#like when they interact in s1 whatever that episode is

[wishfulsketching]

So. That was Arcane. As a whole.

Best episode of the season was episode 7. I might be a bit biased thanks to Silco and Vander living it up as their older selves but also, Ekko is truly the mvp of the show.

I hmm. Well. Victor. I see what was going on there. I see the vision. I loved lot of it. I had the sudden realizations of "that's Victor, right" before it happened....dude looked more like Jesus than ever before too. But uhh. Hmm. Hmm. There is like a chapter missing between s1 and s2 with Victor. Or more like mid season 2 chapter. Love my boy still. I did not care for his Machine Herald look. I liked the idea of the face being split. It hmm. I feel like they said, instead of showed, a lot with Victor this season.

My controversial opinion: Isha was unnecessary. The black rose mage stuff was unnecessary. Same end result could've been achieved with other means. Vi was just there to experience things and be sad. Jinx can't have shit and should suffer all the time, I guess.

BUT

Nice

My man was a positive voice for Jinx. Uhhh in a way. Kinda made her go suicidal but like, he was trying. He is always trying. Even after death. Maybe after his hallucination talk people will understand that Silco wasn't just a evil dude with evil things to do, he was as trapped as everyone else in Zaun and wanted to break free.

Tho, I doubt it. The main enemy in Arcane is the class divide. In my eyes.

I do love the exploration of Hextech and how using magic in a technological way can be super dangerous and fuck shit up. I wanted to see that. And I did see that in season 1, when Jayce realizes how dangerous the hextech weapons are! Exploring the time loop and how abstract magic is, was great! I just.

I love this show. Very much. Season 1, no notes. It's made for me.

Season 2 seems like a people pleaser. And I am pleased! Yet I also wanted something different.

I am still happy because I got my vindication. Zaundads is canon, fuck yeah! No man looks at another man like that and is not in love with them!

I loved that they kept that Vander still tried to kill Silco. Silco went "yea ok that ass too good to quit. What is little murder between lovers, anyway. Come here bby"

Only thing. Silco should've interacted with Jinx in the alternative timeline. A simple "you look beautiful" when she has her entrance or "hey here's snack have fun building whatever you guys are building. Don't make too much noise, your father and I need to get up early tomorrow ok bye bye my perfect little genius"

[jopzer]

okay. i have finally finished my rewatch and i think i've finally made sense of my thoughts vis a vis ted and jamie's relationship.

i think it's very interesting that the exact moment ted pulls away from being directly involved in jamie's development is when he realizes that what jamie needs is a father. like in season one and arguably the first half of season two he is very hands on in trying to get jamie to realize his potential/the error of his ways but like. things are noticeably different after he sees him and james through the door, and then after wembley they do not really interact again in a meaningful way until mom city. roy literally picks it up as ted sets it down, like. he can't be what jamie needs he doesn't Want to, he can barely even handle what he feels for henry like we see in mom city, he's not picking up a bonus son you know

i really do think it's a very interesting way to handle their relationship specifically. they're so so intertwined in their character arcs and they're constantly setting each other's off but they can't really meet in the middle because ted can't/won't connect with him on that level. they're a son without a father and a father without a son and they can't click into that relationship because ted pulls away from him the minute it becomes clear that's what jamie needs, and we see it come full circle and see why in his monologue during mom city

[ollycohens]

oh no you guys. i’m going to spew things i’ve realized while rewatching umbrella academy. I’m realizing were all being too sucked into fanon things after being stuck without canon content for so long. We have convinced ourselves Five acts like a mean mean dude to everyone but rewatching, i’ve realized he’s only stressed and is saying things out of panicked anger, especially in s1 with the apocalypse dooming over them. he acts soft to his siblings multiple times, he’s really not as mean as we write him in fanfiction. he is a little crap though, that’s for sure, and i love him for that <3

also realizing that the siblings don’t hate five. they just literally don’t know him at all. he came back a completely different person after 17 years for the siblings, they don’t know five, he’s a stranger so of course they’re gonna be cold to him. it’s like, “i don’t know you well, but you’re always going to be my brother in the end”.

ALSO. for those who ship some of the siblings, uhm… i’ve seen a lot of you guys try to prove that they don’t see eachother as siblings and more like academy students, but they very much say in just about every episode that they see eachother as siblings. they don’t actually SAY that word by word but they say things like “she’s our sister”, or “our dad”. if they say OUR dad… bro. i’m not even going to continue, you can put it together yourself. But, i do realize why people ship the siblings. I am not defending incest shippers but with umbrella academy i can see why people have resorted to it. only 3 of the characters in the main sibling cast has romantic partners. people like shipping people, people love writing romantic relationships, but with only diego/lila, dave/klaus, and sissy/viktor, (i’m not going to count five/dolores for now) people are desperate with the need to ship the rest of the siblings with someone, and since there are only a few actual canon characters in the show that interact with our main 7, people start shipping them together… yikes. anywho, that’s all for that peice. i blame the show writers as well for shipping luther/allison, they did not have to do that, but i’m hoping it was only to convey the severity of what childhood trauma does to people.

ALSO THIS HERE SHOOK ME. I actually think Reginald cares for the siblings. i hate to say it, but it’s true. caring for them does not mean being good, though. he was a horrible father, and person, but he genuinely did care for the siblings, in a like, “being the best is the best thing for you, i will make you better, for your sake, even if you don’t know it now, you will see that i am right” kind of way.

also why has NOBODY MENTIONED THIS. in season 2 when diego first reunites with five in the asylum, while he’s walking into the visitors room, he’s staring at five with this heartfelt, soft look, and then says “five…” in the most soft spoken voice ever 😭 your honor i love them

ALSO UGHHH THIS. IM GOING TO FREAK OUT ABOUT CAMERAWORK AND METAPHORS HERE SO BARE WITH ME. we as a fandom complain about the lack of flashbacks five has due to his ptsd. we’ve seen his first flashback since getting back to his family in s1 during the van scene when he gets triggered by those kids playing and starts thinking about his own childhood, i’m guessing. i ate that scene up, and was sad to see that be one of the only deeply vulnerable scenes he has in the season, and during my first watch i thought they’d never bring it back up. but they do!! i may be stupid for not realizing but whatever. in season 2, when five is trying to explain at elliot’s with all his siblings around that another apocalypse is coming, everyone starts talking about each other. as someone who studies film and camerawork, i love this scene. we see the camera focus on five as it slowly zooms in. it doesn’t switch scenes at all as the siblings voices overlap and echo over eachother. this whole scene conveys him getting overwhelmed and he starts to zone out, starting to think of the nuclear war he saw his siblings in. the scenes of the war start quickly switching through, showing many different scenes of it before it switches back to five, who says “guys, you all die. i want to forget it but i can’t” which just UGH its so well done there. if you think about it, he was starting to slip into another flashback. he was triggered by talking about their deaths in the war but was handling it well until the siblings started fighting, where we see the overlapping voices happen. it portrays him losing control and being unable to pull it back together with too much going on for him to focus on grounding himself. we DO however, see that five was able to pull himself out before he fell too deep into the flashback. i love how they show this through them still having the scene showing the war, but then fives voice starts talking over the scene which is still focusing on the war as if he was pushing it back and forcing himself to come back to the present.

