#and now I'm starting to remember why I lost interest after like season 10

[feral-pixie-dream-possum]

Wow they just breezed past the fact that in s9e3 Cas was stabbed with an angel blade while he's human and after a very brief hesitation Dean just yanks that thing out to use it to save Sam. This is the first time I even noticed that there's a second where Dean is probably thinking that he knows that you don't remove the stabby thing from a stab victim if you want them to live.

[toa-kirhan]

TATMR Rewatch

Saw this post appear on my dash again and felt like rewatching the movie again. Thoughts while rewatching a twenty-four year old film about magic talking trains included below.

Btw, if you want to watch this fever dream for yourself, the whole thing is on Youtube w/ ads:

Starting off and- hey it's Diesel 10! You remember Diesel 10, right? What a "blast from the past," right? Right?

I miss the hammy, over-the-top New Jersey accent they gave Diesel in this movie. The slimy, manipulative voice they gave him later on is fine, but c'mon, the guy's got a giant claw coming out of his back. There's nothing subtle about him. Give us our big dumb tantruming baby back!

Interesting to see Gordon shake w/ fear after seeing Diesel, considering how much flak people gave the last couple seasons of the show over the engines 'gesturing' w/ their bodies (same w/ Thomas sneezing later on).

The two ends of the universe: Anytown, USA and a remote island off the coast of England (I know its implied that Sodor is part of a separate magical dimension in this movie, hush).

That said, filming in the rustic British countryside really doesn't scream America:

Also what's that line about Shining Time being separated from Sodor by "oceans of time"? Dym like time zones (crossing the Atlantic) or time travel? The show is canonically set in the 50s-70s, afterall.

It's a shame that they didn't use the original Shining Time theme for the introductory shot. Not sure if it'd fit, but it's still a shame. Include it during the credits at least.

Oh, that fish is not having a good time.

Stacy Jones! c:

Billy Twofeathers (wdym he aways looked like that, hush)! c:

S/o to James' androgynous voice in this movie.

Diesel 10 is going to dominate you... sorry.

I know they recut this movie after audience testing, but it is odd having the mystery of the lost engine w/ Burnett's backstory revealed to the audience right at the beginning of the movie, only for it to continue being treated as a mystery by the rest of the cast until the climax.

That said, they still did an admirable job w/ it, considering they cut out one of the main antagonists. There's a few repeated story beats (Burnett and Diesel giving Lady's backstory back to back) and lines that don't quite work (Burnett telling Diesel, the magic talking train, he'll fail bc he "doesn't believe in magic"), but nothing too distracting.

Jumping from that slow, melancholic scene w/ Burnett to Diesel w/ his fucking goofy theme playing is fantastic.

Mr. C Humming the OG theme tune is a really cute touch.

Free Moby Dick!

"Stacy, where did you find this painting?" Mr. C, I'm pretty sure that's a drawing.

I can't get over Baldwin chewing the scenery in this movie, he's just constantly goofing off in front of the camera, picking up and talking to random props. I know all of it is prob in the script, it is a kid's film after all, but its just so silly that I love it.

I like the implication that Burnett was just a kid that Mr. C talked to and chose to entrust w/ Lady's secret, just like all the kids he'd (well, another Mr. Conductor), interact w/ on Shining Time.

Lily! c:

Bluebird! c:

Now there's the America I know! Cars everywhere!

I remember too many of these lines.

The scene w/ the angry painting of Topham calming down each time they cut back to it after Mr. C puts back the hat was and still is the best one in the movie imo.

Lady Hatt's portrait is still just one of the wooden figures lmao.

I have a deep-seated memory of constantly repeating the scene of Mr. C reflexively batting the ball he was just roleplaying w/ out of his hand and scolding it.

Nvm the scene of Diesel busting through the shed wall still goes hard as hell, esp. when Mr. C's magic starts failing (same for all of Diesel's action scenes tbh).

Here it is, the infamous sugar scene:

Also that face. :O

Jesus, why did they put this scene into the movie?

Hearing Stacy say that and start sobbing is genuinely upsetting.

I didn't even notice the railway (sorry, railroad) got replaced w/ a road in this scene.

It's interesting to think about how in the workprint, an older Lily was the narrator, meanwhile Mr. C would still out here constantly breaking the fourth wall by talking straight to the audience.

Very interesting low self-esteem James moment b/w him and Mr. C. It's a shame that isn't explored more in the actual series. James is usually portrayed as vain, not insecure.

Mr. C, you're on a railway. Why are you hiking in the woods to get to a windmill?

Bertie saying "vroom vroom vroom" after every one of his lines is the best decision they ever made.

James: "Mr. C's not at the Windmill. I looked!" Point proven.

Even though they lean into the sick Henry angle, it's nice to see he still has that edge to his personality, at least for two out of three scenes.

Presented w/o context:

Why does Junior have a Scottish accent? Is he from Ringo's side of the family?

Mr. C is in charge of this entire railway rn and he's just sleeping outside on the fucking ground having an existential crisis.

Hey Lily can play the harmonica! I need to break out mine again and harass people w/ my inability to play.

There he is! P.T. Boomer! I remember reading SiF all the time going over all the scenes left in after they axed that entire plotline like that freeze-frame of Stacy w/ the picture of Burnett, Boomer, and Tasha.

Lady's ghost whistling still works as is, but just imagine hearing it thru out the film w/o that knowledge. Much more haunting.

They did Toby so much justice in this film. Consistently a wise voice of reason that gets his own spotlight moment vs Diesel.

I... I forgot this movie included a version of "Really Useful Engine" in the middle of it.

I know the film was criticized for how much focus it put on its all new human cast, but I actually really enjoy these scenes. Maybe bc they're part of the quintessential Magic Railroad experience.

That said, w/o the inclusion of Boomer, the human plot lacks tension or stakes for much of the runtime. The Sodor plot (thru the character of Mr. C) is doing all of the tension-building for the whole movie. As it stands, there's little reason for an audience to actually get invested in that part of the story as is outside of just liking the characters.

Man, this film's special effects have not aged well.

Oh yeah, Annie and Clarabel only get a single line in the entire movie. :/

Oh Alec finally gets to start acting serious towards the end of the film. It really helps the tension building.

Mr. C: "No he is not a dog. Let's just say he's a puppy in need of a good trainer," while Junior is kneeling in front of him w/ his tongue out panting. I get that it's meant to be a short little gag but wtf is this movie?

It's my favorite character! Tumbleweed!!!

OMG TUMBLEWEED APPEARS IN A SECOND SCENE! I FORGOT ABOUT THAT!

CGI Thomas just out here chilling on top of a cliff in the real world.

Thomas falls down and almost dies and Lily doesn't notice at all.

The smelter's yard continues to be the best set in this entire series. With the lighting turning the steam red it looks genuinely hellish.

Burnett: "Well Lady, this is your shining time too." Hey they said it!

The viaduct collapse scene is so good! It feels so real and weighty. Props to the props department.

Burnett: "Now we'll always remember our shining time together." 🌈🌈🌈

God, this movie is so cute! Really fun watching it again in full some all these years later.

HEY WHAT THE FUCJK IS THAT CREDITS SONG?!?

HELLO??!?

I've legitimately never heard this before. I must've just stopped watching at the credits as a kid. this movie just ends w/ a 2000s pop dance song. okay. sure.

[the-habbit-reviewer]

(PSA)Racism & Ableism. Typical. | Trident Business Review

First off I want to talk about the creators of the series.

I've had nothing but poor interactions with these guys. the second I was active, trying to fit in and be funny, I could clearly tell they didn't like me

the creator, Mark, wanted me to show my face to him, saying I type like a kid. Then he banned me

After a bit where I was admittedly being kind of an asshole to them, I was allowed back in. Before this I joked about people not liking me always end up as bad people one way or another, like they're pedophiles or they're racist(keep that in mind)

Mark seemed to freak out, going into one of our servers and starts defending himself... even though I told no one, and I was just joking. Then I'm allowed back in the server.

I read his defense, and I jokingly call them ableist for the things his friends said about me, and he backtracked, saying they weren't using autistic as an insult(keep this in mind for later as well)

And just today, I was doing my usual shtick, sending unfunny gifs and saying random shit, and the cast are being particularly antagonistic towards me, and then...

they call me a vegetable, even though I've told Mark that I'm autistic. So he and his friends should already be aware by now.

I bring this up to Mark, and he just says it's the type of insults they use. It's just their type of humor. Then....

...Yeah, they're racist too.

to sum it all up: The creators of Trident Business are racist, ableist assholes :D. Why can't Slenderverse creators just be normal?

Okay, now onto the actual review.

TRIDENT BUSINESS! It's... not good! It's very basic, full of the typical cliches most modern Slenderverse series have. I tried watching this myself multiple times, and I genuinely struggled to get past the first handful of videos.

1: The Pacing

The pacing is really, really bad. Every single episode is just a slog of silence, bad distortion, bad acting, mediocre editing...

You could probably remove MOST of the episodes from season 1, leaving 10, or even less, and the series would most likely improve.

Let's take the first three videos for example: Intro, 1. Hector's DVDs, and 2. Lost Media. Why were these three separate videos? Each video is drawn out for no reason, and you barely learn anything plot relevant in them, so they should really all be one video.

2: The Characters

The characters are flat. All of them are. No real personality traits, or anything to make them interesting. So there isn't anyone to actually care for. I can't even remember their names.

3: The Story

What story? Just watch Marble Hornets, it most likely does everything this series does but better, and I'm not even a big fan of MH!

4: Personal Nitpicks

The editing. It's is really poor, especially during the earlier videos. The distortion is loud and obnoxious. The Collective ripoff videos are also pointless. They have NO reason to be there, and barely anything is ever learned from most of them. They're just there for the sake of it. And they don't even have decent visuals like TribeTwelve.

The Red World/The Minds Eye. What a shitty addition tbh. It's only there because TribeTwelve did it. Mark making the Red World an open source concept is just laughable.

tHe cOnTRoLlEr. What a silly name for the Slender Man. The series give no reason for why he's called that, so I can only assume it's because TribeTwelve/Marble Hornets did it!! The Slender Man doesn't even do anything in the series. He just stands there.

Final Thoughts:

1/10. Trident Business is REALLY basic, so it doesn't deserve a higher rating. It does nothing new, nothing interesting, and is overly long, bloated with filler and pointless videos. It only has one decent looking Slender Man appearance. Like c'mon, even the most mediocre series can be saved by good Slender Man appearances. (TribeTwelve)

[thehitchhikerguide]

Season 1, Episode 3: Split Decision

Finally we get to an episode I remember watching back in the day. Even though I knew what was going to happen in this one, I was still very excited to re-visit it as I remember it being kind of bizarre.

We start with the opening theme music and then, wait what's this?

Who is this guy? We've spent all our time establishing a relationship with Page and then we see someone else?

Oh so he does exist! I guess this was one they couldn't re-shoot with the new Hitchhiker so they kept it as is. I knew I had seen a version with him in it, so it must have been this episode.

They actually used to play this one quite a bit in syndication despite the fact that it's a totally different guy. I honestly don't know why they bothered to re-shoot the other ones when they couldn't do this for all of them, but whatever. I was curious if somehow the Hitchhiker ends up more integrated with the plot.

This episode actually takes a different approach and instead of starting with the main character driving, we see him in his office. This is Jake, a down-on-his-luck real estate agent who has some interesting vintage phones on his desk.

I guess instead of having a phone with multiple lines, he just has two different phone lines? At first he doesn't seem like your average Hitchhiker protagonist since he's pretty dorky and you can't really imagine any sexy situations with this guy, but this is HBO after all.

I'm not sure he's actually talking to anyone on these phones since he happens to accidentally hang up the phone with the other receiver, yet the caller is supposedly still on the line.

How is that possible?

Anyways, it's time for driving so we can figure out how the Hitchhiker fits into this plot. Wacky music starts playing when we see this character's crappy car. I guess this is to establish that he is indeed very desperate and bad at his job. Hearing this music I expected a bunch of clowns to start coming out of it. But instead it looks like the car is about to burst into flames.

He meets the Hitchhiker while Jake is lost in some suburban neighborhood. He approaches him to ask him if he knows the road of the house he's trying to visit and he just points.

I guess this was why they couldn't re-shoot this because the editing would probably look pretty bad. My main question with this scene is, is this guy hitchhiking in some residential neighborhood? Isn't that a bit creepy?

The Hitchhiker seems to know him after he drives away since he tells the camera that Jake seems to think he's charming sort of a guy. Wow this hitchhiker sounds really Canadian and much friendlier than the one we are used to. I definitely prefer the creepy vibe that Page gives off more, but this was interesting. Anyways, charm can sometimes fool the charmer, or so the Hitchhiker says.

Jake drives up to the house he's been asked to sell. This guy really doesn't look like a Jake, more like a Herman or a Norman or some gross dorky name. We meet sisters Frances and Priscilla Packard played by real life actress sisters Audrey and Judy Landers. Now here are some actresses that look familiar. I know Audrey from singing that Tits and Ass song in the A Chorus Line movie. Judy Landers was in that Stewardess School movie which I caught 10 minutes of on Comedy Central back in the 1990s. Audrey actually went to Julliard and somehow she is still in this show. Both had made a number of television appearances in the 1980s so they are very familiar character actresses. Both are very good in this episode playing dumb sexy blondes which is basically their M.O.

They also like to dress as magician assistants around the house. This is because their father who left them this house was a famous magician.

Jake was very subtle when meeting these bodacious babes.

Get a good look Constanza?

He also says to one of them "You should have a sign that says 'beware of bush!'" Considering what happens to this guy in this episode, I think he should maybe take his own advice.

