#and the development of the internet on general

[talenlee]

Game Pile: Kentucky Route 0, One of Three Games About America

Script and Thumbnail below the fold!

Kentucky Route Zero is a magical realist point and click game of what I’d normally call Narrative Adventure, which came to kickstarter in 2011, then came out in 2013, 2014, 2016, and 2020, because you can’t have nothing for free, even things you pay for. The game is a text-driven game without any of the trappings of your typical point-and-clicker where you jam a ladder in your pants and try to work out why you want to put green dye in the water fountain. Instead it follows the haunted mind of Conway, a trucky driver and his interactions with small handful of people on a part of the Kentucky Interstate, while he to find the place he needs to do his delivery, despite being utterly lost.

I enjoyed what of Kentucky Route Zero I played, but the thing that stands out to me in hindsight is its sound design. It’s a beautifully defined game, audio-wise, with all sorts of thoughtful foley for its environments, and the way that even the pieces of the interface that Conway interacts with have their own sort of specific authentic sounds, chonks and thunks and ch-zzzzses.

It’s also visually splendid, beautiful in what it tries to represent in the heightened reality of its setting but also the format of a videogame. These places look good from the angle that’s chosen, creating lines of artwork and bars of cages, depending on what you’re focusing on, and by being a fixed-camera story of its type, Kentucky Route Zero takes on traits of theatre, with blocking and careful positioning and timing all making up part of how the story unfolds.

A story I haven’t finished.

See, I don’t feel like playing Kentucky Route Zero Act V.

Sit down, traveller. Let me tell you a story.

There’s a chance you’ve heard this story before. I’ve anonymised it here, not because I think you shouldn’t be able to work out who it is, but because the idea of focusing on the who runs the risk of ignoring the what. Plus, I don’t want to direct anyone to a person who said something stupid and encourage fights. That’s not the important issue.

This is the story of when someone perfectly represented something, and probably never realised it.

You will sometimes hear me talk about the take that ‘there are three games about America,’ with a tone of utter revulsion and derision. This is from an incident back in 2020, when a game developer and advocate for inclusive games, had an opinion, on the internet. This advocate is well-established and has a big audience, but also, he’s crucially, not a white guy, not a Christian guy, and not an American guy. These are factors that play into what he said, which was, in summary, that while Kentucky Route 0 was no doubt phenomenal, he wasn’t interested in playing it right now.

To this, an actual adult responded with:

This is legitimately the worst take you’ve ever had. There are only about three games that are actually American, and this is one of them. Everything else is designed for export. Kr0 is a precious and valuable thing. It is of immense and intense personal importance.

Now, resisting the urge to argue with a tweet, which is just generally a bad practice that leads to doing things like wanting to be on twitter, and setting aside this tweet conflating ‘this is of personal importance to me’ and ‘this should be of importance to you,’ this position describes the idea that there are only three games that are ‘actually American.’

What does it mean to be ‘actually American?’

America is a pretty pervasive presence, if you’re not aware of it. Most people in the world have to know about what’s going on in America. We know about your Presidents and your Senators and your Constitution, to the point where people can be more aware of how your country’s laws work than their own country’s laws. I’ve often seen it held up as an example of how poorly educated people in say, Canada and Australia are that we believe we have, say, a ‘first amendment right,’ but the thing is you have to ask why there is that.

We watch so much American TV.

We listen to American music.

We try to make our news broadcasts look like yours, because that’s what real and legitimate news looks like. We try to retell your stories in our local languages because that’s what real media looks like. Our children sing songs in your accents because that’s the culture that a multi-trillion dollar economy has pumped into the whole world.

America demands we attend their wars and surrender our living to become their dead and when we are done America sells the survivors a cheeseburger.

This is not a remarkable or controversial statement. You must know, this is not even vaguely challenging to know about. Everywhere in the world is replicating parts of the American empire, because America exports and enforces the vision of the American empire. McDonalds may sell curry in India, but it’s very important that the curry being sold is McDonalds curry because that is how you know it’s an American style curry.