thank you for reading if you’ve made it this far, i will continue to freak out another time <3

[captn-trex]

wnefojaenf thank you so much !!!!! i'm honoured to be subjected to a lupe-style ramble haha <3

I'm gonna ramble back because you pointed out some stuff that I love

yeah this characterisation was super fun to write. at first I was worried he would come across as a little boring, kinda just being gentlemanly and nice or whatever, but I think that when they're opening up to each other it becomes a nice compliment to the way the reader goes on, particularly as she can be a little flirty and he's just like 😳 idk how to deal with this

and that's my favourite bit of the chapter too omg !!!! I'm not really one to think that my writing is good enough to dissect a lot, but that interaction was definitely something I thought about a lot, and that one section you pulled really shows the entire crux of why they work well together. she's just speaking honestly, just saying what she truly believes, and howzer almost takes it as a joke like 'oh yeah, well what am I owed?' but without hesitation she tells him that he deserves a lot more than how he thinks about himself. having him kinda not understanding the gravity of her words [about him getting what he's owed] at first was important to me, like it doesn't really click for him just how simply compassionate she is until that moment, and honestly that there are people in the galaxy who actually care about what happens to him and his brothers.

and this links so much to what you said about howzer's inner thoughts!!! this story ends basically right before we meet him in tbb (but we're gonna pretend he doesn't get imprisoned because I choose to live in delusion), and at first I was wondering if I was making it too political compared to what he's like in the show (in the part 2 particularly) but then I rewatched his s1 episodes and I do think it fits really well with how he acts, like he's kinda just worn down and suspicious of the imperials and.. yeah. I guess I tried to implement that, and also give a reason as to why he's so sceptical (it's because reader as been feeding him anti-imperial propaganda hehe)

yeah the whole clone rights business really scratches my brain in the right way. the picnic scene was my favourite to write in the whole thing I think :) just opening up to one anther, and howzer getting to see who she really is.

and thank you!! yeah I definitely put a lot of myself into this fic, particularly with the more political stuff (definitely inspired by my thoughts on.. real life events, even though I wrote most of if before the election)

anyway sorry that was long lmao, you just picked out some stuff that really exemplified what I was trying to do so that's really awesome :) I'm glad it got across to you :) thank you so much for reading !! <3<3

angel of small death

Howzer x F!Reader / Twi'lek!Reader 

word count: 7.8k / 23k

part one | part two | part three

description: after the rise of the Empire, Howzer finds his position on Ryloth to be precarious at best, but his attention is drawn from his troubles when he finds himself captivated by a new politician’s arrival

warnings/tags: 18+ !!! strangers to lovers, mutual pining, some angst — political thoughts/discussions throughout, specific reference to clone rights/treatment/autonomy in this part, fluff :) smut in part three

a/n: ok I'm actually very proud of this one. lowkey my magnum opus. It took so fucking long to write though omg. if you get the title you get it, re: français risqué. but also howzer is hozier-coded in my mind and I can't tell you what that means. gentlemanly but not immune to hot women? perhaps? part two in a couple days :)

masterlist | join my taglist

Howzer shifted uncomfortably in his spot. He had never been one to play politics, but the conversations that he had been overhearing of late had him worried.

He stood guard at the door while Cham Syndulla spoke with diplomats of various denominations around a large oval table, and all the talk of the newly risen Empire made his insides twist with an unpleasant feeling. There was something truly sinister in play, he just couldn’t place it. That’s what distressed him the most about it.

He had heard of a new refinery that was situated at the edge of the city, he’d heard the rumours that the Empire’s methods were less than humane, that they were using slave labour. He didn’t want to put stake in false claims, but the whispers were getting louder. He wouldn’t dare speak of it to Cham, especially not now, while tensions were already so high.

He could see the focus on his superior’s face, a displeased expression that he knew all too well; a deep frown on his lips that would turn the tide of any conversation to his favour. The senatorial representatives seemed unphased, however. Howzer presumed they were more familiar with the tactics of politicians, of which Cham wasn’t recognised as by the senate, despite how much harder he had fought for Ryloth’s freedom than Orn Free Taa. The Hammer of Ryloth would fall on anyone in his path eventually, no matter how they were resisting his opening gambit, Howzer knew that.

It was what worried him the most.

There was no way Cham would be allowed to continue partaking in senator-level discussions, not when it was well known how the true senator of Ryloth felt threatened by his mere existence. He worried what Cham would do then. He could never be forced into subservience.

“Captain” the voice of his superior called to him, and he straightened, his gaze shifting over to the Twi’lek who approached, “is everything alright?”

“Everything is fine, sir” he replied assuredly, a respectful nod accompanying his words.

The diplomatic guests filed out of the door beside him, and Cham gave him an unsubtle and questioning look.

“Well then” he motioned to the door, “we are now to meet Senator Orn Free Taa in the foyer”

Howzer visibly cringed as he left the room behind Cham. He had never liked the politician. It was clear how little interest he had in his people, and how all of his attention was instead focused on making himself seem more important. Howzer didn’t play politics, but it didn’t take a genius to see that much.

He stalked down the hallway in silence, one step behind Cham, who in turn kept his distance from the senatorial reps.

“What is it Captain?” the Twi’lek asked him in a hushed voice, turning to face him.

Howzer sighed, looking to the floor ahead of him, “nothing sir, it’s just been a long week”

“Hm” Cham seemed unconvinced by his explanation, but he took it anyway, “it has been indeed”

At the start of the week, Howzer was still a soldier of the Republic. He was still a Captain in the Grand Army. Now? He wasn't sure what he was, or what he would become either. His men had been acting exceeding strangely, and he didn't know what to make of it. He figured that if he kept his head down and followed orders, something would come to light eventually.

The elevator ride down to the ground floor was quiet, and Howzer couldn’t have been more uncomfortable. The ping that let them know they had arrived brought a welcome reprieve to the tense atmosphere that surrounded the discontented politicians.

Cham's wife, Eleni, swept down stairs opposite, lifting the hem her gown in one hand. She held herself with the grace of a queen, acting accordingly, and Howzer had the utmost respect for her. He gave her a steady bow of his head, and she smiled warmly at him in return before greeting her husband with a kiss to his cheek.

“Where is our guest, my dear?” Cham spoke, running a hand down her arm.

Eleni chuckled, a pleasant and breathy sound, “Be patient my love”

Howzer kept his distance, hovering at the edge of everything. He preferred not to be involved, it was only his job to stand guard after all, and it was certainly no shame to miss out in conversation with Orn Free Taa.

The grand doors that opened into the square parted, a party of four being ushered in. It was unusual, ordinarily there was only the Senator and two of his aides. Howzer paid it no mind, keeping his gaze on those he was charged with protecting.

That was until his eyes caught the lilac skin of the fourth Twi'lek to enter the room. Her demeanour was a stark contrast to that of her counterparts. She bore a plain expression, and had none of the smug self-importance that the others had so perfected. Her clothes were a little more grandiose than the other aides, robes of rich velvet and silk hanging from her frame, cinched against skin and flowing freely in equal parts. She looked regal, and yet, there was something reserved about her appearance, as if she didn't want to make herself known.

