#and it's critical for my research

[maukuja]

how am I this unlucky with work. this is unreal

[tossawary]

I just know in my heart of hearts that in "Star Trek" at one point, there was some moral panic somewhere on Vulcan (among the uppity sorts) because Human culture was "infecting" the local youth with their overly emotional, destructive, unproductive, frivolous, and uneducational ways.

And what was actually happening was that a bunch of Vulcan kids got really into 23rd-century "Minecraft" or something.

Small Vulcan child @ another Vulcan child: (in a tone that sounds flat to Humans but angry as hell to Vulcans) "You have compromised the optimization of my fortress. I am having an emotional urge to blow up your house... in Minecraft."

[kindnessoverperfection]

Please, if you can, take a moment to read and share this because I feel like I'm screaming underwater.

NPD (Narcissistic Personality Disorder) stigma is rampant right now, and seems to be getting progressively worse. Everyone is using it as a buzzword in the worst ways possible, spreading misinformation and hatred against a real disorder.

I could go on a long time about how this happened, why it's factually incorrect (and what the disorder actually IS), why it's harmful, and the changes I'd like to see. But to keep this concise, I'll simply link to a few posts under the cut for further reading.

The point of this post is a plea. Please help stop the spread of stigma. Even in mental health communities, even around others with personality disorders, in neurodivergent "safe" spaces, other communities I thought people would be supportive in (e.g. trans support groups, progressive spaces in general), it keeps coming up. So I'm willing to bet that a lot of people on this site need to see this.

Because it's so hard to exist in this world.

My disorder already makes me feel as if I'm worthless and unlovable, like there's something inherently wrong and damaged about me. And it's so much harder to fight that and heal when my daily life consists of:

Laughing and spending time with my friends, doing my utmost best to connect and stay present and focused on them, trying to let my guards down and be real and believe I'm lovable- when suddenly they throw out the word "narcissist" to describe horrible people or someone they hate, or the conversation turns to how evil "people with narcissistic personality disorder" are. (Seriously, you don't know which of your friends might have NPD and feels like shit when you say those things & now knows that you'd hate them if you knew.)

Trying to look up "mental health positivity for people with npd", "mental health positivity cluster bs", only to find a) none of that, and b) more of the same old vile shit that makes me feel terrible about myself.

Having a hard time (which is constant at this point) and trying to look up resources for myself, only to again, find the same stigma. And no resources.

Not having any clue how to help myself, because even the mental health field is spitting so much vitriol at people with DISORDERS (who they're supposed to be helping!) that there's no solid research or therapy programs for people like me.

Losing close friends when they find out, despite us having had a good relationship before, and them KNOWING me and knowing that I'm not like the trending image of pwNPD. Because now they only see me through the lens of stigma and misinformation.

Hearing the same stigma come up literally wherever I go. Clubs. Meetings. Any online space. At the bus stop. At the mall. At a restaurant. At work. Buzzword of the year that everyone loooves loudly throwing around with their friends or over the phone. Feels awesome for me, makes my day so much better/s

I could go on for a long time, but I'm scared no one will read/rb this if it gets too much longer.

So please. Stop using the word "narcissist" as a synonym for "abusive".

Stop bringing up people you hate who you believe to have NPD because of a stigmatizing article full of misinformation whenever someone with actual NPD opens their mouth. (Imagine if people did that with any other disorder! "Hey, I'm autistic." "Oh... my old roommate screamed at me whenever I made noise around him, and didn't understand my needs, which seems like sensory overload and difficulty with social cues. He was definitely autistic. But as long as you're self-aware and always restraining your innate desire to be an abusive asshole, you're okay I guess, maybe." ...See how offensive and ignorant that is?)

Stop preventing healthcare for people with a disorder just because it's trendy to use us as a scapegoat.

If you got this far, thank you for reading, and please share this if you can. Further reading is under the cut.

