#and learn that i was right all along

[vesicapiscean]

people get soooo mad when you are right. especially when you are right because of experience. i know because i used to be like this

[d8tl55c]

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[wereh0gz]

The Minecraft movie would've been so good if they'd just. Made it in earnest

[lovecolibri]

I feel like oliver is doing this to lead us on bc they won't do buddie anymore bc they replaced it with a cheap version and Ryan doesn't want to be gay on TV and what the fuck am I supposed to do with this info???? How do we take revenge on fox

Okay. Here's the thing. I don't have ANY room for negatively because I'm too busy celebrating being fucking RIGHT. And so normally I would ignore this or try to placate but the thing we are NOT going to do, is put words in Ryan's, namer of the Buddie ship, mouth. I believe he's already played a gay character before in a movie or something? And with Oliver out here flat out saying FOX shut down a storyline "a couple years ago" which is around the shooting that was filmed in Lovers Framing and so romantically coded?? Yeah, I refuse to let people spread misinformation and try and lay this at Ryan's feet when we all Been Knew it was a FOX call.

Also, they literally set Tommy up just like every other LI Buck has had! He falls into something unexpectedly, he makes a mistake off the bat, ye doubles down because his childhood trauma kicks in and he panics about being left. 🤷🏻‍♀️ Tommy is sweet, and might be here for a few more episodes, and might even stick around in some capacity if the audience likes him (Josh as a character eternally looking for love would be an easy way for the show to keep Lou on and accessible if needed), but there is NO WAY Oliver "I'm always careful what I say because I know people will read into it and I don't want to be accused of baiting" is just stringing people along.

I'm absolutely not saying you need to fully board the clown car, I totally get needing to manage your expectations for your own mental health and wellbeing. But in managing your expectations, don't go so far that you suck ALL the joy out of the information out there by catastrophizing worst-case scenarios in order to feel miserable instead of excited. You gotta find some middle ground in there.

[dxxtruction]

I do wish there was a bit more good faith discussion to talk about the phenomenology of IWTV vampires as vampires and how being a vampire does affect one's conscious understanding of their own world. It's a drastic point of view shift from being human.

Things such as:

Their baseline for the violence needed to survive starts at drinking blood to live, and most beneficially by killing humans. Which they also once were. It can really only go up from there.

Not getting blood in the beneficial way can be likened to an eating disorder based on being hung up on the morality of your own survival.

Escalation to inhuman levels of violence is something that's comprehensible to think of, since it's possible to do to someone else, or yourself, and to some minds it's hardly of any consequence or difference.

Question of what to do with one's immortality when stuck in this necessitation for violence. Occupying all that time. Confronting vampiric existentialism. Doing what one can to not be driven mad or disparaging by it.

In living forever all such violence risks becoming inconsequential to the conscious mind in how you outlive all of its importance. If not because of death taking it, then because time will simply weather it away. For the same reasons most things can end up carrying very little significance. Making one increasingly apathetic or nihilistic.

Because of above, enacting laws with consequence, even of death, naturally leads to some not really caring about them. Making them more useful as a means of power, threat, or as a way of committing suicide, than as something morally binding. If used in moral ways at all.

Those who survive the longest have to necessarily take on being okay with a level of violence that is incomprehensible to human scales. Necessitating that often the most violent, or accepting of violence, tend to become those who withstand the test of time.

Those fitting into this category extends fairly naturally towards walks of those accepting of or that act out other forms of immorality, dehumanization, and antisocial behaviors.

Your community is small and made up of violent killers. Developing paranoia or hostility towards violent killers is self preservation. You are also a violent killer, and take any hostility towards your person as an offense or threat. Without some kind of love, compassion, or trust in the mix, your community would quickly destroy itself.

Because of above vampires enter to greater degrees unfulfilling, pragmatic, or socially contractual relations with others they may dislike, or be indifferent to, and often might resolve interpersonal issues with fake shows of affection or remorse.

If you do happen to find a real relationship, the violence you enact out in order to survive can't ever enter into that relationship, without it becoming abusive. But the lines between those two can blur easily when you consider again how nurtured one has to be into violence to begin with.

Survival instincts look different based on their background for survival. And surviving as a vampire takes on different concerns for safety and endurance. How you survived being human is how you'd think to survive as a vampire, and those who had very little to survive through would lack a level of survival skills necessary to take on this kind of life.

