop your things off in your room and meet with him, Rossi, and Morgan to head over to the location of the latest crime scene, when another man is murdered.

"Victim was Joseph Fielding," Rossi explains when you enter the office building. "He was CFO here."

"Poisoned?" you clarify.

"And staged," Morgan adds, glancing over the body. This time, the victim was left out in the open, naked and tied up. There's no way the company can keep the media away from this one.

"Which one of you is Aaron Hotchner?"

You turn around to see a man in a fancy suit stalking towards the four of you. You step back to let Hotch get around you, and he approaches the man with a frown. "I'm Hotchner."

"Larry Bartlett," he introduces himself. "I represent Mr. Fielding and Webster Industries."

Hotch angles himself to stand between the man and the body. "This is a closed crime scene, Mr. Bartlett."

"I spoke to Ellen Daniels," he explains, his eyes glinting with over-confidence. "She said you're a very reasonable man."

You resist the urge to snort as Hotch moves to get the attention of the police officers nearby. "Escort him out, please."

"No, wait! The press is outside, and they can smell blood. Any way we can handle this discreetly?"

This time it's you who frowns. "We're not about to lie for you."

"Don't have to lie," he says, gesturing with his hands as though that will help his case. "Just don't comment."

Hotch looks at him for a moment, before excusing himself and pulling the rest of you aside. "Is there any reason to go public yet?"

Rossi shrugs. "Validating her is exactly what she wants. If we hold back, she's more likely to make a mistake."

You almost smile. "He doesn't need to know that."

Hotch meets your eye for a beat before spinning around and putting his lawyer face back on. "We need everything you have on Fielding. Bank accounts, tax records, emails...everything."

***

When Penelope uncovers that the victims have all been withholding child support from their ex-wives, Hotch meets with the city's high-profile corporate lawyers to present the profile. You're not sure how helpful this will be, given that their primary motive is to protect their clients' companies, but it proves useful when one of the lawyers reveals that the unsub may have a penthouse to her name.

The apartment is massive. You walk around the living area, trying to find anything the unsub may have left out, but she has clearly been covering her tracks.

When you don't find anything by the bedroom, you head over to the walk-in closet where Derek and Emily are poking around her jewelry box.

"Hey, Prentiss," Derek suddenly says, lifting up a leather bodysuit and holding it in front of her. "Got a whip?"

Rolling your eyes, you smack the top of his head with the evidence baggy in your hands and walk back out to find Hotch. He's poring over her antique book collection when suddenly the apartment phone starts to ring.

You all argue for a few moments over who should take the call, and Derek quickly alerts Garcia to trap-and-trace it, before it soon goes to voicemail.

"Hi, it's me," the woman's voice says brightly in the voicemail message. "You know what to do." There's a beep, and then her voice comes back, more present this time. "Aaron."

Your eyes snap over to him, but he's still looking at the phone.

"I know you're up there," she continues. "Aaron Hotchner."

He reaches forward and carefully lifts the phone with his gloved hand. He walks over to the window as he presses it to his ear. "I'm at a disadvantage. You seem to know my name, but I don't know yours."

You bend down and press the speaker button on the main console as he moves across the room.

"I thought I could trust you, Aaron." Her voice is tight over the line, the tiny speakers still enough to amplify the emotion in her voice. She sounds so...disappointed.

"Who says you can't?" he responds slowly, clearly testing the range of her emotion.

"I want to," she says quietly. "I even looked you up online. I watched the presentation you gave on school shootings...and for a moment, I actually thought there were still good people in the world."

You remember that presentation. There had been a shooting at an elementary school in Virginia, and the moment the news hit, he had been on the phone, discussing procedures to ensure it wouldn't happen again. You went with him that day that he gave the speech, and you could tell he had been thinking of Jack the entire time he was up there.

Hotch closes his eyes for a beat. "But I've disappointed you, haven't I? Just like all the other men in your life who've walked out on their families."

The line is silent, before: "Did you walk out on your family?"

Hotch looks down for a moment and you fight the urge to walk over and pull him into a hug. "No. My wife left me."

You can feel the team's eyes on you as you keep your expression neutral, your eyes focused on him.

"Do you have kids?"

Your mind flashes to Jack, and your chest feels warm as he nods, before muttering a quick "yes".

The woman speaks up again, her voice stronger yet more emotional. "How often do you see him?"

"I try to see him every week."

She scoffs. "Do you see him every week?" Her question is like a jab, trying to push him into doing or saying something that will prove he's just like the other men in her life.

"No," he admits, glancing back at you. You nod, trying to let him know that you're right here. "I don't get there as often as I want."

"I believe you." Her voice softens and you watch as Hotch's expression turns back to his thinking face. He has an idea.

He lets her talk for a minute, listening in to Garcia's updates on the trap-and-trace, until he chimes in again. "But I'm just frustrating you, aren't I?"

You can hear the confusion in her tone. "What do you mean?"

"Well, you wanna show the world all these bad men, and my investigation's just getting in your way."

"No, Aaron," she sighs heavily. "You just want me to disappear, just like they do."

He shakes his head, turning to look out the window. "Truthfully, I'm only interested in finding you. You don't know who to trust. Am I right?"

There are tears in her voice as she quietly whispers an acknowledgement.

"Come to me and turn yourself in." He walks back to the living area. "I will make sure that you get the help you need. I won't let you disappear."

His voice is a comfort, and for a brief moment, you think that he could probably convince you to turn yourself in if you had to.

There's a beat of silence, before a small rustling sound. "If we met under different circumstances...I could believe that."

The rustling continues, before her tone changes completely, going from soft and meek to strong and icy. "I won't let you cover this up."

There's a gunshot right before the call cuts out.

***

You follow Hotch and Derek into the hotel room, checking behind you as you aim your gun out in front of you. Once Garcia found Megan Kane's address and client list, everything else fell into place.

The room is empty, except for a gun and a bottle of champagne placed theatrically on the center table.

"Hotch," Derek whispers, pointing out at the balcony, where a figure is laying down on one of the lounge chairs.

His brow furrows and he lifts his hand. "Wait here."

"You sure?" you ask, stepping forward to get a better look.

He nods. "It's over. She knows it."

Derek steps out to call 911, and you watch as Hotch approaches her slowly, tucking his gun into his holster before sitting on the chair beside her.

"Nothing will change," you hear her whisper, her voice overflowing with despair. "They'll just go back to doing whatever they want and they'll keep getting away with it."

He shakes his head. "Not if I have anything to do with it."

The response is almost corny, but his voice is so earnest that you find yourself believing him anyway.

He reaches forward and takes her hand, holding it tightly as her head lolls to the side to look at him. "How could your wife have ever left someone like you?"

He doesn't say anything, but you can feel the sadness permeating off of both of them as he comforts her in her final moments. Haley is one of your good friends, and you know she would've made their marriage work if it was something she could control. This job just isn't that.

Megan lets out a soft sob and you avert your eyes, feeling like you're intruding on a private moment. "You're the first man I ever met who didn't let me down. Will you stay with me?"

He doesn't hesitate. "Yes."

"Promise?"

"I promise."

He holds her hand for a long time, and he doesn't stand up until you're certain she's been dead for minutes. The walk back to you is slow, and you can see the extra weight on his shoulders as he trudges across the hotel room.

You open your arms and he all but falls into them, letting you pull him into a tight hug that you can tell is holding him together right now.

"You did good," you whisper as his face presses into your shoulder. "You kept your promise. It's the last thing she wanted, and you gave it to her."

You feel him nod, and a moment later, he stands up, letting his arms drop like deadweights. His hair is slightly disheveled, so you reach up and push the front strands back from his forehead, before resting your hand on his cheek for a quick second. "Let's go home?"

He nods again. "Let's go home."

***

It's snowing. You don't realize it until you step out of the car and onto the sidewalk in front of the Georgetown brownstone where the priest was taken in.

Emily and Derek caught him in the middle of an attempted exorcism, and you didn't arrive with the rest of the team until they were already bringing him out in cuffs. She looks shaken as she leads her friend out of the house and to the ambulance waiting on the street.

Once the paramedics take him from her hands, her body all but deflates, and she exhales deeply, as though releasing the pent-up tension from the day.

"Em," you whisper, approaching her slowly. "Can I drive you home?"

She doesn't look at you at first. Whites flecks of snow dance across your vision and stick to her coat and hair as she stares at the ground. After a moment, she shakes her head. "I'm gonna walk for a while."