He also comments on how he likes the mounds in the garden. Real smooth.

There is some wackiness where he thinks both sisters are actually the same person until they appear together.

Of course being a classy guy he says "Stereo blondes! This is going to be delightful." I guess due to the unfreezing process he seems to have no inner monologue.

As he moves through the house we see a lot of cutlery imagery. One uses a chain saw, he runs into a hand saw, there is a random guillotine in the living room. Very curious.

There is also a bear in the closet. Oh Canada!

After the house tour, we learn that the sisters have trouble sharing. They had a doll someone gave them once and they had to split it down the middle so they didn't have to share it.

You can see here this doll is perfectly in tact with not even a seam down it, but somehow...

Jake is back in business as he gets to show his two new clients each a new home they can buy after they sell the home they are in.

This lady seems to be the only person to realize how disgusting this guy is.

The first sister gets shown a nice modest house. She gets horny when she finds out it has a fireplace and immediately strips and seduces Jake. Good Lord.

The second sister is shown a condo complete with creepy mannequins. He turns on the fireplace and we find out that fireplaces turn this sister on too.

There is a weird jump cut with this scene. My guess was the actress was too disgusted having to pretend to have sex with this guy and they had to cut out a facial expression.

At some point he does say the line "Let's slide into escrow together." Yuk.

I have to say the score on this episode with the wacky music is really distracting. Jake goes back to the house sometime later because he finds out the girls are not going to sell the house. Both sisters are just hanging out in their underwear.

Oh and one of them is making a sandwich. I'm sure this is doing it for someone right now.

They let Jake know that they both like him and they can't share him so they are not going to sell the house. He does seem more concerned with the fact they won't sell than the fact that these sisters are both after him. They both want him for some reason so his solution is that both of them can have him. They decide to take a photo to commemorate this moment.

There seems to be something happening behind him. Watch the birdie!

Wow that's a perfectly sliced sandwich! Ta-dah!

This scene has weird blocking, I couldn't tell how they got to this spot. And why is there no blood?

We end with the sisters walking through their garden talking about what new things they were going to plant in their mounds. The Hitchhiker has a voiceover, but we see his reflection in the door meaning he has been creeping around this neighborhood the whole time. He informs us that Jake would do anything for a sale and now he's a permanent fixture in the house.

Wait a minute...mounds in the garden? Are all those mounds other bodies of people they have done this to? Who is supposed to be the villain here?

I did like this episode. It was still crazy even without any supernatural elements. And it's nice to see that Nicholas Campbell wasn't completely erased from existence.

This is the last of the first season that was shot with the first Hitchhiker. The next one is the start of season 2 where I think they have finally figured out how the Hitchhiker fits into the series. I can't wait to find out what happens next.

[thisselflovecamebacktome]

So I’m stealing this from @tayloralisonswift and you should definitely check out their version, but I’m going to listen to and rank all of Taylor’s songs album by album (and then maybe her non album songs at the end). You can also see my debut rankings and what I’ve changed here + my Fearless, Speak Now, RED, 1989, Reputation, Lover and Folklore rankings here, here, here, here, here, here and here.

So with that in mind, it’s Evermore’s turn. As per usual, I’ll put a content warning here and say that I mention mental struggles and family issues. They are just mentions, but read at your own discretion.

Willow: I know what she meant by this song, but it is still my 'she sure is saying words huh?' song ngl. It has one of my favourite aesthetics of Eras, but otherwise not really much going for it for me personally. 4/10.

Champagne Problems: I said this about We Were Happy too, but having a failed engagement shortly after this song came out sure was a time. Like I was expecting to go to Eras and burst into tears when I learned this was on the setlist. I did not thankfully. Much like All Too Well, this is one of those songs that people call overrated that I feel is more the case that it is appropriately rated but other songs that are undervalued should be as appreciated but are not and that's where the dissonance comes from. This song is also one of the very few in Taylor's discography where I like the 'clean' version better because not only do I think 'stuck in her head' gets the message of the song better than 'fucked in the head' but like god 'fucked in the head' is so sad when you consider it's her so called friends saying it. Like I'm a big 'the word they will never say again is 'ours'' defender but I can understand why people say it's friends with that line. Anyway incredible song. 9/10.

Gold Rush: This is another song that I feel everyone loves more than I do. Like lyrically I relate to the song a lot, right down to the coastal town, but yeah it just never hit for me. 5/10.

Tis The Damn Season: Remember when this album came out and, before reading the prologue, I was like "Tis The Damn Season's love interest and Dorothea feel like partners to me" and thought I was smart for that just to be clapped with the "Yeah they're meant to"? Me too lmaao. I don't have much to say about this song other than I'm so glad it made it to (my) Eras show because it's a song I always loved but wasn't expecting to be played opening night lmao. 9.5/10.

Tolerate It: This has somewhat grown on me but I still find it kinda boring despite having periods in my life where I related to it ngl. I also read Rebecca after hearing it and that alone was... a journey lmao. 5/10.

No Body No Crime: I have the weirdest personal association to this song after a friend joked about it relating to an aspect in my past (not a murder). Unfortunately for this song, I overplayed it in 2020/2021 and still have not recovered, so it has somewhat fallen in my rankings, but I still like it. 7/10.

Happiness: My stan song for the album and second favourite Taylor song ever! (Mid) 2020 was the year I finally let go of all of the life engulfing anger I had towards my family and started to accept things for what they were, so this song really just came at the perfect time for me. I think there's been multiple 'new me's' since then, but the one I am right now is the happiest and most stable I have ever been in ways that even 2020 me could not imagine, let alone 2015 me who lost them. And of course there will always be grief that they will never get to know this (and future) version of me and vice versa in that I won't know those versions of them, but it feels so nice to be living in that sunrise. As an aside, anyone looking for a sister song to this should check out Blue Velvet Dress by Missy Higgins. But yeah, incredible song all around. 10/10.

Dorothea: An underrated song if I've ever seen one. Like being (nearly) the only person who did not leave my state after high school and in general a lot of my high school friends and I having to watch each other's lives through social media may be impacting this, but god, it's just like a perfect 'went to school in the 2000s/2010s' nostalgic vibe to me. 8/10.

Coney Island: I'm sorry I find this song boring. I did however pick up the connection with it and Tolerate It before Taylor said it and remember my friends all @ ing me when she confirmed the connection lmao, so that was fun. 4/10.

Ivy: Ya'll can thank one of my loved ones for this not being in the 'boring song that is fine but I don't get why everyone loves' category for me. He completely recontextualised the song for me by saying that he sees the husband as mental illness and the other party as someone who makes you realise you want to get better and that makes my heart so warm. The song is still not a favourite, but definitely gained a few points for that. 7/10.

Cowboy Like Me: I'm sorry, but this is another one that is boring to me. I will say that I am a 'Taylor wrote this as a love song but I see it as a breakup song' truther and think it's far more interesting as a breakup song. 4/10.

Long Story Short: A relatable banger. Not much else to say, I just love it. 8.5/10.

Marjorie: This is one of those songs I feel I should love to more because like I do relate to it through the estrangement (and death while being estranged) of family members, and it really did have the most impactful moment of Eras for me (which was a shocker to me because it felt like such a weird pick but I'd argue it's the centrepiece of Eras, or at least the version I saw), but it just does not hit outside of that, sorry. 6/10.

Closure: All I can say is that I'm a pots and pans/"weird" production defender and lover. Also, I wonder what 2015 me would say if she knew we got to have this moment with (redacted family member) in 2022, and that we picked this instead of sucking up and accepting the apology? 8.5/10.

Evermore: Another self love song to me. Like this just feels like 2011 - end of 2018 me's journey and much like Happiness, I think that version of me would be in awe and just how much the pain wasn't forevermore and how right they were to trust that there was that older, more stable, more happy version of them that they were dreaming of and pushing through to get to. I also really love the juxtapose of vocals with the feature, which I know is an unpopular opinion. 9.5/10.

Right Where You Left Me: This song came out just as I was in the early stages of defrosting/was just leaving the restaurant (not having the estrangement of my family fully take over my life like it had done for the previous 5 years) and honestly? I'm glad for that because I think 2015 - mid 2020 (but especially 2015 - late 2017 who was in denial about the whole thing being over, like girl who lived in delusion indeed) me would have been too devastated to ever listen to the song. My heart still aches for that version of me, but the song is amazing and I'm glad I can listen to it. 9/10.

It's Time To Go: She wrote this for The Archer fans, and until recently The Archer was her most relatable song for me, so yes, I love this one too. Like in a sad way (because it's a devastating song) I think this may be the closest thing Taylor's ever written to be a self love song (nobody say ME!, as mentioned in the Lover part, that song is a romantic love song and one filled with anxiety at that) because of the utter trust it takes to walk out all of those times. But either way, I love it and find it relatable to so many past situations I've been in. 9/10.

Final score: 123/170 - 72.4%

[anasticep]

Why Julie and the Phantoms is a masterpiece of a show. Part 1 of 3

· NOTE: if somehow you happen to like my gifs, please, feel free to use them. But, please, don’t crop or change.

· NOTE 2: This meta has been flourishing in my mind for quite a long time, but it was @catty-words meta on Perfect Harmony that inspired me to actually put it all on paper

· NOTE 3: I planned two parts of this, but ended up with far more gifs than a post allows. I dunno. Not sure if anyone will actually be interested in this rumbling. Probably it won’t even be a new and outstanding thinking. I’ll see how it goes.

What sets a good show apart? I’ll tell you exactly this: the pilot and the finale.

Whether it’s a season finale or a grand finale, it doesn’t matter for a scenario. People tend to forget the middle, that’s why all we remember about LOST is this weird full of dead people church that simply left the fans heartbroken. But frankly speaking, LOST ended so much better then most modern shows. And honestly I get why it’s so hard to keep track on things after 6 years and such a long row of characters. That’s why making a season in one take is so much better, when writers do not depend on what the fans think or like or ship. They simply do their job.

Do I need to say that our brain clearly remembers everything we throw at it? We think we forget, but that’s not quite true. That’s also the reason how we distinguish what we like and dislike – we remember all the small things and foreshadowing. Also that’s why we keep re-watching the shows we love: we simply acknowledge what our brain already knows. We simply find that thread that links everything together.

And they can be simple things. But first on what made this script a masterpiece for me: first and last scenes in the studio (+some things from 0102 band circle scene of 0109).

1. The Studio Intro

In 0101 Julie hesitates to go in the garage. She was reluctant to go in the first place. It signifies everything she’s lost: mother, music, voice. She inhales deeply, steadying herself. She can do this.

In 0109 it’s quite the opposite. She wanted to go there even though she knew the guys had already crossed over. Now this place signifies everything she gained back and more: music, voice, friends and, of course, a way back to her mother. She did it.

And this is a perfect visual explanation of the line “It’s not what you lost, it’s what you gain raising your voice to the rain”

2. The Band Intro

Can you see it the way I see it? It’s not a coincidence, it’s been done on purpose. Julie is mortified both times but for completely different reasons. In 0101 she is scared OF them. In 0109 she is scared FOR them. It’s so heartbreakingly beautiful it even hurts.

3. Personal space

In 0101 Julie and Luke are both scared of each other. See that extra step she did to push him away? Or the way he acts as if Julie is really a witch that could curse him? And who needs any personal space in 0109? These scenes show their journey in the best way possible.

4. You have to leave

In 0101 after accepting the fact that she was sane enough and these three ghosts really existed Julie is simply annoyed. She orders them to leave. She doesn’t what them to exist in her life. She has no time to deal with these dead cute boys. She wants them gone.

In 0109 after acknowledging that their plan has failed she also wants them gone. She orders them to leave again. But she wants to save them and for now that’s the only way she can think of. It’s better than not existing at all, even if it means not existing in her life.

And just look at the directing. The shots are almost twins! Julie mimics the scene from 0101 almost entirely, although it hits on a different level. I don't exactly know why it makes me so excited, probably I'm just very tired of mediocre scripts.

5. Maybe she’s a witch

I’m sure she is at least to some extent. It’s such a wonderful foreshadowing. I hope in season 2 we'll find out more but I think the perception on this in "Feels like I’ve opened my eyes again" by @pink-flame is very close if not almost entirely accurate to what I thought about season 2 and all this magic thing. Such a masterpiece of a fanfiction btw, I wish I found the show sooner and was reading it chapter by chapter. One of the best things I've read so far in any fandom.

6. Attached to our souls & 7. She's warming up to us

Do I need to say much? That’s the magic Julie has: her love for these boys. They are attached to her soul.

8. We had nowhere else to go

To think about it, they didn’t need Julie’s permission to stay in the first place. Like… How on earth would she even get rid of them? But that’s what defined these friendship from the start. They asked for permission in 0101 and in 0109 Luke’s words are almost apologetic that they ended up in her garage again.

9. I'm sorry we came into your life

Again, look at how both episodes have been shot. 0101 they stand apart, not knowing anything about each other yet. They both are not very comfortable with the whole situation and Luke voices what Julie might be thinking: why me? In 0109 Julie answers her past self that it was a blessing and a miracle. They are the closest they've ever got to be and the most sincere.

10. I have space for only one more gif and I'm simply fond of this parallel. We need a Witch!Julie AU)))))

________________________

Due to the pics limit I have to stop here. But there is so much more to say. So stay tuned to see Parts two and three if you liked this one. God, I hope you did

[kitkatpancakestack]

Hold up...your theory on all the season finales focusing on Buck and his love interests — Buck ending each season being left by someone he loved (he didn't really love Ali, but doesn't matter). Hold. Up. Not really a theory, but a keen observation of fact on your part! But what was different about season 4, hmm? He almost lost Eddie, but the episode ended with Eddie staying, Eddie choosing Buck. THIS SHOW!!!