What this means is when someone tries to assert there are only really three games about America, that’s a kind of specialised brain rot that requires you to consider games that are very much about America as not being really about America. And thus we see the other thing about America, which is it’s not enough for America to be the most important place in the world that everyone else in the world needs to recognise, but also, most of America is inadequately America for this vision of America. You saw this in the wake of 9/11, and the election of Barack Obama: huge amounts of American media resurged in extolling the values of ‘real’ America, as opposed to the parts of America where the vast majority of Americans lived, which just so happened to paint a lot of marginalised people living in the cities as ‘fake Americans.’

I am not bringing you unique information. This is just obviously true things if you don’t live within the boundaries of an environment that flatters you as the most normal thing in the world. The vast majority of the world is not America. There are eight billion people in the world, more or less, meaning that America is about 4% of the world, and yet, it is catastrophically, overwhelmingly, deleritously the common touchstone for how things are ‘supposed’ to work. This is through media imperialism, which is mostly supported by American companies exporting all their media to foreign markets extremely cheaply.

‘about three games that are actually American.’

This fascinating piece of doofusry still, even now leaves me agog. ‘Actually American.’ Kentucky Route 0 is actually American, you see, as opposed to… what? Is America’s Army one of them? You know, the game financed by the American Army? What about Call of Duty, a franchise that is in part subsidised by American military complex manufacturers? What about Grand Theft Auto, a videogame that tells the rags-to-riches story of American excess in criminality, setting aside the way it’s made by a Scottish company. Actually American, because American doesn’t mean America, it means one tiny little pool of ‘America’ where the speaker can imagine there’s a realness and an authenticity to the America-ness that doesn’t involve all the messy realities of what it is to be America. It’s the towns of hard-working people, that suffer under your particular description of oppression, whether that’s cities full of nonwhite people or corporations bleeding the country dry, always eliding the social cruelties and terribleness of these places, as if giving people money stops them from being bigoted (for example).

This is then used to recruit these poor, superior Americans, the you know, America Americans, whose sufferings are noble and whose authenticity cannot be impeached and they are then used as a defense against criticism of, you know, America. It’s the same speech Charlie Daniels gave about how foreigners may think they could push around Barack Obama (a dude who bombed a lot of shepherds with the most elaborate and brutal military ordinance in the world) but they were going to have a harder time taking on Americans who wrestled alligators, who at this point have exactly zero recorded drone strike kills.

This is because America America isn’t real.

‘Real’ America is a nebulous nothing that you can project whatever you want onto, and which is also not responsible for anything terrible that America does. It’s not the American Empire, it’s not the exporter of culture, it’s somehow purer, better, a sort of individualised folk who are to be protected and extolled, shriven of all the things about America that make it anything but its perfect idealised form of America.

I could go on.

I really could.

This is something that defines the world I have to live in. I speak English. I’m white. I’m from a coloniser state. I should be able to integrate easily and smoothly into the white supremacist capitalist hierarchy of American culture, but we are told, that no, we are not acceptable. We are only valid as long as our differences are invisible. We, a real people, do not get to have opinions on America, because we do not know True America. When you spell colour wrong in a chat message, when your accent isn’t quite right, when you don’t know the difference between junior and sophomore year of high school, then you are shown, you are evinced, and you are made very aware that you are other, you are outside, you are wrong.

And really, there’s no good reason for it. We send our soldiers to America’s wars, we buy America’s submarines, and we sing your songs. Our currency mimics America’s, our culture permeats with America’s, we even have such a crushing inferiority complex about the empire that there’s an academic term for what we feel about our own media compared to the media of the truer, proper empire to which we are vassal.

The term is ‘cultural cringe,’ and it was coined by Henry Lawson, who you, odds on, have never heard of. In 1894, he wrote:

The Australian writer, until he gets a “London hearing,” is only accepted as an imitator of some recognized English or American author; and, as soon as he shows signs of coming to the front, he is labelled “The Australian Southey,” “The Australian Burns,” or “The Australian Bret Harte,” and lately, “The Australian Kipling.” Thus no matter how original he may be, he is branded, at the very start, as a plagiarist, and by his own country, which thinks, no doubt, that it is paying him a compliment and encouraging him, while it is really doing him a cruel and an almost irreparable injury. But mark! As soon as the Southern writer goes “home” and gets some recognition in England, he is “So-and-So, the well-known Australian author whose work has attracted so much attention in London lately”; and we first hear of him by cable, even though he might have been writing at his best for ten years in Australia.

