#and reminders that the world is so much larger than the characters

[ourtintedworld]

with the new atla adaptation, im left to wonder once again: when will people realize that adapting animation to live action will almost always never work?

animation automatically gives you a suspension of disbelief because the world not only bends around to the animation style ( such as exaggerated movements or facial expressions ) but your mind sees it and recognizes that it's not real. it's much harder to sell that disbelief when it's real people on screen who cannot move like animation does. like there's no way to mimic the way aang moves or the way the characters fight.

and if you're trying to adapt a fantasy, it needs to be a spectacle. i haven't seen any animation to live action remakes that put their all into the effects or the scenes or even just the wonder of the world.

because that's expensive and most remakes are cash grabs that don't pay their team enough nor give them enough time to actually create.

anyways, adaptations are always going to lose some of the essence of the original and that's okay but you can't lose sight of why that art was made in the first place.

[corseque]

Transferring a twitter Dragon Age 4 theory to tumblr:

This is a theory about the very latest DA4 information that people were upset to learn about because they want to wait for the game rather than hear too much, so look elswhere if that is you. I suspect that Rook is called "Rook" for a reason. I suspect their color is purple for a reason.

Rook is associated with trickery and death, a bad omen.

Hmm.... that reminds me a little of a "dread wolf."

I, for a long time, thought the game was called "Dreadwolf" because the main character would be taking on the trials and tribulations and responsibilities of the Dread Wolf onto their own shoulders. This suspicion has expanded hugely in my mind when I think about DA4 because what exactly is the story set-up, here? What is the Dread Wolf?

Solas, who is playing the role in the story of Dragon Age of an ancient trickster deity, has claim and power over the functions that trickster gods. Namely, power over doorways, thresholds, boundaries.

It doesn't matter what Solas thinks about godhood if he has all the trappings and power of godhood. There is no material difference in a fictional story.

(I love that Solas in the prologue is demonstrating exactly what you would expect from a Trickster God in this situation - manipulating boundaries, and then being Just a Little Guy.)

So the game prologue opens on Solas, a trickster god, delicately manipulating the magical boundary between worlds, which is something that you would expect a trickster god to do. Then unfolds a scene in which a tiny figure (Rook) causes a larger-than-life god (Solas) mischief and, with Rook's foolish meddling, undoes the very fabric of normalcy, trapping the trickster god and throwing the world into chaos, upsetting the very balance of power between the gods, threatening the end of the world.

Rook then recieves power over the Veil the trickster god has, the sacred knife that the trickster god wields, the ability to traverse back and forth between the boundaries only easily traversed by the trickster god, the magical mirror teleportation network of the trickster god, the magical floating Lighthouse home of the trickster god, the responsibilities of the trickster god, etc.

Rook also recieves the advice of the trickster god, whether they want it or not (it seems).

Do you see what I'm saying?

"They call me the Dread Wolf, what will they call you when this is over?"

I think this game may be about Rook becoming a trickster god.

As Felassan tells Briala in The Masked Empire, "[Becoming a god] is for the stories to decide."

Tricksters in folklore are very often mortal, human heroes. Very often, they act stupidly and foolishly (like we are said to do by interrupting Solas in the prologue) and somehow win anyway.

And what more powerful figure could there be, to fight with gods? Only a little guy like Solas or Rook, could hope to fight multiple gods and win. A little tiny trickster hero who makes foolish mistakes but is unkillable like Bugs Bunny is actually the perfect challenger to all-powerful deities.

Anyway, so if we get all of Solas' powers and his responsibilities, if we're, in a way, in training to become a trickster god. We may be stepping into myth and doing his job for him, disrupting things the way he does, and there will be comparisons. (the articles tell us that Solas is comparing himself to Rook, and that he doesn't like what he sees of himself in Rook). People always acted like Solas' situation was incredibly easy, but imo we could never actually understand what his story was, or see it from his point of view, enough to judge him. But if we actually walk in his shoes, then maybe we can actually have a part of the conversation. And later, maybe part of the myth.

The little Rook-bird that tugged the Dread Wolf's tail and let the creators free again, the little trickster Rook that destroyed or saved the world. I wonder what kind of trickster they will call us, when it is all over?

[nonsensenook]

Chapter 1 | Torn, Placed

Synopsis: An unapologetic take on you, the reader, appearing in the world of Black Myth to accompany the Destined One on his journey.

Word Count: 2,138

Warnings: Violence

Author's Note: I hope you enjoy and join me in the indulgence!

Read On AO3: Link

Ch. 2 - Ch. 3 - 3.5 (Optional) - Ch. 4

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You felt your legs screaming as your inner shirt clung to you with sweat. It’s been hours since today’s trek began and you truly would do anything to simply sink to the forest floor and cuddle with some nearby mushrooms to sleep. Despite passing some very inviting fungi you refrained from asking to rest. After all, this wasn’t your journey. It wasn’t your place to halt its progress as you wished. You felt you were enough of a burden to have added yourself to a story already written. Tired as you were, you could always rely on your own stubbornness to keep you going. 

The Destined One held out an arm, stopping you as he listened for any sounds ahead. Unlike you, his breathing wasn’t labored. You weren’t sure if he ever needed to sweat. He looked as he always did: composed, reliable, and ready with staff in hand. Watching him like this reminded you of the deep gratitude you held for him, one that came to be long before you stood by his side.

It’s been nearly two weeks since you appeared in this world. You don’t remember much other than vague flashes of memories. You were falling, tumbling, then a creature of unfathomable size found you. You remember bracing yourself as its claws promised a swift death. You saw a staff crash down on its head just as you fell unconscious. The next time you opened your eyes you were laying near a fire. Darkness and a lush forest surrounded you. Someone had draped a spare robe over you. That someone, you recognized, slept across from you sitting up; leaning against a tree. 

You remember staring at him, hands running through your hair in stunned silence. He was a character turned to life, one that you knew too well. After almost burning your hand in the fire to test the theory of a dream you pieced together the only logical conclusion to this illogical situation. One that you weren’t ready to accept. Your thoughts and rising panic were interrupted by the Keeper of Blackwind Mountain. 

He appeared in a whirl of smoke, waving the mist away and pointing towards you with the end of a backscratcher. He called you an “unprecedented interloper.” You couldn’t say you disagreed. The Destined One awoke to the two of you exchanging questions that neither could answer. There was the idea to have you dropped off at a human village, though this was quickly rejected as not only was it well off the course, but the Keeper had a sneaking suspicion that your presence, however “wrong” and “erroneous,” was tied to that of the Destined One’s. It was decided that you would accompany him on his journey, whether that be for a larger role you play or simply to keep you alive. You personally leaned more towards the latter. “Perhaps,” the Keeper said as smoke enveloped him once more, “once everything falls back into place, then so too would you.” 

The Destined One initially traveled ahead of you so as to scout for potential dangers. This was remedied when you both were ambushed from behind. Now he keeps pace with you, never showing any signs or indication that your slower speed frustrated him. The start of the journey was a cruel leap from what you were accustomed to, but you soon found yourself adapting. You never allowed yourself to ask for anything, not even as your feet bled or how much your body screamed at you.

Today may be easier, but that didn’t stop your lungs from feeling like they were bursting. The Destined One let his arm fall. The path ahead was clear. You took a step forward and felt your foot catch on a tree root. The Young Sage reacted quickly, catching your arm. 

“I’m sorry, let me just-” your legs took this golden opportunity to buckle under you. The Destined One put his arm under yours, shouldering your weight. He led you to sit on the root as you settled your breathing.

“I’m fine, I just need to catch my breath,” you explained, clutching at your chest. The Destined One shrunk his staff, stowing it away. He knelt beside you. To your horror you realized he was offering his back. 

“Truly! I’m fine!” you cried out, flustered. The Destined One stood back up. This relieved you till you looked closer at him. You could read how utterly unconvinced he was the way his hand resting on his hip paired with his unblinking stare. 

“You’re already carrying enough, I can manage my own weight at the very least.” You readied yourself to stand back up. In response he held up a pinky. You stopped, staring at him skeptically. He stepped towards you, hooking it onto your outer robe. He barely moved his arm before your whole body was lifted from the ground. Message clearly packaged, delivered, and received. Ever and always so silent, he placed you down and offered you his back. This time, you obediently let him carry you, ignoring the feeling of satisfaction that came from him. 

The young monkey straightened up, making you instinctively move your hands from his shoulders to wrap around his neck. He quickly understood and angeled himself downwards before he started walking. 

Your mind went from the way your chest was pressed against his back to your faces being much too close, then to the way his hands gripped your legs to support your weight. You felt yourself warming up. You weren’t sure that it was from the heat of the day anymore. With you on his back the pace quickened to where he was almost doubling the distance covered. You shoved away the feeling of guilt which nestled into your stomach. You ignored whatever dance your heart was doing in your chest. 

~

Traveling with your silent companion had a difficult adjustment period. You appeared in this world with nothing but your clothing, which were shortly in tatters from your stumble into a Yaoguai’s territory. The Destined One fashioned you new clothing that could hold their own. He’d also lent you a staff, but your first attempt at wielding it had you either accidentally hitting yourself or dropping it. You thought you saw a humorous quirk of his lips when you had hit yourself on the head the third time, but that may have been the self-inflicted head injury. He had held out his hand and you wordlessly returned the staff. 

The journey was initially silent, but you eventually began filling the air with light chatter. You talked about anything on your mind on that particular day whether it be a memory, story, or particularly interesting item from your world. You weren’t sure if he was ever fully listening. He never made any indication for you to stop. In one instance you were interrupted by an archer who was shortly intercepted and disposed of. When he returned to your side he made a motion for you to continue your story about a movie you had once watched, a delight you tried to settle down. It became easier to read his subtle gestures and little facial expressions. Sometimes, you would react to him as if he were speaking aloud. You never made mention of how you knew as much as you did about him or his journey. That was the one topic you avoided. There was this strong instinct never to mention this world’s origins. It was akin to how one would avoid eating ominous mushrooms or lick questionable stains. 

With the knowledge you could share, you advised him when able. He eventually understood that telling him you’d be waiting for him at a shrine meant he was about to fight a rather powerful Yaoguai. He never questioned when you pointed out things he may have missed or the way you would let him know what sort of enemy to prepare for next. Whether he thought your instinct or intuition strong, he trusted your judgment.

At night, the Destined One would scout for a place to rest. On some lucky days he finds an abandoned home or building to stay in. On the cold nights where camp would be set outside, you’d sit closer to the fire. One morning you woke up to find your limbs wrapped around your companion. Your blanket twisted between the two of you. Your body had sought him out in the night. Even with you rousing from your stupor you found it unbearably difficult to separate from his warmth. Eventually, you did manage to unwind yourself. You had rolled over, pretending to continue to sleep for a bit longer before doing a very convincing rise and stretch. You avoided eye contact with him the first time you did this and your stories came sparingly. After the next few times you eventually realized that the days you woke up intertwined with him were the only days where he’d be the second to rise. You assumed he was graciously giving you time to leave without having to go through the embarrassed apologies you had prepared. For that you were grateful. In any case, neither of you brought it up. 

As time passed you were soon able to keep pace with the Destined One without relying on him having to carry you. The speed at which you were adapting to this world felt too quick to be natural, but you were working with too many unknowns to be sure. You thought of giving the staff another try, but your skills were just the same as when you’d started. Learned behavior did not count, unfortunately.

~

The day had been sweltering when you and your companion made camp near a spring. The Destined One had scouted the area with you before it was deemed safe to stay for the night. You were excited to be able to bathe in such a beautiful area, especially after such a hot day. You left the young monkey at the camp before going to the water. The flora around it kept you private from one another. You stripped off your clothes, letting them rest on some rocks in the light of the setting sun. You tested the water with one foot, it was refreshingly cool. You waded in till the water reached your waist, then held your breath and ducked below the surface. You emerged laughing, feeling the droplets fall from your hair. 

The water felt invigorating on your skin. You felt more than just the accumulated dirt and grime being washed off of you. You began washing your hair, trying to detangle any knots you found when you felt something squirming land on you from an overhanging tree branch. You cried out in surprise, quickly brushing off a curious little lizard. The lizard made its getaway just as the Destined One leapt into the spring, staff in hand. 

“It’s okay, a lizard just surprised me,” you explained with a small laugh, hands raised in reassurance. He looked down. You looked down. You quickly covered yourself in a panic, going lower into the water as he turned on his heel to head back in the direction of camp. You lowered your head till it was submerged again so that only the fish could hear your cries of embarrassment. You stayed longer than you wanted to in the spring until your face stopped burning and your hands began to wrinkle. Drying yourself off, you did whatever you could to shake off the mortification of what just happened. You dressed yourself, hesitating to return back to camp. What do you say to someone who just saw you naked? Do you apologize? Make a joke of it? Pretend it never happened? All were answers but none seemed correct on their own. You settled your breathing. You can go with E: All of the above.

Back at the camp you found the Destined One sitting cross legged, poking at the small fire he had made. His tail was swishing left to right, making the pattern of a fan in the dirt. You hesitated again, unsure on how to bring up what just happened. You weren’t sure how long you stood there for when the Young Sage suddenly inhaled sharply through his teeth, tossing the stick he was holding aside. He had let it burn down to a stub till the small fire reached his fingers. Seems you weren’t the only one lost in their own mind. You smiled, somehow relieved in knowing that. 

“Are you alright?” you asked, your tone light with humor. He turned to you, you saw him relax at seeing you smiling. You went next to him, then crouched down, holding out your hands. “Can I see?” 

He held out his hand, you took it between yours, looking closely for any sign of damage. His hand was large with dark nails well pointed and sharp. You felt you were brushing past his fingers with your own more than you needed to. Satisfied at seeing no wound, you let go. He held his hand there for a moment before retracting it. Wordlessly, you both stood up. You refuse to let any awkward silences stretch on, being the only one who can actually break them. 

“It’s your turn to use the spring,” you said, putting your arms behind you, “Watch out for lizards.” You mentally kicked yourself. The Destined One watched your expression for a moment, considering your warning. Then he gave a small nod and headed for the spring. You let out a held breath. This feeling will not be leaving you any time soon, but at the very least nothing’s changed as far as you can tell.

The next day, after untangling from the Destined One once again, the two of you continued onward as usual. Soon, the lush forests became bare sand as the two of you entered the next part of the journey. 

[itsmaferart]

Keep your hands off my woman!!

Leaving aside the most important part of the chapter, Yor must kiss her husband for world peace and the Twiyor nation to be happy.