NPD Criteria, re-written by someone who actually has NPD

Stigma in the DSM

Common perception of the DSM criteria vs how someone may actually experience them (Keep in mind that this is the way I personally experience these symptoms, and that presentation can vary a lot between individuals)

"Idk, the stigma is right though, because I've known a lot of people with NPD who are jerks, so I'm going to continue to support the blockage of treatment for this condition."

(All of these were written by me, because I didn't want to link to other folks' posts without permission, but if you want to add your own links in reblogs or replies please feel free <3)

[elumish]

I know that I am preaching to the anti-AI choir, but I genuinely believe that skills like summarizing, articulating, and refining an argument, engaging with existing research or information yourself, and going through the process of crafting materials are core skills for life but also for many careers, and outsourcing those degrades people's ability to think critically and engage with ideas.

Even ignoring the fact that generative AI is awful for the environment and based almost entirely in intellectual property theft and has a bunch of other ethical issues, using gen AI as a crutch will actually just make you worse at both engaging with life and doing many professional jobs.

But also, beyond this, you will benefit from actively engaging with research and the news and shaping, summarizing, and articulating arguments.

Can you read a piece of news or an article and understand the point it is making? Do you know how to identify the biases of the source? Do you know how to understand what you are reading in the context of that bias?

Can you shape an argument based on information you have engaged with? Can you validate that argument by seeking out additional relevant information? Can you describe that argument to someone who is familiar with the subject matter? Can you describe or summarize that argument to someone who is not familiar with the subject matter?

Can you articulate your point--whether it is an argument or just a question--in written format? Can you articulate it out loud? Do you know how to shape what you are expressing to a given audience?

Being able to articulate yourself clearly, in a logical structure that is based on verified evidence, is important for so much of life.

[nellasbookplanet]

Mentioning Tusk Love and the potential of other independent stories set in Exandria reminded me of an old discord conversation about how they could Fix the courting of the crick for publishing (seeing as it's canonically a Bad Book due to being super dry and also racist towards drow) without breaking canon:

Rename it 'The Courting of the Kryn - a Reimagining of the Classic Story, by Jester Lavorre'

Present it as an in-universe fanfic-ish rewrite. There's a foreword where 'Jester' elaborates on the inaccuracies of the original, the impact the story had on her, and the importance of Dynasty-Empire relations. There's an acknowledgement section where she thanks Caleb and Beau as 'consultants on Empire culture', as well as an unnamed/under fake name/clearly Essek as an 'expert on the Luxon, dunamancy and Dynasty culture'. All his information on spy networks is eerily accurate and has his former co-workers scrambling. (He makes her keep all the dry historical accounts, but now it's accurate (with added dick-related puns)). She mentions that she reached out to the Bright Queen who reluctantly (after 5 messages in a row) gave some pointers. In her frantic research she possibly made some breakthroughs on the nature on the Luxon that has Essek reeling (there's a 'further reading' section where she lists the academic paper he wrote building on her discoveries and an entire list of the sources her consultants used).

For extra fun and meta-ness, include footnotes where she comments on things she changed/removed from the original and why, how various scenes may have been inspired by a real life couple or events, etc. Some of the footnotes are written by her consultants. Caleb and Essek get into arguments on dunamancy theory which is actually thinly veiled flirting. There's anatomically accurate drow sex (it's unclear whether the consultant was Essek or Caleb or possibly a certain brother, who was also consulted on Dynasty military practices).

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[essektheylyss]

We can presume, based on the fact that this is a story, that what the Hells are seeing in Aeor's surveillance footage is largely complete and true, at least to the extent of whatever particular story the audience is about to be told. In universe, they're viewing something externally recorded, not reading or hearing someone's account, and while it is unclear if it has been edited by either the Aeorians or Ludinus's tampering, we can take this complete arc largely at face value.

With that being said, I do actually think the conservation of this area of Aeor is worth noting and considering for what it suggests in the context of Exandria, in that this is essentially the control center for the entire floating city. It would probably have significant structural support, even more than the rest of the Genesis Ward. Even the fact that Dominox was only allowed some leeway to cause issues after the Solstice suggests that the engine room was very well-built to take a hit. This is the nucleus of the city, likely something of a black box as well, and the mechanisms by which it stayed flying. It stands to reason that if nothing else, this would remain intact.

