#and liking any of those characters does not make you a more moral person than the author OR the readers who don’t like their fanon versions

[imsobadatnicknames2]

ok but i need the evrart claire essay

Okay just be warned that this is gonna be less of an "essay" and more of a loose collection of thoughts, and I don't know how fresh or novel any of these ideas are going to be when it pertains to popular Disco Elysium fan discourse because I don't really do fandom, you know?

Anyway, I think the most obvious factet of Evrart's character is how he very intentionally calls to mind a caricature of corrupt union leaders, the image of a sleazy mobster who only cares about his own personal gain but pays lip service to leftist politics and pretends to care about the interests of workers as a way to obtain and maintain his power. And I think a lot of people straightforwardly read him as such, because that's the way he carries himself and the type of character the game is riffing on. There's also the question of how much of Evrart's manipulative, duplicitous attitude is just how he normally acts and how much of it is him specifically acting that way towards Harry and Kim specifically, it's important to have in mind that your main character is a cop and that would definitely play a role in making Evrart go out of his way to be a bit more of a bastard and toy with you a bit before he decides to actually do anything helpful.

However, once you dig a little deeper into his characterization, it becomes clear that he's pulling a very interesting double bluff, because it becomes apparent that the shady mobster who only cares about his personal gain is an act he's putting on. He's very self-aware about the fact that he's playing the villain, he seems to actively revel in it, but ultimately, it seems like he does it because playing the villain is the way he gets shit done.

This is not to say he's not actually corrupt, or that he's not ALSO involved in all sorts of shady stuff and taking advantage of his position of power, but the game does make it apparent that on some level he DOES have the interests of the people of Martinaise at heart.

For example, it is textually stated that the harbor doesn't need a night watchman, and Evrart created the position specifically to provide a source of income for René. He knows the pension Rene gets is not enough for him to live on, but he's also aware that René is the sort of right-wing guy who would rather starve to death than take a handout (especially from those dirty union commies), so Evrart created a job position which pretty much involves doing nothing for a few hours every night so he could help him with his economic troubles in a way he wouldn't refuse out of principle. René hates his guts, ideologically stands against everything his organization represents, and is generally an unlikeable asshole and a fascist prick, but he's also a disadvantaged member of the community and that seems to matter more.

Even when he asks you to get the signatures to build the community center, which is definitely one of the most morally questionable things he does during the events of the game (as it will improve the community, but at the same time displace the people from the fishing village), his intentions seem to be ultimately good. Due to the very nature of his character and the act he puts on, it's purposefully hard to tell when he's being sincere and when he's being manipulative. However, if Harry's drama and empathy skills are high enough when he's confronted about it, you'll be able to tell that he's not lying about his motives for wanting to build a community center or about the fact that he intends to provide better housing for the people displaced by the project, and that he feels genuine rage about their current living conditions. It can still be said that he's ignoring their self-determination and essentially forcing these people out of their current homes, but he does seem to have good intentions and think he's doing a good thing for them in the long run, even if his methods are morally questionable at best.

In that way, the Union is an extension of him in this regard too. They're pretty unapologetic about the fact that they're openly operating as a crime syndicate, but the game doesn't give you any reasons to believe they're lying when they say they're doing it as a way to muslce out all the more dangerous gangs and crime organizations out of Martinaise, or that their involvement in the drug trade is at least partially motivated by a desire to make sure it's not controlled by more dangerous and violent crime organizations. Again, they're playing the villain as a way to fill that power vacuum and make sure more dangerous people don't fill that role (but of course, that doesn't erase the fact that, noble as their intentions may be, they're still involved in all these shady activities and turning a pretty substantial profit from them too)

Of course, on the other hand, just because the game seems to hint at the fact that Evrart and the Union are, deep down, a force for good, doesn't erase the fact that he's done plenty of bad shit to further his interests, and the game doesn't shy away from this. He's still extremely corrupt, his long-term plan to wrestle control of the harbor away from the company and turn it into a worker-owned operation (which *would* massively improve the material conditions of the dockworkers if succesful) involves endangering the lives of a lot of his own workers, he and his brother Edgar pass the position of union foreman back and forth between each other to circumvent the term limit and keep themselves in power indefinitely, and if you explore all dialogue options with the Deserter it's all but explicitly stated that they rose to power by getting him to assassinate the previous Union forewoman.

These are things that Evrart himself would probably rationalize as sacrifices that need to be made for the greater good. After all, it is implied that the previous union forewoman was also corrupt, except in favor of the company's interests, and might have even been a company plant. However, this doesn't make those things morally right. Good intentions nonwithstanding, it's clear that the Claire brothers are very "the ends justify the means" kind of people, they probably see getting the previous Union leader killed or endangering the lives of the dockworkers to overthrow the company that exploits them as "pulling the lever" in the trolley problem, which is extremely callous at best.

Here's where we get a little more into "disjointed thoughts" territory, but Evrart can also be seen as a critique of the limits of trade unionism and social democrat politics. Something that I completely missed in my first playthrough but was able to catch on during my second is that the people of the fishing village refuse to unionize, and as a result they don't get the same level of support and protection that the union provides to the people of the more urban section of Martinaise. This is apparently widely known enough for characters other than Evrart to comment on (I forget what character I learned this from, but it was definitely not Evrart). So it's clear that Evrart and the Union put their interests of the members of their own organization over those of other working class people, which is one criticism that can be leveraged against the way a lot of leftists seem to treat unions as the ultimate tool for worker class liberation.

Similarly, when Evrart tells you his long-term plans, it's clear that his ultimate goals don't involve complete worker liberation. As far as the game shows, he's a socdem who's still looking to work within the confines of capitalism. There are more radically left wing characters in Disco Elysium, but Evrart is the only one with any actual power to affect change, which kinda speaks to the lack of presence of more hardline leftist positions in mainstream politics. As someone living in Latin America, I kinda ended up seeing a bit of a lot of our currrent socdem politicians in him in that respect, I guess, but i'd need more time to articulate this thought properly, I guess.

Ultimately, I think Evrart is an amazingly crafted character. He evokes a well-known archetype of a shady, corrupt, power-hungry union leader, but he adds a lot of depth, self-awareness, and nuance to it and subverts that characterization in several ways. I think he atually serves an important role of ideologically challenging players who share the developers' and writers' political leanings. I think it would have been very self-congratulatory and autocomplacent to make the most influential leftist character in the game an unambiguously good paragon of workers' rights and working class liberation. By instead giving us someone who's an absolute callous bastard who definitely has a bit of blood on his hands, who's a socdem at best and a self-serving mob boss at worst, but can ultimately be interpreted as a force for good, and asking the players to decide what they think of him I think it brings interesting questions to the table of our commitment to material gains, what sorts of people we're willing to work with, and the sort of acts we're willing to tolerate, and makes the game a lot more thematically rich.

I also think a good analysis of Evrart is incomplete without an analysis of the ways in which he serves a a charater foil for Joyce, but I don't feel like getting into that rn.

[maxdibert]

You know what? I WISH Lily was canonically a social climber or it was hinted she was one. And I wish it would be somewhat understandable so she would be more in the grey area

I'm not asking for whole another SWM — it would be enough if some person who knew Lily (friend? enemy? acquaintance?) said something along the lines of "oh yeah I remember how happy she was to move to Godric's Hollow. No idea why she chose James though he's kinda an asshole”. Maybe Harry won't catch up on that, but if he did — let someone defend Jily's love like it was with SWM.

It would give so much depth to her character — a low class (make her poorer?) muggleborn girl raising in status after marrying a guy she clearly somewhat despised to stop struggling with prejudice and money. Did she really gained feelings for him like everyone were saying or she actually played her role so well everyone believed her? Was she happy in marriage? Let it be questionable. Because morally questionable characters are way more interesting than this trash JKR tried to sell to us

I would have liked her to be a real character, not just a validation mechanism for the men around her. Lily's character only exists to complete Severus, Harry, and James; she revolves around those three without being properly defined or developed enough for her actions or worldview to make any real sense. She isn’t a character in her own right; she’s "the mother of," "the girl the cool guy liked," "the childhood friend of." She’s just a complement to male characters who have far more weight and relevance in the plot.

Even James, who’s just as dead as she is, has more development simply because he was friends with Remus and Sirius, because Pettigrew betrayed him, or because he’s the reason Severus was so bitter during school. That gives us different angles to see him from, different voices and opinions about him. But with Lily? We know next to nothing.

Wasn’t she supposed to be popular? So where are her friends? Did she have none? Did they all die? It’s absurd; it makes no sense; it’s impossible. James had his three best mates survive him, and they were all actively involved in the war. Are you telling me every single one of Lily’s friends is dead?

Why does Harry never meet anyone who talks to him about his mother? I can’t with this—it feels like such a massive plot hole.

[smile-files]

this might be a hot take... but if you care about disavowing media made by bad people out of fear of looking like a bad person yourself more than you care about actually doing good things... you might have your priorities (and your morals) screwed up a bit :/

(see my tags for more of my thoughts on this topic! please try to avoid making make bad-faith assumptions about what i mean!)

[mxtxfanatic]

What do you make of the "not liking jc/ calling yzy abisive is racist" bullshit? Brought to you by the person who straight up lied about the function of ancestral halls.

Look, I’m Black. I can talk every day of every year about racism in fandom. I can talk all day about racism in this fandom. It’s in how people consume content created by creators of color while disparaging said creators and their cultures and their knowledge of their own cultures. It’s in how characters of color are treated like fetishes or dirt, no in-between, and pointing it out is grounds for harassment. It’s about how fans of color are chased out of fandom spaces for not falling in line with the most popular opinions. It’s how some fans of color would rather throw the rest of us under the bus for white approval than either admit that they don’t hold the popular view or just stay out of a discussion they do not understand.

Uwu tsundere!jc and tiger mom!yzy are some of the MOST popular fanons in mdzs, but somehow saying that this isn’t canon (and is actually offensive but—) is racism. This is racist, but not bullying fans of color who don’t like these characters, calling us racist for sticking to canon, calling Chinese fans from the country and in the diaspora fake for saying that this is fanon, and also arguing that Chinese culture just “naturally” celebrates child abuse is the “true racism” that these people are trying to protect fandom from?

Hm

[novafire-is-thinking]

Medic, Maverick, Maniac, Murderer: Understanding Pharma

First thing’s first: I love Pharma, dearly.

In all the time I’ve spent evaluating his character, I’ve mainly focused on what can be worked out about who he is as an individual: his core sense of self, psychological drives, subjective worldview, etc.

When all else is stripped away, who is Pharma?

This treatise is the product of obsessing over Pharma, analyzing canon (and extras), and reading as many different perspectives on his character from fans across the fandom as I could find. The post is long, so for those of you who balk at the thought of reading a shortfic’s worth of Pharma thoughts, feel free to read the TL;DR (Conclusion) at the end and then decide if the full read is worth your time. Also, a premium reading experience is available in the form of the original Google Doc version.

As you read, keep in mind that this is primarily a mix of psychoanalysis, evidence-based examination, and speculation—not moral, ethical, or sociological commentary. The goal is to examine Pharma’s psychological drives and core values, and each of his appearances in the context of those. All other types of evaluation are up to readers.

Now, take your victim blaming-allergy meds (just in case); remove your black-and-white thinking caps; and leave your personal morality lenses at the door.

Psychological Drives & Core Values

Why does Pharma act the way he does? What gives him a reason to keep living? What are his personal priorities?

At the beginning of the Delphi arc, First Aid establishes Pharma as a “control freak” and someone who “thinks he’s an expert on everything.”

Now, First Aid has a habit of complaining about his bosses, but on both points, there’s canon evidence to back them both.

Expertise and Intellect

Throughout the Delphi and Luna 1 arcs, it’s established that Pharma is a skilled and brilliant doctor.

He once performed a 4-way fuel pump transplant, donating his own fuel pump in the process. (see above panel)

Later, he invented a soundbomb that left an echo laced with a virus and invented an antidote to that virus:

And on Luna 1, he was on the edge of finding a cure for Cybercrosis, based on the fact that Swerve was able to formulate a cure from his notes.

More than being a doctor, Pharma lives for intellectual and scientific achievement as a physician scientist. He feels most alive when he’s able to solve complex medical problems, and when his achievements are recognized by those whose opinion he considers important.

This is Pharma’s 'why.'

And even though he’s arrogant and enjoys praise, it’s not his primary motivation. He doesn’t need it in order to set his mind to whatever he’s interested in, although he’ll seek it from those he values most (i.e. Ratchet).

Pharma sees himself as less of a doctor, and more as a scientific innovator or medical maverick. The practice of medicine is primarily a catalyst for his creativity and intellect; it’s not an end in and of itself like it is for someone like Ratchet or First Aid.

First Aid’s observation of Pharma can be better phrased as, “[Pharma] thinks he’s an expert on everything medical”—because he’s not so driven by achievement and admiration that he’ll grovel at the feet of strangers and get good at something he doesn’t personally find interesting. The only time we see him express a desire for praise is when he’s around Ratchet—someone he holds in high regard for both personal and professional reasons. This makes sense since Ratchet is one of the only people who can give Pharma any kind of competition within what he considers to be his area of expertise.

“Each day we go to our work in the hope of discovering—in the hope that some one, no matter who, may find a solution of one of the pending great problems—and each succeeding day we return to our task with renewed ardor; and even if we are unsuccessful, our work has not been in vain, for in these strivings, in these efforts, we have found hours of untold pleasure, and we have directed our energies to the benefit of mankind.” —Nikola Tesla

Ego

Without question, Pharma has an inflated ego, but having an inflated sense of self doesn’t automatically mean a person is a full-blown narcissist or that they are totally uncaring.

Every personality trait exists on a spectrum. Yes, Pharma is arrogant, but the presence of arrogance doesn’t automatically and completely cancel out all “positive” traits. (For fun, check out studies on Dark Tetrad and Light Triad personality traits.)

People are complex. Arrogance can coexist with genuine kindness, ruthlessness can coexist with deep compassion, etc.

Whether Pharma exhibits genuine kindness is up to each reader’s interpretation of what little canon material exists, but the point is: Pharma’s arrogance doesn’t automatically rule out the possibility of authentic “positive” traits.

Controlling Tendencies

Pharma is comfortable pulling the power card and using it to dump what he sees as uninteresting parts of medical practice on those below him:

“So Fisitron’s writing about the Wreckers’ elbows now, is he?” said Delphi’s Chief Medical Officer. “Come on, First Aid - get to it. You’ve got a Fader in Row 2 downstairs.” He squeezed the air with his finger and thumb. “He’s about this far from shutdown.” —from Bullets by James Roberts

However, there’s nothing in canon indicating he’s power-hungry in a megalomaniacal sense. He’s not Starscream or Megatron; he doesn’t seek political or social power. In fact, he seems perfectly happy hiding away in a lab or medibay by himself so he can direct all his energy toward solving issues and achieving the so-called ‘impossible’ within the field of medicine:

The ways in which Pharma exercises power and control are through his expertise, and his administrative/management skills. That’s it.

