#and saying it on main would have not been productive

[gourmetpunk]

This is all very well and good if you either:

a) exist within some sort of community in which people will engage with anything creative others post in it or

b) have a pre-established following on the internet.

However, it doesn't really capture why someone like me would want to take the traditional publishing route (and to be fair to nostalgebraist, I know that wasn't necessarily their aim here, this is a perfectly good explanation of why it doesn't make sense to them - I just want to provide an argument for my side here).

Unlike people of the above categories, I don't exist within any such community online and I am basically an internet nobody. I'm mostly fine with both of these things - being in such communities generally means putting in the effort to engage in a lot of amateurish work yourself, which I simply don't feel is worth my time (sorry if that sounds snobby - if it's any consolation, this mostly only applies to writing, I don't have the same kind of standards for music). And I've seen the headaches that "internet famous" people have to put up with to know better than to want that.

However, unfortunately, these two things are the main factors for getting your writing exposure on the internet in any meaningful way. Take my example: I have about 50 followers here, most of whom are probably long inactive. Of the remaining ones, most probably do not follow me with the intent to engage in any creative product I throw at them. If I started posting my fiction here, quite likely the only people who would actually read it are the 3-4 mutuals who are people I also know in real life - and even then, they probably won't read it because sitting down to read an entire novel (or even several-thousand word short story) is a big time commitment! (And for the record, I'm not blaming them - I would also be unlikely to just sit down and read through whatever fiction they threw at me here too!)

So for people like me, traditional publishing is pretty much the only way we'll get any kind of exposure whatsoever. Plus it might even help open doors on the online exposure side - I'm not saying it's likely, but I do know that if I posted a story of mine here, it would probably go almost completely unread, whereas if I posted that story linked from a site for a Real Magazine where it had been traditionally published accompanied by a note that my store was recently published in Real Magazine, someone's curiosity might actually be piqued enough for them to click through to it and read some of it.

Another factor that I feel especially applies to my writing: it is weird. It's niche. It's not the kind of thing most casual internet readers will pick up to read on a whim. And this even applies to my friends online - again, this is not an accusation because I completely understand where they're coming from, but I have sent one of my stories to friends who are curious about it only to have them come back saying they found it interesting but couldn't get through the first section or so because it was not a style they were interested in. That's fine! But I think there might be a real audience for this kind of stuff out there that is not "my immediate friends" and it's possible that a publisher could actually help me find that audience.

Finally, a factor that applies to me pretty personally but I'm sure at least a few others share: I'm not 100% confident in my craft. I am like 90% sure that the way I'm doing what I'm doing is in line with the creative vision I have for it, but that doesn't mean there isn't potential room for improvement. I would gladly accept feedback from editors, even if I'm not going to agree with all or even most of it - it could help me re-shape what I've started with into something better simply by having outside eyes on it. And the easiest way to get someone to do this without accosting my friends again or paying someone else is...well, I don't really need to say it, do I?

Imagine that you can still draw, or paint, if you feel like it, and have the tools. That hasn't changed.

And (no, this post isn't about AI, there we go, where was I) all the other newer tools still exist too: Wacom tablets exist, and Adobe Photoshop, and every sort of camera, and so forth. If you have these tools ready at hand, you can just pick them up, and make pictures with them.

And tumblr still exists, and all the rest of the internet with it. And so – if you like – you can use these venues to share the pictures you make with others, easily and immediately, for free.

However, there is also another venue, for sharing pictures.

That is the only thing that is different.

The other venue is... let's say it's a magazine that only prints visual art, and which has an extremely large number of subscribers.

Everyone knows about The Magazine. Most people you know are subscribers.

Before the internet, The Magazine was the main way that visual art got into people's homes (if it wasn't created there in the first place). Your parents speak of The Magazine as though it's just where art lives, as though the notion that there might be art somewhere else has never really crossed their minds.

Much of what appears in The Magazine is, in fact, pretty good. Conversely, much of the truly great art of the recent past made an appearance in The Magazine, at some point, before or after appearing in galleries and/or being reproduced in other ways.

But a lot of it is just... fine. Trendy, competent, workmanlike.

You flip through the pages and mostly you think, yeah, this sure is the sort of thing that gets printed in The Magazine, in the current year. Occasionally you're impressed by something you see there, and even more rarely something moves you, transfixes you.

Much the same could be said of your tumblr dash, of course.

It must be noted, however, that The Magazine has a higher quality floor than your tumblr dash. Everything that appears there looks polished, professional, carefully worked-over. This counts for less than one might think; that professional gloss can do nothing to elevate ill-conceived or simply dull work (and The Magazine does print such things fairly often).

In a gallery, you might encounter mere sketches, or blatantly unfinished paintings (Leonardo left behind plenty of both, after all). But you will never find such things in The Magazine.

The Magazine's cultural and psychological prestige is immense. It holds the popular conception of "art" in its tight, totalizing grip. If you ever pick up a pencil and draw, it will be assumed – by default – that you aspire to eventual publication in The Magazine. If you are not very good, people will tell you to keep at it; maybe someday you will make the grade. If you are good, people will tell you so, and ask you whether you've prepared anything for submission, whether you've sent it, whether you heard back.

It is tremendously inconvenient to appear in The Magazine.

After all, anyone can pick up paper and pencil, but The Magazine only has so many pages per month. So, The Magazine has standards. It is persnickety. It couldn't afford to behave differently.

But even if it could afford to behave differently, it would not want to. For it so happens that The Magazine prides itself on its active role in the production of "art" (meaning, "that which has appeared in The Magazine").

Even if you are one of the "lucky" few who does not receive a simple rejection letter from The Magazine, you will not simply be allowed to put your drawing or painting or what-have-you into The Magazine as it is.

Unmediated transmission of art, straight from artist to viewer, is for lower-class venues ("tumblr.com," "physical reality and its tendency to project images of nearby objects onto the retina," etc). The Magazine has standards, and they have a full staff of not-quite-artist, not-quite-art-critic people who are employed to impose them. If you do not get a rejection letter, what happens instead is that you begin a long and laborious transaction with one or more of these strange middlemen. They will tell you that your work is a good start, but that you really should have put this part over there, or made the symbolism more obvious or less obvious, or "applied your evident talent" to a more socially relevant choice of subject matter, or something of this nature.

Eventually, after a protracted interaction like this, you might succeed! A new, different, quite possibly worse picture – produced by laboriously adjusting your original one (which, being original/unmediated, is of course unprintable by definition) until The Magazine's staff feel satisfied in the relative scope of their role versus yours in the collaborative act that is "art" production – will end up on a page somewhere in the next issue of The Magazine.

And, finally: real art has been produced! You've made it!

You're in The Magazine. And your work ("your"? you don't feel so sure anymore) does look nice, sitting there on one of those oh-so-glossy pages.

It is nice enough that you spend nearly a minute lingering over it, before you go back to tumblr.com, where all the rest of the pictures are.

(And then, on the weekend, you go to a museum, and look at pictures which were being lauded as masterworks centuries before The Magazine was even founded. You could never produce anything like them, you know – and you feel envious of their creators, not so much because of their greater talents, but because no one ever praised them by saying, hey, this stuff is good enough to be in The Magazine!)

But at least your mom and dad will look at your drawings, now, and think: my child is an artist. You were an artist before, too, but it was just amateur stuff. Now it's for real. Professional. In The Magazine.

Professional? Well, The Magazine did pay you a little in the end, as a prize. And there are some people who make their livings this way. They have good, longstanding, hard-won relationships with The Magazine's staff of intermediaries. They are unusual; by sheer force of numbers, only a select few can make a decent and reliable living in this manner.