Once you've seen a bunch of how this life is going to be you tend to take on a level of 'this is just how things are'. Since they can't place themselves in time, they can't place themselves properly in a forward progression. Those who last tend to develop a superiority on how to last through this the right way, or make judgments on who will or should be allowed to.

To make a vampire at all you have to actually decide on this last statement that there is anyone deserving of this life, and that it's a life one deserves.

You are stuck always in the bodily age of when you died. General feelings of stuckness are encompassing, as you're bound by your immortality, and often can only survive through those who are in it with you. Anyone and anything you knew in mortal life will be gone one day, and what you're left with are only those of your own kind.

In having such a substantially focused relationship to violence. One has to always make a hyper-conscious effort not to be violent, for the wrong reasons. Or just simply have a good conscience about such things. (some combination of the two)

One's life and culture as a human bleeds into who they are as a vampire. Even in rejecting humanity completely, they carry those ideas and understandings around with them. Including prejudices, ideologies, and sensibilities. Vampires lack a distinctly separate culture from that of humans, and instead live alongside it at perpetual outsiders. Only loosely being effected by it, and able to choose removing oneself entirely if they're white, or otherwise not subject to prejudice based on appearance. Vampiric alienation and loneliness is perhaps fairly common, and at a certain point this outside position lends indifference about the human condition and whats happening in the world.

Due to this, certain cultural shifts might take far longer to ever reach vampires, than it would in our naturally generative, and transformative human society.

Due to this as well though certain human hold ups about things such as homosexuality aren't very present in vampires.

The more vampiric you are the more it puts you into the throes of violence, while falling back into your humanity puts you at face with the qualms of your own morality.

Vampires have to find some way of justifying this existence has true worth to it despite such violence, and what it's done to their life, or simply abandon all sense of such morality, or care. Otherwise this fact of violence, and reminders of it, drive them to the flames or otherwise an all consuming resentment of all this.

The only ways you can die is suicide and being killed.

In trying to bring greater meaning to your violence you end up making a spectacle about it. Which fosters a manner of self importance, and egotism, about being violent. Or equally making it into a performance or ritualism.

BDSM is arguably a great way to contend with the fact you are violent, or can be subject to violence, in a controlled and consensual setting. It can be almost therapeutic, like taking power back from all the violence you can't control.

These sorts of things are interesting to think on when you don't have someone else making it apologia for abuse and egregious acts of violence. Because while they are violent by nature, they don't lack a consciousness about it. They have minds which can actively choose not to be violent, choose different paths to violence, etc. They're able to make decisions, and regret those decisions. And also, just like anyone in community with others, or in respect to themselves, have good reason not to be. They may possess inhuman abilities and understandings, but they don't possess inhuman feelings and are capable of being physically, emotionally, and mentally harmed or harmful.

And actually, given the fact they can take this to vampiric scales, is by scale, worse, not somehow made diminished by fact one can come easily to a conscious idea nothing has any real consequences when confronting one's own immortality. This inconsequentialness is a lacking and false understanding of immortality anyway.

Immortality can equally be about a constant uplifting of the present and future into something better, confronting their own impact on the world and those in it to generate some new way of living as a vampire, as opposed to stagnation, or depravity into cycles, and pits, of unnecessary and avoidable violence. Or just inevitable boredom.

A lot of those within this vampiric culture, don't necessarily foster well a society dedicated toward being as non-violent as possible. (I account for all forms of necessary violence, like self defense, as being non-violent.) Some might even find such an idea they could move in the direction of non-violence to be self hating. But the very fact they can be non-violent, choose that, and separate that for compassion, and love, and righteousness means their consequences and morality do end up mattering necessarily. If there's choice in that there's a way to effect things. An upstanding vampire, who's not just surviving through this, would have to dedicate themselves to consequences and morality as a good in itself, I'd think, to do right by others and themselves. To not give in to evil/violence as their only true condition. And somehow synthesize that information with how they can never be moral by a humanist standard, but those such standards are by nature more moral than their own. They can't fall into vampiric exceptionalism, but do have to accept the fact of themselves as vampires has special other conditions to it.

[puhpandas]

here are some of my thoughts on how beckory could be if ggy never happened and gregory continued to live a normal life being abnormal

[scrawnytreedemon]

"Gerudo man acclimates cats in unethical manner: more at 5."

Behold! The nuclear family.

[bonefall]

Tbh the whole 'bloodclan bans families and hates Cat God' thing really reminds me of the anti communist bullshit I was fed in highschool history class.