Her feet don't move, and you're reminded of a conversation you had years ago, when she comforted you and offered you a quiet place to just be. Gently looping your arm through hers, you ask, "Do you want some company?"

She nods almost immediately, and you let her lead the way as you walk away from the red and blue flashing lights. You can't imagine how tough this case must have been for her, especially because the people she loved were so deeply involved.

The walk is silent, and you look down, watching the patterns the soles of your boots make in the snow. You only stop moving when Emily does, her sudden stillness tugging you back as she stands in front of a small church that she must have seen from down the street.

She lets go of your arm as she turns her face up to the sky, hugging herself in an effort to stay warm or shield herself. Maybe a mix of both.

"You don't have to say anything," you say softly as you turn to face the church as well, your shoulder pressing lightly against hers, "but if you want to, I'm always here to listen."

Emily glances up at the church, her eyes shining in the cold, and presses her lips together as she takes in a shaky breath. "My friend...who died...Matthew. He knew the Bible inside and out, and one day he started to question everything."

You think you know where this is going, but you don't want to interrupt her when she's letting out emotions she has clearly kept inside for years.

"We moved around a lot when I was younger, because of my mom's postings, and when you're 15, it's really hard to get accepted."

She's silent for a few moments and you take the opportunity to fill in the gaps for her, so she doesn't have to say it out loud. "You got pregnant?"

She nods, taking a deep breath. "Matthew wasn't the father. It-it was...something else. But I didn't know what to do. He told me to talk to our priest, but he just said that if I had an abortion, I wasn't welcome in his congregation."

Your throat tightens with tears and you blink them back, swallowing thickly. "What did you do?"

"Matthew found a doctor." Her arms tighten around her abdomen, and she lets out a small shiver. "He took me there, and he stayed with me. Then, when we got back, he held my hand and walked me into the church." Her voice cracks as she continues. "Father Gamino actually stopped his sermon, but Matthew told me to hold my head up and we walked to the front pew."

Her arms fall then, and you look up to see the wetness on her cheeks, pink from the cold. "Matthew saved my life. He made me feel like I was worthy of...love, and friendship, but then his anger and questioning started." She finally looks at you, and her eyes are wide with grief and anguish. "He saved me, and it's my fault that his life unraveled."

You're shaking your head before she's even finished speaking. "Em, honey, it's not your fault. He was your friend. He loved you, and everything he did for you was his choice. Anything he discovered after that was already within him."

Another tear falls down her cheek and you reach forward to pull her into a hug that she accepts gratefully. "You're one of the strongest people I know."

Her hands clutch the back of your coat as she cries silently into your shoulder, and you don't let go until she finally stops shaking.

***

Hotch is ending a phone call when you step into his office. He sets it down and nods when you step inside, but you can see the lines of tension just in the way he's standing.

"Is everything alright?" you ask, walking inside and standing in front of his desk. "What was that call about?"

He doesn't look up. "Shaunessy died last night."

"Oh, Aaron, I'm so sorry." You squeeze his forearm over the desk, but he still won't look at you. "He was your first boss here at the BAU, right?"

He nods, before clearing his throat and straightening his back. "He was sick. This isn't a surprise, but there's something else we may need to talk about-"

He's interrupted by JJ coming into his office, a case file in hand. "Sorry, but you wanted to know immediately about any unusual Boston homicides?"

You see his jaw twitch as he takes the file from her and flips it open, scanning the first page quickly. JJ glances over at you, a confused expression on her face, but you can only shrug.

He looks up after a minute. "We're going to Boston."

JJ sputters. "Wha-what, but we haven't been invited?"

"We will be." He grabs his coat and sidesteps the two of you, before booking it out of his office. You're hot on his heels as he grabs his briefcase and alerts the team that they need to be ready to leave within the hour.

"What was that about?" Morgan asks, turning to you.

You shrug again. "I have no idea." You turn to the glass doors swinging shut behind him, and rush outside before you can second guess your actions.

"Aaron!" you call out, forcing him to hold the elevator for you. "Tell me what's going on."

He sighs as you step inside, and he sets the briefcase on the floor. "It's the Boston Reaper. He's back."

"The Reaper?" The name sends a shudder through your body. "That was your first case as a profiler, wasn't it?"

He nods, and you wait for him to continue. "He offered Shaunessy a deal that if he shut down the investigation, then he would stop killing."

His words take a moment to register, but then your face falls. "He took the deal. And now that he's dead..."

"The Reaper has started killing again."

***

The next crime scene comes in the form of an older couple, who were killed in their car on the side of the street. When you arrive, you discover that the unsub left behind the previous victim's watch, as well as a note.

You sidle up next to Hotch, bumping your shoulder against his to alert him to your presence. "Looks like he went through her purse. Any idea what he was looking for?"

He's so focused on the letter in his hands that he doesn't respond, so you lean in and read it from beside his shoulder. "The question mark is new."

"It's for us," he says suddenly, dropping his hand and looking at you. "He's saying it's not fate. He's saying we had 10 years to save them and that these latest ones are on us."

You frown, trying to scrutinize the lines of tension on his face. "You got all that from one question mark?"

"I may know him better than I've let on."

Your brow furrows and you grab his wrist, bringing his attention back to you. "What does that mean? Aaron?"

"It means that there is a profile on The Reaper."

"You said you were called off before you could make one-"

"We were," he cuts you off, shaking his head. "I had just started the profile, and then he stopped killing, so officially we were done, but..."

You purse your lips. "But this case stuck with you."

He nods. "I kept coming back to it over the years, and I worked on it alone."

You can imagine young Hotch, in his first years at the bureau, poring over the case file late into the night, because he couldn't put it away when the unsub was still out there. You realize, all of a sudden, that it reminds you of Gideon.

Looking up at him, you release his wrist, letting your fingers drag on his pulse for a moment before letting go. "We need to hear your profile."

***

After he gives the profile alone, you all head back to the hotel to get some rest before the long days ahead of you. In your heart of hearts, you know that no one will really be sleeping tonight, least of all Hotch, so you go up to his room with him to keep working on the case.

"Can you imagine living with the fear that the man who killed your fiancee, and nearly killed you, is still out there?" Your question is mostly rhetorical, but Hotch still lets out a soft grunt from the bed where he's poring over crime scene photos from the last few victims.

"It explains why Foyet went so underground," he says with a frown. "The multiple residences under different names, always taking the bus...I just wish he had taken us up on moving him to a safe house."

"I think that's actually the one part I do understand," you muse, looking up from the file on your lap. "Part of the reason why I came back from my dad's house so soon after Jeff died was because I needed everything to return to normal. I needed my life back."

He glances up at you then with a slight raise of his eyebrow and you shake your head before looking back down. It's okay. Not now.

He looks like he wants to say something, but then the hotel room phone goes off, piercing the air with a high ringing sound. He gets off the bed and picks it up, answering with a stern, "Hotchner."

He's silent at first, but you only look up when you hear him say, "You've misjudged me. I'm the guy who hunts guys like you...I'll see you soon." He slams the phone down on the receiver, and even though you know exactly what that was, you still need him to say it.

"Hotch, what was that?"

He rubs a hand over his face, pacing back and forth across the small space in front of you.

"Was that him?"

He doesn't respond, instead mumbling something under his breath that you can't make out. You stand up and cross the room, before grabbing his forearms so he's forced to look at you. "Aaron! What did he say?"

His eyes are frantic as he finally meets your eye. "He offered me the same deal...and I didn't take it."

***

"Six bodies, not including the driver. He put 'em down with the gun and finished them off with his knife."

The scene inside the bus is horrifying. Blood is dripping from each of the seats, and the words "No Deal", along with a series of numbers, are painted in blood on the windows.

Rossi comes up beside you as you watch Hotch survey the scene, an eerie stillness to his composure. "What's going on with him?"

You glance at him, before turning back to Hotch. "The Reaper called him at his room tonight, offering the deal...and he hung up on him."

Rossi nods, before patting your arm and stepping around you. He nods at Hotch, grabbing his attention away from the scene he hasn't been able to look away from for minutes. "Y/N told me what happened earlier. So, what, you think this is your fault?"

"It is." His voice is shakier than you'd expect based on the resolution in his choice of words.

"Okay," Rossi shrugs, reaching for the gun in his holster. "Here, use mine." Your brow furrows and you step forward, making sure you're nearby in case this gets out of hand. You love Dave, but he can be a bit heavy-handed sometimes.

