#and no writing skills

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[saixria]

Somewhere in Apollo’s hospital on Olympus

[mischievous-thunder]

It's a special skill set, Logan. Wade wants you to make good use of it over and over again!

[castielsprostate]

having talented friends is so wild!!!!!! like. YOU!!!!!!!!!! YOU made THAT. YOU DID THAT?!?!?!?! YOU created!!!! THAT!!!!!!!!!!! WOAH!!!!!! praise!!!!!!!! praise for one thousand years!!!!!!!!!!!!!!!!!!!!!!!

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[jamtamart]

the last disco

[why-is-it-always-autumn]

Love a self-inflicted time loop. The main character isn’t trapped.  They can stop whenever they want.  But how can they when things aren’t perfect yet?  They can do better than this.  They need to try again.  They can get it right this time.  They just need to try again.  They can stop anytime they want.  Just one more time.  They can fix this. They just need to try again.  There are still things to fix.  They just need to try again.

[a-scary-lack-of-common-sense]

More of Stanley's sketchbook because he makes me sick /pos

(Just imagine he was looking in a mirror at the subway to draw this anshfhwj. The london bus ticket is unrelated, it's just a random knick knack he had lying around<3)

People weren't the only ones Stan met on the streets.

------

+ this is an absolute fucking batshit WILD oneshot I initially wrote for these drawings that got WAY out of hand, if you feel like reading that.

The oneshot below is a stand-alone now, and in no way is related to the drawings above, but I just wanted to show you guys because Jesus Christ

------

Winter of 1981, at a subway station Stan doesn't remember the name of-

The sorry excuse of a transport system that this hellhole of a city called a functioning subway was hardly anyone's first choice of a warm place to stay the night. And yet, here Stanley was; standing like an idiot in the middle of a small bustling stairwell that led down to the full screeching chaos of a train stop on a Tuesday evening. A rowdy crowd of exhausted office workers streamed out like a tidal wave from the entrance of the station, the bustle of their footsteps all too eager to go home and relax after a long day of work.

The faint, stuffy stench of old piss and sweat followed the crowd to the surface from the deep depths of a less than sanitary and overcrowded train station. The pungent smell intermingled with the crisp stinging winter air in a cocktail of shitty city gloom often associated with this time of the year; when the holidays were too far away and the sun seemed to come and go with practically the same 9 to 5 schedule as the workers had, leaving them going to work in the pitch dark and coming back out in the inky black as well.

He might have looked like he belonged there, depending on how one would want to look at it. He stuck out like a sore thumb amongst the sea of prim, pressed suits and neart uniforms. His ratty old jacket and generally unwashed appearance certainly didn’t help his case, but he also knew that stations like these also tended to shelter quite a number of homeless wanderers like him, especially during the winter. So, it wasn't exactly uncommon to see other sore thumbs seeking reprieve from the biting cold and the dangerous likelihood of frostbite from within the enclosed walls of the subway station.

Heck, if most of these underground kingdoms didn't also happen to be a breeding ground for several illicit activities, he might even have followed their lead. But, believe it or not, Stanley's already had enough experience with illegal activities to last him a last time, and he isn't looking for a new fill. He was satisfied with what meager shelter his trusty car offered him, as little a difference it might make in terms of safety.

Stanley's obstruction of the already narrow stairs with his loitering went unappreciated, as shoulders roughly shoved past him and swinging briefcases repeatedly bumped into his sides, usually coupled with a nasty glare and a snide comment or two. He paid them no mind, however. He wasn't here to start a fight with some random bum with a dead end job, as much as he thought it would probably do them both some good to duke their stresses out on one another.

The hours ticked by with wave after wave of new crowds being dropped off by a train and left to pour out of the station into the streets. By the time the streetlights turned on and the pale pink in the sky slowly faded to make way for the stark glittery black of the night sky, the tide of people had slowed to a trickle and rush hour was long since over. He was now the stairs’ sole occupier, with a few occasional stragglers stumbling up the steps and hurrying past him without a second glance.

