#and it HAUNTS MEEEE

[andvys]

@thesickestqrmydcll saw this quote on tiktok and it reminded me of steve and cheer

“unfortunately i will keep waiting for you till our time is right again, because god won’t let me forget you for a reason”

and i just needed to share this with you

[1alchemistart]

have a ms chimken

[ilovemesomevincentprice]

Vincent Price ---

The Haunted Palace (1963) dir. Roger Corman

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[year2000electronics]

it's over.

[rootworks]

amen 🦋

[sleepanonymous]

(Some) Information below the cut.

I unfortunately have very little information on this song. No link, no description, no upload date, and, frustratingly, no lyrics.

So who wants to play a game of what the hell is baby Ves saying in this song?

The internet’s best guess is as follows:

Road signs Stare at me with cold eyes Tell me where I am  Street lights Projecting through this dark night Tell me who I am

I am telescopic Misanthropic Please just stop it now

Television Telling children Eat till you explode

All the houses look the same around here  You’ll need to drive slow All the children have lost their minds x2

All the houses look the same around here  (All you can hear is the sound of a train) You’ll need to drive slow All the children have lost their minds (So much grey you can feel it in your veins) x2

All you can hear is the sound of a train So much grey you can feel it in your veins

[thepanicsquid]

I was updating my website and thought I should start posting some of my art here. First…some Little Shop of Horrors stuff. An Audrey/II/Haunted Mansion crossover and Ben Schwartz as Seymour.

[opikiquu]

.Aventurine. Aventurine. Boy wh y

[inkspottie]

Have ever think to a confluence monster party au, Where seb was a normal alquimist or something that was accused to murder nine people and they hang him up and kill him and noir took his body for her evil experiments of black magic by turning him into a franken fish man and Sadao used to be noir scientific asisnts and also being turn by her into this insect man for betraying her by trying to get seb out of there with him and painter which would like a spirit or animal franken too with them!?

Boy do you guys love to get my gears churning

Enjoy before I go to bed and think about this…

[musings-of-miss-j]

[lovetransaction]

It's wild to me that people's opinions of John (not factoring in personal bleed) are based ENTIRELY on the shitshow that was his life post-Mary death. Like people are out here measuring Sam's and Dean's heights to calculate the nutritional deficit in Dean's physical development but can't spare a minute to think about John as a whole character. Okay come with me for a minute:

you're John Eric Winchester from Normal, Illinois, and you're a pretty ordinary child, there's literally nothing exciting about you but here you are! You exist! You like yo-yos and guns and planes or at least that's what your parents buy for you.

your dad, who tends to go to work at odd hours, takes you to see an Abbott & Costello movie about a mummy when you're a pre-schooler and it scares the piss out of you. Your dad (who has intimate knowledge of the REAL things that go bump in the night) buys you a music box to calm you down. This music box plays a song from one of the most famous cinematic scenes of romantic melancholy that exists. Despite the late 50s being music box heyday with many options available that play lullabies, for some reason everyone thinks this is a reasonable choice. You will in fact idly whistle "As Time Goes By" all throughout your life.

when you're four, your dad abandons you and you never hear from him again or ever find out why he left you.

your mother Millie doesn't remarry. You have no family around (presumably?) so she raises you, alone, a single mother who can't even claim her husband died in the war, any war. You barely talk about your childhood even in relation to your own sons and how you raise them.

you play baseball/softball because where else can you find a readymade source of companionship and a built-in father figure (from a distance).

at seventeen full of anger and a dad-hole a mile wide you fake your age to join the Marines and be shipped off to Vietnam. While you don't talk about it much when you return to the World, you will default to drill sergeant when your back's to the wall.

you become a mechanic because you come from a family of mechanics.

you meet Mary Campbell and your whole future falls into place. Or at least, that's what you believe. Until November 2nd, 1983.

like there's ALL OF THAT before the John Winchester who's an enormous mess but does everything he can to keep his kids alive. I'm not saying anybody needs to like John but the kneejerk response of "he should be KILLED ACTUALLY" to even the canonically unequivocally good things he did while examining other characters' microexpressions down to the nth degree to ascribe victimhood is just so weird.

[ilovemesomevincentprice]

Vincent Price

House on Haunted Hill (1959)

[crazyyyslots]

malboro malboro

[rottingangelwings]

scare me

[jopzer]

okay. i have finally finished my rewatch and i think i've finally made sense of my thoughts vis a vis ted and jamie's relationship.

i think it's very interesting that the exact moment ted pulls away from being directly involved in jamie's development is when he realizes that what jamie needs is a father. like in season one and arguably the first half of season two he is very hands on in trying to get jamie to realize his potential/the error of his ways but like. things are noticeably different after he sees him and james through the door, and then after wembley they do not really interact again in a meaningful way until mom city. roy literally picks it up as ted sets it down, like. he can't be what jamie needs he doesn't Want to, he can barely even handle what he feels for henry like we see in mom city, he's not picking up a bonus son you know

i really do think it's a very interesting way to handle their relationship specifically. they're so so intertwined in their character arcs and they're constantly setting each other's off but they can't really meet in the middle because ted can't/won't connect with him on that level. they're a son without a father and a father without a son and they can't click into that relationship because ted pulls away from him the minute it becomes clear that's what jamie needs, and we see it come full circle and see why in his monologue during mom city