"You convinced me," he continues, shoving his hand forward. Hotch shakes his head, but he doesn't let up. "No, no, you hung up on him. You practically killed them yourself. Go ahead, get it over with. Don't worry about us. We'll get this guy without you."

Hotch closes his eyes for a moment, and when he opens them, they're shining with tears. You realize, with a shock, that you haven't seen him cry in decades. Not since the day after his father's funeral when Sean shut himself in his room for hours, because he truly believed that his brother didn't care about their family.

When he looks at Rossi again, a few tears have fallen down his cheeks. "I had ten years to do something about it."

"Look," he says simply, lowering his gun, "if you want to end up like Shaunessy, like Gideon, blaming yourself for everything, then you go ahead. But that voice in your head, it's not your conscience. It's your ego."

Hotch deflates, and you reach forward to wrap your fingers around his wrist, maintaining a steady connection. He looks at you, and you dip your chin into a tiny nod. It's not always your fault.

He looks back at Dave with a heavy sigh, but he doesn't pull his hand from your grasp. "You can put that away now."

Rossi raises his eyebrows as he tucks the gun away. "You sure?"

Hotch shakes his head, unable to hide his smile, and you let out a little chuckle. "It's a little dramatic, don't you think?"

"My wife always said I had a flair for the dramatic."

You and Hotch speak up at the same time. "Which one?"

Rossi shrugs. "All of them."

You laugh, before squeezing Aaron's wrist once more and letting go.

***

George Foyet is the Reaper.

You can't believe it even as the words circle around your brain. The team was able to catch him before he killed Colson, the journalist who wrote a book about him, but the victory still doesn't feel sweet.

I'm gonna be more famous than you even realize.

His last words before Derek cuffed him and handed him off to the police. They won't leave your head even as you step off the elevator into the office. Emily and JJ are chatting about some new restaurant in town as they step out ahead of you, and you walk to your desk in a trance, unable to figure out why you aren't able to let out the breath you've been holding since you left for Boston.

Your question is answered when JJ runs back from her office a few minutes later, her phone clutched in her hand and a panicked expression on her face. "Foyet escaped."

***

It takes a while for Derek to get over the Foyet news. He took his badge and credentials when he knocked him out, and even with the replacement he was given, you know the knowledge that Foyet is out there is still irking at him.

Hotch isn't much better. He's been throwing himself into work extra hard, and you're worried he's going to burn out or simply combust if he keeps at it.

This is exactly what Foyet wants, you want to scream. He's trying to get in your heads and mess with your life, without even being here.

But you don't say it.

***

He's been so immersed in work that he doesn't really get to talk to you until a case in Oregon, where an unsub has been killing people by hitting them with his car.

You're grabbing a cup of coffee at the local police station, pouring in an uncharacteristic packet of sugar, when he approaches you, perching on the edge of the counter. "Sugar?"

"I know," you sigh, tossing the empty packet into the trash can next to you. "I just wanted something a little sweeter today."

"Can't argue with that," he says softly, making you smile. It drops almost as fast as it appeared, and he scoots closer as he hands you a wooden stirrer. "How are you holding up?"

This case can't be easy for you, especially knowing how your mom died. You don't talk about it often, but when you do, he can tell it's because you need to let it out. He's the same way with his father, only the feelings he is hiding from are different.

"I'm fine," you say quickly, like it's an automatic response. You both know it's a lie, and you close your eyes for a beat, dropping the stirrer into your cup. "I should be fine, but...I don't know." He follows your gaze over to the open case file across the table, and notices how your eyes hang on the crime scene photos. The car wreckage. The tread marks on the road. "I don't know why this case is affecting me so much. I didn't even see the crash when my mom died."

He reaches forward and closes the file. "Grief works in interesting ways." If there's anything he has the authority to speak on, it's grief. But then again, so do you. He doesn't know if he would've gotten through the aftermath of his father's death without you. Thinking about it now, he doesn't think he's told anyone else the whole truth about his family. "Anything can be a trigger."

"What was your trigger?" you ask suddenly, turning to look at him. "After your dad died?" Your eyes are full of curiosity, and for a moment, he wonders again if you really can read his mind.

He takes a deep breath before answering. "For a while, almost everything was. The smell of his beer, the material of his favorite coat...it all made me so angry."

"I remember," you whisper, setting your coffee down, "but soon after, that changed." You look at him with a small smile. "You met Haley."

His jaw twitches and he realizes that he wasn't even thinking about her. The first person that came to mind when he thought about his healing process was you. Haley was everything to him, but she wasn't built for the life he grew up with. She wouldn't have been able to understand the rage flowing through his body when he thought of his father's death. The anger and hurt he felt, that somehow always transformed to guilt when he went back home for the night.

"Yeah," he says after a moment, accepting your judgment, even if it is a lie. He doesn't want to talk about this anymore, so he diverts back to the original subject. "Your mother was different. She loved you exactly how you deserved to be loved. Even if it hurts sometimes, it's just a reminder that you had something great."

That makes you smile, and he feels warmth fill his chest. "Yeah, I guess you're right."

He nods, patting your knee. "It's been known to happen."

***

You're in the passenger seat next to Derek when you see it. You watch him swerve his SUV into the unsub's truck in real time, but you still don't believe what you're seeing until the cars come to a stop, smoke billowing out of the front.

Derek screeches to a stop and there's glass everywhere as you throw yourself out of the SUV and race towards the collision site.

Aaron is stumbling out of his car when you reach him. There's a gash on his forehead, dripping blood down his face, and another on his arm. He tries to reach for his gun, but you grab his arms, holding him against the SUV.

"Sorry," he mutters through gritted teeth as you reach up to swipe the blood off his forehead before it falls into his eye. Your hand stays on his face as you survey the rest of him for any other wounds that may need your attention.

Once you're certain that he'll be okay, you turn back to him with a glare. "You scared the shit out of me." Your thumb is unconsciously rubbing circles on his jaw as he looks down at you. You are well aware that danger comes with the job description, but he also knows you would kill him if he ever put himself in serious danger, especially when it wasn't necessary. "Don't ever do that again."

He takes a deep breath as you pick a piece of glass out of his hair. When you return to meet his gaze, he reaches out to grab the strap of your vest. "I'm sorry."

You tug each other forward into a hug at seemingly the same time. You don't get the chance to be careful with his wounds as you collide into his chest, but you forget about everything else the moment his arms close around you. He's okay. He's alive.

"You don't get to die on me," you whisper into his collarbone as you tighten your grip around him. "Promise me."

You know it's not fair. You know it's not something he can control, especially with the kinds of people you chase on a daily basis, but it doesn't matter, because he knows you. He knows when you need the facts, and when you need reassurance, so instead of uttering a funny quip or a painful truth, he just says, "I promise."

***

Are you sure it's okay that I'm coming?

You type back a response as soon as you see the message on your phone. Of course. Dave invited you and Jack, and I would love to see you too.

A few minutes later, you get a simple Ok, so you set your phone down on the table and stand up to join the rest of your friends. With summer around the corner, Dave wanted to host a garden party, and after the last few months, you definitely don't mind the respite.

"Come get some more food," he tells you the moment you approach them by the edge of his huge yard. He's standing with Derek, Spencer, and Penelope by a long table adorned with steaming dishes of bread, pasta, and salad.

"I'll explode if I eat any more," you say with a laugh as Spencer stuffs another piece of bread into his mouth. For a small as he looks, he can be a bottomless pit when it comes to good food. "Have you guys seen Hotch?"

"He isn't here yet," Penelope notes as Derek wraps an arm around her. "I'll keep an eye out though."

"Do you think he'll bring Haley and Jack?" Spencer asks as JJ approaches with Henry in her arms.

"I told her to come," you say, tickling the baby's chin with the tip of your finger. "It'll be nice to see everyone together."

As though conjured by their questions, the door to the backyard opens and Jack steps out with Haley and Hotch right behind him.

"You're here!" You walk across the lawn and give her a quick hug, before bending down and lifting Jack into the air. "What's up, Jack-o-lantern? You're so big now."

"Yeah," he giggles, wrapping his arms around your neck. You press a loud kiss to the side of his head and he bursts into a fit of giggles as you tickle his belly with your free hand.

"I'm so glad you made it," Dave says from behind you as he comes over and gives Haley a hug. "We love having you here."