I think it's a good message if we look deeper into how the stereotypical duality of women is portrayed to us, which I think is a message that can encompass anyone in general.

The most conventional romantic movies are usually about the man being - stereotypically - the strongest and the one who must protect the woman, who wins his sensitive heart and makes the hero bring out his sweetest feelings.

Becky being a little girl has in her heart the fantasy of a sweet romantic love just like the one in her novels and movies. But sometimes, people are not so conventional.

Both Anya and Yor, don't feel comfortable being pigeonholed into “girls waiting to be passively rescued”, because within themselves the love for the people around them is a drive to be strong, take action and save others.

I feel that one of Endo's best points, is her way of undertaking a concept of what femininity, or rather, “feminine energy”, represents. Feminine energy is a force that comes from feelings, it is fluctuating and unpredictable, sometimes like a gentle breeze and sometimes like a terrible hurricane.

Most of Endo's female characters are strong, independent women who do not need to be rescued. And they are very willing to put themselves in the face of danger to protect those they love. This is something we have seen, with characters like Yor, Sylvia, Martha, Fiona, and they have been able to save other men or take on subjects much larger and more muscular than them.

Even with girls like Anya who we know very well is a very brave girl and has been in the face of danger despite her age (maybe too much, our poor baby is only 4 to 5 years old, God), and has the strength to send a bully flying (and fall in love in the process) on the first day of school.

So …. if women are strong …. men are weak?

Absolutely not!

Everyone, regardless of gender, is strong. We know perfectly well that Twilight is someone capable of taking care of himself, is someone who is physically trained and has enormous intelligence. Even Yuri has survived so many dangers that we wonder how the hell he didn't die. Damian is a brave guy (when he doesn't see an insect lol).

The point is, even though women and men (or any gender in general) are strong. We all have our weaknesses, our sensitive sides.

You can do things on your own, but you don't have to do everything at once....

Clearly, although Yor is physically strong, she has problems with metal and verbal confrontations. Because her insecurities are so great that when they make her doubt herself and her own value, she tends to lose it and that is when Loid is there for her, not to take care of her because she is weak, but to remind her of her own value (because she doesn't seem to realize it herself) and to make her see that she is worthy of the understanding and love of others. In the same way that Yor reminds him that he too can be a little weak and take refuge in her.

Even if we feel weak and awkward, we can take initiative....

I think it is very important, the idea that Yor or anyone in general can have the “initiative” to seek on their own that “love” that you so desire.

Many times we feel that if we don't fit into the expected canon, or social archetype we are not worthy of love. (Feminine women who feel vulnerable and who depend on the guy to live are the ones who get love in the end). When nothing could be further from the truth….

Being weak and vulnerable is something totally natural and not exclusive to one gender or social role. We are all weak and strong at the core, and we need each other to complement each other and to be able to enjoy much more of our own love and the love we can give and receive from others.

Yor's desire to actively seek love (kissing her husband a lot) is not only a way to develop her bond with Loid, but a way to grow her self-esteem and challenge her insecurities. To stop seeing herself as a child in front of the world, but a woman who can get things because she wants them (and has her husband's consent, of course) (But, come on, we all know Loid needs kisses from Yor).

[shirefantasies]

How Many Kids Do They Want? LoTR Edition

This is just a headcanon set I like to think about because I love little ones & think all of the characters would make great parents in their own way 🥰 I definitely am going to expand on this in the future but for now enjoy!

Aragorn

He wants to bring a life into the world, but only under good circumstances. When the time comes, he favors a small family he can focus on- one child is enough for him. As much attention as he can possibly give goes to his little one that way, no resentment, no competition, all of the time in Aragorn’s world to spend with those dearest. Despite the pressure to have a son, he is happy to have either a son or a daughter as long as they are happy and healthy and provided for. Aragorn’s child will grow up with an amazing guide to do what is right and care for their friends and family, not to mention learning Elvish and many skills to survive outdoors if need ever arises.

Legolas

Open-minded for sure, but I think he actually leans toward a larger family. No extreme amount, but four or five sounds good to him! Legolas is very caring, patient, and even has a playful side that all lend well to spending time with wee ones. No strong preference on sons or daughters, Legolas cares more for smiling faces and fair hearts. He pretends to be competitive with his children to motivate them, but always caves and lets them win in the end! They’ll all become amazing archers if he has anything to say about it.

Boromir

Having a big family warms Boromir's heart. He wants to be different from his father, carve out space for each and every child individually. Having a big family shows in his mind how much he loves his spouse and can provide for everyone, too. Boromir is definitely the type of dad whose children just come barreling toward the door upon his return home, rocketing into his arms as he manages to catch them all! If you ask him, Boromir's ideal family size would be four or five children. He loves the idea of having a son or sons to train up, but really doesn't want to miss out on having beautiful daughters too, so his hope is for a mix of both. Constantly encouraging his sons and praising every achievement at their passions. The girls are ladies of Gondor and nothing shall take that from them, least of all their father, who is always joining their tea parties and letting them take turns as queens knighting him and each other.

Gimli

Dwarves tend to have smaller families, whether that is by choice or happenstance. Gimli enjoys the idea of having three children, a moderate amount, and of course he really would love a son. He wants a mini-me as they say, a small reflection of himself to share all his favorite things with and teach to defend all that is important to him. Daughters are less common among his people, thus of course they are of great value and would be a blessing were he to have any as well. Gimli would constantly be hyping them up and reminding them that they are worth so much, any man in their life had better treat them so or else!

Frodo

If he were to have children, Frodo favors a smaller family. Growing up, it was just him and his uncle for as long as he remembered, and he likes the idea of being able to focus more on his child. Thus, his perfect family size if you ask is simply one or two children. In his mind there’s something about having a son, perhaps a mirror to his own youth or someone to impart his lessons into in the sense that feels most traditional to his family dynamic, but the idea of having one of each makes him so happy- Frodo’s little girl would have him wrapped around her finger!

Sam

I know I said at one point Sam only wants like three but that’s because I didn’t realize he canonically has so many forgive me. We all know Sam loves the idea of having a big family! Canonically he’s even down to have thirteen children, but of course he is fine with a smaller number too. Just definitely more than one, at least three or four. Sam has so much love to give and he adores bringing life into the world and nurturing it more than anything. Every little one is their own unique person he loves to foster and dote on. He wants some of each of course, but just loves the idea of having little girls especially!

Merry

Really wants one of each. His family will feel like a full package that way and he wants every type of experience he can have, walking a daughter down to her wedding and letting her dress him up and playing games with his son. Teaching both of them how to stand up and fight for themselves, of course! Merry is so the type who wants a mini version of both him and his spouse if he can have it. Would make so many jokes about the little clones and just melt for the child who looks like his partner. Regardless of who she looks like, his little girl has his exact smile and you'll always catch them making it at each other before the next moment of teasing and mischief!

Pippin

Wants so many kids. Five to ten, no problem. Numbers aren’t his concern so long as he can be involved with each and every one of them. Just the type who wants his family to be a small army! Definitely wants to experience having sons and daughters, but statistically he’s going to anyway at his rate! So good at getting down to their level and having the greatest time with them, but also showering them with love and calming words and learning their needs by actually listening. Just Pippin and his little army of fellow neurodivergent sweethearts all with different passions and gifts and special interests.

Faramir

Willing to concede to his partner especially if that’s who actually bears the children. Faramir adores the idea of having a family, of doing everything differently than he experienced, of pouring true love and respect into a little soul doing their best, and that is where his happiness truly lies. A part of him likes the idea of having two sons as full atonement for his and Boromir’s difficult childhood, but even one would make him happy. He is so patient at explaining things to a young mind and his optimism comes out all the more when spending time with a little one- all the world’s beauty is that much brighter!

Eomer

Big family! More than a number he dreams of a boisterous, active home where no one is ever lonely. A warm hearth and the voices of children nearly ever-present. His heart swells as he imagines having one in each hand and plenty more all around him. Eomer, for whatever reason, has the number six in his head. Of course he wants sons, sons to train as fine riders and fighters, but his sister has proved to him that that future is not lost on Rohan’s maid either. He would be so much softer, gentler with his daughter(s), still showing her things like how to shoot an arrow or how he sharpens his blades but with greater care. Gathering everyone for story time is one of Eomer’s greatest delights.

Haldir

For much of his life, Haldir did not think about children, was uncertain that was a future he would even attain. Thus, as the time approaches for consideration he realizes he simply feels blessed by the prospect and is very willing to listen to his partner about their wishes. Granted, he does not wish to live beyond his means or in a way that he could not provide for all he needs to, but in general he is open. The beauty of Lothlórien grows with every new addition, every fair member of elfkind so he is happy with boy(s) or girl(s). He would teach his daughter(s) to walk with grace and uphold their ancient strength and remind his son(s) that honor and respect must center all their actions.

Eowyn

Traditional housewife ‘duties’ were never her desire. Thus, she does not want a large family, though the idea of raising a little life with her partner makes her happy. She only wants one child, maybe two so they can play together, and her family will feel complete. Any child(ren) of hers will surely be active, so she and her spouse will have their hands full with whoever! Strength is a matter of the heart, and Eowyn will raise a strong family no matter if they are male or female. She loves the idea of having a daughter or daughters to share her stories and triumphs with, though- future Shieldmaidens of Rohan!

Arwen

She wants to be able to focus on her family, so ideally not a huge one. Carrying on her legacy and having someone to care for with her partner, a living breathing proof of their love and commitment, is the most important part. She has never been too particular about if the child is a boy or a girl, just that she wants to be there for them and a calming, loving presence in their life as much as possible. So good at holding and reassuring them it’s like magic.

Elrond

Elrond is patient, steady, and he likes to take his time both with his children and between having them. He is happy with a smaller or average-sized family, two or three children. That way he can spend his time, care, wisdom, on them all and lavish Rivendell’s resources on them in different ways. Perhaps they are interested in the rich history, the weapons of old, the art, textiles, the sheer natural beauty of the location. Whatever it may be, he will offer it to them so long as they use it well and with respect. It appeals to him to have one of each, but we all know he would have a soft spot for his daughter!

Lindir

All I can picture is twin dad Lindir. Don’t ask me why, all I know is this man elf has his hands full with a baby on each side. Exasperated but lovingly shaking his head as the two identical little elves/half-elves try to convince him they are their sibling again! Or even having one of each on one fell swoop, teaching them both their favored instrument and singing with them! Lindir doesn't mind so much whether he is to have sons, daughters, each, so long as his children have the finest things in life and know that he shall always give them what he can.

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[cadence-the-hypnotic-floret]

HDG and BPD

So Human Domestication Guide, as a setting, is very much built as comfort food for mentally ill, disabled trans folks (not judging, I'm at least two mentally ill sophonts 🤭), but one bit that didn't quite shine through to me until a moment ago is the Borderline Personality Disorder connection. More specifically, the "favorite person" phenomenon.

A floret's affini is their favorite person. They are utterly dependent on their owner, including on an interpersonal level. Thanks to biorhythms, the floret can feel what their owner feels, in a very deep, visceral way that directly influences their emotional state. They are desperate for praise and acceptance, the worst thing imaginable to them is disappointing their owner, and they often spend time gazing up at their owner in a hazy bliss, as though watching an angelic figure and being awestruck by their beauty as the rest of the world decoheres around them.

In turn, the affini is the perfect caretaker for their floret. The influence they wield over the person who adores them is typically clear and intentional. They promise to never abandon you, and they mean it in ways a real person never could, and can force you to believe them. They actually will take all that pain away from you. When you look upon them as larger-than-life, idealized entities, you're not so much putting them on a pedestal they couldn't live up to as you are accurately describing your relationship to them, and they foster that view intentionally and accurately. There is no equality between Terran and Affini.

This is, to put it bluntly, a relationship dynamic I am deeply familiar with. I have stared at someone for minutes at a time, certain that they have a halo and can do no wrong. I drove that same person away in no small part because the version of them that existed in reality kept chafing against the idea of them I was too infatuated with to get rid of. I have caught myself entering that same dangerous emotional spiral with a fellow author I've been collaborating with, thankfully quite early on.

A few harsh reminders seem necessary here.

If you seek the kind of mindless surrender a floret has from another sophont, check to make sure that the sophont you seek that from is aware of this, and make sure that you are seeing them, the person, not merely an afterimage in your head. Be careful! This dynamic is rife with opportunities for self-delusion and manipulation, and often, you cannot trust your rational brain to handle it well. I want nothing more than the absolution hinted at in Anathema in Blue chapter 4... But it would be deeply unhealthy and unethical to seek that out without dealing with some of my own baggage, or saddling the author with my perception of her author insert character.

If you are on the other side of this dynamic, particularly if you have the brand of narcissism that makes you want that kind of mindless adulation (typically talking about "Worship Kink" is a sign that you might wanna take stock, speaking from experience here), make sure you're aware of the dangerous power differential, and make sure your partner is aware of these warning signs. Being on the receiving end of an FP relationship can be incredibly rough, especially once you start to diverge from the idea of you they had in their head.

Oof. Not fun stuff.

Now if you'll excuse me, I'm going back to making a worship file based on Anathema in Blue chapter 4, because frankly this bee isn't leaving my bonnet until I process it. Have you read Anathema in Blue? Lady Lysanthae is bae.

🥰

[raven-at-the-writing-desk]

book 7 part 5 thoughts!!

***THIS POST CONTAINS MASSIVE SPOILERS FOR BOOK 7 PART 5 OF THE MAIN STORY!!***

If you’d like to watch a rough part-by-part summarized translation, please check out this archived stream!

Please note: this is NOT meant to be a summary or a translation; these are only my initial thoughts on the events that unfold. There may be details overlooked or misunderstood in this post, so PLEASE do not use this as a translation.

Starting off strong with some lore on magic! Teleportation magic involves breaking oneself down and reconstructing elsewhere. If the distance from point A to point B is too large and/or the caster is in poor health, the magic may fail or be difficult to perform.

Hmmm... Lilia is reacting very emotionally to the situation, but it is Baul that is (mostly) rational and reminding Lilia to keep calm. I'd anticipate it being the other way around, so that's quite interesting.

HUH... Even Sebek is staying calmer here than Lilia is; Sebek recalls training with Lilia and how they were taught that they have to stay calm to think and plan effectively in tough situations. Ironic that the old Lilia was the type to go against the advice he would later give and instill in his pupils. Again, it goes to show how much he has changed since then.