For all that she hadn’t caught the attention of the other people present, Howzer could scarcely take his eyes from her.

“Senator” Cham welcomed him inside, “how wonderful it is to see you”

Howzer could hear how strained his voice was in saying the false words, and in the reply from the Senator even more so. He was not interested in the specifics of the mock flattery between the rival Twi'leks, he instead turned his focus to the woman who insisted on hiding herself behind the Senator.

He trailed his eyes down her lekku, which stretched past her waist and were adorned by pale swirling markings, reaching forwards towards her face and beneath her headdress. Her eyes were darkened by makeup, but when her irises met his, he was struck by the spark of life within them.

Her eyes found his a number of times throughout the exchange, the only two people who were not engaged in conversation. He tried to keep from staring entirely, not wishing to make her uncomfortable or seem improper, but his eyes always found their way back.

Eventually, Eleni addressed her, finally noticing the person who hung back from the Senator.

“What is your name? I don't think we've met before” she asked, taking her hand to shake.

You went to speak, but the Senator beat you to it.

“This is my aide” he explained, giving your name.

You looked at the man with a small amount of contempt before giving a polite nod to Eleni, “it’s a pleasure to meet you ma’am”

The sound was music to Howzer's ears. Your accent was similar to that of the other Twi'leks, though softened slightly, as if you had been off world for a long time.

Eleni smiled graciously, “the pleasure is all mine”

You stepped backwards, your hands folded neatly in front of you, and the conversation shortly dwindled. Cham was finding he had little to say to the pompous Senator, and luckily he was saved by way of his daughter, Hera, invading the room with her droid in toe.

Howzer smiled at the sight, and even more when Orn Free Taa looked visibly uncomfortable at the intrusion. He kept his head down from that point on, for fear of being called out for laughing at the Senator. He instinctively glanced over at you once more, and was pleasantly surprised to see you also having to hide your laughter.

Your lips were twisted in a smirk, your hand coming up to partially cover it, but from the angle, nothing was hidden from the clone. Your eyes met his, and a small moment passed between you, both of you having to try harder to supress your chuckles.

Howzer was convinced by that simple action alone, without having spoken to you himself, that in time he would find you to be the most welcome company.

When Howzer left the barracks the following morning, he was displeased to find that the air outside still felt heavy. It had been this way since the shift in power, an invisible mist that surrounded the people of Ryloth, but specifically his men. He took a deep breath, seeking some of the fresh air that should be present on sunny mornings such as this one, but evidently the powers of the galaxy didn’t see fit to reward him with any relief.

His walk towards the senate bureau was short enough, but Howzer revelled in every moment he could. Before long he’d be holed up inside once more, listening to overzealous politicians discuss the future of the planet, as if they knew the first thing about the inhabitants of it. Howzer couldn't help but feel resentful towards the bureaucrats. They posed as public servants, but being inside their talks, he knew they only cared for themselves. It was the reason that Cham and his freedom fighters had even had to step up during the war.

He tried not to let it weigh on his mind. There was nothing he could do to fix it, after all, and with the Empire on the rise, he wouldn’t presume that anyone else could either. He held back a sigh as he turned the corner into the square that the bureau overlooked, not needing to be questioned on why he looked so utterly defeated. As he strode across the square, his eyes caught on a glimmer of light, shining and dancing in the early morning sun, which he discovered had bounced from your silver headwear.

Howzer didn’t expect to see you again so soon, and he couldn't help but notice how utterly lost and confused you looked, wandering along the edge of the square and glancing all about the place. He smiled softly, adjusting his grip on his helmet, and changed direction to cross in your path.

“Are you alright miss?” he asked softly, not wishing to scare you.

You whirled around nonetheless, evidently a little surprised that someone had approached you. The moment your eyes caught his, he could see the embarrassment flash across them, and you let out a quiet self-deprecating chuckle.

“I appear to be lost” you informed him, though he had already figured that much out.

Instead of telling you that, he asked, “where are you headed?”

“Um… I'm not entirely sure” you admitted, a mauve blush appearing across your cheeks. Howzer gave you a patient smile as you collected yourself, finding it hard not to be instantly enamoured by you. “Might you know where the Senator resides?” you asked him, a hopeful look in your eyes.

He nodded, “I can show you the way if you like”

Your eyes lit up a little at his words, “that would be lovely, though I do hope it's not too far out of your way”

“It's not” Howzer assured with a kind smile, “this way”

You followed the clone trooper silently across the square, and he took stock of you in a flick of his eyes. Your robes were a dark plum colour, a little less formal than the queenly attire you had been wearing the previous day, but exceedingly opulent nonetheless. It was hard not to notice the clothes that you wore, not only because of their sophistication, but also because he himself never changed from the armour that he currently wore on his back.

“How long have you been working for Senator Taa?” he inquired, holding open the door to the building.

He noticed the way you sighed, squaring your jaw before you spoke, “a little over 3 years”

“So… you live on Coruscant?” he prompted, aiming to move the conversation from the imperious senator.

“I did” you looked up at him as you walked in tandem, a sad smile pulling at the corner of your lips.

Howzer instinctively raised his brows a little, “you don't like it here?”

“I do” you confirmed in an assured voice, your hands closing around your robes and lifting them an inch as you began climbing the stairs, “it’s my home planet, it’s just…”

Howzer watched the way your throat tightened as you forced yourself to swallow, burying your words. The action was filled with all the grace and restraint of a politician, though it was obvious that something was bothering you.

You gave him a smile that didn’t quite reach your eyes, “I shouldn’t say. It’s not my place”

Howzer nodded with an amiable enough expression, though his eyes observed your movements carefully. Your fingers slotted together as the two of you reached the top of the stairs, hands joined in front of your robes, your gaze ahead of you, fixed and steady, and your mouth a hard line. You were impossible to read, and he found it more than a little unnerving.

“What about you?” you turned your attention to the clone beside you, “do you like it here?”

Howzer was a little startled. Aside from his brothers, no one but Cham or Eleni ever asked him about himself. There was an expectancy in your eyes however, something kind and patient as you waited for him to reply, something that told him you cared to know his answer.

“Oh, well” he began a little inelegantly, “anything is better than Kamino, I suppose”

You chuckled, a charming sound that made Howzer’s heart flutter with pride, “have you always been stationed here?”

“For most of my time in the war, yes” he replied, guiding you through a doorway and towards the office that the two of you had been searching out.

The hall was far more luxurious than those which Howzer usually passed through. There were grand arches and satin curtains which swayed gently in the breeze, the lavish wooden windows thrown open to overlook the city. Your imposing garb didn’t seem so garish here, it just made Howzer feel underdressed.

“Well, this is it” he smiled cordially, gesturing a gloved hand to the door at the end of the hall.

“Thank you” you stopped, squaring your shoulders with his and giving him an apologetic look, “I’m sorry, I didn’t even ask your name”

Howzer couldn’t help but smile at you with more intention. He had never known a politician apologise to him.