Also, a lot of the reason that Aeor is as well-preserved as it is is that it crashed in the Arctic. Zemniaz, which came down in the fields named for it, has basically been overtaken by the civilization that succeeded it, and we can imagine that it was both picked clean by survivors and travelers and that its ruins were subject to significant environmental decay.

Though even in reality, discoveries of conserved archeological finds in the Arctic are significantly better preserved than most, some of Aeor's preservation of course goes beyond what would be expected for ruins of its ilk, which we can attribute to magic and, as mentioned earlier, suspension of disbelief.* But Aeor's overall preservation, state of structural collapse, and position as an in-universe source of significant technological rediscovery makes it very interesting as an exploration of digital preservation in a technologically-advanced society, and what might be dug up long after such a society is gone.**

In our society, where this kind of question is still very much open, there's plenty of discussion around digital decay, which we have of course seen. But our digital technology is so incredibly nascent in the grand scheme of things, and we simply do not yet have the timescale to say for sure what might remain a thousand years on; most of it will be gone, yes, but we have found remarkably well-preserved relics of many different kinds.*** So it's entirely possible that some of our digital footprint will remain.

This campaign overall has been a long discussion about what stories are told about history, and how are they preserved, and I think that there is a lot to be said about Aeor being the best-preserved record of the Age of Arcanum. We know that it was, even in the eyes of its peers and probably a good portion of its own populace, a monstrous example of the abuse of both magical and institutional power in that era. We know that it drew such divine ire that its downfall was the product of a brief truce in the most destructive war in living memory. We know that the discoveries that come out of it speak of blatant ethical and moral violations against other cultures, mortals, and nature itself.

These are things that have been conveyed in historical record, through the memories and histories of both FCG and FRIDA, and in the discussions within Avalir, one of Aeor's most powerful contemporaries and seemingly one of few other cities of the age that came close to the same level of advancement, which Aeor only seems to have surpassed via the aforementioned lack of ethical and moral qualms. What discoveries are made in Aeor already paint an incredibly skewed picture of the era, one that seems as though it would more likely inspire more apprehension about mages, arcane technology, and by extension, the cause that Ludinus wants to convey. The fact that Aeor placed significant intrinsic value upon the conservation of the product of extensive and long-running mass surveillance, to the point that it remains intact for us and the Hells to see now, only feeds further into the idea that, even when a discovery is seemingly complete****, we cannot ever know how representative the stories of the past actually were.

(Footnotes under the cut)

* Plenty has been written about time scales in fantasy, but in general this tends to be true of any dungeon crawling. In fact, it's probably a lot of the reason magic items are explicitly noted as being breakable only via other magic, and otherwise remain in good condition.

** I was going to have a fun quote to pull from the last chapter of Underland: A Deep Time Journey by Robert Macfarlane which is relevant to this discussion but unfortunately my mother has yet to give my copy back and it is on hold at the library so I am giving you all a summer reading assignment. Please go read this book right now. It is my number one nonfiction book of all time.

*** The oldest known intact shipwreck, aged somewhere over three millennia, was actually found recently.

**** For instance, based solely on fossilized bone, even a complete skeleton, it would never have become clear that dinosaurs had feathers!

[boyharder]

when people stop using the excuse of “olive [skin] is a spectrum!” when referring to any character that hails from the seam, i can die peacefully.

for reference: the seam — dark hair (straight, with the exception of haymitch and his curly hair,) olive skin, gray eyes. (e.g, katniss, gale and the hawthornes, haymitch.)

merchants — blonde hair (curly,) pale skin, blue eyes. (peeta, delly cartwright, mrs. everdeen and primrose.)

yes, in the case of the seamfolk, it is definitely possible that they are simply tan white people. however, in the racial context of appalachia, there is a population of native americans (who often have olive skin and straight dark hair,) along with the melungeon population (which includes people of color.)