Stanley did not move from his spot, however. He stood resolutely in the middle of the stairway, fervently rubbing his arms and stamping his feet in a futile attempt to try and regain feeling in his extremities as he waited. Rocking on his heels, he titled his head backwards to let his eyes roam the constellations that carpeted the endless expanse of the sky stretched out above his head, almost losing himself in the scintillating canvas of stars.

It reminded him of old times; of the sparkling beach sand twinkling in the dim moonlight, and the soft sound of lilting waves hovering in the background as he lay back on the cold wooden deck of his ship and watched the stars dance.

He still remembered every name his brother had once recited to him time and time again as he pointed out each star and galaxy from the night sky.

Then, like clockwork, he was broken out of his reveries by a telltale meow coming from below. The sound was a familiar blanket that immediately melted away the tension that had begun to build in his chest as he practically sagged with relief.

His body moved almost automatically as he leaned down to detach the frail tabby cat that was attempting to literally fuse with his legs, purring up a storm and rubbing her head against his pants as though her life depended on it. The cat gave a soft chirrup of dissatisfaction at being manhandled, which Stanley absentmindedly replied with a chiding click of his tongue as he lifted her up his chest and gently tucked her into his jacket in a practiced motion.

She thankfully remained blissfully limp in his grasp as he shifted around some more so that she was nestled comfortably inside the dark pocket of warmth inside his ratty jacket. The tiny warm lump that rumbled contently against his front radiated with heat, and his fingers finally began to feel like actual fingers rather than useless stiff frigid lumps of meat and bone attached to his palms.

A pointed cough startled him from his clumsy wriggling to get the cat to settle down. An oddly familiar security guard stood at the entrance of the station at the bottom of the stairs, leveling Stanley an unimpressed look with the metal gate in his grip already halfway closed, ready to seal the subway for the night. He must have been a comical sight; caught awkwardly bent over while trying to get his newly acquired cat to stop kneading biscuits on his stomach, with said cat peeking out from the gap between his collars.

Stanley faintly recognized the guard. He was a much older man, with a shock of thinning white hair neatly tucked underneath a dark blue cap and a strange depth in his eyes that reminded Stanley of the sea; with countless unspoken truths lurking far beneath the surface, but no less grand and knowing of all that the universe had to offer, as though he had already lived a thousand lives before this one.

He had seen the man around before, at another station, doing the opposite of his job by ushering stray buskers and homeless stragglers from the streets and into the (relatively) safe walls of the subway, instead of doing what any other law-abiding security guard would do and kick them out into the elements. He wasn't sure what the older man was doing here, of all places, since all the previous stations he'd seen the man at had been several states over, practically on the other side of the country.

A brief spark of panic shot through his spine at the thought that this man could be following him, but he quickly discarded the ridiculous notion as soon as it entered his mind. He had never even seen him before, and hardly ever even interacted with him; there was no reason for there to be any sort of bad blood between them. Unless he happened to be related to one of Stanley's many, many enemies, then perhaps his fear was a little warranted.

However, the old guard made no move to attack or do anything other than stare judgmentally, almost expectantly. For the first time in a long time, Stanley felt like a child being caught doing something he wasn't supposed to do. He tried his best to keep his uncomfortable squirming to a minimum under the unrelenting gaze, stubbornly returning the man's gaze with his own wary glare. His cat’s muffled whining came from inside his jacket. The traitor, she was leaving him to deal with the old man on his own.

With an exasperated jerk of his head, the security guard gestured towards the inside of the station. For a moment, Stanley stared dumbly, uncomprehending of what the old man could possibly want from him. Rolling his eyes, this time the man gestured more insistently at the small gap that still remained between the metal gate and the entrance, his arm sweeping the air in a low arc as he dramatically urged Stanley inside. Suddenly, it clicked, and Stanley shook his head.

“I have a car,” he said plainly, his voice echoing loudly in the desolate silence of the winter night that surrounded the unlikely pair.

