#and now we don't talk either because he started treating me like shit

[yappacadaver]

and it's like despite all the awful shit he's done and continues to do, like, i get it. he's employed like 24/7/365. he never got to live a life, despite spending a childhood clinging to the hope of having one someday. He knew companionship and love but lost it and can't ever get it back. His circumstances are so anomalous and gruesome that it completely isolates him from pretty much every other human being on the planet. he knows hell is real and he is basically guaranteed to go there if he can't break this demon curse thing.

like it doesn't make the kidnapping and spreading the curse around any better, but i do get it.

[tesscourtes]

saw you had asks open, not a drawing request but wanted to know if there was any more story to your human bill’s punishment-for-weirdmageddon-is-to-turn-weak-human au, I really like it (sorry if you explained this a while back, I only just watched gravity falls😭I’m a late-comer to the fandom)

it’s just superepiccool to me, how are dipper and mabel about him being human now? Soos n Wendy, Stan and Ford? What was it like for them (especially Ford) when he just turned human? What was it like for Bill?

oh hey don't worry, I haven't really talked much about the details of the AU like ... ever. I just started reviving it because I got my partner into the show (they are also a new fan! yay, new fans! Funny enough I had no idea TBOB was coming out so the timing was mad exquisite.) and they have just been an amazing help shaping my messy thoughts and coming up with new, fun plots! It's also nice to know there's someone out there interested in it, so thank's for asking! Now that I read TBOB I want to change the premise a bit, but the core is still the same.

Let me tell you this AU is silly. I'm aware Billford is toxic and there are many corners to dive into to picture their messy relationship. But I kinda wanna keep the spirit of the show here and make it equally as fun as it is disturbing. Given that Bill canonically is trapped in endless Therapy gives me even more food to work with, he just out there being toxic and people repeatedly telling him to cut it out.

I'm not gonna go into too much detail because I'm actually working on the first comic chapter for this AU, but regarding the characters: Each of the Pines, as well as Wendy and Soos, are not happy seeing him, but individually grow more accustomed to him and with him. I guess going from "most accepting" to "least accepting", Mabel took it the best. I wouldn't say she was quick to forgive, but quick enough to give the guy a chance. And I honestly have to say that, although this is 100% a Billford AU, there's so many plot ideas for just Mabel and Bill and their amazing, chaotic shenanigans. Put these two together and the stories basically write themselves. Wendy is pretty similar, and the most chill in actually helping Bill figure out human stuff.

Naturally, Ford took it the hardest. I'm aiming for slowburn here, haha. They got to figure out some stuff that I'm so ready to put onto pages... Ford is a lot of emotions. Confused, angered, curious... Meanwhile Stan is Bills biggest hater. (There is a lot of bullying in this AU) He just keeps up with it because his Family makes him. He's very protective and tries to kick Bill out several times. Soos sticks with Stan, but he's also Soos and has a big heart, so in Bills eye, he's very gullible and a target he can mess with easily.

Dipper is not a fan either, he has a hard time adjusting to the triangle just getting to ... be there. He's suspicious for the most part and Bill has to try hard to get on his good side. But honestly he might be more upset with Mabel (and later on Wendy) for making friends with Bill so easily, even though he knows that's just their nature. I just recently started thinking about Gideon and how I'd like to include him, but nothing worth mentioning so far yet.

With Bill himself, one my favorite parts trying to portray so far is how he's dealing with his new mortality. He adjusts to the body fine, he knows how to navigate flesh, but he has a hard time accepting that it's his body. His new prison, essentially. If it's gone, he's gone. If he treat's it like shit, he feels like shit. Then we add the psychological aspect of things. And more importantly, we add Ford to the equation. When I tell you, that demon is experiencing psychological damage here, and it's fully his fault. TBOB really pointed out to me that I need to dive into his obsession with Ford. How do you even get a man you fumbled so bad, to even acknowledge you again?

I love yapping about this AU, thanks again for giving me the grounds to do so anon! I'm an insecure writer so it'll probably take another hot minute to choose which script feels best to draw out, haha. But I'm glad you seem to be up for the ride!!

[echobx]

Everyone has a Price (part 4) - Rafe × virgin!fem!reader

summary: y/n is angry at Rafe but after a fight that end with them in the sheets, they figure out a way to stop talking past each other and instead start talking with each other

word count: 1.8k

warnings: angsty, miscommunication, verbal fighting, hate/make up sex, smut, p in v (unprotected), oral (fem receiving), riding him, vulnerable moments, fluffy

author's note: hmmm, idk fr this time. the table thing tho...

kinktober masterlist ✘ series masterlist

   When you wake up, you're back in the pool house, and it makes you feel dirty in a way, like he doesn't want you in his bed for more than just sex. The note on your bedside table is an explanation for it, but it doesn't soothe your mind much. 

   “Business meetings all day long. I'm sorry. I'll see you tonight.” It reads before you ball it up and throw it away. You tell yourself that you don't need him anyway. The deal is done. He got what he paid for, and you can forget he exists and quickly leave before he gets back. That's what you should definitely do. 

   The phone ringing drags you back to reality, and when you pick it up, it's none other than Rafe on the other end of the line. 

   “Did you sleep well?” he asks, and you pick at the comforter that is still draped over you. 

   “Did you bring me down here?” you ask, annoyed still. 

   “Yes, I sleep alone, always,” he explains, but it still stings. 

   “I'm going home today. The deal is done,” you say, and he doesn't know if he's heard you correctly.

   “You- You can't go home yet. You still have a few days left here.” 

   “The contract was fulfilled. I don't owe you anything anymore,” you say and hang up the phone. You are aware that his blood is probably boiling right now, but you don't see why you should stay. He didn't mean what he said the night before, he was just drunk on sex, surely. 

   An hour later, you have your things packed and are standing ready to pull your suitcase out of the front door and walk all the way to the airport if you need to, but someone is standing in your way. 

   “Let me leave,” you tell Grayson, but he shakes his head. 

   “Boss said he needs to talk to you before you leave. So, no, I can't let you leave.” 

   “That's illegal. That's kidnapping!” you yell and stomp your feet like a child, but the huge man won't budge. 

 �� You go to sit on the couch inside, trying to watch a movie to get your mind off how much you hate that Rafe won't let you leave and put a clear-cut on your situation. But he comes by two hours later, storming into the pool house, furious with you, mostly. 

   “What the fuck do you think you're doing?” he snaps, and you shrug, you don't even care to look at him. 

   “We had a deal, but I guess I'm the only one playing by the rules here,” you say, holding your head up high until his hand closes around your throat, and you lose your composure. 

   “Don't make me,” Rafe hisses. He's not hurting you, just holding you in place. 

   “You got what you wanted, now let me leave,” you say, feeling a hot tear run down your face. 

   “What I wanted was a quick fuck, not some spoiled bitch to fumble my fucking brain,” he barks and pulls you up to force a kiss onto your lips. You don't even try to push him off, maybe because you wouldn't manage anyway, but mostly because you don't want to. 

   “Why are you not fighting me? You wanna leave, then fight for it!” he spits in your face. 

   “You're an asshole, you know that? You treat me like I'm a whore!” you finally snap and push him off you. 

   “I didn't sell my body,” Rafe hits back, and you feel like you could slap him. 

   “Yet you bought me. So pick a lane, Rafe. Either you fucking pay me like you always wanted and look at me like I'm nothing more than your sex toy of the week, or you stop this shit and let me make my own decisions!” you scream, and he steps away, pacing the space between the living room and kitchen. 

   “I don't fucking care about the money,” he shakes his head, glancing at you before he continues walking. 

   “Then what do you care about, Rafe?” you scoff. 

   “You're a real bitch, you know. Maybe I should've let one of the others fuck you. Maybe you'd be acting less entitled then,” he spits, and you laugh. 

   “We had a contract. I'm honoring the contract!” 

   “Were you? When you let me do things that are strictly non-negotiable and “never to happen”?” He glares, and you don't know what to say. 

   You opt for the easy way out. “I hate you,” you tell him, getting up to head for the front door, but he catches your arm and pulls you back into his arms. 

   “I’m allowed to hate you too, then,” he hushes before his lips hit yours, and you can't help but kiss him back. His lips are so soft, and he tastes and smells like heaven. 

   Rafe walks you into the bedroom, laying you down on the bed as he continues to kiss you, his hands bunching up the dress you're wearing and pulling your slip down. 

   “Tell me to stop,” he says against your lips, but you can't. You're too overwhelmed with how much you need him inside you at that moment. Your fingers are clumsily opening his belt and jeans, putting your hand into his boxer briefs and pumping him while he tries to wiggle his pants off and pull the boxers down completely. 

   And when he sinks into you, you don't even care about the pain, the sting every thrust causes because having him just for you is worth it. 

   “No one but me- Mine-” Rafe pants as he picks up his pace, fucking you faster and rougher until you soak his cock, but he continues, and you don't know how he does it. 

“Just you,” you pant searching for his lips until he grants you a sloppy kiss, groaning into you as he finishes, painting your clenching walls white. 

   Rafe is breathing heavily as he lies by your side, your head turned to look at him while he's staring at the ceiling. 

   “I don't want you to leave,” he says, still not looking at you. 

   “Why not?” you ask, propping your head up on your head as you fully turn to look at him. 

   “You don't like to get bossed around,” he smiles. “The girls that want me don't give two fucks about what I tell them to do, they just do it and hope to get picked.” 

   “You got low standards,” you chuckle. 

   “And yours are high up in the sky,” he replies, looking at you, and if you didn't know better you’d say he looks almost in love. 

   “I wouldn't be here if they weren't.” 

   “The thought of someone else- Call me a selfish, egotistical asshole, all right,” he huffs a laugh. 

   “I have college, I can't stay forever,” you whisper, reaching out to hold onto his cheek. “It's not like you would actually want me that close, either.” 

   “I'm sorry for this morning, okay? I should've just let you sleep there, while I take the couch,” he sighs. 

   “Why don't you wanna sleep next to me?” you ask softly, and he shakes his head. 

   “The last time I slept in a bed with anyone next to me, my mom was still with us. I don't- Don't analyze me,” he furrows his brows at you when he sees your wide eyes. 

   “I see, but I don't like that. I feel like I'm the unwelcomed mistress when you do that,” you tell him, and he nods. 

   “We can try it, but I can't promise anything.” 

   You spend the rest of the day cuddling in bed and fucking, although you're sore and should probably rest, and when he falls asleep by your side you tell yourself to not be mad at him when you wake up alone again. 

   The next day he spends with you, going shopping and eating yourselves through the city basically, and for once you aren't reminded that the time you have is limited and about how all of it came to be. At dinner, you refuse to sit so far away from him, feeling lonely with that much table in between you. And when Rafe kisses you, the help leaves the room almost instantly, which comes to your advantage because you hadn't expected to be his dinner that day. 

   Rafe wipes his plate off the table and lays you down on the silky table cloth, his head buried between your legs, licking long stripes up your cunt and gently biting your clit. You're moaning so loud you fear your voice will be gone the next day, but you actually don't mind it. His skilled tongue is pulling one orgasm from you after the other. 

   “So fucking delicious,” Rafe pants, wiping his face clean on the table cloth before picking you up and carrying you upstairs. 

   Maybe you would call it a Honeymoon Phase, but you're still unsure if you're actually falling for him or not. But that is made pretty clear when he makes you straddle him and fuck yourself on his thick cock. 

   “I'll teach you,” he breathes into a kiss, his hands gripping your hips and moving them up and down his impressive length. 

   “That's deep,” you gulp, but keep moving anyway, too drunk on how good he feels inside of you. 

   “You're being such a good girl for me, y/n. My perfect little slut,” he praises you, and you take it to push him to lie down. With your hands perched on his chest, you start bouncing on him, fast and heavy, bringing yourself to an orgasm within minutes. 

   But instead of finishing and pulling out, Rafe pulls out and pushes you to lie down, while he positions himself behind you, sliding into your soppy core while lying down on top of you so you can't move anymore. His thrusts grow sloppy soon after, and he groans, biting your shoulder while coming. 

   “Y/n, please let me be the only one to fuck you,” he begs as you lie there, and you are too fucked out to actually think clearly.

   “Always. Me too. Me too, please,” you murmur into his pillows. 

   “No one but you, ever again. I promise,” Rafe whispers, kissing the bite mark on your shoulder and hearing your soft approving hum. 

   When you wake up, he's still by your side, and you're still in his room. You can't be sure if the deal you had made the night before was legit or not, but you want it to be. 

   You decide to get up and clean yourself a bit, but before you can step away, he grasps for your hand, holding onto your wrist. 

   “Don't leave me, love,” Rafe sounds sexy, half asleep, and you crawl back into bed. “Don't ever leave.” 

   “I won't,” you promise, because even though you shouldn't, you know he'll find a way to make it work if he really wants it. And you would rather give up law than sex with Rafe Cameron.

please don't copy and/or post my work onto other platforms! ~e©ho

taglist: @redhead1180 @spideysimpossiblegirl @drwstarkeyy @princessmaybank @kys4-20 @immyowndefender @julczimozart @hoe4sunarin @m2m2m2 @mochimms @itsme-again @maybankslover @th3eternalersi @because-i-like-toxic-men @rafeeekam @carolinaxvz

[lizzaneia-elizalde]

Hi I'm back. How are you?

How about... A yandere that has had a bunch of lovers and either killed them because he got bored or broke their heart beyond repair? But them he meets the reader and something changes?

Idk it seems like a fun dea.

Yandere! Male! Player x gn! Barista! Reader

Uh ohz, here is the player 🙄 there's a little twist to the request, meowing! I hope you don't mind. (Another Greek mythos twist. Not as blatant as Hades though. Only a bit of the Greek mythos is grabbed, not all.)

I'll see to it how can we break this little man

ヘ(￣ω￣ヘ)

AND, I AM GOING TO STOP TAKING NEW YANDERE REQUESTS! But, I am going to take asks about the existing yanderes now!

Yandere! Player name: Amor

A resounding slap echoed throughout the bustling cafe, silencing the people talking to each other. The woman, tear stricken and angry, looked at the man in front of her.

"We're over!" She yelled before stomping away from the cafe, leaving the man behind.

The people started to gossip amongst each other, but one particular action by the man stunned them.

He just sat down, took out his phone, and called somebody.

"Hey, fancy meeting tonight? I just know of this nice cafe. Date, my treat."

Shameless, the people thought as he chuckled and ended the call with a lazy smirk, stirring his coffee and sipping it.

Amor. Extremely handsome man. Charming, always knew how to get the ladies.

That's what made him full of shit since being handsome is his only redeeming quality.

He's arrogant, a bastard, selfish, has a pride taller than the Eiffel tower, and a total player.

He juggles women left and right, flavor of the day, who's gonna be my girl for the morning, afternoon, and night?