suzanne collins would've made the distinction, as she did for the merchants if they were white. this theory is unlikely though, considering that systematic oppression plays a role within their race. (the seam are worse off; they're the poorest part of the district with people casually dying of starvation in the streets, they're also workers in the mines and more likely to have lung problems/die from mine collapses if not explosions. they also run a black market for sake of trades and food. the merchants run shops and are better off than the seam.)

i'm not saying at all that white people can't be olive skinned, i do very much agree with that and it's something i acknowledge. but again, appalachia, where twelve is located, has a population of people of color in which fit the description (which could likely be native americans.) there's a stark difference in both sides of twelve's population and their races, and if suzanne had made the seamers with the intention of them being white in mind, katniss simply could've said it was a white-predominant population with the notion of seamfolk being darker.

with all of this in mind, no matter how you flip it, the seam-originating characters in the movies are whitewashed. and that takes away from the history of these people and takes from their oppression and representation of history in a book that already deals with racial issues and such things.

[satellites-halo]

decided to sketch out Nadia in more detail and work on the colors for her, thanks to @saszor for the tutorials on how to draw a person with downs syndrome ^_^

[seeker-ophelia]

HAPPY DRAGON AGE DAY

Conniving Crows, Wicked Watchers, Lustful Lords, Vivacious Veil Jumpers, Wild Wardens, and Shrewd Shadow Dragons!

Me: THANK YOU SO MUCH EACH AND EVERY ONE OF YOU FOR FILLING OUT MY SURVEY! You: Lady, what are you talking about? Me: A couple weeks ago you filled out my survey! You: Oh yeah, whatever happened with that?

Well, let me tell you, good internet people!

Dragon Age: The Veilguard in “One Word”:

If I had a nickel for every "Fun, but..." or "Pretty, but..." responses, I would have a lot of nickels. "Fun but not Dragon Age" was my personal favorite.

If you don't see your verbatim response here, that's because there was 650 of you. And I had to take some liberties with verbiage here.

What were your Overall Impressions of Dragon Age: The Veilguard?

What did you like the MOST about Veilguard?

What did you HATE about Veilguard?

Ho, nelly, you guys.

186 (>28%!) of you used the “Other” box to expand on your ideas (which is part of why this graph is so uhgly) but I appreciate every single one of you sharing your thoughts with me.

19 (2.9%) of you said something pertaining to “The Writing” even though that wasn’t an option

112 (17%!) of you mentioned (at least one of) the words: shallow, pale, child-locked, darkness, nuance, choice, conflict, empty, sanitized, or (my personal favourite) toothless.  

Some “Hated” Honorable Mentions:

“Neve’s Hat”

Fuck off her fascinator is fascinating

“Not Being able to Swim”

I read it before and I still laughed; this one is the real MVP

The Death of Varric

☹

The one person who said “Harding”

I will fight you

The TWO People who said “Too many puzzles”

Bitch is this Taash? How did you get access to this???

**Shout out to the people who pointed out I spelled DIALOGE wrong, yeah I know sorry I’m an idiot

If Veilguard were to have a DLC, which Companion Characters would you want to see return the most?

I find it SO interesting that I asked for 5, and there were 5 VERY CLEAR winners...

(Cole, Dorian, Fenris, Merrill, Zevran, by a veritable landslide; there’s over 100 votes between the lowest – Merrill (284), and the next highest – Cassandra (177))  

To those of you who can’t read: the HoF, Hawke, and the Inquisitor are NOT Companion Characters.

Also, to the one person who responded: “No one deserves to be dragged through that” I see you.

*I did not have time to collate the data supplied in “Other” but I think there’s a pretty obvious winner here

And now, if a “Keep” DLC were to be made, which choices do YOU think are the most important to have?

Before we jump into that, I would just like to say how little these answers differ; despite my open ended question a LOT of people wrote the same things.