She raises her eyebrow at Hotch, but there's no intention behind it. Divorce seems to have treated them well, reminding them of all of the good that was there before everything else got in the way. "Thank you for inviting us."

"Seriously, thank you," Hotch agrees, before reaching out to take Jack from your arms.

"Any time," Dave says sincerely, before nodding at him. "Come help me grab some more wine from the cellar."

They disappear into the house, and you pull Haley down with you into two of the chairs by the edge of the sprawling yard. "Hotch and Jack are sweet together."

She nods, looking wistfully at the door. "He loves any time he gets with his dad."

"It can't be easy," you say slowly, hoping you aren't breaching a boundary unknown to you. "I've seen firsthand how busy the job has been getting recently. I haven't been home before midnight in over a week."

She's silent for a moment, and you worry that you crossed the line, but then she just smiles. "He's trying so hard...and that's all I can really ask for, isn't it?"

You suppose she's right. Not everyone is lucky enough to find a person who fights as hard as Aaron does to get home to his family at the end of the day.

"You're good for him, you know." You look at her as she crosses one leg over the other. "You always have been."

"You are too."

"I know," she says, before shaking her head. Her expression is warm as she smiles at you. "It's not the same, though. Even when you weren't around, you were in everything he did."

You don't know exactly where she's going with this, and you're acutely aware of the choruses of laughter floating over to you from across the lawn as she reaches out to squeeze your arm. "He loves you."

Your face transforms into what you imagine is a look of confusion. "I love him, too. He's my best friend."

Haley looks at you for a moment, before shaking her head with a nearly inscrutable sigh. "Anyway, thanks for convincing me to come. I'm gonna get some food."

~

Eventually, the sun sets, and the string lights in Dave's backyard turn on, along with the soft sounds of Ella Fitzgerald and Sam Cooke. He helps Derek and Will push the tables and chairs aside to make room for a dance floor, and soon, Haley is in his arms as they swing along to the lilting tunes filtering out over the yard.

It feels natural, dancing with her like this, but at the same time, he knows it's different now. He holds her firmly as she tilts in his arms, loose from the wine that Dave made sure was pouring all night, and she lets him swing her around the lawn, no care in the world.

Soon, the song changes, and she looks at him with a dreamy smile. "You love this song."

It's a soft tune by Sam Cooke, one he can't remember the name of right now, but he smiles at her as he nods. "I'm glad you're here. You and Jack."

"I missed you all," she says, before cracking a smile. "Mostly just Y/N though."

That makes him laugh, and before he knows it, Dave is walking over, with you on his hand, asking to trade partners for the song. "I haven't gotten to talk to Haley all night."

It's not the best excuse, but Haley doesn't seem to mind at all. "Of course, I'd love to dance."

Dave whisks her away, and Hotch holds a hand out for you, pulling you into another steady swing.

"I love this song," you whisper as the two of you fall into a rhythm. "I Wish You Love."

Right, that's what it's called. His hand settles on your waist as you grip his shoulder, and he can tell you've had a bit of wine too, but only because of the red tint of your cheeks.

"This is nice," you say after a few beats of silence. "We don't get to do this often."

He nods, turning you to make room for Derek and Emily, who are swinging heartily across the yard. "It's nice to see the kids together." He glances over your shoulder to peer at JJ, who has Henry and Jack in each of her arms. She has jumped head first into motherhood, and it suits her.

The song changes to something a little slower, so he steers you to the edge of the dance floor, taking control as your feet glide after him. Maybe you've had a bit more wine than he first assumed.

The thought makes him chuckle and you look at him with a quizzical expression. "What's so funny?"

"Nothing." He shakes his head, and clasps your hand tighter to hold you to him. He glances over your shoulder again and finds an excuse for his laughter almost immediately. "Garcia is trying to teach Reid how to dance."

You tug his arm immediately, spinning the two of you around so you can see the situation he described, and your face breaks out into a wide grin when you spot them a few paces over. "The poor kid has no coordination."

As you watch them dance, he watches you. The way the string lights glance over your exposed shoulders. The sparkle of your eyes under the waning moonlight. He realizes, not for the first time, how beautiful you are.

He could give himself the usual excuse, that it's just the time of the night, or the single glass of red he drank a few hours ago, but tonight, he lets himself just be there.

You're his best friend, and he loves you. He's here, dancing around the grass with some of his closest companions, and you're with him. For once, he can just be.

***

You can't the pile of shoes out of your head. Derek and Emily were able to find the girl before Lucas Turner killed her, but even after arresting him and getting her back to her mother, the case is still sticking with you.

89 pairs of shoes.

You shake the thought from your head as you get into Hotch's car in the field office parking lot. He insisted on driving you home after seeing the look on your face in the plane, and for once, you didn't argue with him.

"I can't stop thinking about them," you whisper as he pulls out of the lot. "So many lives that are forever changed because of two men."

You saw how Derek reacted when he found the box of muddy shoes. You saw JJ's face after she had to shoot Hightower for murdering the man who experimented on his sister.

"I'm thinking of giving everyone a few days off," he says, glancing over at you. "We all need some time to get away from this job. I'll put the request in tomorrow morning."

You nod, unable to voice your opinion. You feel depleted, without having even witnessed the horrors you know occurred up on that farm.

It takes a second, but eventually you regain the ability to speak. "Do you think it's worth it?" Your voice feels like sandpaper, but the question hurts more than anything else. "This life, I mean."

He mulls it over, and you notice his grip tighten on the steering wheel in front of him. "I think it has to be." Your brow furrows, and you don't know whether you want to scream or cry at how terrible that answer feels right now, but he isn't finished. "We have put too much of ourselves into this job to allow us to forget about all of the good that has come out of it too. If we choose to forget the good, then none of it means anything."

You look at him in wonder, realizing he has voiced exactly what you needed to hear. You're constantly awestruck by how he always seems to know exactly what to say to bring back your sense of purpose.

"You're good at this whole leadership thing," you say softly, cracking a smile when he looks at you. "You help me grow."

He pushes you just hard enough to help you transform into something so much bigger and better than you hoped you could be. His chin dips and he turns back to the road as your neighborhood comes into view. "You help me grow too."

You lean your cheek on your palm as you snuggle further into the seat. "I called Josh Cramer, over at organized crime."

His eyebrows raise with surprise and he glances over at you. "Jeff's old boss? How did that go?"

During your last interaction at the BAU office all those years ago, you weren't ready to see him yet. He still reminded you of the hate and anger and guilt you felt over Jeff's death.

The last few months have been kinder to you, though. It doesn't hurt as much when you think about him.

"It went well," you sigh, looking out the window at the houses passing by. "Even though it'll never really be the same, it felt more like old times, if that makes any sense."

"It does," he says simply, providing you an acknowledgement before letting you fill in the spaces yourself.

You take a deep breath, feeling the air fill your lungs, before letting it out again. "He told me a story from before Jeff went undercover. It was just a dumb story about some night his team went out for burgers after wrapping up a case." Your breaths get shallower, but the tears you are expecting don't come. "Apparently, he made the team go to three different burger spots, because he wanted to bring me back curly fries, and none of the places were selling the kind I like."

You clear your throat to dispel the tightness, and when you look back at him, the car has come to a stop in front of your house.

"That sounds like him," Hotch says, smiling at you as you chuckle to yourself.

You nod, closing your eyes for a beat. "I guess I just wanted to say that, yeah, our lives are sometimes changed inalterably, but...it's not always bad. I met him, I loved him...and then I lost him, but I still wouldn't take back any of it."

His eyes crinkle and he looks out the windshield for a brief second. "Me neither."

It's already late, and you don't want to take up any more of his night, so you bid him goodbye and shut your door after making him promise to actually get some rest.

Your front door shuts behind you, and you hear the sound of his car driving off as you exhale heavily. Your house feels big with you here alone, but for once, you revel in the solitude. Finally, a few days of peace and quiet.

TAGLIST: @citrusiove, @yiiiikesmish, @mdanon027, @alice-w0rld, @beata1108, @bakugocanstompme, @raely-study, @himboelover, @hermionegalathynius, @rousethemouse, @calif0rniadreamin, @tolerateit13, @delusional-13s-blog, @madesavage05, @littlemisskavities, @love13tter, @domithebomi, @guacam011y, @averyhotchner, @silver-studios (message me to be added!)