911 narrarive parallels are rarely one-on-one, they are like fractals. What on earth is coming next???

(And I am now just remembering that that scene with Buck and Eddie was the final scene of the episode, before the montage.)

I don't know what I'm asking except I would love to hear more of your thoughts on this parallel (or anything else 911 that is on your mind...)

OHohoh be careful what you ask for, I will reach into my brain and splatter the proverbial canvas with every over-analytical triviality I can get my hands on.

@yramesoruniverse I am so happy to see you in my inbox, every time your url pops up on my dash I smile. I vibe with your vibes! Reading your tags on my posts and vice versa feels like we're sitting down with some popcorn to talk shit (affectionate) about this beloved weewoo show.

Okay okay onto the ask - naturally I have some opinions, 90% of my headspace is the weewoo and 10% is nonsense like bills, groceries, my job, school applications, etc. I've got thoughts. So here we go:

I've started realizing this on my latest re-watch, and I just got to the season 3 finale, and as I was shoving my face full of Wendy's I thought to myself, whoa whoa whoa, this is the third finale of this show and the third time I have to see Buck all forlorn and woe is me bc another LI is leaving him. And everything snowballed after that. Let's go in order, and then we're gonna talk about other character's arcs as they manifest in the finale, and then hopefully I can pull this mess together at the end so it makes sense!

Let's preface these analyses by saying that typically season finales are reserved for revisiting the main storylines of characters, and in the case of 9-1-1 which focuses on the personal lives of the first responders, the main storylines revolve around those characters' families. Buck's main storyline is his search for meaningful connection and having something that he can call his own.

1x10: "A Whole New You"

Abby leaves Buck. That's what this boils down to in regards to the theme of this post. After Buck prepared himself to "step into it with her" and "keep her company there," Abby's mom passed away and relieved her of the last thing tethering her in place, resulting in her deciding to travel the world and rediscover herself. I think the title of the episode is hilarious as it relates to Buck and Abby, because it's pretty obvious in Abby's case but in the context of the next season we literally start to see the transition to a "whole new Buck." I hate speaking its name aloud, but Buck 2.0 anyone???

Why Abby leaves: she was afraid she would lose herself if she stayed

What Buck learns: he is capable of a monogamous relationship and actually he might prefer this to the alternative

2x18: "This Life We Choose"

Ali leaves Buck. Her mere existence in this episode shows the audience Buck is actively moving on from Abby. He is trying to make this whole meaningful connection thing work, which feels more authentic to him probably because Ali is already established in his life (sound like someone we know from season 4 anybody??? sorry I digress), but we know how this turns out.

Why Ali leaves: she couldn't handle the inherent danger and unpredictability of his job

What Buck learns: people leave, but you know what will always be there for him? His job. Let's project our entire self-worth onto that, then.

3x18: "What's Next?"

Abby leaves Buck (again, and this time for another man!). It's more like the continuation and finalization of the process she started in the season one finale, but absolutely this gets its own mention. Never mind that Tim said the train was literally a metaphor for Buck. Abby isn't walking off into the vague unknown with this one. She is about to marry a single father (cough cough) and that is the deliberate cut-off to her and Buck's relationship, which leaves him in a bit of a freefall as is obvious during the first bit of season 4 (hello Dr. Copeland, better late than never I suppose).

Why Abby leaves: she found someone who she can be her authentic self with, who she doesn't feel will make her backslide

What Buck learns: everybody walks away, he is always the one left behind, maybe the problem is himself.

4x14: "Survivors"

Eddie almost left Buck. The difference? Abby and Ali both made active choices to leave him. Eddie had to literally get gunned down in the street, through no choice of his own, in order to even be added into this parallel. Considering the culminating events of Buck's story arc throughout the years and especially the plotline we get in season four alone, this is huge, don't you think? I know the writers do, because they literally put up a huge neon sign with the final scene between Buck and Eddie like, "We know Buck always gets left behind at the end of each season but look at this! He isn't! In fact, it's the exact opposite!" and then we're forced to go insane ruminating on the meaning of these choices for an eternity during the hiatus.

This is already obscenely long, and I have some thoughts about other characters and how their main plotlines play out during the season finales, but I'll leave this here for now. Hope this gave you something!

[seventhrounder]

I went thru my folder with old hockey magazines I had saved from around 2011 to 2015 and came across this one and thought it could be a fun to make a post about now in hindsight.

This is Jääkiekko magazine from May 2012, they always have a section of "99 questions with ..." and in this issue they interviewed Teräväinen.

I’ve translated the questions I found interesting under the cut! It ended up being about half of the interview. (*) are my additions.

On the cover "seuraava superjokeri" means the next super joker, he played for Helsingin Jokerit so it's a word play from that. Under, on the blue print it says: "The 17-year-old forward will become a first round draft pick in the summer. The natural goal scorer can dominate in SM-Liiga as soon as next season."

In the 2nd photo the headline and lead paragraph goes:

"A post with dents* - A year ago Teuvo Teräväinen was known only within a small number of hockey insiders. Few passers-by recognize him now either but after a flashy rookie season the Jokerit sensation is on the radar of every NHL team and is a strong contender to become a first round draft pick. Next season with Jokerit the talented second line center will be one of the main talking points in the SM-Liiga."

(*references the net Teräväinen had in his backyard and into which he practiced his shooting)

3. You've been described as a magician, top scorer, wunderkind and a prodigy. What do you think of these descriptions?

TT: Heh, those are some descriptions yeah. What can I really say? Don't really wanna comment on them much.

4. How nervous are you about the Draft?

TT: I try not to be nervous as best as I can. In a way I don't have anything to be nervous about since I don't care which team picks me or at what number I go.

6. Which is stressing you more, English interviews or physical tests?

TT: Maybe both. Bench press (laughs) and English interviews can be tough.

12. How far along have you planned your career with, for example, your parents or your agent?

TT: Haven't really planned things with others but I've thought about them myself. I try to go step by step and not jump too far ahead.

14. How does it feel to be so young with all the star players in Jokerit?

TT: How to say it? I haven't felt like I was young but a part of the team instead. The team's been very good with me and they haven't been looking down at me like: "oh he's young". It's been fun to play in an experienced team.

15. Is there a generational gap between players?

TT: You can see the age difference, older players look older but we're all childish, at least with our topics.

17. What does a 17-year-old do in the sauna nights of the team?

TT: I actually haven't been in any yet. I've always been at national team's camps or something.

19. Did you get the number you wanted?

TT: I did, yeah. I could've taken #18 but Semir (Ben-Amor) has it. But i'm happy with #86, it's good.

23. What are your strengths as a player?

TT: Offensive play and with that playing with the puck, passing, IQ, power play and skill, just the usual skill - skill with hands.

24. And weaknesses?

TT: They are to do with defensive play, strength and physicality. Battles and such but I think I took a step forward last season. That's a good thing.

25. Have you ever been "pressed into a mold" or has your playing style gotten to develop naturally?

TT: As a kid the play was mostly offensive/attacking, I didn't have to think about playing defence. Up until 15 years old, I got to attack pretty freely. Playing defence became more important when I started to play in A-juniors a couple seasons ago.

26. On a scale from 1 to 10 how determined are you?

TT: Maybe 8, feels like an 8.

32. What kind of role are you planning to take with Jokerit next season?

TT: I think a pretty big one. I try to be a top player and not just take others' example but give others example myself too. So that someone in the team can take something out of the way I do things on the ice and off the ice.

35. If you could pick anyone, who would be your car driver?

TT: Nico Manelius for sure. He's been my driver this season. I've had others too, like Riku Hahl but he's not nearly at the same level. Nico’s clearly the best.

36. What are the most important qualifications to be a good driver?

TT: The car is obviously important. Hahl's car is totally awful, he takes a lot of heat for it from the guys too. I wouldn't dare driving with him. Manelius is a steady performer, never lets you down.

38. What sports did you play as a 10-year-old?

TT: Hockey and floorball, probably football (soccer) during the summers at the time too.

42. When did you decide to focus only on hockey?

TT: So when I stopped playing other sports? Three years ago, before that floorball was kind of a side thing, I played a couple of games in the regular season and playoffs.

45. Do you follow floorball or other sports? Go to games?

TT: I don't go to games but I like to watch floorball on TV, it's an interesting sport. Sometimes I watch football too but I don't follow it much. Feels like they never score there.

47. Have you ever played with a wooden stick?

TT: As a kid I did play with a wooden stick.

49. You won the hockey players' golf tournament last summer even though there were more experienced players too. Are you good with all stick games?

TT: Well, I've been pretty good in all of them. I've played golf for a long time and still play it.

50. How is your swing?

TT: Pretty bold, kind of a hockey swing. I don't really care where the ball goes - as long as it goes far.

52. What do you think of off-ice training?

TT: Let's just say it's more stupid than being on the ice but you still gotta do it to be better on the ice.

56. Which word describes your professional relationship (with his coach, Tomek Valtonen), tranquil or colorful?

TT: Colorful of course. At times we're joking around, other times it's more serious but the relationship is really good.

57. Coaching you has been described in many words: good, bad, worse. What are they?

TT: Heh, well... I won't tell them here. He (Tomek) keeps the discipline during practices but sometimes when things haven't gone to a plan I've had to jump on an exercise bike in the middle of a practice.

58. What have been the reasons?

TT: I'll quote Tomek: "when I haven't been present".

59. Have you ever tried to turn the resistance of the bike to zero?

TT: (Laughs) Of course I have and sometimes I've even succeeded.

60. Describe your diet in three words?

TT: Greasy, healthy and good!

64. Your first name is not common for people your age. How did your parents come up with it?

TT: I actually don't even know. Maybe they didn't want a usual Ville*....

(*very common name for men of all ages in Finland)

66. Which of these is the most important: skill, unexpectedness or courage?

TT: Skill!

68. Your longest video game stint?

TT: Six hours, at least. I've played a lot of War of Duty lately.

72. The dumbest thing that has made you upset in hockey?

TT: Probably if I didn't get an assist on a goal even though I should have. Or even worse is if I score and they mark it down for someone else.

79. Have you had any concussions?

TT: I haven't had any, I've managed to always dodge them.*

(*ouch, tho it's good the recent one is his only as far as i remember)

84. In 2011 Team Finland finished in the 5th place at the U-18 tournament. Why only as 5th?

TT: Because we lost to Team Russia in the quarter final, just as well we could have won that game too.

89. You didn't get to be on the ice to accept the SM-Liiga bronze medal (because of the U-18's). When and where did you get it?

TT: I actually still haven't received it, I don't know where it is.

93. What is the population of Helsinki?

TT: There's like 5 million people in Finland so maybe around 500k in Helsinki? (to be exact 596k) Did i really get it right...?

94. Who's the mayor of Helsinki?

TT: I don't know, I barely know the president.

95. Do you think the municipalities in the capital city area should merge?

TT: Luckily I don't have to decide but they probably shouldn't.

96. What do you check first in the news paper?

TT: The sports section.

97. Your favorite tv show?

TT: Putous* was pretty good, I liked a lot of the characters. The grandma was pretty good.

(*Finnish live improvisation comedy/sketch show (there are still new seasons, the latest just finished). Every actor comes up with a humor character with a catchy phrase and one of them wins. "The grandma" is Marja Tyrni and I just got such flashbacks from typing this sentence.)

98. Last book you read?

TT: I don't read many books. The last book was a study book, a Finnish book. I wrote an essay on Tiki (Esa) Tikkanen's biography. An eventful book, great career and a lot of chirps.

99. Who should we ask the 99 questions next?

TT: Riku Hahl could have good stories, he's also seen a lot of the world.

[verobatto]

Destiel Chronicles

It was a love story from the very beginning

Vol. LXXI

Don't You Love Me?

(11x19)

Hi everyone! How are you? This is another piece from this adventure, it has more than one year and we reached and passed volume 70th!! I'm so glad you are still reading my nonsenses, and keep sharing my ramblings. Thank you! So much hard work rewatching and taking notes is worth it if you are reading this on the other side! 💕💕

Are you ready for the angst? Let's do this!

Worried about Cas

After seeing with his own eyes that Castiel didn't want to be rescued, that he really wanted to be used by Lucifer so they could defeat Amara, Dean stays all night long awake, trying to find a way to rescue him now from Amara, who has Casifer prisoner.

With a heart broken again, and worried because Amara could kill Cas anytime, Dean can't sleep. First if all, the pain in his heart for being rejected again, is too big, and the idea of loosing Cas for ever, to see the man he loves die, terrifies him.

So the first dialogue between Dean and Sam shows us all of that.

Gif credit @subcas

Sam: Dude, you even move since last night?

Is the first words we heard from Sam, and is showing to the audience a very important point: why Dean didn't moved the whole time? It means that when Sam went to bed, he was in the same spot. Is saying Dean didn't slept that night. He didn't move from that chair, trying to find Cas. A very important point to show how much Dean cares about Cas.

Dean: [tiredly] Sleeping is the new smoking.

Sam: What? No, it’s not. It’s sitting. Sitting is the new smoking.

Dean: That’s can’t be right.

Okay, this could be an innocent quote, Dean mistaking the famous phrase, but is not. Dean is relating the quote to DEPRESSION, that's why he names SLEEPING to SMOKING, because he's talking about depression. But when Sam relates this with SITTING, which we know is talking about other kind of diseases, Diabetes, hypertension, etc, Dean says 'THAT'S CAN'T RIGHT' because those are not meanings he was looking for, he wasn't talking about those diseases, that's why he didn't talk about sitting/sedentariness, but sleeping/depression. Because he was feeling that way.