Every day I count my lucky stars that I got educated in a well-funded school in a blue state. My teachers were shockingly good in hindsight, I didn't get half of the same propaganda some of my friends in other states got.

[shallliveoninsong]

◇ The way he says the first sentence is full of so much sadness. Like with all family things aren't as simple between Jing Yuan and Yanqing and I think this is just one of the many pieces of evidence that points to it.

No, I'm not saying they are totally at odds with each other or are really struggling to get along, but some parts aren't perfect. Jing Yuan has to try and strike the delicate balance of encouraging Yanqing's progression with his swordsmanship and the general growth and maturity of Yanqing as a person yet also try to not put too much pressure on the young Cloud Knight.

I don't think Jing Yuan is entirely to blame for the pressure per se. He does have high expectations of Yanqing but they aren't freakishly so. He knows Yanqing has a lot of natural talent and thus does expect good things from him. The general is trying to groom him to be a leader of the next generation of the Luofu after all. But he is aware of his role in these doubts Yanqing has and his fixation on winning which is why Jing Yuan feels he has failed his apprentice in several places. Perhaps he shouldn't have leaned into Yanqing's natural talents so much? Maybe prevented him from being part of the Cloud Knights/assisting with combat matters of the Luofu until Yanqing fully came of age? He can only be left to wonder if maybe he did things differently situations like the Heliobi situation wouldn't have ever happened.

And of course, some of the pressure is due to the Gifted Kid ™ syndrome. After all, so many people know Yanqing as an unmatched sword prodigy that the Arbiter General took on as an apprentice. If he goes on to lose then what kind of prodigy is he?

[dirtytransmasc]

modern got au in which asha is a "teen parent"

or more accurately, asha and theon have a much larger age gap, 10/15-ish years, type of age gap (she's at least 18/19 and theon's only like 4/5), and in a series of freak events, their lives are turned on its head.

their brothers were dead. their mother and father were ruled incompetent, the former left a shell of herself after the loss of her sons, no longer able to care for her remaining children, the latter was never a father to begin with and he didn't seem to have any wish to become one now.

she was an adult by law, meaning she was free from the hell that was the system. her kid brother - the one who smiled at her for seemingly no reason, the one who crawled into her bed when thunder rattled the house, the brother who held her hand on their rare family outings - was not.

she couldn't leave him there, even if she wanted to, even if it would make her life so much easier. she wouldn't abandon him like the rest of their shitty family. he was blood for fucks sake, she'd die before she let's him get taken away from her and given away to strangers to be used and exploited or treated like a shelter puppy to be pitied and fawned over.

cue asha fighting for custody of her baby brother, doing whatever it takes to be deemed a suitable guardian, and the two of them taking on the world together.

more thoughts:

they have to find an apartment cause they can't afford to keep their family home. moving into the cheapest place they can find with only the stuff they can fit in asha's truck, sharing an air matress and eating off of a coffee table while watching movies they rented from the library.

asha cleaning her brother up before his first day at his new school, trying to get him to look suitable, but not really knowing what suitable means for a kid going into kindergarten/first grade

theon comforting his sister when she gets overwhelmed with it all, doing his best to ease her tears. the night ending with them both curled around each other, just two scared little kids trying their best.

asha fighting anyone she has to to keep custody of theon, whether it be the social worker, the judge, people who called cps to report her. she doesn't care, no one will take away her baby brother.

asha taking theon to work with her (she works in a boat shop cause she already knows what she's doing) and having to keep him entertained while she works so they don't get sent home.

their first christmas/birthdays by themselves. theon putting together gifts at school (finger paintings or paper mache or something of the like) and asha cherishing it forever. asha spending all the money left to her name each time to get him something nice so eh can feel like a normal kid.

theon doing sports in school (little league or something) and asha making sure she goes to every damn game, being the loudest in the stands.

asha getting more and more used to being physically affectionate with her brother at time goes on. before everything she'd tense up when he'd hug her legs or hold her hand, but now she scoops him up like a rag doll, ruffles his hair, kisses his forehead, without a second thought.

{I'm so normal about them I swear}

[good-beanswrites]

hi! may i request some mikoto + amane (platonic obvs) … anything? they are very dear to me 😭

Yes!!! Thank you so much for the request -- they really are such a good pair ;-; (The thing is, I had so many nice scenes in mind about how they parallel each other, but they wouldn't know or reveal that about each other so I kept restarting...) Anyway, here's something right after Mikoto's first trial/verdict!