Some of you, bless your little hearts, explained your choices like im a dumb bitch who hasn’t been living in the wiki and played each game 2/3/5 times. Like I would be doing this and not know what Orzammar or the Architect is.  Bless your little worm spirits you’re so adorable.

Every person who said “Inquisitors Class” followed it up with (weird I know sorry uwu im so weird im sorry) like… guys. You know…. You are ALLOWED to have OPINIONS. And you’re not weird there was like 6 of you. You're not alone.

To the EVERYTHING/ALL OF IT people; I see you.

Four people were brave enough to admit they couldn’t remember anything, and 55 people didn’t write ANYTHING.

Behold, Joseph and the Technicolor Dreamcoat:

Circle Fate: Fate of the Chantry Circles after DAI

DAI Wardens: Wardens exiled/accepted in DAI

Divine: Who you chose for the Divine (DAI)

Fade Fate: The Fate of the person you left in the fade in DAI

Mage/Templar: The outcome of the Mage/Templar conflict (not differentiated between Inquisition/2)

Southern Rulers: All three Rulers of Southern Thedas; Ferelden, Orlais, & Orzammar

The Well: Who Drank Mythal's Bathwater (dont kink shame me)

Any answer with less than 5 responses got taken out for brevity and are listed below:

(2) Nothing Cuz they destroyed the South, (1) ANYTHING!!!!!, (1) fuck you (bioware) for disregarding the entire lore of the first few games, (1) I think the most interesting things are the smaller stuff you don't expect to carry over.

(2) Andraste's Urn, (2) Avernus (research), (1) Awakening companions fates, (2) Calpernia's Fate, (3) Cass/Tranquility, (2) Clan Lavellan Status, (1) Cullen/Lyrium, (2) DA:O Dalish Clan, (1) DA2 Isabela, (2) DA2 Qunari Plot outcome, (1) Dagna (Magic School), (1) Danarius, (1) Disband/Keep Inquisition, (2) Faded for Her Result, (3) Hawke Siblings Fate, (2) Inquisition disbanded actual consequences, (1) Inquisition Support of Nevarra or Tevintrer (josephine war table quest), (4) Inquisitors Class, (1) Iron Bull, (1) Isabela, (1) Paragon of her Kind (Golems), (1) Prisoner at Ostagar, (1) Rule of 3, (1) Save/Stop Solas, (1) Sha-Brytol dwarves, (1) Shale, (4) Solas/Inky Approval, (1) Solassan Implications, (1) Solavellan Vallaslin, (1) Soldier's Peak, (2) Sten, (2) Zevran/Darker Crows.

To the one person, who commented: “I think the most interesting things are the smaller stuff you don't expect to carry over.” I see you. And I am percolating.

If the Devs/Anyone at BioWare happens to see this, the last question I asked was this:

If you could ask the Devs/Writers of Veliguard one thing, what would it be?

A lot of responses are focused on the lore. More are questioning the narrative & lore decisions & implications of VG. Some are begging for DLC. Some are flat out rude. One is a proposition. But there are a fair amount of people who want to ask you;

‘hope you're okay’

‘How are you holding up?’

‘I hope despite everything you know that your creation is loved and adored.’

‘THANK YOU!!!’

Intelligent fans know the development Hell VG went through to be born. They know corporate culture. They understand there's often more than meets the eye. Fans of Dragon Age know what heavenly good delicious golden content BioWare can make. And they're hungry for it. Take some well deserved rest, and then come back to the table with us, because we cannot wait for more.

A Sappy Little Note:

I have Zero online presence and really expected to get about 100 responses total, and I got 650 (*mind blown emoji*), I wasn’t even able to share it to reddit main (bc of the fvbjvks mods). Most of these responses are from YOU GUYS on good ol’ tumblr.com and Im so weepy about how you all got involved and shared your thoughts with me Thank You SO MUCH.

For those of you who messaged me about the DLC, you are not forgotten. Believe it or not, I have a plan. Watch your inboxes over the next couple days, because I’m going to be prickling your creative brains over the Holidays.