[lurkingshan]

Japanese QL Corner

We are up to seven live airing QLs from Japan! Five of these are on Gaga and two are being generously provided via fansubs.

A brief interlude for me to climb on my soapbox: if you are a fan of Japanese queer media who is not based in Japan, you really should be supporting GagaOOLala. They are the sole international distributor of most of these shows and the only reason international fans can watch them as they release. They’re a queer-owned Taiwanese company specifically focused on providing international access to global queer media, and their monthly subscription is much cheaper than other streaming services. They’re not perfect but they are quite responsive to feedback about their catalogue and approach; please consider subscribing if you love these shows!

I’m really loving most of these shows and I highly recommend jumping in to the weekly watch!

Takara's Treasure

I fall more in love with these two every week. We finally got some answers on Takara's backstory, and as expected, it is the mother who abandoned him that has been harassing him. Taishin blazed in to give that lady a piece of his mind before even realizing who she was, and it only made Takara love him more. The revelation that Takara is holding back with Taishin because he doesn't want to be covetous like his mother sent me into a bit of a tailspin. I loved Taishin getting his moment to reciprocate Takara's care, as well as Takara's amusement that Taishin still hasn't pieced together what they are to each other. I'm excited for it to finally click for him soon.

Sugar Dog Life

I'll be honest, this first episode did not hit right for me. I always struggle with copaganda heavy romances, especially when the show is intentionally framing cops as benevolent and explicitly linking that to the romantic arc. But I liked the cooking parts of it a lot! We'll see how it proceeds. This one is being fan subbed, so if anyone is having trouble finding it feel free to hit me up in DMs and I'll point you.

Cosmetic Playlover

This one is coming in hot with two episodes a week, because Japan is trying to kill me. I like the concept and vibe but the execution is a bit all over the place; it feels like they want this to be a dark story but aren’t willing to fully commit to that, so dark things happen but then get treated too lightly. The pacing also feels a little wacky and we’re rushing through plot and relationship development in a way that leaves it all feeling a bit ungrounded. Sahashi went from harassing and threatening to out Natsume to kissing and claiming to be serious about him in the space of 15 minutes, and then suddenly in the next ep there’s a new villain and suspense plot. This one is just not clicking; I’m tilting my head with a furrowed brow.

I Hear the Sunspot

Sigh. I really didn’t need another arc about a third party interloper coming between the boys, but here we are. Maya is a throwback to the bad old femme fatale archetype steeped in misogyny and I don’t love it. She’s arrogant, manipulative, and mean for no good reason, and she doesn’t feel like she fits in this story about decent people trying their best. There was a way to do this plot with a more sympathetic portrayal of her, but unfortunately they didn't take that route. I’m disappointed that she’s with us for multiple episodes, and it’s hard to believe this rude little girl can really come between them. I said last week that it felt like they regressed Kohei and Taichi’s relationship in the time skip and I’m feeling that even more now. Aside from this mess, I really liked all of Taichi’s scenes with his friends this week as he continues trying to work out his feelings for Kohei. I hope we get back to Taichi and Kohei spending time together again soon; that’s the real heart of this show and I already miss it.

Ayaka is in Love with Hiroko

Sigh. Last week I was mad at the characters around Hiroko, but this week I am forced to be mad at the show for how it's dealing with this entire plot involving Hiroko's decisions about her privacy at work, Risa's inappropriate interference, and Ayaka's bizarre conclusion that she should announce her love for Hiroko to the whole office. This whole love triangle and forced outing plot was ill-considered and it's dragging the show down; we should not have had Risa being so wrong and manipulative or ventured into queer workplace politics at all if the show wasn't prepared to take it seriously. On the plus side, we finally got the backstory for Hiroko, and it was surprising in a good way. I hope this show can get back to the zany comedy it was doing so well before it got bogged down in all this mess.

Mr. Mitsuya's Planned Feeding

Episode 3 just went up on @isaksbestpillow's blog, and it's a fantastic one. I was howling watching Mitsuya wailing on his ex and poor Ishida trying to process this new rival on the scene. Shige continues to be the MVP and I loved the way he encouraged Ishida with a mix of sage advice and sexy sass (also loved that Mitsyua immediately knew that gossip ratted him out). And I screamed again when Ishida got worked up and confessed; I didn't expect that to happen so fast and it was excellent! This show feels so mature in the best way; I really feel like I'm watching adults who have lived.

Tagging @bengiyo to add the anime update!

[secriden]

So I was pondering just why I like Style so much and why his specific "failings" and imperfections are so compelling to me - and I think it's because all the other main characters are flawed in ways that are obvious but not very relatable.

Fadel and Bison are murders. Regardless of their motivations and how much they buy into Mama Lilly's propaganda, they still have taken lives and do so with little remorse. Kant is actively lying to, manipulating and taking advantage of Bison and Style (his supposed best friend) for his own ends with seemingly very little compunction. Yes, he's got his reasons; but still.

And then you have Style. His major flaw is that he is thoughtless and selfish and he doesn't seem to understand how to leash in his impulsive desires. This means he constantly ignores or crosses Fadel's boundaries to the point that, by the end of episode 3, is genuinely hurtful. All the same, compared to the things Fadel, Bison, and Kant have done and are still doing (reminder: ep 3 opened with another murder/assassination), this is relatively tame.

But that's precisely why I think people are being so harsh to him vs the other characters. Many of us have felt like the victim of someone like this because it's so common and so we relate to Fadel's frustration and then hurt and anger, and that makes Style actions feel painful in a way that’s personal. Few of us have been victims of the level of violence or manipulation that Fadel and Bison and Kant are dishing out.

Yet that's precisely why I like Style - he's imperfect in ways that add realistic complexity to his character. Why would we expect a character who is bold, brash, and impulsive to also be thoughtful and considerate?? He acts before he can think about things: that's the whole point of his character. He juxtaposes Fadel perfectly because Fadel "plans everything down from years, months, weeks to days" and Style hasn't acted with more than 8 seconds of forethought in his life. It’s part of what makes him perfect for Kant's plan in the first place.

But then, but THEN once Style begins interacting with Fadel, we start to get moments when Style seems to still and become intensely focused - most notably:

Right after the confrontation in the locker rooms (sadly I don't think anyone's gif'ed this yet, so screenshots it is!)...

…after his conversation with Bison about Fadel…

…and when he watches Fadel beat 3 guys up with ease.

We are watching Style find reasons to grow. We are seeing moments when he’s catching himself, slowing down, thinking, wondering. And while it initially starts with curiosity, he so quickly falls into fascination and obsession, and by the end of episode 3 it’s clear he wants more. It's not just about understanding Fadel anymore, Style wants to have him for himself. And if he's going to be something meaningful to Fadel he’s going to have to mature.

This is why I find Style so interesting and so fun to watch. He’s loud, in your face, and obnoxious so the layers aren’t as obvious. We think there’s nothing more there, but his complexity is deceptively hidden while they’re ironically much clearer in the quiet characters like Fadel and Kant.

And I don't think it's unreasonable to expect this growth. Style is written TO HAVE ROOM TO GROW. And, yes, I do think Style is going to rise gloriously to the challenge. We already have hints that this is precisely where the narrative means to take him:

(Fuck, look at how soft and earnest Style's expression is in the left screenshot. ;A;)

He’s by no means perfect but that gives him space to have a hell of a character arc and I, for one, can’t wait for it. 🙌

[shana-reviews-tmblr]

From Truth Seekers to Mastermind: How we've reached the halfway point of Stoliz

While there are many things I would love to bring up about Helluva Boss S2 Ep11 Mastermind and the pay offs it gave throughout the season, I want to focus specifically on Stolas and Bltiz's relationship as that is the heart of the story.

As we know Stolas and Blitz had an arrangement which allows Blitz to journey to Earth provided every full moon him and Stolas got freaky in the sheets.

at first this was treated as nothing more than a condition that enabled Helluva Boss' story to be set in motion as Blitz and I.M.P's job requires them to go to earth to assassinate people for clients in hell.

and for the most part, Blitz treated it as just a condition of their agreement, nothing more, thinking Stolas was simply just a royal who liked getting freaky with the lower class and as he put it "loved getting raw dogged"

However come S1 Ep6 Truth Seekers we got a glimpse that there might be more to this as during BLitz's hallucination where his inner truth was being shown.

it was during this that we see Blitz's view of Stolas or rather his desire to want to love him as he sees Stolas in an almost "angelic" view point

but as we see, he is unsure

of himself? of their relationship? of Stolas?

we don't know, but this is a turning point where BLitz wants to believe "maybe we could be more?"

the episode climaxes (ha) with Stolas saving I.M.P, as prior to that Blitz and Moxxie were captured by humans and with Millie and Loona were trying to escape but were cornered.