(Indeed, The Magazine's insistence on imposing its standards is essentially inimical to steady, reproducible money-making for individual artists. You shouldn't feel secure already that they'll print your next picture without delay, before you've even sent it in for assessment – that would mean they are not keeping standards at all, wouldn't it? And so, cultural forces within The Magazine conspire to degrade its value as a potential source of one's livelihood.)

Those who appear regularly in The Magazine have unparalleled reach. As a child, perhaps, they shaped your notion of what an "artist" was; as a child, maybe you wanted to be just like them, when you grew up.

But then you did grow up – and so, you realized that they were employing the tools at hand (pencil, paper) to a very unusual end. Anyone can pick up the tools and draw. But few can make it into The Magazine, and perhaps even fewer than that should want to appear there.

After all, there is something almost shameful about the exercise, isn't it?

The Magazine says: I am the means by art is produced and disseminated. And many people, passively following the ambient culture, unconsciously nod along.

But in fact, The Magazine has no potency in it whatsoever. It is you, and the viewer, who create the work of art and create the experience of experiencing art. You can just draw things. You can just show your drawings to people.

And The Magazine cannot turn an uninspired artist into a genius, or an unskilled artist into a master; it can only trim perceived fat, arrange perceived rough edges into a more agreeable shape, apply gloss and trendiness and "professionalism." But those were never what anyone liked about art to begin with. You don't need them – unless you do, for your own artistic reasons (and your viewers'), and in that case home-made versions will probably do the job well enough.

There is, in fact, not much reason at all to want to appear in The Magazine.

And that, in itself, is a strong argument against the idea.

You ought not to play along in the charade, pretending that the whole laborious exercise has a point after all, if you know that it is in fact pointless. This is a matter of integrity, if nothing else.

Anyway, that's how I feel whenever anyone's like, "so are you gonna try to get this stuff published or what"

[akajustmerry]

first of all I boycotted and continue to boycott captain america brave new world so pls don't tell me to watch it. second of all, what I'm about to say is obviously not the mcu's biggest crime in the grand scheme of things, but I have big thoughts so here it is anyway: there is actually no excuse or explanation for making Walker "Captain America" in Thunderbolts that doesn't boil down to anti-Black racism. And I mean that on both a narrative and production level. On a narrative level, Sam is also a "rogue agent" which was established in tfatws, and a veteran (literally first thing we learn about him). There's no plot point or character arch written for Walker that couldn't also fit Sam and even be more compelling with Sam there. One of the weakest points of thunderbolts is a lack of any significant established relationships or commonality (except for Yelena and her dad) between the characters, having Sam there balances this more and gives Bucky a more compelling reason to join the team at all. On a production level, it's nuts. Especially when the studio knew how much audience racism there was towards Sam: to further undermine him with the racist villain from his series (Walker) getting a whole movie where he "redemptively" becomes the "official" Captain America only encourages more racism directed at Sam, ESPECIALLY when you have even Bucky siding with the racist guy, going against everything established in tfatws. I know this is a tale as old as time at this point wrt Disney and Black characters. but Disney shouldn't cast Black people in these roles if they aren't going to a) protect them b) take them seriously or c) actually write culturally considerate and inclusive stories. Even if it's intended to be a commentary on anti-Blackness (which to be clear thunderbolts doesn't make that textually obvious enough for anyone to make that argument) it's done badly. You can't say "they're doing racism to critique racism" when there's no actual critique or pushback within the narrative against the racism. On a production level, it's truly crazy how the MCU has undermined Sam as Cap at every turn. He had to share his series with everyone's favourite white dude, he didn't get a movie for years, and when he did it was an ethical shitshow set up to fail. Not to mention, the incident at Comic con where Anthony Mackie was told ca;bnw would be Marvel's main event only for the trailer drop to be entirely overshadowed by the RDJ doctor doom announcement. And they announced Chris Evans return to the role before Sam had ever got his own film. I'm not asking anyone to feel sorry for millionaire actors or billion dollar companies funded by the military. However, it is very much worth considering how virulently and consistently anti-Black that studio is to this legacy character, and how these are for better and worse the biggest most watched films on Earth. That matters. Unfortunately, how the MCU portrays marginalised people matters because the reach of their impression in pop culture is unbearably massive. It is racist in every possible way how Sam's tenure as Captain America has been handled.

[cuteniaarts]

Digitalised + coloured + redesigned version of my Suiren and Vaatu sketch from two days ago, as promised!!

Coming up with Suiren’s design was a very long process of trying and failing because after you’ve drawn 9+ different versions of one character, the creativity starts to run a little dry, but I’m actually really proud of this one, she looks absolutely adorable <3

(Also yeah I did mostly just scribble Vaatu’s pattern because who has the energy to draw the all out accurately. Not me, that’s who, I’m chronically tired. People who draw him on the regular have my utmost respect. He’s still a funky little guy though :D)

Bonus, Raava incessantly screaming inside Suiren (and being completely ignored because Suiren is tired of her) while all this is happening:

[nixariel]

So I'm not on discord but what I do have are screencaps, educated guesses, and a list of portfolio websites for some of CS2019's background artists.

As a bit of forewarning, I've tried on-and-off to see if there were any visual clues to how exactly the various faculty classrooms work in relation to the building's outside, and the short answer is 'not really'. When it comes to the group faculty room, the best estimate I've been able to make for its location is that it's at the back of the main building on approximately the third floor, mostly based on this shot of Mechie in the doorway of the faculty room with the bottom curve of the school's atrium circle-window visible behind her (see arrow).

Technically that angle for the circle-window should probably line up better with the second floor

but there actually looks to be four floors total

and to have the faculty room on the third floor with a double-high ceiling seemed to be the best compromise between the above view behind Mechie and the fact that it also seems to include the top part of another (presumably the back of the school) circle window.

I did check to see whether the faculty room could somehow be in the topmost section of the atrium circle-window (because it technically wasn't visible in that second screencap), but the most complete image I could capture still did not seem to have anything consistent with setting an entire room up there.

Further confusing the issue are those rectangular side windows with the triangular mullions that apparently extend from the dais all the way to flanking the main door

because that is night sky visible through them in at least two different episodes (S1E01, S01E08, and then a different angle of the faculty room as per S2E06 to compare to the 1st screencap, which was from the same episode), so it's probably not a goof. And while that view could be reasonable behind the faculty seats, and even around the sides to a certain point, I really don't know how that's supposed to work for the windows nearest the doors because this

is the corridor leading up to them. Please note its width, and also the absence of windows of any kind on either side of that door. (Also also the change in doorframe shape, although maybe that's just For The Aesthetic?)

Also x 3, this is the side view of the academy

and once again, I am not seeing any windows even remotely matching those of the faculty room. Personally, I've been going with Bellum having created some kind of pocket dimension because it makes about as much sense as anything else. ¯\_(ツ)_/¯

Otherwise, I would suspect that the classrooms/student-access areas are mostly on the second and first floor because both of these scenes

seem to take place on either side of the atrium at about a second-floor level given the shape of the railing both to their left plus above them (left screencap) as well as the crossbars on the windows to Black Sheep's left (right screencap). The third (+/- fourth) floor could then be a faculty-only area (possibly their living quarters), though that would be mostly based on the assumption of a boarding school style set-up rather than any true visual clues.

Last but not least, this is an incomplete list of links to various background artist portfolios that might be helpful:

Johel Rivera Heejin Park Elaine Lee Eastwood Wong Eosong Lee Silvia Liu

This was a bit of a rush job so I'll probably be doing a little polishing as time/internet access allows, but hopefully what's here so far will help!