AH, BAUL'S BEING A TSUNDERE AGAIN 🤡 He's telling the kids to stay behind because the situation has changed... "Don't foolishly discard the life Lilia-sama protected", "humans shouldn't be fighting alongside fae anyway", etc. (And, of course, Silver's the one to step up and tell him fae or human, it doesn't matter and he still owes Lilia his life all the time.) NOW'S NOT THE TIME TO TALK, GUYS... MALLEMOM'S GONNA BE GAME ENDED

Weird sounds downstairs? SILBEK KICK DOWN THE DOOR and we find some chefs in hiding. adhbasvfvuvfqeilfe;o THEY MISTAKE SILVER FOR THE DAWN KNIGHT... More sussy behavior implying the Dawn Knight must be his ancestor.

They ask for brooms to transport the injured faster. Silver's negotiation skills come in clutch again, he convinces the chefs to direct them to the brooms even though it would be helping the fae, the humans' enemies.

Not Sebek's stomach growling now of all times... NOT SEBEK DENYING IT SO MUCH (it's okay, they get pity and some food from the chefs!)

Found a room full of birds; they seem to be for transporting messages. Silver feeds them some of the bread they got from the chefs. Wow, Sebek's actually being sneaky/clever (?). He tells Silver he's loved by animals, so time to use that now so they can use the birds.

AKHBBGSKUVYEQFBI NOT GRIM WANTING TO EAT THE BIRDS

Bleh, we have another time-gated, character-limited map segment. Silver and Sebek take up 2 of the 5 slots. Again, the cards' health does not regenerate unless you land on a special square. Luckily for us, there is only a single path forward rather than a larger, sprawling map.

NO KIDDING, THE BIRDS HELP THEM FIGHT THE SILVER OWLS... Literally they're swooping in and tugging on the knights' cape and stuff... the squirrels nibbled away at their catapults' rope too... chucking rocks at them... THE BIRDS POOPED ON THEIR ARMOR TOO???????? Imagine training your whole life to put your life on the line for your home country, only to be literally shat on and defeated by woodland creatures...

Lilia: I hate children. Also Lilia: *rushes into battle to protect the children and gives them head pats for a job well done and asks them to be safe*

Silver continues to be a Disney princess!! They find some horses tied up and he's like "let's free them". Sebek drops some club lore; Silver is one of the better students in Equestrian Club when it comes to soothing the horses. True Horse Girl at heart, huh??

Silver and Sebek are surprised that what they learned in school is actually helping the in a "real world" sense. Man, I wish that was true of irl high school education too...

The Silver Owls recruited mercenaries from other countries to help them seize Briar Country's resources??? The others pitch in because they live in fear of a dragon attacking them.

They're going to teleport into the castle, but they can't teleport out since they can't guarantee the safety of Tamago-sama... They're going to use the underground waterways to escape!

There's a mountain range that protects another castle of the royal family, Black Scale Castle. Malleus's mom is currently in an unprotected castle, Wild Rose.

Wow, what a peaceful vista straight out of Sleeping Beauty. I sure hope it doesn't become tainted by blood being spilt and bodies dropping or anything craaazy like that/j

DAWN KNIGHT INCOMING???? Silver's ring starts??? Going off??? When he sees the Dawn Knight...

Heinrich reveal too! He seems like just as much of a scumbag as all the rumors say he is (he wants a dragon to ride, tells the Dawn Knight he's only good for his swordsmenship, etc). BRO JUST STRAIGHT UP SAYS HE WANTS TO TAKE MALLEMOM'S EGG AND RAISE IT TO BE HIS STEED... 💀 WTF THAT'S SO DARK

This asshole reminds me of Jack Horner from Puss in Boots 2: The Last Wish, who is another irredeemably evil man with a small face and a generally grotesque design.

Heinrich is after the castle and some very powerful magestone called "Princess's Glow"? Not sure, did not hear the second word well.

He's giving them 30 minutes to send the princess out for a one-on-one duel with the Dawn Knight. If she wins, they'll retreat (I DON'T BELIEVE THAT FOR ONE SECOND).

NOT THE CASUAL FAE RACISM... Heinrich calls Mallemom a "witch". If you'll remember!! In book 6, Lilia says that mages were once called witches, but implied that those terms are now outdated and considered derogatory.

The Dawn Knight is like Silver! He tries to tell Heinrich this isn't right, but Heinrich tells him that since his father took the Dawn Knight in as an orphan, the Dawn knight "owes" them. It's a twisted parallel to Silver and Lilia's relationship (because Silver says he feels like he "owes" Lilia and has to repay him).

Okay, so to review the family tree??? The king of the human faction is sick and they want the Princess's Glow to heal him. The king is the dad of Heinrich and Leah; the king would also later take in the Dawn Knight. Leah and the Dawn Knight are in love.

Malleus's mom's official name is "Meleanor" (a location name is written in English with this)i. The castle's halls really resemble those in Diasomnia dorm (I think it's a reused asset). (Now that I think about it??? Didn't they also reuse the VDC backstage background for the eastern fortress?)

SHE'S SINGING???????? A lullaby for her baby, it seems. Bruh... Malleus sang like a line from this lullaby before he game-ended everyone with his UM... HE REMEMBERED HER SONG FROM INSIDE THE EGG SHELL??????????

MALLEMOM REVEAL AW YEAH (she starts zapping Lilia with lightning lol; she's mad at Lilia for showing up late to defend her and her egg) SHE'S THE HOT GOTH GF

OMG EGG REVEAL TOO... UNBORN MALLEUS... (The egg looks like it has blot running down it too, which is insane)

ADBLIsfiablfa IT'S SO WEIRD SEEING HER SIMP ON MAIN, she says he knows her unborn child will grow up to be a beautiful man just like her husband... (Sebek is practically sobbing from happiness that he gets to witness Meleanor name Malleus.)

The ear shape is really coming back to bite them; Mallemom noticed them and now her anger is turning to our group. She forces us to kneel with magic... Jafar energy fr

"Princess Glow" is the green orb in Mallemom's staff!

Lilia tells some embarrassing stories of the princess's tomboyish youth; "And though you always scolded me, you never failed to join me in my mischief" -- Mallemom to Lilia

She agrees to duel the Dawn Knight while the others escape with her child... Now Mallemom and Lilia are fighting because Lilia refuses to follow through with her order.

NOOOOOOO SILVER JUMPED IN TO PROTECT LILIA FROM MALLEMOM'S LIGHTNING 😭 EVEN THOUGH HE KNOWS IT'S A DREAM, HE DOESN'T WANT TO SEE HIS DAD HURT

Lilia trauma time :)) "I can't lose both you (Meleanor) and Raverne (Malleus's dad)".

IT'S LIKE WE THEORIZED, LADS. Mallemom says that if anything happens to her, then it's up to Lilia to help Malleus hatch with the POWER OF TRUE LOVE... BUT LILIA THINKS HE CAN'T HATCH IT BECAUSE HE DOESN'T UNDERSTAND A PARENT'S LOVE

OH MY GOOOOOOD THE PIPING HOT TEA, MELEANOR SAID LILIA PROPOSED TO HER WHEN THEY WERE YOUNG... OVER 200 YEARS AGO

sdhbfbiyoaifofi Mallemom says that Lilia "also loves Raverne" and that those two spent more time together than a "married couple". You could interpret this as Lilia being bisexual or just as them being really good friends, as Meleanor never specifies if Lilia “loves” Raverne romantically.

Suddenly, Lilia's special card name makes sense! Lilia is the "Right General", and Raverne is the "Left General".

The weather shifted according to Meleanor's anger. Like mother, like son... This woman also quotes Maleficent so much...

OOOOH we get to watch a battle between Mallemom (dragon form) vs the Dawn Knight. Mallemom uses all null/cosmic magic, just like Dorm Uniform Malleus. The Dawn Knight uses light type null/cosmic magic just like Silver does too!

Dawn Knight face reveal?! He's basically Silver copy-pasted but long blonde hair. Dude's really out here looking like a Sonic OC recolor/j

The Dawn Knight also has a crown-like ring on a chain. It's an item that was given to him by guardian fairies when he was young; there is no other like it.

YASASHII... The Dawn Knight notices our group has the egg and tells them to run. He doesn't want Heinrich to get his hands on it either... Crowley, takes notes 😭

UHHHHH SILVER'S CRYING AND SHOUTING... I think he realized that he's descended from the Dawn Knight, serving on the faction that's brought so much harm to his loved ones and home country. "Am I family to the enemy?!" His denseness is truly to his detriment here.

Uh-oh, Silver's being pulled into the "darkness" of the dream, thinking it would be better to just stay here than face reality... He's losing hope, DOING THE THING HE FORESHADOWED LAST UPDATE... IF HE EVER FALLS INTO THE DARKNESS, THEN PLEASE PULL HIM OUT... (Another map segment with Silver required; you have to find your way around in the dark.)

NOOOOO NOT SILVER SEEING HIMSELF AS THE DAWN KNIGHT THAT HIS DAD'S STRIKING DOWN IN VENGENCE OTL WHAT IS THIS, IT'S SO SICK AND TWISTED

400 years after conflict, the peace treaty was signed between fae and humans. Wild Rose Castle is now left in ruins; the rumors say it is haunted. The diurnal fae casted a spell on Wild Rose to keep humans away.

HUH???? LILIA FOUND BABY SILVER IN THE ABANDONED WILD ROSE CASTLE?????

Uhhh so apparently after the war we saw, another conflict broke out for territory and the Silver Owls got their asses handed to them.

LILIA UNIQUE MAGIC REVEAL... HE CAN READ THE MEMORIES OF THINGS HE TOUCHES????? (Reminds me of "Dimensional Scream" from Pokémon Mystery Dungeon: Explorers of TIme/Darkness/Sky!) "Far Cry Cradle" is the name! We also get the chant: "As if it were a day. Everywhere I go, it will be in a blink of an eye."

BABY SILVER?????

Silver was magically put to sleep for hundreds of years by some small (guardian) fairies?!?!?!?!?!?!? Because conflicts were still going on and his parents wished for him to live in a world free of war. When Silver meets someone who "loves" him, he will wake up from his magic-induced slumber. NOW THE BABY IS AWAKE AND CRYING

... Wait. Doesn't that mean. Silver is technically older than Malleus... since Malleus is only 178 years old and Silver's been sleeping for like 400 years????? OTL SILVER OLD MAN ERA??????

NOT (PAST) LILIA BEING TSUNDERE, he says he thinks the guardian fairies' magic is fading with time... he doesn't even consider that he'd ever love the baby...

"I'm not someone who deserves your love" - Silver, casually cuing all of our tears

Silver's hair was originally blonde; It became silver when he received a fairy's blessing (Lilia's). LILIA SAYS "May the Night bless you" and says that the day he found Silver is his new birthday. So the Dawn Knight has gold hair because it's blessed by a diurnal fae, but with silver hair like moonlight, Silver won't stand out in Briar Valley.

I CAN'T WITH LILIA, SILVER SAYS HE WAS NAMED THAT BECAUSE OF HIS HAIR COLOR IN A BIRTHDAY VIGNETTE... Yet here we see Lilia actually named him Silver as in silver moonlight to guide people in the darkness...

"Even if I have to give up my own life, I want to protect my child", that's a sentiment that both Lilia's princess and the Dawn Knight expressed. I think this kind of thinking probably helped Lilia put everything into perspective and better understand that humans and fae are actually very similar.

SILVER/LILIA HOME REVEAL, we're seeing some point later in time but before present day when Lilia is still raising baby Silver.

Lilia is singing the same lullaby as what Meleanor sang for Malleus in the egg!! Malleus pays them a visit and still doesn't really seem to understand humans (HE SAYS SILVER LIKE A MONKEY????) but also helps watch baby Silver... He even hums his mom's lullaby for Silver, but cannot seem to remember where he heard the song before.

It's so weird thinking about how fae take 30 YEARS TO LEARN HOW TO WALK... What do you do for those 30 years, just lie on your back????? OTL

LILIA READS SILVER BEDTIME STORIES

Oh, Lilia's understanding humans and fae a little better (around the time Silver starts to eat pureed foods). Both human and fae babies cry and sleep, etc. BHFABIYFVQIQEFL hE'S FEEDING SILVER RAT MEAT???????? Malleus has to have the castle prepare baby food for them...

WAHHHHH THAT ACRON BRACELET LILIA TREASURES IS SOMETHING KID!SILVER MADE FOR HIM... Squirrels helped him gather the acorns and woodpeckers helped him string the acorns together. The acorn amulet is meant to bring Lilia a long, healthy, and happy life (something Silver was told by forest fae). Even as a kid... Silver was hoping for Lilia's health... and now that I think about it, the acorn amulet is like a representation of Lilia's own deteriorating health over time... OTL

"I feel like I can live a thousand years with this (amulet)..." LILIA EVEN KEPT IT ALL THIS TIME AND CALLS IT HIS MOST PRECIOUS BELONGING... shUT UP, SHUT UP IM CRYING

ASKHBLIDIBIFIA WE'RE SEEING THE RAINING SCENE LILIA TOLD US ABOUT IN ONE OF HIS BIRTHDAY VIGNETTES???!?!?!?!????!? It's the day Silver realized he and Lilia aren't related by blood...

God, there are so many of the map portions... This time, Sebek is the required character!

The rest of the gang are transported to the darkness where Silver is wallowing?? Sebek sees some of his own memories which intertwin with Silver's (since Baul sometimes took bare of Silver or visited Lilia). It's also confirmed that Lilia went to Sebek's dad to ask for advice on how to raise Silver.

Back then, Baul asked Lilia to train Sebek since he's part human (and therefore "weak" in Baul's eyes). However, Baul still values his grandson and wants him to have a good education 🥺 (Sebek's older brother also graduated from NRC??)

Lilia tore up his invitation to NRC???? But it was his friend Raverne who came to him with the invitation pieced back together and kept it safe for the future in case Lilia reconsidered. It seems like Raverne really is a diplomat; he stresses the importance of humans coming to understand fae + vice versa, and how it's things like learning a common language that can help bridge these gaps.

Lilia confirms that Raverne must have "become a star" by now BUT UNTIL I SEE A CORPSE I'M NOT BELIEVING IT

Sebek's trying to get through to Silver, who's slowly being swallowed by the darkness... HE UNVEILS HIS UM, "Living Bolt"!! "Thrust through the clouds, o' lightning!" It seems to summon a powerful strike of lightning, but I'm not entirely sure what it does because the visuals of the game are a little confusing??? (Like it shows a white silhouette of Sebek moving around, so it makes me think he can... control the lightning??? Or he... becomes lightning itself to move around??? DON'T QUOTE ME ON THAT.) Sebek says he hasn't mastered it yet so maybe even he doesn't know what it can do.

