#and reading between the lines

[heyybeach]

Growing up is actually just enjoying the exact same things you enjoyed at 14 years old, but in a more gay way

[poorly-drawn-mdzs]

I'm not going back to Gusu with you.

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[vickillaman]

People expecting a character like Caitlyn who has shown so many times her clear disdain for communicating her feelings verbally, to have lengthy conversations and never ending apologies for everything she has done wrong is a bit disappointing.

Caitlyn is a politician’s daughter. She knows that words are always there to smooth the rough edges of the conflict or to make promises that another age won’t see coming to fruition and, essentially, mean nothing without the action following.

People offer their sympathies and she just doesn’t acknowledge their words, Cait just moves past it and changes the topic or tries to make up a plan to just do something, to fix and salvage.

She shows, not tells.

She doesn’t say a word as she rushes to bring her father in a tight embrace after being on the brink of death and allowing herself to stay like that for a few moments with a person she thought she’d never see again.

She doesn’t say a word as her eyes are slowly drifting lower as if preparing herself to face yet another of her mistakes that she can’t erase. She’s reaching out to gently graze her fingers over an injury and the spot that she hit the person who she loved so much in, sorrow and remorse all over her face.

She doesn’t say a word as she puts every obstacle out of Vi’s way to make sure that nothing would stop her to free Jinx: to free the person who tormented her mind even before she knew her name, to get her out of the cell and out of the punishment Caitlyn was determined to bring on her with all the rage and ferocity of a grieving daughter.

She doesn’t say a word as she gives up her inherited sit in the Council for a Zaunite who she faced in a fight that she barely got out of alive by sheer luck and is there to represent the interests and stand for the rights of the city she poisoned and regarded the residents of with a loss-reinforced contempt and prejudice.

Why would she need to say anything when she shows so much?

And why would you, as a viewer, rob yourself of the opportunity to appreciate the nuance of the character like that?

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[gd-dollopole]

There’s something so sweet about this scene. Not only Arthur is surrounded by his knights, his friends, he still can’t seem to forget there’s someone missing.

And the way he approaches Merlin is nothing funny or sarcastic: it’s pure concern, it’s love, it’s respect.

Merlin admits he’s scared, without thinking about it twice, because yes, this is Arthur, the same man who makes fun of me on a daily, but he’s also my best friend, the man I love, and who I could lose, but I can’t tell him, but, oh God, if he needs to know I don’t want him to die. I’m the most powerful warlock on earth, yet I’m scared of Morgana, because she wants to kill Arthur, and I’m weak when it comes to him, I’m scared I won’t be able to protect him as I should (especially since Merlin has heard the prophecy that spoke of Arthur’s bane).

I like Arthur’s stunned face. Merlin is referring to his life. “You don’t care you could die?” And not only Arthur is shocked by it, because he thought Merlin knew his reasonings by now, knew that Arthur would never risk losing his knights, losing Merlin. But Arthur doesn’t care as long as his men are safe, as long as Merlin’s safe (because, let’s be honest, this conversation is nothing but a way for them to tell each other how they feel towards one another, without exposing themselves to the danger of this revelation). And Arthur needs to make something clear:

“Only about you.” Because Arthur brings Merlin everywhere like he’s a solider, a warrior, someone who knows how to fight with a sword, who’s an asset to Camelot and the kingdom itself, so he considers him an equal, someone he can sit with on a lower step and chat with about his fears, because he can be vulnerable with Merlin. Arthur knows he’s safe with him.

Arthur includes Merlin in his speech, and this is something that could mean, “Oh, so Merlin isn’t a friend, isn’t a brother, he’s so much more.” This scene is so impactful, because it’s one of those rare moments where Arthur shows how deeply he can love, how much risk he’s willing to take to bring peace to his kingdom and to his people: to the ones he loves.

And he knows his knights, he knows Merlin won’t abandon him, because he has never done it, and Arthur truly believes Merlin has no reason to do it now, even if he’s scared. It’s as if Arthur is asking, just to make sure, just to have the confirmation that they think the same of it.

And they do:

I wish I didn’t understand how much I’m willing to risk, and have already risked for you. Because this is why I’m here: for you and only for you.

The self deprecating smile, because Merlin can’t back down, he never will. He’s so frightened, yet not even the prospect of battling against Morgana and her army will make him run.

He has Arthur to protect.

The way he smiles, it’s as if he’s saying, “Why didn’t I understand this sooner? Arthur’s just like me.” But it’s the fact that they told each other this, they know now, after ten years, that they’re willing to do anything and more for the other to stay safe, to be alive, even if one of them isn’t.

Merlin tells Arthur. He watches him intensely, because Arthur needs to understand. He’s honest.

Arthur gets it, and he’s finally happy. He’s relieved that Merlin won’t abandon him, that he will stay by his side, like he always is, protecting him, fighting with him, and helping him.

Arthur smiles at Merlin like he’s seeing him for the first time, and he falls in love with him just that tad bit more.