P.S. I saw someone in the comments wondering about where Black Sheep's pre-Academy room was? Judging from her view of the school's front

she was in the same building as the regular dormitories (possibly the single story section closer to the beach?)

though why she felt the need to make such a production of moving from what was essentially one wing of the building to another, that I cannot say. ;D

anyone wanna help me theorize and map out the inside of vile academy??

cause i have only this pic of the outside and the circled area is where i think the faculty viewing room is

suffice to say i'm not looking forward to mapping out the area by myself XD

[unproduciblesmackdown]

trying to say things about the bsol finale & how it has these little twists about what you don't necessarily expect for these roles but would you believe it i'm like i can't use my [just saying some shit] ability i'm pressed about wanting it to be more coherent & verbalizing doesn't even really happen if i don't have the [just saying some shit] wind in my sails But trying to say One Thing, how about the little twist like the miracle banana gets being that he himself lives, vs his emotional resolution that he would have died to help the musician, even as the musician is like no bestie you're good, even as the audience may expect & approve of even dying from funny little second banana guy who may even be supposedly taken as Superfluous now that thee man & thee woman have reunited (but it was always queerer than that) like. more resolution to our themes that that very second banana is doing just fine vs that the hero is, more classic iconisiquisms

[welcometoteyvat]

yoimiya 2nd story quest ?!?!?!?!

[sapphia]

USA please listen to me: the price of “teaching them a lesson” is too high. take it from New Zealand, who voted our Labour government out in the last election because they weren’t doing exactly what we wanted and got facism instead.

Trans rights are being attacked, public transport has been defunded, tax cuts issued for the wealthy, they've mass-defunded public services, cut and attacked the disability funding model, cut benefits, diverted transport funding to roads, cut all recent public transport subsidies, cancelled massive important infrastructure projects like damns and ferries (we are three ISLANDS), fast tracked mining, oil, and other massive environmentally detrimental projects and gave the power the to approve these projects singularly to three ministers who have been wined and dined by lobbyists of the companies that have put the bids in to approve them while one of the main minister infers he will not prioritise the protection of endangered species like the archeys frog over mining projects that do massive environmental harm. They have attacked indigenous rights in an attempt to negate the Treaty of Waitangi by “redefining it”; as a backup, they are also trying to remove all mentions of the treaty from legislation starting with our Child Protection laws no longer requiring social workers to consider the importance of Maori children’s culture when placing those children; when the Waitangi Tribunal who oversees indigenous matters sought to enquire about this, the Minister for Children blocked their enquiry in a breach of comity that was condemned in a ruling — too late to do anything — by our Supreme Court. They have repealed labour protections around pay and 90 day trials, reversed our smoking ban, cancelled our EV subsidy, cancelled our water infrastructure scheme that would have given Maori iwi a say in water asset management, cancelled our biggest city’s fuel tax, made our treasury and inland revenue departments less accountable, dispensed of our Productivity Commission, begun work on charter schools and military boot camps in an obvious push towards privatisation, cancelled grants for first home buyers, reduced access to emergency housing, allowed no cause evictions, cancelled our Maori health system that would have given Maori control over their own public medical care and funding, cut funding of services like budgeting advice and food banks, cancelled the consumer advocacy council, cancelled our medicine regulations, repealed free prescriptions, deferred multiple hospital builds, failed to deliver on pre-election medical promises, reversed a gun ban created in response to the mosque shootings, brought back three strikes = life sentence policy, increased minimum wage by half the recommended amount, cancelled fair pay for disabled workers, reduced wheelchair services, reversed our oil and gas exploration ban, cancelled our climate emergency fund, cut science research funding including climate research, removed limits on killing sea lions, cut funding for the climate change commission, weakened our methane targets, cancelled Significant National Areas protections, have begun reversing our ban on live exports. Much of this was passed under urgency.

It’s been six months.

[angeltism]

doing a final project (website portfolio) for a class you've basically done fuck all in (and therefore are having a VERY hard time remembering and finding your work) is sooo fun actually.

[supportgaza]

From Gaza to Ireland: Out of the Fire of War to the Fire of Soul-Crushing Survival Guilt and Fear for my Family

Note: My main account (@mahmoudkhalafff) was unfortunately terminated by Tumblr for no reason. This is my back up account. Please continue to boost my campaign. We are too close!

At times of peace, having to be away from your family for months and years is a high price you pay for obtaining an academic degree or securing a better job. Imagine while you are away, they were trapped in a besieged strip of land and thousands of missiles rained down on that besieged area of 360 km² around the clock for almost 11 months. That would crush every cell of your mind and drive you crazy, wouldn't it?!

Imagine suddenly getting addicted to watching the news and the gory videos and pictures all the freaking time. You follow relevant social media pages that only show images, videos, and stories of entire families that were wiped out in an instant in an airstrike and deemed as collateral insignificant damage. While plunging deeper and deeper into an unprecedented state of acute depression, I wondered: how come all my suffering from displacement, fear, and hunger in Gaza for 5 months during the war before being evacuated to Ireland is nothing but a drop compared to my ocean of suffering now?

The constant thinking of my family in Gaza during the genocide and all the potential scenarios is consuming my sanity and mental health at a time in my life and a place where I am required to be 199% focused and productive. To give you a glimpse of my horrible psychological suffering these days: I fear going to sleep because I know horrible horrible nightmares are waiting for me on the other side. Some have to do with the horrors of wars I witnessed in Gaza myself and others relate to the horrible potential scenarios I keep thinking about.

Seeing the images and pictures of Gaza makes you think a thousand earthquakes hit every neighborhood of the Gaza Strip! Nothing and no one has been spared. The horrific war has turned the place into a hell on earth, unfortunately. How can young people have any hope for a better future seeing the mass destruction and the relentless Israeli efforts to stifle Gaza and squeeze hope out of its people as a form of collective punishment. How monstrous and heartless!!!

Amid all this chaos and madness, my number one priority and focus is evacuating my family to Egypt as a first step and hopefully reuniting with them in Ireland at a later stage.

Please do consider helping me save my family by donating, reblogging, and sharing.

Note: Vetted by:

1. @el-shab-hussein and @nabulsi # 151 on the spreadsheet of Vetted Gaza Fundraisers List]

2. @riding-with-the-wild-hunt Here .

Tagging for reach <3

@riding-with-the-wild-hunt @ibtisams @vakarians-babe @90-ghost @sayruq @fairuzfan @sar-soor @fallahifag

@el-shab-hussein @taamarrud @humanvoicebox

@plomegranate @queerstudiesnatural @commissions4aid-international @nabulsi @stil-lindigo @soon-palestine @communistchilchuck @palestinegenocide @northgazaupdates2 @northgazaupdates @ghost-and-a-half @kyra45-helping-others @kyra45 @commissions4aid-international @feluka @appsa

[pr0cyon-lotor]

AU where SJ is a horror movie director and actor. All the movies he makes aren't overly gore filled and they focus on psychological horror (and have an all female cast with very few exceptions because of course). However, all the movies he acts in have him get brutally murdered (it's in his contract).

SY is a horror movie nerd and got hooked on SJ through his acting. He loved the monsters and the creative deaths. The interviews he watched of SJ, he's enamored (in a TOTALLY PLATONIC AND PARASOCIAL WAY) with the way SJ says he's usually the one writing his own death scenes. That led him to find SJ's movies and he was even more hooked.

But SY is also an actor, but he plays love interests in cheesy romance dramas (he did it originally to beat his sister in a bet but it's not a bit anymore). He's charming and sweet with all his co-actors and even amassed his own irl harem. He wishes he could act in horror movies, but he's too well known as the kind pretty boy from the romance genre. And people will most certainly riot if his characters die, so :(

And as cheesy and sappy SY thinks his roles are, SJ is absolutely enamored as well. His guilty pleasure is watching cheesy romance dramas. He loves them in secret and wishes saintly men like SY's characters existed in real life.