Mikoto could pick up on someone’s bad mood from a mile away, though the skill was unnecessary when the other party very clearly and calmly informed him, “I’m in a bad mood.”

After refusing his offer, Amane turned back to a thick textbook she’d been taking notes on. Didn’t kids usually complain that school was already a prison? She must have wanted the full experience. He'd worked nonstop at his studies as well, but this was a new level. Amane often reminded him of his little sister, though she always took the extra step like this. His sister would have jumped at this opportunity to play a few rounds of their favorite card game.

“It’ll be fun!”

He flashed a smile, but it had no effect on her severe expression. “I know you’re just trying to comfort me about our verdicts. I refuse to be pitied.”

“Comfort and pity are two very different things. But anyway, it wasn’t either of those things.” He gave an easy shrug “To be honest, I’m just a little bored. It’s weird not having any work to do during the day.” 

Mikoto couldn’t remember the last time in his life he’d had so many hours to himself. A lot of the others were fun to play games with. A few of the sportier prisoners helped him stay active. He enjoyed smoking breaks with the other men. Still, he was left to his own devices for the majority of his time. It was maddening. He’d recently requested some more art supplies, having used up the last batch, but they had yet to come in. Now with the verdict announcement, he wasn’t sure they’d ever arrive.

“That is your own problem. I already have something to do.” Her eyes lingered on the cards for the briefest of moments before returning to the book. “I told you, I’m not in the mood for it.”

Regardless of her hostility, he took a seat beside her. He leaned his arms out on the table. “We don’t have to play the same game.” The last time they'd played as a big group, several prisoners pulling the tables together to fit everyone. Amane had kept very quiet, eyes darting around at the cards as she tried to keep up with the rules. Not many of the others noticed the frustration clear in her face. Mikoto wasn’t the type to let her win out of pity, though he had begun to mutter the rules and strategies to himself a bit more as the night went on… 

“Is there a game you liked to play at home?”

 “No. There was no time for games in the house.” 

“All work and no play… hah… I know what that’s like.” He slumped his cheek onto his arm, lazily shuffling the cards around. He felt bad for bothering the girl if she truly was upset. He thought it was the bad experience that made her reject him, he hadn’t realized there were also family issues attached. Usually he could read people well; maybe he was losing his touch. He seemed to be losing touch with a lot of things, these days.

He readied a game of solitaire. 

“Mikoto?” Amane kept her face turned away. “There was… one game.”

“Yeah?” Mikoto shuffled the cards back together. He slid them over to her. “You should teach me!” 

She didn’t touch them. “You probably already know it.”

“Nah, I only know a few games. I’m better with tarot cards, though those aren’t really the gaming type. Come on, what is it?”

She told him the name of the game, insisting it wouldn’t be worth playing. She kept her attention on the textbook, but her eyes weren’t reading any of it. 

“Ahh, I’ve heard of that one! We start with four cards, right?” He started dealing them out.

“No, five –” she pointed to the deck, urging him to add two more. 

“Right, right.” He laughed lightly. “And the goal is to get pairs, and put them in a pile, uhh, here.”

Amane shook her head. She shifted her body slightly towards him. “You must be thinking of a different game. There’s actually three piles for pairs. One here, one here, and when it’s your opponent’s turn…” 

Her eyes gleamed as she explained the rules. She pointed to various cards, telling him exact moves and point values. “And to win, you need to –” Her expression shifted. “You… you already knew all this.”

“Of course not!” He put on his most convincing smile. 

She deflated. “You’re not a very good liar.”

“Tch, tell that to the warden.”

His shoulders sagged along with her. If Amane could see right through him, why was the rest of Milgram still coming up with stories about what he did and didn’t do? “Well, I might already know the rules, but it’s been a long time since I’ve played. You can still give me a hand. Plus, if you really are in such a bad mood, it’ll be good to take a break from your studies. You should always take a break when things get too overwhelming, yeah?”

She gave him a withering stare.

“Eh? What’s that face for?”

“Alright, let’s play. You can go first.”

“I mean it, what was that look? Aw, come on…”

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20′s Dungeons and Drag Queens episode 3

[sporesgalaxy]

fell back alseep for a few hrs this morning and had a dream about Scrangle looking for Ingo in the present day after learning about the Subway Masters 😭 they ran into Emmet and Emmet was like "You're too late. Ingo is not here & he has not been here for 3 and a half years" and Scrangle's response was just "Then I'll find him!" wtf....what if i exploded

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[yakny]

Knight Bobo, wearing some of the patterns I drew :D!