“It’s Howzer” he spoke, “and it’s a pleasure to make your acquaintance, ma’am”

You let out a breathy laugh, shaking your head slightly and a certain twinkle in your eye, “the pleasure is all mine, as long as you don’t call me that again”

Howzer huffed a small laugh, “certainly, my apologies”

“No need for apologies” you waved him off, “but thanks are in order, I would never have found my way here without you”

You held out your hand, and it took a moment for Howzer to register what was going on. He hesitated for a second longer even so, unsure if it was proper conduct to be touching senate officials, but your gracious expression made him give in. He took your hand and shook it firmly, though not gripping too hard for how delicate it looked wrapped by his fingers.

“Anytime” he bowed his head in respect and let his hand fall from yours as he exited the hallway.

Howzer could now admit that he was entirely fascinated by you. To him, you gave the air of such importance, especially as you were only an aide. Aside from that, you were unlike any of the other senate members he had had the misfortune of crossing. The difference being that you actually seemed pleasant to be around.

He took the route towards Cham’s office, and he had to suppress the grin that threatened to take over his face. He didn’t exactly know what he was grinning about, but he felt anything that could draw such a reaction from him in the troubling times he inhabited surely couldn’t be a bad thing.

The next few days passed in a blur of tedious meetings and rising tensions, and Howzer just kept his head down, staying out of everything. It was a welcome respite from the all-out conflict against the separatists, but he still couldn’t help but find it exceptionally dull.

As he had hoped, he had crossed paths with you reasonably often. He came to realise that you didn't speak an awful lot, or that you only spoke when you had something notable to say. You were practically silent in senate discussions, though you had a seat at the table. It only made Howzer more intrigued and confused, since the other aides stood behind the Senator, whereas your place was beside him.

You were always engaged, though it was clear that you aimed to keep to yourself. A number of times he could see you holding back, and he came to recognise the tick in your jaw when someone said something you disapproved of. It was fascinating to watch you work. You were the only one that took notes in meetings, the only one that seemed entirely immersed, and yet, you said so few words.

He couldn't fully understand the way you went on, and it only made him think that there was more to you than met the eye. The way you carried yourself was something curious to him. You were elegance incarnate, unaffected by your heavy robes and gliding around almost as if you were a ghost, hauntingly beautiful.

The most thrilling thing of all was that you made sure to speak with him every time you passed him by. It was always a simple ‘good morning’ or ‘good afternoon’, but he couldn't ignore the way it sent a shiver running down his spine, especially as your words were always accompanied by an affectionate smile, your eyes sparkling.

He found you entirely charming, and even more so when he often saw you sat outside of an evening, under a tree that the barracks overlooked, a flimsibook in hand and stylus working furiously against it. He greatly desired to know what you were writing. The scene was like something from a painting, similar to the ones he'd seen in the more grandiose corners of the senate bureau; your robes fanned out around you at the bottom of a tall whiptree, your expression thoughtful as you scribbled words down onto the pages of the leatherbound book. The dying light hit your skin in a similar fashion as those brush strokes, a warm glow that made you look ethereal, as if you had been someone's muse.

Howzer had even caught himself leaning on the window ledge, watching you write, and then internally scolded himself when he realised what he was doing. It was entirely improper to be fawning over a senate official, he knew that. There was just something about you he couldn't quite figure out, and he was determined to know what it was.

It was around midday when Cham addressed the people of Ryloth, Orn Free Taa at his side, with a speech that he had been preparing for a number of days now. You hung back from him, standing beside Eleni, and Howzer found himself edging forwards so he was in earshot of your conversation. His ears perked up the sound of your laugh. It was something he hadn’t heard since your first encounter.

“I couldn’t say” you replied to whatever Eleni had asked, “ordinarily I don't accompany Senator Taa to meetings”

“Oh? How come”

Howzer watched the way your shoulders sagged as a sigh escaped you, “Truth be told, we don’t usually work so closely. I represent him in the senate when he’s… otherwise engaged”

“You’re a senate representative?” Eleni asked, her tone surprised, “I could have sworn the Senator introduced you as his aide”

“Yes, well…” you jaw ticked with indignance, your voice becoming hushed, “the Senator doesn’t really seem to understand the work I do in his stead”

“I see” Eleni matched your quiet tone, “Though… if you represent him in his absence, why are you here on Ryloth? Shouldn't you have remained on Coruscant”

You didn't answer for a moment, and Howzer tried to gauge your thoughts. You gave nothing away, as always. His eyes followed the movement of your arms as you slotted your hands together behind your back, disappearing beneath your robes. It was clear that whatever you were about to divulge was not for the ears of everyone, so you must have trusted Eleni more than he realised.

“The Emperor saw fit to… relocate me” you admitted.

Howzer's eyebrows raised in surprise.

“The Emperor?” Eleni asked, her tone incredulous, “why does the Emperor want you here?”

You swallowed, glancing behind you, and Howzer averted his eyes as to not get caught listening in.

“I think it was more about me not being on Coruscant” you said lowly, your voice dripping with unease, though carefully measured.

Howzer was alarmed. What did you mean? What possible reason could the Emperor have for getting rid of you?

In any case, Eleni's own questions died on her lips as the Senator and her husband returned from the front of the room. Orn Free Taa addressed you, your name sharp on his tongue as he instructed you to accompany him to his office without so much as looking in your direction. You nodded and said a courteous goodbye to Eleni as you turned to follow him with Cham on your heels.

Your eyes flicked towards Howzer as you passed by him, and you gave a warm smile. There was a certain glint in your eyes, a small flicker of repressed amusement that didn't go unnoticed by him. He gave you a respectful nod, taking his place one step behind Cham as the four of you walked towards the Senator's office.

The session that followed was hard to sit through. It felt like a mutiny against Cham, whilst dancing around the fact that that's what was going on. The bureaucrats that had travelled from Coruscant rallied behind whatever the Senator was saying, and Howzer could feel his own anger and irritation bubbling up on Cham's behalf.

As if that wasn't enough, the session ran late, and the sun began to set as the heated discussion continued. Howzer kept half an eye on you, and though you stayed quiet, he could see the way your jaw was set. He felt that if you tensed it any harder then it would snap. He couldn't help but wonder why you wouldn't speak up if you so clearly didn't agree, and especially now knowing that you had more authority than most of the people in the room.

By the time some form of conclusion had been reached, the sun had fully sunk beneath the horizon. The senate members filed out of the room, but he saw you pull Cham aside. You spoke in a soft voice, and he couldn't hear what was being said, but the deep crease in your brow gave away the seriousness of your words. Cham nodded along, and then sighed, replying with a comforting hand on your shoulder. Howzer stood at attention until it was just you three left, and gripped his helmet a little tighter when your gaze wandered his way. You straightened, stepping back from the other Twi'lek with a gracious smile.

“Well, anyway, I should be getting back to my residence” you said, your voice raised from the hushed tone.

“Of course” Cham gestured to the exit, “Though, I would ask you to take extra caution, with it being darker than usual”

“I will” you nodded, making your way over to where Howzer was stationed at the door.

“Ah” Cham said suddenly, his eyes landing on the clone, “you know Captain Howzer, correct?”

Your eyebrows raised slightly as your eyes moved from the Twi’lek and over to Howzer, and he kept his expression as neutral as possible, despite being cautiously optimistic about your reaction.

“I do” you smiled at him, the slight tip of your head as you added, “Captain”

The inflection made it difficult for Howzer to keep a straight face, but he managed to supress his smirk nonetheless.