This is imperialism. This is a way in which we have been induced and brought by the empires around us to accept their ways as correct, as the normal, as default. And that is the mindset you must have if you want to look at the breadth of videogames, with their American ideas like health insurance, readily available guns, the importance of freedom, the ubiquity of air travel, the branding and iconography of types of food and the sports metaphors and then say ‘yeah, this doesn’t have anything to do with America, not really.’

Anyway, this thread, this incident, was a big deal at the time, in that there were a lot of people from within the community of game developers and journalists who seemed very happy to line up and get mad at a brown foreigner for being inadequately enthusiastic about the possibility of playing a videogame. But don’t worry, after a day or two, an apology was forthcoming for all of this fracas, by which I mean, the original developer apologised for being so thoughtless as to, again, express honest lack of enthusiasm in a videogame.

For me, this was a kind of break point, where I started just blocking indie devs on sight. I don’t want to know what they’re involved in, I don’t want to promote their work, and I will hold tiny grudges against them that I do not seek to transfer or encourage in others. This was one silly incident in which a lot of people said something silly because they don’t know better, or they’re arseholes.

None of this is fair to Kentucky Route 0. It’s a game with its own intentions and its own perspective. It’s not trying to make this conversation happen. Kentucky Route 0 has been choked and gripped by this position around it, where to talk about an American game, someone put a cross on it that made it the avatar for All Things America. The wild thing to me is that I had, prior to this point, played two episodes of Kentucky Route 0. I thought it was pretty good, and I liked what it did with the negative space of dialogue options – when a character you’re controlling makes excuses, the excuses you choose show you other things you could be making excuses about that you, the player, didn’t know beforehand. That’s some good Narrative Storytelling Design, I like that a lot. But now I can’t really engage with Kentucky Route Zero because the main thing it makes me think about is how this final chapter, meant to round out the game’s story and present a conclusion and a point, became this flashpoint for a lot of people to be very casually racist.

Which kinda poisons the whole thing for me. It’s an authentic thing, I’m sure, it’s a thoughtful thing, too, but the people stepping up to say I should care about it did so in a way that made me hate them.

Any time you see me say ‘three games about America’ I’m talking about this, and the attitude of a particular kind of American that America is, as always, exceptional. It’s real easy to not realise when you’re just voicing your self-centeredness and how easy that is to ignore the opinions of people around you and what they’re saying. This is what I’m talking about when I mention ‘the three games about America.’

[fade for credit text]

By the way, the three games about America are Crash Bandicoot, Sam & Max Hit The Road, and Bust A Move.

[rmstitanics]

* GENERAL OBSERVATIONS, PART FOUR.

ASTEROIDS

Determine the sign, planetary ruler, and the house that ASTEROID SHAKESPEARE (2985) is in to figure out which genres of Shakespeare plays you might enjoy the most!

╰► Example: My own Shakespeare asteroid is in 5H Pisces, and Pisces is ruled by Neptune. The 5th house is associated with romance, while Neptune governs illusions, mysticism, secrets, prophets, and deceptive idealism. So I would probably enjoy his romances and comedies such as Much Ado About Nothing, Twelfth Night, and A Midsummer Night’s Dream.

In my natal chart, ASTEROID WASHINGTONIA (886) CONJUNCTS SUN. This asteroid was named after George Washington, and the Sun represents our Ego + Core Identity. Guess whose first ever fixation as a historian was the American Revolution? ✨Me✨.

Look for ASTEROID KLIO (84) in your chart to determine what types of history you should study! For example, I have 11H Klio in Virgo, which is ruled by Mercury. So this means that when it comes to history, I might be drawn to studying the friendship dynamics that existed between historical figures (shoutout to Abraham Lincoln and William Henry Seward as well as Ulysses S. Grant and William Tecumseh Sherman my BELOVEDS) as well as public discourses and social movements of a given time period.