Why do people flock to this man again?

Ah, because the Gods favor this bitch.

What did he do in his past life that women love this man?

Well, in his past life, he's a boring nerd.

His family loved him dearly, and wanted him to succeed in life.

So, attending academic camps, prestigious schools, goddamn Kumon? He got it all.

Awards, upon awards. He collects them like pokemon.

Did it make him interesting?

No. All he knew is academics, and no outside skill.

He's book smart, not street smart.

Poor guy wasn't even attractive. So, when he finished University in an Ivy League Uni, he's lost. He doesn't have charisma to charm employers, he doesn't have the confidence to do public work...

Well, that, and NASA already hired him.

What? He is not street smart and has a hard time finding a job himself, but that doesn't mean he doesn't have connections.

In short, he's a Nepo baby.

At least he's a genius so NASA made sure to use him thoroughly.

But, he felt... Bored.

He wanted more from this life of his.

He wanted a girlfriend for fuck's sake!

So, by some stupid and desperation he himself never thought of doing, he turned to the old gods.

The old Gods, surprised by a sudden influx of eager and desperation of faith from only one man, decided to entertain them.

"PLEASE! WHEN I DIE, MAKE ME EXTREMELY HANDSOME AND HAVE WOMEN LEFT AND RIGHT!"

Oh... That's not...

He's really superficial....

Did the Gods care though? Nah. He's really entertaining. Awakening old Gods just for... Women?

So they granted his wish.

When he died of old age (unfortunately for him.), He woke up to another wealthy and loving family. But this time, he's the son of a world renowned Kpop idol, and a Miss Universe.

"This is overkill." Amor thought to himself as his mother cradled her. "But damn, ain't I happy!"

Growing up, even as a kid, girls liked him. He felt like on the top of the world. He retained his memory, so he's practically a gifted child. No, perfect child even!

Except that he's actually a foul kid.

He became arrogant, a snob. Someone who viewed himself too highly for people.

But do his parents care?

Eh...

They spoil the kid a lot. And turn a blind eye to his lack in manners.

Again, went to prestigious Universities, to Kumon, academic camps.

Everything was a breeze for him now.

He got a job as a model immediately. He decided to not go down the academic path, but use his parents' connections once more to climb up the showbiz ladder!

He's still a Nepo baby in this life.

Well, again, his handsomeness is almost too good to be true (work of the goddess of beauty), so his model career is skyrocketing in success.

And women.

Countless of them.

He cycles through them like toilet paper. Throwing them away once he's got his fill.

Yet, people don't care.

He somehow built a reputation off of being a player. When people say that "he broke somebody's heart again!"

"Eh, what did you expect from being in a relationship with Amor?" They would say with a shake of their head and a smile.

That's how much the Gods intervened with his life.

Once he sets his eyes on someone, he 100% would get them.

Unless....

"Tsk. Where can I go now..."

Amor paced around the street, turning heads left and right as this man sculpted by the gods had a worried look on his face.

The cafe he frequents closed down, now he needs a new place to take his women to dates to.

He's about to get his phone when a flyer hit him directly on his face. With an irritated glower, he grabbed the flyer.

"ow! What the f... Oh?"

He stopped, seeing the content.

"new cafe open?"

It looks like a generic cafe. But what was interesting was that the cafe is located in an indoor garden. Like a greenhouse.

"This is interesting. Women love flowers, don't they? And a garden of all places!" He laughs, making the gods stir from the sudden new cafe they got.

They all fuzzed, saying that this would be a good place. But, the goddess of Beauty stirred. Saying she got a bad feeling about this.

"relax, nothing will happen."

And when he got inside the cafe, he immediately got shocked by the barista, you.

Has there ever been an ethereal beauty like you? Someone... Someone who rivals even the goddess of beauty herself?!

The goddess stirred again, shackles raised. She never made you, so why are you this attractive?

Then, the goddess whispered on his ear.

It's to make you fall in love with a monster. Someone ugly, a beast... Anything to get your status down! Nobody can be as beautiful as her!

Envy filled the goddess as she gave Amor arrows to hit you with.

Now, assigned with the task of making you fall in love with what the goddess call a 'monster', he sets off to your house in the middle of the night. With the help of the other Gods, he became invisible and flew on to your balcony.

With a creak, your balcony doors opened. Making him shimmy inside through the small crack.

Yet, fate tempted him as the moonlight hit your form. In a vulnerable state, your androgynous beauty is amplified. Your long eyelashes, your skin... Your figure...

Truly, your beauty rivaled the goddess. No, you were more beautiful than her.

His throat dried, eyes glazed over.

Gods, are they tempting him?

It would be a waste for you to fall in love with an ugly guy.

His fingers twitched, trying to grab the arrow.

"OW!"

He seethed, doubling over as he clutched his finger. It got pricked by the arrow.

He somehow forgot a crucial information.

'whoever the first person the pricked sees if the arrows only pricked one, they will fall in love with the first person they sees.'

And, as his eyes irritably looked at you, overwhelming love filled inside him as he gasped in the sudden influx of emotions.

He kneeled down, eyes wide.

He's rigid. All he could see is your form. Lovely and so bright.

And hid eyes softened. A dull light in it as his lips twitched into a lovesick smile.

He was already attracted to you before, and now, pricked by the arrows, he's utterly obsessed with you.

With a twitch of his hand once more, he grabbed the arrow and stabbed himself fully to the thigh.

"GAGH!"

He doubled over, gasping, twitching for air as his heart pulsed through his ears. His eyes frantically finding your sleeping form before letting out a shaky moan from the satisfaction.

It was like a drug. Everytime he sees you, he gets overwhelmed with feelings of affection.

Is this what love is about?

And before he knows it, the arrows are all used up.

It was morbid, seeing this man stabbed with so many arrows.

But his face says otherwise. Like a drugged up man, overdosed on ecstacy, he was in a drooling trance from the addictive feeling of love for you.

The arrow is effective enough by one arrow, and now this?

Well, let's just say...

"I count, right?" He shakily asked the gods. "I'm a monster, somebody who breaks women's heart left and right."

He trembled, standing up.

He walked over to you, legs unsteady as he dropped to his knees once more and planted his lips on your own.

It tasted, you tasted so sweet, divine upon his lips.

He wants more, but he can't risk waking you up.

"Goodbye, my love. See you tomorrow." Amor whispered, grabbing your hand and dragging his nose on your skin and inhaling your scent. Exhaling shakily, he stood up and flew away.

Let's say, the goddess of Beauty was really angry at him.

But her condition, a 'monster', fits him. So, what can she do?

She gritted her teeth and looked at him with hatred, yet complacency.

You're so pretty, it hurts.

"Welcome to the Psyche cafe! How may I help you-- oh hello, sir Amor! The usual?"

Amor slowly nodded, clearing his throat.

"yes. The usual."

It's been weeks since then. And he made sure to make himself a regular in the cafe. He stopped going on dates, and pulled a lot of strings to somehow burry the player accusations. He knows he can't really burry it all.

So he made (threatened) the women he dated to be positive about him.

He wants to fly on your radar, spot on the middle, so bad.

So, with the invisibility power he got from the Gods, he always followed you. Even up to your home.

At first, his heart pounded like crazy. What if he suddenly appeared? Will you be freaked out? Surprised? Will you run away--

No, you can't run away.

Like you can, anyways.

He knew of your favorite food, fashion sense, hell, your taste in men...

He slowly changed himself into the man of your dreams.

Like a persona he integrated into himself, this sudden change shocked the people. But, they welcomed this change.

"Is he in love, that's why he's changing?"

More than that.

He's making himself into the perfect boyfriend for you.

Now, all he needs is you!

"Here's your coffee, sir!" You greeted with a sweet smile that he swore he had to grab his soul from leaving his body. "Enjoy!"

He gently grabbed the coffee and as usual, gave you 200$.

"sir..." You grimaced.

"Please, just accept it." He smiles. "You've always been a pleasant person to talk to, y/n. So, just see it as a generous tip. That I frequently give."

You looked down at the bill and smiled. Warmness spreads through your chest.

"thank you s--"

You looked up, and froze from the look he's giving you.

Deep, crazed...

Obsessed.

You shivered in fear.

Sensing your eyes on him, he coughed loudly, averting his eyes before returning to the man you knew.

Or did you actually know him?

You don't even know anymore.

But hey, he gives huge tips.

"Thanks again for the coffee." Amor smiles, trying to sweep what happened under the rug as he waved at you.

He went to his usual table. Somewhere secluded, yet has a clear view of you surrounded by flowers.

He observes you. Plans on what to do next.

He knew he can't just waltz in and whisk you away. That's barbaric.

But he's not opposed to the idea though...

He smirks.

He can probably pull tons of strings for you to end up in his arms.

He loves you, don't mistake that.

But, a little bit of... Force would be good.

He's an impatient man.

Also, did he mention that he's a selfish asshole?

How about, making your life so miserable. Getting you kicked out of this cafe, your family suddenly getting a huge debt...

Something he knows you can't pay immediately.

And his family would coincidentally sponsor you by giving you a condition of marrying him!

Anything to be with you, really.

Or, just steal another arrow and hit it with you. That's also plausible.

But, the goddess is pissed with him. So that's the last resort.

He sips his coffee and crosses his long legs.

He's favored by the Gods anyways.

His eyes narrowed slightly as you interacted too amicably with your coworker. An obvious blush on the coworker's face as he got too touchy with you.

No, everyone in the cafe is enamoured with you. Your beauty too good for this world.

He gripped the handle of his cup.

But first, let's get rid of potential rivals, yes?

You are only his.

What is there to fear? He has the resources in his hands to make you his.

You didn't know yet, but your fate is already sealed, tied, and shackled to him.

You don't really have a choice.

[number1jeonginstan]

oky so ik u got an ask from ddyskz  about a similar thing but can you do some of the following (seungmin, han, lee know or bang chan) as perv best friends???? idk... its fine if not but i just love your work <3

also can i be /ᐠ｡ꞈ｡ᐟ\ anon?

A/N: Hi hi!! I loved this request, so let me know if you want a part two! I’m so thankful that you are loving my work!!! Ofc you can be /ᐠ｡ꞈ｡ᐟ\ anon!!!

WC:1.2k 

Minors don't interact, 18+

Pairing: BestFriend Perv!Seungmin x Reader

Warnings: m!masturbation, pervy Seungmin, that’s basically it!

You and Seungmin had been close friends ever since you both debuted. You had accidentally run into him, head-first behind the music bank stage. You ended up profusely apologizing, feeling so embarrassed and he just laughed, saying it was alright. 

From then on, the entire week of promotions, you both were hanging out in secret. It was like a new friendship blossomed between the two of you. You both had similar interests, causing you both to talk a lot more. By the end of the week, you two had exchanged numbers. 

As the years went on, you and Seungmin got closer, constantly hanging out with one another in secret. Sometimes it was just getting coffee, other times you were asking each other for advice on your vocals. One thing no one could take away from you was your guys’s Sunday drama watches. 

You would either go to Seungmin’s dorm, or he would come to yours and the both of you would binge-watch whatever new drama came out. This month was Daily Dose of Sunshine. You ended up coming over to Seungmin’s dorm seeing as the boys had gone back to their houses for the weekend. Seungmin’s family was out on a trip, so he stayed home. It worked perfectly for you as well because your group's new promotions had finally ended, meaning you could indulge in being lazy for a few days. 

You knocked on their dorm door, waiting for Seungmin to open it up. “Open the damn door!” you whined, pounding on it a bit more harshly. He finally did, rubbing his eyes. He wasn’t wearing a shirt, only some plaid pajamas. “Put some clothes on you weirdo,” you said, walking to his room, taking off your jacket, and lying down on his bed.

You were dressed in just a tank top and pajama shorts, knowing that you both would be glued to his bed for hours.  

“Why are you here?” he groaned, putting on a shirt from his cupboard. “Did you forget?” 

“Oh shit, what drama were we supposed to watch this month?” he asked, sitting on the bed, putting your splayed-out legs on his lap. “Nuh uh, it’s a secret” you giggled getting up and taking out your laptop from your bag. “Now please go get some snacks,” you said, pushing him lightly off the bed. 

“Okay your highness” he groaned, getting up and taking a good look at you. You were curled up at his headboard, your knees pressed against your chest while your laptop was splayed on his bed, ready to start the next episode. You looked good, too good. No makeup on your face, your hair a bit crazy, but still looking as pretty as ever. 

Every time you guys did this, he always had to jerk off after you left. The scent of you in his bed was too overbearing, and you always pressed against him the entire time you guys watched the show, never leaving his side. He wasn’t sure how much longer he could take it. 

He came back with a handful of snacks and some drinks, knowing that you would complain about being thirsty and then he would have to get up again and it would cause a whole fiasco. “How much longer Minnie?” you groaned, growing impatient. “Coming, you weirdo” 

“I was wondering, what do you want to eat for lunch, my treat,” you grinned at him. While you were gone, you stole one of his hoodies, it was already over-sized on him, but on you, it looked like a dress. He could feel his cock twitch in his pants, you looked so fucking good in his clothes. 

“Whatever you want,” he said, getting into his bed next to you. He slipped his legs under the blanket, you following suit. You curled up next to him, starting the show. It was peaceful, three episodes went by like this, your koala bear wrapped around him, your head in his lap while his arms were wrapped around yours. 

What you didn’t feel, was his cock slowly getting harder at every movement you made around him. “Hey, I’m gonna go to the bathroom real quick.” You got up from his embrace, accidentally falling directly on top of him, your cunt brushing against his clothed cock. You didn’t think much of it, but Seungmin was trying his best to not let out a groan. It was getting to be too much for him. 

As you went to the bathroom, he tried re-adjusting his cock in his pants, trying to hide his growing boner from you in fear you would think it was weird. You came back without his sweatshirt, making an excuse that you were getting too hot, and the blanket was enough. 

As you got back into the bed, you curled up against him, your chest pressing against the side of his body. He began feeling hot, there was one thing when you were wearing a hoodie while hugging him, but wearing just a tank top was too much. He tried not to shift a lot, barely paying attention to the show playing in front of him. 

Before he could say anything, he heard your snores coming from beside him. You began moaning in your sleep and he could no longer take it. He looked over to see your tits spilling out from the shirt you were wearing and gently got up, not wanting to disturb you. He rushed to the bathroom, not knowing how long he had until you woke up and tried taking full advantage of it. 

He locked the door, double-checking to make sure you couldn’t come in, and slowly took out his already hardened cock from the confines of his pants. He slowly began stroking it, using the pre-cum the tip of his cock as a lubricant. All he could think about was your tits, and how good they would look with his cum covering them. 