He wasn't sure why he was so nervous, it wasn't as though he was lying. He did have a car, his trusty Stanley-mobile was parked safely away in the corner of an unassuming alley that wasn't often frequented by anyone. There was no way he was reaching it tonight, though; it was practically on the other side of the city, much too far away for him to arrive at a reasonable time. His nightly excursions to meet his small friend unfortunately left him with no other choice than to leave his car behind, the hunk of metal far too unwieldy and noticeable to drive around openly on the streets. He never knew who could be watching, after all.

He had simply been hoping to find himself a dark corner to tuck himself into with his cat, just for the night, but it seemed as though the universe had other plans. Or rather, this strange old man had other plans.

Although, if Stanley thought about it, the subway wasn't such a bad suggestion. This was one of the safer stations in the city; and with the rich neighborhoods being so close by, no rogue criminal or dealers dared to come near this area unless they wanted to be slapped with a hefty fine or face a higher potential to be arrested. And of course, there was the obvious shelter from the unrelenting cold that now seemed to permeate his bones, even with the purring warmth that was nestled inside his jacket.

So, that was how he found himself hunkering down for the night inside a shabby old subway station, with a satisfied cat still rumbling away against his chest and a strange old security guard locking down the gates behind him. The man said nothing as he hooked his keys back onto his belt and gave a firm pat on Stanley's shoulders as he walked past him, pausing to scratch his cat behind her ears before moving away. His footsteps bounced off of the grimy tiled walls with an odd reverb as he turned a corner.

“You'll be safe in here,” the man said, voice sage and gravelly. The words had a weight to them, and seemed to hang in the air with such a presence it was as though the old man had never even left his side.

The subway was empty, quiet. It was such a stark contrast to the loud rowdiness of the rush hour crowd these halls once held. Stanley hadn't yet registered the utter silence of the station as he aimlessly made his way down the winding, deserted halls of the ancient station. He mindlessly walked past the aged and peeling advertising posters plastered on the walls, his nose becoming accustomed to the stinging stench of the subway. The quiet seemed to swallow the sound of his steps as he explored the branching paths and endless tunnels. They were almost kaleidoscopic, dizzying, nonsensical. There were doors where there shouldn't be, and deadends where it didn't make sense.

The silence only began to truly settle in his bones the more he walked. He suddenly wished that he would head the telltale footsteps of the old security guard again, just to hear another sign of life in this underground hellscape other than himself. The ghostly memories of screeching trains and bustling crowds haunted the halls; now, only nothingness reigned supreme. He glanced down at his small feline companion, who slumbered away against his chest, blissfully unaware of his jackrabbiting heartbeat threatening to burst out of his ribs. The silence seemed to permeate every inch of space and crush the air out of his lungs. He couldn't breathe.

Stanley’s steps grew faster, more frantic as the walls and ceilings seemed to close in on him. They grew smaller, tighter; squeezing, trapping. He hardly even registered his cat's complaints as she was jostled around in his grasp, breaking into a full out run. His breathing sounded loud, too loud, and the world was collapsing around him.

When he finally broke out into a large, open platform, he could finally breathe again. He had arrived at the tracks, the empty tunnel where the trains would pass an empty, gaping maw in the wall that seemed to swallow all light around it and beckon him closer. He felt his cat wriggle out from within his jacket and hop out with a displeasured yowl, scampering away and disappearing behind a corner much like the old man had. True silence pierced his ears and thrummed like a deafening pressure in his temples. He was alone.

Stanley was stuck in that subway station for years.

[limbel]

🏳️‍🌈 day 5 ~ cursed or not

Dean was barely seventeen years old when he had to burn the remains of the nuns. He still remembers the heat of the fire on his dirty fingers, the grey smoke making his eyes all wet and swollen and sore (it wasn’t the smoke, it wasn't).

That’s what love must feel like, he though: blistering, painful, unkind.

Maybe they really were cursed. Maybe he is cursed too.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[colbycheeseslice]

But what if Young Justice was a band? 🤔

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[elumish]

One way to build your writing skills--a way that I would argue is necessary if you ever want to write original fiction for publication--is to write from the point of view of, and with the focus on, a wide range of different characters.

it's really easy to fall into a rut when writing the same character or characters all the time, or even the same type of character all the time, where characterization tends to become muscle memory as much as anything else. You know what that character will do, so you know what characters of that type will do, so you know what characters will do, so that's what your characters do.