Sam: Dean, we’ll find Cas, okay? He’s stronger that he looks.

And because Sammy knows, he knows why Dean is in that shape: Cas.

Dean: You know, we gambled with Cas, and now Amara has him.

Sam: For a reason, which means he’s still alive.

Dean is spitting out his fears right there, but not all the fears he was ruminating the whole night, and Sam is trying to give to each depressing thought a light of hopes, to make his brother to feel better.

Dean: [shakes his head] I’ve been with Amara. Her beef is with the big guys … with God, with Lucifer. The small fries, even an angel like Cas, doesn’t even register. And if it meant hurting Lucifer, killing Cas would mean nothing to her.

Another thought flying in his mind, he is afraid Amara could kill Cas.

Sam: It’s been a week. We’ve still got no leads.

Dean: You think I don’t know that? [rises from the chair]

So we just had three thoughts that kept Dean awake the whole night: HE DIDN'T NOTICED CAS WOULD SAY YES TO LUCIFER, HE KNOWS AMARA COULD KILL HIM ANYTIME, AND IT'S BEEN A WEEK! It's been a week, which means, Dean had been an entire week in this shape, without sleeping and worried about him.

Knowing this, let's jump to the other point.

Worrisome+heart broken

Repressing all the feelings again

I just want you to recall a timeline about Dean's perceptions of Cas feelings for him. If you read my previous metas From season 5+6, 8, 9 and 10, you would be aware of the following facts:

- Finale S5: Cas flew away from the car without saying goodbye to Dean. Dean went to Lisa and never contacted Cas (feeling kind of offended) until Sam said Cas wasn't answering to his prayers.

-S8: After the crypt scene, Dean felt rejected.

-S9: Road Trip episode: Castiel comforted Dean as a lover, with devoted words and supportive looks.

-s10: After Dean came back from being a demon, Castiel names a female in his car waiting for him, and Dean reacts like a jilted lover, and the episode after that is using OOC a blind dates app.

And now... We have a rejected Dean, because Cas didn't want to be rescued by him. Again. Like in Purgatory. So... Time to repress the feeling even more... And we had 11x19 'The Chitters' talking about that.

This is gonna be a very huge mis if symbolism in just one monster. First of all, we have the description of the eyes...

Cori: [hesitates] The thing that took Libby was naked and pale. Except for the eyes. I swear to God, they flashed green for a second.

Okay, I'm the crazy old lady of colors, so you know what I'm gonna point here: GREEN is DEAN. Keep that in mind...

Cori: It was shaped like a man. Or was it a woman?

Dean: [curiously] Was it a man or a woman?

Cori: It didn’t have a … [points downward with her fingers]

Dean: A penis?

Cori: [wide-eyed] It didn’t have anything.

Dean: What you’re saying it was junkless?

Cori: Completely.

Second thing I want you to recall is... This monster has not genre, first thing Dean thought about angels, remember? But we learned, same angel can take different genres of vessels. Because they are utterly indifferent to sexuality. Just pointing here that this characteristic is related to angels, in Dean's mind junkless, and in canon with Raphael and even Castiel taking male and female vessel. Keep this facts in mind too...

This monster took a vessel too to copulate, into a very huge orgy. Lest's take a piece of the dialogue between the Winchester and one of the residents who lost his husband.

Etta: Oh, yeah [nods]. Gran said that if you got the chitters, you get so revved up with lust that your eyes would shine like emeralds 

So, time to convey all these facts...

This is representing two important things: Green eyes talks about Dean, so, this junkless monster that search's for a vessel to copulate represents angels. They are presenting this chitter as something filthy, and people doing insane, sinful things (the orgies) Is something BAD AND FILTHY, as we will see in the next scene, but pay attention to these two conclusions: Dean thinks he doesn't deserve Cas, he thinks Cas is not interested romantically on him. So he repressed his feelings (including lust and shame of daring to love a celestial and pure creature, and passion too because is part of being in love). Second, we have the angels and their Sacred Oath, they can't bond with humans physically, we talked about this in season 8 with the tests Castiel had to achieve to close Heaven and we will talk about this in s12 too. If angels have sex with humans, both deserve to die because IS DEFINITELY NOT ALLOWED. So the cause of those forbidden feelings in Castiel has GREEN EYES.

Last thing i want to point is one of Cochrane's quote, when he was talking about her daughter and the people that had died 30 years ago...

Cochran: Yeah, better to bury it. [voice cracks] All of it.

The angst from this scene is huge, but the phrase I marked here, plus all the things we were talking about SHAME/REPRESSED FEELINGS, is showing us how finally Dean, brokenhearted as he is right now, were thinking all of this things these nights he was awake, plus the depression of not seeing Cas in bad shape saying yes to Lucy, plus the fear of lose him for ever.

And finally, to show you this entire "Chitters'" thing was about and angel and a human in love... I will turn this scene into a Destiel one...

Gif credit @spacedudeee

Because who's the sinner? And who's the rebel?

Do I have to answer that? Okay, DEAN AND CAS. Sinner and Rebel. Can a sinner, with shame inside, feel that he deserves a love of an angel? And can a rebel angel allow himself to love a human with such passion?

Again, this episode was a huge Dean's POV...

I think I explained my point here... Let's jump to the easy part 🤣🤣

Jesse and Cesar: What we want for Destiel

This is a canon fact very well known for the fandom, Jesse as Dean mirror and Cesar as Castiel.

Both men were a reflection of what Dean really wants in his heart, his curiosity spoke by itself when he asked

Gif credit @mooseleys

Dean: What’s it like, settling down with a hunter?

Is expressing perfectly his deep desires. And seeing them both together, supporting each other, and being a real couple, was very important to his self discovering. Two badass Manly men that fell in love with each other.

It wasn't casual writers decided to team up Cesar with Dean and Jesse with Sam, it was like a picture of Dean talking with Cas about himself, and Sam talking with Dean about their childhood traumas.

It was a very beautiful gesture of Dean to not disturb them asking them for help with Amara, because he knew about their plans of retirement. And this is talking about another wish in Dean's heart: retirement with his beloved.

Gif credit @thejabberwock

To Conclude:

Episode 11x19 was about everything Dean has playing in his mind: Fears of loosing Cas, shame for loving him and feeling he doesn't deserve him. His fantasies about what Cas thinks about him, or worst, about him being in love with him. And how he decided to repress all of it again, because he felt rejected again by the angel, and that's why he will start saying We and not I.

It also presents Sacred Oath for angels, a very important topic for the next season.

And we had Jesse and Cesar, Destiel beautiful mirror, talking about Dean's deep desire. And what we want for Destiel.

Hope you like this meta! See you in the next one!

Tagging @magnificent-winged-beast @emblue-sparks @weirddorkylittlediana @michyribeiro @whyjm @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @dea-stiel @poorreputation @bre95611 @thewolfathedoor @charlottemanchmal @neii3n @deathswaywardson @followyourenergy @dean-is-bi-till-i-die @hekatelilith-blog @avidbkwrm @anarchiana @dickpuncher365 @vampyrosa @authorsararayne @anonymoustitans @mybonsai1976 @love-neve-dies @dustythewind @wayward-winchester67 @angelwithashotgunandtrenchcoat @trashblackrainbow @deeutdutdutdoh @destiel-shipper-11 @larrem88 @charmedbycastiel @ran-savant @little-crazy-misha-minion @samoosetheshipper

@shadows-and-padlocked-hearts @mishtho @dancingtuesdaymorning @nerditoutwithbooks @mikennacac73 @justmeand-myinsight @idontwantpeopletoknowmyname @tenshilover20 @teddybeardoctor @pepevons @helevetica @isthisdestiel @dizzypinwheel @jawnlockwinchester @horsez2 @qanelyytha

@imjustkipping @destielle @agusvedder @spnsmile @shippsblog @robot-feels @superlock-in-the-tardis

If you want to be added or removed from this list, just let me know.

If you want to read the previous metas From s11, here you have the links:

Vol. LXII, LXIII, LXIV, LXV, LXVI, LXVII, LXVIII, LXIX. LXX.

Buenos Aires July 21th 2020 6:34 PM

[aros001]

Going in blind: Watching season 4 for the first time. Random thoughts.

I never said anything about it before but I love Shadow Weaver's DCAU Batman eyes. They're so expressive.

Episode 1: Okay...I wasn't expecting Catra to do that. I mean, it makes sense. If she has leverage over Hordak then she's basically in charge of the Horde and that's what she's wanted (or at least believes she wants) since episode 1. It's an aspect that made her a good antagonist, that she's not blind to the evil of the Horde, she just doesn't care as long as she herself is secure. Which naturally begs the question, when the rebellion and the princesses are crushed, when the Horde is on top, when Adora is dead, when Catra finally has everything she's ever wanted...will she actually finally be happy? Somehow, I have my doubts.

I definitely feel for Glimmer in this. When you go through as big a loss as she did you need to be able to feel and vent if you're ever going to get through it. It doesn't have to be right away but everyone doing everything in their power to avoid the topic entirely can make you feel like you're going crazy. It'a especially bad for her since it unintentionally makes it feel like everyone is acting like it doesn't matter that Angela is gone when it clearly means everything to Glimmer.

Episode 2: I actually had a potted cactus plant once. Accidentally forgot about it and left it outside for an entire winter. Once the snow was gone the cactus looked like it had melted.

I kind of want to see what an interaction between Double Trouble and Clayface from the Harley Quinn animated series would look like. I'm guess Catra was just testing how good Double Trouble was as a doppelganger because it doesn't seem like she did anything while Adora was being distracted, though I suppose that could be a reveal in a later episode.

Not much to say except that I love how buff Huntara is while still clearly being a woman. Like, women can have a variety of different body types, as this series and Steven Universe show, and Huntara's build isn't just, like, Bow's body with lipstick and ponytail and the animators calling it a day. No, she looks like a freakin' jacked adult woman.

Episode 3: I didn't figure out the Flutterina = Double Trouble twist until a minute before it was revealed, so good job there. Before that I was wondering if Flutterina was some fan's original character where they won some contest where their OC got to be in the show for an episode. She was giving off some weird self-insert vibes. That twist made it all work though. It's honestly not a bad plan. Shapeshifters haven't really been a thing in the series before now so there's no reason to suspect it. Even if they did they'd probably be expecting it by way of magic or technology, while Double Trouble's seems to be a natural ability.

I like that even though Bow is definitely the goofier one of the trio he is still consistently shown as competent. That's never in question. He was very heroic and reassuring to the villagers this episode. I get why those kids idolize him so much.

Catra's having guilt over what she did with the portal and to Entrapta and her response is basically to just double-down. She doesn't know any other way to be. Not going to lie, I am kind of hoping we get another moment in the show where Adora just completely overwhelms Catra with the sheer power of She-Ra. I'm not saying like brutalize her or anything but just something where Catra is made to realize just how powerful Adora is and that she could just destroy Catra if she had a mind to do so.

Episode 4: Well, I was saying I wanted Adora to do it but I guess I don't mind Glimmer being the one to get some good shots in on Catra. Like I predicted, Shadow Weaver's moving in to become her teacher like she was with her father. Honestly I like that that was more Adora's problem than Glimmer using her as bait, which she seemed to get over pretty quick. Yeah, it was kind of a heartless thing to do but it was an understandable tactic and she clearly outright told Adora that she did it and why afterwards, which at least means she's still being honest.

It occurs to me that Glimmer and Catra may be the ones running parallel right now. Both are basically leading their respective sides of the war. They both have lost someone very important to them. And both are trusting someone they probably shouldn't. Both even have outfits that've been updated in the intro. The difference is Glimmer's just trying to deal with a bad situation while Catra's is entirely self-inflicted.

Minor thing but I like Glimmer's new outfit this season. I'm sure this is the intention but it makes her look older and more mature. A little more muscular in some shots too.

Episode 5: Heart of Etheria project. No idea what that is but assumedly whoever's a part of it doesn't like Light Hope and Mara being friends. Sounds like it's very much interested in She-Ra being just a warrior, and perhaps a tool, for the greater good. It does make me wonder though how much Light Hope remember from when she was rebooting. Even if she deleted the Mara memory she could potentially still have the memory of her and Adora watching the Mara memory, as well as Adora asking to be her friend.

Episode 6: Yep. Scorpia; definitely favorite supporting character. There is something kind of funny about her whole "Scorpions are loyal" line when you remember the story about the Frog and the Scorpion, where it stings the frog despite it meaning death for itself as well simply because that is its nature. But finally we're having someone go save Entrapta, and I can only assume at some point Scorpia's going to access the power of the Black Garnet.

The parallels between Catra and Hordak are definitely at their max here with that speech of hers to him. She's basically trying to convince herself that she doesn't need anyone, the timing of which is appropriate since she just drove away Scorpia and now truly doesn't have anyone. Not that I blame Scorpia, obviously. Like Adora before her, however good you believe someone can be and that you can help them, at some point you just have to cut the toxic people out of your life. You have the right to be happy too.

And man, Bow is just the best. He saw something was wrong between Adora and Glimmer and defused the situation like (snap) that, pushing them to talk like any sane person would.

Episode 7: I'm sure it is just because I've seen way too many TV shows and movies (both animated and live action) that don't do it but it is just such a relief to have a show where the characters just TALK and LISTEN to each other. It doesn't solve all their issues but they're at least not being stupid and freakin' petty. It helps the drama feel a lot less forced and contrived.