How he would fuck you so well while you were wearing his hoodie. He would fuck you anywhere you asked, even in his changing room during promotions if you asked. That made him think back to the outfit you were wearing for your most recent comeback. You pulled off the girl crush clothes perfectly, what he would do to fuck you from behind in that mini skirt you were wearing. When you were learning the new dance for the tiktok you both made, your tits were bouncing perfectly in your top. 

He groaned, putting the bottom of his shirt in his mouth, scared that you might hear him. You ended up waking up from your nap, getting up, and knocking on the door to the bathroom, thinking he just got in there. “Minnie, are you okay?” you asked your voice still groggy from your nap, and it made him groan. The way you said his voice was enough to make him cum. 

He began stroking his cock faster, needing to feel some sort of a release. “Yeah, I’ll be out in a minute, I just am feeling kinda hot, I’m trying to cool down.” 

“Okay Minnie” you giggled from behind the door, “I’m going to order some food for us!” 

You went back to the bed, while he finally found his release thinking about your moans on his bed, cumming all over his stomach. Thank god he didn’t get caught, or did he?  

[thefangdomcryptid]

So apparently besides assuming every Tav is a self-insert because gods forbid people don't want to play as themselves for whatever reason, we are now gatekeeping which characters' trauma we are allowed to relate to??? I naturally blocked this person because the question was apparently not asked in good faith but to start an argument, but it just doesn't sit right with me.

Like, fine, we get it, you don't like Astarion. Fine. You don't get why he's so popular, also fine. You don't have to understand why people like a character, because sometimes you never will.

What isn't okay is to talk down to people because they find Astarion's trauma relatable and through his journey find a sort of closure of their own, because we all have our own Cazadors to deal with, but we can't always confront them, so this is the next best thing.

Yes, all the character have their own trauma, Karlach, Wyll, Gale, Shadowheart, Lae'zel. But I can't relate to them. Do you know why?

Because in the height of my C-PTSD I was not nice. I was not helpful. I was a shitty person that made shitty decisions and treated people around me and myself like shit. I was NOT a good person. So yeah, I can see right through Astarion's mask. Just like him I felt alone, and no "heroes" came to save me either.

It's also why I don't really enjoy Ascended Astarion because he feels like me at my worst. I mean obviously not exactly the same, but hurt people DO hurt people. It doesn't mean everyone does, but some do.

Anyway, if you relate to Astarion because of your trauma, or even Ascended because it's a way to deal with yours, you are valid. If you relate to Wyll or Karlach or anyone else for that matter, you are also valid.

And if you can do one thing in Fandom, then be kind.

[arceus-insanity]

With the Series Ending

I decided to do this solely based on canon, except for F which are so bad that they transcend the rule. I also put this in the lens of do I enjoy watching them, or do they infuriate me. Most of the ones in G are there because I can't tell who they are from the picture, or are so minor I don't get why they were on the list to begin with

Hawks was the hardest to place because as I've mentioned before I love villain fanon Hawks, and hate Canon for all the missed potential and the guy being shit.

Before the last arc, Deku would have been in C, and I felt most criticisms of him were undeserved. I still feel a lot of them are dumb, however, he's canonically a hypocritical, suck-up to labels, abuse apologist, idiot, etc. As much as it feels like character assassination it's canon, same with Shoji. I also just don't care to read fanfiction of him, and feel he takes a lot of roles where other characters would make more sense. If I'm not already following someone I'm not going to read fanfiction with him in it

Most of E I hate as much if not more than F but the fandom either doesn't write about, or treat them like the pieces of crap they are, looking at Mineta of course.

Fun fact Edgeshot is in E for bringing Bakugo back, and causing me both meta and dramatic issues for me. What the fuck was the point of killing Bakugo to immediately bring him back. How the fuck did Edgeshot know he could do this? How the fuck did he know how to do this? Why the fuck is he doing this for some random teenager he has never interacted with before, in the middle of a war? And now why the fuck does this fucker get to live, no one gave a single fuck about Edgeshot but he gets to live!

Centipeder would have been in E if not for the fact I know what my ringtone for him would be, Red Flags by Tom Cardy

Uraraka owes her rank in B for her arc with Toga, otherwise, she would have been in D. For the plot forgoing her original motivations so they could turn her into a generic love interest. Toga tried talking crushes with her 'twice' everything else regarding that shit, which started before they ever met, is on her

I actually love Endeavor fanfics as most of them either a treat his abuse for what it is, or b I view them as an own on canon Endeavor and his incredible laziness and selfishness. But Twitter exists and they flock to him and his bullshit so to F with him.

Speaking of Fs, Bakugo is a whiney spoiled rotten brat with a silver spoon shoved into his mouth since birth. I hope he never breeds. Damn near every shit thing that has happened to him, was either brought on by himself, literally applied to everyone, he literally doesn't care, and even with the two exceptions I'd give this, the Sludge guy, and being chained up at the sports fest (he should have been disqualified), do not justify his shit

Congrats to Dark Shadow and Tokoyami for being the only hero (student) to make it past B

Needless to say I love villains, Dabi is by far my favourite, followed by Himiko, they are way more engaging and convincing than the heroes. And by convincing I mean it actually feels like they are going to put in effort to make their goals happen, not just wish really hard. I truly wish we could have seen how Shigaraki's goals shifted during his reign over the PLF. We had already seen how he wanted the League to be happy and an exception to his goal of destruction

[genericpuff]

bit out of nowhere but LO Hades reminds me so much to Bojack Horseman idk how to explain it

Oh we've talked about this extensively in the ULO chat circles n such, especially when it comes to the most climactic scene in the show, the second interview:

The entire tone of the show showcases a very bitter reality with a lot of celebrities and people in power. There are some messed up things that happen throughout the course of the show, but they always feel like they're being used for comedy or brushed under the rug with comedy, because the show is, after all, a comedy. But I feel like that was the point, because it's not until the final season that everything that happened throughout finally catches up to Bojack, and suddenly... it's not funny anymore. There's no punchline. It really reflects just how much people in power don't see their abuse or wrongdoings as "big deals", sometimes they even see it as "just some funny thing that happened", all while the onlookers and victims of their behavior and abuse either become so acquainted with it they don't even see it as abuse anymore until they finally break away from it (Diana, Todd, Princess Caroline, etc.) OR they fight to be heard while the media tries to snuff them out. So then when the consequences finally catch up to them, there are no laughs to be heard, as much as the perpetrator in question may try their best to pass it off as "not a big deal" or believe they shouldn't be held accountable because "it happened a long time ago".

Anyone who sees Biscuits Braxby as the villain here is missing the overall point - Bojack has been responsible for literally ruining people's lives on several occasions, and has never been held accountable.

And yeah, I see a lot of that in LO as well, but the issue is the framing of the story isn't making it clear if it's actually going to have its "Come to Jesus" moment with Hades and Persephone, or if it's just gonna keep celebrating them as the heroes.

There were no consequences for Hades pulling out Alex's eye. They played the resolution out for comedy.

There were no consequences for Persephone turning Minthe into a mint plant. They played the scenario out for comedy literally by the end of the very same episode and then well into the next one.

There were no consequences for Persephone cornering Tori at his job. The entire thing was played up for comedy.

There were no consequences for Persephone raiding Leuce's home. She was rewarded with sex from Hades and it was, you guessed it, played up for comedy.

Just like with Bojack Horseman, we don't see Hades or Persephone treat these situations as seriously as they ought to. They ultimately don't care how other people feel or how they may be affected by their own actions, they only care about themselves. Just like with Bojack, we see Hades enter sexual relationships with women who are in a much weaker position than him, women who stand to lose far more than he would if the relationship went south.

(I need you all to realize that Hades is literally blackmailing her. He is trying to pay her off with a management position or some kind of severance and framing it in such a way to manipulate her into thinking it's 'better' for her that she take the deal, all for the sake of getting her out of the picture because he's with Persephone now. This is blackmail. And the narrative wants us to root for Hades here.)

Shit, I would argue Bojack is still a better character than Hades and Persephone because we 1.) see how the consequences of his actions do affect him on a deeper level (through his anxiety and self-hatred which he spends a long time wallowing in, making his situation worse, rather than seeking help for) and 2.) he actually does eventually start to seek help, but unfortunately there's only so much one person can do to fix themselves when their actions still haven't been brought to justice and their mindset hasn't truly changed; which is what we see in the final part of the show when, despite Bojack's attempts to be a better person, the Sarah-Lynn case catches up to him, and in his final moments up on that stage with Biscuits Braxby, we see his true nature come out - he thinks being an addict should absolve him from what he's done to others.

Sounds familiar, doesn't it? Except replace "addict" with "traumatized" as many of Persephone and Hades' actions are swept under the rug with "they went through trauma so it's fine". Despite the fact that other characters who have also been through trauma aren't given that same grace (Thanatos, Demeter, Minthe, etc.)

You could also go a step further and call out how the fans themselves will defend their actions as "but they're gods!!! gods were terrible all the time in the myths!" but isn't it funny how myth accuracy only ever comes up when it comes to defending Hades and Persephone? Meanwhile you'll never see anyone bring it up when it comes to Apollo SA'ing Persephone, or Hades having an emotional affair with Persephone, or any of the other number of things that Rachel rewrote for her 'retelling'. It's not funny haha, it's funny yikes.

I can only imagine how the fans feel seeing Hades and Persephone called out must be similar to how first-time viewers like myself felt seeing Bojack be put on the cross by Biscuits Braxby - "you're being an asshole, he's working on himself!" "leave him alone!!!" "the media is making a monster out of him!" "he's really not THAT bad!"

But he is. They are. And unlike Bojack Horseman, I unfortunately can no longer have the good faith in believing Hades and Persephone will have their comeuppance, or the people they've hurt will get their retribution. I have no hope that Persephone will see that she's the Sarah-Lynn of the relationship, a girl who was groomed into an abuser at the hands of an abuser, who had no chance of doing better because the person she fell for pulled her down to his level. I don't have any faith in Rachel whatsoever that she'll manage to end this story with any message besides "it's fine for Persephone and Hades to be who they are, because they're rich and powerful and really horny for each other!"

And Hades doesn't think he has any power over women.

[panpanghost]

part 2 of this thing:

Macaque heard them coming, Wukong's new friends. They were here when he first woke up, actually the strange kid was the first person he saw when he opened his eyes. The little fella looked so scared and worried about him, he even promised to find a way to save him no matter what. Such a nice kid.

But, he doesn't know who the kid is... After he left last time, Macaque asked Wukong about his identity but Wukong, strangely, just looked at him shocked and never gave him an answer, after that Macaque got the idea that he lost a part of his memories.

Macaque has been trying to get his memories back, but it's like shovelling through a mountain, he can't remember anything from the past years, he can't tell how long it's been. He tried asking Wukong about it, but, for some reason, Wukong is lying, he knows he's lying. He tells him not to think about it too much and just enjoy the present, Wukong won't answer no matter what he asks, he'd either avoid the question or lie.

But Macaque doesn't doubt Wukong, he knows he still cares about him, sure he was acting weirdly when Macaque went to sleep and shower with him, but he didn't kick him out or throw him away... he was acting strangely though... maybe... maybe they aren't that close anymore, maybe they drifted apart and haven't been together for a long time and Wukong is letting him stay because he feels bad for him-

No, no that can't be it, if it were the case then Wukong would've straight up told him to leave and he hasn't done that yet, in fact he's doing the complete opposite, he won't let Macaque leave his sight let alone the island. He's also been a lot more physical... not that Macaque is complaining about that... but still, that is not how you treat someone you want to get away from.

Maybe he can ask the kid, but would that upset Wukong? Shit... He can't stay like this.. Damn it. He'll deal with Wukong when he has to.

_"Hey Wukong, your friends are coming. Should we go greet them?" he asked playing with Wukong's hair, under the shadow of an old tree,

_"They are?!" Wukong got up from Macaque's lap dusting and putting himself together as if he was caught doing something he shouldn't. What's with him? Macaque doesn't remember Wukong being the shy type. No, Macaque is they shy one, Wukong used to have fun tormenting him in front of others.

_"Yeh, they'll be at the house any minute now."

_"Alright, thanks for telling me."

_"No problem, let's go see them, I'm actually kinda curious to know what that kid found out about the crown. All the monk said was that he felt a dark energy from it then nothing else."

_"Yeh.. about that. Why don't you just stay and rest a little more. I'll talk to them."

_"What? Why? It kind'a concerns me, don't you think I should be there?" Macaque is really starting to lose his temper,

_"Actually.." think Wukong, think! "When they first arrived here, you attacked them thinking they were enemies, and.. well... you guys don't get along that much..." would he believe that? it's not entirely a lie though..

_"oh- ok... I'll wait for you then." Macaque feels really bad, did he really attack them? but they seem so nice. It's really upsetting him, after what he'd done to them, they are still trying to help him, he should apologise, maybe make them some apology sweets, Macaque can't cook but he for sure can make killer desserts.

_"Hey, don't feel so down about it, I'll be back soon, ok?" Wukong feels a little bad for upsetting Macaque, but this is for the best, yes, it's for the best... is it?

_"ok." Macaque gave him a little smile. He should listen to Wukong, it's not like he can remember what he's apologising for. Wukong will take care of it.

edit: part 3

[eamour]

unfavourable concepts.

i've been meaning to address this for some time now. with social media becoming a platform with such a large number of people talking about different concepts in love, work, health and so on, there are concepts which i think need to be discussed, especially as they affect so many of us.

before we start, celest1albeing on twitter inspired me to write this post! make sure to check out their thread on there as well.

disclaimer.

these are concepts that don’t serve me personally. i don’t expect you to stop believing these concepts or make them apply to you and the world if you have no problems with them. if you can resonate and identify with these, that’s perfectly fine.

concepts of love.

information · these are all only examples which i seem to encounter frequently and which seem to be common.

young men cannot commit · men only treat pretty women with respect · all male friends of women just wanna hit · if he wanted to he would · they categorise you into sweet, sexy and pretty · he doesn’t love you if he does this · men always cheat and lie · they all only want one thing · they only like ass or tits · all men are the same · you can't change his type · you aren't his dream girl · men love quiet women · if a man doesn’t pay he isn't the one

you are just an option · once you are married your partner will become less romantic · after 3 months their true colours will show (honeymoon phase) · true love doesn’t exist · after the talking stage you either get into a situationship or go no contact · getting into a relationship is hard ·

women can’t be friends with men · women are complicated · they only want your money and wouldn’t want to date men who earn little · there is always another woman · they always look for someone better · you have to work on your divine feminine energy · you need to get out of your masculine energy · a woman needs to know her place

concepts of work.

money doesn’t grow on trees · it’s hard to get money · you have to work hard in order to afford your lifestyle · only if you do the work you can get a promotion · you could never be a ceo · you need to be privileged and born into richness for this position · this generation is lazy · no one wants to work · they are all going to end up jobless and poor · nowadays we are only evolving backwards

concepts of school.

you need to learn in order to get good grades · you cannot be smart without putting in the effort · teachers always have their favourite students · it's almost impossible to get good grades by teachers who can't stand you

concepts of health.

pasta makes you gain weight · you need to eat xyz and you cannot eat zyx · junk food is unhealthy · you need to workout in order to be fit · you can only lose weight by eating less · good skin requires an expensive skin care routine · t's hard to treat acne · you cannot get rid of scars on your face

self sabotage.

all in all, it all comes down to one thing: but is this what you want to believe in? do these beliefs serve you in any way? can you continue believing in them without worsening life for yourself? see, i am not the one shoving these concepts down your throat and expecting you to tweet "men ain’t shit". it’s all up to you if you want to claim these concepts as your truth or not. but if you keep believing in any undesirable concept that you KNOW does not help you in any way, you are only self sabotaging yourself IF you know that you can change these beliefs of yours.

evaluation.

the reason why i made this post is to emphasise that you can CHOOSE to believe in these concepts or not. you aren't tied to them. you don't depend on them. and you don't need to follow these concepts either.

i know we live in a society where even if you don’t initially believe that men suck or that you will get cheated on one way or another, we are still influenced by the experiences of others and may end up experiencing these things regardless. but you don’t have to!!! just because jessica had a man promise her the world and left her with nothing it doesn’t mean that it’s gonna happen to you as well. you are NOT her, you aren’t — and you don’t have to be — ANY of these people telling you about how awful people are, how sickening it is to date in this decade, etc. you don’t have to believe ANY of these things, in fact, you can change these concepts and the people around you.

in conclusion, you are your own person with your own individual beliefs. however, you have the CHOICE. no one's forcing you to believe any of these concepts, nor do they hold a universal truth to them. they come from the same awareness that can state the exact opposite.

with love, ella.