“Howzer, if you could escort the our guest here home, I would be very grateful” Cham addressed him.

“Certainly, sir” Howzer obliged, and followed the pair out of the room.

“Perhaps we can continue our conversation tomorrow?” You suggested to Cham as you descended the stairs, your voice airy and light, feigning innocence to anyone listening in.

“Yes, I was thinking the same thing” Cham replied, a glance in your direction that was not as subtle as your calculated demeanour.

Howzer trailed behind, keeping his distance and standing by the large doors while you said your goodbyes. You turned back towards him as Cham's receding footsteps rang out in the grand entrance hall, a tired smile gracing your lips.

“Shall we?” you asked, and Howzer promptly opened up the door, escorting you outside.

The air outside was cool, a light breeze gently rustling and scattering leaves along the stone floor of the town square. The feint scent of lavender hung in the air, and despite the amount of people moving about, civilians and clones alike, it felt still, calm.

“I didn't realise you were a Captain” you commented, looking up at him with a wry smile curving your lips.

Howzer couldn't hold back his smirk any longer, “I suppose we were both downplaying our roles then”

A soft laugh escaped you, and you shook your head at him, “I knew you were listening to that”

He shrugged, not sure what else to say for himself. He knew it wasn’t necessarily appropriate to be listening in on private conversations, no less private conversations that concerned the senate, but your expression told him you didn't mind all that much.

“So what do you usually do on Coruscant then?” he asked, taking his helmet in his other hand so he could inch marginally closer and hear you clearer.

You took a breath before you spoke, “for the most part, I attended senate sessions in his stead”

“How often did he have you doing that?” he questioned, lifting the branch of a tree as you passed underneath.

“Well…” you began, looking back ahead of you, “if I'm being honest, probably nine times out of ten”

Howzer's eyebrows raised, “you're essentially a Senator then”

You shook your head, a pessimistic chuckle leaving your lips, “whatever I was, it doesn't matter anymore”

Howzer knew when to keep quiet, and with the way your mask of stoicism swiftly covered your features again, he held his tongue. He had endless questions he wanted to ask you, and it took everything within him to keep his mouth shut.

Soon enough, you stopped outside a dwelling, a ground floor apartment with very little affluence to its outward appearance. If he had passed it by on his own, he never would have thought it belonged to a Senator, as he was now coming to think of you as.

“Thank you for the escort, Captain” you smiled up at him, “it seems I'm making a habit of dragging you around”

Howzer chuckled, especially as it didn’t seem like you were all that sorry about it, “I don't mind, I couldn't say it's really an inconvenience”

“I'm glad” you replied with a simper that set something alive inside of him.

He observed you for a moment. You were a little shorter than him, but your presence dwarfed him all the same, and he could feel the tips of his ears burning at your steady gaze. For all that you lived in Orn Free Taa's shadow, more literally than figuratively, you seemed exceptionally sure of yourself. It was a quiet confidence, where your imposing nature came from rationality and restraint, rather than in seeking unabashed dominance, like some other politicians. If you'd been raised in a different setting, he thought that you'd make a good soldier because of it.

“Well, thank you again” you spoke a little quieter, your hand raising to the control panel beside the door.

Howzer gave you a polite nod as he stepped back, “anytime”

You shortly disappeared behind the door, and Howzer turned to make his way to the barracks for the night. He rolled his neck, feeling the soreness that lingered there after a full day of keeping at attention.

His body still wasn't used to standing around all day, and neither was his mind, despite the fact that he felt he should be at peace. It was odd, really. He was in his element when in battle, and without it, he didn't know that he'd ever truly feel like himself again.

The following week passed without much consequence, but the mounting pressure was beginning to feel stifling.

Howzer had been stuck inside all morning with Cham, going over and rethinking the defence of the refinery just outside the city. It wasn't entirely clear to Howzer why it was so pertinent to guard the refinery so closely, but he wasn't in the mood for asking questions anymore. It was more for the fear of the answers he would get, especially from the Empire.

Finally, Cham dismissed him for lunch, and as it was far later than his usual lunch hour, he allowed him to take the rest of the day off as well. Howzer fully intended to join him again after he had replenished himself, but those plans were scrapped when he walked into the mess hall and saw you sitting in the back corner.

You looked so out of place. Your luxurious navy robe and silver jewellery only made you more noticeable, not to mention your pale lilac skin and lekku, but you were also the only other person in the room. You looked forlorn, and more outwardly emotional than he had ever seen you before. Your chin rested in your hand, your gaze fixed out of the window, and your lips were turned down in a frown.

Howzer called your name as he approached the table, and you whipped your head over to him, evidently having been lost in your thoughts. You gave him your best attempt at a smile, “Captain, how are you?”

Howzer brushed past the question, barely even registering it as he took the seat opposite you, “what are you doing here? Shouldn't you be with the Senator?”

“Ah, yes. Well…” you trailed off for a moment, your eyes wandering back outside, “he dismissed me for the rest of the day”

Howzer frowned, “why? isn't that a good thing?”

You let out a humourless laugh, and your shoulders slumped in defeat. “He doesn't like when people speak out against him” you shrugged with a nonchalance that Howzer didn't quite believe, “I should know better really”

You hid your affliction well, but for Howzer, who had grown accustomed to your usual impassive expression, it was obvious that you were upset.

“What are you doing in here?” he asked, lowering his voice to what he hoped was a comforting tone.

“I didn't want to be around the other aides” you said, then glanced back at him with one side of your lips quirked up, “and I thought no one would be in here at this time”

Howzer huffed a laugh, “I'm sorry for disturbing you then”

“Don’t be” you smiled, genuinely this time, “I'm not”

Howzer’s eyebrows raised instinctively, a little taken aback by your candour. He supposed that you had never been anything but honest, so it shouldn't surprise him that much. You had withheld things, even obviously so, but you had never not made your opinion known when speaking truthfully.

“As it happens” he began, watching your reaction carefully, “I have the rest of the day off as well”

Your head tilted, almost imperceptibly, and you raised an eyebrow, encouraging him to go on.

“I could keep you company, if you'd like” he suggested.

Your lips lifted at his words, “I'd like that”

“Alright then…” Howzer smiled, looking out the window and then back to you, “have you eaten yet?”

You shook your head.

Howzer stood from his seat, “Let's go then”

Your eyebrows raised as you followed suit, stepping out of the bench and readjusting your robes, “let's go where?”

“I know a place” he shrugged, struggling to hold back his grin at your cautious expression.

You rolled your eyes in a playful manner as you fell into step beside him, “I didn't take you as one for clichés, Captain”

“Sorry” Howzer chuckled as he held open the door to the corridor, “it'll be worth it, I promise”

“Alright” you conceded with the ghost of a smirk crossing your face.

Soon enough the two of you were making your way through the marketplace, vendors and civilians alike milling about around you. There was a sense of joy in this area of the city that Howzer rarely got to see, an innocence, as if the war had never even happened. Children played together, chasing after each other while their parents watched on with bright smiles, eyes full of love.

“This way” Howzer said, gently guiding you down a side street, his hand accidently brushing your lower back as he placed a protective arm around you body to shield you from the hustle and bustle.