Episode 8: A little bit of amusement in Bow thinking at first that Glimmer and Adora didn't even notice he was gone despite them coming to his rescue very shortly afterwards, given Catra is only now realizing Scorpia has left and assumedly she did so a while ago. Bow and Sea Hawk hadn't been gone for that long so it's not unreasonable Glimmer and Adora wouldn't be worried about their absence (Bow was literally talking about "me time" when they last saw him), while Catra is only noticing Scorpia's absence now and it was because she wanted something. Like Scorpia said, she's a bad friend.

Kind of ironic given that a lot of Catra's issues are the direct result of Shadow Weaver giving her very little love growing up but it does seem this tough love is probably what'll get through to Catra the best. She might finally stop making bad decisions and lashing out if she's forced to live with the consequences of them, like Adora told her last season.

Glimmer gets a bit of slack from me since she suffered through a huge loss, that being her mother, and then was immediately thrown into being queen right after. It'd be hard for anyone to be 100% on their game and well-adjusted in a situation like that, and I buy that she was on some level resentful of Adora for coming back instead of her mother, even if unintentionally so. What definitely helps is that Glimmer very clearly and immediately regretted what she said to Adora. Like Catra she's lashing out but unlike Catra Glimmer recognizes some of the damage she's doing and knows, at least in this case, that she went too far.

Episode 9: Now that I can see the design in color I definitely prefer Mara's She-Ra with pants to Adora's She-Ra with shorts. Honestly, while the differences are pretty minor, I do think Mara's She-Ra design is overall a lot better than Adora's. Sharper shoulder guards. Bigger cape (especially the cape, I love capes). I don't know, there's just a lot that clicks with it and I wouldn't mind Adora getting a similar outfit later.

Madam Razz definitely had a Yoda feel this episode. I was very much expecting her to start wacking Mara with a stick over the sugar like Yoda did with R2. Though while that was Yoda acting crazy, for Razz it's because she experiences time out of order, and I don't think I've ever seen that concept taken to this extent, or at least done this way before. There are characters like River Song from Doctor Who, Professor Paradox from Ben 10, or even the Reverse-Flash who interact with other characters in time out of order but those characters are still on a linear path from their own perspective, even when travelling through time. Razz is just bouncing around her own timeline, seemingly not even any real reason or cause to it like Subaru from Re:Zero. Clearly she's not just remembering things oddly because her talk about things of the present are heard by people in the past and have an effect. I wonder if maybe the reason why is because Razz was at ground zero of Mara's actions and this is a side-effect of pulling Etheria away from the rest of the universe.

Bringing more Star Wars into this, it basically sounds like the Heart of Etheria project has turned Etheria into a magic Starkiller Base; storing power that'll be unleashed to destroy whole planets. And jeez, I think this was the first time I really felt creeped out by Light Hope when she was talking to Mara.

I'm looking forward to seeing what it means that the First Ones only made the sword and that Etheria made She-Ra. If that's the case, why is only the sword able to bring out the She-Ra form? Is it like MCU Thor's hammer and the weapon was just meant to help him control the power he already had? Or is what we think is She-Ra not actually She-Ra and that form that Adora and Mara take is just a stand-in for the real thing?

Episode 10: It didn't even occur to me until now but Double Trouble's capture is another blow to Catra's circle of "friends" too. They were at least able to make her laugh. One less person for her to talk to and just...really just distract her from her thoughts.

It's a good dilemma this episode presents about what to do with the Heart of Etheria. The safest and probably best option is to just dismantle it, like Adora and Bow want, since it could easily lead to the destruction of the entire planet if it goes off. Not the mention there's so little they know about it and what it was intended for and the one person who can potentially tell them, Light Hope, they were warned not to trust. But it's not hard to understand where Glimmer is coming from in wanting to use that power to fight the Horde. They're already losing the war and now she knows Hordak Prime and his FAR more powerful forces are on the way. Tapping into the Heart is a huge risk but she's not seeing any other paths for the rebels to win. It's a really good dilemma, with good arguments presented from both sides, and I buy this widening the schism between Adora and Glimmer.

Episode 11: I have mixed feelings on King Micah still being alive. On the one hand there's a lot of good potential interactions we can now have with him, primarily between Glimmer and Shadow Weaver, and he is a fun character. But on the other I can't help but wonder if this kind of lessens the impact of what Angela gave up to overcome the false reality. Part of what made it so emotional was that she had to accept the person she loved was dead and not coming back...except now we see that he wasn't dead and now he is coming back. Yeah, their family lost out on years together and that does still carry some emotional weight but I was already also half-expecting Angela to come back later in the series because she's stuck between dimensions, meaning there's a chance she could still be alive. If both Glimmer's parents come back then that really feels like it takes a lot of weight out of her story. But I guess we'll see what happens.

Also, why did the Horde exile him to Beast Island? Why not just kill him?!

Episode 12: So the Horde exiles Micah to Beast Island instead of killing him. The First Ones protect their secrets by sending their bad tech to Beast Island. Does no one know how to just destroy things in this world?

Ohhh, I am so looking forward to next episode. While it's debatable whether Glimmer should be going through with her plan she is at least being smart with how she's going about it. Double Trouble was being paid by Catra to work for the Horde, not out of any sense of loyalty. Glimmer has the resources of Bright Moon at her disposal so it's reasonable she could pay them more to switch sides. Double Trouble was very good at sabotaging even a group as tight-nit as the heroes, so Hordak and Catra are probably easy pickings with all their issues.

Episode 13: ....WELL THAT AIN'T GOOD!

I'll admit, I had a little bit of an unintended laugh. After all we've heard about Horde Prime, like this shadowy all-powerful monster, I wasn't expecting the fabulous flowing dreadlocks and smoothness. Credit where it's due, man has charisma and charm, which goes a long way in helping your big evil world conqueror not be a very flat character, because it's doubtful he's going to have the same kind of sympathetic motivation as Hordak or complexity as Catra to keep him elevated.

LOVE, LOVE, LOVE Double Trouble kicking at Catra while she's down. Adora and Scorpia were honest but they never wanted to hurt Catra. Not so much with Double Trouble and they just shove reality into her face. Everyone leaves Catra because of Catra. She's the common factor. It's her fault and no one else's. Again, I don't know for certain if Adora and Catra get together at the end (Catra would have a LOT to make amends for regardless) but Double Trouble was definitely implying Catra had feelings for her with the way they put Catra's hand on "Adora's" cheek while talking about how she left her.

I like that we see Glimmer's plan actually working at first. The princesses get a massive power boost and decimate the Horde forces. But the minute it starts going wrong she immediately admits Adora was right and she tries to stop the energy flow. I imagine having her there with Catra was intentional by the writers. Despite some parallels, Glimmer can actually accept her failures and work to try and fix things. Unlike Catra, she didn't blame Adora for things going wrong.

So the sword allows the First Ones to control She-Ra and the energy she'd be absorbing from the planet. Assumedly that means there are at least some parts to She-Ra that have nothing to do with the First Ones and thus maybe Adora can still use some of those powers without the sword.

Season 4 verdict: Yeah, the show keeps getting better, though I will admit last season's finale had me more emotional, but that's a bit of an unfair comparison given everything that happened in that finale vs. this one. This is definitely the series hitting its darkest hour, where it feels like EVERYONE lost. Not just the rebels but the Horde as well. The sword and Light Hope are gone and She-Ra (for now) along with them. Glimmer and Catra are basically prisoners. Hordak's probably going to have his personality stripped away. The Fright Zone is in ruins. The only one who's gained anything is Prime.

Really looking forward to what the final season has in store, especially since there seems to be the implication that Catra just saved Glimmer's life.

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o1j5gk/going_in_blind_watching_season_4_for_the_first/

[seventeenlovesthree]

I'm so sorry you are feeling down right now! I hope my question will distract you: how did you discover Digimon? :)

Aww, thank you for your kind words, that’s really sweet. :’)

Let’s see, I gotta go back in time for this - Digimon Adventure 01 aired in Germany for the first time in Summer 2000, when I was 9 years old. And I, like many of my classmates, had been hiiiiighly sceptical, assuming it’d turn out to be a blatant Pokémon clone, which could never even dream to surpass it in the slightest. However, 9 year old me was curious regardless, as I almost religiously consumed all the anime series airing at that time on TV at that time. Unexpectedly so, I still remember getting hooked after just watching the very first episode of Adventure, I even begged my mom to print out character cards they displayed on the poorly made German website for the series back then.  I think I still got those somewhere at my parents’ house, the printer didn’t work correctly, so every card (basically each Chosen Child plus three cards for their baby, child and adult forms) had an intense shade of pink/purple, but that didn’t matter to me, I loved those cards very dearly. At the end of the week, I went camping with my family and since that meant I couldn’t watch the episode from Friday (episode 5, Koushirou’s focus episode), I asked my dad to record it on vhs tape for me. By the end of the season, he had to record 4 episodes in total (5, 10, 31 and 36 - mind you, three of those were Koushirou-centric, what a surprise that he turned out to be my favourite character and young me had the biggest crush on him too). I can’t even tell you how OFTEN I had watched these 4 episodes afterwards, I think I may still be able to talk alongside the characters if I watched them today.  (The German localization team was pretty passionate about everything, the dub itself was very faithful to the Japanese original too, minus the English dub names. And they made music for the series! Rock and pop songs, cute, sad, even romantic, I highly recommend listening to the soundtrack and I’ll gladly provide translations. The German version of Brave Heart, for example, is guitar heavier than the original and it’s absolutely GLORIOUS.)

I loved Adventure 01, I admittedly wasn’t that invested in 02, but was completely and utterly obsessed with Tamers for years, even more so than with Adventure. Tamers was the first anime that made me discover fandom culture online, it helped me discover m/m fanfiction, and, despite lowkey having had fictional relationships I liked before Digimon, Jenkato and Jenruki were my first “actively shipped” pairings. 

The three first Digimon seasons aired back to back in Germany and I’d say they shaped a lot of my early teenage years. I lost track of the series for several years, but always kinda found myself coming back to it to some capacity, watching an episode here or there, reblogging fanart, reading about lore, gaining interest in other ships as well, nothing spectacular though. I don’t exactly remember the reason why I fell into the rabbit hole to THAT extent at the beginning of 2021, but thanks to the Taishirou discord, I learned SO MANY things I had no clue about before - from the novels, over the stageplay, over the dramas to several aspects of the lore being connected with one another, character development aspects, etc. I always adored Taishirou as a friendship, I think I started shipping them in my late teens, early twenties, but now I have fallen for them completely and cannot get up again. Not only for them, but for several characters and ships in the series, heck, I haven’t drawn that much art in years, after a few very depressing months, I was finally able to make analysis posts again and, most importantly, I rediscovered my love for rankings and lists (like which relationships I liked the most or what sexual orientation headcanons I had, etc.).

It almost scares me how invested I’ve gotten in this, and I miss my former fandoms a bit, but I also enjoy these series and the people in this fandom I’ve encountered so far are all very nice and welcoming, so I’m happy to be around. :’)

[rainbows-and-emeralds]

Jean Pierre Polnareff's true purpose

So, let's talk about Jean Pierre Polnareff.

The "silliest" of the Stardust Crusaders, the "clown" of the group, the "immature one".

Except he's really none of those things. He may not be a genius, but he is smart. People really don't give Polnareff the credit he deserves. I personally do believe, that out of all of the Crusaders he is the one with the worst fate.

All of the Crusaders have been through some form of trauma, yes, they all have faced Dio and have lost friends along the way, but Polnareff has had it especially hard, because people just seem to ignore/forget all he's done, and we tend to put him down as that silly, funny guy from Part 3.

It is true, Polnareff is very dorky and jokes around a lot, and just generally seems to be very at ease in an almost naive way. But this has it's reasons, and Polnareff is so much more than just this.

The people who smile the brightest often hide the worst pain in their hearts.

What I'm trying to say is, Jean sort of uses this goofy, happy facade as a coping mechanism for trauma and grief. Only 3 years prior to meeting the other Crusaders he'd lost his younger sister Sherry. And she wasn't just killed by accident, she was murdered. Imagine what that must have done to him. Whatever it was, it was enough for him to seek revenge, not stopping before anything.

Furthermore, he'd just somewhat come to terms with Avdol's supposed death later on in season 1 of Part 3. Maybe Polnareff even blamed himself for dragging Avdol into this. Especially after going off on his own when he'd finally found J. Geil, which I still believe he did, to not endanger his friends unnecessarily.

Avdol was probaply his closest friend of the bunch. I love the bond these two shared. And I believe that Avdol wanted Polnareff to realize that it's better to have friends to rely on, and that it wasn't his fault.

Still, Polnareff likely blamed himself for being responsible for Avdol's death, having seen him die right in front of him, because he was protecting him..

And later it turns out Avdol didn't really die, he was still alive all this time, and all the Crusaders knew about it. All of them, except for Polnareff.

They didn't tell him, because they didn't trust him to keep quiet about it in front of the enemy.

This is the one desicion I disagree on with Kakyoin and the others. How could they. Not only did they basically end up telling Polnareff that they didn't fully trust him, they left him blaming himself, feeling incredibly bad and traumatized for WEEKS.

And then not ONE of them, not even Kakyoin, really apologized to him. It can be argued that what they did was not to hurt Polnareff on purpose, regarding the dangerous situation they're in. And that makes sense. But it did hurt him. And that's sort of unforgivable in my book. Jean puts up this happy act, and no doubt he does have fun with the other Crusaders, it's not bad all the time at all. But when nobody's looking, the sad, pained look on his face is obvious enough.

In the end, Polnareff really loses three of his friends, two of them because they protected him, and gave their lives for that yet again, but this time for real. He's essentially left with what he'd believed to be true before.

He is alone again.

Having only survived because others protected you and died for that, can make you feel so utterly desperate and worthless.