Self-confidence

Pharma’s arrogance and controlling tendencies don’t seem to be a mask—like he’s trying to compensate for some sense of lack (in those areas). Yes, he fears failure, and yes, he displays some insecurity when Ratchet questions his competence. But at every other point and in every other way, Pharma is unapologetically self-confident. He’s fully self-assured of his intellectual prowess and problem-solving capabilities; he knows what he knows, and he also knows what he doesn’t know.

Pharma’s arrogance and desire for control don’t stem from a hidden lack of confidence or a hunger for power on its own. They stem from the fact that he genuinely sees himself as the best person for the work he does. He trusts himself above anyone else to solve problems that come his way—medical or otherwise (within limits).

Elitism vs. Superiority

I’ve always read Pharma as having an elitist attitude, but not in the social stratification sense:

elitist (adj.) relating to or supporting the view that a society or system should be led by an elite.

There’s no evidence that Pharma believes an elite class of people should hold the most power. Instead, Pharma’s “elitism” is actually an individualistic sense of superiority. It’s centered on him alone, and is tied to his capabilities as a physician scientist and surgeon.

Pharma sees himself as the best of the best and makes sure everyone knows it—sometimes through his words, but mostly by his conduct in the field of medicine. This, paired with Pharma’s natural temperament, doesn’t exactly make him socially popular—inside or outside of medicine:

One could argue that the “personality” Lockdown is referring to was a result of all Pharma had suffered at Delphi and Luna 1, but just as easily, one could argue he was always a bit difficult to get along with, and that his traumatic experiences merely magnified his already-present psychological patterns. Personally, I like the latter interpretation because it’s a flaw that makes Pharma a more interesting character no matter his mental state.

Everyone reacts differently to real and perceived social rejection. Some are so concerned about it that they’ll try anything to belong; others genuinely don’t care, and they continue as usual; and still others cope by shifting their mindset and developing a sense of pride in being an outsider.

There’s no evidence for this in canon, but I believe it’s within reasonable characterization boundaries to headcanon Pharma as being in the second or third category.

With either of those two mindsets, a sense of superiority can develop, or even be an inciting factor. Either someone sees themselves as genuinely superior to the majority and doesn’t mind when this alienates them from people, or they convince themselves they’re superior because the pain of accepting they were rejected for who they are is too much to handle.

Whatever the case, the point is, having an “elitist” attitude isn’t necessarily rooted in a sociological or ideological belief. Sometimes, individuals just see something in themselves that—to them—justifies a sense of personal superiority. A quick glance at Pharma’s canon appearances makes it clear he holds such a view of himself, at least to some degree.

Morality and Compassion

When Pharma first shows up in canon, he’s working at the New Institute. A lot of questionable things took place there on a regular basis—things Pharma would have been aware of, to some degree. However, his presence at the Institute doesn’t automatically mean he agreed with everything happening. Depending on how strongly someone feels about something, some people are content to disagree in silence. Not everyone who seeks employment considers it a priority that the establishment they work for aligns perfectly with their moral values. After all, there are other reasons to take a job: financial benefits, exclusive educational and career opportunities, pure convenience, etc.

I’m not here to say either way whether Pharma’s willingness to turn a blind eye to the events at the New Institute was wrong or right; that’s up to each reader to decide for themselves. However, Pharma’s choice to remain employed at the Institute for some time can say something about him as a character: his priority as a doctor and person is not to take care of everyone he encounters, or to act as some kind of moral or ethical authority.

This isn’t to say Pharma won’t ever stand up for something he regards as right or push back against something he sees as wrong, “off screen.” It’s just that everything in canon points more to a tendency to choose his battles instead of acting immediately on any moral sense the way someone like Optimus or Ratchet might.

This also isn’t to say Pharma doesn’t care about saving lives, but from what little is shown of him before Delphi, it’s hard to say how much he cared. Ratchet confirms later that Pharma was an excellent doctor for most of his life, but all that tells us is he was an excellent doctor; it says nothing about his internal attitude toward his work or patients.

However, inferences can be made based on doctors in our own world:

Being a doctor—especially one in trauma care—is far from easy. It takes a lot out of a person, and there are very few people who last in the profession for a long time. Most medical professionals fall into one of the following categories:

People possessing a strong will that’s coupled with an unwavering passion for taking care of others (the public’s favorite)

People who naturally have, or develop, an ability to switch their empathy off and on at will, or build walls around it—also possessing a strong will (the ideal)

People who naturally have a limited capacity for empathy (the one the public hates to acknowledge)

People with a strong social and professional support system (the necessary, but underutilized and underappreciated factor)

Of course, even if a person has one or more of the above, burnout can and does still happen, but individuals who have at least one have the best chances of surviving and thriving amidst the demands of the majority of medical professions.

As far as is shown in canon, Pharma never had a strong support system—either circumstantially or by choice—so something else was keeping him in medicine.

Pharma shows concern for both Tumbler (Chromedome) and Hubcap:

But even though he obviously cared enough to step in, neither instance makes a strong case for a capacity for empathy beyond the “average” or “norm.” Performing a job well is a lot different from being personally invested in the work.

Based on everything up to this point, and this later comment from Pharma, about Ratchet…

…Pharma has probably never shared the same I-care-about-everything-and-everyone view of the world. Instead, it’s more likely that Pharma holds a more rational view of his work and patients.

One of the first things learned in medicine, especially in trauma medicine, is that you can’t help or save everyone, and to hold yourself to that standard can destroy you quickly if you have a certain temperament or lack healthy boundaries for your empathy.

“There are times when it may seem as though I view sick or injured people not as living, breathing humans with feelings and emotions and people who love them, but simply as cases, as problems to be solved. And that is absolutely true. It's not that I don't have empathy, but the hard fact is that as a doctor, and especially as a trauma surgeon, too much empathy can get in the way of your job and cause you to make decisions based not on sound medical judgment but on your own emotions. Sure, I've seen things that even years later can still make me choke up when I think of them: a little girl shot and killed, a shattered young Marine who shouldn't have died but did. But you can't choke up in the ER or the operating room. To be effective as a trauma surgeon, you have to put a layer of Kevlar around your heart.” —Dr. Peter Rhee, Trauma Red: The Making of a Surgeon in War and in America’s Cities*

Pharma may have learned this difficult truth earlier than Ratchet and developed a practical way of managing his empathy that comes across as “cold.” He may have always had an ability to put up walls around his spark. Or, he may have always had little to no capacity for empathy.

The fact that the morality lock on Tyrest’s portal prevented Pharma from passing through proves he felt guilty for what he’d done, and JRO confirmed this. Therefore, it’s safe to assume Pharma had some level of empathy for his former patients, suffering moral injury when he felt he had no other option but to start killing them.

Still, looking at Pharma’s psychological drives and his behavior throughout canon, it’s clear compassionate care and morality are subordinate to his other values and interests.

*I highly recommend this book, and learning about Dr. Rhee in general. He’s a huge inspiration of mine, and one of my main sources of inspiration when writing Pharma. Level-headed and capable, strong-willed, selectively empathetic, an excellent scientist, etc. He lives for the thrill of practicing medicine both on the floor and as an expert in his field who pushes trauma medicine to new heights through his research. He also takes great pride in his hands. Seriously—the man spent an entire paragraph and a half talking about his “good hands” and how they were one of two reasons he decided to go into trauma surgery. The other reason was that he “liked action and excitement, liked the feeling of being able to walk into a tough situation and take control.” (Sounds familiar…)

Delphi

First thing’s first: we don’t know how much Pharma did or didn’t know about the DJD before agreeing to take the Delphi assignment.

That far into the war, he would have known something about the DJD and their ways of terrorizing traitors and Autobots, but for whatever reason, he took the assignment anyway. Perhaps Prowl assured him the situation on Messatine would be monitored and that the security team would be enough. Perhaps he underestimated the DJD’s capabilities, or scale of territory, and thought he would be able to handle things on his own. Perhaps Prowl gave him no choice. Maybe it was all of these and more.

Whatever the case, according to JRO, Pharma didn’t hate Delphi before the incident with the DJD.

Word of god remains a touchy subject in fandom, but in this case, it’s important because it says two things:

The DJD left the Delphi medical team alone for some time.

Being on the edges of DJD territory didn’t automatically mean isolation and harassment by their hand.

On the second point, First Aid was free to come and go from Messatine as he pleased, seeing as he attended a medical conference at Kimia five years into his assignment at Delphi:

Five years ago [mid-Delphi assignment], the leader of the Wreckers had cornered him at a medical conference at Kimia, the space station that doubled as a weapons research facility. —from Bullets

And five years after that, he was able to not only contact Springer without delay about one of Agent 113’s bullets he’d discovered in an Autobot badge…

He raced upstairs to his computer terminal and typed in a certain frequency code for the second time in his life. A face appeared on the screen and grinned. “It’s me,” said First Aid. “And you're never gonna guess what I’ve got for you..!”

…but he was also able to meet up with Springer to hand off the bullet:

“Your friend has a funny way of making contact,” First Aid had said when he’d got in touch three days earlier, and he was right.

It’s not known if this handoff happened on or off world, but either way, the DJD didn’t interfere.

At some point, Tarn set his sights on Pharma and the Delphi team. Knowing the DJD, one can only imagine what Tarn used to show off his team’s capabilities and convince Pharma the best option was to cooperate.

In striking a deal with Tarn to keep the DJD away from Delphi, Pharma established his territory and ensured his continued security and the safety of his staff. As long as Tarn got his T-cogs, Pharma could continue on in relative peace. He could work his magic on bots that ended up at Delphi, carry out his management duties, and work on whatever projects or research he may have been conducting in his free time.

For whatever reason, after he first came into contact with Tarn, Pharma didn’t call for help. Communications were still operational, as Pharma wouldn’t have suggested contacting High Command about the Duobots if the team was aware of any comm malfunctions:

Also, First Aid later confirms that communications were fine until the Big Bang (soundbomb detonation):

It’s always possible the DJD was monitoring the radio waves, but secure subspace frequencies exist, such as the Datalog Network First Aid used to send the datalog containing the death statistics:

Speaking of which, assuming First Aid sent the datalog with the statistics right when things started to get ‘weird,’ and before the Big Bang shut down comms, it only took—at most—a few days for them to reach Ratchet and Swerve on the Lost Light:

But back to Pharma not calling for help: for all of Prowl’s intel, contingency planning, and fretting over the security of Autobot territories, I find it hard to believe he would have stuck an Autobot medical team on the fringes of DJD territory without giving them some means of securely contacting the outside in case of issues.

But even if Prowl didn’t give Pharma a secure way to contact him or anyone else, and even if Pharma was convinced the DJD was monitoring regular communications, there were other ways he could have reached out for help. After all, the team wasn’t alone on Messatine. Like Pharma said, Prowl continued to send bots to defend the nucleon mines:

The Autobots had been mining nucleon for millions of years at this point, so I doubt the mined nucleon was just sitting in storage on Messatine; shipments of the stuff would have been sent off-world to wherever the Autobots needed it. Why not send a message for Prowl with someone leaving with one of those shipments? A message meant only to be sent over a call when absolutely certain they were out of range of the DJD’s potential monitoring.

Or, why not order in off-world medical supplies and send a message back with the delivery bot(s)?

There are two possible answers to this. One takes into account JRO’s word on the subject; the other is more intricate and speculative on my part, but it leads to the same place. So whatever your stance is on the validity of word of god, there’s an answer for you.

Answer one (word of god)

Simple as that. Pharma was aware of the scope of the DJD’s capabilities and relentlessness, and determined he was trapped prey.

Answer two (no word of god)

There are a few possible reasons Pharma didn’t call for help right away:

He was convinced all his other options would take too long and/or would still lead to him being put under suspicion. After all, being found to have harvested even a single T-cog from an already-dead patient for the DJD could have raised concerns that would lead to Pharma being investigated and/or having a mark put on his record.

He underestimated the severity of Tarn’s addiction, and was certain he could keep up with the T-cog demand without resorting to other means of harvesting, not realizing Tarn’s quota would increase later on.

He was already paranoid as a result of whatever mind games Tarn had set in motion at their first meeting, making Pharma think escape was futile.

Word of god or no word of god, there are clear reasons as to why Pharma ended up trapped. Most likely, it was a mix of all of the above.

Whatever was going on in Pharma’s mind before, he ended up in deeper trouble. Tarn increased his demand for T-cogs, and Pharma couldn’t keep up. By the time this happened, even if he had wanted to call for help, it was too late to do so without implicating himself. He reasoned his only option was to start killing patients to harvest their T-cogs.

Soon, Pharma was so consumed with fretting over whether he’d be able to meet Tarn’s next demand that he didn’t have time or freedom to do anything else except worry and feel guilty. His whole life revolved around Tarn’s addiction; he was no longer in control, and could no longer enjoy whatever it was about Delphi he’d previously enjoyed. Perhaps the facility itself enabled Pharma to research cures and perform scientific miracles of medicine.

Being at the mercy of Tarn—convinced the DJD would find him no matter what—would have been pure psychological torture on its own, but also knowing that any small chance he did have of getting help would end in him losing everything would have added to his suffering. Pharma became desperate to reclaim control over his life and began planning an escape.

Now, JRO has said that Pharma didn’t originally plan to use the rust plague on the DJD…but canon says otherwise:

Of course, Pharma could have been lying to make himself look better in Ratchet’s view, but based on everything he’d been through up to this point with Tarn, it’s more likely he was telling the truth and had tried to eliminate the source of his suffering first. After all, wiping out the DJD would have been the simpler, cleaner option.

When the Duobots refused to detonate the soundbomb near the DJD, Pharma’s objectives shifted. He had to get Delphi shut down in a way that would:

Convince the DJD the shutdown was legitimate.

Pharma knew chances of escaping the DJD at all were slim to none, but he was desperate. Getting Delphi shut down would cut off Tarn’s supply of T-cogs and allow Pharma to escape Tarn’s immediate control, but the shutdown had to be “legitimate” to prevent Tarn from retaliating and hunting him down later. Leaving Tarn even the slightest chance of regaining control was too risky, so Pharma had to make sure his plan was as airtight as possible. 

Cover up the patient murders.

If the truth got out about Pharma killing patients, he’d lose his medical license and most likely be put away for life. Being cut off from the practice of medicine and his intellectually stimulating work as a doctor would mean losing more than a job and a reputation. It would mean losing everything in which he’d anchored his sense of identity and life’s meaning. His refusal to consider any other options wasn’t just about ego and preserving his image as an excellent doctor; it was about preserving any kind of meaningful future he saw for himself.