With Sebek's UM, he's able to snap Silver out of it!

THE GIRLIES ARE FIGHTING... There's literally a battle between Silver and Sebek, which resolves with Sebek smacking some sense into Silver. Sebek calls him an idiot and tells him to stop saying he isn't loved, because it's rude of Silver to be this weak when Lilia raised him to be strong (ie "IT'S AN INSULT TO LILIA-SAMA", "IF HE SAW YOU BEING THIS PATHETIC HE'D BE SAD", etc). Way to go with your words of encouragement... 100/10 motivational speaker, Sebek.

Silver realizes that he has had Lilia's love and support all this time... "It's true love", Silver says. The true love that his guardian fairies said would wake him from his sleep... 😭I really appreciate how it was Silver who first snapped Sebek out of his dream-induced despair, and now Sebek is doing the same for Silver.

WAIT THAT'S IT?????? THAT'S THE UPDATE???? ?? ??? ? ????????? 🤡 TWST really said, "I'm coming for everyone's throat and I'm taking no prisoners" AND THEN DIPPED ON US AFTER DROPPING SO MANY BOMBSHELLS... This is just the fate of every book 7 main story update now, isn't it???!??????!?

asidoavyfqevofb I know a ton of really exciting and shocking reveals happened this time around, but while my mind is still racing to process everything... the one thing that sticks out to me is "Ace is the only one without a UM now". IT'S SO FUNNY HOW HE THOUGHT HE'D GET HIS UM BEFORE DEUCE BUT HE ACTUALLY ENDS UP BEING THE LAST OF THE ENTIRE MAIN CAST TO GET IT................. .. . . . .. ....... .. .. . .. ... . . . .. THERE IS SOME CRUEL, SICK IRONY HERE.

I pretty much said all my other thoughts as they cropped up along with the corresponding story beats!! But overall, I loved learning more about the characters and their shared history. Part 5 confirmed many theories, such as the Dawn Knight being related to Silver (and not his ancestor, but rather his actual dad), Silver being put under a sleeping curse that requires true love to break, how Lilia came to raise Silver, etc. It also recontexualizes lore we already knew, such as how Silver got his name, the Zigvolt family's involvement with Lilia, and how Lilia changed from his old self to his current self.

khbhasdsbkuavuofafabf I ALSO CAN'T BELIEVE LILIA X MALLEMOM IS A THING, THAT WAS ONE OF THE MOST SHOCKING REVEALS THIS ENTIRE UPDATE😭 All this time we were joking about Lilia x Mrs. Spade... turns out, Lilia was into someone else's mom... HE'S JUST INTO MOMS, I'M CALLING IT NOW/j

I'm surprised that we didn't get to catch up with the Shroud brothers whatsoever this time??? Not a single peep about Ortho (who has 'woken up and is actively working to help everyone) or even Idia (who is still stuck dreaming)... I really hope the next update addresses how Ignihyde is faring, cuz I miss them and want to know how they contribute to saving the day!!

As book 7 progresses, it progressively calls the image of a spinning wheel into my mind... This is the case especially for the flashback segments we see, which shows us how the various members of Diasomnia are related to each other, and, by extension, their other family members. Lilia is raising Silver, the baby of an old foe. Malleus is visiting Lilia, who is implied to have helped hatch him after his parents died and/or went missing. Lilia asks Sebek's dad for help raising Silver. Baul asks Lilia to help mentor his grandson, Sebek. It really harkens back to the "individually, we're threads on a spinning wheel, but we come together to make something far stronger" line that Lilia dropped at the end of book 6, proving that the spinning wheel and the threads of Fate within it are an important motif for book 7 🥺

I'm fine.

This is fine.

It's not fine

[goblins-riddles-or-frocks]

Getting some Berserk thoughts down, because the last time I was in my feelings about Griffith and the Golden Age arc, I’d promised at least one anon that I’d talk about it later and then I didn’t shfhff

But dam the Primrose Hall speech is such Wuthering Heights level miscommunication! It makes me ill!

Griffith positing that: a) having a dream is thee most important thing in the world and b) he cannot respect or consider a friend anyone who does not have their own dream (implicitly a dream different from his, so those two spheres never need interfere or threaten each other) or someone who is subordinate to him and therefore in danger of dying for his dream.

And then like five chapters later we get Casca’s flashbacks about Griffith and that immediately establishes that he is a lying liar who lies when it comes to his own emotions and guilt, but also that we can’t really know what he’s feeling in the present day, exactly, because he’s a different person now.

Contrary to what Griffith stan nation might say lol, I don’t think the dissonance between his two reactions to a child’s death directly resulting from him striving to achieve his goals is actually him just being a better liar by the Golden Age era.

He’s become indelibly crueler over the years and like, twenty is not fifteen.* He’s older and spent the entire time in between at war, killing other people, and commanding his own troops to die, for his dream. Age has hardened him. Meanwhile, him succumbing to that cruelty, to steel himself against personal grief, is literally the culmination of the Golden Age arc!

*caveat that the ages are messy, but he appears to be a teen and at least four to five years older by the Primrose Hall speech

But that flashback sequence is truly the key to Griffith’s character. It establishes both that he feels a general guilt over the blood on his hands, but also that he is motivated by a catastrophic level of sunk cost fallacy.

I also think him musing that the child must have really admired knights and wanted to be a knight himself, and that he always looked at Griffith like he was a hero out of a story is more indicative of Griffith and his initial perceptions of glory/his dream when he was younger, than simply an element of his guilt for leveraging the sense of hero worship he invokes in his followers (which is def an element at all)

It’s just very telling that this comes on the heels of Guts’ guilt over Adonis’ death and being reminded of his own younger self when seeing him.

Griffith’s own dream likely started out of naivety and simply wanting glory/to be a hero/to ascend when he started the Band of the Hawk as an adolescent. I think that child’s death represents him understanding the cost of being a mercenary, and leading people to their deaths for his own gain, when it’s far too late and he’s already sitting on a pile of corpses. And the only way to make it up is to keep grasping at his dream so that at least those deaths weren’t for nothing. I really don’t think he’s particularly torn up about Adonis’ death in the moment, but the larger abstract sense of guilt very much threatens to crush him if he ever falters.

And you know who has historically made him falter and put himself at risk, threatening his dream?

So, I think he’s very deliberately talking about Guts here actually, rather than the usual shipper line that he’s not even considering Guts when he says this.

And I think he’s very deliberately bringing up the key differences between himself and Guts (having a dream; Guts viewing himself as nothing but a tool to him despite!!! Griffith trying to convince him that they’re equals) and trying to convince himself that Guts shouldn’t mean much to him/that he cannot respect his life.

Because what’s one thing we know Griffith does? He pretends he doesn’t care while visibly caring very much.

And interestingly, what Griffith claims not to respect at all when speaking to Charlotte, seems to be what drew him to Guts in the first place. I’d argue, part of how Guts makes him falter, aside from an emotional connection, is potentially that he’s envious/tempted by the concept of being so uniquely unburdened with personal goals, considering Griffith himself is practically drowning in his own ambition.

Which, arguably, could simply be traits he values in any subordinate but not an equal. But we’re told several times by Casca that Guts is a unique case for him, that he’s never deliberately sought someone out to join him. And ostensibly, in that moment that observation is the only thing Griffith knows about him.

And it’s also worth noting that he initially simply asks Guts to join them. (More specifically he just says “I want you.” Super normal). The dual and its terms are something Guts sets, resulting in this moment.

But even after that point, he keeps trying to nudge their relationship into a more personal dynamic. Confiding in him, making it clear that he doesn’t tell anyone else these thoughts. And of course the famous scene where he insists that his own life isn’t worth more than Guts’ at all.

But Guts views himself as a sword to be wielded by Griffith (something we see Casca echo too) and keeps reinforcing the fact that he only does as Griffith demands.

And Griffith is very willing to leverage that and use Guys’ obedience to his benefit. At the heart of it, Griffith has always been mercenary even about this relationship. He’s very much trying to have his cake and eat it too, where his close personal friend and confidant is also his dog who he can bring to heel whenever it suits him.

It is very telling the way Griffith reacts when Guts tries to leave him. Where when he realizes he can’t talk him out of it, he decides to make him stay.

To me, this all ties back to the Primrose Hall speech, and how Griffith is trying to distance himself from his feelings for Guts, because he’s so much closer to his goals at that point. And ostensibly both the Princess’ favor and the attempt on his own life have made him really reevaluate how close he is to achieving something real and to not let something petty like feelings get in the way of that.

…and then Guts breaks up with him and everything falls to pieces.

[humornaut]

An Analysis of Foreshadowing in Omori's Prologue

Hey everyone!

With the Omori manga's first chapter's release, one thing has been made clear: They are FLYING through the game. Unless they are doing something weird, the entire prologue segment has been moved to right after the Aubrey fight, a move I can only believe has been made so that the real world characters appear in the first chapter. I won't be making any judgements until I see how it all fits together (and maybe I won't make many judgments in general, I don't really consider myself a judgmental person for better or for worse), but it did get me thinking about how well Omori's prologue works in general! So today, I'd like to take some time to talk about that!

The Sidequests

The first things I want to mention are the side quests! I've mentioned it before (or maybe I haven't, I don't remember everything I've said), but nearly all the side quests in Headspace are symbolic on a meta level. A lot of people dismiss this as boring repetitiveness (perhaps true), but the vast majority of the side quests are about finding a lost item or individual. This is, of course, echoing the larger Headspace plot of Basil going missing. However, there is something about this concept that I'd like to point out using one of the sidequests!

In the quest "Whereabouts of Duckie Jr.", you are tasked with determining the whereabouts of Duckie Jr! Crazy, I know. Remember how I said that most of the sidequests are reminiscent of the quest to find Basil? Like 2 seconds ago? Well, this one is good for actually illuminating what is going on with that questline overall! Duckie Jr. and his family are references to a famous optical illusion in which a person can see either a duck or a bunny. Take a look at the house that the family lives in:

They live in a present! Now take a look at this!

"SUNNY won't leave the box, so KEL put a food bowl inside. I guess this box will be SUNNY and MEWO's new home."

So that's interesting! Add in the distant demeanor of Duckie Jr's father, as well as Mari's statements about Duckie having his head in the clouds and comparing Duckie to Omori, it becomes clear that Duckie in this situation is a reference to Sunny, not Basil. What does this mean? Well, it means that we should rethink the Headspace quest all together! The quest to find Basil is much more a quest for Sunny to re-find himself.

Now this (as well as the quest for the character Daisy that I have mentioned previously) is interesting, but it isn't exactly foreshadowing. For that, I would like to draw your attention to the sidequest Stick in the Mud.

In this quest, you must go around Cattail fields to find Mr. Scarecrows three crow friends, and have them return to him. In order to do this, you have to use Hero when interacting with the three crows.

I personally believe that this is a bit of foreshadowing to the Sunny route. Hero's maturity is necessary to bringing Sunny, Kel, and Aubrey back together and bringing them to Basil. I also choose to see Mr. Scarecrow as an analogue for Basil rather than Sunny due to the coloring of Mr. Scarecrow's sprite (Blond hair, blue eyes, green clothes), and Hero doesn't actually bring Basil specifically to anyone (heck, Hero doesn't actually ever talk to Basil in the real world segments of the game)

I also want to make clear: I'm not trying to imply that this is symbolism on the part of Sunny's mind, like a lot of the things that I talk about on this account, rather that this is a bit of meta storytelling foreshadowing how the real world plot will turn out. This will go for everything else that I talk about here as well.

Captain of the Space Pirates

Now that we've talked about the sidequests, I'd like to draw your attention to the main questline of Otherworld. As a reminder, once the gang gets into Otherworld, we are introduced to Captain Spaceboy, who is bedridden and depressed following his break-up with Sweetheart. In order to solve this problem, we have to go through the junkyard to find his mixtape. We aren't the only ones looking for it, and while there, we meet Rosa, a Sweetheart super-fan.

We get the mixtape back, bring it to Spaceboy, at which point Kel plays it, triggering Spaceboy to start his boss fight.

The argument for this all being one large bit of foreshadowing goes like this:

Spaceboy would be Basil (purely from a narrative perspective, not in any kind of character-sense). We go to the junkyard and dig through the trash to find the mixtape, just like we eventually get the photo album by digging through Aubrey's trash. Rosa in this case represents Aubrey, attempting to take care of the mixtape due to her personal connection to the item, revealing that Spaceboy is the one that threw it out in the first place, echoing how in the real world, Aubrey takes care of the photo album for four years due to what it means to her, despite how Basil (from her perspective) destroyed it originally.

We bring the mixtape back to Spaceboy, and just as Kel is the one that kicks off going through the photo album with Basil, he is the one that rushes to put the mixtape into the boombox, triggering the memories that set off Spaceboy, causing the fight.

Admittedly, things get a little cloudy here, as the fight between Sunny and Basil isn't directly caused by the photo album. You could even say that the Spaceboy fight represents the fight with Omori (or even both the Basil fight AND the Omori fight) due to Omori's fight being due to Sunny's mind reacting to memories of the past, better mirroring the Spaceboy fight. But hey! Spaceboy's hair turns green and his eyes turn red so who can say. :P

Then, after the fight, we get a few things! We get an eyepatch (goes without saying), a train pass (representing how Sunny will be moving after the conclusion of the game), and a sno-cone ticket (yeah I don't think this one represents anything).

And, just like the Sunny route, the prologue ends with an early look at Memory Lane, and the dream ends, with Sunny waking up.

There's probably a lot more I could talk about regarding Omori's prologue, so I might update this later! I hope you enjoyed reading this! Within the game, I feel like the prologue is one of the strongest bits of Headspace, and I've always wanted to talk about how I believe it foreshadows the rest of the game! This is a topic that I'd love to hear more people's opinion on!

[waywardqueen411]

A New Legacy - Hogwarts Legacy x Harry Potter Crossover - Part 2

Part 1 - Part 2 - Part 3

Summary:

After a rather brutal encounter with Ranrok's loyalists, the Hero of Hogwarts finds herself falling through time and space entering a world that's almost home, but not quite. Of course there's nothing else to do aside from adapt, improvise and overcome.