[am-i-the-asshole-official]

Am I an asshole because I told someone to shut the hell up about his autism?

Now, please read this before making your vote.

I (21 F) started going back to school recently, I signed up for classes late because it took so long for the paperwork and processes to be finalized. I was taking a speech class in the morning and we had to do a group project in class. Now, I spoke with the professor and told her I did not do well in group projects because I either get treated like literal crap or I do all the work. She said she didn't care, either I join a group or get a 0. Someone (20 M) was watching, we'll call him Ed for clarity. I asked if I could join Ed's group and he said yes. I tried being really nice to Ed and waited for our group members to meet with us after class. He showed me which music he liked and I said it was nice. So, during the entire time period of this project I would meet a lot with my group mates and we'd do the project. It was very difficult because professor wanted over 10 resources and a certain length for the report, then to top it off a PowerPoint we'd be presenting too. Ed did a lot of things to make me feel very uncomfortable, but my group mates ignored it and didn't say anything. He'd talk about how he visited the dark web and looked into hitmen. Then he showed us an intro to a porno. I felt very uncomfortable and mentioned it to the other girl in our group, she said she would talk with the other boys in our group about it (they all had been friends since highschool except Ed) , she said the assignment did require us to find an intro that was terrible, but maybe a porno intro was too much. The assignment in question was basically a research project about why introductions are very important. They ended up choosing some 90's tv show intro, I don't remember which one it was, just that the show got 2 seasons and the intro was too stereotypical for the time. During the time Ed would send me random "hi"s and he added/followed me on all my social media. He would comment on everything and would try to make conversations on them when I wouldn't text back. I kept the texts as bland as possible. Ed just gave me a bad vibe and kept doing shit to make me uncomfortable. Now here's where the autism part comes in. I was talking to a guy I had a crush on instagram and I guess Ed noticed. So Ed basically calls me and asks if I'm not attracted to him because he has autism. I said what the hell and hung up. It made me feel so uncomfortable then he started bringing up his autism on all my photos, posts, tweets, you name it. I didn't know what to do anymore. Ed kept blowing up my phone too. He'd message me every 5 mins and would get mad when I wouldn't answer right away. So back to my crush, Ed messaged him I wasn't interested in dating him! Like dude! So my crush says he doesn't have time for immaturity and blocks me despite me trying to defuse and apologize hundreds of times for that. So I asked for some advice and basically I got that his autism was making him act like that. I don't want to sound ableist, I'm sorry if I give off that impression, but enough was enough. I told him to fuck off or else I'd get the authorities and school involved since what he was doing was harassment. He said he can't harass since he has autism so I told him to shut the hell up about his autism since it wasn't a "get out of jail" card so i finally blocked him everywhere. I don't know if I'm being an asshole or maybe I'm just not patient or equip to handle Ed? Even then, I am in no shape or form attracted to Ed nor was I ever. Now I just never want him bothering me again.

[dashofmonsters]

Dreamers & Delusions- Pt. 8

merman x female reader

After you finally agreed to live with Tao he told you to take a few days to heal up. You were worried that you'd get fired from your job being out so long but apparently on his little jog out to get you clothes he also stopped by the diner.

He informed Mikey that you won't be back in for a few days due to your injuries. He also mentioned that he may or may not have threatened him after he said some horrible things about you under breath. Apparently Jes was there to stop him from beating Mikey black and blue.

You spent the first day just lounging about in the nest room, reading your romance novels you've stashed away at Tao's. He had to go back to the beach to asses the damage and help with clean up. When he came home he looked drained but quickly perked up when he saw that you made dinner

The second day Jes came to visit and the two of you talked up a storm.

"Girl you are so lucky to be alive right now! You could have fucking died!" She shakes you before giving you a rib crushing hug.

"I know, I know. I just couldn't be there anymore, I needed to get away," You cry against her shoulder and sigh.

You give Jes the run down of that fateful night and leave nothing out. She listens, shaking her head here and there and holding back tears when you talk about how terrified you were.

"And I've been here since. I don't know if he's told you, but I'm moving in with him," you tell her as you wipe your eyes with your sleeve.

"I think that's for the best, but what about... well, you haven't been to keen on getting any closer to him because of the... you know, mates subject," She sighs and scrubs her face.

"I'm trying not to think about it. I'll still keep him at a healthy distance, even though he seems to want the opposite. Not sure if he's taking this fake dating seriously or if he's just being over protective of me because he sees me as his shoal mate," you shrug.

Jes' brows hike up her forehead and she grins, "Shoal mate?"

"Like werewolves have pack members Jes, nothing special," you glare.

"Sure sure, and I'm guessing all those clothes and lacy things aren't special either?" Her grin widens.

"Jes, no. He's just being nice, he even said it was because I didn't have anything to wear and all," you roll your eyes and groan. "Besides he would probably buy even more expensive clothes for his mate, treat her even better and all. I'm just practice, that's all I'm ever good for."

Without warning a hand clamps down on your face and shakes you, "You listen and you listen good, I am sick and tired of hearing your woe was me bullshit! You are kind, smart, dependable, funny as fuck, and loving as hell and if no one can see that in you, they don't fucking deserve you. Tao included ok?"

You nod your head and whimper, "But when he finds her won't h-"

"And what if you are her? What then?" She asks you.

"How can it be me though? There's been no sign, no marks, no moment where we look deep into each others eyes and just 'know'. There's nothing Jes, just two friends who are fake dating," you start blubbering, tears rolling down your cheeks again.

You've bottled up these emotions for days now, unable to vent them since you're in the same living space with the merman who's causing them. You needed this, needed to talk to Jes and just let it all out.

"A part of me wishes he wasn't so goddamn nice to me ya know. Like it'd be so much easier to fall out of love with him. And now look at me, I'm about to move in with him because it's safer here than with my own fucking family. I can't win Jes, I can't," you sob into your hands and she pulls you in for a hug.

"You'll be alright sugar, maybe not now but eventually. I'm not going to sugar coat shit and say things will be fine because I'm no fortune teller girly. This is going to be a fucking journey, but it's all about how you navigate until you reach the end. Nobody needs to get hurt ok?" Jes pulls back and wipes a tear from your cheek. "But if he does hurt you, I will be more than happy to put my foot up where the sun don't shine."

You manage a teary chuckle and nod, "Thanks for being real Jes. I guess I needed to hear that and not some fake positivity bull shit."

"I don't do that wishy washy fake support girly, I tell it like it is," she grins and winks.

After you calm down Jes segues the conversation from you and Tao to her and her wild fae fiancé. You start cackling when she tells you about the gifts they've already received from friends and family. Apparently it's common practice to gift some fun things for the bedroom before the wedding so they can enjoy them afterward. Jes admits that she's lost count of how many of these gifts she has received.

"But here's the real kicker, because he's a wild fae our wedding has to be officiated by a wild fae who has worked law between both worlds for it to be legal in both," Jes sneers and tosses her hand back and forth.

"Won't that kind of be near impossible? Aren't wild fae against going into law? I thought they'd be more free spirited?" You try to imagine someone with wild hair and wild magic working in a court of law and quickly shake your head.

"That's what I thought, but there's one. Just one, fresh out of college too. He has a degree in law in both worlds. His name is Varen, very straight laced and way too normal for anyone to look at him and think wild fae. But Artek told me that this kid's one hundred percent a wild fae, could tell by the ebb and flow of his magic," She explains and goes into greater detail about this weird wild fae.

That conversation lead to another and another, talking and bitching turned to joking over lunch and eventually, like all good things, ended after cake. Jes left and you felt lighter though the dread stayed pooled in the pits of your stomach. It was manageable now, but still there.

You distract yourself by starting on dinner. You take it easy as to not overdo it and reopen any wounds again. You've splashed some healing potion on yourself this morning but should probably cleanse yourself with another dose soon.

Little by little you get everything together and toss it into the oven. Easy, simple bake for a dinner. While it does its own thing you whisk away to the bathroom and quickly strip as you run the bathwater. You've just finished pouring the potion into the bath when the door flies open haphazardly and Tao freezes.

You can't help but to laugh especially when he attempts to close the door that keeps slipping from his grasp.

"Dude you've seen me naked probably a dozen times now, nothing you haven't seen," you plop into the bath, still laughing.

You hear the door shut and Tao sighing and to your surprise you see him sitting right at the closed door. He looks a bit roughed up and tired as hell.

"Tough day at work," you ask as you settle in for a soak.

Tao groans, "Tough would be an understatement. Two vacant houses tumbled and shattered onto the beach during the storm. We started out with plenty of volunteers but once they realized how much work goes into the clean up, well we lost a good sixty percent."

"Sixty percent?!" you turn and nearly slip against the tub.

"And if that wasn't bad enough, a certain someone came to the beach looking for you," he adds with disgust that he doesn't even attempt to hide.

"You've gotta be shitting me... She came to the fucking beach after all that had happened?" you ask.

"She was cordial at first since there was a lot of people but when I wasn't giving her the answers she wanted she started saying horrific things about you in relation to, well, to us," he says.

You know how unhinged your grandmother can be with insults and name calling but to slander you or Tao, especially Tao, in public, that was crossing a whole new fucking line.

"What did she say?" you grit your teeth and exhale, trying to remain calm.

Tao doesn't say anything, but you hear him clear his throat and shift. You turn in the tub, keeping low enough that only your shoulders and up are visible, "Tao, what did she say?"

He looks at you and looks down, "She said a great deal of things that I am very certain would cause you to become quite enraged."

"I need something a little more specific buddy. How bad was it?" you keep pushing, knowing that Tao isn't fully comfortable with this but you need to know.

"I'm not sure if I-"

"If I promise to remain calm will you fucking tell me at least one goddamn thing she said?" you nearly yell, starting to get frustrated.

Tao's eyes widen but he nods his head, "She said...well she compared you to your mother saying that you're some slut for dating me and that I'm some freak with a human woman fetish that's lowering whatever qualities about you that would be desirable to human males."

You promised to remain calm, and you're no liar. Instead you start getting out of the tub. You quickly wrap a towel around yourself before Tao can say anything but to your surprise he seems rather speechless. His eyes are back onto the floor and there's this limpness to him. You squat down next to him and he doesn't flinch.

"There's more to this isn't there?" you ask.

"I couldn't say anything... I couldn't defend you or she'd know where you were. I wanted to tear her apart so bad, not physically of course, but I wanted her to know how wrong she was," Tao admits.

You lean up against him and he stiffens a bit before relaxing. He smells of the beach and whatever trash was on beach and it makes you crinkle your nose.

"I'm going to go get dressed and finish up dinner while you take a much needed shower. Let's try to get me moved in asap. I don't think I can tolerate my grandmother any longer," you shimmy up against the door to stand up as Tao shoves up and wobbles.

He seems a little off but mostly tired.

"Try to get some rest tonight ok? We have plenty of time to talk till we both pass out," you smile at him before leaving to go get dressed.

You throw on some comfy pajama bottoms that Jes bought for you and a large shirt that Tao had got you with all the other clothes. You slip into some comfy slides and head to the kitchen to check on dinner. It's a simple chicken bake that your older brother used to make and it made you feel like a normal kid when you ate it.

You wanted to share with Tao a taste of your world since the both of you always cooked his style. It's not that he can't eat or doesn't like to eat normal human food, it's just that you've been busy practicing his style for a while now.

It's just chicken breasts baked over carrots and potatoes that you've oiled and seasoned properly, but this was the one thing that kept you going on the hard days. You made it for your younger siblings when your brother got older and left, but it was never quite as good as his.

You start prepping some broccoli to go with it, something you added so everyone could get their vegies. You can't help but to smile when you think of your little sister grimacing when she took her first bite of broccoli. You had to convince her that they were tiny trees and she'd become a giant if she ate them. Before you left home, she admitted that it didn't work but she knew you were trying so she kept eating them even if she still didn't like them. Hearing that almost made you break down in tears.

You oil up the pan and turn to grab the broccoli when you run right into Tao.

"You have got to start warning me when you enter a room dude, this is going to keep happening if you don't," you laugh.

Tao chuckles and holds your arm, "I'll try to remember that for next time. How are your wounds?"

"Itchy," you shrug, "But manageable. How about you? How are you feeling?"

"I'm...," He pauses and sighs. "Tired, tired and drained. All I want to do is bury myself in a pile of blankets and pillows and pretend that the rest of the world doesn't exist for a while."

You want to laugh because you've been there, and you feel like this isn't the first time Tao has felt like this but it's the first time he's expressed it.

"Well how about we do just that after dinner ok? I could do with wrapping myself up in that fluffy green blanket like a lettuce wrap," you giggle.

Tao gives you a soft smile and nods, "Sounds like a plan."

His hand roves up from your forearm and to your shoulder, your heart pounding a mile a minute until his nose crinkles and he nearly shoves you away as he picks up the smoking oiled pan off the stove top.

You try to apologize but Tao stops you saying it's his fault he distracted you. He offers to help with the last bit of dinner but you stubbornly decline and banish him to the barstools.

The chicken bake finishes just as you toss the broccoli into the newly oiled pan and you hush up Tao when he offers to help again.