“You don't need to do that, Captain” you told him, “I'm not made of glass”

“Sorry, just doing my job” he insisted.

“By bringing me to some secret lunch spot?” you asked, raising an eyebrow.

Howzer huffed a laugh and his hand instinctively curled around the back of his neck, “I— uh, perhaps not”

“I’m just teasing” you smiled, “I don't expect you to do your job while you're not on duty”

“Then perhaps you can stop calling me Captain” he suggested, his heart beating a little faster, hoping you wouldn't see the request as improper.

Thankfully, you let out a small chuckle, “I suppose that makes sense”

Shortly, you came upon a stand that smelled divine, and the vendor's eyes shone as she saw Howzer approaching.

“Captain” she beamed, “it's been too long”

“It has” Howzer smiled back politely, “we'll just get two of the regular”

“Of course” the Twi'lek then cast her eyes to you, sweeping her gaze down your regal attire, “who's this?”

Howzer was going to answer, but you beat him to it, giving your name, and nothing else. He raised an eyebrow at you, wondering why you were so adverse to admit your importance, but you just glanced at him and subtly shook your head.

“Well, it's a pleasure” the vendor smiled, eyes darting between the two of you “never known the Captain here to bring anyone else with him”

“Is that so?” you asked, a wry smile curling your lips as you tilted your head to him.

Howzer could feel himself blushing, his cheeks burning as he looked down, “yeah, I guess not”

“Sorry Captain” the vendor chuckled, handing over two small boxes of food, “that'll be 15 credits”

Howzer busied himself with digging through the pouches in his belt, and pulling out the credits to hand over. Before the vendor could take them, you placed your hand on his arm to stop him.

“Please, let me” you insisted, pulling out your own credits from your pocket.

Howzer said your name in an aporetic tone, “you can't expect me to let you pay when I'm the one who brought you here”

“That's exactly what I expect” you spared him a glance as you counted your credits, and you looked startlingly serious.

“No” he shook his head, trying to hand over the credits again, “I won't let you”

You grabbed his arm and this time tugged it down, your gaze stern, “you will”

Howzer was more than a little confused by your actions, but he wasn't going to refuse what felt eerily like an order. A force of habit, perhaps, but the look in your eye was something fierce that he didn't want to be on the receiving end of again.

He let you hand over the credits to the vendor, whose lips were twisted in an amused smirk, an eyebrow raised at him. He waved it off, and led the two of you away, throwing a thank you over his shoulder as you left.

“Sorry” you looked up at him with more bashfulness than he’d ever seen from you, “I didn't mean to be rude”

“Don't worry about it” he smiled reassuringly, choosing not to dwell on it too much.

You mirrored his gesture back to him and then looked towards where he was leading you.

“So” you began, “where are you taking me now?”

Howzer's lips twitched with a smirk, “I told you, I know a place”

A genuine laugh escaped you, and Howzer's heart sang at the sound, “you're really talking it up”

“Trust me, it's worth the mystery” he claimed.

“Alright” you smiled with a light shake of your head, “I'll trust you”

Howzer led you out of the city, the streets becoming increasingly empty as you strolled, and the cheerful cries of children playing were exchanged for birdsong. The edge of the city gave way to a forest, tall whiptrees casting spindly shadows onto the outer buildings and scattering the floor with leaves.

As you made your way between the trees, you lifted the hem of your robes, an instinctual move on your part, but Howzer could only think about how graceful the action was. Your head was angled towards the ground, taking in the way the afternoon sun shone through the leaves and spread shadows across the forest floor.

Before long, the forest path opened up and you came upon a lake, the water a deep blue colour and glittering as it gently swayed in the breeze. Half of it was cast in shadow as a part of the cliff face above jutted out and hung over the body of water. Your eyes were full of wonder looking upon it, and he couldn’t take his own eyes away from your awe-struck expression.

“This is…” you failed to complete your sentence as you looked up at him with a wide grin, something of childlike wonder and pleasant surprise.

“It’s nice, right?” he said, taking a seat on a soft patch of grass by the side of the lake, gesturing for you to do the same.

“Yeah, you weren’t kidding” you laughed, your eyes dancing with amusement as you took your seat across from him, “this is some place you know”

Howzer allowed himself a smug look, a shrug to soften it, “told you”

He passed your food over, and popped the lid from his as you did the same. You inhaled through your nose, taking in the sweet yet spicy scent of the meal, and his lips lifted as you looked pleased by it. You both dug in using the utensil provided, and Howzer felt his shoulders relax as you let out a contented noise, your eyes closing for a moment to savour the taste.

“Good?” he prompted.

“Very” you nodded, opening your eyes, “you sure know how to spoil a girl”

Howzer could feel his cheeks burning as he chuckled and turned his attention down to his food. Your wry smile and the teasing glint in your eye was frankly too much for him to deal with if he wanted to maintain an air of professionalism, so he kept his head down for the remainder of the meal. It wasn't hard, the food was delicious after all.

“Howzer” your voice called to him, using his given name for the first time, “can I ask you something?”

“Of course” he said, placing his empty box down next to where you had left yours and giving you all of his attention again.

“Why is it that you're stationed in the senate bureau? If you're a Captain, I would have thought you might be elsewhere” you clarified.

“Oh” he looked past you for a moment, searching for the right words, “well, now that the war is over, I don't serve the same purpose. Cham trusts me, I suppose — we work well together, so for the time being, I'm stationed with him”

You nodded as he spoke, taking a moment to understand the information before you spoke up again. It was the very practiced act of a politician, and Howzer noted the concentration in your eyes that he only usually saw in meetings.

“Cham isn't a fan of the Senator, is he?”

Howzer hesitated, giving you a dubious look.

“I'm just curious, I'm not going to speak of it with anyone else” you assured him, and he relaxed a touch.

“No, we're not big fans of him, really” he admitted.

Your lips curled into a smirk instantly, “we?”

Howzer realised his slip up, a nervous laugh escaping him, “uh— yeah, I'm not a fan of politicians in general I suppose”

This time your eyebrow raised, and Howzer realised the error of his ways before you even spoke.

“I mean— no, I didn't mean it like that—” he tried to explain himself.

“Relax” you laughed, interrupting his ramblings with a hand over his forearm, “I don't like them either”

The weight of your hand delicately placed over his vambrace was surprising, but that's not what made Howzer raise his brows.

“Why not? You work with them”

“Exactly” you huffed, drawing back from him.

He watched on as you turned towards the lake and stretched out your legs, a brown pair of boots emerging from beneath your robes. They looked out of place poking out from the rich navy material, oddly comfortable among all the opulence. He supposed that they weren't usually visible, and it felt like a strange look into your psyche, who you were beneath all of the political propriety.

“It's odd, being back on Ryloth” you mused quietly, you eyes trailing the cliff which hung over the lake, leaning back on your palms.

“How so?” Howzer asked, slumping forward to rest his elbows on his knees.

“Well, I'm not from around here. It's like being home, but not really” you paused, tilting your head a little “and I suppose I'm more used to being on Coruscant now.” A small crease formed in your brow as you continued to speak candidly, “I've just— I've been so busy, for years, and now… well, I'm back to being a shadow”

Howzer frowned, “you want to be… important?”