Anyway, during an interview with SY, he's asked what genre he likes, and he tells them that he's actually fond of horror. They ask what type of horror and he immediately starts gushing about SJ. About his acting, his genius, his writing, his directing skills, etc. He tells the interviewer that his dream is to either work with or under SJ, but he laments that he always gets rejected for horror roles.

In the distance you here all the woman SY has enchanted wail in unison as they realize they don't have a chance because he likes men.

SJ obviously sees this and doesn't know what to do with the obvious praise. He panics as SY says he wants to work with/under him, and is struck with inspiration (he had writer's block for a long time). And he writes a script with a kind man that gets everyone to love him with a few words that is actually a siren that secretly consumes his admirers (or something IDK I'm uncreative. it doesn't matter it just has to be a monster role that is obviously made for SY)

He refines the script and starts casting. SY hears SJ is looking for roles openly, which is rare because SJ usually has closed castings. So he hurries over and auditions for the main villain, and he gets the role (to no one's surprise).

When they start the filming process, SY has basically enchanted the whole crew and they all agree that SY was the best option. And then one of the scenes where SY reveals himself as evil, and everyone had something awake in them.

The entire time SY is hoping he's doing well so SJ will like him. And in SJ's corner, he's fighting demons to stay professional. Everyone is fighting their battles while SY keeps looking at SJ after each shoot to see if he's doing a good job. But SJ keeps leaving, so obviously he's not. So he tries even harder (causing so much emotional distress in everyone that wants him desperately)

When everything wraps up, SY asks if SJ would be interested in dinner so he can pick his brain. SJ hesitates thinking SY was going to reveal that he too was two-faced like his character. But no, SY genuinely asks him so many questions and looked stary eyed when he answered. SY didn't try anything and they left with SY walking SJ to his car before going to his.

SJ drives home conflicted because apparently a prince charming does exist and he casted him as a murderer in his show/movie. And SY is happy because he thinks he did so well in getting his favorite actor/director to finally like him.

The movie/show releases and everyone also has a violent awakening and want SY in more villain roles.

SY is happy because he can finally be in horror movies. SJ is actively making scripts to just invite SY to act in them (the most productive he's been in a while). SY is over the moon when he gets an invite to act in another of SJ's scripts and puts his all in his characters. He ends up shining so much that even if he was a side character, he'd be a fan favorite.

And eventually he and SJ get invited to play in a movie. SY is excited to act with SJ (he didn't read the script before accepting the role), and SJ is so conflicted because not only does the movie have a kiss scene between their characters but SY kills him. It's like evil, toxic yaoi or something.

SY finally reads his damn script and is having a whole sexuality crisis, but he shuts up because he doesn't want to lose this opportunity (and he doesn't want to offend SJ, who is openly and maliciously gay). The director (Airplane) is doing this for the love of the game and fan service, so he makes them redo scenes over and over again until he liked a shoot.

SY locks in and tries not to think much of it. Then SJ tells him they have to practice the kiss scene because it has to look authentic (Airplane is a tyrant and demands it to be sloppy and crazy and REAL), and suddenly SY is thinking WAY too much about it. They try, SJ tells him he kisses stiff, and that he figured all his romantic main lead roles would make him a better kisser.

SY doesn't know how to say that he uses stage kisses instead of actually kissing his co-actor because he always felt uncomfortable with it, so he settles on saying something accidentally suave. Probably something like "It's different to kiss someone you admire so much".

SJ takes at least 15 points of psychic damage and tells him that they better practice for him to get used to it (excuse to kiss SY).

Then the day of the scene comes and like... I can't think of anything to end this with. Idk they get caught in the moment and have weird sex on set or something and Airplane calls it genius and takes the movie to production.

This optional if you want to write this au. I just don't have a way to end this post :3

[zvaigzdelasas]

Gum arabic, a vital ingredient used in everything from Coca-Cola to M&M’s sweets, is increasingly being trafficked from rebel-held areas of war-torn Sudan, traders and industry sources say, complicating Western companies’ efforts to insulate their supply chains from the conflict.

Sudan produces around 80 per cent of the world’s gum arabic, a natural substance harvested from acacia trees that’s used widely to mix, stabilise and thicken ingredients in mass-market products including L’Oreal lipsticks and Nestle pet food.

The paramilitary Rapid Support Forces (RSF), at war since April 2023 with Sudan’s army, seized control late last year of the main gum-harvesting regions of Kordofan and Darfur in western Sudan. Since then the raw product, which can only be marketed by Sudanese traders in return for a fee to the RSF, is making its way to Sudan’s neighbours without proper certification, according to conversations with eight producers and buyers who are directly involved in gum arabic trading or based in Sudan. The gum is also exported through informal border markets, two traders told Reuters.

Asked for comment, an RSF representative said that the militia had protected the gum arabic trade and only collected small fees.[...]

In recent months, traders in countries with lower gum arabic production than Sudan, such as Chad and Senegal, or which barely exported it before the war, like Egypt and South Sudan, have begun to offer the commodity aggressively at cheap prices and without proof that it is conflict-free, two buyers who have been approached by traders told Reuters. While the acacia trees that yield gum arabic grow across Africa’s arid Sahel region — known as the “gum belt” — Sudan has become by far the world’s biggest exporter due to its extensive groves.[...]

Before the Sudanese civil war, the raw gum would be sorted in Khartoum and then trucked to Port Sudan, on the Red Sea, to be shipped via the Suez Canal around the world. Since late last year, however, RSF-affiliated gum arabic started to appear on sale at two informal markets on the border between the Sudanese province of West Kordofan and South Sudan, according to a buyer based in an RSF-controlled area, who declined to be named due to safety concerns.

The buyer, a major trader in the West Kordofan area, said that traders collect gum from Sudanese land owners and sell them to South Sudanese traders in these markets for US dollars.

4 Mar 25

[liviawildrose]

𝐭𝐚𝐤𝐞 𝐲𝐨𝐮𝐫𝐬𝐞𝐥𝐟 𝐬𝐞𝐫𝐢𝐨𝐮𝐬𝐥𝐲

take yourself seriously. every inch of you. every dream of yours. every damn thing.

this isn’t just a pep talk; it’s a full-on life shift. if you’re not taking yourself seriously, no one else will either. i’m actually kinda irritated how us women in general don’t value ourselves enough cause bitch it’s a privilege to have a woman in your life like please, we have the power to create a life inside our bodies so best believe we also have the power to change our entire lives. it’s you versus you, babe, and it’s time to step into the main character role you’ve been putting off. here’s how you shift the vibe:

1. start by loving yourself to the fullest

every single inch of you deserves to be loved and respected by you. you want someone to love you? you want people to respect you? start by loving and respecting yourself first. how you treat yourself sets the tone for how others treat you. the mirror won’t smile unless you do. seriously like what’s stopping you from loving, cherishing and prioritising yourself? it’s your body, mind and soul ITS YOUR RESPONSIBILITY TO TAKE UTMOST CARE OF IT.

take your body seriously. work out, not because society says so, but because your body carries you through this world. strengthen it, nourish it, adore it.

do workout, stretching and yoga to strengthen your body. eat good quality food, healthy food to nourish your body and speak words of affirmation to adore that work of art aka your body. cause why the fuck not? go to a dermatologist, gynaecologist, dentist etc get your check ups done become the most hottest version of yourself. this will keep you strong and healthy ensuring a healthy and fulfilling long life while achieving your body, beauty and physical goals would be just an added benefit (the best possible benefit is your body will thank you when you’re old cause all this workout, yoga regular check ups led you to age like a fine wine without any health concerns)

take your appearance seriously. it’s not about vanity it’s about self-expression and confidence. dress like you care, because you should care. look in the mirror and know you’re that bitch.