"Can't make you a thank you dinner if you keep trying to help now can I?" you poke at him.

"Wait, what do you mean?" he asks, almost shocked.

"I thought I'd make you something from my world as a thank you... Like we're always cooking stuff from the little book you made me or stuff based on that so I thought I'd try something different...," you feel your heart sinking a bit at how silly you sound.

You should have asked instead of jumping into this, should have double checked and now you're probably just cooking for yourself because he probably won't want t-

"I can't wait to try it then," he says.

You look up, realizing that you had been looking down at the broccoli and were probably about to salt it with your tears.

"It's nothing fancy, just a chicken bake my older brother used to make for me when I was a kid," you smile.

He smiles back and yawns looking more tired than usual, "Like I said, I can't wait to try it."

You feel your cheeks heat and your heart flutter but it doesn't last long as you mentally dunk yourself into cold water.

Just a friend, just a friend...

Shaking yourself out of your girly lovey dove self you focus on finishing dinner. As simple as it is you want to make it especially presentable. You give Tao two chicken breasts and a good helping of carrots, potatoes and broccoli. You wanted to serve dinner rolls with it but you had polished them off a couple nights ago.

Tao is unable to stay seated much longer and takes the plates to the one place you'd thought they'd be forbidden from entering, the nest room. Though not without trays which he asks you to bring. You grab them along with some bottles of water and the dessert Jes had brought earlier from the diner.

Tao has you set the trays and things down at the doorway so you can hold the plates. You watch with bated breath as his claw slowly slices through the air, dragging golden glowing ruins with it. The room shifts and the nest room transforms into something akin to a magical pillow fort. The plates you're holding float out of your hands and the trays fly up to support them.

You look down for the dessert and waters but they had already transported to Tao's hands. He smiles again and gestures for you to follow him into the pillow fort.

He plops down onto a beanbag that you had no idea was even in the room and the tray lands gracefully on his lap. You follow suit and snuggle up into a pile of pillows with your tray landing next to you.

"I gotta say Tao, had I known you as a kid I would have invited you over to build pillow forts and hang out because this is fucking nice," you joke.

Tao doesn't say anything because all of his focus and attention went straight into the dinner you had made. Though he's tired, his eyes turn solid black as he rips into the chicken like a beast. It's no feeding frenzy like he did at your grandmother's house, no he still seems conscience.

You take his silence and focus on the meal as a complement and tuck into your on plate. As you eat you realize that it's still not quite like your brother's.

Guess I'll have to hunt him down and shake that recipe out of him one of these days.

You're halfway down eating when you feel Tao snuggling up to you. You glance over at him, his eyes still all black.

"If you're still fully aware in there let me finish eating dude," you tell him.

Tao grunts which you suppose is a good sign as he slinks down and lays next to you. You stab at your food and eat as slowly as possible hoping that Tao will just pass out while waiting for you.

You're not against platonic cuddling or whatever sharky merfolk due to stay warm, but you need some distance. You need to be a little colder until you've sorted your feelings out.

He's been so good to you, kind and caring that it hurts more and more as the days pass and you haven't even officially moved in yet. You keep things as professional as you can but he keeps doing things like buying you snacks and little gifts like candles and bubble bath stuff.

It drives you absolutely crazy because you know this isn't going to last, that even though you'll still be shoal mates and all, you won't be anything more than just that.

You finish eating and check to see if Tao had passed out. Once you're certain he's asleep you clean up the pillow fort and take everything to the kitchen as quietly as possible. You shake your head and almost cry as you laugh about hanging out with Tao in a pillow fort.

If you weren't in love with him you'd probably have a blast. You'd probably try to wake his ass up and try to teach him some games the both of you could play.

But you're in love with him and he's tired. You're tired too.

You had allowed yourself to laze about while physically healing but mentally and emotionally you still feel like your wounds are wide open and bleeding all over the place.

Tip toeing back to the nest room, you quickly swipe the fluffy green blanket and a couple pillows to take back to the living room. You toss yourself onto the leather loveseat and curl into a ball before passing out.

~~~~~~

Tao:

My eyes feel crusted and practically glued together when I wake up. I'm cold even though I'm wrapped up in a heavy blanket. I reach out to get a feel of my surroundings when my memories of last night start flooding in. I snap up and and furiously wipe my eyes till I can open them.

The nest room is as I remembered, magicked into a cave of pillows and blankets but absent of a certain someone. I quickly untangle myself from the blankets and nearly trip as I make my way out of the room.

I search the nearby rooms to check for her before heading to the kitchen. My heart sinks when I peer into the living room and find her curled up on the couch. I quietly pad my way over to her and I fall to my knees when I see notice the tears stained on her face and the puffiness of her eyes.

Had she spent the entire night out here alone crying her eyes out?

I grab a fistful of my hair as I try to wrack my brain for anything I might have done to upset her. I start to worry if I offended her with the way that I ate last night, I did try my best to suppress my instincts. I know that going into a feeding frenzy can disgust humans but she's been fine with it before.

My heart starts racing and I can hardly breathe as I continue to spiral into a state of panic. I'm obviously not quiet about it because she stirs then shoots straight up. I hear her worrying over me, her warm hands cupping my cheek so gently. Without think I hold her hand in place as if I'm afraid this will be the last time she touches me.

Her thumb soothes short lines near my eye and I feel myself slowly calming down to the point that I almost doze off again. She keeps talking but it's muffled. She tries to pull her hand away then and I snap out of whatever trance I was in.

"Tao, you need to go in the tank dammit! You're dry as a bone!" she yells at me.

It takes a moment for my mind and body to sync up and that's when I realize the severe discomfort my skin is in. Not just my skin but my mouth feels sticky and my gills are on fire. I stumble as I stand, no longer operating on anxious energy. It's so difficult to move, to breathe in this state.

I haven't neglected myself like this in ages and now I'm doing it in front of her. For a moment I think she might scold me, rage at how stupid I was for not taking better care of myself until I feel her small hand at the mid of my back.

Slowly she helps me to the hatch, my breathing becoming more and more labored with each step. My gills feel stuck and itchy to the point of sheer madness. I try my best not to scratch at them in fear of them becoming raw.

She sits me down on one of the benches and helps me out of my shirt. For a moment I think that it's kind of her to help me out like this until I remember that I'm wearing pants too.

In a sudden bout of panic I shoot up and kick the hatch open. I hear her talking but not a single word is registering. I quickly start stripping my pants off and before she can see anything I try to dive into my tank but trip over my own feet. I nearly miss the edge when I hit the water and thank the goddesses I made it before I feel unconscious.

There's a weight on my shoulder, a stinging pain too. I suppose I did hit myself but not as bad. I peel open my eyes in horror when I see my shoal mate's limp body slowly floating away from me with blood trailing from her head.

~~~~~~

You could see Tao struggling and you tried to stop him before he hurt himself, instead you ended up bonking your fucking head on the edge of the hatch. It stings like a bitch from the saltwater so you must have sliced it on impact.

But you quickly shove that though from your mind because you're underwater and you're breathing somehow. Memories flood back and you recall holding onto to his shoulder for dear life and Tao pulling you in and how his mouth opened yours up so he could breathe for you. He said something and you nodded before passing out again. He most likely cast a spell to allow you to breathe under water then.

You slowly open your eyes but there's not much to behold. The tank is dark save for the light near the surface. You feel around yourself and notice something smooth nearby. You give it a good poke a guess by the texture and smooshiness of it that it's Tao's tail. Suddenly you're being pulled against him, his nose nuzzling against your ear and his claws rest gently against your bare skin.

"You scared me half to death," he groans, his voice hoarse.

"Ditto dude, you were having a full blown panic attack. What happened?" you ask as bubbles exit your mouth. You have a good idea based on how he's responded to anything you do in the past but it doesn't hurt to check.

Tao's claws twitch and he hums, "I was worried that I had offended you somehow. When I awoke, you were not in the nest."

"You didn't do anything wrong Tao, I just... I needed some space. That and uhh...," You pause, knowing it's now or never and decide to rip it off like a band aid. "You don't have to keep up the fake dating act when we're alone. I mean whenever you find your mate or something I think you'll do good."

You continue to praise him and how he'll make someone super happy one of these days while doing your damndest to mask the ache in your heart. You slip up though and your voice cracks but you laugh it off or at least try to.

The slip doesn't go unnoticed and Tao pulls you into his arms again, crushing you against his body. You're stiff yet somehow you're trembling as he cradles your head and gently kisses your cheek. He doesn't say anything really but you do hear him purr. It's a low thrumming sound and it's oddly soothing.

"We were supposed to relax and pretend as if the world did not exist in the nest room. I ruined that by allowing my instincts to take over again," He says remorsefully.

"No you didn't Tao, I just... I needed space and... you've been great, maybe too great. It just feels wrong somehow to keep up the fake dating act twenty four seven. It's been messing with my head so much so that, I don't know... I just think we should tone it down and just be friends when no one is looking," you bury your face against his chest and sigh.

Tao taps his claws against the back of your head as his purring somehow intensifies, "Then how has it been messing with your head? Did I do something to overstep any boundaries?"

It's a genuine question, you know it is but it irritates you because it's digging so close to the truth, "You haven't overstepped anything, if anyone did that would be me. You've been nothing but kind and respectful and all that and it's been making me think how great it would be if there was someone who could treat me like you do but they actually loved me."

That last part stings your soul because you don't want just anybody, you want Tao.

Without thinking you keep blubbering on, your emotions taking charge now, "And then I started thinking how nice it would be if I was your mate, not just shoal mate, but that'd never happen. So I just kept telling myself we're friends and that you'll eventually find your fated mate and I'll be tossed aside. So I've been trying my best to shut those feelings off, to put some distance between us but somehow someway we keep coming into contact with each other."

At this point your laughing, possibly crying but it's too hard to tell since you're still underwater. Tao holds you even tighter, pulling you up until your chin rests on his shoulder.

"I pray to the goddesses every night that I never meet my fated mate or that I will have the strength to reject her if we do meet," he admits.

"Why would you do that?" you ask with a broken voice.

"Because I want to choose my mate and fated mates among merfolk are rare anyways. I came to this world for a new life, I can't hold onto old traditions and wishful thinking," he answers, his claws once again tapping the back of your head.

"Did you decide this because you've already chose someone?" The question slips and Tao's fingers still against you.

His purring is so loud now and his heartbeat is thrumming against it. He doesn't say anything for a minute but then nods, "Yes, I suppose I have."

You go limp in his hold for a second before looking up at him. His golden eyes glow in the darkness and his hair moves in waves around his head like an inky crown. He looks more feral at this moment than he does when his instincts kick in. For a moment you're terrified of the question fighting its way out but when he touches your arm oh so gently is just flies out.

"Who is it? Who did you chose?"

[starlight-writer]

Fighting

A)n: Heyyyy... I'm back :)

Warning: none, angst, yelling, arguing

Gn reader Masterlist

Steven

He doesn’t yell

But it’s that exactly that makes it worse

He refuses to yell, but he��ll be a sarcastic little shit

“Oh really? How lovely.”

“Oh my dearest apologies, my liege, I didn’t realize I had to agree with everything you had to say.”

Steven won’t back down, he’ll keep this energy until he’s done talking about it and then he’ll ignore you

He won’t ask how your day's been, he won't hug you, he won't even look at you

And it’ll drive you crazy

The only reason this started was because Steven missed a date and didn’t acknowledge that he would be late or wanted to cancel

He was working late for Donna again, but this time it just set off something in his head

Normally you wouldn’t be too upset about him missing a date, seeing as he’s got other people to take care of and he’s got a shitty boss, but when you asked him about the date, he blew up

“God, it was one date, why do you have to nag me about it?”

“Excuse me? I wasn’t trying to nag you, Steven, I just wanted to know what happened.”

“You’re not my bloody parent, you don’t need to know!”

“Take that back.”

“No.”

And now you're in your room and Steven's sleeping on the couch

That night will give him time to realize he was in the wrong and he'll feel super guilty

When he wakes up with a stiff back and sore neck, he'll think he deserves it

He'll wait until you come out to get up

And then he's following you around like a lost puppy

He won't say anything, but he'll look so sad and just be following you everywhere you go

It would be cute if you weren't upset with him

You'll have to be the one to start a conversation, but as soon as you say a single word to him, Steven's apologizing faster than you can process

"Love, I'm so so sorry. I was an absolute knob, I was so stressed and upset yesterday and I know that's not a reason to treat you so terribly, but it was such a bad day. I promise I'll make it up with 3, no, 5 dates! We can do whatever you want today and tomorrow and all week! Please forgive me, darling. I know I don't deserve it, but please just give me another chance."

He looks like he's about to burst into tears and kneel for you

(Which would be hot in a different setting)

Depending on how passionate you feel about this, it might take some time to forgive him, but he's there every second of the day

Or if you want him to leave you alone, he'll respect that

You'll find little notes of lovey poems around the flat and your favorite snacks littered around the living room

He honestly feels like a terrible partner so when you do decide to forgive him, just give him a kiss and hug him

He'll cry and apologize a bunch more so just pet his head and tell him it's ok

He'll genuinely sit you down and ask if there's something he can do to get his 'anger issues' under control

Poor baby doesn't have anger issues, he just has a shitty boss <3

Marc

He yells

He yells loud and painful things

He doesn’t care, he can’t bother to care

He’s angry and that’s all he feels

He can’t think past it, it’s like he sees red

He’ll shout until his throat is raw, but he’ll get as many insults and sarcastic comments he can before that happens

He knows what he’s doing is wrong, he knows the only reason you’re arguing is because of him

But he’s not backing down

He wants to hurt you and he does

And it makes everything worse for at least a week

Marc came home absolutely wreaked from a fight and refused your help, preferring to drink and just sit there

If you weren’t so upset at the fact he refused your help and instead wanted the help of alcohol, you’d yell at him about staining the couch with his blood

You’ll either have to deal with Marc breaking out into an argument after the initial one, or leave to stay somewhere else

If you come back the next day, Marc will still be upset

He won’t start yelling at you again, but he’ll ignore you

And it really just stops there

It’s the silent treatment for a week

He'll make dinner for you and all that, but he won't talk to you

He'll stare at you, wondering if you'll be the one to apologize

Or he'll be staring at you to see if you're watching him

You're not

He'll stay silent for an entire week, festering in his anger and guilt until it overflows

And when you come back home from work or being out late, he's waiting for you

And he looks like a kicked puppy

It was no surprise Marc had no idea how to apologize and admit/accept his feelings but at this moment, none of that mattered

His guilt and the feeling of missing you outweighed his discomfort of voicing his feelings

He'll start with an apology, saying how sorry he was and how terrible he felt

He didn't give any excuse or reason for his anger, he just apologized and stood there

He expects you to yell at him, leave him, insult him

Just gently take him in your arms and kiss his cheek

You don't even have to tell him anything, he'll promise to never yell at you like that again

"If I do, you can hit me as hard as you want."