After Stolas saved them, for a brief moment Blitz believed that Stolas might have actually cared about him because why else save him?

and for a moment we assume the same as Stolas asks Blitz if he is alright

...until Stolas makes it clear, possibly unintentional as unfortunately our Bird Prince still has his aristocratic upbringing still part of his personality, "if YOU get in trouble, "I" get in trouble, WE don't want that" which made Blitz feel that all Stolas cared about was covering his ass which then has him retreat back into his shell, believing what he thought about Stolas was wrong, that there is nothing going on...

Nothing except their agreement, and despite him giving Stolas a kiss and being playful, it's Blitz giving Stolas a "Reward" for aiding them but with no real meaning, just Blitz living up to their end of the deal and in this case, trying to placate Stolas to calm him down.

What could have been a breakthrough instead was just a brief glimpse that neither side would notice.

and then came S1 Ep7 Ozzie's

We were clearly meant to see Blitz and Stolas as the focus this ep and it would be one that further showed how their relationship was not as ideal as either of them might have thought, in fact it is the total opposite of M&M's

Where Mox and Mill were affectionate, loving, and stood up for and with each other

When Stolas and Blitz were confronted and ridiculed by Ozzie and Fizz; Stolas was mocked for how even though he had a family, he was messing around with an imp for pleasure

and it was here that Stolas coward down and hid behind a menu out of shame

Blitz taking notice and thinking this as, once again, Stolas not being concerned for him or seeing him as someone he genuinely wanted to be with leading to Blitz feeling that once again that golden angelic view ha had of Stolas crumbles and it further pushed Blitz back to thinking there is nothing more to them, there can NEVER be anything more to them, and Stolas just cares about getting his fix from Blitz.

which is why at the end, even when Stolas was genuinely trying to salvage the night and wanted to reassure Blitz he did care; Blitz DID NOT want to hear it, Stolas had his chance, and he blew it.

and the sad thing is, Stolas knows this and both of them are left heart broken because Stolas genuinely wanted to have something with Blitz, but his cowardice hurt the person he cared about.

Meanwhile, Blitz was left alone that night to cry, feeling more unloved than ever before and after seeing pictures of his past relations, remembering the close ones he lost, he sees the one of his mom.

the last person up to this point Blitz knew truly loved him.

and in Blitz's mind, there is no one who would, could or should ever love him.

From there we have many more events that involved Blitz and Stolas's relationship growing, from Western Energy, to Oops, and eventually leading to Full Moon

these episodes have a storyline that show Stolas is coming to realize he can't keep things as they are between him and Blitz.

Seeing Stars was a brief moment where they worked together but with trying to find Via, they couldn't really handle the events at Ozzie's and the aftermath as they had to prioritize finding Via.

But it's during Western Energy where it left Stolas thinking Blitz no longer cared for him or was possibly, and likely, still upset over what happened at Ozzie's, which we see supported by the LONG PARAGRAPH of text Stolas sent to Blitz in an attempt to try and salvage that situation and make amends.

this all comes to a head when Stolas enacts a plan to free Blitz from their arrangement so they could truly try to see if they do love each other or if not, Blitz can have a means to keep his business going and not be tied to him.

To do this he went to Asmodeus to make a case to get Blitz an Asmodian Crystal which would legally allow Blitz to go to Earth as Imps are not allowed to have access to that kind of magic.

Sadly things wouldn't go good for either of them, again, as during the Full Moon, Stolas presented his gift to Blitz and after a series of unfortunate misunderstandings and flops from both sides, Stolas and Blitz would break up, and following the events of Apology Tour, Blitz would come to realize that Stolas truly was in love with him and what he felt back in Truth Seekers WAS true, but because of his pride, anger, and self-loathing, he pushed Stolas away and now he lost the chance to be with someone who truly loved him and it tore him up inside that he may never be able to get that back or even say he was sorry for hurting Stolas...and that he might have to let him go.

on the other side of this episode, Stolas now had his own "Truth Seeker" moment as his song All 2 U has him now looking at his time with Blitz and much like how Blitz had his inner truth and view of Stolas while also seeing it be shattered after his rescue.

Stolas's view of Blitz, or more likely his view of how they might have had something, also shattered, that maybe it was all a lie Stolas told himself, much like how Blitz tried lying to himself.

But then S2 Ep11 Mastermind happens

and we get the make-or-break moment between Stolas and Blitz

As I.M.P is being accused of stealing Stolas' grimoire to get to earth, Stolas steps in and saves Blitz from execution, not only that he takes ALL the blame for everything, as Satan, who is the judge of Blitz's trial, will not kill imps who follow the purpose he made them for which is "being obedient" and since Stolas is claiming Blitz did everything because Stolas ordered him to, all blame goes to Stolas and Blitz is let off the hook for following orders.

In a single moment Stolas proved to Blitz he still cares about him, it's left up in the air for now if he still has feelings for him after everything that's happened, but make no mistake, Stolas DOES CARE about Blitz and seeing this himself, Blitz's doubts are dispelled, more so now he feels maybe him and Stolas can try again or that there is hope for them, because now Stolas is left powerless.

Without a home, title, or anything, save for his daughter who is now in her mother's clutches, Blitz is all Stolas has.

and Mastermind ends with Blitz thanking Stolas for saving his life and Stolas weakly replying "always"

a very stark contrast to what happened back in Truth Seekers where it seemed Stolas only saved Blitz to save himself.

and where Truth seekers ended with Stolas and Blitz making out, we get a softer, more affectionate, more sincere gesture between them as Stolas, weary from having his powers taken and having had to process everything that has happened and what will happen, rests while Blitz gives him a gentle kiss on the cheek.

Season 2 really did a great job building up to this moment and it feels earned, Stolas and Blitz's relationship at first was built on an agreement born from the two wanting something from the other, but as they both questioned how things were and had a series of events that further showed how wrong their situation was and that for them to genuinely have something meaningful, they needed to change

now here comes mastermind paying off the long wait for what is essentially the halfway point of Blitz and Stolas's romance, they ended the arrangement, they broke up, and now are on the path of rediscovering who THEY are as people while along the way will discover how THEY can be as a couple, because Stolas is now living with Blitz and the two will soon see how the other acts, how the others personal life is when they aren't around each other, it will be challenging and we may see more bickering like an old married couple moments they will have.

But this is why I love the writing for Helluva Boss, because it does understand and know how to set things up and give those things a pay off as I hope I have shown in this long, VERY LONG, thread about the evolution of Stolas and Blitz's romance.

[thoughtsonkm]

Jeju pt.1 in a nutshell

(more than that, I just love this pretty aesthetic shot)

The vibe was definitely different because logically two people (especially jm&jk) are gonna behave differently than a three person group. Just a matter of numbers, synergies and the need to deliver a specific product to the audience. Nonetheless it was so entertaining to me. I realize I kinda missed these three together sharing 2 braincells (1 for jimin and 1 for tae&jk). The first two episodes were so chill and they felt like they almost had a lowkey underground vibe as if they were in their own bubble away from everyone just living life in their little part of the world accompanied by a moody scene and dim lights while this episode was like a action packed manic episode, so bright so cheerful with childlike wonder. I'm glad they can still have fun together and always enjoy the moment.

Plus let's be honest jikook are gonna jikook no matter the place, time and people around.

Some of the funniest parts of the ep to me were: The contrast of Jimin yapping about Aewol and Tae&Jk eating like there's no tomorrow. The drive through ordeal. The perfect comedic scenario of Jimin chasing Tae to make him eat like it was the last thing he would do.

Favourite reaction meme/face of the day. The betrayal, the suspense, the drama.

LOOK at this little bean stopping and collecting Jimin's 1930 shoes and going after his shenanigans like the dependable banryeo he is 😭 (remember back in 2019 when jimin called jk that and everyone went crazy and rolled with it for MONTHS? Good times)

~

On another note it's actually very interesting how you can feel and see how in every second Jimin tries to be in control of the situation and always on top of everything, every angle and every concern. He also always looks so deep in thoughts during these episodes, it's like he's given himself the task to be the artist, entertainer, manager,producer and everything all at once in this show. I'm sure it also has to do with his own personality and being someone who looks at every minor detail, a perfectionist who tries to curate everyone and everything.