Pharma needed a plan that would fulfill all of the above. Turning the engineered virus on the medical facility was the most effective and efficient solution. Anything else would have made him suspicious in the view of either Autobot High Command or the DJD, and neither of those would have ended well for him.

Because of his goal to preserve his reputation and future in medicine, he couldn’t even risk revealing anything to First Aid or Ambulon, who would have seen to his ruin. They became nothing more than loose ends that had to be tied up, and based on the fact that Pharma only prepared one vial of the vaccine, his original plan involved him being the only survivor:

He probably would have had no problem making more of the vaccine for anyone else who survived, but he wasn’t counting on it. He wanted a totally clean slate; in letting his staff die with most of his patients, he would be getting rid of any and all evidence and reminders of his failures. He may have cared about First Aid and Ambulon before things got bad, but somewhere along the way, he decided either it wasn’t worth it to go through the trouble of finding a way to save them without raising suspicion, or he didn’t want to risk them putting together the pieces later on.

Of course, when Ratchet showed up, plans changed.

Ratchet

Ratchet is not the kind of person who seeks first to understand or be understanding. He’s inclined to trust what’s in front of him over anything abstract, and tends to look at the results of someone’s actions over trying to find any kind of ‘why’ behind them. Also, unlike Pharma, he operates from a strong moral sense, and reacts quickly and strongly when something or someone goes against that internal moral sense.

Ratchet’s reaction to finding out what Pharma did may seem hasty and harsh, but it makes perfect sense on a human level. There is no such thing as unconditional love; everyone has personal and moral lines (boundaries), and they’re different for each individual. When the most rigid of lines is crossed, that’s it; walls go up and the offender is cut off, no matter how strong the relationship may have been.

Ratchet obviously knew Pharma well enough to think he could try talking some sense into him, but then Pharma revealed that he’d crossed one of Ratchet’s lines: murdering patients. Any willingness Ratchet may have had to try to understand vanished. By the time Pharma started trying to provide a ‘why’ for his actions, Ratchet’s moral judgment had already shut down any chance of understanding what could have possibly led Pharma to kill patients. It didn’t help that Pharma seemed totally unapologetic and outright proud of his plan. For Ratchet, the ‘why’ didn’t matter anymore. What he saw was what he trusted, and what he saw was a friend who’d become his idea of a monster.

Now, Ratchet and Pharma’s relationship is one of the most confusing IDW relationships I’ve had the pleasure and pain of dissecting.

It is notoriously difficult to determine the depth and strength of a relationship from the outside. However, I’ve decided to go ahead and address it anyway because it has the potential to provide insight into Pharma as an individual.

If I were to sum up Pharma and Ratchet’s relationship in a single word, I would use “ambivalent.” The first time I read MTMTE, the thing that stood out to me most about their relationship was the drastic differences between how they each perceived the relationship.

In one sense, there’s the idea of Pharma basically being Ratchet’s crazy stalker ex, which is tossed around in fandom a lot. While I personally dislike seeing it regardless of context (yes, even as a joke), I do see how JRO’s writing choices set things up in a way that makes it easy to superimpose that trope.

In another sense, there’s the idea that Pharma and Ratchet were always close friends, and that what happened at the end of the Delphi story was a betrayal of both sides that came out of nowhere and whose consequences were taken too far.

I disagree with both. Personally, what I see at the end of the Delphi story isn’t an obsessed ex gone mad, a sudden betrayal, or a badly executed backstabbing. What I see is a breakdown of an already-complicated and poorly-maintained relationship: true feelings being revealed, long-repressed bitterness being forced to the surface, carefully-hidden cracks being split wide open.

Most people don’t have an accurate understanding of how much or how little they truly know the people in their lives, often overestimating how well they know a person until something surfaces and blindsides them.

According to JRO, Ratchet was oblivious to Pharma’s romantic interest, and throughout canon, it’s easy to see Pharma was more invested in the relationship than Ratchet ever was.

The question is, did Ratchet ever care about Pharma at all? And if so, to what degree?

Yes, Ratchet calls Pharma “buddy” and “friend,” but the former was sarcastic, and the latter means something different to each person. Also, in light of the circumstances, Ratchet could have just been saying “friend” in response to Pharma saying it—an emotional appeal more than anything.

However, Pharma must have been aware of Ratchet’s lack of relational investment because during the confrontation at Delphi, Pharma’s first reaction wasn’t to appeal to their friendship (ex: “But you know me!”). Instead, he appealed to their shared profession:

Then there’s the exchange of insults: 

This is what I meant earlier by “true feelings being revealed.” Ratchet may have just been trying to match Pharma’s insult, but it’s unlikely it was merely reciprocal because while Ratchet is snarky at times, he’s sincere in that snark. There’s almost always some truth in his verbal jabs no matter how unserious they seem, and he’s never cruel for cruelty’s sake.

So, if Pharma saw Ratchet as an inferior doctor, and Ratchet saw Pharma as an inferior Autobot…it’s reasonable to assume there was always some deep-rooted competition and conflict preventing them from being super close.

Possible suspicion surrounding Pharma’s conduct as an Autobot paired with a tendency to misjudge the nuances of relationships could explain why Ratchet was so quick to decide Pharma was a lost cause. Maybe Pharma’s actions at Delphi confirmed something from the past that Ratchet had brushed off for whatever reason.

In any case, Ratchet seems to have been largely unaffected by the Pharma he found at Delphi. While leaving Messatine, he emphasizes that he’ll miss Pharma’s talent.

Not “who he used to be.”

Not “what we used to have.”

Just…“his talent.”

Later, on Luna 1, Pharma mentions that he and Ratchet were inseparable, but that could mean a few different things:

Best case scenario: Pharma and Ratchet sought each other out on equal terms.

Worst case scenario: Pharma followed Ratchet around.

Somewhere in the middle: the job forced Pharma and Ratchet to work in close proximity most of the time, and while Pharma intentionally ran into Ratchet more often than necessary, Ratchet also sought out Pharma every now and then.

Whatever the case, working with someone every day doesn’t tell you anything about who they are as a person, and the amount of time spent with someone doesn’t automatically correlate to how deep the relationship is or how well the people know each other. It’s not like either Pharma or Ratchet are shown to be good at expressing their personal feelings outside of extreme circumstances. 

Ratchet does bring up late-night conversations of the past:

But while this indicates there was something deeper between him and Pharma, because neither of them were ever shown to be super open with their true feelings, it’s unlikely the conversations were full of touchy-feely talk. In all likelihood, the conversations were mostly medicine and war-related, with the rare spark-to-spark talk sprinkled in. Also, considering everything up to this point, one has to wonder if those talks ever meant anything to Ratchet, or if he was just digging for something that might stall Pharma’s torture.

Maybe those late-night conversations did mean something to Ratchet, but whatever the case, Pharma didn’t take the bait. He knew Ratchet was trying to stall by making an emotional appeal, and perhaps he was convinced the conversations hadn’t meant that much to Ratchet.

Looking at all of this, it’s hard to believe Ratchet ever cared about Pharma as more than an interesting work friend. But even if he had cared more than he let on, it wasn’t enough to overcome the doubts he had about Pharma’s character.

As for whether Pharma truly cared about Ratchet, I’m convinced he did, but in a mostly unhealthy way, and with a strong undercurrent of one-sided rivalry. At some point, Ratchet had been an equal and a source of challenge, and he probably listened to Pharma pretty often. It’s reasonable to assume Ratchet was one of the only people—if not the only person—able to handle Pharma’s intense temperament and challenge him in a meaningful way, providing some semblance of friendship for Pharma.

However, one last thing that stands out is that, when telling Ratchet why he’s torturing him, Pharma didn’t say anything like, “Because you hurt me” or “Because you turned against me—your friend.” Instead, he said it was for “ruining things at Delphi” and because “you declared war on my body.”

Either Pharma wasn’t being entirely honest, or Ratchet’s friendship didn’t mean as much in the first place as he’d previously implied. It’s possible the ‘Because you hurt me’ was implied in “for ruining things back at Delphi,” but why not say it outright? Perhaps it was a fear of vulnerability and admitting there was ever a relational need at all.

At the end of the day, it’s difficult to say for certain how close Pharma and Ratchet were, but it’s clear they were never on the same page and there were always barriers between them.

Luna 1

Revisiting the matter of Pharma’s morality taking a backseat to other priorities, his time on Luna 1 further underscores this. Again, Pharma chooses his battles and is unwilling to put himself at great risk for the sake of others, but a closer look at the situation with Tyrest reveals there wasn’t really anything he could have done for the Cold Construct population even if he had wanted to. It would have been him against Tyrest, an army of Legislators, and a bunch of Decepticons. Pharma knew his limits, and seeing as his goal was self-preservation, it was perfectly rational for him to go along with Tyrest’s grand scheme.

Besides, it doesn’t look like he was given much of a choice:

Although, knowing Pharma, he still would have demanded to know beforehand what he would get in return for the pain, and evidently, Tyrest held up his end of the deal since Pharma had access to the Luna 1 tech collection.

As for Tyrest’s plan to wipe out the Cold Construct population, there’s nothing indicating Pharma’s decision to turn a blind eye to it was rooted in malevolence or bigotry—just rational apathy: ‘I can’t stop Tyrest, so why concern myself with the outcome?’

Again, you can’t save everyone; Pharma had all he could do to save himself.

But it wasn’t all horrible. I would even go so far as to say Pharma found some happiness on Luna 1. Tyrest didn’t care about him, but he didn’t need Tyrest to care. Everyone else there hated him, but he didn’t need to feel like he belonged or was admired. At this point, Pharma’s only interest was Tyrest’s Luna 1 tech collection, and that meant playing nice so he could keep his reward. Back at Delphi, he probably assumed he’d never again practice medicine the way he’d loved; being brought to Luna 1 was an unexpected, yet welcome, second chance.

Even so, Pharma had his moments of cruelty. Back at Delphi, he had easily-identifiable reasons to kill patients—both the ones whose T-cogs he harvested and the 20 more he tried to kill when he shot the life support machine. But on Luna 1, he had no reason to be cruel, yet he chose to be. By this point, he’d mastered the ability to almost completely ignore or subdue his conscience.

In the case of Ratchet’s torment, one could argue Pharma only drew it out for retaliation purposes; it was personal for him.

As for cutting Ambulon in half, it was obviously meant to be as gruesome as possible, yet also quick. But personally, I don’t think it was about Ambulon; it was more about hurting Ratchet. Due to the fact that Ratchet’s identity is wrapped up in his compassion and his ability to be helpful as a doctor, one of the most effective acts of revenge would be to do something that makes him feel utterly helpless.

Also I wonder if, subconsciously or consciously, Pharma was attempting to recreate the sense of helplessness he felt back at Delphi under Tarn’s watch: “Do you see, Ratchet? Do you now understand how it feels to have control ripped out of your hands? To be totally helpless?”

Next, for some reason, Pharma was invested in the promised execution of Getaway and Skids:

He had no personal connection to either of them that would give him a reason to be interested, so maybe Tyrest told him he could perform the execution and/or have the corpses for medical experimentation. Either way, Pharma would have had a chance to use some of the tech in Tyrest’s tech collection, possibly explaining his excitement.

Of course, any chance of an execution disappeared when the final showdown went wrong.

When Pharma tried to escape to Cyberutopia and discovered he couldn’t pass through the spacebridge forcefield, he gave up. He’d been caught; he would no longer have access to Tyrest’s tech collection; Ratchet and every other self-righteous Autobot would never forgive him; and the morality lock prevented him from escaping. By all appearances, he would never again be able to engage in that which gave him a sense of meaning. He had shrunken his world down to his obsessive interest in a specialized field and one significant, yet unrequited relationship. With both of these lost, his world collapsed. 

Yes, guilt played a part in Pharma’s despondency, but because he seems to have been in denial of said guilt, it’s more likely his despair was primarily due to the fact that he saw no future for himself. He had nothing left to live for.

In light of this, Pharma’s flippant comments to First Aid make sense. He wasn’t being insensitive as much as he was goading First Aid. Pharma’s not stupid. First Aid had a massive rotary cannon on him, and Pharma knew exactly which emotional buttons to push to get him to pull the trigger.

Pharma wanted to die.

Adaptus

First, let me emphasize that Adaptus did not take possession of Pharma’s body. Instead, Pharma was the unwelcome guest:

How Pharma ended up in Adaptus’ new body is a mystery, but whatever the case, Pharma didn’t pass on to the Allspark. Whether or not he had a choice can only be speculated.

First Aid had blasted Pharma’s head clean off, so whatever happened must have been related to the spark. Perhaps some residual spark energy was trapped in a body part that Adaptus repurposed, leaving Pharma tethered to the new body unwillingly.

Still, Pharma managed to assert his will and override Adaptus for a brief moment. Considering Adaptus was basically a god, this is impressive.

Based on Adaptus’ surprise at being interrupted, it seems he didn’t know Pharma was there. Why Pharma hadn’t tried to assert himself sooner is a mystery. Maybe Adaptus’ scheme was entertaining; maybe Pharma actually liked the company; or maybe he’d been waiting for an opportunity to get revenge on Tyrest for everything done to him back at Luna 1.

Sure enough, just like with Ratchet back on Luna 1, Pharma’s vengeful streak came out as soon as there was an opportunity.

Unfortunately for him, this left him vulnerable, and Tyrest took advantage of the confusion:

Conclusion

When someone reduces their world to narrow personal interests and one or a few very special people, their grip tightens around what little they have. They often become obsessive and possessive of the few things that make them feel alive, and their view of the world becomes increasingly more subjective and detached from the outside world. Pharma seems to have fallen into this trap.

Even so, in the context of the circumstances, several of the decisions he made were rational—even if coldly so. Oftentimes, “extreme” rationality and self-preservation are villainized in fiction, and characters like Pharma who don’t automatically put themselves at great risk for anyone and everyone are villainized, or at least looked down on. Their choices are often regarded as less human, but rationality and self-preservation are just as human as compassion and self-sacrifice.

Ultimately, Pharma was trapped and pushed over the edge into “insanity” by Tarn’s cruelty, but his own choices made from a place of pride determined how he fell, and how far he fell. It was a perfect storm of Tarn’s mind games and Pharma’s intellectual arrogance, excessive self-confidence, obsessive nature, and stubborn grip on the kind of future he wanted for himself.

Pharma is yet another Icarus who flew too close to the sun and paid dearly for it, and while JRO/the narrative could have given this Icarus better wings, that doesn’t change the fact that he chose to fly so high.

***

Many thanks to anyone who made it to the end of this monster of a post.

-tosses a Rodimus Star at you-

[drdemonprince]

People who are concerned about problematic or triggering kinks often couch these concerns in highly reasonable-sounding reactions and make what seems like highly reasonable requests.

They point out that lots of the most upsetting kinks may remind a person of their worst traumas, for example, and that these kinks, when played out, can resemble actual abuse so closely that the kink communities may attract bad actors who genuinely do wish to do harm.