Marc will say, though if you did actually hit him, he'd probably cry

He'll be so genuine with his words and.the nail in the coffin was the fact that he promised

Marc never makes promises, even if he knows he can fulfill them

But he swears up and down that he will never yell at you again

And he does everything in his power to reverse or heal the damage his words did to you

Even going out of his comfort zone

He loves you so much and he doesn't understand why you're still with him, but he thanks every God and Goddess that you are

Jake

He’s dangerously silent

He’ll stand there completely blanked face, eyes set in a slight glare as you argue about something that was definitely his fault

Maybe he missed a date and didn’t bother to let you know he wasn’t coming or wrote off your worry about a few injuries and called you ‘clingy’ and ‘overbearing’

Either way, he doesn’t respond to your anger, just standing there like he didn’t care

And it hurt

Once you were done explaining how you felt or what Jake did wrong, he’ll roll his eyes, pull out a cigarette and sit in the couch

He’ll play the baseball game he may have missed or just watch the news to really set in that something that boring was more interesting than your feelings

“Do you seriously find the news more important than our relationship?”

He won’t look at you

“I can’t believe this. If you care so fucking little, then why are you still here?”

“This is my house.”

“Then maybe I should go if it’s just your house.”

“You should.”

And you do

You go to a friends house, or a hotel, somewhere that you can rest for the night because you’re obviously not going to get anywhere with Jake and you can’t stand his attitude

The second you’re out of the room, Jake curses and throws the tv remote at the wall

He throws everything that he can without any worry of breaking something or getting a noise complaint

He'll throw bottles, plates, pillows, books

Once he's run out of steam, he'll shamefully clean up everything, throwing glass away and putting pillows back

That's give him the time he needs to realize 'oh shit, I fucked up'

He won't come out and admit it instantly, no

He'll fester in his guilt and figure out what exactly he should say

He'll even plan out when he should breathe during his apology

And when you get home, no matter when that is, Jake it waiting patiently with breakfast, lunch, or dinner

He'll give a nervous smile and walk up to you, giving you a hesitant kiss on your cheek before pulling you to the living room couch

Your plate of food is already made and somehow still warm despite Jake no knowing when you'd be back

He'll give an awkward apology, explaining how he's still not used to being something more than a protector for Marc and Steven, how he's still learning to let people in, how he loves you with all his heart despite being such a monster

He might start crying, but he'll try not to show you

He doesn't want to show vulnerability, but he knows it's important in a relationship

So he'll just ask very quietly if he can hug you

Is you say no, he'll nod in understanding as tears fall into his lap

He'll quietly mutter another apology and just sit there, unsure as to what to do

If you say yes, however, he'll gently wrap his arms around your waist and bury his head in your neck

He'll silently cry, muttering 'i love you' over and over again until you say it back

Just rub his back and kiss his head, tell him you forgive him or need time to forgive him and he'll understand either way

He loves you with his entire being, almost like he lives off of loving you

[a-star-that-burns-brightly]

It's kind of disheartening to me how the common fanon portrayal of Xander and David's dynamic is usually boiled down to Xander being a 'simp' (for lack of a better word) with a one-sided adoration and idolization of David. Especially after the latter's heel turn in CH2-11. And I say that because one of the most important facets of their dynamic to me is the fact that David also very much idolizes Xander just as much, if not more then Xander idolizes him. David believes the world cannot change, we know this. But I think an aspect of his philosophy that I think goes severely overlooked is just how badly he wants to not believe that. He wants to believe that the world can change, and more specifically, that people can change. This aspect of himself can be seen in many parts of his character. I'll most likely touch on this in a later post, but it's most likely part of why he devised his plan to share the secrets. It's very likely the reason he became a motivational speaker, and it plays a massive part in his two closest relationships during the killing game, Arei and Xander. But today, we're talking about Xander. David looks up to Xander. Incredibly so. Xander is everything that he wants to be.

David: You wanted to make Nico feel comfortable, even though you wouldn't necessarily get anything out of it.

Someone who is unconditionally kind to others with no ulterior deceitful motive, just for the sake of being kind to others.

David: You're always full of energy and bravery to achieve your goals, no matter what they are. Yet at the same time, you're a compassionate person who takes the time to help others.

Someone who strives for hope and change, and will never back down until he has it.

David: I have trouble believing that Xander would be the kind of person to commit murder.

An unquestionable Good Person.

That is why he pushes back so hard when Teruko accuses Xander of attempting to kill her. He refused to acknowledge the possibility that Xander, for all of his good qualities, might've been a much more deceitful person than he was letting on.

Because quite frankly, even though the two of them agreed to treat each other to treat each other less as role models and more as friends, if you ask me: I don't think David ever stopped seeing Xander as his role model. I mean, why would he? Like I said before, Xander is everything David wants to be, everything David so badly wishes he could be but has it etched into his brain that he is incapable of such. Xander is a light in his dark chasm of cynicism, a glimmer of hope. That maybe, just maybe...

Xander: Enough with these idols or role models, okay? Let's just be friends. David: I... David: I'd love that. Thank you.

Things could change.

Teruko: Earlier at lunch, Xander had asked for me to meet him in the computer lab, claiming that he wanted to tell me about some plan he had to confront the mastermind. Teruko: We both met up there after dinner, where he tried to murder me instead by stabbing me with the kitchen knife. David: Xander tried to kill you? I find that hard to believe.

And then the light starts flickering. I've mentioned it before in this post, but one of David's biggest flaws in his mindset is that it causes him to view people, including himself, in a nuance-less binary lens of black and white.

David: People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

You are either a good person, or a lazy, useless, stupid piece of shit. In simpler terms, you are either born a good person or you are born a bad person, and whichever you are born with will become your identity until the day you are in a casket. That is what David believes. Up until now, Xander was strictly placed into the slot of "good person". Not just that, but practically the opposite of what David deems as a "lazy, useless, and stupid" person. He himself has described Xander as someone who is full of energy and will do anything to achieve his goals, someone who takes the time to help others, and a compassionate and generally emotionally intelligent person. That is who Xander Matthews is to David. But now that he is being given evidence of a more potentially malicious side to Xander, the pitfalls of a firm black-and-white mindset rear their head and repeatedly bludgeon David in his own.

David: It's possible that those bloodstains are Xander's, not yours.

(he's reaching so fucking hard here and he fucking knows it, god I hate him. /pos)

David: Are you saying that Xander is a killer? I find that difficult to believe.

Teruko: -But I believe that the origin of the DVD is not from the culprit, but rather, from that person (SELECT: Xander) Teruko: It was most likely Xander. David: Xander... He planned something that manipulative?

David's monochrome mentality (Riproducer reference completely intended) makes it so that he cannot even fathom the idea that Xander, someone he previously marked off as not just a good person but the good person, is even capable of hurting someone, of being cruel enough to intentionally trigger someone just for his murder plan, to murder someone in general. If his feelings towards Min are anything to go by...

David: Something as horrible as this murder, as horrible as this class trial-- David: How dare you! You killed Xander, and you were perfectly willing to kill everyone else here to escape!

David: At that time, watching Min, I kept thinking... David: ... David: How utterly pathetic she was!

That would certainly bring Xander to the category of lazy, useless, stupid bastards. But David has already put Xander into the category of a "good person". So what else is he meant to do other than defend and deflect anything suggesting otherwise? David doesn't want to believe that that glimmer of hope that Xander gave him was just a lie, that hope that things could change, that he could change. So he defends it. He clings to it. He doesn't want to let go. But here's the funny thing about David. Despite his black-and-white mindset, despite the fact that he does believe good people exist, he will always be, first and foremost: A cynical bitch. Point being: I think David, deep down, knew full well that Teruko was most likely telling the truth. Like, I joked about it earlier, but do you really think he believed the lack-luster argument that completely ignored evidence that he could gleam by just looking at the crime scene? I think he was just reaching for anything at that point to try and prove himself wrong. But it's no use, the light continues to flicker. David's denial of Xander's cruelty is quiet to none, but it's clear he is still clinging desperately onto the positive image of Xander he used to have, seeing as he does not show nearly as much animosity (verbally anyway) towards Xander then he does towards Min, despite the fact that Xander also seemed more than willing to kill the rest of the class to escape. It's breaking. But after Min's execution, it's clear that it all hits him at once.

David: I... I've seen enough. There's no point in keeping my hopes up anymore. David: We are all certainly going to die here.

David Chiem left the courtroom that day with his hopes snuffed out, nothing left within him other than the cruel reminder of something he already knew:

If something is important, then

It'll break and disappear.

[lillybearrie]

Hello I would like to remind everyone that the first (technically second if you wanna get really technical but who cares) thing we heard from fable was

"Release Me,

You are free of Enderian, now focus on purpose"

Directed at Icarus

"Now focus on your purpose"????? WHAT HAPPENED TO "HI" "HELLO" "HOW ARE YOU MY SON"

BECAUSE NEWSFLASH SIR THAT'S NOT HOW YOU TALK TO YOUR FUCKING CHILD

THEY AREN'T A FUCKING ROBOT TO TAKE AND CARRY OUT YOUR ORDERS THAT'S YOUR GODDAMN KID!

PEOPLE TREATED SEVEN WITH MORE FAMIARITY AND RESPECT

no offense to seven great guy rip man BUT STILL

Anyway on to actual analysis

After reading this note, several deductions can be made about our antagonist's character right off the bat, which in season 3 we see to be accurate assumptions

First of all the sending of the note "release me" constantly at the beginning of every reset presumably for the past several ones gives us a base line of a few things A) whoever wrote it is trapped B) they really want out C) whomever was to recive the note presumably can help with this D) this person is either very angry and resorting to formal wording as a form of passive aggression or they are simply a very formal person Had this not been the case they would have written "let me out" or "get me out" or even "help me"

Now for the post-corruption portion

"You are free of Enderian"

1) this person knows Enderian 2) This person knows at least of Icarus 3) They intentionally have been sending these to Icarus 4) despite being trapped they have some way to know what is going on 5) their particular view of Enderian is not favorable it's not overtly antagonistic however this is the one part of the not that can be read as at least partially sympathetic to Icarus

Finally "Now focus on your purpose"

1) they don't see Icarus as anything but a means to an end 2) tone wise it feels like both the chastisement of a child and an order to an unthinking being 3) "your purpose" seemingly refers to the prior statement of "release me" either implying that the writer believes Icarus is only here to get them out of wherever they are or that Icarus's sole purpose in life is to aid and assist them and 4) the use of "now" after the previous statement implies they view the corruption arc as simply something that was inhibiting the progression of them being let out

First off once again SIR THAT IS YOUR CHILD YOU MOTHERFUCKER-

In conclusion deductions that can be made from this note with the knowledge that i now hold are as follows: Fable wanted out of purgatory, they issued Icarus with the fulfillment of this task and saw the corruption arc as merely a speed bump on the road of getting his ass outta there. Fable is a pretentious douchebag. Like everyone else in his life Fable is constantly using his own son as a means to achieving his end goal.

Other notes:

Had Fable's motivations not been his underlying obsession with keeping what he believes is "his" even when it disrupts and disregards the rules of the universe and the sanctity of life he likely wouldn't have given 2 shits about Icarus.

If we view Fable's interactions with others through the lense of him thinking of those of the overworld as "his" his people his creations his world then it starts to become clearer that he only sees individuals as tools and for their potential usefulness to him. And if we want to take this view even further we could even say that he at least on some level viewed Alerion giving a place for his deceased mortals to restate something akin to how a child views their sibling stealing a toy from their room, which then implies that the war of the gods is just a big temper tantrum where Fable hurt his brother then his other siblings stepped in and went "hey woah man not cool you can hit Al dude he is literally just playing the game" to which Fable's response was to hurt them as well and now he's just got out of timeout and basically started blaming his parents for everything wrong in his life which is so silly goofy of him until you remember that these were people he was upset about his brother "stealing" from him and it becomes less silly goofy.

"But Lilly!" I hear you say because you've totally read this far, mhm definitely "If he doesn't actually care about the dead people, then why does he act nice? Why is his charisma stat so high?" Well to that I say is it easier to keep someone in one spot when you make them believe this is where they wanna be or when they know the whole truth?

[ladyluscinia]

Ok, I think I might be exiting the "are you fucking kidding me?" period and ready to make a real argument, so lets talk about Three Act Structure!

Is OFMD S2 just the "Darkest Hour"?

A very common explanation I've been seeing for some of the... controversial... aspects of S2 is that it's meant to be that way. That the middle act is where the protagonists hit their lowest point. Where we get the big failure point. Where everything looks kind of shit.

S2 is supposedly just that point. It's The Empire Strikes Back. People have been making that comparison since before the first episodes even dropped, telling everyone to expect something that could be disappointing or unsatisfying - it's just a matter of needing to wait for S3 to pull it all together.

It's not a baseless framework to consider the show through - I'm pretty sure David Jenkins has mentioned it in interviews (or at least mentioned he planned for three acts / seasons) so it's certainly worth asking how he's doing at the 2/3rd mark.

So - quick summary of Three Act Structure:

Act 1 introduces our characters and world. It includes the inciting incident of the story and the first plot point, where a) the protagonist loses the ability to return to their normal life, and b) the story raises whatever dramatic question will drive the entire plot. Act 2 is rising action and usually most of the story. The protagonist tries to fix things and fucks them up worse, in the process learning new skills and character developing to overcome their flaws. Act 3 is the protagonist taking one more shot, but this time they are ready. We get the climax of the story, the dramatic question gets an answer, and then the story closes.

If you want examples, the Star Wars Original Trilogy is a very popular template. And, hell, he said it was a pirate story... the main Pirates of the Caribbean trilogy also does a solid job with their three acts.

Let's compare. (Spoiler: I'm not impressed 🤨)

---

First thing I need to establish... Wait. Two things. First is that Three Act Structure is flexible, so we can't really analyze success or failure by pulling up a list of necessary plot beats that should have been hit in X order. Second is that if you tell me you are writing a romance with a Three Act Structure - where "the relationship is the story" - the first thing I'm going to do is ask you how you are adapting it. Because while there's not necessarily anything preventing you from applying this to a character driven plot, most people are familiar with it as plot structure for externally driven conflict.

Unless there's a reason the status of the main relationship is intrinsically tied up in the current status of the war against the evil empire, a standard Three Act Structure is going to entail either an antagonistic force that absolutely wants your main couple apart being the main relationship obstacle OR the romance aspect being a subplot to the protagonist's narrative adventure. None of those sound like how the show has been described.

So how is OFMD adapting it?

---

Act 1

(Can't figure out how well Act 2 is doing if we don't start at setup.)