And when you don't have to think about it, you don't build--and can start to atrophy--those muscles required to do detailed, specific, engaging character building. What does it mean for this character, in this time, to do or experience this thing. What are the myriad of things that have built your character up to being who they are, and how do those things (individually and in aggregate) impact the choices that they make, the actions that they take, the reactions that they have, and the people that they engage with.

What can end up happening--and I see this all the time in published fiction--is that authors end up only being able to write 2-3 character types of each gender, and it all feels a bit samey.

Without opening a book by so many authors I have read, I can predict with a fair amount of accuracy what most of their characters will act like, because it's kind of the same across the board. Even when they start distinct, they end up drifting towards the same personality/character types like carcinization.

Writing from the point of view of/focusing on a range of characters (especially if they are different genders, of different backgrounds, with different wants and fears and habits and interests and personalities) forces you to actually be specific in your writing, if you want it to be any good.

Your 15-year-old B-student who really wants to spend their time playing rugby shouldn't sound like your 45-year-old businessman with a penchant for collecting Star Trek action figures who is trying to plan the perfect anniversary for his wife and neither of them should sound like the 23-year-old who spends their time going out at nightclubs and showing up a little bit hungover at work and worrying about finding a job that will let them move out of the apartment they're sharing with three other people.

Practice, and then practice some part, and then keep practicing. Write different characters, ask yourself if you're writing a character a certain way because you think they would be that way or because it's just habit, and be specific.

[zephyrchama]

I like to sometimes think that the OM! demons and angels have a heightened sense for noticing other beings, like they know when someone or something is nearby even if it's incredibly still and silent. But they're so used to MC being around that MC can completely slip under their radar. MC's presence is a totally natural, constant part of their daily life. For better or for worse, they're too used to it.

They're just chilling in their room, doing whatever, until MC coughs. It really spooks them. Maybe they jump a little.

"How long have you been there?"

"I came in, like, three hours ago."

"What have you been doing that entire time?"

"I dunno, just... sitting here?"

"The whole time?"

"Yeah."

👀

[ominouspuff]

Kote’s House

Kote’s first house is a pathetic thing, and he is incurably proud of it. The twi’lek he purchased it from very evidently could not make up his mind what to do with a man that grinned while he haggled, but it was the first time Kote had haggled over a purchase of his very own. He had thoroughly enjoyed it.

The house is built for one being, and a compact being at that, but Kote doesn’t have much. Moving in is quick, and most of his efforts during the next few days after go into attempting ambitious repairs for things he doesn’t know the first thing about. 

His plumbing is an issue, he knows. Something is getting blocked up. Somehow while trying to fix the kitchen tumbler, his fresher spout explodes.

He hadn’t kept his new house a secret from anyone by any means, but it is still surprising when Fox barges in through his jamming front door. He finds Kote on the floor in his cramped kitchen while the fresher rains water in the adjacent room, laughing so hard and so crippled with delight that he can’t get up.

He tries to explain how wonderful it is —

“I-I have to fix my plumbing on my own, vod—”

—but judging by Fox’s single raised eyebrow he knows it doesn’t translate.

Fox, it turns out, is moving into the neighborhood. Kote doesn’t ask about the house Fox already has — the house he has visited, which is very nice and fancy — or point out that Fox’s contract there cannot possibly be up, which begs the question of why he’s here in Kote’s neighborhood — except that Kote already knows the answer to that question. So he doesn’t ask.

Fox doesn’t show him any grace or forbearance, though.

“Don’t even know how to fix a damn pipe, front lining show-off—” His brother snarls, but it is muffled; his top half had to go down beneath the floor they’d pried up to get at the plumbing issue.

“So that’s what they had you doing all these years.” Kote says, because he really is in a criminally good mood. He barely ducks the foot-long pipe Fox throws at his head, feeling giddy.