They may allow that some kink practitioners are themselves survivors, and tolerate taboo kink's existence insofar as the correct people find it therapeutic, but they'll qualify that it should always be made clear what is fantasy and what is reality.

But ultimately, people making these arguments will assert, there are certain things that a simply beyond the pale -- across the line and wrong.

A lot of people say these things earnestly, and mean them, and I don't think they intend any harm in saying them. And in comporting their own personal lives, these guardrails may more or less apply well for them. But where it becomes a problem is in issuing dictates about how other people should act, and how kink friendly spaces should run, and how people who hold taboo kinks ought to be regarded.

Does it protect victims to view their kinks as inherently morally suspect?

Does treating a person who is forthright about their taboo desires and who has found a consensual venue to express those desires as more potentially predatory than your random vanilla cishet man help us make kink spaces that are safe?

Is it *true* having a fetish or kink makes a person more dangerous than someone that doesn't?

What's an acceptable reason to have a taboo fetish and what's an unacceptable reason? Who decides?

How might linking sexual practices that are already highly stigmatized and associated with queernees to abuse lead to increasing those group members' vulnerability?

Are communities where vetting of sexual play partners and frank discussions of consent are routine somehow more dangerous to be in than the vanilla world, where such things rarely happen?

What is a suitable way of flagging that fantasy is fantasy and real life is real life? Who decides?

Are certain real life enactments of a fantasy always wrong even when they are consensual, simply because they look bad/intense?

Which practices are okay to partake in in real life?

Who decides? Who decides? What happens to the people who violate those other people's rules?

You don't have to be interested in every kink and you don't have to visit all kink spaces. It's fine if you find certain fetishes disturbing, gross, triggering, a deal breaker, or reminiscent of your own abuse (and I'm really sorry that those things happened to you). But those entirely legitimate feelings in NO way translate to a need for anyone to place restrictions on how others play or fantasize or comport themselves in their own spaces.

Not all spaces will be for you, but please understand that for those of us who are kinky and queer, 99.9999999999% of all social spaces in the world are already viscerally violently NOT for us. Let us have our spaces to pretend to be puppy dogs and kitty cats and siblings and vampires and home invaders and monsters and rape victims and rapists and murderers and dead bodies and babies and robots and dolls and video game characters and everything else.

You don't have to like it but you don't have the authority to say we don't get to do it, and nobody should.

[vigilskeep]

hey harker! very much enjoying the lucanis/illario/general crow posting, and im gonna encourage more: now that you’ve had some time to sit with the game i was really curious to hear more about your opinion on lucanis becoming first talon. i can’t help but feel like it’s completely glossed over that lucanis is definitely going to get chewed up by this job in most save states. i have mixed feelings about it personally - but setting those aside because i’m asking about yours.

i TRULY cannot express this enough: that villa is a tomb and if we do not get him out of there we are burying him in it

lucanis does not want this job. he has straight up canonically always avoided thinking about this by assuming he would die before it becomes something he has to deal with. he reacts with paralysed disbelief to being given it and seems to have barely registered it for the rest of the game. and even if he did want it, lucanis is not capable of this job. none of his skillsets are managing people, or making ruthless calls, or watching out for himself. the only driving force behind him being pushed into this is caterina, who will not be around to do the admin and protect him from external threats forever. and she only wants him to do it in the first place because she had a good heir—his mother—and has needed to project that dead daughter onto lucanis for his whole life, to believe she hasn’t already gambled and irrevocably lost her family’s future decades ago. but lucanis’ incapacity to ever say no to her, which is what lets him stay that eternal teacher’s pet, is one of the most obvious shining examples why he would be so bad for the job!

it would be an uphill battle for anyone to recover control of an assassin house that until last week was being run by your cousin who tried to kill you. it would be an uphill battle for anyone to lead the crows in the aftermath of the antaam occupation. it would be an uphill battle for anyone to cope with the fact that relying on viago and teia—which lucanis with his resources and skills has no choice but to do here, even if he didn’t simply like them and make choices based on liking people because he is not a strategist—presents them as an alliance that any other ambitious talon must cut down to get anywhere. three out of eight of the talons is such a ludicrously dangerous number. it does not take an overwhelmingly brilliant mind to notice that there’s more of us than there are of them

the best man for the job would still be fighting for their life, and lucanis is far from the best man. caterina was! and she still lost five children and six grandchildren holding it! that’s so many! have you guys ever seen that one post about people who kept getting a new outdoor cat every time the last one got eaten by cougars and it was pointed out they were basically just feeding cats to the cougars. that’s what caterina dellamorte was doing having kids

the points in lucanis’ favour off the top of my head are the weight of the dellamorte name and reputation, that his victory over illario was decisive and public, and simply the fear factor that he is a god slayer and, lest we forget, a fucking abomination. is that enough to keep him alive? for how long? under what level of constant anxiety and moral degradation for his very soft over-caffeinated heart? all for the questionable gain of several large and empty villas and the privilege of dragging out the slow and lingering death of a family that, you guessed it, you love it, it’s the thedas favourite: has no! next! generation! heirs! at all!!!

(unless illario has a bunch of kids somewhere. i think that would be objectively pretty funny, a sentence i managed to type most of before feeling ill. oh god we need to get them out.)

i apologise that my tone here is somewhat hysterical but i have been living in the mind of my rook, a character very aware of the realities of crow politics who loves lucanis very much. it does not surprise me that lucanis was once again incapable of even conceptualising saying no to his grandmother and accepted the title, or that the idea of abandoning her legacy and his family would seem insurmountable to him when he has been raised to believe it’s all he’s for and he is the last one shouldering the weight. but i am saying this with total and absolute confidence: this is another prison and he is going to die in there if nobody gets him out.

[are-you-still-writing-that]

Yandere Alphabet: Ren Hana

I just love that dude, mkay! He has me heart and soul! This is specifically BtD2 Ren, so yeah. Favourite route of that game! This got quite long, it´s around 6k because I thought I would try something else for this, and I´m actually quite happy how it turned out! Hilariously enough I started to write this, around January 2023 and just finished it (April 2024).

I´ll hope you will like it too, because it was already one of my favourite things to reread every once in a while! Have fun!

Ren Hana

He is insane. He hates you. He loves you. He lives only for you. He would kill you in a heartbeat. Full of contradictions he tends to be a rather mercurial character. You are the first one to know that. Did you maybe, just like me, hunt down every last line of dialogue, every last image in his route. He hides away from sight, and only catches you when he is sure, that he will be able to.

„Let´s be perfectly clear, shall we. The fox is not a little orange puppy dog with doe eyes and a waggly tail. It´s a disease-ridden wolf with the morals of a psychopath and the teeth of a great white shark.“ ~ Jeremy Clarkson

For he was truly raised, tortured and formed by a psychopath. By a sadist without any morals. And on you, this little fox will discover his sharp claws and great teeth once more.

„Beware the fox that makes the ravens fly“

Run little one, run. For you will be his prey.

Affection: How do they show their love and affection? How intense would it get?

When Ren gets it into his head to shower you with affection, it can get quite uncomfortable rather quickly, as he tends to ignore any personal boundaries you ever tried to communicate. He is intense in the way his eyes track you, and in those moments you wonder how you could ever miss the way. that he is a clear predator. And in the next moment he pounces on you with a sweet giggle to simply share his warmth with you. Sometimes when you´re eating, his body is pressed close to yours, with no way left for you, so that you could escape from him. He will hold food up to your mouth, expecting you to take it. His eyes just daring you to refuse him, and with the way his other hand plays with something in his pocket, the threat is clear. Other days he will hand you something, and only give you a small moment to appreciate his gift, before he will pounce on you, nearly bowling you ever, and only his hands behind your head saving you from a concussion, as he demands his reward. Cuddling you on the floor, as he lowly purrs into your ear, his tail wrapping around your waist.

Blood: How messy are they willing to get when it comes to their darling?

On some days you will come to the painful realization, that Ren is more animal, than human. Those are definitely the days, he comes back home with blood still splattered all over his face, and the sound of something being dragged in behind him. It´s those days, when he calls for you to come with a playful uncanny trill in his voice, that makes listening to it so unpleasant. It´s those days, when he rips the still bleeding, still warm corpse apart in front of you. Sometimes off-handedly offering you a piece of flesh he just tore out of what had been a living breathing person moments before. On other days you will realize, that while he is clearly brutal, he holds you dear. At least, it´s what you need to believe, when he violently goes for the throat of that guy who tried to touch you when you refused, and then thought you would be more agreeable when he shakes you around. It´s what you whisper in the sudden quiet in your mind, when Ren comes to you. Blood dripping of his fangs and claws, and tenderly holds onto your bruised wrist. He is cooing at you, and the rapidly cooling body behind him, stares at you with unseeing eyes. You try to desperately believe what you tell yourself, as Ren carefully leads you away, humming slightly to calm you back down. It´s what you need to do, because you thought you saw accusations swimming in those dead eyes.

Cruelty: How would they treat their darling once abducted? Would they mock them?

Ren does crave your love and your companionship more than anything else. So, in order to achieve that, he will try to be kind to you, after all that could help him earn what he wants. Right? He will be kind and accommodating, and his reward will be you. Though, when he realizes, that you still reject him, he won´t hesitate to be cruel to you in return. If you´re throwing everything, that he gave you simply away, well then he doesn´t need to give it to you in the first place. In the end your companionship can simply be achieved through obedience as well, no? When it comes down to it, he will mirror you. Throw back at you what you show him first. If you are kind, he will be as well. If you are cruel, he will be cruel. An almost perfect mirror, that will throw your own attitude back at you, but so much more dangerous than you could ever be.

Darling: Aside from abduction, would they do anything against their darling’s will?

Ren will force his need of skinship onto you, if you want to or not. The one time, that you struggled as if trying to free yourself, you stopped out of self-preservation when his grip grew tighter and tighter, making it hard to breathe for you. Sometimes he will come to you, to simply hold your face, gently tracing it´s shape, his claws nothing but a whisper on your skin. These are the things you could tolerate. The ones you can´t are when he shushes you, more growl than calming purr, when he pulls you down the stairs towards the basement. The smell of blood, already coming over you, and you already know what will await you. You don´t kick or scream, only sob quietly, hoping that you will not make him angry. His next shush comes with him, wiping away your tears. But you shiver in fright and disgust, when you see how he licks his hand clean afterwards. Chasing the taste of your tears on his fingers. Though, this is still the lesser evil, than the dead man walking, that will await you down there.

Exposed: How much of their heart do they bare to their darling? How vulnerable are they when it comes to their darling?

It would annoy you how much he talks with you, if he wasn´t the only one breaking the silence. And as long as he is chatty, he isn´t brooding either. He will talk about the most inconsequential things, throwing in stuff every once in a while that is so heartfelt, that it becomes jarring to you. You would hate how open he is with you, as if you aren´t a prisoner of his. You would maybe even react, if you didn´t knew, that he is still trying to gauge how much he can trust you with. And every time, he decides to trust you, you have to believe that this is a good thing. For your own sanity. Though you hate one specific time with a burning passion. It´s when he pulls you towards the couch, and pushes you into the pillows he already laid out. When he then stands up, to push a self-titeled disk, the ink already worn away in places, into the player. When he comes back to cuddle you, as you watch with horror living in your ribcage, how a man you never saw, but instinctively put at fault for your situation, ripping into another being with glee. When he whispers softly, about those day, when the body in the cooler, was still a man, and of all the things he did, as Ren watches you. When you wish he would just shut it all of, and he would be the only thing again, that is breaking the silence.

Fight: How would they feel if their darling fought back?

The moment you try to use force against him, is also the moment you already lost. There is nothing left of the boy you knew, as the gentle cooing that haunts you in your nightmares, turns into a vicious growl, that is more fitting to belong there. You hit the ground hard, and your vision swims for a moment, till the growling suddenly become muffled. It takes a moment to pull yourself back to consciousness, and for you notice the claws sinking deeper into your shoulders, and the sharp pain, that comes from your neck, which gets so much worse, when Ren pulls back again. Blood dripping from his mouth onto your face, he gnashes his teeth at you. You don´t even scream, still numb from it all, when he pulls you down those dreaded stairs, to a place you never wish to set foot in, and yet visit time and time again. You know he will show how „kind“ he has been the whole time. He will hurt you like in those movies. But the only thing going through your mind, is the image of the pleasure he seemed to feel, when he licked your blood from his lips. Then you remember the heartless corpse downstairs. You scream.

Game: Is this a game to them? How much would they enjoy watching their darling try to escape?

Ren bristles when you ask him that. He can feel how his tail bushes up, and curls around you without him consciously willing it to happen. His teeth gnash together, as he squints at you. He only stops the growl that already started up somewhere deep in his chest, when he sees you flinch away from him. He huffs instead at you, and lets himself fall relaxed back onto you. He waits patiently for you to go back to carding your fingers through his hair as you had done, before asking this, quite frankly, offensive and stupid question, before he starts purring again. He doesn´t know who he is trying to calm down at this point. He wonders, if he has forgotten to show you how much he loves and adores you. His sweet, precious thing, that stays with him, that listens to him. You, who keeps that damn ghost, that still haunts him every day away. He wonders if he should tell you, that he wants you to stay with him for forever and ever and ever. Though, that might frighten you. So he simply nuzzles you, as he purrs softly, ignoring how you flinch away from him with practice.

Hell: What would be their darling’s worst experience with them?

You were careful. And o how careful you had to be, to not accidentally set him off. But you wanted him so badly to realize, that this was not how a relationship worked. He had mentioned time and time again, and yet you couldn´t quite believe it. And when you asked – gentle, careful, don´t anger him – he had looked at you funny, before grinning. A sly smirk, that reminded you rather suddenly, that you weren´t talking to a human. As if the ears and tails hadn´t clued you in. Though, this didn´t feel like the grin of a fox, more like a hungry wolf, as he contemplated out loud, that he was behaving rather strangely, at least to his kinds standards. After all, he was being patient and accommodating to your own behaviour till now, though, he could change if you wanted to. You shook your head, and instead thanked him. You knew he hadn´t lied.

Ideals: What kind of future do they have in mind for/with their darling?

He whispers his vision to you in the death of the night. His quiet voice, soothing were it only makes you so afraid. He paints a picture, that makes him sink deeper into the cushions, makes him feel safe and content, while you can do nothing but watch in horror. If you were just a bit more like him, you would be sure, that your hair would be standing upright with the terror chasing down your spine. Though, what he describes isn´t so far off, what he already has with you. Have you grown this complacent, to simply give in to his every wish? He wants to lay down with you, in the sun spots inside the house, side by side, curled around each other. And your hand just burrows deeper in his hair, careful to only scratch and not pull. His vision, is already your reality.

Jealousy: Do they get jealous? Do they lash out or find a way to cope?