Right out the gate, OFMD breaks one of the main "rules" for a story where the Acts are delivered in three parts. Namely the one where the first Act is treated as an acceptable standalone story, with it's own satisfying yet open ended conclusion.

In Star Wars, A New Hope ends with the princess rescued, Luke finding the Force, Han finding his loyalty, and the Death Star destroyed. The Empire isn't defeated, the antagonists still live... the story is not over, but this one movie doesn't feel unfinished.

Similarly, Curse of the Black Pearl gives Jack his ship back, Elizabeth and Will get together, and Norrington has the English Navy let them all off the hook and give Jack and the pirates one day's head start.

OFMD's final beat of S1 being Kraken Arc starting is not that, even if Stede returning to sea is still a pretty hopeful note. Now... I don't necessarily think this was a bad call. At least, not if the story is the relationship. It's easy to close on a happy ending and then fuck it up next movie if the conflict is external and coming for them. Not so much if you're driving the story with your protagonists' flaws, in part because it should be really obvious at the end of setup that your main characters need development and can't run off together right now. I actually like that they were risk-takers and let S1 look at the situation clearly vs doing a fragile happy end, because it takes into account the difference between a character-driven and plot-driven narrative.

I think OFMD's Act 1 actually ends at maybe the Act of Grace? Well, there through the kiss on the beach, counting as our "first plot point" before everything goes wrong, basically.

At that point, they have setup the story and characters. We've been introduced to Edward and Stede's current issues. Signing the Act of Grace does make the intertwined arcs between them real - it's no longer a situation that either one of them could just walk away from like it was in 1x07 - and we narrow in on the (alleged) driving question of the show:

It's not about "Will Stede become a great pirate?" or "Will we develop a better kind of piracy for the crew?" - the show is the relationship and the big question is "What is Stede and Edward's happy ending?"

Act 1 ends on their first solution, being together and making each other happy and admitting it's more than just friendship. Act 2 starts, appropriately, by saying both of them are currently too flawed for that to go anywhere but crashing and burning.

Now... looking back, what does Act 1 do well vs poorly?

I think it's really strong on giving us the foundation for BlackBonnet's characters and flaws. We aren't surprised Stede goes home or Edward goes Kraken (or at least... we weren't supposed to be surprised. There are still a lot of holdouts blaming Izzy for interrupting Edward's "healing" despite how at this point in the story it doesn't make sense for Edward to have the skills to heal... but I digress). The relationship question is compelling at the end of S1, the cliffhanger hooks, and the fandom explosion of fics did not come from nowhere - the audience was invested.

I also think Act 1 does a great job of settling us in the universe. We understand the rules it abides by, from how gay pirates are just a fact of life to how there's no important organs on the left side of the body. Stede has a muppety force field. Rowboats have homing devices, and port is always as close as you want it to be. Scurvy is a joke. The overblown violence of pirate life is mostly a joke, but we are going to take the violence of childhood trauma seriously.

Lucius's fake-out death, while technically part of Act 2, works well because Act 1 did a good job of priming everyone to go "obviously this show wouldn't kill a crew member for shock value, and we're 100% supposed to suspend disbelief about how he could have survived getting flung into the sea in the middle of the night." And we do. And we get rewarded for it.

Regarding antagonists - a big focus of any setup - the show is deliberately weak. The one with the most screentime is Izzy, and he's purposefully ineffective at separating our main couple. Every antagonist is keyed to a particular character, and they function mostly to inform us of that character's flaws and development requirements. The Badmintons tell us about Stede's repression and feelings of inadequacy, and Izzy tells us about Edward's directionless discontent and tendency to avoid his problems. Effectively - the show is taking the stance this will be a character driven narrative where Stede and Edward's flaws are the source of problems and development the solution. No person or empire (or social homophobia) is separating them...

...which leads me to something not present - there nothing really about the struggle of piracy against the Empire. Looking at Curse of the Black Pearl... we see piracy is in danger. The Black Pearl itself is described as the last great pirate threat the British Navy needs to conquer. Hangings are omnipresent - Jack is sentenced to die by one almost as soon as he's introduced to the story, when his only act so far had been to wander around and save Elizabeth from drowning. OFMD tries to invoke this kind of struggle in 2x08, but there's no foundation. Our Navy antagonists are Stede's childhood bullies, and so focused on Stede the crew isn't even in danger when they get caught. The Republic of Pirates is getting jokes about being gentrified, not besieged.

Even the capture of Blackbeard by the Navy is treated as a feather in Wellington's cap but not a huge symbolic blow against piracy... because we just do not have that grand struggle woven into Act 1. You only know the "Golden Age of Piracy" is ending if you google it, or have watched a bunch of pirate shows.

Overall, a solid Act 1, well adapted to the kind of story they've said they were looking to tell - a romance in the (silly-fied) age of piracy, instead of a pirate adventure with a romantic subplot.

---

Now, Sidebar - Where is the story going?

The thing about the dramatic question - in OFMD's case: "What is Stede and Edward's happy ending?" - is that a) there's normally more than one question bundled up in that one + sideplots, and b) while you aren't supposed to have the answer yet, you can usually guess what needs to happen to give you the answer.

Back to our examples... Luke's driving question is "Will the Empire be defeated?" Simple. Straightforward. Also: "Will Luke become a Jedi?" The eventual climax of our story from there is pretty obvious... the story is over when Luke wins the war for the Rebellion in a Jedi way. That's the goal that they are working toward.

Pirates of the Caribbean is a bit more complicated. We're juggling more characters and have a less defined heroic journey, but there are driving questions like "Is Jack Sparrow a good man?" and "Is Will Turner a pirate / what does that mean?" and even "Will the British Navy defeat piracy?" They get basic answers in Curse of the Black Pearl, and far more defined ones in At World's End. Still, this is another plot-driven narrative. They've laid the foundations for the Pirates vs Empire struggle, and when that final battle turns into the trilogy climax then you know what's happening.

OFMD is not doing a plot-driven narrative. To judge how they are doing at their goals, we have to ask what they think a happy ending entails in a character sense.

Clearly it's not the classic romantic sideplot, where the climax is the first kiss / acknowledgement of feelings. They've teased a wedding in Word of God comments a lot, so that's probably our better endpoint. Specifically, though, a wedding where both of our protagonists aren't ready to flee from the altar (big ask) and where they've both grown enough that their flaws / mutual tendencies to run away from life problems won't tank the relationship.

In Stede's case it's still massive feelings of inadequacy and being too repressed to talk about his problems. Also he ran away from his family to chase a lifelong dream of being a pirate - "Is Stede going to find fulfillment in being a pirate captain, or will the real answer be love?" Edward meanwhile expresses a desire to quit piracy and retire Blackbeard, but we also find out he's struggling with massive self-loathing and guilt from killing his father - "Is retiring what Edward wants to do, or is he just running away?"

If they are going to get to a satisfying wedding beat at the climax of their story, what character beats do we need to hit in advance?

Off the top of my head - both characters need to self-realize their flaws (a pretty necessary demand of anyone who runs away from problems). They are set up to balance each other well, but also to miscommunicate easily. They have to tell each other about or verbally acknowledge that self-realization so it can be resolved. Stede has to decide how much being a pirate means to him. Edward has to decide if he's retiring and what he wants to do. They both need to show something to do with getting past their childhood traumas given all the flashbacks. Through all this, they also need to hit the normal romance beats that convince the audience they are romantically attracted to each other and like... want to get married.

Oh, and this is more of a genre-specific sideplot, but once they demonstrate a behavior that hurts the people who work for them, they need to then demonstrate later how it won't happen again. Proof of growth, which is kind of important in a comedy where a lot of the humor is based in them being massively self-centered assholes. Stede doesn't earn his acceptance in the community until he kicks Calico Jack off the ship, making up for causing the situation with Nigel in the first episode. A workplace comedy can get a lot of material from the boss as the worker's antagonist, but if you want the bosses to stay sympathetic you have got to throw them some opportunities to earn it.

All that sounds like a lot, but like - the relationship is the story, right? If we spend so much time on establishing flaws big enough to drive a story, we also have to spend time on fixing them. Which is where the turning point hits.

---

Act 2: How it Starts

This is where the full story reality-checks your protagonist. Glad you saved your boyfriend and embraced new love in Act 1, but his repressed guilt means he's about to completely ghost you, and your own abandonment issues and self-loathing are about to make his dick move into everyone else's problem.

Again, it's a non-conventional choice OFMD has this start at the very end of S1 rather than with a sudden dark turn in the S2 premiere, but it's still pretty clearly that point in the Three Act Structure.

In Star Wars, The Empire Strikes Back opens with a timeskip to our Rebellion getting absolutely crushed and hiding on a miserable frozen planet. The Empire finds them as the plot is kicking off and they have to desperately flee. They get separated. Han and Leia try to go to an ally for help and end up in Vader's clutches. It's a sharp turn from the victorious note that A New Hope ended on.

Pirates of the Caribbean's Act 2 starts dark. Dead Man's Chest opens with our happy couple Will and Elizabeth getting arrested on their wedding day for the "happy end" escape of the last movie. Jack has not been having success since reclaiming his ship, and we'll soon find out he's being hunted by dark forces. As for the general state of piracy, we get a horrifying prison where pirates are being eaten alive by crows, and a new Lord Beckett making the dying state of piracy even more textual. "Jack Sparrow is a dying breed... The world is shrinking."

The key here is making a point that our heroes aren't ready. This is the struggles part - things they try? Fail. The odds do not look to be in their favor.

Now, OFMD apparently decided to go all-in on flaw exploration, especially with Edward. The first 3 episodes of S2 are brutally efficient in outlining Edward's backslide. In S1 you could see he had issues with guilt and feeling like a bad person. S2 devolves that into a destructive, suicidal spiral where Edward forces his crew into three months of consecutive raids, repeats his shocking act of cruelty with Izzy's toe offscreen (more than once!), escalates it with his leg, and finally they state directly that Edward hates himself for killing his dad so much that he fears he's fundamentally unlovable and better off dead.

Stede's struggles are subtler, but most definitely still there. He's deliberately turning a blind eye to tales of Edward's rampage, half from simply being too self-centered to care about the harms Edward causes others, and half from being unable to face or fathom that he had the ability to hurt Edward that much. Upon reunion he wants to put the whole thing behind them, not addressing why he left in the first place. Very "love magically fixes everything" of him, except Stede is no golden merman.

Interestingly, here, BlackBonnet's relationship dysfunction has very clearly been having a negative impact on the surrounding characters we care about. Make sense, since it's the driving force of the story, but that also adds a lot more relationships we need to make right. Like... Edward is the villain to his crew. The show focuses on their trauma and poisoned relationships with him. And then draws our attention even more to Stede taking his side to overrule their objections to him.

For a story where the conflict and required resolutions are primarily character based, and the setup had already given the main couple a good amount to work with, dedicating a lot of S2 to adding more ground to cover was... a choice. Potentially very compelling on the character end, certainly challenging on the writing end... but not a complete break with the structure.

Bold, but not damning.

---

Act 2: How it Ends

Now it is true that Act 2 tends to end on a loss. Luke is defeated by Vader and loses his hand, and Han has been sent away in carbonite. Jack Sparrow for all his efforts cannot escape his fate, and he and the Pearl are dragged to the locker.

But the loss is not the point. The loss is incidental to the point.

Act 2 is about struggles and failure, but it's also about lessons learned. There's a change that occurs, and our cast - defeated but not broken - enters the final act with the essential skills, motivation, knowledge, etc. that they lacked in the beginning.

Luke Skywalker could not have defeated the Empire in Return of the Jedi until he'd learned the truth about his father and resisted the Dark Side in The Empire Strikes Back. (Ok, confession, I'm using Star Wars as an example because literally everyone is doing so, but frankly it's a better example of formulaic Three Act Structure repeating within each movie because on a trilogy level - relevant to this comparison - it is a super basic hero's journey in a very recognized outfit and as such the Act 2 relevance is also... super basic "the hero tries to fight the antagonist too early" beat where he learns humility. Not really a lot going on. So, for the better example...)

Dead Man's Chest has a downer ending with the closing moment of the survivors regaining hope and a plan against an enemy now on the verge of total victory - a classic Act 2. But in that first loss against Davy Jones we get Will's personal motivation and oath to stab the heart, Jack finally overcoming not knowing what he wanted and returning to save them from the Kraken (being a good man), Elizabeth betraying Jack (being a pirate), Barbossa's return, and Norrington's choice to bargain for his prior life back. The mission to retrieve Jack from the World's End is the final movie's plot, but things are already on track to turn the tables back around as we enter the finale.

Now, relevant sidenote - one major difference between Three Act Structure within a single work vs across three parts is that Act 2 continues into Part 3, and only tips over into Act 3 about midway through. This is because obviously your final movie or season cannot just be the climax. That's why both movie examples start with a rescue mission. They have to still be missing something so they can get the plot of their third part accelerating while they go get whatever that something is.

But if you wait until the 3rd movie / season to get the development going at all - you're fucked.

Jack's decision in the climax of At World's End to make Elizabeth into the Pirate King goes back to the development we saw in the Pearl vs Kraken fight in Dead Man's Chest. So does Elizabeth's leadership arc. Will's whole arc about becoming Captain of the Dutchman gets built upon in the third movie, but it starts in the second. Not just as an idle thought - he's actively pursuing it. Already consciously weighing saving his father vs getting back to Elizabeth as soon as he makes the oath. Everyone is moving forward in Act 2. Their remaining development might stumble for drama, or they might be a bit reluctant, but I know that they know better than to let it stick, because they already faced their true crisis points.

I'm not sure we can say the same about OFMD.

S2 does a good job of adding problems, yeah, but there's not really any movement on fixing them. Our main couple stagnates in some ways, and regresses in others.

Stede opened Act 2 by running away in the middle of the night back to his wife without telling Edward anything. We know he did it because of feeling guilty and his core childhood trauma of his dad calling him a weak and inadequate failure. Now in S1 he actually speedruns a realization of his shitty behavior with Mary, but what about S2? Well...

He continues to not talk to Edward about... pretty much anything. My guy practiced love confessions galore but Edward only finds out about going back to his wife via Anne, and it gets brushed aside with a love confession. He seems to think Edward wants him to be a dashing pirate, or maybe he just thinks he should be a dashing pirate. Idk, it doesn't get examined. Regarding his captaincy, they give him an episode plot about Izzy teaching him to respect the crew's beliefs, but this is sideplot to a larger arc of him completely overruling their traumas and concerns (and shushing their objections) to keep his boyfriend on the ship so. That.

Stede kills a man for reasons related to his issues, shoves that down inside and has sex with Edward instead of acknowledging any bad feelings. At least this time Edward was there and knows it happened? Neither Chauncey's death nor his dad have been mentioned to anyone. He gets a day of piracy fame that goes to his head, gets dumped, and ends on a complete beat down by Zheng where he learns... idk. Being a boor is bad? He's still wildly callous to her in the finale, and spends the whole time seeking validation of his pirate skills. He reunites with Edward, kisses, and quotes Han Solo.