do yourself a favour and stop following trends and start becoming more you, pro tip start wearing clothes and makeup according to your venus, rising or mid heaven to suit you better, take your skin care, body care, hair care seriously too. take your time to understand your style, your self care routine. understand your body type, face shape and get clothes that suit you, understand your skin and get skin care that suit you and your skin concerns, understand your hair type and develop a great hair care routine too. do you colour analysis and understand which colour palette suit you the best. START TAKING YOUR APPEARANCE SERIOUSLY.

do your colour analysis done for free with the help of chat gpt

understand your body shape and proportions to dress accordingly

figure out your face shape and get your haircut, eyebrows, eyelashes done accordingly (even getting the best shades or reading glasses)

understand your hair porosity and hair type (even your scalp type) and your hair issues to buy hair products accordingly

understand your skin type and issues you’re facing to buy skin care products accordingly

understand you body too, sometimes you face is oily type but body is dry (like me) so different products

experiment and see what suits you over time (another reason to start using journal, check if certain products are actually showing results if not replace) even certain workouts

2. take your goals seriously

whatever you want to achieve, treat it like your life’s purpose, because it is. no one else will believe in your dreams until you do. stop waiting for validation from the outside.

take your career seriously. what are you doing every day to move the needle forward? no more procrastinating or making excuses. schedule your time. commit to your craft.

become the best at everything you do, dedicate time to becoming better everyday single day. become addicted to getting better becoming the top 1% develop a mindset of getting better everyday single day. keep developing your crafts your passion and practice daily

take your learning seriously. every book, every lesson, every skill it’s building the future version of you. treat your studies, hobbies, and passions like they’re sacred, because they are.

one thing that i’m doing these days is taking my learning seriously, be it academic and school stuff but also watching youtube videos on manifestation and learning better my top recommendation for understanding manifestation better is this channel called nero knowledge. now the thing all of his videos are long videos surpassing 30 mins average easily but that’s one way up putting it i’m trying to get my attention i’ve lost to short term 1-2 mins content back (and you should do it too) learn new skills, cooking, baking, new language, or whatever seriously why? cause this will help you get better as a human and as a player in the game of life. no skill is a waste or not that great like someone told “cooking is not that great of a skill” but guess what it is. you can use this skill to feed yourself but also this is such a flex skill it’s a patriarchal world unfortunately and just because we as women hate it doesn’t mean the patriarchy will go away. knowing how to cook is a survival skill which is important for both the genders but for some weird reason when women do it it’s “hot” and “ domestic” so let’s just use this skill to use and throw men and society in general. similarly drawing is a skill that you can use to show off too. skills is not just about learning language or coding etc

3. curate your reality like it’s your personal museum

your life is your masterpiece. everything you consume; what you eat, what you watch, what you listen to, who you hang around is shaping your reality. be intentional about it.

• what are you watching? is it inspiring you or draining you? binge less nonsense and more content that pushes you to grow.

again, if you haven’t made your mindmovie, please make it. ask chatgpt to make you a beautiful story where you have everything you desire and read it every single day. listen to subliminals. watch long form educational content like nero knowledge. be very intentional with whatever put in your brain. i’m not even kidding. your brain will shape your reality, so be very intentional. with whatever things you say to it, movies you watch, songs you listen to. everything. also be very intentional with your friends and people you surround yourself with because they can also influence you a lot. you are the average of five people you spend your most time with so be very fucking intentional.

• what are you eating? fuel your body like you care about living long enough to see your dreams come true.

as i mentioned earlier, eat your food intentionally and eat your food. if you’re planning to lose weight, eat food accordingly, if you’re planning to gain weight, eat food accordingly. (make a meal plan and get a nutritionist too if needed) if you’re like me who wants to become a singer, stop eating ice cream and stuff that will affect your throat. eat your food like your medicine or you have to eat medicine as your food. be intentional with your food as well. don’t eat unhygienic food either eat home-cooked food. and if you’re eating outside, make sure that the food is hygienic and the ingredients are also good quality being very mindful with whatever the heck you are putting in your body my love. 

• who are you around? energy is contagious, babe. surround yourself with people who make you want to level up, not stay stagnant.

i’m not saying, cut off all your friends. but i’m saying that distance yourself at least with people who are not ready to grow. people who are way too comfortable in their own comfort zone. and people who are not ready to see anyone else grow. people who constantly put other people down. and people who try to undermine you. be friends with people who want to grow. if you are at a certain level get friends who are also at your level, but are willing to change. or get friends how are at higher level than you who can help you grow too. and is that means you have to cut ties with your old friends it’s okay

4. respect yourself enough to show up

it’s not about perfection; it’s about consistency. every single day is a new chance to prove to yourself that you’re worth the effort.

• wake up earlier. give yourself time to breathe and plan before the world starts pulling you in every direction.

half of the game is literally to show up every single day. most of us fail to do so. consistency is what matters the most. so show up every single day respect yourself. don’t disrespect yourself by showing that “oh i am just a lazy bitch.” no, you’re not. respect yourself enough to show up every single day. for example you respect your professor and that is why no matter how drained you are, you will still show up to the class or at least hand in the work on time because you know that professor have the power to deduct or increase your marks just like that in your life, the professor is all your goals and in order to please this professor (goals) you need to show up every fucking day so that the professor aka your goals, give you the results that you want 

• set boundaries. protect your peace. say no to what drains you, and hell yes to what fuels you.

respect yourself enough to set boundaries and protect your peace, no matter what. this is actually the very first step of levelling up and i have mentioned this in the first steps. have enough courage to say no to things, people and circumstances that are not aligned with who you wanna be and the goals you have. for example, if a friend asks you that or do you wanna drink? say no. especially if you’re like me, and you wanna become a singer, alcohol damage your vocal chords, and i cannot take that risk. start saying no to plans that do not align with your goals and the person you are trying to become. it’s a way of showing respect to the person you’re trying to be. again if your show respect to the person you’re tryna become or the reality your chasing you will not have it, your actions and beliefs should be in alignment with the reality you seek

• prioritize self-care like it’s non-negotiable. rest, hydrate, and treat yourself kindly.

again i’ve mentioned this earlier too in the first steps so please read that, no matter how much you train and hustle you need to give yourself enough time to recover even athletes do this after intense training, they do spend some time recovering so that they muscles and overall stamina get used to everything. if you’re only working like a robot and you refuse to give yourself time to rest, it’s not gonna work. moreover, it’s not healthy. give yourself time to rest. hydrate and do self-care. treat yourself, kindly. as i mentioned in my become your own mother blog. you have to become a mother to your own self, who says. “i want you to work hard, because you deserve a better life” but also a mother who says “you should rest and take some moment to relax because you’ve worked hard and you deserve it” it’s all about balance. even in my game of life blog, i mention fun and recreation category, because having fun and treating yourself kindly, relaxing all these things matter too. because you just can’t keep on working and not have fun and relax in your life. that’s not how i want you to live this life. i want you to hustle hard and the party even harder.

5. start dating yourself

no, seriously. treat yourself like the love of your life.

• take yourself on solo dates. dress up, and go somewhere that makes you happy.

ask yourself, when you’re in love with someone what do you do? you try to become better to get their attention (my sister aka me changed her entire music taste to get validation from this guy, yeah i know embarrassing) but seriously you take care of the way you dress, what you post on social media, your words etc. so now put that same “im obsessed with you” energy towards yourself. workout get a better physique FOR YOU, better your conversation skills FOR YOU, score good marks FOR YOU, become rich FOR YOU.