He knows that there is nothing for him to get jealous over. Where would you go? Who would you be able to turn to? If you ran, would you ever be able to run far enough? Or would he catch up to you before you knew it? He knows the answer to these questions. And they will never worry him, as much as you seem to worry about them. He knew he won. It´s once more proven to him, when he finds you kneeling by the door. Tears running down your face, spit slowly dabbling from your chin. Now and then a small jerk going through your body. Your eyes look vacant, as he walks past and opens the door for you. His victory only becomes more certain, when you turn away from the light, the breeze, with an anguished cry. What does he need to be jealous of?

Kisses: How do they act around or with their darling?

His behaviour tends to closely mirror your own. He doesn´t seem to be aware of it most of time. At other points, it seems more than intentional. He repeats phrases, that you have said. His speech patterns begin to more closely resemble your own, the more time you spent with each other. Or do yours resemble his? It seems, that the two of you bleed more and more into the other, as time passed. Over time though, while you grew more and more subdued. He became louder. Where you grew into something, that cowers away. He became something, that would be impossible to miss. He mirrors you, but he plays into every extreme there is. Your melancholy becomes something loud and heart wrenching. Your happiness wraps into demented glee and shrieks of joy. Your gentle affection on his face turns into a punishing grip. Ren clings to you. He knows, that he is adapting to your personality, though where this might frighten you, it only brings him joy. He always knew, that you were the perfect fit for him. His perfect other half, and now he only got to prove it. He won´t let you go. Oh no. He never will. And why should he? With all the work he put in, to be your counterpart? He will cling to you till the end of time.

Love letters: How would they go about courting or approaching their darling?

You were bored, when he approached you. His soft voice nearly scared you half to death, when he started to talk to you. You hadn´t even heard him coming close. There was a sharp wit lacing his every word, as he waved your anxiousness away with a quiet humour twisting around his mouth. You and him talked nearly for the whole night. You were no longer bored. Drink after drink gets shared between the two of you, as dawn slowly comes around. You don´t even notice, when they start to taste funny. Maybe you simply drank too much? Your sudden tiredness is blamed on the late hour, and even when it feels like you can´t keep your eyes open any more and his smile is so full of sharp teeth. Maybe your fear was reasonable. Maybe you should have listened to that first instinctual response of absolute terror, when you noticed at first. These thoughts run slowly and languid through your mind, as he hoists you up over his shoulder, and simply walks out. No one stops him.

Mask: Are their true colours drastically different from the way they act around everyone else?

There is a quiet confidence, you observe, that seems to find him in the strangest moments. His mood is quick to change. Laughter can turn into angry screams, faster than you can keep up with it most of the time. It´s no secret to you, that Ren is unstable. It´s also pretty obvious to you, that he is aware of that fact as well. Whenever he actually decides to take you outside, Good behaviour need to be rewarded dear, he has to concentrate. He can´t be too domineering over you, and so he falls back into patterns, that make him seem shy and unassuming. He knows, where those habits formed, and while he wouldn´t thank Strade for them, he still finds them useful for this. He knew what a charmer Strade was, just as he is now as well. A good trait to have, if one is like him. So he puts on the mask, that helps him to navigate the outside easily. Voice timid and shy. Never taking up more space, than he needs to. He basically vanishes into the background. It´s easy for him to watch every little move that you make. After all, you also tend to forget that he is here, whenever he gets like this.

Naughty: How would they punish their darling?

You don´t even know why he suddenly slams into you. Tearing you down to the ground with him. He is hovering above you, lips pulled back into a cruel snarl. Teeth gnashing and spit slowly dripping from the corners of his mouth. Right now he resembles more than ever, the violent and feral animal, that he always pretends not to be. There is the clinking of chains, as your breath only comes shortly. His teeth violently snap shut just inches from your face. When he speaks, a melodious hum, you can barely understand him, but the little you do frightens you. It freezes the blood in your veins, as you try to shake your head at him. Tears are already rolling down your face. He pats your face, then your head. His grip on the chain wrapped like a collar around your throat not loosening. He chuckles out But what a pretty star you would make. It would surely be my new favourite film. You can only cry harder, as you think of the man in cellar. You try to plead and beg with him, as he yanks you down the stairs. Your limbs kicking out in every direction, as you pull at the chain and try to stop him. The wooden steps bruise your back, and his laugh rings in your ears. When you swipe at him accidentally instead of the chain, his laughter stops. He doesn´t pay your terrified shrieking any mind, as he fished a little button from his pants pocket and presses down. You don´t really move, when he pulls at the leash again. Drool and spit slowly dribbling from your mouth, as fine tremors run through your body. You don´t even know what brought this on.

Oppression: How many rights would they take away from their darling?

You wake up with a groan. You definitely drank too much last night. Your head pounds, and every little movement you make makes you wince. When you finally open your eyes, you don´t recognize the room. Carefully lifting the blanket you realize that you are only half-dressed. You can´t even remember how you got here. It takes you stumbling around the room, ripping open the curtains and seeing your reflection in the barred up windows to realize that there is something on your neck. It´s bulky and heavy, and no matter how much you fiddle with it, you can´t get it off. When the door suddenly opens, you nearly scream. The boy, red hair and kind of small, seems vaguely familiar to you, lets out a surprised yelp. His smile seems kind, but when he notices you still fiddling with the collar, his expression grows dark. It´s a low Stop that! that gives you a momentarily pause, before you ignore it. The next thing you know is pain. The boy holding a remote, as he comes to a stop standing over you. He crouches down next to you, a small smile playing around his lips, as he watches you drool and shake. There is a worried crease between his eyebrow, that you can´t help but feel like it´s fake. He pats your head, with a smile, as he licks his too sharp teeth. O this is gonna be fun. I love you so much my dear!

Patience: How patient are they with their darling?

You looked at his hand, as if he would bite it off, when you took it. Come here, he crooned, curling his fingers in slowly. His patience was slowly running thin. You couldn´t see it from your position, but he had started to fiddle with the remote of your shock collar. He was contemplating to just shock you into complying with his simple request, but something about the way you looked at him – shaking, scared – stopped him. His patience was rewarded when you finally reached out for him, curling your fingers around his as he helped you up from the floor. He nuzzled close into your neck, and patted your hair. Good job, darling! So good for me~, he couldn´t help a little moan slipping out with the words. He led the way to the basement door, and opened it. Walking down the steps first, he sighed as he heard how your footsteps had stopped. With just one glance over his shoulder, he knew that this time you wouldn´t come that easy. It wasn´t fear and hesitance – both very under stable to him – that stopped you this time, but stubbornness. Without even hesitating, he pressed the button on his remote. Keeping it pushed down, only giving you short breaks to let you catch your breath, he grapped you by your shirt to drag your convulsing body down the stairs with him. Dropping you down at the pole, he leaned in close If I want something, you do it!, with that he tapped you on the nose, before standing up again.

Quit: If their darling dies, leaves, or successfully escapes, would they ever be able to move on?

You better hope and pray, that something else will kill you before he gets his hands on you. He stares down at the broken collar, then at his open front door. The laughter, that escapes him at this moment is strained. With a deep breath, he already knows where you went, and moves to follow you. The hunt is on. It was hard to get him to this point in your conversation, but maybe you actually got through to him. He looks at you with wet and wide eyes, before he suddenly sobs. Collapsing into your open arms, he burrows close to you. You try not to flinch, as his hands suddenly snake around your throat, but the click you hear, stuns you. We will meet each other again, right? Do this the right way again?, he asks as he gently puts the collar to the side. You can´t help yourself but to whisper a Of course! against his twitching ears. Blood covers his hands, his chest. He can feel how it already started to dry on his face, flaking off. This wasn´t supposed to happen. He didn´t intend to do this! Carefully, he pushed his hands beneath your body, to lift you up. He stumbles down the steps to the basement. It´s a bit of a fumble to get the lid open, but he finally manages it, as he lays you next to Strade. Huh. That looks almost cute. Flexing his claws, he tears open your chest cavity, and rips out your heart. As he bites into it, he gently closes your eyes, only to slide down to the floor and lean his back against the freezer. He starts to talk to you both. When he is finished, he will close the lid, and maybe watch a movie. Doesn´t he have something with you in it?

Regret: Would they ever feel guilty about abducting their darling? Would they ever let their darling go?

It´s with a spring in his step, that he carries you out of the bar. He waves off the concerns of the other patrons, whispering instead in approachable manner Drank a bit too much, you know how it can be. The rancorous laughter than follows tells him, he hit the right tone. He has to adjust you once or twice, hefting you higher up on his shoulder. The same lie becomes easier for him to tell over time. Such a good boy, one older lady comments, and he can´t help but giggle to himself. His hands only start to shake with adrenaline, after he deposited you on the bed, he had prepared for a guest. He fumbles with the collar, that he became very familiar with under Strade, before he gently clicks it around your neck. Carefully he adjusts, so that it won´t be uncomfortable for you to wear. It is with a smile, that he removes your shoes and jacket. He wonders if he should remove your jeans as well, before deciding that they must be terrible to sleep in. He hums lightly as he unbuttons them. His hands hovering over your body. Still asleep, the drugs he had put in your drink, still doing their job. He smiles, as he pulls the blanket over you. Shuts the curtain of the barred up window, and with a smile as he looks back at you, closes the door. It would have been nice, if you would have come to him, but this is perfect as well. He is giddy, as he runs down to the basement, to tell Strade about what happened today.

Stigma: What brought about this side of them (childhood, curiosity, etc)?

He suppressed the instinctual snarl, the gnashing of his teeth, as another stranger bumped into him. Instead, he forced his lips into a kind smile. Holding tightly onto the mask, that let him seem like any other person in this bar. His skin was itching for blood and it had become such an overwhelming need to him, that he couldn´t tell any more if it was his instinct or his experience urging him to get blood to flow. He let his eyes sweep over the bar, when something suddenly drew all his attention. Your were just sitting there, looking at your drink as if it held all the answers to this world. Flinching away from every stranger, that would press themselves to close past you. A look of disgust openly on your face, when some would come to touch you in the process. It was almost cute to watch. Ren could feel his tail slowly swaying behind him, this could be a chance for him to pretend to be normal. After all, it looked like you wouldn´t even be able to tell the difference anyway. Something in him was still screaming for blood. It felt like a physical ache in his fangs and claws, and his ears twitched to take in every little sound you made, as he slowly stalked towards you. But there was something else as well. A ghost of someone – long dead, his heart gone – urging him forward with a gentle smile to reel you in. It wanted to see you cry. He shivered in delight as he imagined for a moment, what you would look like on your knees, face bloody and bruised, tears still streaking down your face, and mixing with your spit, as it dribbled down you chin and onto his old collar and your eyes wide as you looked only at him. He knew this would be fun, when he saw you flinch, when he greeted you.

Tears: How do they feel about seeing their darling scream, cry, and/or isolate themselves?

His ears perked further up, when he heard a faint sobbing coming from your room. For a moment he wondered, if he should lock the knife away, before shutting the stove off, and simply leaving it on the cutting board. Wiping his hands on a towel, he made his way to you. Gently knocking on the door frame, he announced his presence to you, as he had already made his way halfway into the room. He ignored your muffled Go away!, and sat down next to you on the bed. There, there he hushed you, as his claws gently carded through your hair. He busied himself with pulling some of the knots out, and pulling the matted parts gently apart, completely ignoring your wince or how you tried to pull away from him. When he deemed you decently groomed – as he would sometimes term it with a laugh on his face – he dropped down onto your bed next to you. Pulling you to lay on his chest, he hugged you close. He was still petting you, as he slowly dozed off. Dinner could wait for a bit longer.

Unique: Would they do anything different from the classic yandere?

There is doubt in his heart, whenever he sees you cry. He is sure that you are his, in every shape and form that matters, but to see you cry breaks his heart every time. Maybe it would be better, when the two of you would part ways. Maybe it would be better of he could simply watch you from far away, instead if staying constantly by your side. Or maybe he should just make sure, that you stay forever with him. Heart by heart. No matter how bloody it would be. You recognize easily, that while Ren tends to be a bit overbearing, he never seems to touch you longer than he needs to. You caught him countless times staring at your mouth, only to laugh and blush when he realizes that you noticed it. His hands only ever seem to land on skin that is covered by clothing, or at least his touch never seems to demand more. It´s strange you think, idly watching how he is staring at you again slowly licking his lips, how he never acts on his desires. Almost as if he doubts himself.

Vice: What weakness can their darling exploit in order to escape?

It´s when he gently kisses your forehead, as he tucks you in for the night, that you finally realize something. For all his bluster, for all the pain he causes you, he also always turns rather quickly back into a facsimile of kindness. He amps it up for you, when ever it seems that you´re playing into his delusions. You might loose yourself in them, but you have nothing else to loose any more. So you try it. And suddenly it seems that this vicious fox is at your every beg and call. You don´t ask about the basement or the screams and he never threatens to take you down there any more. You compliment his cooking and suddenly food seems something you never seem to lack. You never step into hall for the door outside, and he wants to take you on a thousand walks. You even stop fiddling with your collar and with time forget that it´s still active. He will give you everything that he can. You shall lack nothing, not even your freedom. He is of service to you. Especially now, that he can have this soft life with you, that he had always dreamt of.

Wit’s end: Would they ever hurt their darling?

Sometimes Ren watches you with such a cold calculating look in his eyes, that you can´t help but shiver. You know, that in those moments he is debating with himself. His grin sharpening, while he flexes his claws. As if he can´t quite decide if he should rip your throat out with his fangs or his claws. As if it would matter in the end. Your blood would be on his hands either way. In the end, he will relax again. He knows, just as well as you do, that there will come another opportunity for him to let go of his pent up aggression. Another misstep of you, which allows him to have a go at you, without feeling all guilty about it afterwards. You overstepping the bounds, he always lays so carefully out for you. And if you fight back, he might even get a taste of that precious blood of yours.

Xoanon: How much would they revere or worship their darling? To what length would they go to win their darling over?

He loves, loves, loves you! From the moment, he first saw you, when you so trustingly, so full of blind faith, drunk the glass he gave to you, he knew it. He knew you would be perfect for him. He wants you to be there, by his side, for the rest of your lives, and he swears to himself, that he will do whatever it takes to make sure, that he can ensure, that your paths will not lead apart. He wants you to be there so badly, that he reassures himself, that the end will surely justify the means. Though, he will still very much react to the way you treat him. He will pull get you the moon if you so much as wish for it, but he also wants to make you aware, that all of this doesn´t come for free. He wants his love to be reciprocated by you, and he makes it abundantly clear to you as well. Otherwise, he won´t mind training you like a wild animal to simply love him. Hey, if it works, it works, right?

Yearn: How long do they pine after their darling before they snap?