Despite this sorry state he falsely sees himself in, here is where it truly shows, just how noble Jean Pierre Polnareff really is.

Instead of leaving all of this behind when given the chance, to go back home to France, he continues investigating the Stand arrows, and the problems Dio's actions caused, even after he died.

While Jotaro was on it too, Polnareff eventually decides to further investigate alone, probaply because he wanted to avoid losing another friend because he couldn't protect himself alone. It shows that he's grown. And it shows that Polnareff really doesn't hesitate to risk his life for this.

This causes Polnareff to run into none other than Diavolo, who is after the arrows for his own, twisted reasons.

Which in turn, gets him into an even worse situation.

Not only has Polnareff spent his youth, from the age of 19 (when he lost his sister) to age 36, chasing after the Stand arrows and Dio to seek revenge and prevent even worse things from happening, he's also severely injured and left disabled for the rest of his life at only 23 years of age.

On top of all of this he is now the potential target of one of the most dangerous Mafia bosses in the world, forcing him to live in solitude for over 10 years, unable to contact ANY of his remaining friends or family because if he did so he'd risk getting them and himself hunted down and killed. Thus Polnareff is yet again alone.

Just.. take a moment to let all of that sink in. All of what Polnareff has been through.

And DESPITE all of that, he still pulls through, he still keeps going, stays strong and continuously puts his own life on the line to try and stop Diavolo from obtaining the Requiem arrow.

Because he knows that if he fails, everything the Crusaders fought for in 1989 will be to no avail. And even if he can't do much himself, he finds a way to contact Bucciarati's group after what I can only assume are weeks, if not months of research on them.

(It is almost scary to see how much Polnareff has changed, from the mostly happy, outgoing and talkative guy we've known, to this serious, more mature and collected man, operating from within the shadows to reach out to Bruno.)

Now we, as the reader, know all of this about Polnareff, but to Bruno and his gang, he is a stranger, somebody they don't know if they can trust yet. They also only meet Polnareff very briefly before Diavolo finally reveals himself and kills Polnareff for good.

Jean Pierre Polnareff, spent his live almost constantly facing some sort of trauma. I can't begin to imagine what he must have felt like in the end, knowing he's dying, before having finished what he started, what he fought for.

Yet he spends his last living moments thinking of his friends, the things he's been through back in Egypt, and atleast he knows that what he's done is not in vain, because he can safely place this mission he's dedicated the last 10 years of his life to, in the hands of Bucciarati and his gang.

This has an almost poethic value to it.

(It is also interesting to note that the Stand, Judgement, from Part 3 shows up in this panel. Think back, this Stand had the ability to grant "wishes" in form of illusions that turn against you. That was when he wished for his sister Sherry, and Avdol, whom Polnareff still believed to be dead, to come back to life. This always strangely touches me, because it's so naive to believe in such a thing, yet, it shows just HOW much Jean cares for those two, that he still had hope left, and was unable to let go, as of that time. The pain in his eyes as he realized that this last bit of hope he had was foolish, wronged, he had to accept and move on, which he does for the most part, but the fact that Judgement is something that he remembers in his last concious moments before dying shows that what happened on this particular day never really left him..)

Somehow, Polnareff is given a second chance, in form of his soul being kept alive within this bizarre Stand ability of Coco Jumbo. His body is dead, he can never go back, but Polnareff's spirit lives on. Atleast for now.

And Polnareff did so much. He sacrificed everything, not even hesitating to lay down his life.

He deserved so much better. He deserved a happy, long life, a family, love and friends.

While he may not ever get some of these things, he's with Giorno now. He's made it out, somewhat, alive. He can rest easy now and that is what counts for me. His sacrifices have not been for nothing, and thus, his friends dying to protect him back in Cairo also have not died for nothing. Polnareff carried on their legacy, making their deaths count, moving on, but never forgetting.

It is somewhat ironic that the one who carried Polnareff's mission to the end was Giorno, Dio's son, and yet another Joestar. It seems that the fates of Polnareff, Dio, and the Joestar family were destined to cross paths from the beginning.

Again, as the reader, we know the whole picture, but Polnareff doesn't. And he still did what he did, and he deserves credit and gratitude for that.

This is why Jean Pierre Polnareff is one of the most important people in the storyline of Jojo's Bizarre Adventure, and a man who has ALL my respect and admiration. I truly think that without him, things wouldn't have turned out as well as they did, and we have him to thank for that.

The last thing spoken in the anime of Vento Aureo is said by none other than Polnareff:

"Let's go,

...to the Colosseum."

~Haru

[mrsmess]

Faves and fails of SPN (season 15, finally):

Favorite episodes (in chronological order):

15:4 Atomic Monsters - Demon!Sam flashbacks! Dean in a beard! Some old fashioned banter! Meatman! Beaverdale! Love how Sam starts arguing w the parents in the parking lot - Me too, Sam, me too. Loving the self-aware monster. I know Becky is problematique™, but I dig her, so, all kinds of fuck Chuck. He must die, and when he does this is the episode I’ll think about.

15:6 Golden Time - Badass protection spells. Dean in a robe and a hot dog pyjamas. Cas going by Clarence. Jogging Sam. Eileen! God I ship her and Sam, and I’d like to take this opportunity to remind you that I don’t ship him w anyone. Liking this ep a lot, every little side plot. Nice. And Eileen is back and I know it won’t last but like, that was awesome.

15:10 The Heroes’ Journey - Pretty neat intro. Monster on monster violence to the sound of Clair the Lune. Oh, and excellent casting of Garth’s kids. Regular people trouble... Awesome! Brilliant! This is the kind of meta storylines this show should deal in, exclusively. Oh my Garth! Explosives! Why isn’t every episode like this?

15:11 The Gamblers - Oh, is this another lucky coin episode? In that case yes please! More inconsequential bullshit kindly! Loving Sam staying in touch w Eileen. Hey guys, remember when you did the gambling thing w your years? And the rabbit’s foot? Good times. Will this be an equally good time? I hope so. A god! Excellent. ”Lady, I’m Tolstoy.” Yeah ya are, and i’m dead. The guys and Fortuna bashing god. And I'm equally delighted and distraught over the lore that god created man, man imagined gods and god decided to create the other gods to play into man’s ideas, or as a distraction.

15:13 Destiny’s Child - Omg the intro! Savage garden! I’m dead. Jack w the sandwich, why is that so funny? Cas is a gem this episode! ”’Sexually intimate’?” Lol. That’s what you get for trying to speak plainly, Cas! Hunter Corp. I’m dead, again. Keep the different Deans and Sams coming! I’m digging this! Why would they send ‘em to Rio? They could be your buffy-bots!

15:14 Last Holiday - Weird people popping up in the hq is awesome. And Dean’s immediate instinct to yell for Sam reminds me of me calling mr mess for everything! ”Shouldnt you be in the woods? Nymfing?” Monster radar? Oh, oh this is excellent. So mrs Butters is capable of murder when home and family are threatened, good for her. They better not kill her. I can accept them returning her to the wild. Yes! Did I call it or did I call it? Good Supernatural, good boy! And Dean making a cake for Jack! My heart.

Fail episodes (in chronological order):

15:2 Raising Hell - Rowena! Instant win. Ketch. Instant lose. Ketch undressing Rowena with his eyes = rating plummeting. Jeez. A bit dangerous even joking about the GoT finale, don’t you think? Rowena and Ketch full on flirting... this is hell, I'm being punished.

15:3 The Rupture - Don’t call him god! His name is Sucky-Chucky. The shock of Cas! “You’ve been playing us the whole time!” This is how it works Cas, where have you been? They're always solving problems like Jason Mendoza. In-Dean-angry-voice: “Anytime I had a problem and I threw a Molotov cocktail, boom! Right away, I had a different problem.” Rowena! And Sam! No!

15:5 Proverbs 17:3 - Listen, spn, it’s your last season and if you like just wanna stop writing and casting women completely rn i won't stop you or hold it against you (also why are these ladies identical?). We’ve had a terrible run but lets just let bygones be bygones.

15:8 Our father, who aren’t in heaven - Gosh, having Eileen in the show is painful, I’m just constantly expecting a piano to fall on her head. *Ugh* Sucky-yucky-Chucky. But hey, at least everybody else looks better alongside him. Case and point: I never rly cared that much for Donatello, but it’s great to see him, and Michael’s back, sure is nice to see him too.

15:9 The trap - Ugh. Main plot shit and Sucky-yucky-fucking-Chucky. Fail. Although the flashforward to jan 6th 2021 was a hoot (but probably not meant like one, huh?) Dean’s monologue in purgatory though... gosh. This show would be nothing w/o Jensen Ackles. Omg the kiss! Nice. However, the show at this point has lost the ability to offer any sort of pleasure. Because like Sam, we know which way this will go. They used to have some hedonism working for the characters but now they don’t even have that.

15:20 Carry on - You know what? I’m not gonna make this post longer than it already is talking about the last episode of Supernatural, that has been done better by people w real grievances w the show. The kindest thing you can say about the finale is that it just as well could’ve been jammed into a few extra minutes added to the previous episode.

Mediocre mentions:

Drag me away (from you) - what is this ugly cell interface? The opposite of product placement. Yay! Retro episode! And they got the same actor to play Dean, neato! Dean admitting he had a hard time handling hunting, that always gets me. Woah! That scream effect without reverb was kinda startling. And the camera zooming in on the little porcelain clown even though Sam is nowhere n- oh shit. This was an interesting episode

Inherit the earth - Goooood I hate Chucky. Barefoot Sam is okay though. Digging this soundtrack too. Very un-Supernatural. Nice to meet ya Betty, but I wouldn’t pull up a chair if I were you. Always a fan of the shiteating grin. Jack, stripping god of his power, that’s so hot. And again: kudos to the soundtrack! The Youngbloods and then Jackson freakin’ Browne! And you know, it’s clichéd and kinda vacant, but also kinda nice. I’m cool with the story ending like this. Why did they have to do another one? Supernatural has never known when to quit, and this is the very real backside of this.

Honorable mentions:

I don’t know who this Ardat chick is but killing Ketch puts her instantly in my win column.

Winchester-dumb, new household term.

”Feels like were taking a big, probably stupid risk. Feels good.” That made me feel good too.

I’m vastly enjoying this dark-art hippie couple in Unity and Jack’s interaction w them.

Cas launching straight into his dramatic I-will-not-let-you-end-your-own-life-speech when Sam casually mentions he’d like to talk to death in Unity, that angel has seen some things, and he has learned.

Those are some pretty pretty death effects on Jack in Despair/The Truth.

Obviously Misha Collins

Things that makes you go hmm:

Which of the clowns is this supposed to be in Back and to the Future? Because the one from season 2 was a monster, right? So he would’ve gone to purgatory. You know what? I’m not an expert. I try to not pay too much attention ’cause it makes me funny in the head. But just, y’know, a general objection.

Here’s my deal w death as a looming threat in this show: it holds no weight. And even if it did it has been painted as the ultimate relief, unless you go to hell, these characters know for a fact that there’s a potentially blissful afterlife, so their attitude towards death should be, what? More pragmatic, I think. And it’s partly why Ackles is wasted on this show; That man can deliver a death monologue like it’s nobody’s business, too bad all those words have been rendered meaningless after 15 seasons of this shit!

Summing up:

So, I did not go into or leave this season happy, I knew how it would end and I was sad for everyone the show screwed over (more than it already had). Which really meant that I always had to force myself to watch another episode, knowing what was coming. But I had to see it through. I did, so I’ll give myself a pat on the back and get to work on my own personal selection of episodes that will henceforth represent spn to me. A selection I’ll enjoy all the way through. All in all I think the most frustrating thing about the show is how it insists on taking itself so freakin’ seriously. It has always done horror *and* humor best and this whole heaven and hell aspect has never sat right w me, and in any case they should’ve leaned more on “supernatural” narrative tropes (if you will) getting out of their plot problems, gambled some more and thought a bit more outside genre conventions *especially* in their main arcs, they opened up so many opportunities that they never even used. They could’ve been more like Buffy, or Doctor Who. That said, I’ll always get that spn-itch, and when I do, I’ll be happy to have seen all the episodes so I’ll know which ones to avoid.

[naruhearts]

OKAY SO I've just spent the best part of an hour scrolling through your blog and reading a bunch of your destiel meta and I HAD to message you... I was one of the many people who STRONGLY believed destiel had a chance of being canon after season 8 (more like season gr8 am i right), but throughout the years I slowly lost all hope. However, S14 has made me 110% invested in the show again and YOUR META IS GIVING ME HOPE FOR DESTIEL, which is TERRIFYING. Your writing is wonderful and I'm STRESSED.

Got back from Washington late last night!

Oh my gosh @alovelikecas, your message really made my day and I’m SO glad you enjoy my meta xox (even when most of my meta looks like, to me, sloppy-ass writing, haha! I’ll probably make an end-season meta post after 14x20 — if I have the time — that touches upon SPN’s current and repeating themes since Season New Beginnings S12/Dabb Era, not to mention I have, like, some more unfinished meta in my drafts >.>)

Yeah I mean, I didn’t join Destiel land until Summer 2016, and before that, I was late to the Season 11 party, so I basically had no narrative context for anything, and I’ll copy-paste what I said here: 

Looking back, one significant thing I recall? S11 gave me a sense of Destiel’s true narrative validity (as not a ‘fanon’ ship but organically developed in the canon) when I perceived it as a season that was ‘missing something’. Keep in mind I had no idea about Destiel yet while watching S11 at the time.

