#and no matter what I tell myself

[talesofwhimsy]

Car Seat Headrest, “Weightlifters” // the Mountain Goats, “Isaiah 45:23”

[sweet-rabbit]

practicing how i want to draw these two and this happens. russia turned out okay so i'm happy!

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[alcarazcore]

i spent an unbelievable amount of time tier ranking the marvel characters and i have no one to share it with so im posting it here

[airenyah]

i need to talk about this line here for a second, because it's an attack on me personally. but not the english translation of it, no, it's the og thai line that really gets to me. because he says:

มันโอเค​นะเว้ย ที่จะมีความรักอ่ะ [man - oh-keh - ná wóiie • thêe - jà - mee kwaam rák - àh] it - okay - [particle] • that - will - be in love - [particle]

he specifically uses the term มีความรัก which is more like "to be in love". which means rather than "it's okay to love", this line is more accurately translated as:

It's okay to be in love.

and as someone who really really really struggles with self-acceptance for my own romantic feelings for others, this distinction is really important to me. i can deal with loving others. i love my family. i love my best friend (you really don't go here but hiiii @magsimags i love youuuu 😘 (i know you're rolling your eyes reading this as usual)(i don't care)(i love you)). i love my other close friend. i love my summer camp gang. i love my friend that style reminds me of. i love each and every single one of the friends i've made in this fandom over the past few years (you know who you are 💖). i KNOW it's okay to love. i do it all the time. loudly. as evidenced by the fact that i just HAD to tag my best friend in this post to publically tell her i love her even though she really doesn't care about my thai blorbos, just because i really couldn't NOT tag her to tell her i love her. anyway. i can love. loving is fine.

but to be in love??? that's a whole different story. having (in my case romantic) feelings for someone feels like a heavy burden. it feels humiliating. i hate it. i don't want it. it stresses me out. and the person i have feelings for especially can't ever know about it. see, i will talk about my crushes/romantic feelings, but mostly to family and friends (the better they know the person i have feelings for, the harder it gets for me to admit to it), and even then the word "be in love" won't ever come out of my mouth in my native language. in english it's easier, but in my native language i just can't say it. it feels heavy. it makes me cringe. being in love is horrible.

so when style said "it's okay to be in love" specifically? that was a punch to my gut. because this is a truth i have not yet managed to accept for myself. and if the person i had feelings for specifically told me "it's okay to be in love" so firmly and so earnestly? yeah, i would crumble too

[skitskatdacat63]

One makes him up, so the other can break him down.

This is a little terrifying but hello!! Posted my first fic on ao3!! I would've saved the illustrations for the fic's eyes only, but I'm too happy with them haha. Hope you'll still go on to read regardless!!

As always, my thoughts and progress, since I can't help myself:

I'm soooooo proud of these. I never ever really do dramatic lighting, so I'm really surprised that I pulled it off.

It's surreal actually posting this because for a while, I've thought about how if I ever post a fic, I'll have to make illustrations too because I can't do anything not full force. Look at me now! I'm shocked. Also didn't think I'd finish it tonight, but here it sits before you nevertheless(though as always, I'm writing this past my bedtime before class, time efficient as always.) So with that being said, here are some notes, though if I had known I'd be writing this so soon, I would've prepared more lol.

First of all, I hope it's clear both of these are Mark's perception. Gah, the fact that his face is the only one you can see clearly. The first is obviously him unwillingly fantasizing about what exactly went down last night.

Aghhhhh the difference in colors and settings of the two drawings is so important to me. The warmth and intimacy of the bed behind curtains in the first one, and the coldness and openess of the second. It's so clear Mark feels like he's been distanced, like he's been ousted. It's like he's been thrown outside on a cold winter's day, no longer able to feel the heat from the comfortable warm stove inside.

Mark was probably assigned to Seb bcs he has a much greater appreciation for the Spanish etiquette, which Seb has very little interest in. He'll abide by it when he absolutely has to. But he's just a very non-typical Emperor. People find it charming so it's not a public death sentence for him, but it is an issue. Thus, Mark is there to keep him in line. Though important to note that when Fernando, who has an equal if not greater respect for the showmanship of etiquette, realizes Mark is interested in that as well, they start warming up to each other.

The inherent disrespect of Fernando just. Throwing Seb's clothing onto the floor. Meanwhile he probably took like, 20 minutes folding his up(that's what Seb was gonna tell Mark at the end of the fic.) Borderline ripping off Seb's clothes only to edge him. Its not even like the ripping off the clothes is because of passion or anything, he's deliberately being an asshole. Don't worry Nandl, Seb's turned on by it!

So sorry to marknando fans if their dynamic feels like a complete 180 haha. Its not like I'm like, they actually hate each other!! It's just their relationship under completely different circumstances. They're like two dogs in a dog fight, they don't have any real reason to hate each other, but they're put against each other regardless. They don't understand their hatred, just know that they have it and that they're supposed to have it. The inherent hatred the mistress has for the spouse, and vice versa. If they actually were able to talk without barriers, they'd realize they actually get along pretty well. They kinda just hate each other because of their respective relationships to Seb. And then there's Seb who's mostly completely oblivious to his effect, though of course plays with it a bit.