He had already talked with you for so long, and know he was nearly shaking with excitement. The bar was quiet, nearly deserted as was the usual for The Jackalope, and he knew nobody would watch him too closely here. He waited with bathed breath for you to finally arrive, as he had finally managed to weasel the promise of a real meeting from you. The bottle of Rohypnol in his back pocket, that he tucked away, when leaving already told him how this night would go. Tonight, he would make sure, that he wouldn´t be alone any more, that the ghost would hopefully stop hounding his every step, as another person would fill this empty house once more. He just has to be patient, just has to be careful. Buy a drink, crush one or two, and then bring it back, with an innocent smile. He could do this. His eyes snapped upwards, as an angel walked in, and a sly smirk, quickly a gentle smile curved his lips, as he stood up and waved towards you. He would do this.

Zenith: Would they ever break their darling?

Ren will, if all else fails, scare you into compliance. He will hold out for as long as he can for a relationship for the two of you, like the ones in his stories. But if it all falls through, he will be satisfied with Stockholm syndrome setting in one day. And while he stills hope for that, showing kindness to you whenever he can without undermining himself, he shudders at the other options. Sometimes, not that he would ever tell you of it, he thinks about how he could break you apart. Though, he will think of what might follow in the end. He realizes rather quickly, that he would never want to see you break. He saw it too often. How only a shell it left, a hollow puppet that doesn´t respond any more. When he looks at you, he can never imagine being satisfied like that, and so he nourishes his hope, and makes kindness is weapon. He will get what he want, without breaking you. He just has to be a bit more patient.

[tritoch]

Have you got any thoughts to share about Sphene? I saw your post about how misrepresented FFXIV’s female characters are, and I’ve been hoping to see anything more than the typical “Evil AI colonizer etc.” or “Tragic woman who can never change ever” or “Wuk Lamat’s girlfriend”. Maybe our interpretations will differ but I’ll be happy if you can provide anything more complex than those.

Sure! Throwing all this under a read-more for anyone who hasn't finished 7.0 yet. I think I'll probably expand on this more later but wanted to get initial thoughts down. (Note after writing: I meant this to be brief but uhhhh brevity is not my strong suit sorry. This take just sort of ends abruptly because I realize I'm rambling.) Again, spoilers through the end of 7.0 MSQ.

I think Sphene is the sharpest work the game has done yet in casting the antagonist as the noble double of the protagonist (a well it returns to a lot with Emet, and Zenos, and Golbez, and...). But because the protagonist here is Wuk Lamat and not the Warrior of Light, that's also a much more defined and interesting role. To me, Wuk Lamat is, above all, the Righteous Queen, who rules thoughtfully, wisely, and justly, and whose claim to the throne is justified by her moral clarity. Sphene, in turn, is also a wise and good queen, one who undertakes all her actions with her people first in her hearts, a sense of compassion towards all, and a clear eye for the consequences and costs of her intended course of action. And it leads to utter disaster, for her, her people, and the people of Tural. That rocks!

The first half of 7.0 is about justifying the fact that Wuk Lamat's going to be Dawnservant. Wuk Lamat is compassionate, curious, wise, and open-minded. She wins over rebels and malcontents not by asserting her authority or by strength of force, but by taking her obligations to them (as her subjects) seriously. She knows many of her subjects personally and takes a great interest in their lives, and she respects even those who openly oppose her.

And everything Wuk Lamat does, Sphene does to 11. Wuk Lamat respects her subject peoples and is curious about their cultures? Sphene forcibly annexes Yyasulani, but goes out of her way and expends Alexandria's limited resources to enable the remaining Xak Turali to live in their accustomed way if desired (…to the extent allowed by the new permanent lightning storms and the internal conflicts caused by regulator adoption). Wuk Lamat cares about her people not just in the abstract but as individuals? Sphene visits sick kids, knows them by name! Wuk Lamat understands the burden of rulership is too great and cedes half her power to her brother? Sphene recognizes her own weaknesses and makes a deal with the devil to keep Alexandria's culture alive! Wuk Lamat is willing to die for her people? Sphene will forcibly traumatize herself into being a better queen, if that's what rulership demands.

For an expansion that spends the first half being like "wow isn't this perfect candidate for the crown so likable and humble? wouldn't it be nice to be ruled by a good king?," it sure is funny that the final boss is THE QUEEN ETERNAL and she hits you with attacks like LEGITIMATE FORCE and ABSOLUTE AUTHORITY and ROYAL DOMAIN. This, to me, is Sphene's role: she complicates and questions the themes we've developed in the first half. Most importantly to me, she makes us ask: what is devotion to a people or culture even worth?

There's a thing I kept thinking of constantly during Dawntrail, not because I think it directly influenced the game in any way but because the parallels were so stark and startling. It's Jonathan Hickman's New Avengers #18 (2014). Truthfully, I'm not a big comics guy; I only know this sequence because Ta-Nehisi Coates cited it as inspiration for his Black Panther run on Twitter once (I also didn't read TNC's run, I was following him for politics talk). Forgive me, comics people, if I get any details wrong. The parallels are almost comical, though. It goes like this:

A superhuman secret society formed of some of the smartest heroes (and villains) in the land re-forms to oppose an existential threat caused by incursions from other dimensions that threaten to cause literal collisions between Earth and its alternate dimension counterparts. Seeing no other alternatives, they undertake work on a weapon to destroy these other worlds. T'challa—king of a fictional hyperadvanced nation called Wakanda, and also the superhuman Black Panther—meets with his ghostly predecessors, the previous Black Panthers/kings, for he fears the moral stain on his soul and the souls of the people of Wakanda, if they survive explicitly by killing their alternate counterparts, will be too heavy to bear. His ancestors are not impressed.

To them, there is no question at all. A king's duty may be complex in the execution, but it is simple in its conception. Your people come before all others. Always. This is, must be, the fundamental ethic of a good king. To do otherwise would be a betrayal of the social order on which this imagined good monarchy is built. In a situation like this, the only option is to do what you must to protect them. "Will there be a cost? Yes. Might the universe burn? Let it. . . . You will kill them all if it means Wakanda stands. The golden city must never fall."

"I will do what I must" is Sphene's guiding principle. It is so important to her that when she recognizes that her sentimental attachments are making her waver in her duty, she severs them entirely, sacrificing her whole identity to the throne. It is also implicitly Wuk Lamat's position: she has no choice but to fight Sphene because to do otherwise would be to fail to protect her people. In fact, it's briefly even sort of the Warrior of Light's position, as when you tell Sphene before her trial that you understand what you must do, which is shut her down to protect others.

(One quick thought about the Warrior of Light: one cool thing about the antagonist this time being a double in a more exact way than Emet or Zenos is that it means other characters get a chance to relate to her differently than Wuk Lamat. The Warrior of Light, for example, is pressed into her service immediately upon your first meeting as the Queen's Champion, there to defend her if need be against all evil. This role is further affirmed by both robot Otis and Endless Otis, who essentially hand off their role as her knight to you, and reinforced when you flash back to the "might I call upon your aid" moment right before the end. Except, of course, you are loyal not just to her, but to the principles she represents, which her own acts betray, and so your ultimate act of aid is to essentially pass judgment on her and execute her. In a sense, you become the internal safeguard that a political system is supposed to have to protect against this very issue, and which Alexandria explicitly lost when it cast out/forgot Otis. Very Voeburt/ShB tank quests, it owns.)

But really, it's Sphene who embodies this sort of grim logic best. Aside from her transformation into the Queen Eternal, it's also why she suggests you simply become Alexandrians. It's the only way for her to reconcile her values and worldview, which have backed her into a corner where preserving Alexandria has come to mean a maximalist declaration of war on all life outside its borders because the kind of absolutely pain-free life she envisions for her citizens is completely unsustainable.

In this reading, one of Sphene's main beats is to unsettle what has preceded her in MSQ. In nearly all respects, she shares your values. She prizes life, is curious about other cultures, believes in the greatest good for the greatest possible number. But she is also a queen, and therefore irrevocably (in her eyes) tied to her state. Gulool Ja Ja and Wuk Lamat (and Koana) are the mythical wise rulers, thank god--but what if Wuk had inherited a Turali state that wasn't desperately in need of cross-cultural understanding, but one in a state of war? What value would her deep love for the people of Tural have held then? Sphene says, it would have held no value. If the survival of your people means harming the innocent, you harm the innocent. Kingship allows for no alternatives.

But she also concedes, in the very next breath, that she is still kind of wrong. Because what happened here was not inevitable, despite her programming (a brief note: to me Sphene being programmed is exactly the same as Emet being maybe-tempered, it's a fantasy gloss on the idea of social and cultural education. "I was programmed for this" is really no different from "I was trained and educated for this"), because the truth is that this kind of thoughtful, principled devotion to the state and its people is also a form of sentimental attachment, in the end. One that is maintained not because it is natural, and necessary, but because the monarch, too, likes it, and gets something from it.

In so many ways, in so many senses, the monarch is the state. Kings and queens may fancy themselves merely a reflection of their people's needs and desires, but of course even a cursory glance at history will tell you that far more often, states reflect their rulers. Sphene and Wuk Lamat both suggest that their conflict was inevitable, but was it? Or is the truth, as Sphene glancingly acknowledges here, that she turned her own fears and desires into the same policy goals that led to this tragedy? And if so...what does that say of our Good Queen, Wuk Lamat? Perhaps this could be different if they met earlier, says Wuk Lamat. But when? When did Wuk Lamat ever not love her people so dearly that she would not have sacrificed herself for them, or caused mass death for the sake of their survival? When did Sphene not believe the Endless to be people, or the preservation of Alexandria to be the most important thing? Maybe she means "had we met before you met Zoraal Ja," but of course, we the player actually saw their meeting. And we know that Sphene even then was not the hapless naif she'd like to pretend. She always knew exactly what she was doing.

We know the price of this kind of thinking, this Hobbesian view that states are engaged in a struggle of all against all. Living Memory lets you walk through it. To preserve Tural, we exterminate the Endless. We befriend them, learn about their lives, promise to remember them, and then we destroy them and their homes, leaving nothing but a bleak blank landscape and the sound of wind. This is what Sphene would have done to Tural and Eorzea. Indeed, it's what she's already doing to the people of Yyasulani, because no amount of well-intentioned aid can make up for trapping people under the dome for 30 years and systematically eroding their culture through the resonators.

To me, this is what makes Sphene really work, that way she has of forcing Wuk Lamat and the player to commit the same kinds of sins she has. We'd like to think ourselves better than her, but of course, we've already reconciled with and integrated Mamook's brutal eugenicist regime back into Turali society well before we ever met Sphene. At the end of our long "wow isn't having a wise queen cool???" expansion, we are met with "Legitimate Force" and "Absolute Authority" and see them for what they truly are: nothing but tools of violence. No longer does the idea of the Warrior of Light hanging around Tural as Wuk Lamat's advisor have the same attraction, now that we have been reminded of the way the putatively unquestionable logic of kingship can ultimately lock even the wisest and kindest rulers into a path of war and exploitation and destruction.

I think Sphene is FFXIV's most interesting and nuanced depiction yet of a leader. She really, truly, wants nothing more than to save her people and protect them from pain. But even seemingly loving and compassionate goals like these can readily lead us down dark paths. She's a "hard men make hard choices"-type character, a noble but misguided opponent, but as a loving and elegant fairy queen instead of a grizzled knight or extremely sad man. She fucking rocks.

[withthewindinherfootsteps]

I sometimes see the opinion that MXTX took the clichéd tropes she'd critiqued in Scum Villain, and played them straight in MDZS. But though a lot of them appear in MDZS, I'd argue that none are actually played straight at all!

The main point of MDZS's tropes is subversion. Yes, WWX has a 'tragic backstory', even an arguably overused one (orphaned by his parents at a young age, forced to live on the streets with nobody to rely on, etc) – but how things differ in how it's used. Tragic backstories are normally used to build sympathy for a character, to make us care and get invested in them. But... we're never actually shown any of those street days, we're never shown and never dwell upon how much he suffered during them. They're only really mentioned in passing and whenever dogs come up! If the goal was to make us feel bad for WWX, this would be very ineffective writing. But what's actually important here isn't that WWX went through tragedies – it's how he doesn't let the tragedies he went through define him. He doesn't dwell on them, the narrative doesn't dwell on them, it's never used to earn sympathy points... because what defines WWX is his choices and how he chooses to act, not a backstory completely out of his control. What gets us invested in him is his personality and the character writing of MXTX, not tragic events used as a substitute for identity.

And this trope treatment fits extremely well with WWX's personality itself – he's someone who 'forgets the pain as soon as the wound has healed'*, but also who actively chooses to focus on the present because you can't change the past; someone who holds the belief that 'gains and losses [should] remain uncommented on' when choosing what to do.

The use of the tragic backstory isn't the only thing that's subverted, either – the other main thing is the 'blackening' of the protagonist, and its impact on the protagonist's fall. After being thrown into the Burial Mounds, on a surface level it does seem like this blackening has occurred: the first thing we see when he returns is his gruesome torture of the Wen cultivators; he's 'forsaken' traditional cultivation in favour of an 'evil but more powerful' path; and frankly, Sunshot-era WWX is terrifying. But MDZS is not a blackening story, and so the events of the Burial Mounds aren't used as a catalyst for that purpose. Though it's true that WWX's not entirely the same person he was before (because how could be be?), underneath it all, his morals, worldview and core** stay the same. Though gruesome, his revenge is directed towards the ones who wronged him, not those past that and certainly not the entire world. His experience in the Burial Mounds doesn't lead to him being some evil, blackened overlord... like everyone says he is at the start! That's subverted, because again, WWX's values and choices are more important to the story than genre conventions.

But the most crucial thing? What leads to WWX's downfall isn't any blackening! It isn't any vengeance or morally dubious actions***– he was praised for those things during the Sunshot Campaign! No, what leads to his downfall is something completely unrelated to that, something which would've disappeared had the trope been played straight. It's him doing what's right by defending the Wens, it's him following his moral code when it opposes the world's, it's him standing up to the injustice of others – not others standing up to the injustice of him. That's the subversion here.

(Also, once again, the fall of Lotus Pier, the Burial Mound, etc, aren't used for sympathy points – and if it was relevant, they wouldn't have been used to excuse any actions, either. Using tragic events as an excuse for doing bad things is critiqued many times in MDZS, through characters like Xue Yang and Jin Guangyao. And that's not exactly a trope subversion, but it is a critique of badly handled 'excuses'.)

These are by no means all the tropes MDZS subverts – the nature of guidao vs the usual nature of modao being another very major one – but they're the main ones that feature in Scum Villain.

So, though at first glance MDZS seems to play the tropes MXTX critiqued there straighter, it's not a simple case of using them as cliches, and we see that by how they're used to impact the narrative, and how that differs from what they're traditionally used for. MDZS doesn't fall back into clichés Scum Villain satirised – it's the subversion to Scum Villain's exploration and critique.