Once more, Thank You All, so so so much for participating. Bare your blade, remain vigilant, and keep an Eye out for The Agents.

[evelynpr]

Why the fuck are there roller skates, dubstep, stage lighting, an LED screen, and all kinds of modern technology in Xilonen's trailer??? I thought Fontaine had the most advanced technology next to Schneznaya and arguably Sumeru, and every instance of high-end technology we have seen leaned more towards machinations with gears, magic, alchemy, essentially fantasy styled sci-fi???

The disrespect towards Native American and African cultures is enough to piss me off already, but it even goes against Genshin's own consistency with its fantastical world design..and for what? Just so you can have this...pop and gamer aesthetic???

Just look at these two bubbly and optimistic characters for me okay

Yoimiya's design isn't the most respectful and accurate representation of a Japanese firework craftsman, but at least you can damn tell she is Japanese. The large ribbons, hair accessories, tassels, leg covering, tattoo design, shoe style, and fabric patterns all allude to this (I apologize for not knowing the exact terminologies for these, this needs further research).

Then there's Mualani who has...what? Please do correct me if I am wrong here, but her character must be inspired by the real Mualani, a Hawaiian Chiefess. Additionally, her tribe's specialty is in tourism and vacationing, which further leads into the idea that she and her tribe are based off of Hawaii despite the known issues regarding Hawaii and tourism (if there are any good sources that summarize the issue, please do lmk).

I am not too familiar with Hawaiian culture, but there really is nothing about her design that reads as Hawaiian, or even just traditional, to me. What about a 2 piece swimsuit with bows and tails, a bow + braids + ponytail hair style, combat gloves (?), and an entire neon shark, is Hawaiian???

The characters, their designs, and their trailers, are just so culturally disconnected from their real life counterpart that it's even disconnected to Genshin's own world building and design. How the fuck is the fashion trend in Natlan denim pants. I feel like the only parts of Natlan that feel like Genshin Impact and culturally inspired are the in-game music and landscapes (God bless Hoyo-mix and the world designers).

[lights-at-night]

i might be shot but tbh i think fiction podcasts have an issue with racial representation

[virginia-the-opossum]

Im not seeing alot of posts on here about this, but i have on youtube sooo...

Doctor Skipper, Nerdstagic, Cinema Sins, Rotten tomato critics, other movie critics and youtube movie reveiwers have ruined media literacy by their need for money.

All they do is sit around and hypercritic movies that they know jack shit about while pretending they do, some of them havent even watched the movie, they just want attention and to ruin the movie for its fandom and its chance in the box office.

Doctor Skipper and Nerdstagic have both made videos shitting on the Monsterverse and American Godzilla in general because Godzilla Minus One was "better". Yeah, the movie was awesome! And it deserves all the attention and The Oscar it got. But GxK: The New Empire isnt even out yet, stop bullying it, telling people something is going to be trash before they see it, means theyre going to view it as trash through the lense of your opinion.

Godzilla Minus One and GxK: The New Empire dont compare, they are two separate genres. Godzilla is allowed to be goofy or serious. There is no right or wrong Godzilla. If you like goofy, good for you! If you like serious, good for you! People are allowed to enjoy the two genres separately or together. I love both! But critics dont look at the fact that in the og showa era made by ToHo, it was goofy as hell, he was doing dances and flying using his breath.

The directors of both movies support each other and love each other's work.

Yes, all the shitty sequel cash grabs we've been getting are awful. But Godzilla isn't that,.... yet. If we keep getting divided on these issues and only viewing them to trash and meme, that spreads negative interest, but more profits. More profits means theyre gonna do it again. Boycott movies you know you wont like, but leave other people alone about it, and especially don't make videos without researching the subject or even watching the movies. Just like some of the recent Marvel movies and shows, if we let it turn into a cash grab, our fandom will inevitably die. Like the posters and trailers for GxK- "Rise together or fall alone".

Sidenote: theres nothing funny about the Lucky Dragon Incident.