PLANETS

9H VENUS placements might be more comfortable with befriending strangers on the internet + having online relationships than they are with developing their in-person connections.

While working on my Famous Individuals With Your Moon Sign post, I noticed that a LOT of authors have ARIES MOONS. This absolutely checks out because Aries Moons tend to be assertive individuals who become pioneers in their fields of interest, which many of these authors were.

If you have difficulty relating to your SUN SIGN or BIG THREE placements, check the aspects in your chart and spend some time researching them! HARD ASPECTS to your personal planets may be the culprits responsible for this.

VENUS rules over the 5H of creativity, so check the house that your Venus placement is in to determine your most prominent sources of creative exploration!

╰► Example: Taylor Swift has Aquarius Venus in the 1H. Her music is often inspired by 1H themes of exploring her core identity, and it is known to have Aquarian undertones of progressivism and rebelliousness. When I saw this placement in her chart, I immediately thought of her songs “The Man” and “Who’s Afraid of Little Old Me?”.

╰► Example: William Shakespeare had Gemini Venus in the 12H. His works are widely known for their explorations of hidden enemies, endings, spirituality, mental health, and loss — and with his Venus being in Gemini, it’s clear that he had a lot to say about these topics.

Because the MOON rules over the 4H of home and roots, the house that your moon sign is in can show you where you might feel most at home. For example, I have my moon in the 9th house of higher education, and I’ve always felt the most at home in academic settings.

12H JUPITER placements might do well pursuing an occult career field, such as becoming a professional astrologer, tarot reader, palm reader, or even a past life regression hypnotist.

Going through a period of writer’s or artist’s block? Check to see if your TRANSIT SATURN is in the 5H or if Transit Saturn is aspecting the 5H!

TRANSIT MARS in the 9H is a time of yearning for academic recognition and success. If you have this placement and are currently a student, take advantage of opportunities for class participation, extra credit, study abroad, and extracurricular activities!

ASPECTS

MIDHEAVEN OPPOSITION URANUS natives loathe adhering to social norms and are prone to having unpopular opinions that, if expressed, would drastically alter their social status.

MOON OPPOSITION MARS can indicate strong willed and incredibly assertive personality types that, if caution is not taken, may be viewed by others as “bossy”. They’re the type of folks who like to take the reins and lead the group during a group project.

SUN CONJUNCT URANUS people strike me as the type who enjoys researching conspiracy theories, especially if their Sun sign is Scorpio or Gemini.

MERCURY-URANUS as well as MERCURY-VENUS are the types of people who could be uniquely prone to social media / screen time addiction.

VENUS TRINE SATURN natives are sensitive to rejection, and when rejected, might carry it as a deep wound for a long time.

MERCURY CONJUNCT PLUTO individuals have the potential to be excellent speechwriters, poets, songwriters, and journalists.

[eisbecherovka]

Saw some post about AI art whatever and the op mentioned that AI "killed the field of translation", someone in the tags was lamenting that their career plan for becoming an interpreter was ruined because of that...huh??

Machines can't interpret (yet) and I think that technology is probably a ways off. But the real thing that everybody ignores is that a machine translation can only ever be as good as the source text. And if you feed a source text with typos and inconsistent terminology usage and...interesting sentence construction into a machine, you're going to get absolutely boiling hot nonsense out. And let me let you in on a little secret. Most technical texts - which make up the vast majority of translated material - are not very well written. The AI can't guess what the author was trying to say (yet) and it can't backtrack through other languages if the source text itself was a translation. It can't make use of supplemental material and it can't ask the author questions. It has the text and the text itself and that's it.

[halo-eater]

.

[bonicle]

I Just released my new game, Islander 95!

Chill out to the sounds of early internet and calming waves, and generate yourself some procedural islands! (comes with a free postcard maker too)

This is a cute little toy I made for a university assignment. You can probably guess what it does by now, so give it a shot if it sounds interesting!

oh also the names are completely random and there is some very funky stuff that can happen lol

have fun!!