Seb's marriage completely recontextualizes their relationship in Mark's eyes. Though there's something incredibly sado-masochistic about the way he can't blame Seb for it at all. He's a loyal dog after all. But when it was just them, he was obviously Seb's main companion and lover. Seb definitely slept with people on the side, but Mark brushed that off: 1. Bcs its very period typical. 2. He was the main, they were the side, what more needs to be said! But now *he's* the side piece, and is left wondering if their relationship was down to proximity alone. Not to pull a Mark and completely excuse Seb, but it's not. Just very different perceptions of love and relationships. And again, as I've mentioned before, he was raised to always be the most important person in the room, so he obviously has very different understandings, especially since he's always the center.

NANDL!!!!!! In my Habsburg book I've been reading lately, they randomly referred to one of them affectionately as "Nandl" and it's stuck in my head ever since. Can we start a movement to canonize that as an official Fernando nickname? I'm sooooo fond of it, I litrally ended the fic that way just so I could shoehorn that nickname in.

Speaking of the ending. It was really tough, I almost wanted to have Fernando burst in, looking for his ring, and then coming across whatever that is. But I didn't want to disrupt their moment anymore, it felt cruel. Though shame I couldn't mention that the reason why Seb's pants are nowhere to be found is because Fernando accidentally put them on and didn't realize till he was out of the room.

*I FORGOT TO POINT OUT ONE OF MY FAVORITE PARTS! Truly the danger of writing a post while falling asleep. There's something so incredibly funny to me the way they're talking so refined and then Seb just throws out: "that guy." It's a way to show his own disrespect of Fernando, not even using his name, implying he's just some guy(nur ein Kerl.) I laughed writing it cause it reminds me of the random dry humor anecdotes I've read lately.

[torchickentacos]

i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.

[typheus]

found an old ... concept of a sketch :/ while cleaning my sai files so i upgraded it to a real sketch with some colors thrown on it 👍

[ganondoodle]

still thinking about how even just the decision to basically act like the shiekah tech never existed is just ... so baffling to me

bc again you could have done all the sonau tech does with shiekah instead, and they were perfect to be explored more in a sequel, why wouldnt you grasp that potential, the literal building blocks for more??

if you are that tired of shiekah tech .. dont make it a fuckign sequel to the game prominently featuring it???? totk doesnt take place generations after botw in which things could have changed drastically, its just a few years afterwards??

you want to reuse the map and get rid of shiekah tech? ok fine take LINK into the past then and the focus is for you to find a way to return; do some neat twist where its revealed that link was the one who sealed gan bc he couldnt defeat him without zelda or something if you dare (they wouldnt)

want less work than that and still reuse the map and get rid of shiekah tech AND reuse characters? ok then make it some alternate universe thingy like majoras mask in which everythign is the same but also isnt, its weird and creepy how characters you thoguht you knew suddendly dont act like themselves, shiekah tech doesnt exist, malice is now miasma, etc, it would give reason to why you feel so much like something about this world is familiar yet also very wrong

as far as im aware every "sequel" we have had so far were either generations apart from the first one, some alternate universe or a different location altogether- in all of which its plausible that things are different, things seem weirdly familiar but also wrong, or that another continent just works different from hyrule

but totk does none of that, its supposedly just a few years after the first game, same world same character, but its BUILT like some strange jumbled mess of stuff from botw and new stuff out of nowhere that just .. doesnt fit, but feeling a strange sense of otherness, a déja vu of something you know but it acts off, like an imposter, thats NOT intentional and it shows, its a mess of botw stuff, from stuff that people missed from the old games and entirely new stuff; i dont doubt it CAN work but the way it turned out is like a mix of 3 different puzzles forced together and being told 'see it fits!' even tho you can clearly see the pieces dont look right in these places

again it feels like a sequel that desperately wants you to forget the first game happened, that anythign from it mattered at all

and that isnt really ... the sense of a sequel? why insist on it being one when it only creates problems? is it marketing?? just like it was marketing to call age of calamity a telling of what happened before botw but then it wasnt that at all and that is still the sole reason why i dislike it? bc i was lied to? totk is like 10000 times worse than that, its a main title and doesnt even have the excuse of yeah its basically an excuse to play all your fav characters in fun ways and the game beign well aware that being its main appeal; what is totk appeal? a toybox with botw aestethic and none of the flavor?