He makes dinner that night in thanks. Fox stays, ostensibly because now that he’s fixed the fresher he intends to use it, because his new house isn’t hooked up properly yet to all the supply lines and power grids. 

They choke on homemade tiingilar (vode-style; Kote can’t pretend at the real thing yet) so heavily spiced it’s got grit to it that sticks between the teeth. It’s disgusting, but Cody had bought fifteen different spices and while usually he likes to keep his approach to the unknown more cautious, more methodical, he couldn’t think of anything he wanted to do more than use them all at once for the first time. 

Wolffe joins them not long after; brings a few others along by recommending the apartment he picks out, so that soon most of the complex is taken up by vode, Kote hears, but he doesn’t visit yet. Everyone’s too busy coming over to his house, it seems; filling up his kitchen and asking why he hasn’t fixed the trash disposal yet, why he doesn’t have a couch, doesn’t he know they’re all the rage among civilized folk?

Kote fixes the trash disposal with Rex, who is better at it than he is but says it’s only due to Skywalker’s influence on managing all things mechanical. 

“How is Skywalker?” Kote asks, and gets more than he bargained for over the next hour. At first he’s a bit off-put, because he’s trying to get dinner sorted again and he’s not been very fond of Skywalker at the best of times, but Rex is snorting out a story and laughing and it’s contagious, so Kote just resigns himself and settles in to enjoy.

Skywalker has little ones, now. Obi-Wan is the only one that can get them to sleep. Ahsoka is distressed; she knows better, but every instinct in her is apparently in agony over the little ones’ inability to eat meat yet. She obsesses over nutrients in their diet — which, given what tiny natborn humans primarily ingest in the early stages, makes for some slightly awkward conversations.

Rex helps with dinner afterward, and they take turns being incredulous over natborn baby facts, shoving around one another in the tiny, uncomfortable kitchen.

“What’s your next project?” Rex asks at one point, glancing sidelong with a cheeky look, and Kote levels his vegetable knife at him (he’s got a vegetable knife. Specifically for vegetables. It’s a very new concept). 

“I make everyone’s dinner on Tuangsdays.” He says. “I’m productive.”

Rex’s sharp-toothed grin turns thoughtful. “Yeah” He says. “Everyone loves coming here, you know. You could be the new 79’s.”

Kote knows. He plans and plots, and puts more work into researching recipes than he’s put into any research whatsoever in months. It feels a bit like coming out of a shore leave; his thoughts quicken and his excitement grows. He hunts down a market. He brings a bag. He shops, bargains, and returns victorious.

He sends out a few comms., and can’t help but shake his head and grin at how different the responses are. 

What a marvelous idea, Cody. His general — ex-general — says.

Yus pls, Ahsoka sends back, with some sort of strange tooka vidclip that dances with wiggly gyrations Kote can only assume indicate excitement.

Where is your house, Anakin says, blunt and to the point, and Kote can appreciate that. 

He sends the address. He cooks all day. The sun sets, and Fox and Wolffe arrive, already bickering, Rex trailing behind with a long-suffering look sent to Kote, begging commiseration.

“Ugh, don’t you ever stop smiling, now?” He gripes when Kote just grins at him. 

“Nope,” Kote says, unrepentantly.

He leaves the soup on the stove, simmering, and takes his cup of caf to the window. He leans on it, breathing in cool air, and just listens — listens to the squabbling as Wolffe gets on Fox’s case for not washing Kote’s dishes correctly the last time they visited. Hears the soft thumps of Rex sneaking into the cramped room Kote has set aside for plants and the sole pet he has; a pastel goullian, fins swaying ever so gently, permanent scowl in place. Thinks he catches, distantly, the sound of his remaining three guests (Padme couldn’t attend, and had made him feel very awkward by how thoughtfully she apologized for it) plodding up the hill. 

“Cody!” Ahsoka cries, coming into view and waving. 

Kote’s cheeks have stopped aching from all the smiling he’s gotten used to, so it’s easy to let another through.

[poorly-drawn-mdzs]

Normal boy spotted.

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