I was literally asking myself — repeatedly — why Dean/Amara seemed to contain odd narrative holes, considering A. Dean explicitly said that the non-consensual attraction he felt for Amara was NOT love and “it scares him”, B. Amara told Dean that ‘something stops you - keeps you from having it all’, C. Djinn!Amara stated that she can: ‘feel the love [Dean] feels, except it’s cloaked in shame,’ and D. Mildred’s iconic ‘You’re pining for someone’ —> which did not logically correlate with A and C, meaning: since Dean doesn’t freely love Amara and thus isn’t possibly pining for her — with female love interests as currently non-existent (I remember crossing off the dead/gone girls on a piece of paper lol) — who the hell was he pining for, then?

Originally posted by elizabethrobertajones

Obviously, without writing long-ass paragraphs of meta about it again in this post, S11 made sense as soon as I watched it within the Destiel context (especially after I read up on some grandiose pieces of Destiel meta (@charlie-minion was the very first person who inspired me to write meta; I followed her once I joined the fandom Oh my god, here we go, holy crap this subtext – I’m invested in this godforsaken ship because they’re in love with each other and I’m not getting off any time soon. The rest is history.

I’m aware that I do come off as positive (and I’m still Destiel-positive; whatever happens in 14x20 this week may or may not change that), but I hope you don’t mind if I use your lovely ask as an additional opportunity to clarify my meta standpoint: no one’s saying Destiel WILL become text. 

The general Destiel meta community (all subfactions: Destiel-positive, -negative, -neutral, and in-between) is not the Most Holy Canon Word, and we aren’t SPN writers, and again, we can’t actually speak to the veracity of Destiel as guaranteed-gonna-go-textual, but we — a diverse pool of critical thinkers from all walks of life: particularly those who have some degree of experience in literary academia/English literature studies (fun fact: I was actually pursuing a Minor’s in English until I changed my mind - my first love’s Health Science/Biology, which I stuck with, but here I am doing lit-crit analysis on the side *wink*) — can speak to the veracity of Destiel as a real, palpable, and ever-substantial long-running romance narrative aka the love story between Dean and Cas IS THERE. I see it. We all see it. We didn’t pluck it out of the random ether one day. It naturally evolved across the show’s overarching narrative like some vast spiderweb, linked together by numerous character arc amalgamations of Dean Winchester and Castiel as separate individuals who were then brought together — who brought themselves together, by the sheer force of free will and choice — and are now inherent parts of the other’s story (and respective character progression).

I say this too many times to count: the entire point of writing meta? Personally, it enables me to appreciate the literary gorgeousness of Dean and Cas’ relationship as, first and foremost, a tentative alliance offset by the very moment Cas raised Dean from perdition (it’s a poetic beginning). Their alliance then inevitably proliferated into a rocky — at times, necessarily turbulent — friendship, then a deep profound bond…one that crossed platonic boundaries since S7/8 and is, ultimately, indelibly rooted in romance. Together, Dean and Cas build up each other’s strengths, complement each other’s flaws, and narratively motivate the other to self-introspect — to become the best version of themselves that they were always meant to be: self-actualized entities who let go of their painful, horrifying, psychologically/emotionally destitute pasts.

These above reasons and more are why I think Destiel belongs right up there on the shelf of Ye Olde Classics, similar to epics by John Milton, Shakespearian tragic dramas, Homeric characteristic cruxes, and the great Odyssey journey: a legendary journey, fraught with circumstance, that finally ended with Odysseus (now an enlightened man) returning to Penelope, the love of his life.

Channeling the scope of Homer’s Odyssey, Destiel is an incredible storytelling feat of obstacles, both internal and external, romance tropes, mirroring, foreshadowing, and visual cadence/emotion, enhancing SPN’s already character-driven main plot in that Dean and Cas try to make it back to one another; like Penelope, their love holds true despite everything. If Destiel were an M/F couple, we all know their love story would be absolutely undeniable to the GA.

I do understand the bitterness S14’s fostered in some viewers, though. I do understand that Dean and Cas seem distant (and yeah, it’s a noticeable difference compared to S12/S13), but I believe the Destiel subtext is still heavy and holds steady.

Right now, at this point, there remains multiple personal issues for the characters to solve, you know? Dean and Cas aren’t talking properly; their love languages stay mistranslated, although we’re persistently shown that they still understand each other on a certain level that no one else can, and the visual narrative keeps framing them as on-the-nose solid counterparts: a domestic-spousal romantic unit independent of Sam.

Originally posted by incatastrophicmind

They want to be there for the other. They need to quash the final remnants of their respective internal loathing (Dean’s self-worthiness, Cas’ self-expendability) before they’re able to give the other 100% of their time, efforts, attention, and love (as flawed and complicated but compellingly beautiful as it can possibly be). During the times Dean and Cas do try to talk shit out, extraneous issues continue to get between them.

As other friends/meta pals discussed with me, S14 is like S10 in that it’s confusing the cast/audiences. And exactly: S8, besides S11/S12/early S13, also belongs in the close-to-canon serious Destiel narrative transition! I can discuss the showrunning/writer problem of SBL (Singer + Bucklemming; @occamshipper hits the nail on the head) that tugs subtext – especially subtext linked to Destiel – back and forth, sometimes in the weirdest nonsensical ways, but I won’t go too far into it here. I agree, however, with the recent idea that Jensen does seem a bit confused as to where he should bring Dean emotionally this season (don’t get me wrong, I do NOT believe Dean is OOC; OOC is a completely different concept vs expected character behaviour). And if Dean’s consistently romance-coded past interactions with Cas are any indication, Jensen would also — in the same vein as all of us — want Dean and Cas to start getting their shit together. Long-running fictional characters like Dean and Cas, conceived over 10 years, are so well-written to the point where you, the author, can predict what they’ll do even if you just plop both of them inside a room and give them no direction, and I personally feel that nowadays Jensen is prevented from achieving Dean’s further internal growth/unsure how to act in the moment because of some dumb SBL scripts saying one thing while his character’s heart says another. Wank aside—

Season 15 should hopefully convey a much more logical subtextual perspective e.g. unbelievably amazingly cohesive Season Destiel 11 that aired after choppy S10. Not all hope is lost!! I also want to clarify that I personally LOVED Season 14 in general. It’s been mostly Emotion-centric constant, with Yockey, Berens, Perez, and Dabb usually making my top-rank SPN writer list.

Currently the narrative’s still allowing pretty significant (imho) wiggle room for the lovers to fracture apart and get back together, where their miscommunication comes to a dramatic head. We just saw Dean and Cas argue over Jack’s well-being in 14x18 and 19. Dean — besides putting Cas at the top of his You’re-Dead-to-Me-Because-You-Lied-but-I-Still-Love-You-Goddammit hitlist (for clear spousal-coded reasons) and taking Cas’ actions to heart (he’s the person he trusted the most who lied to him) — no doubt blamed himself for what happened, and Sam was, like I said, the mouthpiece of truth. TFW were all culpable. They all failed Jack in some way, shape, or form.

I’m not expecting anything for 14x20, but I’m nervous either way! Thanks for sticking with my long answer

[purplerose244]

MY THOUGHTS ON EPISODE 98!!!

SPOILERS ALERT!!!

And adding this to the pilot episodes, which are four in two episodes, we finally reached 100 episodes of Ninjagooooo!!! 🎊🎊🎊 YAHOOOOOOOOOOOOOOO!!! 🎉🎉🎉

I can't believe we really achieved this, like, I remember getting interested because of that elevator gag with Jay in season 1, now look at this!!! 😍😍 I love this show, I love how much I have grown during it, and I can't wait to see what the future has in store for it!

And after getting all hyped with this, let's get to the episode! 😎

I wanna start by saying that, back when I watched it, I really liked Day of the Departed, but I would've LOVED IT if it was a season. Like, it's clear that a lot could've been done, and it came out really freaking cool but not mindblowing (and I kinda expect that from my favorite show, not sorry 😙)

My opinion on March of the Oni is similar, I definitely enjoyed more than DotD because it was basically a season of four episodes, it's just that some parts went by a little fast.

But you're asking if I liked it, right?

OF COURSE I DID! ❤❤

And let me tell, with the amount of parts coming from pilots and first season, I can die happily 😆 That's what I love about Ninjago, even when I think it's not perfect, there are still moments that I fall in love with immediately!

LET'S GO THEN!

For the start, Faith's story. I'm so sorry for the poor dragon hunters, can't even have the time to fully redeem themselves that darkness arises 😅

To be honest, when the ninja arrived and Wu was smiling at them like waiting for good news, I was too worried for Cole and was grieving like all of the ninja 😢 Then it reminded me of that one scene in Kung fu Panda with Shifu being all "ah yeah, I really need good news" with his messanger and it turns out it's fricking Tai Lung coming for him 😂😂

But yeah, that was heavy. And Garmy was still merciless with his brother, as much as with his wife (weird that I kinda enjoyed that part? He never went all bad against her, not even as Lord Garmadon. He is full beast now)

And oh man. WU'S REACTION.

One of his first pupil, the first leader of the team; not only that, Cole was always there when Wu turned into a baby and grew up, he basically became a second father for him in a weird but cute way. Can you imagine the grief? It would be really sad if he got to remember him being to affectionate with his infant version, singing for him 😭😭 (woa, fanfiction idea!)

Well played, I must say, Ninjago crew. I'm already on feels mode 👏 But don't think you can fool me again writers, I'm not that easy to impress for y-

*throw away the pizza she had for dinner* NO PRIMARY NEEDS WILL COME BEFORE THIS, KAI FREAKING SMITH IS BACK OMG YAS YAS YAAAAAASSSS!!!!! 🔥🔥🔥❤❤❤

... I screamed at that part. A LOT.

It's been AGES! He wore it two pilot episodes, period, he looks so young 😍 From this point of few I appreciate that he changed design, it's like he really grew up from before. And he looked so worried, or disappointed? Maybe because he gave up on being blacksmith a long time ago for doing something he's actually good at, and going back again it's like saying he didn't improve at all...

... or maybe I just overthink Kai all day all night

MY FLAME BABE 😍

Well, forge happens, no Ray and Maya but it was kinda hopeless anyway 😅 I really want them to come back, come on Tommy!

And bam, golden weapons. BAM 👊

They made me feel way more excited than I thought, I really squeaked all over while they were fighting! ☺ Back then there was nothing more important and powerful, and now they are back. But I think the golden power in them is weak? I guess they forged in a different way the first time, or maybe they need to be charged by golden power user. I don't know but good job anyway, my hot blacksmith 😚

Meanwhile, in another dark place...

I screamed again 😅

I was just super happy to see Cole fully alive and not frozen and stuff. I thought it had a deeper meaning him moving, but then I guess he woke up in time? And wasn't in the middle of the toxic darkness, thank lord 😵😵

Or maybe they'll explain it better next season and it's important? You never know

Kirby did his best at talking to himself 😂 Rocky you gotta stop loving your best bud that much, you were panicking just like him 💙 Also the part when he was so close to despair, man if I wanted nothing more but broke my phone screen and give him a hug 😢

Luckily, cuteness came to my rescue

"WE THOUGHT WE LOST YOU, YOU... YOU... YOU JERK!!"

My bruise heart is beating faster? My bruise heart is beating faster 🖤💙🖤💙 Sorry, can't help it, moving on!

I missed some full team fighting action! I wanted more, especially with the new golden weapons and how amazing the landscape look now near the monastery ☺ But it was cool, and I love Nya and Lloyd fighting back to back since they don't have golden weapons! Also Wu is getting so active in season 9 and 10 😊 And Faith is a queen 🖤

While we're at it, my idea is that Garmadon's doubts about his evilness are meaningful, but not for now. I like that they didn't push him into full redemption, it would've been too early. He clearly wants to know more about himself and his family. I think that the next adventure will be important for him, even if I still don't know how, maybe a full life-changing field trip (if so, my warlord, I have a half burnt prince from the Fire Nation to recommend 🔥)

... I did enough serious stuff for him, right? Well then...

... OKAY I CAN'T 😂😂😂😂

Like, I get the point and everything about him being almost full oni and stuff, but I can't look at his face 😂 I think it's the only part I really don't think it fits, the rest is pretty cool. I like the staff, looks all sorcery. They even used the design of the oni masks, nice touch.

... still, the face is weird, happy it didn't last 😙

Back to the monastery, everyone's scared, it might be the end, I actually liked the situation very much for the yang proposal. Jay stopped overthinking and went for it, it's hard for someone like him 😂

And of course Nya was ecstatic, and when our goddess is happy I am 💙💙💙

THEY HAVE THE MEDALIONS ON THEIR CHEST IT'S SUCH A CUTE AND ROMANTIC SYMBOL!!! 😍😍😍

I'm a sucker for romance, I'm sorry 😅

I'm also a sucker for references from past seasons, so...

*inhale*

THE FREAKING TORNADO OF CREATION!!!! FINALLY, AFTER THE FERRISWHEEL IN THE UNDERGROUND, THE ULTRA SONIC RAIDER AND ALL THE GAMES THAT HAD IT FEATURED, IT'S BAAAAACK!!!! THANK YOU NINJAGO FOR THIS GLORIOUS DAY!!! NINJAAAAAAAA-GOOOOOOOO!!!

*exhale*

They played it as they didn't use it again because it was kinda a miracle... I guess I can buy that, even if the Hagemans explained that they didn't expect Ninjago to continue and put the ultimate power immediately in the pilots... regretting it 😅 So I'm not hard on the writers in general, I'm happy to see this old friend back 💛

They all used spinjitzu, and the new design is so good, I was so happy!!! 🤩🤩🤩 Well I was, but then... boy... 😳

Now... let me tell you... how FREAKING nervewrecking... the last minutes of the episode... have been for me

First of all, the transition in black and soundless was so sudden that it got me thinking "okay this is new, got a weird feeling about it". Lloyd wakes up into such a heavenly beautiful place with a paradisiac great view. And I was already on what the frisk mode, because the others are gone and there's a beautiful golden dragon right there. And I freaking love those (I WANT ONE), so I got distracted.