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A/N: Thank you so much to everyone who liked and reblogged the first part! I hope yall enjoy this one

Warnings: Violence, Major character death, Angst, spoilers for Hogwarts Legacy

Pairing: Sebastian Sallow x Female!Reader, Ominis Gaunt x Female!Reader (more to be added on as the story progresses)

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You awoke with a gasp, your head immediately pounding.

You were on the ground in the middle of a forest, the soil sticking to your face and clothes. For a moment, you didn't know where you were or what had happened before reality came crashing down onto you.

Sebastian was dead.

You let out an unearthly scream. Your heart pounded in your chest as the words replayed in your head.

Dead. Dead. Dead.

You had watched Sebastian's body disintegrate before you. You would never see him again. Never hear his stupid arrogant laughter, never look into his beautiful brown eyes, never go on another adventure, never hold his hands.

Oh, God. Sebastian was dead.

You allowed yourself exactly five minutes to completely fall apart. You cried and screamed and threw rocks. Your magic exploded out of you, both accidental and not. You wanted to make that goblin suffer. His death was a mercy.

You exploded trees and sent boulders flying. You cried and screamed until there was nothing left inside of you. And then you dropped to your knees and stared at this distance.

Where were you?

It took you a few tries before you could stand up once more.

You knew you had to go on. To stop the new goblin uprising. If for no other reason than to avenge Sebastian. You looked around the area. It felt familiar, but in a strange sense. The fauna and flora reminded you of the Forbidden Forest, but that couldn't be right, could it? Dawn had just broke and everything looked so different. The trees seemed larger and animals newer. Like they'd skipped a generation.

You reached around for your wand before you remembered how it dissolved before you. Suddenly, a though occurred to you.

"Ominis," you said. "Ominis!" you called out.

"What's going on out here?" A voice said from behind you. You spun around then fell flatly on your bottom when you saw a half-giant approach you. "What's all this screaming about?"

"Please don't hurt me," you begged after a moment. The half-giant's eyes softened.

"No one is going to hurt you," he said softly. You almost laughed. The man had a crossbow slung over his shoulder and a giant hound at his side.

"Swear it," you demanded. The half giant walked up to you and, to your shock, kneeled in front of you, holding out a pinky finger.

"On me dad's grave," he said. You looked him over one last time before dropping your shoulders and tugging on his pinky with your own. "Now, why don't we start with names? I'm Hagrid, pleasure to meet you."

"I'm-" you started, but no words came to mind. "I'm-" your brows met in confusion. "I don't know," you said plainly. The half giant - Hagrid - looked sympathetically at you. "But I'm not alone," you said quickly. "I came here with a friend-"

"Pale, blonde, tall?" Hagrid asked and you nodded quickly. Then your stomach dropped.

"He's not dead, is he?" you asked carefully. You couldn't bare the thought of losing both Ominis and Sebastian in one day.

You swallowed at the thought of Sebastian, but pushed your feelings down. You needed to get somewhere safe, fast.

"No, no!" Hagrid said quickly. "He's fine. I found him a few hours ago, out cold but very much alive." Your shoulders fell in relief.

"Thank Merlin," you said softly. "Can I go see him?" you asked. Hagrid smiled.

"I reckon that's the first place we aught to take you. Madame Pomfrey will want to take a good look, make sure everything's alright. She's the best nurse Hogwarts ever seen." Hagrid said.

You stood slowly, brows meeting in confusion. "Right," you said. Something inside of you told you that you shouldn't be giving too much away. "Um, Hagrid, where are we?"

Hagrid laughed a little, "You're just outside the castle grounds," he said, then turned around. "If you're alright to walk, you might want to get going."

You followed the half giant through the woods - the Forbidden Forest as it was - struggling to keep up with his large steps. Soon you found yourself entering the familiar halls of Hogwarts.

Only it wasn't so familiar.

"What happened?" you asked Hagrid as the two of you walked through the bridge to enter. Hagrid looked confused. You quickly decided not to say any more, waiting until you saw Ominis.

"I'm not sure I understand- ah," Hagrid suddenly stopped, as a bearded old man approached you. "Professor Dumbledore will be able to answer your questions."

Dumbledore?

"Another one so soon, Hagrid?" The old man said, his blue eyes sparkling with curiosity. You took a step back. Something about this man screamed trouble.

"Yes, sir, Professor Dumbledore, sir," Hagrid said. You saw the way the half-giant shrunk at the sight of the man - Dumbledore. He clearly held a lot of power and influence.

"I take it you two are on your way to the hospital wing," Dumbledore said and Hagrid nodded. "I believe I can take it from here, Hagrid,"

Hagrid agreed and you wished he hadn't. You swallowed slightly as you looked up at the professor. You glanced back to Hagrid before squaring your shoulders and walking with the unfamiliar man through the almost familiar halls of not-your-Hogwarts.

The hospital wing was in the same place, at the very least.

"Don't tell me you've found another one," A motherly looking lady said as she hurriedly approached the two of you, a lady who was decidedly not Matron Blainey. "Keep this up and I won't have enough beds for the actual students. Poppy Pomfrey, at your service,"

"Can I see Ominis, Madame Pomfrey?" you asked immediately, spotting a bed with drawn curtains nearby.

"Ominis, ay?" Pomfrey asked and you internally scolded yourself. You should not be giving away any excessive information. "I'm afraid your friend is, um, still unconscious," Madame Pomfrey looked uncomfortable.

"What's wrong? What happened to him?" You blurted out, taking a step towards the bed before Dumbledore's hand on your shoulder stopped you.

Madame Pomfrey looked distraught. "Your friend has suffered a grave injury. I worry his vision may never be healed," the matron said. You held back a chuckle. Dumbledore and Pomfrey both shot you looks of horror, "Why young lady! This is no laughing matter-"

"Please excuse my friend, Matron," came Ominis' deep voice. You nearly leaped for joy. Ominis sat upright on the hospital bed, pushing back the curtains to reveal his bruised and battered body, covered by torn up robes. "It's just that, you see, I was like this when I arrived,"

Ominis allowed a small smile to play on his face and in the short silence that followed, you quickly crossed the room and wrapped him in the most desperate hug.

"You're alive?" you said in the most desperate voice, a tear leaking out of your eye, "You're alright?" you asked, cradling his face in your hands and turning it from side to side. You had to make sure that it was him, that he was really okay.

"Settle down child," the matron said in a warm, soft voice. "I need to have you checked out as well."

"Could you give us a moment?" Ominis asked kindly, looking in the direction of Madame Pomfrey. Under normal circumstances, you would have hated the look of pity that fell over her face, but this time you didn't care. As long as it got you a moment alone with Ominis. "Just a few minutes?"

"Of course," Madame Pomfrey said solemnly, "Headmaster, may I have a word with you outside?" She asked pointedly and Dumbledore hesitated for a moment.

"Certainly, Poppy," he said, looking between the two of you.

The moment they were gone you turned back to Ominis and said: "We need to get out of here,"

"I know," he said after a beat, "I'm just not exactly sure where here is,"

"We're at Hogwarts," you said slowly, "Just not our Hogwarts."

Ominis sighed before taking your hand, "I think we've traveled through time," he said.

You were stunned into silence for a moment before you burst out laughing, "No seriously Omi, stop messing around," you said. Ominis didn't laugh. If anything, his face grew more grave. You smile fell. "You are being serious, aren't you?"

"Unfortunately yes," he said in a soft voice. Your mind began racing. Ominis, undoubtedly hearing your breath quicken and feeling your pulse go up, took both of yours hands in his own.

"We can't afford to freak out right now. We need to get somewhere safe," he said and you gasped.

"Safe? Where can we go if Hogwarts isn't safe?" you asked. Ominis squeezed your hands tighter, and you tried to follow his breathing.

"There are a few Gaunt properties I can access, bound to my blood. Assuming not all of them are occupied with Gaunt decedents, we can regroup there," he said, as if this was the most normal thing in the world.

"Okay, okay," you said after a beat. "That I can do."

"We just need to get out of here," you said. "The headmaster - Dumbledore, I don't trust him."

"Alright," Ominis said. "We can't let anyone know the truth. At least not yet."

"Okay," you said softly. "Are you hurt?" you asked.

"No, you?"

"I think I'm alright,"

"Then there's no time to waste," he said.

A moment later, the two of you heard footsteps approach. This time, a third person was with Dumbledore and Matron Pomfrey.

"This cannot be a coincidence, Headmaster," the person said, sounding urgent, "First the Dark Mark was cast over the World Cup - Bertha Jorkins is still missing-"

"That's enough Severus," Dumbledore said, reaching the room and walking in. You pretended like you hadn't just heard their conversation. Dark Mark? Missing people?

You looked at the man who just entered curiously. He was tall, older, with greasy black hair. He looked positively miserable.

"Now that the two of you have gotten a chance to catch up, may I have a word?" Ominis squeezed your hand and you glanced to him. You remembered the way your wands had disappeared into sand.

"I go where he goes," you said after a beat, gesturing with your head to Ominis.

Dumbledore sighed. "Very well then,"

The other man - Severus, took a seat near the front of the hospital and Dumbledore approached you quickly. Madame Pomfrey looked furious, but said nothing as she made notes with a quill in the corner.

The headmaster cleared his throat before speaking. "Let's start with something simple, shall we?"

You both verbalized your agreement.

"Ominis, we know your name, but your friend has yet to divulge that information about herself,"

"I don't remember," you said honestly. You didn't dare look at Ominis.

"That is rather unfortunate," he said. You held back a scowl. "What is the last thing you remember?"

Dumbledore stared at you with piercing blue eyes and immediately your Occlumency shields went up. It was something you and Sebastian had worked on together.

"I- um,"

"We were planting Dittany in the garden," Ominis quickly supplied, sensing your hesitation, "I think we stumbled across a particularly angry Gnome. Suddenly we were in the Forbidden Forest, and now we're here."

"An angry gnome?" the man named Severus asked with annoyance in his voice.

"That's what he said," you backed Ominis up, holding back your laughter.

"How peculiar," Dumbledore commented, but pressed no further. "How old are you?"

"Fifteen," Ominis said quickly.

"If you possess magical capabilities, why are you not at Hogwarts?" Severus asked. You groaned internally.

"We're homeschooled," You responded.

"For the last five years?" Severus asked.

"Four actually," Ominis retorted.

"What family do the two of you belong to?" Dumbledore asked. Ominis puffed out his chest a little.

"The House of Gaunt," you knew he wasn't proud, he just wanted Dumbledore to think so.

Dumbledore's expression shifted for only a moment before it was hidden again behind a friendly mask.

"Seems a little odd that a child from such an esteemed house would be planting their own Dittany," he said.

"Please," Ominis said, "I'm lucky they didn't drown me when I came out blind,"

Both you and Severus winced at that. Ominis and Dumbledore seemed not to notice.

"And you, miss? Do you recall which family you belong to?" he asked tentatively.

"I live with Ominis," you said.

"Where exactly would that be?" Dumbledore asked.

"Kent," Ominis answered.

A small silence followed.

"Well, if that is all, we'd like to head back home now," Ominis said dismissively, standing and wobbling a bit before readying himself. You followed suit.

"But I still need to-" Matron Pomfrey said, approaching the two of you.

"I can assure you we have perfectly good healers at home, Madame Pomfrey," you said quickly, wanting to get out of here as soon as possible. "Thank you,"

"If you must," Dumbledore said. You and Ominis both stood and you offered him your arm when you realized that without his wand, he was truly helpless. Dumbledore spoke again when the two of you reached the doorway. "The option for schooling here is always available, should either of you desire." He said.

"We'll keep it in mind," you huffed out, before the two of you promptly left. It was lucky that the Hospital wing was so close to the exit of the castle.

When you both reached the grounds you sighed heavily. "Now what?" you asked.

"Hogsmead," Ominis said. "The shop should still legally be in your name. Assuming the old bat hasn't fudged some papers, and tried to sell it to another poor unfortunate soul," You nodded and the two of you began your journey there.

The walk to Hogsmead was difficult. In the silence it felt too easy to think about Sebastian's death, to feel his absences.

"Do you think he managed to survive?" you asked when the two of you were about 3/4s the way to the shop.

"No," Ominis said decidedly.

"But-"

"Please don't," he begged. You sealed away any protests that were building on your tongue.

"I'm sorry," you said after a beat, "None of this would have happened if I had just-"

"If you had just what, exactly?" Ominis asked, "Imperio'ed us into leaving?" you winced at that. "Sebastian and I were there because he and I would never have let you go at it alone. He died because he was a good person. Don't take that away from him,"

You swallowed, blinking back tears. "I'm sorry I didn't save him," you said softly.

"And I'm sorry that he died thinking I hated him," Ominis said, scoffing a little bit, "I was going to tell him, you know? That's why we agreed to meet. I was going to tell him that it was alright and that I wanted to fix things."

You allowed a single tear to escape. "I guess we just have to live with it," you said softly.

The rest of the walk was spent in silence. When the two of you approached the shop, it seemed to open to your touch. You were shocked to see a house elf waiting there for you.

"Penny?" you asked.

"Mistress has returned!" Penny screamed and rejoiced. "Penny has been waiting for you."

"What the-" your eyes widened in shock. Ominis laughed, just a little.

"House elves natural lifespans are connected to the master - or mistress - with whom they are closest to," he explained easily. "She'll live approximately as long as you do. Give or take a few years."

"Penny I am so sorry," you said, kneeling down in front of her.

"Mistress must not be sorry," Penny said immediately. "Penny has had a good life. Penny has gone to many places and seen many things in her Mistress' absence,"

"If you say so," you mumbled, realizing that Penny probably had a lot of free time these last 150 years.

"We need to get going," Ominis reminded, "People are going to become curious as to why the shop is suddenly open,"

"Alright," you said, looking back at Penny with a smile. "Do our Floo Flames still work, Penny?"

"Oh yes, Mistress." she said excitedly, happy to be given something to do, "The Floo will take you anywhere you need to be."

"Thank you, Penny," you said sincerely. Ominis nudged you forward and the two of you stepped into the Floo Flames.

[bookishdaze]

It's a Bird, It's a Plane, It's a...Chimpanzee?

How bird imagery, planes, mentions of flying, and Noa's intelligence could be foreshadowing Noa taking flight.

Get out your tinfoil hats. It's theory time!

I've been thinking about what'll happen to Noa and how the rest of the story will unfold. While doing so, I came up with this crazy theory. You'll have to forgive me for my wild imagination at times, haha.

To make this sound a little less...insane, I'll start with evidence that is in the actual movie itself before I start branching out towards more speculative territory.