• journal your thoughts and dreams like you’re getting to know someone deeply because you are.

start journaling, shadow working etc to understand yourself better cause that’s exactly what you’d do if you’re the love of your life, understanding yourself your flaws, your dark side, your patterns, your attachment style etc why? cause you love yourself. do scrap book journaling to honour your life. paste photos of your achievements etc (i’ll make a post about my journals too) but y’all got the idea. start journaling you thoughts and feelings, you don’t need a “how was your day?” text to write about your day in your journal

• spoil yourself. don’t wait for someone else to buy you flowers or treat you to nice things. do it for yourself.

stop letting life happen to you, go live your life yourself, go audition alone, go start a business alone do things alone and be okay with that, if you do have a friend who is in this journey of growth with you together that’s great but please don’t wait for a man or a friend to start living your life be okay with doing with on your own and as well as in a group

6. heal for the little you inside

your inner child is still here, waiting for you to show her the love and care she deserved

just read become your own mother. i have explained this topic in detail. but seriously, one way to honour yourself is to honour your inner child too

7. your energy will mirror back to you

the way you treat yourself is the way the world will treat you.

• if you neglect yourself, people will neglect you.

it starts with you, babe. how you show up for yourself sets the standard for how others show up for you. if you don’t take your boundaries seriously no one else will. if you’re not putting effort in showing up for yourself no one else will, that is why one way to manifest your dream life (your dream reality) is by wearing what your alter ego (your higher self would wear) i have written about alter ego in first steps and the game of life so read it if you’re new here

• if you don’t respect yourself, people will disrespect you.

as awful it may sound, but you have to earn your respect. why do you think your professors will take you seriously? if you don’t score good marks it’s not like they will treat you like a piece of shit, but they won’t take your opinion seriously because you haven’t improved yourself enough for that yet i’m not even kidding. if you really wanna be heard, you have to do something that is remarkable. i know it’s a hard to swallow and it might feel like what the heck?. everyone should deserve respect equally. and that’s true. i agree with you. i personally would never look down on someone just because he or she haven’t done something remarkable, or they aren’t as rich or pretty. i would never do that, but that is not the same case with how society thinks if you wanna step up, you have to do things and show the world that: yes, i am capable. for that, you have to respect yourself enough to take the first step in order to achieve greatness. and then people would respect you more because the energy you’re putting will mirror back to you.

• if you don’t take your dreams seriously, no one else will.

i mean, seriously, just start taking your dreams, seriously. no one else will take your life, your dream, your looks, your income, seriously, if you don’t. it’s not like other people owe you success. you have to do that. you have to become your own knight in the shining armour. and change your life completely. because if you’re not taking your dream, seriously, why will anyone? you have to take initiative. you have put yourself up there. and get that bag. 

8. stop waiting for permission

you don’t need someone to tell you it’s okay to go after your dreams. you don’t need a cheerleader to remind you that you’re worthy. you have to affirm it to yourself, every single day: “i am capable. i am worthy. i am doing this.”

• stop hesitating. the perfect moment will never come. just start.

for example, i want to become a singer. but that doesn’t mean that i will wait for a label to notice me and change my life upside down. no, i will start making covers. i will start practising my craft, i will email managers and people in that field to notice me because it’s on me. i have to do that. i’ll have to do the research and look up for any audition. and by the time, i am gifted with a perfect moment or opportunity i will be ready to snatch that opportunity because i kept on levelling up my skills, so when the opportunity comes, i will be more than qualified for it. 

• don’t wait for external validation. be your own biggest hype squad.

there are gonna be days. no one is gonna hype you up, and you have to do that. actually, you have to do that every single day. if you wake up early and get your morning routine done give yourself a pat on the back every. single. day. tell yourself, “i’m so proud of myself.” you studied for three hours? give yourself a pat on the back. like come on, if no one else gonna appreciate you, you can! you can appreciate yourself every. single. day. and yes, every single day, i’m not exaggerating. i want you to keep on hyping yourself up every fucking day. and i’ll keep hyping you up too because i love y’all

9. get 1-2% better every day

you don’t need to overhaul your entire life overnight. just focus on being a tiny bit better than you were yesterday.

• drank one more glass of water? better.

• walked an extra block? better.

• studied for an hour extra? better.

those small wins add up, babe. before you know it, you’ll look back and barely recognize the person you used to be. it’s me vs me

10. make yourself proud

this is your life. your story. your masterpiece. stop living like you’re a side character and start owning the spotlight.

• take yourself seriously because you’re worth it.

i think i have explained this quite a number of times throughout the blog. but I’ll say it again. take yourself seriously. take your thoughts seriously. take your mental health seriously. take your body seriously. take your mind seriously, your spiritual beliefs seriously, your presence seriously, your ideas seriously every single thing i mean it every single thing seriously and get rid of anything that is trying to come between you and your goals (your dream life)

• work for your inner child, your future self, and the person you’re becoming.

be intentional with everything you do, the people you hang out with if the same people have hurt you or you’re inner child get rid of them. if these people will affect your future and your future self, basically, the person you’re trying to become get rid of them. similarly, if a thing or particular circumstance is affecting you, please get rid of those things. be intentional with how you talk to yourself and the things you listen, to the videos you watch, the food you eat, the songs you listen to, all of them should align with the person you’re trying to become. start aligning yourself in the same frequency as your dream self i.e your future self by wearing clothes that she might wear, by talking and watching videos that she might watch and basically embody her habits, believes and mindset. while doing all this, keep working on your shadow self (do shadow work) and healing your inner child simultaneously. (healing is a daily practice)

• every single thing you do for yourself now is setting the foundation for the empire you’re building.

also, the same thing be intentional with whatever you’re doing. if you wanna become a millionaire, your habit should look like one. if you are trying to become a good person, a loving person, your habits should look like one. If you’re trying to become a singer, your habits should look like one. It’s all in what we do daily and our habits literally.

if you want to join me on this journey of becoming my higher self. please comment, like, reblog, and follow let's embrace the glow of together.

[nanihirunkits]

WHY ARE THEY DOING THIS TO ME??? ANOTHER MEMORIAL BOXSET 😩😭

i'm going to be so sad if gmmtv permanently replaces the dvd boxsets with memorial boxsets from now on

[sleepn0tfound]

That's MY Daughter

DC x Fem!Neglected!Batsis! Reader x Marvel [Just some midnight thoughts]

Bruce and Tim realised something odd about Stark Industries. Ever since a few months ago the technology being produced there had improved by an unbelievable amount. It was futuristic, nothing that this world has seen before. And the weirdest part of it is the fact that Tony Stark had offered to partner up with Wayne Enterprises. THE Tony Stark, Iron Man, the most egotisical man they knew had willingly offered to partner up with them? After years of being petty with Bruce and the JL?

Tim had been made to prepare to become the new CEO soon, thus he recently started taking up more work at Wayne Enterprises when the agreement was made. Though instead of Tony being the one to talk about ideas it was an unknown woman communicating with him about the ideas, the product, the marketing, etc. And the merge of the two companies was an absolute success, the marketing especially drawing in young adults. (courtesy of Tim and the mysterious women who seems to be around the same age as him)

Who was the mysterious women though? Well both Bruce and Tim could only come to one solution. The least known character to Bruce, to Batman, which says a lot considering the fact that he had made a contingency plan for every Avenger, every hero, including his own teammates, including himself, yet this one character was completely unknown, zero plans if she were to go rogue. And that drove Bruce crazy. Her file was blank. Every vital information was marked with the word 'unknown'. It had been making Bruce paranoid for years since she had appeared next to the Avengers.