Where S1 ended on a great fuckery, his S2 naval uniform plan after they regroup is ill defined except to call it a suicide mission - and we don't get to see what it would have been because it devolves into a very straightforward fight and flee. And gets Izzy killed. Quick cut funeral (no acknowledgement of his S2 bonding with Izzy), quick cut to wedding (foreshadowing), quick cut to... innkeeper retirement? Unclear when or even if BlackBonnet discussed Stede's whole driving dream to be a pirate and live a life at sea, but I guess that got a big priority downgrade. Despite the fact he was literally looking to Zheng for pirate-based compliments in the post-funeral scene.

I guess he's borderline-delusionally dogged in his pursuit of love now - so unlikely to bolt again - but he's also got at least a decade of experience mentally checking out in a state of repression when he's unhappy. And he's stopped being as supportive and caring toward the crew in that dogged pursuit, while arguably demonstrating a loss in leadership skills, so, um, good thing someone else is in charge?

And if Stede is a mess, Edward's arc is so much worse.

As established, they devote the Kraken to making Edward worse. He literally wants to kill himself and destroy everyone around him in the process because Stede left, and this is fixed by... Stede coming back. That's it. The crew tries to murder him and then exiles him from the ship (and Izzy takes the lead on both, indicating exactly how isolated Edward has become), but it's resolved in half a day by Stede just forcing them to put up with his boyfriend again. Like they think he murdered Buttons and still have to move him back in???

The show consistently depicts Kraken Era as a transgression against the crew, but they also avoid showing Edward acting with genuine contrition. He admits he historically doesn't apologize for anything, and then mostly still doesn't. It's a joke that he's approaching probation as a performance (CEO apology), and then the only person he genuinely talks to is Fang - the one guy cool with him - and the only person who gets a basic "sorry" is Izzy - the guy he really needs to be talking to. Edward's primary trauma is guilt, but apparently he only feels it abstractly after all that? He's only concerned with fixing things with Stede, despite Stede being about the only person around who hurt him instead of the reverse.

Speaking of primary traumas, Edward hating himself doesn't really go anywhere after the beat of self-realization. Apparently Stede still loving him is enough of a bandaid to end the suicide chasing, but he doesn't like. Acknowledge that. Edward is maybe sorta trying to go slow so he doesn't hang all his self-worth on Stede again (you can speculate), but they a) absolutely fail to go slow, and b) he doesn't make any attempt to develop himself or another support structure. Just basically... "let's be friends a bit before hooking back up." And then we get the whiplash that is Blackbeard and/or retirement.

Kraken Era is Blackbeard but way worse, like no one who has known Blackbeard has ever seen him. In the Gravy Basket Edward claims he might like being an innkeeper, before destroying his own fantasy by having the spectre of Hornigold confront him over killing his dad. The BlackBonnet to Anne & Mary parallel says running away to China / retiring makes you want to kill each other - burn it all down and go back to piracy. Stede rightfully points out prior retirement plans were whims. Edward gets sick of the penance sack after a day and puts his leathers back on to go try "poison into positivity". But also claims to be an innkeeper (look - two whole mentions!) when trying not to send children to be pirates after teaching them important knife skills.

Killing Ned Low is a serious, bad thing that prompts ill-advised sex and then going hardcore into retirement mode - leathers overboard, talk about mermaid fantasy, get retirement blessings from Izzy, end up dumping Stede for a fishing job instead of talking about how he's enjoying piracy. The fishing job, however, is also a bad thing and a stupid decision because Edward is a lazy freeloader fantasizing about being a better person. We have an uncomfortable, extended scene of "Pop-Pop" weirdly echoing his abusive dad and then sending Edward to go do what he's good at - disassociate, brutally murder two guys, fish up the leathers, rise as the Kraken from the sea. He continues with comically efficient murder but also he's reading Stede's love letters and seeking to reunite with him so... wait, is this a good thing? Post makeout / mass slaughter he's trading compliments on his kills with Zheng so. Yeah. Looks like it. Murder is fine.

Wait, no, skip ahead and Izzy is dying and Edward suddenly cares a whole lot as Izzy makes his death scene about freeing Edward from Blackbeard. Now being a pirate was "encouraging the darkness" because Izzy - a guy who had little to no influence over Edward's behavior - just couldn't let Blackbeard go. Murder is bad again, and he is freed. Minus the little detail that the murder he explicitly hates himself over was not related to Blackbeard or piracy whatsoever, so presumably haunts "just Ed" still. Anyway he's retiring to run an inn with Stede now, as the "loving family" Izzy comforted him with in his dying moments sails away from the couple that can best be described as the antagonists of their S2 arc. Also Edward implicitly wants to get married. It's been 3 days since making out was "too fast". He's still wearing the leathers.

So most of the way through Act 2 and Edward's barely on speaking terms with anyone but Stede, who he has once again hung his entire life on really fast? Crushing guilt leads to self-hatred leads to mass murder and suicide, but only if he's upset so just avoid that. He's still regularly idealizing Stede as a non-fucked up golden mermaid person (that maybe he personally ruined a bit) because he barely knows the guy. His only progress on his future is "pirate" crossed out / rewritten / crossed out again a few times, "fisherman" crossed out, and "innkeeper ?"

Just.

Where is the forward movement?

It's not just that the inn will undoubtedly fall apart - it's that the inn will fall apart for the near-exact same reasons that China was going to at the beginning of Act 2, and I can't point to anything they've learned in the time since that will help them. I guess Stede realized he loved Edward enough to chase after him, but that was in S1! They should be further than this by now. You can't cram another crisis backslide, all the Act 2 development, and the full Act 3 climax into one season. Certainly not without it feeling like the characters magically fix themselves.

If they just fail and keep blindly stumbling into the same issues because they don't change their behavior, then Act 2 doesn't work. You're just repeating the turning point between Act 1 & Act 2 on a loop.

---

Where Did They Fuck Up?

Actually... lets start on what they did right.

The one consistent aspect of S2 that I praised and still think was done well in a vacuum (despite being mostly left out of the finale) was the crew's union-building arc.

With only 8 episodes and more to do in them than S1, side characters were going to get pinched even if the main plot was absolutely flawless. That was unavoidable. With budget cuts / scheduling issues, we regularly have crew members simply vanish offscreen outside of one scene, meaning cohesive arcs for your faves was not likely. Not to say they couldn't have done better - my benefit of the doubt for the TealOranges breakup and Oluwande x Zheng dried up about when I realized he was literally just her Stede stand-in for the parallel - but something like Jim's revenge plot from S1 was realistically not on the table without, like, turning half the crew into seagulls to afford it.

The union building works around this constraint really well. They turn "the crew" into the side arc, and then weave Izzy's beats in so that they aren't just about Izzy. The breakup boat crew working together to comfort each other and protect him turns them into a unit, and Stede's crew taking it upon themselves to address the trauma vibes while the captains aren't in the way solidifies it across all our side characters. The crew goes to war with Stede's cursed coat and wins, they Calypso their boss to throw a party, and they capitalize on a chance to make bank with an efficiency Stede could only dream of.

We don't get specific arcs, but Frenchie, Jim, and Oluwande are defaulted to as leaders in just about every situation, and Roach is constantly shown sharing his inventions with different characters. Individuals can dip in and out without feeling like the sideplots stutter. Any sense of community in S2 is coming from this arc - even if there are cracks at the points where it joins to other storylines (Stede and Edward, Zheng, etc.)

So why does it work? Well, because it's a workplace comedy, and you can tell they are familiar with working on those. They know where the beats are. They know where to find the humor. They know how to build off of S1 because they made sure the bones were already there - an eclectic group of individuals that start as just coworkers, but bond over time in the face of their struggle against an inept boss who they grow to care for and support while maintaining an increasingly friendly antagonism because, you know, inept boss.

OFMD does its best work in S2 when it's being true to its original concept... and its worst work when it seemingly loses confidence in its own premise.

"The show is the relationship," right? It's a romance set in a workplace comedy. The setup of Act 1 was all about creating a character-driven narrative. So given that... where the hell are we getting the dying of piracy and a war against the English Navy?

That's not a character-driven romcom backdrop, it's an action-adventure plot from Pirates of the Caribbean or Black Sails. It's plot-driven, creating an antagonistic force that results in your characters' problems. Once the story is about the fight against the Empire, the dramatic question becomes the same as those adventure stories - "Will the British Navy defeat piracy, and will our protagonists come out the other side of the battle?"

Forget the wedding. The wedding is no longer the climax of the story, its back to the happy ending flash our romantic subplot gets after winning this fight.

Except, of course, trying to pivot your story to a contradictory dramatic question near the end of Act 2 can be nothing short of a disaster, because either you were writing the wrong story until now, or you've completely lost the plot of the real one. I shouldn't even be trying to figure out if they are doing this, because it should be so obvious that they wouldn't.

And yet.

What do the Zheng and Ricky plots add to the story if not this? Neither of these characters have anything emotionally to contribute to Stede and Edward - they truly are plot elements. It's a hard break from the S1 antagonist model, but it also takes up a lot of valuable screentime. This was considered important, but still Zheng's personality and motivation only gets explored so far as it's an Edward-Stede-Izzy parallel with Oluwande and Auntie, and they only need the parallel for Izzy's genre-jumping death scene. Which follows a thematically out-of-left-field speech about how piracy is about belonging to something good (workable) and how Ricky could never destroy their spirits (um...?). And then David Jenkins is pointing to it and saying things about "the symbolic death of piracy" and speculating S3 might be about the crew getting "payback"??? An idea floated by Zheng right before our temporary retirement, btw.

Fuck, the final episode of S2 didn't have time for our main couple to talk to each other because it was so busy dealing with the mass explosion of Zheng's fleet and Ricky's victory gloat. We get lethal violence associated with traumatic flashbacks until they need to cut down enemy mooks like it's nothing, at which point we get jokes with Zheng. The Republic of Pirates is destroyed outright, and it feels like they only did it because they got insecure about their "pirate story" not having the right kind of stakes. Don't even get me started on killing a major character because "Piracy’s a dangerous occupation, and some characters should die," as if suspending disbelief on this aspect makes the story somehow lesser, instead of just being a fairly standard genre convention in comedy. Nobody complains about Kermit the Frog having an improbably good survival record.

Did someone tell them that the heroes have to lose a battle near the end of Act 2, so they scrambled to give them one?

Just... compare the wholly plot-driven struggle in 2x08 to Stede and Edward's character-focused storylines in 1x10 and tell me how 2x08 is providing anything nearly as valuable to the story. Because I can't fucking find it.

At best they wasted a bunch of time on a poorly integrated adventure plot as, like, Zheng's backstory or something, and just fucked it up horribly by trying to "step up" the kind of plot they did for Jim. In which case the whole thing will be awkwardly dropped but damage is done. Otherwise, they actually thought they could just casually add a subplot like this because they've done something wildly stupid like think "pirate" is a genre on the same level as "workplace comedy" and can just trample in-universe coherency while you draw on other media to shore up their unsupported beats.

Bringing us to the most infuriating bit...

---

"...end the second season in a kinder spot."

If this was the goal, the entire season was written to work actively against it in way that is baffling and incompetent.

The really ironic thing is that the reason that the Act 2 part typically gets a downer ending is because of the evil empire that OFMD did not have to deal with until they pointlessly added it. A plot-driven story has an antagonistic force - a villain - that the heroes need to defeat. Something external working against them. The story ends when they beat the thing, and it's not much of a climax if they do most of the defeating before you get there. Ergo, they have to be outmatched up to the climax. Ergo, the second part cannot end on them feeling pretty comfortable and confident going into the third.

The same rules do not apply in the same way to a character-driven arc.

We already established Edward and Stede declaring their love is not the end of the story. Nor, necessarily, is both of them confidently entering a relationship. Even once they've developed a bunch they will have to show that development by running into the kinds of problems that would have broken them up before and resolving them better.

David Jenkins keeps talking about this idea that S2 is getting a hopeful open ending and S3 will get into potential problems, and like... I don't see any reason why they couldn't have done that successfully. They didn't, but they could've.

If S2 grew them enough as characters and then had them agree to try again in the last minute of the finale, they absolutely could have had a kind and hopeful ending where you were confident they could do it. And then a potential S3 can show that. It's a bit rockier than they were counting on, but they have learned enough lessons to not break up. And then the overall plot can build to proposal (start of Act 3) and wedding (the romantic climax). It doesn't have to be a blow out fight to be emotionally cathartic.

(Hell, the main rockier bit that they overcome in the S3 Act 2 portions could be marriage baggage. I'm sure they both have some. It would work.)

In the same way focusing on our character's long term flaws and character-driven conflict makes an Act 1 "happy ending" more difficult, I suspect it makes an Act 2 "happy ending" easier.

Instead they wrote an Act 2 that failed to convincingly start development and got confused on its direction, and then presented a rushed finale ending in a copy of the predictable disaster from S1 as though it's a good thing. They yanked the story at least temporarily into an awkward place where a romcom is trying to sell me on a bunch of serious drama / adventure beats that it has not put the work into, and inviting comparisons to better versions of those same beats in other, more suited media that make it look worse. The need to portray everyone as reaching happy closure overrules sitting with a major character death and using it for any narrative significance, while still letting it overshadow those happy endings because a romcom just sloppily killed a major character with a wound they've literally looked into the camera and said was harmless.

If I'm being entirely honest, Dead Man's Chest ends effectively at Jack Sparrow's funeral and then cuts to the British Navy obtaining a weapon of mass destruction, and it still feels kinder and more hopeful just because I leave with more faith the characters are actively capable of and working toward solving their problems.

OFMD S2, in contrast, has half-convinced me our main couple would live in a mutually obsessed, miscommunication-ridden horror story until they die.

---

Additional Reading

Normally I link stuff like this in the post, but that requires more excitement than I'm feeling right now. Here's my alternative:

Where I thought they were going with Edward - really outlines the mountain of character development they still have unaddressed

Where I thought they were going with Izzy - touches on a lot of themes that might be dead in the water & also context that's still probably relevant to why Izzy got a lot of focus in S2

My scattershot 2x08 reactions

An ask where I sketched out the bones of this argument, and another where I was mostly venting about the fandom response

This one, this other one, and this last one (read the link in op's post too) about genre shifts and failure to pull them off

The trauma goes in the box but it never opens back up - the whole point of Act 2 is that they needed to start opening shit like that - and also they focus so much on needed character growth and so little on following through

They can't even carry through on character growth that we got last season???

Why Izzy's death feels like Bury Your Gays ran smack into shitty writing

EDIT: Oh and this post is REALLY good for outlining the lack of change in way less words than I did