Noa and Bird Imagery

Throughout the movie, Noa is likened to a bird through bird imagery. One way this is done is through feathers. Feathers are worn by the apes in Eagle Clan as necklaces, arm bands, baldrics, and other accessories, with elders like Koro wearing a lot more. Younger apes and apes of lesser status wear feathers too, just not as many. Even some of the children wear necklaces with a singular feather. These feather accessories come in blues, browns, and whites.

Here's the thing: Noa is the only one without colorful feathers.

Take a look at this image of the trio. Soona has her blue feather necklace, and Anaya has his brown feather arm accessory, but Noa doesn't have any similar adornments. It can't be because Noa is the youngest since we see children have feather necklaces, and we know Soona and Anaya aren't that much older than Noa, for they were "born within a sunset."

Noa has some feathers near his belt, but they're white and stringy, and don't match with the more elaborate feather accessories of other apes in the clan. They remind me of white fluffy baby eagle feathers, while everyone else's accessories have the larger, colorful feathers of a more mature bird.

Having Noa not wear colorful feather accessories while other apes do means that feathers are symbolic of Noa's character growth.

Noa starts off with little to no feathers because he's still a young ape at the beginning of his hero's journey who is yet to undergo his trials and break free out of his shell. To further emphasize Noa being likened to a bird, the catalyst of his journey is the literal cracking of an egg. When hatchlings are first born, they're featherless. He's even called "baby bird" by Lightning after he first arrives at Proximus' kingdom.

After Noa has defeated Proximus, brought Eagle Clan back home, and returned from his journey back to the ordinary world with new knowledge, our "baby bird" Noa has sprouted his first mature feathers. Look at 'em. They're so blue and pretty.

And I assume after the death of Noa's father, Noa will become the clan's new Master of Birds, or is at least on his way to become one.

The Planes

One thing that really stood out to me were the multiple planes in the background. We see these planes where Raka lives, which appears to be an abandoned airport. They're all rusted and crumbling apart after centuries of rotting. There's six planes in these two images alone.

Along with these abandoned planes, there's also this moldy mural of humans looking up at planes in the sky. There are so many planes in these scenes at Raka's home that I couldn't just chalk it up to mere coincidence. It could just be a cool way to show how much time has passed since humanity's downfall and how nature has reclaimed the earth, but I also think it might be foreshadowing staring at us right in the face.

Mentions of Flight and Falling

Ok, moving away from planes now. There's a few lines that caught my attention. One is right after Raka meets Noa. The friendly orangutan helps Noa up to his feet, then says to himself in amusement:

"Apes falling from the sky."

It's an unusual line, almost prophetic-sounding. Kinda funny, too. Reminds me a bit of the saying "when pigs fly," which is used as a figure of speech when describing something as impossible. Pigs will never fly, because it is impossible. Apes falling from the sky? Unthinkable. It sounds ridiculous, because it'll never happen...right?

Another line is when Proximus tells Noa of all the things humans used to do when they were the dominant species. We even hear these lines in the trailer, but in the movie, they're slightly different:

"In their time, humans were capable of many great things. They could level mountains. They could speak across oceans. They could fly, Noa! Like eagles fly!"

Proximus uses eagles when describing flight. The same type of bird Noa's clan raises and is named after.

And this might be a bit of a stretch, but Proximus mentioning Noa's name to bring his attention to the idea that humans could fly makes me feel like it was a purposeful decision by the writers as a little slip of foreshadowing for future events.

Ok, so what do planes, bird imagery, Noa being compared to a bird, and references to flying and falling have to do with each other?

From this point on, this is where I start heading towards more tinfoil hat territory, but indulge me, and bear with me. Remember, at the end of the day, this is all just fun theorizing. Here we go!

I think at some point, Noa will fly.

By the end of Kingdom, Noa has started to grow his first feathers, but there is still a long journey ahead before he can take flight. There will be a point in the story when Noa has fully grown into the ape he's meant to be, and just like a bird, will get to spread his wings for the very first time.

But why stop at just bird imagery? Why stop at metaphor, and have him literally fly?

Remember those planes? Could they have been foreshadowing that Noa will ride one?

As to why or how he finds himself in a plane, I'm not sure. It's too early to tell. Maybe humans are flying a plane that he has to sneak onto. Maybe humans force him onto a plane. Maybe he willingly agrees to ride one and go with the humans somewhere far (The humans from Fort Wayne are far from the west coast). Maybe he has to stop a plane. Maybe he's in a falling plane. Maybe him and Eagle Clan have to ride one to get to safety. The possibilities are endless.

Now let's take it a step further. What if Noa were to fix and pilot a plane?

Noa As An Engineer

Noa fixing and flying a plane sounded crazy at first, even to me, but in an early interview, Noa has been described as an "engineer" by Owen Teague.

We definitely see Noa's ingenuity multiple times in Kingdom. More specifically, Noa is really good at fixing things. When he finds the frame for the fish broken, he spends the rest of the day whittling away at a piece of wood for the frame, staying up late at night to finish his work.

When he finds one of the electric staffs, he spends a few nights tinkering with it until he finally gets it to work. This is important, because later on it is revealed it was Trevathan who built these weapons. When Proximus tells everyone at the dinner table that Noa was able to fix it, Trevathan gives Noa a look of shock, as if this were the first time he encountered an ape capable of doing so.

We also see Noa slowly picking up on how electricity works through his multiple encounters with it. He has his first encounter when Sylva uses the electric staff to shock Noa through metal as a conductor not once, but twice.

His second encounter is when he's repairing the electric staff. His third encounter is when he watches Proximus' apes try to open the vault, observing how they use electricity to set off the explosions.

Through careful observation and learning, Noa comes to understand how electricity is a power that runs through a wire when setting up the bombs with Mae to flood the vault. This is to show us that Noa is capable of understanding human technology.

In addition, the movie doesn't just want us to know Noa is smart, but that Noa's intelligence is a source of fear for the humans. Remember Trevathan's shocked look? Noa's intelligence even frightens Mae.

In this interview with Freya Allan about one of the other versions of Noa and Mae's goodbye scene, she mentions how Mae was going to kill Noa because his intelligence scares her. She doesn't want to, but she feels like she has to.

On Reddit, Wes Ball gives his perspective on what Mae bringing the gun means. One thing he mentions in parenthesis is to pay attention to the deliberate look Mae gives Noa when he repairs the staff.

One way I interpret Mae's look is her realizing what it would mean for apes to have the power to understand and even build advanced technology.

Think about it. The only advantage, the only chance humans have against the apes is their human technology. Apes are bigger, stronger, can survive in the wild, and will overpower a human in physical combat any day of the week. But as long as humans have their weapons and machines, they have a chance of reclaiming the world. That's another reason why Mae cannot under any circumstances allow Proximus to have this technology, for humans would lose their only advantage.

But it won't matter how many vaults humans flood or how much old technology they destroy so apes don't get their hands on it. If apes can just learn and build it themselves, clever apes like Noa are now a threat to humanity's future.

My overall point is that they're heavily emphasizing how smart Noa is by having him fix things, understand human technology, and how his intelligence scares humans.

Why show us all of this if it's not going to come into play in some big way in the future? What will he fix in the next movies? What other human technology could he pick up on? What could be scarier for humans than apes mastering electricity?

How about an ape fixing an airplane, understanding how it works, and mastering the ability of flight?

Airplanes Inspired by Birds

One way they could set up Noa to fly a plane is to have him develop a fascination for flight, particularly through birds.

"They could fly, Noa! Like eagles fly!" -- Proximus.

With Noa as an engineer and with plenty of birds at his disposal, especially if he becomes the clan's new Master of Birds, Noa could start studying birds to understand how they fly.

A quick Google search will show that a lot of the early ideas for flight were inspired by birds. It's called biomimicry, which is design based on the study of something found in nature. Take a look at these pictures as examples that I found while researching this.

Humans have been looking up towards the sky and dreaming of one day being able to fly, so they started inventing ways to be able to do so by first studying birds. The more ape society advances, it makes sense that apes will one day yearn to do the same.

Noa's Thirst for Knowledge

Noa starts the movie as a rule follower. Follow the law. Don't go to the forbidden valley. Listen to the elders. Eagle Clan has to submit to their new king Proximus, for it is law.

This all changes when Noa looks down at the symbol of Caesar, a reminder of a leader who had led with strength and compassion, a leader so unlike Proximus, and realizes with clarity that the law is wrong. The elders were wrong. The elders did not tell him everything because they do not know everything.

The story ends with Noa back at home with Eagle Clan. However, Noa has had a taste of what's beyond the borders of his village. There are books with strange symbols he can't understand yet. He found this strange machine that allows him to see stars far into the void of space. He doesn't know how, but somehow, humans could fly. He knows there's more out there. He's intelligent, and he's curious. He'll want to reach for the stars himself. The movie even ends with Noa gazing up at the sky. They're setting Noa up to be a character that wants to learn and understand all these new things.

This also reminds me of this quote, which is fitting, considering the topic of this theory.

"Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return."

In Conclusion, Why Fly?

Having Noa fly could be how this trilogy continues the parallels to Noah's Ark and the Flood by having Noa and Eagle Clan get on an airplane that Noa fixes and flies in order for them to escape some great danger.

This could also be how Noa, Master of Birds, becomes a mythical figure for the apes by having him be the first ape to fly, the same way Caesar became a mythical figure by having him be the first ape to speak.

If not a mythical figure, this could make Noa one of the founding fathers of science in ape society, setting up the stage for ape scientists in the future like Zira and Cornelius. I could also jump the shark and talk about how Noa's dreams that were only mentioned in the trailer were not dreams of the past, the future, or Caesar's ghost like we all thought, but were the dreams of a scientist's mind coming up with the first ideas for innovations like electricity and flight.

In the trailer, Noa said his dreams were of strange things. New things.

Do you know how many great inventions came from dreams? Einstein's theory of relativity. The periodic table. The model of the atom.

Having Noa fly could be great for so many reasons. Not only for his character arc, but for the worldbuilding of ape society and ape mythology, especially if they have more movies set far in the future. They have plans for 9 total movies!

Finally, I want to share a scene from The Planet of the Apes (1968) where Cornelius and Zira, two chimpanzee scientists, question Taylor's ability to fly.

Having Noa, a chimpanzee, learn to fly, something considered an impossibility by apes, would be such a wonderful way to have this story rhyme with what came before.

[immediatebreakfast]

The rich symbolism of what the castle is as a physical place, a representation of Jonathan's sanity, and manifestation of the decaying opulence of aristocracy overflows like a fall from a jagged hill the more Jonathan tries to explore it.

The view was magnificent, and from where I stood there was every opportunity of seeing it. The castle is on the very edge of a terrible precipice. A stone falling from the window would fall a thousand feet without touching anything!

Such beautiful view that could kill someone with a single mistake in where one puts their feet. Isolated from the rest of the world, from any kind of power, nor authority that is not the Count.

But I am not in heart to describe beauty, for when I had seen the view I explored further; doors, doors, doors everywhere, and all locked and bolted. In no place save from the windows in the castle walls is there an available exit.

A beautiful prison with so much glamour, so much opulence. Gold plates, delicious food, rich fabrics that stood up the test of time, no servants (no other human beings), every decorated door locked. What a beautiful cage it seems to be this castle... it reminds me of the poor wife of Bluebeard, having the illusion of freedom while being trapped in a punishment she was not aware of.

Why do so many gothic female characters end up in these types of situations? What does the Gothic has to tell us the readers when we see a young lady trying and trying to find a succeful escape route as she juggles her emotions and actions with the man who has trapped her?

Why does Jonathan has to keep being polite to the Count (vampirism aside) while he is seeing how everything, and everywhere is cloaked in the illusion of freedom even if he knows now that is only that, an illusion.

When, however, the conviction had come to me that I was helpless I sat down quietly—as quietly as I have ever done anything in my life—and began to think over what was best to be done. 

There is a reason why what we call the Gothic in literature is heavily framed through the lens of female characters, tragedy, and romantic elements that amplify the dramatic of the text. Why do young gothic female characters; all bright eyed, innocent, inexperienced, curious, and most importantly kind, end up in horrifying situations that fundamentally change them to the point of no recognition.

A woman walks into a house. Or a castle, or a ship, or a town. A woman walks in and with her comes enthusiasm, trepidation, longing, delight. Perhaps all four at once... Maybe she’s even alone, cheerily hauling a suitcase larger than she is. She might be a guest, an heiress, the help. Chakraborty, A. (2021). Ode to the Gothic Heroine (A selection). Half Mystic. https://www.halfmystic.com/blog/gothic-heroine

Jonathan might be a man, a male character, but through the lens of the Gothic, he is a feminine character. Jonathan is young bright eyed, inexperienced, delightful, and so formal with his emotions, and actions. He knows how to keep Dracula busy as he ponders over any kind of clue that could help him escape. Jonathan smiles, and steers himself with a single "It is very annoying, for I do not see how I am to shave" after the Count nearly assaulted him in what was supposed to be a private moment in his living space, then violently got rid of one of his belongings.

But what is Jonathan supposed to do? The Count is his employer, his landlord, his opposite in every way possible (older, experienced, cunning), he can't just... tell him that he is making him uncomfortable, and that he is a prisoner in everything but name. You can't risk talking to an older man who has power over you like that young lady.

(Mem., this diary seems horribly like the beginning of the "Arabian Nights," for everything has to break off at cockcrow—or like the ghost of Hamlet's father.)

Jonathan putting himself in the shoes of a female character is not a coincidence, it's the start of what kind of traits he will need to survive both the castle, and the Count. Jonathan can't risk any kind of bad social interaction; he has to be careful with what he says, how he moves, and what topics he will use to keep Dracula busy as he searches for answers. Young gothic heroines don't have the luxury to fight back neither physically, nor verbally, they have to keep the song and dance of societal expectations less the man who has power over them decides to do something traumatic to them while everything screams how she stepped out of line.

Jonathan has now stopped being the curious male protagonist that starts to understand that something is wrong, he is now the gothic heroine of the narrative. Trapped both in the physical place of the castle, and the patriarchal power that Dracula embodies which Jonathan has to escape from.

[soft-for-them]

Palm readings and tulips - Roman Godfrey x plus size reader

Summary: You and Roman are close, best friends even. You think he doesn't love you despite everything pointing to him loving you.

Comments and reblogs are much appreciated and help more people read my works.