[idontknowwhatimdoing-13]

When Crystals is like wait Niko how do you know that I kissed Charles its definitely because Edwin and Niko were hanging out one night between episodes five and six and Edwin was like “I realized I like this boy but he just kissed the girl he likes” and Niko did the math.

Like Edwin knows two boys he could potentially like.

And Monty isn't about to be not liking Edwin or liking a girl.

And Charles makes it very obvious that he likes Crystal and also has only two girls he knows one of which is Niko herself who definitely wasn't kissing Charles.

Like Crystal it wasn't hard to figure out.

[vildo]

This scene is brilliant, because you can see how desperately Jim is trying to get Spock to show an ounce of affection, and then he is frustrated of something he should not have expected of Spock in the first place. Not that he blames Spock, yet he is sure this is anything to either of them but some mutual advantage; his tone softens gradually, because he doesn’t want Spock to be made to do or say anything for his sake, something only Jim wishes to hear. It’s been a while, and here they are, both very well aware of the fact that Spock chose to abandon Kolinahr, which gives Jim every right to demand attention from Spock regardless of how little that might be. Perhaps it is too much to ask of him anyways, and he is making peace with it knowing this is how Spock has always been. Spock knows. This is what’s killing Jim. Is there anything else? No. Not unless he wants it to be. He’s here and that’s all that matters, and yet Jim can’t shake the feeling that Spock is deliberately holding back what he’s really feeling at the moment. They’ve spent too long together and have been too close to each other than for him not to notice Spock is shutting him out. And even so, he still chooses to be patient. The last thing he wants is to push it. He longs for Spock, yet selflessly so. He also knows that this is just as hard on Spock as it is on him.

[billiuspendragon]

What if Saiki turned his world into a gag-anime because he's using humour as a coping mechanism?

What if, as a child, he mind-controlled the world into thinking nothing is serious, and that nothing has consequences, and as a result nobody's trauma is taken seriously?

As a teenager he's starting to realise his mistake and is half-heartedly fighting against this, which is why he's always the one to comment on how weird or extreme something is when nobody else seems to notice.

But it's too late, and he knows it. He can never undo his mind-control, and his world will always be a silly gag-anime where nothing serious is ever addressed.

[lexirosewrites]

omega Steve is a certified pillow princess. he’s splayed out in his luxurious nest, batting his long eyelashes, legs wantonly spread and pretty cunt slicked up without a care in the world. and guess what? every alpha caters to him. every single one knows they’re gonna do all the work and then thank Steve for the opportunity to please him afterwards

[scootsaboot]

sorry

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[tsilvy]

"Crowley doesn't have Gabriel. Where would he put him?" says Aziraphale talking to Shax.

Where would he put him?

He knows. HE KNOWS. He knows that Crowley doesn't have a house anymore. That he's living in his car. But he hasn't said anything because he hasn't yet fathomed why Crowley wouldn't say anything. And he's trying to change that, too.

"You like waiting inside." Subtle, subtlest way to tell him that he knows, he understands, has noticed the telling signs. And he's saying it's very much okay for Crowley to keep staying in, whenever he wants, to consider the bookshop his place even when Aziraphale is not around.

The whole "our car", "our bookshop", "we both got plenty of use out of it". Look, I know what the common speculation about the plenty of use is, but realistically? He's heavily implying that Crowley, too, needs the bookshop. Not likes, needs. Let's spell out the analogy: I need your (our) car because I don't have my own car, the same as you need my (our) bookshop, which is my house, because you don't have your own house.

He's been dropping hints right and left that he already knows anyway, and that it's okay to ask, he'd totally say yes. And even if Crowley doesn't ask, it's still okay. He's saying yes already.

And I marvel continuously at the complexity of the character that is Aziraphale, because he can be the most infuriatingly callous bitch in the world, and then in the same breath he can be this sensitive, gentle, emotionally intelligent person who really, really loves Crowley more than he could ever put into words.

[wesfcfanas]

Inside Mercedes F1 by Matt Whyman

[extremely-judgemental]

Cassian being mean to Nesta for Feyre's shitty childhood will never not be funny to me.

He spent his entire childhood beating the shit out of other kids, including Rhysand, and stealing their supplies. He abused and mocked Azriel for learning to fly on his own knowing his past as well as the others did. He slept with Mor because he couldn't handle his brother having feelings for a girl.

Five centuries later, he's still no better.

My dude, look in the mirror.

[choccy-milky]

im finally playing HL again after only playing it once when it first came out, and thanks to mods (especially @silverxstardust's clothing mod) i finally made clora how i like her...LOOK AT HER.....my baby angel darling👼💖💖

seriously tho playing the game again after all this time (especially now that im playing as CLORA clora, and not just clora that was a random chara i made) is so different, but its also taking me back so much🥹😭💖

[isjasz]

[Day 324]

I just wanted to draw them the observatory and it got a tiny bit out of hand LOL

:3