[venezart]

APPLE’S REJECTION OF META AI TOOLS: A STANCE ON PRIVACY AND SECURITY

[br1ghtestlight]

i wish there was a way to tell the osc "you guys have GOT to be more discerning" without coming off like a huge asshole

[metellastella]

RIGHT NOW.

Anytime you see the word “waffling” or “yapping” being used to dismiss a long entry of some kind, say “Do you mean TL;DR?”

Or, if it fits better to the sitch, “Would you like a TL;DR?” meaning, “would you like a summary?”

TL;DR needs to make a comeback

“Can I have a TL;DR?”

This is a perfectly reasonable request to make. We should do that instead of subtly implying the other person is “wrong” or “bad” for having and writing a lot of thoughts.

If one does not have enough motivation, or mental energy, or brainspace at a given point in time to seriously consider or parse a long response, THAT IS FINE. We’re all operating on probably not enough sleep and more stress than humanity has ever had to deal with pre-modern-era.

We have more information coming at us than ever before. Feeling like digesting ALL of it is simply not going to happen. You’re allowed to opt out.

HOWEVER.

It is NOT fine to not OWN that, identify it as your own shortfall, and by using this as a neutral phrase, acknowledge that the other person’s thoughts are also valid.

Please reblog.

[imflyingfish]

Its weird because i dont actually have much of a desire to move to france or use french reguarly in my life but at this point ive deadicated over a year to learning it so i might as well keep going and finish

[crowcryptid]

the disinformation that went on in the past 24 hours is why we now have programs and websites that say “oops the rats are chewing up the servers again :(“ instead of anything useful

We have got to make owning a home computer widespread again. We have got to get rid of the tablets and put Linux on those school chromebooks so the children do not get scared of the command line.

Genuinely so many issues could be fixed if people were willing to look up how something works before saying shit, and if the people answering these questions were less stuck up their asses and used less jargon. <- this advice applies to tech issues in general, though the situation that happened today can’t be fixed by the average person because it requires administrator rights to fix. Unless you happened to get lucky and rebooting over and over fixed it for you.

[wearysauce]

absolutely baffling to me that things like r/systemscringe exists where they target people who have probably been through a lot to develop a system (be that trauma or not)

not to mention, them going through a stranger's information to spot them 'faking' is... probably not good for their own mental health

[demonstars]

like whats actually edating

[spacexseven]

yes i have considered making more c. ai bots. it'll take a while so Please bear with me ㅠㅠ guys i haven't written like actual words in decades i'm putting 100% of my focus in actual writing now :^ i have asks to take care of and people to feed

[curly-fried]

I think tumblr is going into a direction where it hates any way ai is implemented because its ai and i dont think that is a productive stance. Like you can criticize how its developed under horrible labor conditions and with little regard to the environment but this is not inherent to ai technology. It is perfectly possible to develop it while trying to do minimal harm to the environment and good labor conditions for the workers, but its not happening because it cuts into the profits of capitalist who are in charge of the development of ai technology. And tbh this applies to any piece of technology, from computers to water bottles. AI technology is already used for good purposes like aiding doctors to find cancer in mamograms and making art more accessible to physically disabled people but because its in the hands of capitalists it has the horrible shortcomings it currently has

[sureuncertainty]

officially covid negative!!

[babybsweettea]

hey guys maybe leaning into transphobic stereotypes is not a good way to help the rest of our marginalized group that does not reside on tumblr dot com. like i get it respectability politics is a sham yadda yadda but i think itd be at least a little harder for them to call us shit like cumbrain and tims if we didnt feel the need to make everything about girlcock and fucking pumpkins. or fucking animalgirls. or really just like that kinda shit in general???

also like im sorry but those people NEVER draw what 90% of trans women look like; its so clearly fetishism. its always big hips big titties (usually white) girls who just so happen to have a dick. im sorry but if you were actually trying to do something here youd draw trans girls with broader shoulders or not gazonga ass titties or not the fattest ass youve ever seen with makeup that would realistically take hours. im sorry but youre literally actually not helping and by not helping youre making it worse for the rest of us