A/N: Before writing this I hadn't watched Hemlock Grove since I was like fourteen so at this point in time I've only re-watched the first few episodes so the characters are probably way ooc. Not proof read.

-

Since turning eighteen, aka a legal adult, you’ve realised that you still don’t have the power to do much at all. You’re still learning to drive despite knowing that you won’t be able to afford the cost of a car on your own. You’re working part time and you’re still somehow waking up every morning to go to school which seems to never end.

Then there’s Roman.

Best friends since your family moved to Hemlock Grove when you were twelve, the promise of a job at the steel mill shattered as soon as you arrived leaving you to play outside alone whilst your parent(s) worked over jobs. Roman's always been generous with his disposable wealth when it comes to you because of your family situation.

Roman Godfrey with his fancy little red car always filled with fuel, his house always open to you when you don’t feel safe at home, his disregard for the price of anything, him choosing to always pay for your shopping the rare time he stalks around a shop with you when he’s not busy bedding other people. With a flick of a wrist he can get anything he wants no fake ID or drop of his prestigious name needed, though he does the latter one regardless, Roman Godfrey has the world at his feet.

Maybe that’s why you’re forever thinking up reasons why he’s still friends with you.

As you bang you head on your dull green locker, no one around the hallways to stop you doing so for most if not all the students have been killed in gruesome bloody ways only leaving the younger students and the less than savoury upper-classmen left. To think, if you didn’t have someone like Roman following you around like a shadow then you’d probably be mauled to death and left in a ditch somewhere.

What a lovely thought indeed.

Raising your head you look down the hall, only small clumps of people mulling around, a larger group of tall teens clad in baggy clothes huddled around some lockers probably looking at something indecent catching you attention.

“I am an adult for crying out loud.” you mutter to yourself as you check you book bag filled with heavy textbooks and your large novelty pencil case, “I should be out of this fucking town.”

Then a loud obnoxious laugh, one that sounds more like some exclaiming ‘HA!’ rather than a proper laugh echoes down the hallway reminding you that nothing good ever comes from such fake sound.

So with a reluctant sigh you mosey over to the group of boys, not caring that you look half dead in your oversized baseball jersey and baggy mom jeans, your bag clutched in your hands ready to use it as a weapon if need be.

“Alright fuckers what you looking at now?” you holler as you squish in between two towering boys who smell like B.O and dress like nul metal band rejects.

The best outcome is that they’re all ogling at a magazine of scantily clad women or huddled around a small screen of a phone looking at social media but no, sitting against a locker looking horrified is none other than Shelley Godfrey.

Her long faux hair droops over her entire face as she tries to look as small as possible, her long grey cardigan pooling on the dirtied checked floor of the hallway, her arms holding onto her speaking tablet with an inhuman clutch.

Your face turns stern, tired eyes showing how pissed off you are, the very small amount of power you have in this supernatural town bubbling up.

Most all the boys huddled around you both are way taller, a couple of the shorter ones plus size like you, so really you are outnumbered in every way including size. However, somehow the remaining gaggle of teenage boys who roam the school have an odd resect for you. Much like how Roman, when he’s not fucking someone or completely gone like he was never alive, they follow you around school like lost puppies finding you entertaining, your straightforward and sarcastic wit making you ‘one of the boys’.

That and you’re one of the very few teens who Roman hasn’t bedded, some of your classmates almost seeing you like a challenge for surely soon enough Roman will fuck you too. You’ve overheard them talk about you like this many times, too many for your liking and you have mixed feeling about how they see you. On one hand some people see this pretty young woman who must be next on Roman’s conquest whilst others see you as just ‘the fat girl’ and nothing else.

For once in your life you’d like to be seen as more than a piece of meat but you digress, you’d much rather have the respect of these teenagers than have their ogling eyes look you up and down like your either their next fuck or next bullying target.

 “What? Her wig was falling off, it’s funny (y/n).” one smiles thinking that you��re going to happily chuckle alone with them.

Honestly you feel too much like a mother goose sometimes, these greasy teenagers your rebellious goslings who think you’d laugh along with them at such cruelty.

“Oh! FUNNY LIKE BREAKING YOUR DICK!” you shout at the top of your lungs, everyone is a five mile radius knowing it’s you shouting out your secret knowledge.

No one other than you and the gaggle of lanky teens surrounding you know who you’re exactly talking about however everyone else will have a fun time trying to guess who ‘broke’ their dick and hopefully the humiliation will hammer it into their head not to mess with Shelley Godfrey again.

“Come on (y/n)!” one scoffs whilst another gives you a “not cool bro.” to no avail.

“Where’s your brother?” you ask in you softest voice as you crouch down to Shelley’s height ignoring the scattering boys who try to do damage control now that everyone, which isn’t a lot compared to the beginning of the year, has heard what you shouted.

Speak of the devil Roman appears out of nowhere crouching down beside you as you talk softly to Shelley.

“Where the fuck have you been rich boy?” you scoff as you turn your head to look at your childhood befriend.

“How did you know Tyler broke his dick?” Roman retorts back with a handsome smile.

You ignore him, instead you help Shelley up.

“I’m not a blushing virgin Rom-“ you smile up to Shelley silently nodding asking is she’s ok which gets you a smile back before looking back to Roman, “- me and his brother was in the middle of some things when that idiot fell in the shower screaming bloody murder ‘My dick’s broken, my dick’s broken!’.”

You were having fun too, it’s not that often that a hot guy genuinely takes an interest in you let alone a hot college type who can take your wondering mind off Roman Godfrey, but then his idiot younger brother had slipped whilst belting out pop tunes in the shower making everyone in the house hold privy to the fact he hurt his member.

It was quite easy sneaking out whilst his family crowded around the bathroom, though your thoughts where quickly back of Roman.

As of late all you’ve been thinking about is Roman, that and escaping Pennsylvania but mostly of Roman’s stupidly handsome face.

Him looking at you now with eyes so filled with emotion, most of which you can’t decipher makes you almost blush and fumble. However before you can blurt out your feelings for the guy who used to follow you around town whilst you caught bugs or explored the library instead of going home you offer your arm to Shelley stating you’re going to take her to her class.

Shelley takes your arm with a small smile, a faint glow of blue like a firefly radiating from under her fringe. Roman follows closely behind you protectively, his heart filling up with an emotion he hasn’t properly felt in his life.

Love.

Roman Godfrey, the most powerful person in school, the man who is your shadow, in love with you.

“He’s not happy with you (y/n).” Peter says between puffs of his cigarette the two of you sat at the front of his static home.

He offers the cigarette to you but you refuse it.

“He’s never happy with me lately.” you say not believing a word that comes from your lips, you don’t think Roman has ever be properly angry or disappointed in you, not really.

“You know that’s a lie.” Peter says nudging your arm as you stare off into the distance to the house upon the hill.

“Peter, don’t contradict yourself.” you hit his arm back.

Ever since Peter Rumancek moved here you’ve been spending more and more time with him, well not as much as Roman has but you’ve been spending more time with the shaggy haired man then at home.

“What I mean is that he's annoyed at you.” as Peter talks you lean you head down on his shoulder, the late afternoon slowly fading into sunset, the air around going cold.

“How so?” you ask looking up at him.

“Something about a brother and you helping his sister.”

“Ah, that.”

Sighing, nuzzling your face into Peter’s bicep you try to figure out how to explain to him the situation that you hadn’t even realised was a situation until now.

So you explain it to him. In as little words as possible you recount the story of having a one night stand with a classmate’s older brother and the ensuing hilarity that you used as leverage to help Shelley.

“He really likes you.” Peter says bringing his hand up to pat your head as you slump down more into his arm like it was a pillow on your bed.

“Of course he does Peter, we’ve been friends since we were twelve.”

You don’t want to really explain anything more to Peter because you know exactly what he’s trying to get out of you.

Surely someone like Roman can’t like you back, right?

And from that conversation sometime later the next week you find yourself sat awkwardly on a throw covered blue sofa, a decorative pillow on your lap and Peter by your side fully relaxed.

Destiny has been kind to you the half an hour you’ve been here, she’s offered you tea, told you embarrassing stories about Peter and genuinely been hospitable and nice however as she breaches the subject of why you’re here you start to feel nervous.

It was Peter’s idea, he had been the one to bring up Destiny’s palm readings and curtsey of Peter you’re getting the palm reading for free. You’re not some naive little girl any more so you can take whatever Destiny gives you. Unlike the bigots of the town who think Destiny is scamming people out of their money because she is Romani you’re hopeful that she can give you a good reading and get Peter off you back to boot for he has been trying to tell you that Roman like likes you all week.

But still you’re nervous and jittery.

Destiny asks for your hands which you reluctantly hold out.

“I know you’re probably really good at this-“ you begin as she cradles your hands, your palm upward facing, Destiny leaning over to look at them, “-but I don’t need you tell me if I’m going to have kids or if I’m going to rich.”

Your eyes flicker between her and Peter.

“That’s no entirely how this works.” Destiny grins as Peter touches your arms to try to calm you down, “Anyway from what Peter has told me we may only need to look at your heart line.”

“Heart line?”

“Love.”

“Oh! Yeah, love…” your face scrunches up in worry, “Sorry, I’m not saying you’re a fake or anything but I, well, I already know who I love already, I just haven’t done anything about it so I don’t need a reading for that.”

She smiles, the dimpled lines either side of her mouth appearing as she does, her eye sparkling with curiosity.

“Peter you should have brought her over sooner.” she says eyes trained on you, “Shall we begin then?”

You nod a quick yes.

She begins tracing your palms, her fingers light but slow as she figures out both your past and your future form just the curved line of your hands.

“This hand-” Destiny begins cradling your non dominant hand, “- this one show your past.”

Her manicured finger traces a long line slightly jagged and curved.

“You’ve been through a lot.” she states, not trying to get anything out of you but allowing you to speak if you want to, “I assume it’s to do with your family.”

Two hours later Peter's leading you out of Destiny’s flat, a promise to visit again as a friend promised to her, tear soaked tissues stuffed up your sleeves and Peter holding your hand as he leads you onto the street now bathed in yellowing streetlamp light.

“That was a lot.” you try to upbeat but all that comes from you lips is a solemn exhale, “Promise you won’t tell anyone about all that?”

He bumps his shoulder into yours, his hand squeezing yours in a silent ‘yes’.

“Not even the bit about twelve year old you falling in love with Roman?”

“Shut up.” you laugh as you knock your shoulder into his back playfully, “Now walk me home.”

The next day after Destiny’s palm reading you’re overthinking too much so much so you get a headache that can only be cured by taking a long mid-morning nap.

Thankfully it’s the weekend and you don’t have work but unthankfully as you groggily wake up from your impromptu nap you hear the tell tell signs of one Roman Godfrey lowering himself down on top of your crowded double bed, his nicely dressed frame clashing with the teddy bears and old granny floral sheets of the bed.

“You climb through my window or something?” you ask as you drag yourself up into a sitting position, ignoring the fact your face comes dangerously close to Roman’s.

“No one’s here (y/n) so I used the key underneath the front door mat.”

“Liar-” you joke as your rearrange your twisted t-shirt on your plush body, “-the key is under the pot Rom, you know, the one with the dead tulips.”

You both maybe siting side by side, you under the covers and him fully clothed, but you can see his growing smile on his smug face from the side of his face, mischief soon to come.

“What, stop smiling like that and spit it out.”

His smile grows into a clown like grin as he lets out a deep chuckle. He bends down to the side to pick something off the floor. On hand latches onto your leg anchoring him down as he bends down hanging his other arm off the bed, warmth rising in your face at the rather forward action.

He rises bringing, what at first you think is a wad of paper, up but as you look closer you see the paper is combined with translucent pink plastic in a cone shape holding flowers in place.

Flowers.

Not just any flowers but blood red tulips, much more vivid and alive than the ones that used to live by your front door. And they’re not some supermarket type flowers either, there’s no barcode stuck to the plastic or creasing on the paper from where they’ve been sitting in a pot with other bouquets of flowers. No, they’re big, new and most certainly handmade, so perfectly arranged that they must have cost too much, well too much for you anyway.

For Roman it probably was nothing at all, his wallet still filled with too much money.

You must be frozen in place for Roman, one hand still on your leg, passes over the bouquet of tulips.

“Who you got these for?” you ask.

“I don’t like seeing you sad.” he says leaning closer so your noses almost touch.

“I’m not sad.” you try to smile, your eyes flickering between the blood petals and his sharp mesmerising eyes.

“I saw you yesterday with Peter, you were crying.”

Despite there being a thin blanket separating your bare legs from his hands you can feel him stroke patterns near your knee.

“Then why didn’t you come over then? You know I’ll always have you.”

Your words come out wrong for you were trying to say that he’s always welcome in your home though you guess the growing bubbling feeling of love has impaired your mind just a bit.

As your eyes look at the flowers you miss the hungry, almost monstrous look flash in Roman’s eyes, his pupils going large. It takes all his strength not to grab you and kiss you all over making you his.

He won’t even tell you either that last night another classmate died, that he was trying to investigate it.

“I’m taking you out.” he demands.

“Ok.” you say feeling that you can't decline, the thought of it being a date pushed out your mind for Roman always seems to be spending money on you, “Let me get dressed first Rom.”

[inhuman-obey-me]

Hey, congrats on 4k followers,

Can you do “I feel a sickness for a home I’ve never been” with Lucifer finding MC (platonic or no) going through a depressive episode after coming back late from one of diavolos given (demonic tasks) maybe splattered in a bit of blood, gn mc pls.

If it’s something ur uncomfortable with, take out the depressive episode part.

Ty

❤️❤️❤️

Thank you for the congrats!!

We did receive your follow-up request you asked for instead, but...I was already partially into writing this one haha, sorry! However, here's a somewhat similar Mammon drabble from a previous round, which I hope you'll enjoy it instead!

Also, as a general reminder for everyone - the rules of the prompt game are only prompt, character, and MC/no-MC. This particular scenario request happened to line up pretty well with the idea I had anyway, but we've had a few others come in too, and well, we just like to have our creative freedom with the prompts that come in (⌒_⌒;) So please keep in mind that if you send in a very specific scenario, your request may be ignored.

“I feel a sickness for a home I’ve never been.” - Lucifer/MC

content warning: blood, MC depression, imagined MC death

Maybe a walk through the gardens, alone so late at night, isn't the best idea you've ever had.

You shiver, the thin fabric of your pajamas offering you little protection from the chill of the Devildom's unending night. You probably should have changed before coming out here, or at least brought a jacket, but you hadn't thought about that. Really, you hadn't thought much at all when you'd fled your room, except that you needed to get out, now, right now, or you were going to suffocate under the weight of your own thoughts.