--

*Which I know is generally used negatively, to describe someone not learning a lesson from a punishment, but it really describes WWX in general, too. He doesn't dwell on that pain, he does his best to move on from it.

**...heh

***And, because it's often debated – whatever the morality/culpability of Nightless City is doesn't even matter! The events happened at a pledge conference against him that was already taking place. WWX's actions there didn't make people want to kill him because that was explicitly happening beforehand.

[oswaldthatendswald]

I think Doflamingo wasn't Law's enemy. Not to begin with. Hell, I'd argue that Doflamingo was, in his own way (the worst way), probably the best person Law could have gone to with his whole. Y'know. Murderous vengeance quest. Doflamingo, man with absolutely no morals but also no love lost for the government, is perhaps one of the very few people who would have figured out that Amber Lead Disease was a cover-up for something much worse. Sure, there's a handful of other characters in OP who would have seen a dying, traumatized child and, y'know, helped him instead of saying I Can Make Him Worse, but the odds of Law actually being able to reach any of those people are like. Slim to none.

I'm not defending Doflamingo, is the thing. He is the worst (and I love him for that). I just think this story is a hell of a lot more interesting if Doflamingo treated Law well. If Doflamingo genuinely did intend to make Law the next Corazon, and gave him the training and education for that position. I think-- it's about intent, at some point. Actions mean more than intent, that's true, but where does that fall apart?

Cora is where that falls apart, to make an unsubtle transition. Doflamingo isn't the bad guy, for Law; Cora is. Cora is the one who hurts him, who hates him, who cares about him just as little as the rest of the world, while Doflamingo is the one protecting and sheltering him. That's the actions. That's the effect. But the intent is everything here. Cora truly wants to protect Law, to shelter him from Doflamingo, a threat that (at least from Cora's perspective) is just as great as the world that wants Law dead. Doflamingo wants-- what does Doflamingo want, anyway? His intentions are a lot foggier. Doflamingo wants a second-in-command who hates the world, who wants to see it burn. Extend that to its logical conclusion. Doflamingo wants a living weapon. Doflamingo wants to turn a child into a living weapon.

God, what a nightmare. Talk about a rock and a hard place. You can't blame Law for hating Cora, especially when his whole approach turns on a dime. I think maybe Law understood Doflamingo's intentions from the beginning. I'm sure his intentions were in line with Law's own goals. I think Law's perspective changed when he realized that someone could care about him genuinely, could want him alive truly, would protect and shelter him simply because they cared. The someone is Cora, of course. Actions and intent, finally pointed in the same direction. Someone who cared about Law and showed it in ways that made sense. It's the opposite of the usual narrative. Usually, a character says they care about someone and then have to demonstrate it to be believed. Cora does the demonstrating first, but Law doesn't believe him until he's says it. It's a solid inversion.

Yeah, of course Law spent thirteen years trying to get revenge. One person, Cora, to truly care about him after his world burned, and he was killed by the first person, Doflamingo, to say that Law shouldn't be killed just for existing. If Doflamingo treated Law well, to begin with, then the tragedy is even deeper, because he's betraying Law, too. The misalignment between action and intention made manifest: he never cared. Not about Law.

From that perspective, Law isn't just trying to get revenge for Cora. It's for himself, too.

[danielsarmand]

honestly i think what i don't understand is why people expect certain things from certain characters. like why do you expect armand to earnestly give two damns about claudia and madeleine, or about anyone else beside himself and perhaps louis, or lestat, or people he has personally developed feelings for and/or entertained a relationship with? hell, why do you expect lestat, even, to truly care about claudia? louis is the one who wanted her, and for his own selfish reasons, no less! to make himself feel better about himself, to feel righteous and good, to feel like he'd atoned for his sins, to feel cleansed. and sure, he came to care for her, to love her, but never enough. never more than he loved lestat, never more than he loved his own pride and hubris.

and that is because each and every one of this characters is selfish, has been selfish, will be selfish. vampires are monsters. they are what's left when you're no longer the human you were, and some of them weren't good people to begin with, and some others have hundreds of years of abuse and trauma in place of human bones, and most of the times both things are true. louis has been warned time and time again, claudia has been warned time and time again, they have even been warned—multiple times—by the people who ended up hurting them the most. they were told there's no such thing as a good vampire, they were told to keep to themselves, they were told to leave, they were warned both with words and with actions. they proceeded to ignore all the warnings, all the signs, and to turn into wretched little things themselves in the process, because that's how it goes.

it confuses me, is all, to see posts where people are so outraged about armand not doing anything to stop what happened, or about him manipulating louis into believing he couldn't, because why did you expect him to? armand is not a good, immaculate entity. he operates under his own set of morals, his own rules, always has. at no point in the show was the audience meant to be fooled by him. we were always meant to be wary of him, because he is a 500+ yo vampire and we do not have a single example in favour of any vampire, really, let alone one so old and powerful. you cannot in your right mind ask this of armand. you cannot ask of him to be a decent, morally irreprehensible character who does the right thing and saves the day, because he was never meant to be that character for you, nor was it ever implied that he would. you cannot ask someone to be something they aren't and then get mad when—well, they're not.

the show is set in a future where things have gone very clearly awry, and the set of characters we are left with were never meant to be easily digestible, regardless of what you wanted them to be. otherwise, they wouldn't be all we're left with. so by all means, be mad at armand, be mad at lestat, be mad at louis, curse their names until you can't anymore—they deserve it! none of them, none of them, is exempt. but the surprise? the absolute confusion as to why they'd do what they each have done? nonsensical. they did all of those things—and more—because they were never good enough not to. they were never heroes. that's really all there is to it.

[catboywizard]

heyyy hot takes at 4am time but like what is wrong with people?? we just received really huge awful news, let people have some time to process???

i just saw someone saying anyone upset about the neil gaiman thing because of what it means for good omens, something they loved deeply, is a “fucking monster”

like, good for you for never having anything you love be revealed to be made by an awful person, i guess?

of course we should be supporting and believing the victims, but people can be upset about things for more than one reason? and talking about one of those things doesn’t negate the other? (like right now, i’m specifically talking about the situation in the context of assholes online acting like they’re so much better then fans who are upset, and that doesn’t mean i think we shouldn’t be centering the victims and what they’ve gone through)

it took me a really long time to (mostly) get over harry potter because it was a huge part of me and something i cared about very deeply. even as a victim of jkr’s vitriol myself. now im at the point where thinking about the situation only hurts a little bit, but it took me like a year or even longer to get there. the neil gaiman news is less than 24 hours old at this point.

just, be nicer to good omens fans right now please. mourning something you loved so much it felt like a part of you doesn’t make you automatically selfish.

and if this kind of thing hasn’t happened to you yet, just know that any human is capable of terrible things like this, and that means any of your favorite creators. if one of them ever gets revealed to be a horrible person, i hope people are nicer to you about it then they are being right now.

note: i also saw a couple people saying stuff like “well yall should have dropped him ages ago when he was revealed to be a zionist/be creepy towards younger fans/write women characters really badly/etc.” and like yeah, that’s not great, but i didn’t know any of that stuff? i feel like a lot of discourse would be solved if people just remembered that the worlds a big place and just cause you know something doesn’t mean everyone does. it’s not a moral failing to have never been informed about something (also, i haven’t personally found any actual evidence of him being a zionist, just people claiming he is)

[kaizokuou-ni-naru]

So. Hear 5. Nika. Loony Tunes Luffy, if you will. Tell us your thoughts on him and any potential meta? 👀 I’ve been aching to hear it from you since we first saw him go Full Silly Boy.

it's hard to answer this, because i have so many thoughts. i'm just going to try and start from the biggest points and move down.

i like gear five a lot, and i think this development feels very appropriate as a culmination of both luffy's character and the themes of one piece as a whole because of how it interacts with three extremely dominant motifs that have reoccurred throughout the story: freedom, laughter, and the sun.

from the very beginning of the story, luffy has acted, in small ways and big, as an agent of complete freedom. from his first meeting with coby to his breakout at impel down to the liberation of wano, what luffy does is destroy systems that control and oppress, if only because they are in his way. every strawhat is somehow trapped and held back from pursuing their own dreams when they meet luffy, and he frees them all, along with hundreds of others along the way, whether he's inspiring shirahoshi to venture outside or crushing yamato's manacles. his talent for this has always seemed almost preternatural.

luffy is not necessarily a benevolent person; he doesn't care much about helping people in the abstract. he's selfish. he values freedom for freedom's own sake, not because of any greater moral convictions. he doesn't think much about the negative knock-on effects of things like causing a mass breakout at impel down, and he doesn't really go around seeking out downtrodden and oppressed people to free out of a charitable or selfless instinct, nor does he really do anything because it's the right thing to do. he's dismissive of the idea that he might be a hero.

but because he is a completely uncontrollable free agent, and he doesn't really want anything but for himself and everyone he cares about to be completely free, he constantly collides with the systems of oppression that control his world, and when those collisions happen, it is the systems that fail, time and time again, because oppressive systems always do eventually. they can't withstand the light of day. and because he lives completely confidently and unapologetically, he is constantly inspiring others to do the same.

so by the time we are told about nika for the first time, we already know that what nika is said to do is what we've seen luffy doing for more than a thousand chapters: he frees people, and inspires them, and makes them laugh.

i also find luffy-as-nika to be very interesting and thematically appropriate when positioned in opposition to the various antagonists in one piece who have declared themselves to be gods, frequently some of its most tyrannical and oppressive villains- enel, the celestial dragons, doflamingo. all enslave and imprison people, robbing them of their freedom.

nika is a god of slaves, and a creature of liberation. the natural enemy, as rosinante might say, of that sort of megalomaniacal 'god.'

one piece has also consistently connected the theme of freedom, as embodied through luffy, with the sun since very early on. the sun pirates, former slaves, used the symbol of the sun to wipe away the brand of the celestial dragons. (and aren't i curious to know what jinbei might know about nika- he never did answer who's who's question about it.) the fishmen more broadly view the sun as something to be reached when they are truly free. on wano, the coming dawn is understood as the coming liberation. impel down and the florian triangle, places of indefinite imprisonment, are lightless dungeons where the sun doesn't reach. the sun is freedom.

and luffy has always been thoroughly sun associated, from the visual of his hat to his origin on dawn island in the east blue, to his ship, the thousand sunny.

finally, one piece has always placed a great deal of emphasis on smiles and laughter (laugh tale, joy boy, roger laughed, etc)- but that joy must be real. it can't be forced. we're told again and again, through koala, dressrosa's toys, and most obviously the victims of the failed SMILE fruits, that to force someone to smile, denying them the right to cry, is nothing less than an atrocity. people can't be forced to be happy- they should be happy because they're free.

luffy in gear five is laughing nigh-constantly, but it's just because he's having so much fun. unlike the victims of the SMILE fruits, his endless joy is genuine, because in this form, he is completely free- nobody can stop him, and nobody can control him. as he says himself, he can do whatever he wants.

i know that some people felt this moment was in some way a deus ex machina, but it just didn't feel that way to me, because of how well it plays on the story's established themes and trajectory, as well as concepts like devil fruit awakening having been established hundreds of chapters back.

luffy is the sun, the sun is freedom, freedom is joy. i think it makes total sense.

[jaehaeryshater]

“You’ll have others”, he said. “Sweet babes, and trueborn.” Lysa had miscarried five times, twice in the Eyrie, thrice at King’s Landing.

Lysa and Jon Arryn, 284 AC, art by @sofikiii

“Her Lord Husband had told her it wasn’t her fault, that the baby didn’t make it. It was the first time Lysa had heard that, that something that happened wasn’t her fault.”

This, of course, is not a real life out of A Song of Ice and Fire, but the general sentiment got stuck in my head about a month and a half ago. After Hoster forced a miscarriage upon Lysa, I doubt that she had heard any words of comfort like that and that wrecks me. I couldn’t get it out of my mind, so I asked my good friend Sofia who I have worked with before if I could please commission this from her.

Lysa, for starters, is not the most morally upright character in A Song of Ice and Fire. Whether or not she realized it at the time, she did have two non consensual encounters at a young age with Petyr Baelish, she ends up killing her husband and aiding to the mental stunting of her young son, and she is very volatile and cruel with Sansa. She’s obviously not in her right mind, although that is not an excuse for all those actions, but there is an interesting story to tell as to why she’s not in her right mind, what led her to her current state of mind when we meet her. The most surface level answer to this (although of course this does not explain her action towards Petyr prior to this) is that her father Hoster Tully forced her to have an abortion because she got pregnant by Petyr Baelish, and then married her off to Jon Arryn, who was 20 years older than him, essentially old enough to be her grandfather. She was around 14 years old at this time. We learn from the text that she is consistently pregnant over the next 14 years and of her children, only Robert survived. With this art, depicting her first stillbirth, I hoped to show a moment in time leading up to her mental decline. My goal is not to justify the things she did because she suffered, but to show a moment in which she is a victim as part of a broader statement of how woman and, quite frankly, girls are treated in Westeros. I also did not want to romanticize her and Jon’s relationship, but given what we know about him, he probably comforted her and that must have been hard for her to internalize and healthily understand because he’s a person that is victimizing her, is older than her father, but she has to cling to in a way, both as a husband and potentially for this love that she is not currently getting from her family. She’s a very young girl in this and that was something else that I wanted to make sure to implement, that she has just gone through a pregnancy so is looking more mature, but she still has baby fat and a lot of childlike elements to it because in a modern sense, she’s still a kid. A kid that is grieving a baby.

As for the detailing in this art, we mostly have blue coloring for House Arryn. I wanted to do some pink on her walls, as this is her chambers instead of joint chambers with Jon (although historically, even if she had shared chambers with Jon, her confinement rooms would be completely separate anyway) and I wanted to really drive home the childlike aspect of it, that she’s girly and frilly and has this wonder about her that comes crashing down. However, we decided it wouldn’t look good with all of the blue detailings so we stuck with different shades of blue. Jon’s outfit is inspired by an outfit in the Princess Bride, I couldn’t tell you who wore the outfit because I have not seen the movie. It looks like this though, which I usually use a reference for Robert Arryn but it works well with Jon too.

The fish is a stuffed animal from Lysa’s childhood in Riverrun. I never decided if Minisa or Cat made one, but I would more so go with that Lysa and Cat had matching ones as children. I think Lysa would probably get rid of most of her things from the Riverlands because of how hurt she was emotionally, but I still liked the symbolism there and how she’s stuck between being a child and an adult. The portrait in the background is of Minisa. Although it would make sense for Lysa to shun most everything from her life before the Eyrie, seeing as Minisa was not involved in anything that happened to her that caused her harm, I do not think that would extend to her. There’s no reason for Lysa not to feel fondness towards her mother, and especially at the age she is in this depiction, it would make sense that she would want to feel her mother’s presence while in her confinement.

Lastly, this is the inspiration for the poses. The art is called Age and Infancy by John Opie.