Sidenote 2: Please stop spoiling GxK

Edit Sidenote 3: stop using ai for your clickbait thumbnails for your edits of GxK trailers

[viiriidiian]

caleb page to ignore the empire siblings’ unknown status post-apogee solstice... anyways! everyone say big stretch to frumpkin.

i made a matching beau page here for all you lesbians out there

[lesbionia]

The preservation of male sexual access to women is at the heart of racist and sexist movements, presently and throughout history. I am critical of anything that encourages women to "evaluate" or dissolve their sexual boundaries and anything that forces women to be accessible to males.

[jesncin]

I appreciate most of your takes but don't understand how you look at a character like livewire, a character created in the middle of a 90's feminist movement and come to the conclusion she's supposed to a be a caricature of classical racist conservatism

?? huh is this an elaborate joke I'm missing out on?? Like you're roleplaying as a Shockateer? There's no tone indicators so I'm left to my own perception that you're being serious so I'll have to respond in seriousness. I'm gonna be so embarrassed if this is a joke :(((

So...just because a character is made "in the middle of the 90's" or "feminist movement" doesn't...mean they're a feminist character? Like with that logic, Tana Moon is a feminist icon I guess. Also "caricature of classical racist conservatism"? man, I kinda envy how people think the way I write her is Cartoony Evil Racism and not a toned down depiction of how personalities like Posie Parker, Matt Walsh, and Blaire White talk. I suppose I'm glad you haven't encountered anyone that awful. Good for you! 👍

Livewire meta under the cut fellas

I feel like you don't have a very holistic view of Livewire's character. Because while yes, she has been used for feminist critique in the show and comics, that's not all there is to her character. My take on Livewire is a commentary on how white womanhood intersects with parasocial internet grifts and the larger way identity gets filtered online. It's a take influenced by how she literally started out as a controversial provocative shock jock in STAS.

There's so much potential to re-imagine her hatred of Superman as a commentary on how white women feel justified in harassing marginalized men because it looks like a punch-up to misogyny. The way she uses the accident Superman caused as a way to white-woman-victimize herself and prime her audience to hate him more. You can take the spinoff comic where she only lets women speak on the air as her presenting a black and white, non-intersectional view of social progress. Kind of like how TERFs keep fantasizing about a world without men as a utopia? In CW Supergirl, Livewire plays into internalized misogyny and homophobia to jab at Supergirl. Not showing up for her fellow women if you ask me.

Because while yes, Leslie has been shown to be a character who had to deal with sexism, she's also a really compelling narrative for an imperfect victim. Just because a character deals with sexist hardship, doesn't mean it makes her a feminist ideal y'know? Leslie lashes out and weaponizes her victimhood, she uses her audience to bully others.

I think one of the flaws to the longevity of her character as a villain is because her narrow hatred of Supes makes her themes short lived. So I really want to expand it through Satoshi Kon-style deconstruction of how people juggle having multiple identities in the modern era. In the (bleh) Batgirl Burnside comic Livewire shows up in, she returns as a being of energy who doesn't remember who she was before. In STAS, it's left ambiguous whether she actually believes what she says about Superman or if it's all part of an act that "pays the bills!".

Imagine the opportunity to make it so she pieced together a sense of self from the fractured way her audience viewed her! What a great way to talk about how parasocial relationships make us think we know a person from the bombastic way they present themselves (Casually Comics thought of this brilliant take). DCSHG has been the most competent reimagining of Livewire. A perfect update of her shock jock origins into the internet era that revitalizes her attention-seeking traits into the clout-chasing grind of social media personality.

All this to say, Livewire's way more that just "sassy woman on the radio fighting against The Man!" I think making her a punk appropriating, rebellious, internet personality who uses her privilege to marginalize others for clout and money is a natural, more political progression of what DCSHG built with her character.

I don't really understand how you can look at a character whose most prominent iterations involve her bullying and targeting people (including other women) and tell me she's "feminist" unless you actually believe in Leslie's version of White Woman Girl Power. Any kind of "feminism" that touts Hating Men as a major point should be something to be critical of.