“No” you said straight away, shaking your head, “I don't need to be important, I just want to be useful”

Howzer heard how defeated you sounded, but he saw it even more in the look on your face. Your mouth turned downwards in a frown and your eyes flicked towards your feet as you kicked your heel into the ground. He called your name gently, and your head snapped over to him.

“Why did the Emperor send you away?”

You sighed as you turned your body towards him again, you legs curled up beside you, “I can't know for sure, but… it's most likely because I was too vocal”

“Vocal?” Howzer asked in surprise. You were so quiet in the sessions he had attended that it seemed out of the question.

You chuckled, “yes, even when he was the Supreme Chancellor, he didn't like that I was one of very few who actually called for change within the senate”

“What kind of change?”

“It was things such as… improved spending policy, advocating for clone rights, fair distribution of relief supplies among—”

“Clone rights?” he interrupted, “what do you mean?”

“Well, I'm sure you're well aware that the clone army aren't recognised within the senate, you're—” you paused, “you're property, for want of a better term, to the Republic, and now the Empire. You don't get a choice in whether you serve or not, and you're not paid for it, it's essentially slave labour”

Howzer didn't know how to feel about it being put so bluntly. They were things he'd considered before, especially since the birth of the Empire, but to hear it so concisely described, it put a nasty feeling in the pit of his stomach.

“Sorry, I didn't mean to—”

“No, you’re right” he said, dragging his eyes away from you.

“But that's why it's important; a bill put forward against it would seek to give you the option to serve, and a wage should you choose to”

“Do you think it would pass?” he asked.

The sigh that left your lips gave him his answer, “truthfully, I don't know. There's a lot of vile people in this galaxy, people who would see to it that you aren't given what you're owed”

“And what am I owed?” Howzer questioned, a hint of mirth in his voice.

“To be treated like a person” you said simply.

Howzer was taken aback by how easily your mouth formed those words. He had no idea that there were a number of people in the senate that were advocating for him and his brothers, but the fact that you were one of them made his head spin. It just made him respect you more, a newfound reverence for you washing over him.

“I've kind of always operated under the belief that you've just got to do what you can, but the things within my reach have significantly decreased, and now… I don't know whether a bill like that would pass under the Empire, if it was contested when we were still a Republic”

Howzer nodded. He could understand that reasoning, however bleak it was.

“Is this why you wouldn't let me pay for the food earlier?” he then asked, one side of his lips curling up.

You chuckled slightly, looking down to the grass that you both sat upon, “Yeah, it was”

An unfamiliar warmth spread throughout Howzer’s chest, spilling throughout his veins and begging to reach out and tip your head back up to look at him.

“I probably shouldn’t have told you all that” you murmured, looking up at him through your lashes with a particularly sheepish expression which he couldn't help but find extremely endearing.

He offered you a smile, “your secrets are safe with me”

You returned the kind expression and sat up straight, a thoughtfulness about you that stoked the warmth inside of him.

“You're a good man, Howzer” you told him, eyes shining with something vulnerable, “you've been nothing but kind to me ever since I got here, and I just have to thank you for that”

Every word you spoke only sought to make him more enamoured by you, and he could feel the way a violent blush was creeping up the back of his neck, threatening to take over his face.

“You don't need to thank me” he replied, “you've made it very easy”

taglist: @darthnihila @cdblake1565 @heidnspeak @mae-lou-ron

[manwiththemagic]

The writers of s11 were cowards. If IIIIIIIIIII was in charge I'd made Lucifer's weird obsession with Sam show up more. Like the writers have very obviously included it and yet when Lucifer is processing the same vessel as cas, and therefore pretending to be cas, he just fucks off and tortures Crowley with fucked up bdsm pet play.

Like the few times casifer and Sam interacted were GOLD. because Sam sees it as his best friend cas, and Lucifer (who keeps talking about Sam like they're toxic ex's) is pretending to be him!! Although not to well. Like his freaky smirk when sending Dean into the past and coming back to harass Sam? Dude lives off of sadistic pleasure.

The way he full on LAUGHS when Sam says he trusts him bc Sam thinks it's cas?? Like gold!?!? Don't know why the writers didn't do more with that.

Also why not do more with the 'lucifer sent Sam visions to get him down to hell'. Like Lucifer is Obsessed w/ sam because that body/vessel is "supposed to be" his. And yet after revealing himself he doesn't try and convince Sam anymore?

He's just given up? Like nah man I don't believe that. I feel like he woulda fucked with Sam more in cas' body. And like it woulda been a way better not-romance-romance plot then whatever the fuck Dean and Amara were..

Like that came outta no where... I mean I get it.. but ew?? We saw her grow up, and maybe id argue "well there were two versions of her!! One physical on earth, the other her actual form and memories as a celestial being!!" BUT NO. SHE CALLS CROWLEY UNCLE CROWLEY.

cause he like raised her for a day or wtv..

Idk s11 is better than s10. Like the episode from baby's prospective?? PEAK CINEMAAAA!! also not that I dislike s11, no I quite love it, I just wish the dean plots were more fleshed out, and that it was more "Dean and Sam vs the world!!" Then Dean vs Sam yk??

Like where's my dynamic duo??

That's part of why I didn't like s10. Like no I loved the IDEA of Mark of Cain dean, and demon dean was hilarious (although I HATE him) but it was just Dean vs Sam, Dean vs cas, Dean vs the world. And idk I liked the idea, cause this time it was sam doing everything to save Dean, but man I just didn't like the fighting..

Also s11 had a mention of TMNT, S10 did not so... points!!

S1 and 2 of spn were peak ofc, and s3 was good but not really memorable for me?? Idk I'll go back and rewatch once I finish the series (just finished s11)

S4 and 5 were also really good, we got Castiel who is peak, blood junkie Sam, which was one of my favorite plots!! And of course a lot more bobby. Rest in peace king!

And unlike some I loveeeed s6-7 like.. the soulless plot, and death? Dean dealing with soulless sam?? Chefs kiss I mean mwah. Then Sam tweaking because of hallucinations. NOT TO MENTION GODSTIEL?? loved him sm stg.

8-9-10 is where it kinda fell off. I mean idk the leviathans?? Weak. Hated them ngl. Idk if they were s7 but either way.. mid. I didn't like purgatory bc no way Sam would do that?? But I did like how it developed deans character..

I don't remember what happened in what season but I lovedddd kevin, hated metatron (but in the "it's because he's well done" kinda way), the tablets were aight, Mark of Cain was uh... something.. (I hate demon dean but he was peak..)

So like idk.. show is peak though, I'm just at that point in the hyperfixtion where it's like "BUT I COULD DO IT BETTER!!" ykwim?? NVM I'm sick with a fever, supernatural is all I have going for me man.

[hiraethminds]

This is a tangent, I'm here to entertain with needless rambling

The deep rooted hatred for taco I see in the II community genuinely concerns me. Especially since those people tend to be Mephone "apologists"(For lack of a better word, I love Mephone don't get me wrong) despite how taco is the "active" side of the coin to his "passive". The connections between them are there trust me Im connecting the dots. Ive connected them.