~

The way Jk's life flashed before his eyes when he saw blood on Jimin's lips ~ so fuckin cute

And after Jimin's lip incident happened, Jungkook could not stop licking his own lips for the rest of the episode and probably day, I see you

THAT scene was so thought inducing, so ao3 ff coded it was insane. Just Jk silently staring at a dazzling and sleeping jimin in the ground. 37292 scenarios could've been played and then.. just walked away to take a shower (⁠ ͡⁠°⁠ ͜⁠ʖ⁠ ͡⁠°⁠)

Not okay seriously! The concern, the adoration, the yearning.

Blaming Jk for his actions was never an option. LOOK AT HIM

I LOVE the constant little comedic improvs Jikook do together, they're so fun!! You can tell that it's part of their usual daily thing (it's actually smth i also do with my friends and it always gets hysterical)

~

The idea that they went on a private trip to Jeju in August and then went again for the show in September, fills me with joy. Love that they had the opportunity. Seems like they keep on going to the same locations twice, just so they can get that full experience with each other.

~

I kid you not, this is one of my top3 fav things they do together. JIMINSSIII - JUNGKOOKSSIII

The editing being almost backwards and all over the place really is a little off-putting sometimes, jarring even. Not keeping events in a chronological order is sus on it's own, like they're scraping for footage at this point..

And yes it is also kinda bothering me that it's been years and years of content creation and they still can't do a good job at translating and coordinating what everyone says, is it really that hard? is it??

Imma put her on blast just out of pettiness 😆

[virtueking233]

Alright, time for angst before I do a nice silly talk about how Ruby and Weiss brought out the best in each other/grew to be who they are now with the help of the others

So what angst am I talking about today? Simple!

Y’all know how Blake leaving Yang was a breaking point for Yang

Or that Pyrrha’s death was a major breaking point for Jaune

Y’all ever noticed how Weiss misunderstanding Ruby or that Weiss lack of support in V9… was what truly broke Ruby/caused the dam to break for Ruby?

What do I mean by this?

Well

Let’s begin by talking about the possible misunderstanding that happened with Weiss in V9 ep 2

Specifically the moment where Weiss talks to Ruby and both opens up to Ruby about her own doubts and tries to get Ruby to open up to her towards the end

Then two Things happen here

1. Weiss, upon failing to get Ruby to fully open up and talk to her, most likely feels sad/guilty that unlike all the times Ruby has managed to be there for Weiss, Weiss isn’t able to be there for Ruby/get Ruby to open up and provide her comfort

And

Now for the misunderstanding

2. Weiss most likely believes that Ruby is asking/wanting to be left alone right now, given time and space so that she can process and figure out her emotions before she opens up and talks to everyone

Now, how does this lead up to Weiss being the one to cause Ruby’s breaking point/cause Ruby’s dam to finally break open?

Simple, a mix of another misunderstanding and self blame

Throughout the course of Volume 9

Ruby is going through a ton of sorrow and pain… but also, through some interactions/moments with Weiss

A great deal of self blame

Most likely Starting with episode 2 and how Ruby most likely took Weiss words as something to blame herself for

That the loss of atlas… and their “failure” in the finale of V8 is on her… no one else

That since she was supposed to be the Leader and be the one who always puts other before herself/be “perfect”, it’s ultimately her fault everything failed

Even later, as know in episode 5, Ruby takes the words of Weiss, “leaving places in ashes”, as another thing that Ruby takes as her own fault /her failure at Being her fault, since she is supposed to be the leader… and she is the one who has led to this happening (again, “perfect” leader mindset)

Then a little later in episode 6 where Ruby sees Weiss staring at the water mirror vision of atlas falling

She blames herself once Again

For being the leader that caused them to leave a place in ashes

To leave her partner’s home… in ashes

And that now all comes to and is finished off in episode 7

Where the greatest misunderstanding by Ruby and her blaming herself comes to play

With Ruby Weiss with what she says and does in this episode

As something that leads Ruby to believe… that Weiss has broken her promise

Because Ruby is no longer a “great”/“perfect” leader

That Ruby is no longer needed anymore

And this comes from a few factors ranging from how Weiss makes a suggestion about being lead out of the EA or how Weiss went and gave comfort to Jaune but never did it for Ruby

Thus leading to that misunderstanding

But you want to know another thing?

Weiss quickly puts this together and comes to realize (most likely) that She was the one who greatly led to Ruby breakdown

Especially after she realized why Ruby felt like she couldn’t open up to anyone/talk to any of them (realizing Ruby thought she had to be a “perfect” leader)

But overall, why this is important and why this is a major moment For Ruby and Weiss relationship is because this leads/has a major set up to a moment where Ruby and Weiss relationship can greatly change

Set up to a moment where Ruby and Weiss have a major heart to heart moment and greatly reconnect to one another… come back together and Be whole once again

Either way, I hope you all enjoy this little angsty analysis and hope you all have a wonderful day/night

(Also, in the making of this analysis… I’ve made several connections and realized how big brain the writers are)

[wolfienation]

i truly believe agatha and rio's story was always going to be a tragedy. there is too much hurt between them for it to end any other way. you can see it on rio's face the moment agatha begs for nicholas's life, when agatha says "i'll hate you forever". agatha was never going to give rio grace for that, she was never going to try to see rio's side of things, to try to understand that rio is bound by cosmic laws so ancient it precedes the word ancient. because she is a mother grieving her child and it's easy to put the blame on an external force. and yet still, rio gives agatha time with nicholas anyway, starves off the calling to reap his soul for as long as she could.

and to say that the death came from nowhere, especially after ep 4 doesn't really make sense to me. the only reason they were close to reconnecting in ep 4 was due to agatha deluding herself for a moment into thinking billy was nicholas, that rio had perhaps given nicholas back. and rio shatters that illusion because she doesn't want agatha back like this.

furthermore, let's not pretend rio's goals weren't abundantly clear from the moment we met her. when agatha asked what rio was doing there she says "my job". their whole fight scene in ep 1 was rio making herself clear. even with evanora, rio's wording is very specific "her mother can't have her". agatha is HERS to take. no one else's. thats how it has to go.

and that's exactly how it goes. rio's kiss is agatha's undoing, a willing undoing. she finally gives into this cosmic being who has walked on her heels all of her life. she finally gives into the woman she has hated, this woman she still loves and hates herself for loving.

and yet and yet and yet, even in giving herself over to death, agatha defies rio. "when i die i never want to see your face again". she remains as a ghost, out of rio's reach until she decides she is ready to move on, ready to face nicholas.

and rio honors agatha's wish because at the end of the day, agatha is the only force in the multiverse capable of making death kneel. "you're the only person in history who has received special treatment"

agatha hated rio for longer than she loved her (a very thin line she was dancing on), and rio yearned for agatha for longer than she had her, constantly on her heels but always just out of reach.

(sidenote: even if nicholas wasn't a factor here, rio would have still been forced to take agatha at some point. it was always going to happen. death comes for us all. even agatha isn't an exception to that.)

[unveiling-unguarding]

Let's fix the story of Dragon Age: The Veilguard pt. 1 - Prologue

I have spent the last week-ish just stewing and thinking about all the things that bugged me about Veilguard's story. Things I knew would bug me going in, having seen the gameplay reveal of the intro mission, but thought would fade as the game got over the hump of an awkward start. Nope.

This game, unfortunately, has such massive structural problems that I need to try to rework the basic skeleton of the narrative for my own sanity. So while my first instinct would quite frankly be to scrap the whole premise of what we got, I'll stick to doing some amateur developmental editing.

First things first, Bioware seems to not understand why people have wanted origins back in Dragon Age and are content to give lip service to various backstories without implementing the real reason people loved them - they mattered narratively, were intrinsic to the plot and various subplots, and provided solid character motivation at the very beginning of the story. For example, the human noble origin starts your warden's story off with the betrayal and murder of your parents at the hands of supposed close friend Arl Howe. So now you have very personal motivations to leave your home, become a Grey Warden, and be an active participant in the political landscape of Ferelden. Same goes for each of the origins you can play, each of which introduces the player to subcultures and subplots important to the setting.