Of course, now you're alone with your thoughts and cold.

At least it feels a little easier to breathe out here in the fresh air. The cool is soothing against your aching, tear-shot eyes. You feel the restlessness coiled in your muscles dissipating a little with each soft rustle of soil beneath your feet.

One step after another, you wind your way through the rose-dotted hedges, as if hoping that getting lost in the labyrinthine greenery will make you feel less lost in your head. The full moon glows brightly above you, lighting your way. It's larger here than in the human world, or maybe just closer. If you shut your eyes, you can picture it getting even closer still -- bigger, heavier, sinking, falling, pressing down, down, down, until the luminous weight of it could just crush you where you stand, and --

"MC? What are you doing out here so late?"

Your eyes fly open, startled, and you find yourself greeted by an equally startled-looking Lucifer, just now arriving home. Lines of dark ichor drip around his face, and when he quickly moves to wipe them from your view, it's to little success as you realize his gloves, along with all the rest of his uniform, are just as bloodied.

You want to comment on that fact, but he beats you to it, face full of worry as he rushes up to you. "Wait, you've been crying. What's wrong?"

Your lip trembles with trepidation. As much as you love him, you don't usually confess all your concerns so easily. But neither can you keep it in anymore; you've been drowning in these feelings all night, and they're about to spill out whether you want them to or not.

"I don't want to go back."

He puts an arm around you, puzzled but concerned, and you latch onto him like a lifeline. As the tears start to well up again, you bury your face against his viscera-soaked coat, and awkwardly, he wraps you into a comforting embrace, trying his best not to get the splatter onto you. After a moment, though, he quickly gives up on those efforts, deciding to just hug you tighter, blood on his chest be damned. It doesn't matter if you get the stains on you too -- right now, you just need this. You need him.

"I know the exchange program is only for a year, and then I'm supposed to go home -- right? It's coming up really, really soon. And I should be happy about that, because the human world was my home, and my whole life got left behind when I got pulled down here, and -- I think most people would miss it. Most people would want to go back, wouldn't they? But -- I don't. I don't want to go back! I was never happy in the human world!"

You cling to him harder as you talk, afraid to let go, as if the moment you do, everything around you will disappear. But the ever-assured Avatar of Pride's embrace is solid and warm around you, and he doesn't make any move to pull away. So, through haggard breath, you continue.

"I was never happy there like I've been happy here. I never fit in there. But this is the Devildom, and I'm a human, not a demon, and -- it's not like I can stay, right? In the end, I'm just a guest here, and guests are supposed to go home. But the closer it gets, the more it feels like there's nowhere for me to go. If I have to leave, I don't have a place that feels like home! I don't belong anywhere else!"

As you keep spilling the thoughts that have been plaguing you all night, he stays there, holding you patiently, listening quietly and letting your sobs hiccup against him. Gradually, little by little, your fingers stop gripping the fabric of his uniform quite so tightly. You let yourself relax into him a little more. You're not ready to let go just yet, but he doesn't ask you to. And finally, when it seems like you've calmed down, your breaths soft and steadied into his shoulder, he starts to speak.

"You know, we're here now, but back when we were angels, I used to call the Celestial Realm my home. It was the only one I'd ever known. And it is beautiful there -- how light falls on everything to give it warmth. I almost think I miss it, sometimes."

Lucifer's words are slow and careful, as if piecing together a confession that he's never let himself put into words before. He pauses, letting the admission linger in the air for a moment, then sighs.

"I don't miss it, though, not really. I wasn't happy there. There were problems, doubts that I ignored for a long time, until I couldn't ignore them anymore. What I feel is a sickness for a home I've never been. The Celestial Realm isn't actually that place that I miss. After we were cast out, what mattered was that my brothers and I belonged together. We made a new home here, as a family."

He holds you tight, pressing a gentle, reassuring kiss to the top of your head.

"And if you think you're just a guest to us, you're sorely mistaken. You're part of our family now too. I'll talk to Diavolo tomorrow. We'll figure it out. Because if that's how you feel, then this is your home too -- with us."

[nonpracticinghumanbeing]

So Izzy said a thing.

The thing seems to be a part of a redemption arc and makes him sound like a human rather than a monster.

The Canyon went wild with joy and jubilation. The haters are doing everything they can to rationalize the thing in a way that would fit their point of view. One of these things makes me feel like a part of a wonderful, welcoming, and very queer community. The other makes me perplexed, annoyed, and sad at the same time - in a way that feels very personal.

OFMD is an explicitly and unapologetically queer show. And not just that, it shows a variety of non-normative behaviors (Jackie’s polyamory, Geraldo’s humiliation kink, Lucius and Pete’s penchant for “having an audience” to say nothing of Izzy’s masochistic tendencies) in a completely non-judgmental way, making the viewer feel like all ways of performing one’s sexuality are valid.

Izzy wants to be a part of this world. For all his anger and manipulations, and (yes, let’s call him out for the sake of fairness) his abusive behaviors, he desperately wants to be a part of the world where he is free to love who he loves, in whatever way he is capable of doing so. No matter how much the haters don’t want to acknowledge it, this is ultimately a story about love. Both Con and Daddy Jenkins admitted Izzy is in love with Edward and the fact that the antis are willing to contradict not only the actor (who, may I remind you, was instrumental in shaping Izzy’s character) but also the showrunner is very symptomatic of the larger issue of how queer people have been treated in society.

No one in their right mind chose to become a pirate unless they had no other option. Piracy was fraught with constant danger and meant being an outsider everywhere. The only place one could be more or less safe was between people in the same lifestyle. In OFMD that is represented by the Republic of Pirates, where not being a pirate would get one in trouble. Sure, there is some violence but it comes with the territory and - much more importantly - it’s never motivated by someone being a pirate.

Izzy claims to hate the Republic - and for someone as repressed as him it makes sense. There are people being a different kind of a pirate than Izzy would like there - drunk, rowdy, and undisciplined. He clearly takes great pride in his work and has built his whole identity around being Blackbeard’s first mate. Seeing people be pirates while taking their responsibilities lightly doesn’t fit his worldview because he’s been taught that all of his energy should be spent protecting whatever freedom the pirates managed to carve out for themselves.

Someone once wrote that despite what the popular meme says, Izzy isn’t a real pirate dropped into The Muppet Treasure Island, but rather a hard boiled queer-coded character from a 50s noir movie dropped into today’s Pride. He’s had to keep vigilant against any threat for so long he hasn’t noticed that there was a way to be a pirate/queer and still enjoy one’s life. That one can like frilly robes and be a somewhat competent sea captain. That it is possible to pine for one’s boyfriend and keep one’s crew safe. That being soft doesn’t necessarily mean being weak.

He’s willing to do whatever it takes and sacrifice whatever has to be sacrificed (Stede’s life, Edward’s happiness, his own status of the loyal first mate) to keep his little pirate/queer world safe. It’s this conviction that puts him in the way of Ed and Stede’s relationship and makes him an antagonist. But - and it’s something the haters seem to be incapable of grasping - an antagonist doesn’t have to equal a villain.

Why does Izzy react so violently to Stede, exactly? Why is he willing to go against his captain's wishes in challenging Stede to a duel? Why does he sell Stede out, making a deal with the enemy in the process? Because Stede is a stranger infiltrating Izzy’s safe space. The English are a huge threat, sure, but they are easily identifiable from a distance. Stede seems to Izzy to be something far more dangerous - an outsider worming his way into the heart of Izzy’s world, where he can do truly irreparable damage. The English are cops who chase gay boys around the park. Stede has the potential of being an undercover cop sent into a queer bar in the 1930s to get the dirt on the patrons so they can be blackmailed and arrested.

Of course, he may not be that, but it’s a risk Izzy can’t allow himself to take. With his vision of what it means to be a pirate/queer he's sure he sees through Stede’s ruse. Now, I’m not trying to excuse abusive behavior, as some of Izzy’s choices were hurtful to everyone around him. But as a queer person I do have sympathy for someone (grossly) overreacting in defense of their safe space. Constant vigilance is an inherent part of the queer experience, especially for those living in conservative countries or remembering the times before the Pride.

Like, for example, Con does. Con, who - yes, I will repeat this because it’s super important here - played a huge part in shaping Izzy’s character. Con, who despite having a decades-long career where he often clearly gravitated towards queer characters, only got comfortable enough THIS YEAR (and thanks to this show and this fandom) to publicly come out. Con, who - as a friend wonderfully phrased it - is queer as in start a riot, not as in love wins.

And Izzy is the same. He is a start a riot pirate/queer in a show full of love wins pirates/queers. His way of being what he is is so totally different from everyone around him that it makes him an antagonist. (Sure, there are other start a riot queers in the show - Jim literally kills a man who wronged them and Lucius is very outspoken about his opinions in a way that makes him somewhat radical, but neither of them is as extreme in their ways as Izzy is and neither goes against the main characters’ romance thus becoming an antagonist.) But. The thing is, when you are a part of a minority, when you are being prosecuted and targeted for who you are, you need safe spaces. And those safe spaces need protection, because every freedom can be taken away if wrong people come to power. No doubt the queer movement would look much more tame and palatable to the bigots if we were all the love wins queers. But we desperately need the start a riot queers if we are to survive.

So yeah, you can say Izzy said what he said because he needs a structure and clear hierarchy in his life. He absolutely does. Some of it comes from his submissive and masochistic tendencies, sure (I wrote a lot about that, including a piece for the Above All Else zine). Some of it may come from neurodivergence (some people read Izzy as autistic, I’m not going to discuss this because as a neurotypical person I have nothing of value to say about it). But it also ABSOFUCKINGLUTELY comes from the desperate need to protect his safe space from outsiders.

And there is one more thing the haters conveniently forget about: OFMD is also a show about growth. It’s about Stede turning from a wooden puppet into a real boy and then into a man. It’s about Edward learning there is a life beyond the legend of Blackbeard and peeling off at least some of the leather. And judging from the trailer, it’s about Izzy learning you can be a start a riot pirate while being accepting of the love wins pirates in your life. 

The more I think about it, the more likely I find it that Stede’s “I don’t care what anybody says, he’s actually a good guy” line from the teaser refers to Izzy. But even if it doesn’t, I am 100% sure the haters will be proven wrong. This show never relied on stereotypes and cliches. In fact, it actively does everything to break them (from Jim’s sacred quest for revenge ending up with them befriending Jackie to the only names that get mispronounced being those of white characters) while killing off the real enemies of the pirate/queer crew (Badmintons, Jack, Geraldo) and giving all its characters place to grow.

So, maybe one day we will all learn to love Izzy? 

[natsuki-bakery]

⁎˚ ఎ ICP Agere ໒ ˚⁎

Ah! Uh... um... uuu... V-Violent J (ICP) CG headcanons (and maybe one shot)!?!?!?!??!?!?!?

•Despite his intense stage persona, Violent J has a deeply protective side. He would be fiercely loyal to his little, always making sure they feel safe and secure, much like how he’s protective of his Juggalo family

•Humor as Comfort : Violent J would use his dark, offbeat humor to cheer up his little one. He knows just how to lighten the mood with a joke or a funny story, making his little laugh even on tough days

•Given his creative nature, Violent J would encourage imaginative play. Whether it’s drawing crazy clowns together, telling wild stories, or coming up with funny characters, he’d make sure playtime is always fun and creative

•Music would be a big part of how Violent J takes care of his little star. He might play soft, comforting tunes or even sing funny, made-up songs to help them relax. His deep love for music would shine through in how he uses it to bond with you

•Violent J is no stranger to dark thoughts, so he’d be great at talking through fears or anxieties with his little. He’d stay up late, listening and offering reassurance, helping them feel understood and supported

•Big Heart, Big Hugs : Violent J is known for his larger-than-life personality, but he’s also got a big heart. He’d give the best, most comforting bear hugs, wrapping his little bunny up in his big arms and letting them know they’re cared for

•Understanding the struggles people go through, Violent J would create a judgment-free zone for his little. He’d accept them exactly as they are, encouraging them to express themselves without fear of being judged

•Violent J might incorporate some Juggalo-themed fun into their time together, like painting faces with playful clown makeup or having mini "gatherings" where they just chill, eat snacks, and enjoy each other’s company

•Just as he stands up against the mainstream for his Juggalos, Violent J would fiercely defend his little from any negativity or bullying. He’d make sure they know he’s got their back, no matter what !

•Violent J knows life can be tough, so he’d be all about teaching his little one resilience. Through gentle encouragement and real talk, he’d help them develop strength and confidence, always reminding them that they’re capable of facing anything life throws their way

•He is incredibly patient and intuitive when caring for a non-verbal age regressor. He uses lots of non-verbal communication, like high-fives, thumbs-ups, or funny faces, to connect

•He’ll carry around a little notepad or doodle board for them to express themselves, knowing how to read their moods without needing words. He’s all about creating a comfortable, safe space where they don’t feel pressured to speak

•If his little is sick, Violent J turns into a surprisingly doting caregiver. He’s quick to get them tucked in with blankets, fetches soup ( or whatever comfort food he thinks will cheer them up ), and cracks silly jokes to keep their spirits high

•He’ll binge-watch cartoons with them all day, never letting them feel alone. He’s all about giving extra TLC, even if it means calling off his own plans to make sure they’re okay !

•Handling a Tantrum : When his little throws a tantrum, J is surprisingly calm. He’s been through a lot of chaos, so a little yelling or crying doesn’t phase him. He lets them express their frustration without judgment, offering them a safe space to let it all out

•When they’re ready, he’ll step in with a distraction, maybe a favorite snack, a funny story, or turning up the music to dance it out. He always ends tantrums with a hug, reminding them that it’s okay to feel big emotions

•On rainy days, Violent J sees it as the perfect excuse to stay in and get cozy. He’s all about building a fort with blankets and pillows, turning the room into a little hideaway from the storm. He’ll put on their favorite movies, pop popcorn, and pretend the rain is applause from the outside world. If they’re up for it, he might even take them to splash in puddles, embracing the rain like an adventure rather than something to avoid !

If you're in the basic criteria , are DSMP fans, vivziep0p fans , h0tel/h3lluva b0ss fans, Owl h0use fans, St4r butterfly fans, Ghibli fans, ddlg/abdl blogs, nsfw/k!nk blogs, anti-agere blogs, or anti Christians/Christianity blogs : just dont interact !