The reassurance from the Avengers never helped. It was as if something was gnawing at him. After all how could he trust them anyways? (careful Bruce your trust issues are showing)

One of the only things they knew about her is that she is the main hacker/coder for the Avengers, hence the reason why the Avengers digital security was admittedly better than the Justice League's and how much faster they got, what should be, classified information. (no matter how much Bruce wants to deny it)

And her codename, Special Agent Reaper. No she wasn't originally an Avenger, she was crowned the most skilled assassin of this era, working under S.H.I.E.L.D and one of the sole reasons why all of the HYDRA agents that have sneaked into S.H.I.E.L.D have been successfully taken out, her name would pass by in the wind every so often, they might be rumours or the truth but no one truly knows. Hell even Ra's Al Ghul, The Demon’s Head, had acknowledged her once. Even Talia had admitted that Damian's fighting technique was made to mirror The Reaper's, the only difference is he used katanas while the Reaper, fittingly, uses a scythe.

But one thing was for sure. If you saw the shadow of a hooded figure you better run, though at that point it might be too late.

As the saying goes, "Beware of the Grim Reaper. Wherever it goes death follows closely behind.”

⋆༺𓆩☠︎︎𓆪༻⋆

“Ah! Brucie! Here you are!” Tony said, wine in hand as he approached Bruce at the gala. Well that was a first. He usually never played into the Brucie persona. Well nonetheless the show must go on.

“Tony!” Bruce threw himself at the other billionaire, acting as if he was drunk, ignoring the way Tony’s expression turned into a grimace for a split second.

As usual, they were both around other pretentious socialites who never seemed to run out of questions.

“Ah! Tony, I heard Stark Industries have been bringing in more money than ever.”

“Oh yes! It’s all because of this prodigy i had found. She actually was the reason why Stark Industries and Wayne Enterprises had a collab. I might even give the company to her when I retire!" He let out a laugh that seems to emanate the word 'rich', a small smirk stayed on his lips as he heard the guests at the gala begin to whisper.

"Oh? Is that so? Then I would love to meet the person I have been working with this entire time." Tim Drake-Wayne said as he finally came out of the corner where he would usually stay in to observe rather than interact.

"Be my guest." A subtle challenge, as if Tony was daring him to go through with it as they locked eyes. A smirk on one face while a well practiced smile on the other.

Bruce let out a light hearted laugh as he tightened his grip around Tony, a subtle warning to stay away from his son, "Well then I wouldn't mind arranging a meeting! I'm sure you wouldn't mind the others joining." His tone had a slight change that even the most observant wouldn't realise.

Bruce could barely keep up the 'Brucie' act with Tony bragging about how Stark Enterprises profits have shot up with him finding a 'prodigy' and someone who will take over the company once he retires.

"Not at all. The more the merrier. I assume you wouldn't mind me inviting more people as well." Tony sipped his wine, he wasn't one to back out from a challenge, especially when he is so confident.

⋆༺𓆩☠︎︎𓆪༻⋆

This certainly wasn't how the Justice League and the Avengers expected their next meeting to happen. A petty fight between the two men that singlehandedly funds their respective teams causing all of them to be in one room together.

"Well then, Stark. Where is this prodigy that you speak so highly of?" Bruce said as he sported his famous batglare.

"I assure you she is on her way. She should just be right about done with her mission." Tony replied with the same tone, shooting a glare as well.

Meanwhile the two teams were watching this as if it was the most entertaining show they have seen.

.

.

.

"Hey I'm here." Y/n entered the hall, still wearing her assassin suit, though her signature black hood was down, revealing her face.

Silence seemed to engulf the room.

"Kid... Your hood."

"...Fuck."

hi! i might have disappeared for a month :D To those who are waiting for more parts of DC x Super/Kent!Reader it will come... eventually. I'm having the biggest writer's block for that specific AU so uhm yeah! I wasn't really planning on making that AU a series since it was mostly just me being bored and writing for the lols but since it received so much attention [thank you guys so much!] I have to do it now. i was doing some worldbuilding and already know how I want the reader to be and allat but I cant really think of how to shape the story ukukuk. so yeah stay tuned for that! also this thing was also just a blurb. Might make somewhat of continuation parts if I feel like it. [Also the neglected!batsis! fanfics I've been reading is getting to me. i have a feral urge to create a diff AU series for that] Also would you guys be interested in me creating a twitter/insta account or like a tele channel to post random things

[mostlysignssomeportents]

The one weird monopoly trick that gave us Walmart and Amazon and killed Main Street

I'm coming to BURNING MAN! On TUESDAY (Aug 27) at 1PM, I'm giving a talk called "DISENSHITTIFY OR DIE!" at PALENQUE NORTE (7&E). On WEDNESDAY (Aug 28) at NOON, I'm doing a "Talking Caterpillar" Q&A at LIMINAL LABS (830&C).

Walmart didn't just happen. The rise of Walmart – and Amazon, its online successor – was the result of a specific policy choice, the decision by the Reagan administration not to enforce a key antitrust law. Walmart may have been founded by Sam Walton, but its success (and the demise of the American Main Street) are down to Reaganomics.

The law that Reagan neutered? The Robinson-Patman Act, a very boring-sounding law that makes it illegal for powerful companies (like Walmart) to demand preferential pricing from their suppliers (farmers, packaged goods makers, meat producers, etc). The idea here is straightforward. A company like Walmart is a powerful buyer (a "monopsonist" – compare with "monopolist," a powerful seller). That means that they can demand deep discounts from suppliers. Smaller stores – the mom and pop store on your Main Street – don't have the clout to demand those discounts. Worse, because those buyers are weak, the sellers – packaged goods companies, agribusiness cartels, Big Meat – can actually charge them more to make up for the losses they're taking in selling below cost to Walmart.

Reagan ordered his antitrust cops to stop enforcing Robinson-Patman, which was a huge giveaway to big business. Of course, that's not how Reagan framed it: He called Robinson-Patman a declaration of "war on low prices," because it prevented big companies from using their buying power to squeeze huge discounts. Reagan's court sorcerers/economists asserted that if Walmart could get goods at lower prices, they would sell goods at lower prices.

Which was true…up to a point. Because preferential discounting (offering better discounts to bigger customers) creates a structural advantage over smaller businesses, it meant that big box stores would eventually eliminate virtually all of their smaller competitors. That's exactly what happened: downtowns withered, suburban big boxes grew. Spending that would have formerly stayed in the community was whisked away to corporate headquarters. These corporate HQs were inevitably located in "onshore-offshore" tax haven states, meaning they were barely taxed at the state level. That left plenty of money in these big companies' coffers to spend on funny accountants who'd help them avoid federal taxes, too. That's another structural advantage the big box stores had over the mom-and-pops: not only did they get their inventory at below-cost discounts, they didn't have to pay tax on the profits, either.