Like Veilguard, Inquisition didn't do well with this, but it was fine since the real narrative hook for why the player's character becomes the protagonist is them gaining the anchor and stepping out of the fade in the wake of a world-altering calamity under uncertain circumstances. And most importantly, the game allows you to roleplay how your character feels about the whole thing. Rook, on the other hand (heh), is a character who only gets a short paragraph, functionally identical no matter the faction, about pissing off their higher ups before being recruited by Varric. Supposedly, Rook travels with Varric and Harding for the better part of a year before the game takes place, a timeframe we only learn a couple hours into the game.

This is all coupled with some painterly cutscenes where Varric gives us the lowdown on Solas and his plans. Which is fine, but does the bare minimum and gives our player character no personal stake in the story. We are left to infer our pre existing relationship with Varric (and Harding) and our Rook's reasons for stopping Solas. You can kind of define those reasons later on, but they are rather shallow and the game does not give them their due emphasis. Not to mention this comes at a point in the story I'd argue is way too late.

What should have happened to start the game was a mission that allows us to both define Rook's relationship with Varric and their stake in the story. You could conceivably come up with any number of specifics for this prologue mission, so I'll forgo getting too into the weeds, except to say that it should in some capacity involve Solas' agents that were seen and hinted at during Trespasser. Since the game insists on allowing Rook to be from one of six factions (a seeming holdover from the pivot away from a live service model for the game), the game should start off with a mission about narrowing Solas' ritual location down. Allow us to banter with Varric about the months leading up to that moment. Allow us to elucidate our feelings on what Solas plans and our taking leave from our faction. This would provide a great opportunity for have race or faction reactivity upon learning he was last seen in Minrathous, whether you're an elf or qunari hesitant to go to place that is generally hostile toward people like you or a shadow dragon eager to return home.

This would be a perfect lead in to contacting Neve Gallus for help and the existing opening mission, if you absolutely have to keep it in the game. I am still annoyed about John Epler stating that they wanted the beginning of this game to feel like the ending of a previous game. Why? That's the opposite of how a story should start. A story should start at the beginning, especially when one of their stated goals was to onboard new players to Dragon Age. It hamstrung them into leaving our main character's connection to Varric and the plot nebulous and undefined while they felt the need to shove in extremely awkward and on the nose exposition to tell the player about the veil, Solas, and ancient Elvhenan. Let the beginning of your story breathe, goddamn it.

Next up we'll talk about how the story handles Varric and why it's such a stupid fucking plot twist.

[candysweetposts]

Episode 8 review (long af)

I want to start this by saying that I will include some talk-points I saw in other posts and that I don't hate the people who made them just the opinions and that we shouldn't fight each other but try to reach the company for improvements. Let's go! This includes spoilers btw.

The episode itself was pretty bad just because the premise was... I guess childish. From the moment I finished Ep 7 and saw the preview for Ep 8 I thought about a moment from HSL, specifically Ep 12 where Candy (Lynn) spies on Lysander to see his back tattoo. When I played that episode I was a teen and I thought it was exciting. Our Candy was also a teen so we can say that what she did was more justifiable since teenagers do crazy stuff all the time. Plus, Lynn's intention was pretty innocent, she just was curious about this boy's tattoo that happened to be on his back. Here is completely different. I am not a teen anymore, and neither are Ysaline or her co-workers. They're probably in their late 20s (at least some). I find this scenario a bit too much for a bunch of adults. I don't care that they're friends, friends should respect each other's boundaries. A good friend wouldn't pull this kind of shit. They all acted as if they were going so see a magic trick or a concert or a famous person, not their friend naked. Why would you want to see that? Just because he "implied" that he's fine with it? What did they expect would happen? Did they though he would laugh out and be like "Haha, you got me" fully naked? This feels like what a bunch of bullies would plan to do with someone. The rest of the episode was ok-ish but having all around this weird stuff it makes me hard to like anything about it. I must admit that there were moments when we would talk about other stuff and it was truly ok and nice, but this is like finding the needle in the haystack.

This goes back to what BV originally planned for this season, to be set in high school. I bet this was a concept for an episode when that was still going. Would be more ok if these people were teens? Maybe... or maybe not. Do you know why? Because most of us are adults and that's why BV made a game with mostly adults having adult life with jobs and stuff and let's not forget... NSFW. And as an adult, I know better than spying on a naked man is creepy and illegal.

Now let's talk about the characters.

Let's start with Roy. He was very nice in the whole episode. He tried to play along but it really looked like he was uncomfortable at some point. And I bet if he could, he would tell others more firmly to stop but he's just such a sweet guy and probably endures for the sake of his friends. He's always sweet and even when he pulled the prank on everyone he even had the idea for all to play with water guns. He acted so nice. We love you, Roy! <3

Speaking of his BFF Devon who just disappointed me. I really thought he would be the first to speak up against this, not the one who started it. I get you're like bros and stuff but AGAIN, do you want to see your bro naked? And if yes, why? Do you have something to confess? What's so funny about embarrassing someone? I didn't get a good look at this route so I can't tell how he is with Candy, but this is not ok. Please, make this better BV.

Thomas. He was an absolute menace. Going from childish remarks to planning all of this to acting like he's in a spy movie (I didn't mind that part but CONTEXT). As I get to know him more and more I realize that he's more of a villain. Knows stuff about people and uses that against them. I get that he's like Mr Robot, but at least in his case, he did what he did because he thought he was doing something good. Thomas just likes to fuck with people. I get it, his moment was pretty cute and moments with him and Candy are cute generally, but let's not sweep this thing under the rug. He likes to lie, remember? I really hope this was a one-time thing. Pls BV. Like he has based moments and this runs it.

Amanda did really grow on me in this episode. Like if before I couldn't stand her now I'm on her side. Whatever you need girl, I'm here for you. She was the first one to step in and say no which was nice. She also said some other nice stuff to us proving she's a girl's girl. I hope this is not a one-time thing because if she goes back to her bad attitude the next episode I'll just hate her again. Sorry!

Jason was very himself this episode. Nothing to note. I liked his moment but I hate how Candy went overboard and basically imagined them making out. What? Is this how you develop feelings for a person? By fantasizing about kissing them? That came out of nowhere. I mean yeah, she could talk about how he makes her feel and stuff but straight up imagining a fanfic on the spot? And I hate the direction his route goes. Candy always being in distress and vulnerable, and this gentleman shows up to save her. Cool, but when do we have a mature moment... and not that kind of mature. I guess we have to wait and I hope it's worth it. I want to know about him more. What's with his dad and mom, his family in general, his past, you know. So let's stop doing weird shit and start exploring these characters BV.

Girl 1 and 2 were very not nice. They just went along with the plan, especially Elenda, who... let's just say I don't like how she's presented most of the time. I get she's s fun bubbly girl, but idk... it's just the situation that makes it worse not her as a person. Brune... You're asking what's wrong with Roy? What's wrong with you?

The illustrations were fire. I must admit, I love them. I see a lot of improvements. The lighting and colors blend very well. Props to the artist/(s?). My favorite is, you guessed, Thomas'. Yeah, he always has nice illustrations. Although, I don't get the whole going naked with him on the beach. Like, we barely know the guy. Same for the others, except Amanda, because she's a girl.

Now, let's talk about the community response. I feel like, at first, everyone was pretty upset, and rightfully and some were just "We're not that upset because it's just a game guys, shut up. You're just hating". Well, of course, some are going to exaggerate but most of us have valid reasons to be upset. Saying that this is just a game and we should leave if we don't like it it's just straight up BS arguments. I've seen this argument everywhere and I am sick and tired of that. I won't leave no matter what because not only do I love this game, but I also love the community and everything that makes it. It's not just a game, it's something I invested time and money and I won't let that go to waste. Also, I can use the same arguments against those people. Most of us here want to just enjoy this game and chat about it. Stuff like this will appear all the time. Let's just say what we have to see and hope the game gets better. And you're lucky I don't remember every single one of these people's arguments because I would said more. Also, WE KNOW that MCL is not representative of reality or that is has some sort of educational purpose. We're not asking for realism, we're asking for a decent plot. It's that so hard to do?

Lastly, BV made a pr response on the forum where they said that they saw the backlash and that they can't do anything about the episode or the other episodes but that will improve in the future. I.. I want to believe them. Truly. So, please, for the love of God, don't pull this sort of stuff again. Ok? Please.

That being said, Thank you for reading this. It was quite long, but I like writing long ass texts. Sorry!