Thank you for reading all of this and an even bigger thank you to Sofia!! Lysa is so interesting to me, Jon Arryn too just because of how long his life spanned. I love talking about them and commissioning things that I haven’t seen other people work on before.

[danieyells]

@2flowerz also asked for Lyca so

NOW WITH 100% MORE DOGGO LYCA. HE IS DEFINITELY A HUMAN AND NOT A WEREWOLF. He is trying very hard to be a human. I love him very much. . . .

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"...You again. Where're we going today?"

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Hey, you got letters. Don't you have to read them? Oh, don't you know how?"

he understands if you can't read, man. neither can he.

Default: (requires no affinity, has no time constraints)

"You smell sweeter than usual today... Stop. Go away."

after learning that the pc is going to turn into the anomaly that cursed them any sort of 'you smell nicer than normal' feels like such a threat lmao

"You want to touch me? Fine. Ten seconds and that's it."

that is more than enough my good sir

"When I find Neros, I wanna prove I've been getting along with humans. Then he'll definitely let me live with him."

considering he related the term 'neglect play' to what Neros did to him. . .I'm not so sure. . .and if Neros was as old as he sounds like he was, I wonder if he's even still alive. . . .

"Hey! Moth-eaten Casanova! Where'd you go? I'm gonna show you my special move today."

"special move" in Japanese is 「必殺技」 or 'lethal move'/'killer technique', usually unique to a person or fighting style. Not sure if he wants to show Ed how cool he is or try and kill him lmao--

"This phone thingy they gave me keeps making noises and making me jump... Why do I gotta carry it everywhere? It's scary!"

Affinity 1: (between 5am and 11am)

"Mnn... Let me sleep... Don't touch me... Zzz..."

Affinity 2: (between 11am and 4pm)

"Laws, school regulations, anomalous law... Manners, morals, rules... How're you s'posed to remember all that?"

man i wish i could tell you. . .i've mostly got the morals in order, that's basically just 'don't do harm to others' when you get down to it. laws are about 50% 'don't do things that may endanger you or others' and 50% bullshit. the rest you're kinda on your own with.

Affinity 3: (between 4pm and 8pm)

"Urgh... My skin's crawling... Moon must be gettin' round soon..."

Affinity 4: (between 8pm and 5am)

"At first I was sad 'cause I got put in a different house to Suba, but all kinds of stuff happens here every day so it was fine."

awww he was sad because he doesn't get to see Subaru as often but he's not bored so it's alright! glad he's comfortable ;u;

Affinity 5: (between 8pm and 5am)

"H-Hey, don't come so close! Somethin' about your scent makes my stomach feel weird!"

WE'RE ONLY ON AFFINITY 5 DUDE YOU CAN'T BE CATCHING FEELINGS THIS EARLY it's probably because he's scared of girls or something lol

Affinity 6: (between 4pm and 8pm)

"I didn't do anything wrong! Those guys were saying mean stuff about me 'cause they thought I couldn't hear. All I did was yell at them."

I hate how they won't even let Lyca defend himself verbally. . . .

Affinity 7: (between 11am and 4pm)

"I don't mind classes. The teachers say cool stuff. Once I learn to read the textbooks and the notes and the blackboard it'll be perfect."

HE'S GONNA BE SUCH A GOOD STUDENT WHEN HE CAN READ???

Affinity 8: (between 4pm and 8pm)

"There was this big noise in our practical class and my ears popped out. Everyone ran away screaming. Damn it..."

wow they're cowards if the ears alone scared them. . .how're they supposed to deal with anomalies if that scared them!?

Affinity 9: (between 8pm and 5am)

"This? It's a picture book, duh. How come you don't know that when you're a human? I study with it before bed, everyone does it."

I wonder who made him a picture book of all the things he'd be learning as a first year to study with. . . . . .or maybe it's just a generic picture book lol

Affinity 10: (between 10pm and midnight)

"This blanket's not trash, it's just dirty. I can't sleep without it, so hands off."

he really loves that blanket huh. it must be one of the only things he had from his childhood or from being looked after by neros. . . .

Affinity 11: (between 5am and 11am)

"What's a "so-shul skill"?  That blond gigolo was talking about them. He said I don't have any. Is that a good thing?"

he's got social skills!! Just. . .not very human social skills!!!

Affinity 12: (between 11am and 4pm)

"I'm starving... I wanna eat Sho's food, but I can't order it without Suba... Wait, you can read, right?"

Lyca slowly realizing how many people he knows can actually read and thus can help him with placing orders for delicious foods--

Affinity 13: (between 4pm and 8pm)

"That moth-eaten Casanova's in his room all day so I tried to take him for a walk, but he locked his door and ignored me. The hell?!"

LYCA CONTINUES TO SCRATCH AT ED'S DOOR COME FOR WALKIES ED!!!!

Affinity 14: (between 5am and 11am)

"That stupid blond gigolo ran off with my blanket. I'm not done sleeping yet..."

tbf your blanket is filthy. . .and I get it, it's what you've got and it smells familiar but. . . .

Affinity 15: (between 5am and 11am)

"I can't get back to sleep... I'm gonna wake up that moth-eaten Casanova for a walk."

lyca is a dog scratching at your bedroom door with his leash in his mouth like 'yes it is time for walkies now rise human'

Affinity 16: (between 11am and 4pm)

"The teacher asked us to name an anomalous plant you can eat but when I did he said humans can't eat it. So what? I can, so I'm not wrong."

I AGREE WITH HIM HE SHOULD NOT GET THAT MARKED WRONG. if you only want a human applicable question say 'humans' not 'you.

Affinity 17: (between 10pm and midnight)

"In the last place I never knew what time it was and I pretty much just slept all day. Now I gotta get used to having a "roo-teen.""

Affinity 18: (between 8pm and 5am)

"I'm drawing. If I draw all the good stuff and bad stuff that happened every day I won't forget about it."

if he could write he'd keep a diary but since he can't write he's keeping a picture diary. . .and he's a really good artist according to his character story, so it's probably a pretty faithful recreation of whatever happened that day. i'd love to see his picture diary. . . .

Affinity 19: (between 10pm and midnight)

"Huh? The blood on my bed? ...It's nothing. Don't touch my stuff, you're gonna get your smell all over it!"

WHY IS THERE BLOOD IN YOUR BED, BUDDY. ARE YOU OKAY??? IF YOU ATE SOMETHING IN BED THAT'S FINE I JUST DON'T WANT YOU TO BE INJURED. . . .

Affinity 20: (between 5am and 11am)

"...Did you cry? Your scent is all squeezy. How come?"

smelling you sad makes him sad too so tell him why you're feeling sad and he can make the sad go away?

Affinity 21: (between 11am and 4pm)

"I wanna go to the cafeteria, but the teachers won't give me my pocket money. They said I'll get "spoiled." The hell does that mean?!"

GIVE HIM SOME MONEY SO HE CAN BUY FOOD???? HE NEEDS TO EAT????? HE'S BUSY WITH CLASS SO HE CAN'T GO ON MISSIONS YOU CAN'T JUST STARVE THE BOY????

Affinity 22: (between 4pm and 8pm)

"That moth-eaten Casanova told me humans like it if you ignore them sometimes. Something about playing hard to get? I'm gonna try it tomorrow."

I wonder if that has anything to do with Subaru's home screen chat where he wonders why Lyca hasn't messaged him back. . .he's trying to play hard to get because he thinks it'll make Subaru like him more. . . .

Affinity 23: (between 8pm and 5am)

"I'll stay here and be quiet at night, even when the moon's not round. 'Cause you're tired, aren't you? Go sleep."

even if he doesn't have to stay or even if he wants to make lots of noise, he'll stay and be quiet so it's easier for you to fall asleep. He won't be loud and you don't have to worry about him! so sleep tight!

Affinity 24: (between 10pm and midnight)

"Sleep here. Huh? Is there a law that says we can't sleep together? There's not, is there? Hurry up and lie down."

it's pretty much innocent. . .he just wants you close by. . .being able to smell you while he sleeps would probably make it easier to fall asleep. . .feel safe and familiar and everything. . . .

Affinity 25(max): (no time constraints)

"I'm gonna work hard... I'll gonna work so hard, they're gonna say I can live with humans forever..."

Lyca, despite being a werewolf, is a lot like Kaito in that he just wants to be a normal human. Except he never started as a normal human, so he has a bit further of a distance to go to become one. . .he's not a dog, he doesn't wanna be a pet or an animal or anything like that. He wants to be a person like everyone else. But it's hard when others reject him, and when everyone says they think he's too dangerous even when he hasn't done anything wrong. Other ghouls--other humans--do way worse stuff than he does, and yet he's still held to a higher standard. It's not fair. But he's working as hard as he can to catch up. . . .

Spring: (March-May) (between 5am and 11am)

"That blond gigolo tried to wash my blanket! He's never coming in my room again!"

he does not like spring cleaning--

(between 11am and 4pm)

"Lately there's flower smells everywhere, but sometimes there's one that kinda smells like you."

IT'S GONNA BE HILARIOUS IF THE ANOMALY THAT CURSED YOU HAPPENS TO LIVE IN OBSCUARY'S FOREST. . .LIKE YEAH IT'S JUST OUT THERE IT WAS ALWAYS ON CAMPUS IDK WHAT TO TELL YOU WE COULD'VE BEEN WORKING ON THIS CURE BEFORE YOU GOT IT.

(between 4pm and 8pm)

"Harurin kept nagging, so I went to the safari park. Not gonna lie...it was super fun."

I love that Lyca uses the nicknames Rui uses for some people lol and I bet he loved running around Jabberwock!!! All that fresh open air and the wildlife. . .he's a wolf at heart really and truly.

(between 8pm and 5am)

"Cherry blossom petals are super fun. They're like, whoosh, then they fall everywhere. I wish our house had some."

Summer: (June-August) (between 5am and 11am)

"Urgh... My head...it hurts... This? It's shaved ice. The blond gigolo told me to eat it so I don't get "heat eggs-aw-schun.""

oh buddy you're eating it too fast. . . . . .

(between 11am and 4pm)

"I was just in that moth-eaten Casanova's room and it was so cold I thought it was gonna snow! Is he secretly a yeti?"

okay it was only 63 degrees in there it wasn't THAT cold Lyca.

(between 4pm and 8pm)

"I'm gonna go practice swimming at Harurin's place. Can you do other stuff besides doggy paddle?"

I can't swim at all so. you are miles ahead of me my friend.

(between 8pm and 5am)

"I know I said I always wanted to do sparklers, but... you sure this's okay? I thought we're not s'posed to play with fire!"

canid instincts are kicking in--fire BAD and SCARY and DANGEROUS. ABORT MISSION.

Autumn: (September-November) (between 5am and 11am)

"I just tried to join in with some guys playing with a ball, but they said I don't know the rules and told me to go away."

THEN TEACH HIM THE RULES god they're such jerks around here.

(between 11am and 4pm)

"Blond Gigolo was makin' this massive fire near the garden just now. It smelled all burnt and sweet... Is that some kinda ritual?"

(between 4pm and 8pm)

"Finished my picture. That Romi guy who comes to the bar all the time said he wanted one, so it's for him."

Romeo does like fine things. This just goes to show how good of an artist Lyca is! I bet Romeo's gonna frame it and put it somewhere people can see lol or maybe just keep it in his room. . .that or he wants to see if he can get him to make a forgery and profit off poor Lyca--

(between 8pm and 5am)

"Moth-eaten Casanova said humans like looking at the moon... D'you get sad if you can't see it?"

Winter: (December-February) (between 5am and 11am)

"I'm gonna go play at that big ice castle after class! Huh? 'Cause playing in the snow's fun."

THE FROSTHEIMERS BETTER NOT GIVE HIM TROUBLE LET MY BOY RUN AND ROMP IN THE SNOW!!!!!!!

(between 11am and 4pm)

"Mm, I don't really feel the cold. Humans get warm when they run around too, don't they? Race you over there! "

he is having so much fun in the winter ;;;;; just running around and playing. . . .

(between 4pm and 8pm)

"My fingers have been gettin' all tingly and stiff and my hair's all crunchy! What's up with that? "

maybe playing in the snow a little too much lol--

(between 8pm and 5am)

"How d'you drink hot drinks so quick? They always burn my tongue... Huh? Dogs have sensitive tongues? I'm a wolf, not a dog..."

His birthday: (April 19th)

"Oh right, it's my birthday. Neros told me my mom wrote down the date."

Your birthday:

"It's your birthday, right? No, I only know 'cause that blond gigolo was yelling about it. ...Here's your present."

I bet he drew something really nice or found you something really cool ;3;

New Years: (January 1st)

"Hope you have a happy and prop...props... prosp...prospinous? new year... Damn it, I practiced that for ages..."

Valentine's Day: (February 14th)

"Oh, thanks. Professor Nicolas said I can't eat chocolate, so I'll give it to Casanova and Gigolo!"

why would you even risk giving him chocolate in the first place lmao. . .also in Japanese he says "I'll share with those two idiots" instead of "casanova and gigolo" lmao

White Day: (March 14th)

"This is for you. I dunno what kinda stuff human girls like, but Suba helped me pick it, so it's prob'ly fine."

Subaru knows girls' tastes is Lyca's logic I guess lmao Subaru is a lil on the femme side comparatively--

April Fool's Day: (April 1st)

"Why's everyone being so mean today?! Telling lies and laughing at me... They're all jerks...!"

please explain the day to him. . .people are mean enough to him as it is. . . .

Halloween: (October 31st)

"My ears and tail are out? I know, I'm doing it on purpose. The moth-eaten Casanova said it's okay today."

THE ONE DAY HE CAN BE HIMSELF IS HALLOWEEN BECAUSE NO ONE WILL THINK ANYTHING OF IT. . .they'll just think it's a cool costume or maybe a fox robe! And he'll get candy for it!!!

Christmas: (December 25th)

"Hey, look! When I got up this present was next to my pillow! Santa really came..."

WHO TAUGHT HIM ABOUT SANTA. . .AND WHY. . .then again Romeo said Santa's reindeer is real so. . .it probably isn't actually harmful to teach him about Santa since Santa's probably somewhat real here. . . .

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"...I'm going for a walk."

(13 affinity and above)

"Hey, you alive? Huh, you're breathing so I guess so."

Absent: (logging in for the first time in 2 or more days?)

"How come you stopped coming? Do you hate me? It made my heart all squeezy, so don't do it again."

oh no sweetie. . .sometimes we just have to take care of things and disappear without wanting to. . .sometimes life gets in the way instead of finding away. . . . . . . .

JUST. . .SWEETEST OF SWEETHEARTS. HE'S SO CHILDISH AND ADORABLE AND SWEET AND GOOD. . .I WILL USE MY TEN SECONDS OF PETTING TIME WISELY. He really does try harder than anyone, he's so determined and I believe in him so much. I want my boy to be happy.