MBA programs actually teach this as a strategy to pursue: they usually refer to Amazon's "flywheel" where lower prices bring in more customers which allows them to demand even lower prices:

https://www.youtube.com/watch?v=BaSwWYemLek

You might have heard about rural and inner-city "food deserts," where all the independent grocery stores have shuttered, leaving behind nothing but dollar stores? These are the direct product of the decision not to enforce Robinson-Patman. Dollar stores target working class neighborhoods with functional, beloved local grocers. They open multiple dollar stores nearby (nearly all the dollar stores you see are owned by one of two conglomerates, no matter what the sign over the door says). They price goods below cost and pay for high levels of staffing, draining business off the community grocery store until it collapses. Then, all the dollar stores except one close and the remaining store fires most of its staff (working at a dollar store is incredibly dangerous, thanks to low staffing levels that make them easy targets for armed robbers). Then, they jack up prices, selling goods in "cheater" sizes that are smaller than the normal retail packaging, and which are only made available to large dollar store conglomerates:

https://pluralistic.net/2023/03/27/walmarts-jackals/#cheater-sizes

Writing in The American Prospect, Max M Miller and Bryce Tuttle1 – a current and a former staffer for FTC Commissioner Alvaro Bedoya – write about the long shadow cast by Reagan's decision to put Robinson-Patman in mothballs:

https://prospect.org/economy/2024-08-13-stopping-excessive-market-power-monopoly/

They tell the story of Robinson-Patman's origins in 1936, when A&P was using preferential discounts to destroy the independent grocery sector and endanger the American food system. A&P didn't just demand preferential discounts from its suppliers; it also charged them a fortune to be displayed on its shelves, an early version of Amazon's $38b/year payola system:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

They point out that Robinson-Patman didn't really need to be enacted; America already had an antitrust law that banned this conduct: section 2 of the the Clayton Act, which was passed in 1914. But for decades, the US courts refused to interpret the Clayton Act according to its plain meaning, with judges tying themselves in knots to insist that the law couldn't possibly mean what it said. Robinson-Patman was one of a series of antitrust laws that Congress passed in a bid to explain in words so small even federal judges could understand them that the purpose of American antitrust law was to keep corporations weak:

https://pluralistic.net/2023/04/14/aiming-at-dollars/#not-men

Both the Clayton Act and Robinson-Patman reject the argument that it's OK to let monopolies form and come to dominate critical sectors of the American economy based on the theoretical possibility that this will lead to lower prices. They reject this idea first as a legal matter. We don't let giant corporations victimize small businesses and their suppliers just because that might help someone else.

Beyond this, there's the realpolitik of monopoly. Yes, companies could pass lower costs on to customers, but will they? Look at Amazon: the company takes $0.45-$0.51 out of every dollar that its sellers earn, and requires them to offer their lowest price on Amazon. No one has a 45-51% margin, so every seller jacks up their prices on Amazon, but you don't notice it, because Amazon forces them to jack up prices everywhere else:

https://pluralistic.net/2024/03/01/managerial-discretion/#junk-fees

The Robinson-Patman Act did important work, and its absence led to many of the horribles we're living through today. This week on his Peoples & Things podcast, Lee Vinsel talked with Benjamin Waterhouse about his new book, One Day I’ll Work for Myself: The Dream and Delusion That Conquered America:

https://athenaeum.vt.domains/peoplesandthings/2024/08/12/78-benjamin-c-waterhouse-on-one-day-ill-work-for-myself-the-dream-and-delusion-that-conquered-america/

Towards the end of the discussion, Vinsel and Waterhouse turn to Robinson-Patman, its author, Wright Patman, and the politics of small business in America. They point out – correctly – that Wright Patman was something of a creep, a "Dixiecrat" (southern Democrat) who was either an ideological segregationist or someone who didn't mind supporting segregation irrespective of his beliefs.

That's a valid critique of Wright Patman, but it's got little bearing on the substance and history of the law that bears his name, the Robinson-Patman Act. Vinsel and Waterhouse get into that as well, and while they made some good points that I wholeheartedly agreed with, I fiercely disagree with the conclusion they drew from these points.

Vinsel and Waterhouse point out (again, correctly) that small businesses have a long history of supporting reactionary causes and attacking workers' rights – associations of small businesses, small women-owned business, and small minority-owned businesses were all in on opposition to minimum wages and other key labor causes.

But while this is all true, that doesn't make Robinson-Patman a reactionary law, or bad for workers. The point of protecting small businesses from the predatory practices of large firms is to maintain an American economy where business can't trump workers or government. Large companies are literally ungovernable: they have gigantic war-chests they can spend lobbying governments and corrupting the political process, and concentrated sectors find it comparatively easy to come together to decide on a single lobbying position and then make it reality.

As Vinsel and Waterhouse discuss, US big business has traditionally hated small business. They recount a notorious and telling anaecdote about the editor of the Chamber of Commerce magazine asking his boss if he could include coverage of small businesses, given the many small business owners who belonged to the Chamber, only to be told, "Over my dead body." Why did – why does – big business hate small business so much? Because small businesses wreck the game. If they are included in hearings, notices of inquiry, or just given a vote on what the Chamber of Commerce will lobby for with their membership dollars, they will ask for things that break with the big business lobbying consensus.

That's why we should like small business. Not because small business owners are incapable of being petty tyrants, but because whatever else, they will be petty. They won't be able to hire million-dollar-a-month union-busting law-firms, they won't be able to bribe Congress to pass favorable laws, they can't capture their regulators with juicy offers of sweet jobs after their government service ends.

Vinsel and Waterhouse point out that many large firms emerged during the era in which Robinson-Patman was in force, but that misunderstands the purpose of Robinson-Patman: it wasn't designed to prevent any large businesses from emerging. There are some capital-intensive sectors (say, chip fabrication) where the minimum size for doing anything is pretty damned big.

As Miller and Tuttle write:

The goal of RPA was not to create a permanent Jeffersonian agrarian republic of exclusively small businesses. It was to preserve a diverse economy of big and small businesses. Congress recognized that the needs of communities and people—whether in their role as consumers, business owners, or workers—are varied and diverse. A handful of large chains would never be able to meet all those needs in every community, especially if they are granted pricing power.

The fight against monopoly is only secondarily a fight between small businesses and giant ones. It's foundationally a fight about whether corporations should have so much power that they are too big to fail, too big to jail, and too big to care.

Community voting for SXSW is live! If you wanna hear RIDA QADRI and me talk about how GIG WORKERS can DISENSHITTIFY their jobs with INTEROPERABILITY, VOTE FOR THIS ONE!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/14/the-price-is-wright/#enforcement-priorities

[pippin-pippout]

For those following the SAG and WGA strikes there’s new shit a-brewing, this time targeting background actors (aka extras).

Some may know that one of the issues SAG is fighting is that studios want to take virtual scans of background actors and use them in perpetuity (meaning forever) without any additional compensation to those background actors. So you would just see a bunch of AI generated humans in future movies based off of a background actor that worked one day.

This is already shitty because working as an extra for 3 days on a union set (if you receive a union voucher each day) is one of the main ways to qualify for SAG eligibility. This means that a lot of actors working background do not yet have union protection and likely do not have an agent or manager to protect them. Disney has already allegedly told background actors to do this on the set of Wanda Vision: https://www.avclub.com/wandavision-background-actors-say-disney-scanned-them-1850709900

Here’s where it's worse.

There is one main company that supplies background actors for major union and non union productions. Central Casting. They love to brag about their very long influence in the industry - in old movies dating back to the 40s you can hear jokes about hiring extras from Central Casting.

Central Casting has been including an electronic document for all actors in their database to sign as part of onboarding. Signing it gives Central Casting the right to use your images, your videos, and YOUR LIKENESS in perpetuity, forever. They would OWN your likeness. Instead of it being a studio supplying the AI background actors, it would be Central Casting instead.

Receiving any work from Central Casting in the future is conditional upon signing it. No signature = no extra work = no extra income for union actors trying to make health insurance minimums, no union extra work for pre-SAG members.

SAG already reached out to Central Casting to tell them to stop. Central Casting refused.

Edit to say: this is not new. It’s part of actors onboarding and is called the Photo, Image, and Video Release. It’s phrased to sound like you are just giving them permission to use your image and video for CC’s website and promotional purposes. But the actual language is much broader. It's only recently being brought up as a point for discussion because some casting directors (who are generally supportive of the strike) started pointing it out.

Central Casting is owned by Entertainment Partners which is also a giant software conglomerate and owns a lot of the software used to organize background casting and pay actors. https://www.ep.com/company/about-us/