(on a sidenote; the sonau tech doesnt even .. matter? in botw at least calamity ganon was made of shiekah tech parts and him overtaking other tech is a big point, the sonau tech doesnt serve anything but .. idk minerus useless mech? gan doesnt even aknowledge it, he doesnt care, all it is is toys for the player, not link, but the player. the monsters mining the tech materials? what for? gan doesnt give a damn and they dont work for the yiga either??)

i said it before but it gives me the feeling that the way botw invited you to theorize, to look beneath the surface, the way it intrigued you and laid the groundwork for so many interesting things without denying anything.. was accidental? or perhaps put in the game without the directors noticing? i cant stop thinking about them saying sth like "after botw zelda wondered if the kingdom of hyrule needed to keep existing the way it had been before the calamity, but then totk happens" bc it just feels like they realized too late that botw naturally led into questioning the status quo and they scrambled to fit it back into a flat and boring road we have seen so many times before (or even worse really) with totk

zeldas character naturally leads into her questioning and reexamine their history and set of rules? we gotta teach her a lesson of why she is importante god given monarchy girl that has to keep it bc what if evil brown man shows up again for no reason

maybe im grasping at straws here but looking at it this way the sonau .. make more "sense"; the shiekah were a group that was under the rule of the royal family, and misstreated before (oh no look soemthing interesting) so they dont lend themselves well to be used for teaching zelda that lesson- the sonau however are tailored really to be just that; they are a supposedly godly race from the literal sky that founded this version of hyrule, that had tech even more advanced and better than the shiekah, she gets put in the past to meet the perfect god king of goodness personally, also his very fridgy wifey that zelda later replaces in a way, shes put there and treated like family and then gets to see just how evil that evil big man from the desert is, sonia is falcon-punched to death solely so zelda can feel obligated to take over her role, have her new, better 'family' hurt by gan; similarly so raurus sacrifice, look what a noble and good king he is, he payed the ultimate price to lock that evil man away, now zelda you cannot let their sacrifice go to waste, rebuild that divinely good kingdom like it was!!

and even though they go so much out of their way to put the cart back onto the rails of black and white-good and evil in an even flatter way than the old games, it still doesnt feel right, at least to me, it still feels like zelda shouldnt have gone along with all of that, it feels like even her character from botw was walked back entirely, except for the intro, it made her feel like a stranger to me-

because this is a sequel, i know this zelda, she wouldnt act like that after all that shes been through, this feels ... off

and it all just insulting to anyone who cared about botw more than surface level, or the zelda lore in general, i dont even care much about the timeline, but theres alot of lore and themes beyond it that felt ignored, especially so given that .. its a damn sequel, non AU, not generations apart, directly part 2-

but its not.

it even feels very "corporate", put zelda in a dress again, people liked that, put crazy abilities in the game to flashbang people with how insane it is even if its not the best for the gameplay or the story, put a new asthetic into it out of nowhere bc its 'new' and act like its been there the whole time, put gan in there bc people miss him and find him sexy even if his role is just as flat as that of an evil cloud monster-

*sigh*

you know, i saw a post that said aoc was like a bad fanfic (affectionate) and totk was like a bad fanfic (derogatory) and tbh thats like one of the best comparisons/summaries i have seen ..

[buwheal]

its been three hours im not making it out alive this time i dont think

[uglyf4wn]

realizing that communication actually doesnt matter as much as ppl say it does, bc most ppl glorify it and see it as a magical solution when in fact communicating your feelings/wants/needs only work if other ppl are receptible to it. which... most ppl arent, both bc many dont want to bc it requires too much effort of them and it's easier to shift blame on others not "communicating", but also bc many many ppl just have brains that arent wired to understand others, or other viewpoints and perspectives. thus, no level of communication will make someone who isnt capable of receiving it hear you. most efforts to "communicate" are completely wasted. and it's frustrating, but what can u do?

[deoidesign]

Thinks about my next series again... I drew the icon for it!

I'm planning to have it launched within a year! I'm hoping for summer 2025. I want to make a prelaunch page before Time and Time Again ends so people can subscribe if they're interested, but I'm worried the series return would be too early...

[vaguely-concerned]

Chapters: 1/1 Fandom: Star Trek: Deep Space Nine Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Julian Bashir/Elim Garak Characters: Julian Bashir, Elim Garak Additional Tags: Post-Canon Cardassia (Star Trek: Deep Space Nine), First Time, Fluff, and some philosophy they're on brand in this one, Julian u-haul lesbianing it up in here and he's RIGHT about it actually, Cuddling & Snuggling Summary:

Julian takes Garak’s hand and places it on his own chest — slightly to the left of center; a symbolically loaded position if ever there was one, from everything Garak has been able to gather of Human anatomy and metaphor both.

His skin really is so incredibly warm — immediately, undeniably alien in a way Garak has always found oddly pleasing even in brief mundane brushes, a sensation pattern that taken together with the steady gentleness of his hands means Julian and nothing else in Garak’s head. And Garak’s hand, briefly forgiven for and freed from all the disgusting things and all the useful things it has done in its time, only looks quiet and grey and almost innocent, resting over Julian’s heart.

--

A wild Garashir first time fic appears! It is incredibly sappy

[ryusaidate]

quick redraw of this from last year because i needed to feel good about myself :V

[love-3-crimes]

rooted underneath this old machine

the chestnut toils. the chestnut breathes.

[sschmendrick]

Have I told you how much I freaking love the qsmp for making people meet who would never have otherwise ? Because I don't think I will ever stop. From the creators enjoying playing together, learning about others cultures, then branching out to play other games with their new international friends, to the communities getting to meet each other, the cultural exchanges between every nationality, the mutual help in understanding other people's languages. This is going to make me cry every time I think about it.