Then a voice. Good Garmadon? I guess it could be, but why now and here? The heck?

Then of course I recognized him...

Because he still gives his back to the camera 😂 Also he freaking called him Lloyd MONTGOMERY Garmadon, I can't even 👏👏 This compensate the fact that I kinda wanted green bean to just go and call him granpa 😘

And while I thought it was super cool and over the top and reminded me again of Kung fu Panda, the third movie this time, I was still thinking from time to time:

"This looks like afterlife."

"The first Spinjitzu Master is gone."

"This can't be happening."

"This can't... can't..."

And after making sure to remind us that yes, first Spinjitzu Master-san is indeed Wu's dad, with his wise words because...

... he said that. THAT. Come back to your friends, or come with me. Go back being the green ninja, or reach the light once and for all. And darn it. I could feel my heart pulsing in my head. It ached when Lloyd extended his hand, and suddenly everything went white.

Back to the monastery. Guys are fine, Jaya is still beatiful and my poor sweetie flame got under a colomn thanks Cole I bet lavashippers appreciated

Then the worry. All of then running to him, checking, my flame so scared, "come on buddy, wake up". Wu following, he's the only hope, he can manage...

He can... can...

"There is nothing to be done."

I sobbed. Like, I didn't even dare to look at the time, I was too scared. I just didn't want it to be real.

Gotta say, when it comes to grieving, Ninjago makes me feel the most. Jay stuttering, asking Wu to help him. Nya sobbing calling his name. Kai slowly shaking his head, so desperate, like it wasn't enough they lost Cole even if not for long, and then going to comfort Wu because Garmy is not his brother right now and he's not showing emotion at all (although he was backing off, I wonder if he was trying to keep the distance from such a strong scene)

... and then Lloyd came back

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHH!!!! 💚💚💚💚💚

I CRIED FOR HAPPINESS, THE TOUGHEST SECONDS OF MY LIFE!!! MY GREEN BEAN, MY SUNSHINE BOY, MY SWEET ANGEL IS HERE AND HERE TO STAY!!! 💜💜💜💜💜💜💜💜💜💜💜

Also Kai and Cole hugging, it was really sweet 🖤❤🖤❤

Oh man, OH MAN 😵

They put everything into that last fragment, now did they? Very nice, loved every part of it and it's really cool how we now kinda know what could be waiting on the afterlife 🤩 I wonder if there is more of that world...

This is why I said I wanted a longer special/season, we had two beautiful moments of pure sadness, really impactful and intense, that could've been even stronger if we had more time to struggle. But you know what? I died inside twice, came back to life twice as well, and nobody died!! 😊 ... except the oni I guess. I think... they died, didn't they?

Well whatever, going for the end!

Okay can I call upon myself the frame meme of Gravity Falls without actually showing it? I can't put more pictures 😅

"Oh, this."

"This is beautiful."

It's both extremely funny for the claw lego thingy, and meaningful. Only they could do that. Only those that really follow Ninjago could recognize this. I just like it a lot, the Tornado of Creation in its on way ❤💚💙🖤💦💎

(give me white and gray hearts emoji you COWARDS)

And of course, reunion for the finale

Sky you have no idea how happy I am to see you, girl I missed you a lot 😘 Also dat wink, Kai you might be the next to the yang proposal 😙 Cyrus is okay, I'm happy, and random Ronin because why not? He has better things to do than being caught up with all this drama 🤣

AND THE POSTMAN IS THERE 😎 Of course, our greatest ruler appear! 💪💪💪

While at the end that little moment between Wu and Garmy, I wonder what's waiting for the two sons of mister too shy for facing the camera 😜

And of course our Ninjago alphabet, THE END, with mama dragon who seems to be okay, good 😊 Pretty cool

Well guys, this is it. I enjoyed, no matter how it could've gone as a full season or other formats, it's refreshing knowing that they still remember stuff from the very beginning (MONTGOMERY 🤣🤣🤣). I think we had a good ending for a good beginning to a new fragment of Ninjago, involving what, I have no idea 😅 Also I really appreciate what they did with my Kai, the hotheaded, cocky but selfless warrior that I love so much. Thanks a lot ❤❤

Guess we'll find out sooner or later what's in store for this show, for now I'm done! Thank you guys a lot for all the notes in the last post, you guys are amazing! 😁

Nothing else to say, see ya around! 💜

[female-overlord-3]

I posted 11,835 times in 2021

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Longest Tag: 121 characters

#remember when isobel had a possible love interest who had not slept with anyone in her family or immediate friend circle?

My Top Posts in 2021

#5

I finished Love, Victor Season 2 AND AFTER TOO MUCH TIME COMPARING SCENES OF FUCKING FRONT DOORS I'VE SOLVED IT. UNTIL WE'VE GOT A SEASON 3 CONFIRMATION I'M CALLING IT: that's Benji's front door.

Yes I will elaborate but only if you message or @ me please.

27 notes • Posted 2021-06-14 01:33:55 GMT

#4

Not Possible

My anti-maria fic where we get Alex being there when Maria declares it's Michael in that coffin which doesn't end well for her 😊 mentions of 2x06 events so please respect the warning and take care of yourself 💛 don't like just scroll past! It's that easy!

They've been going back and forth for a good 10 minutes until Maria voices her thoughts.

"I think- god I'm so sorry but I think it's Michael." She's teary eyed and her voice cracks as she continues. "He's the only one I haven't seen alive."

It goes quiet as the possibility starts to stick to some of their minds while Alex just tries to choke back a laugh but it can be heard when he speaks. "Not possible." 

The only one that gives him a disbelieving look is Maria. Everyone else sighs in relief.

"Alex I know-"

"Actually you don't." His voice has hardened as he stares her down. "You said I was angry about covering up another murder but if it was Michaels there would be no possible way I could ever be okay with it. If Michael was murdered I'd find who did it and burn them then the world down."

He gets up and leaves, stopping at the door to look at Maria one last time.

"I also wouldn't be there either. So no, Michael isn't the one who dies." Alex goes so tense it looks like he'll snap before forcing himself to relax. "I was able to somehow forgive you for that night and nearly everything else, but not this, not realizing you'd be okay with him dying."

Then he's gone.

Maria looks lost as she tries to find support or comfort from anyone else but there's none.

Now it's her that everyone is looking at in disbelief.

"Do you really think we wouldn't think of a way to bring Michael back? That we'd just be okay with him dying?"

Isobel reaches out with her powers because she needs to know. 

"Oh god you really do. He's my brother Deluca! How could I ever be okay with it?"

"Maria we'd be devastated. He's- all three of us share a connection and losing that would be- I never want to feel like that again." Max and Isobel link hands, both already still on edge from Max almost dying again.

"I'm not losing Michael after everything. We would do anything for him just like he's always done for us."

Isobel and Max walk out after that.

Kyle just scoffs and follows them, his words quiet but clear as he passes her.

"Like Alex or anyone who actually cared about him would ever let that happen."

Liz was the only one left but Maria knew she would leave too.

"I would find a way Maria. We all would for Mikey." Liz shakes her head as she fights back tears. "I thought you cared about him, that you understood what it felt like back then so I pushed you to be with him. That you would think a group who has brought 2 people back to life already wouldn't do it again."

"Liz please I-"

"You know why I breathed a sigh of relief when Alex said it wasn't possible? Because the second he said that I knew he's right. Alex knows it's not possible because he'd either make sure it didn't happen or he'd join Michael. Maria he- he'd rather join Michael then be apart from him! That you would even consider Michael possibly being dead is kind of insane."

Tears spill down both their eyes as Maria continues to search for any kind of sympathy or understanding.

"It was just- it seemed the only logical explanation."

"You're only accounting for Me, Max, Isobel, Kyle, and Alex but there is an infinitely larger amount of people both in this town and in general. It could be anyone's funeral."

Maria starts to plead for her not to go but Liz can't even stomach being in the same room anymore.

"Isobel was able to connect to whatever it was you've been seeing and she's able to see them clearly with more control. Thank you for letting us know about it but you can rest now and stop destroying yourself, it seems you've taken it too far again."

Liz finally leaves and hopes Maria realizes how wrong she is about everything.

Maria just stays there all alone in denial but even that starts to crumble to nothing as she's left to reflect on her own many mistakes and faults that she's made in the last two years.

-

Alex is parked in front of Michael's airstream but stands at the hood of his car. He knows Michael is fine but just the idea that he'd ever- he just wants to check for reassurance.

Read the rest on Ao3!

31 notes • Posted 2021-08-24 22:56:29 GMT

#3

Wait your telling me they couldn't do a widely spaced couples dancing at the end???? With everyone? THAT DANCE FLOOR WAS BIG ENOUGH.

Imagine: Alex coming up to Michael and asking to dance THEN heading to the statue (and NOT being blocked by said fucking statute) as they finally say ILY and maybe walk by the Alien museum with a fond smile. Kyle taking the space Michael left and talking with Isobel who brings up Anasta leaving for her promotion, that she's proud and happy for her because it was nice having something outside of the Alien drama but she couldn't really be herself (HEARTEYES AND SOFT SUGGESTIVE LOOK AT KYLE) then smirks when Kyle stumble over himself in asking her to dance. The scene before could've been Alex and Kyle discussing their future and Alex telling Kyle to go for Isobel, that from what's he's heard and seen, they work. Instead of you know what we actually got.

Echo already dancing and having another heartfelt convo that leads to them going to Liz's room. Dallas and Heath sitting at a table while they nerd out discussing why aliens can use acetone and figuring out what Dallas main power might be. It focuses on Rosa as she talks to Arturo about NY by her mural wanting him to know what it means and her plans. It ends with everyone smiling and happy before cutting to that end scene!

I'm not saying they could've cut the m*ria and kyle scene to make room.... But they could've- OR the first vision cause it didn't amount to anything (like nearly all of her visions 🙄) aside from us knowing she's having them again?

Also the shot of the Malex statue should've been in front of them with Jesse behind them TO SHOW AND TELL that all of that is literally done and past them as they get to move on while he'll forever be dead and stuck.

Just, you know, some thoughts 🙃

34 notes • Posted 2021-10-17 15:30:20 GMT

#2

WHOEVER GIFS THAT SMOOTH AS FUCK HAND HOLDING SCENE PLEASE @ ME PLEASE!!!!!

34 notes • Posted 2021-09-14 02:00:40 GMT

#1

A Cosmic Galaxy

Michael realizes he was good for someone who wasn't and it spirals from there but this time he has support and people that care. This time he doesn't crash and burn.

@winged-fool @lovecolibri @imawriteriwrite

Anti-Maria you've been warned!

DON'T LIKE DON'T READ 😉 IT'S THAT EASY

It's Rosa that brings it up. Or well that digs deeper into it. Michael doesn't know if it's because of curiosity or whatever stuff she's learned in therapy kicking in, but the mood is instantly brought down.

They were all enjoying lunch at Isobel's: Rosa, Michael, Kyle, Liz, and Isobel of course. The great time they were having quickly died when he mentioned how Maria also called him rude names when they dated.

"Wait, she what?"

He shrugs and continues to cut into his steak.

"I mean she was right mostly. I was a drunk and a bastard, I could be really stupid. Sometimes she added good-for-nothing or that I was unbearable to deal with. I was selfish too but I get now what I did back then weren't the healthiest coping skills. I'm really amazed she stuck with me that long."

"Mikey."

He looks up to see Liz who's staring at him in concern. He sees everyone else also doing a complete flip from the easier joking moment they we're just having.

"Um did I miss something?"

Being open is still… hard for Michael to do but he felt like he was getting better at it.

He sees Rosa and Kyle share a look, that special sibling look he and Isobel share when something serious is happening.

Looking to Isobel, she seems a bit lost in thought but they aren't good ones.

"She never did compliment you. Ever. It was always you saying them to her."

Michael frowns at her confused.

"Iz what are you talking about? She complimented me loads of times. Usually during private moments obviously but you've heard her-"

Her eyes fully focused on him stopped whatever he was going to say next.

"Ya sure but it either started or ended with an insult. Every- god every time she ever spoke to or about you."

He doesn't really see what the problem is.

"Well ya." He tries to state softly like maybe it'll help them understand. "She always did that. I mean I knew I was a lot especially during that whole time but it was just our way of talking to each other. The snarky banter was why we clicked."

Liz lays her hand on his arm so he turns to fully give her his attention.

"Mikey you don't keep doing snarky banter like that throughout the whole relationship. It gets kinder, I know you turned it kinder and she should've too. When we talked about you and she would say something like that, I thought she was complaining about you. Girl Talk where we shared what was going on and she- she always talked about you but I'm realizing it was always somehow negative, that I was the one reminding her how smart and caring you are."

Her hand slides down to hold onto his.

"I thought she loved you but looking back, I don't think she really knew you. The strong and caring brother who's a literal genius. She told me about how you were Alex's museum guy-"

"Maria knew he was Museum Guy and she still went after him?" Everyone looks to Rosa that pretty much shouted the whole thing. "Do you- Liz please tell me she didn't. I asked Alex who Museum guy was because that was the last thing I remember wanting to talk to him about before I came back and he said it was who he's in love with. I thought maybe he was talking about Forest but they only just met when I asked and Museum Guy is this decade long-"

The whole table rattles violently before going still.

"Call Maria right now."

Isobel has her phone already ringing on speaker.

Read the rest on Ao3!

44 notes • Posted 2021-09-15 06:16:44 GMT

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