I understand that she's done bad things, but blaming her for her shortcomings when she doesn't and never had the same support group to change as Mephone did makes me a little ehh.. Getting upset because Microphone showed her support in the new episodes simply because you don't like the ship(I understand why people wouldnt but thats not an excuse to deny her anything), and because Taco doesn't know how to change yet and you refuse to see her as anything redeemable. I'm not big on shipping, thats not the point of this tangent, but Taco finally having someone to support her and help her change is a GOOD thing. Microphone was being the bigger person there, she was being mature and thoughtful because Taco clearly needs the help. The fact that people continue to deny Taco any kind of growth even if she goes about it in the wrong way makes me deeply uncomfortable. Because the moment any character does anything bad that isn't HER they don't say anything about it. She was shunned by her peers because she was playing the game and continued to 'play the game' so to speak.

Theres a deep rooted hint of misogyny in the way they treat her, but I wont yap about that you dont need to read allat.

I understand people have reasons for not liking characters! That's ok. But I've seen them actively go out of their way to harass people that DO like Taco and actively criticize enjoying her character.

They tend to take it as defending her actions. Which is not what's happening. I don't think oscommunity could handle vriska is all I'm saying.

Feel free to not answer this I just need whatever little imp is telling me to scream about it to get out. go draw a taco dis is driving me crazy

Thank you for dumping this in my inbox bigbarf200, I feel like a wise confidant.

okay so I don't interact/observe with the wider ii community (Mainly cuz i like playing with my touys without being bothered) So this information is so Interesting to me!!!

As you mentioned, the hate might stem from misogyny (and by the way, I’d love to read your essay—talk all you want, my friend!). This is a societal issue that affects every part of life.

That said, I also think some people might dislike her simply because she’s a hustler and stubborn. When she has a goal, she’ll do whatever it takes to achieve it, even if it means crossing into morally gray areas.

holding Mepad hostage > hijacking the show

lying and deceiving objects with good intentions > winning s1

seriously hurting Fan > winning Mic immunity

as you said in the greater scheme of things, she's genuinely done horrible things. But if you just accept that at face value you are missing out on such an amazing character. You have to consider her perspective and the circumstances of her birth (especially in a story like ii!!) to fully understand and come to an option on her. But I digress this is baby level analysis so ill move on.

people who think Mic being friendly towards Taco post e14 is out of character are misunderstanding Microphone as both a character and thematic device I think

that's literally the only rational reason I could think of as to why people would be mad about taco and mic being on good terms???

so yeah, these haters just sound like crazy irrational people who have a lot of pent-up emotions. crazy

anyways ty!!! I feel like I didn't have alot to add since, as stated, these people are just incredibly irrational. but its nice getting an earful of whagh the fuck the community is like. here are soem taco drawings for the occasion

[leverage-ot3]

Is leverage redemption worth watching? I love Leverage but idk if i could enjoy the show if hardison isn't in most episodes or if the reboot sells out in some way.

okay so I showed up to this ask like four months late with a smoothie so I'm sorry about that BUT

does redemption have it's flaws? yes, I will be the first to admit that!

however, as someone who deeply loves leverage, the characters and what the show stands for, I still can find myself enjoying redemption.

there's one post that's in my drafts talking about the differences between the og and redemption and the so-called universe physics (how logic works in both shows and how they are the same/differ) and there are definitely some differences. there are some really good posts comparing them in the tags and I'll try to tag them as watch redemption when they come up!

I'm going to be really honest right now and say that (no shade) I feel like redemption s1-2 were lacking because john rogers was not a main writer for them. devlin and the others are great and know their stuff, but redemption was missing some of the grit (balanced with everything else) that the original run had. redemption is more fun and lighthearted (where the og was still fun and had comedic elements but also had a more jaded perspective). I think part of that change is the absence of nate as a character and what he brought to the table, but the other part of that is very much the way the show is written overall

I have seen some criticism about parker being a caricature of what she was in the original run (ex: how she goes to a child's psychologist and uses puppets sometimes, is overtly weird, more loud about stuff, etc) BUT I will say that I think there's some nuance to that

I don't think the child psychiatrist thing is infantalizing- some methods of therapy work for people more than others and that is me speaking as someone who works in mental health. if play therapy and stuff like that work for you as an adult, good for you! whatever works for you is more than enough the overtly and loudly being weird thing I really do think can be taken either way. in the original run part of parker's character progression was that she was learning how to interact with people normally (or at least more efficiently), but her being more out about that now can be taken as she is more comfortable in her skin and acting like she wants because she is surrounded by people who love and support her. maybe she doesn't want to (or have to!) mask all the time and I don't see a problem with that

HOWEVER! there are certain criticisms that are related to her characterizations and overlaps with her autism and I don't want to speak over the autism community about those aspects and how they have manifested in her character in redemption so I'm leaving it there

as for the hardison being absent aspect- I was REALLY afraid of that at first BUT the loss isn't so deeply impactful when you have characters like breanna and harry added to the mix. I went in ambivalent about harry and excited to have breanna (a canon queer) joining the team, but I have come to love and cherish both of them dearly and wouldn't want to replace them or lose them as characters in this found family ensemble. I think the writers handled aldis' packed schedule really well and even though he isn't there in most episodes, his presence is still very much around. parker and eliot talk about him and reference him when he's gone. so do sophie and breanna, even harry. he isn't on the screen but the relationships he's formed with the other characters and the impact he's had on them is very evident.

there are some takes from users about whether or not the ot3 was queerbait, un-canoned, etc in redemption. I have a lot of thoughts about it and a lot of them are incomprehensible but what I can say is that I have renewed hopes for the progression and canon development of their relationship now that john rogers is back as the main writer for s3

[clericsandpaladins]

The Stranger Things twitter account has encouraged us two years in a row to rewatch s1, and specifically s1 episode 1 this year. So, that being said, can we talk about how strange Will's abduction into the Upside Down is in s1? Like, I personally fully believe he was taken by the Demogorgon because the shadowy figure matches up with how we see it throughout the show and we hear plenty of noises to indicate this along with the flickering lights. That being said, I think there was more at play here. First off, the lock on the door unlocks by itself, which is reminiscent of El's powers. The Demogorgon is shown repeatedly to have to break down barriers with force, as are the Demodogs and Demobats. At no other point during the series do we see a monster from the Upside Down unlock a door like this save for Vecna, but he is also like El so we aren't counting him. That is, unless Vecna did have an influence now that we know he was pulling the strings from the start. And secondly, we see the light flicker two times before Will is abducted. First at Mike's house in his garage, after Will leaves funnily enough, and then when he's bike riding home his bike light flickers. This is normal for when the Demogorgon is present. However, when Will is abducted the light does not flicker, it brightens and then dims when Will disappears. The only time we see this happening is when someone who is decidedly not an Upside Down monster is interacting with the lights. We see it with Will, we see it with Joyce and Hopper, we see it in s4 with Eddie, Robin, Steve, and Nancy, and, surprise surprise, we see it with Vecna. To further prove that this is strange, when Barb is abducted, the lights flicker and even turn off, showing the inconsistency between both abductions. We know that, for whatever reason, Will has a connection to Vecna and the Upside Down. His True Sight for one but also the fact that he can sense Vecna and feel/know his thoughts. We find out in s4 that not only is the Upside Down stuck on the day of November 6th, 1983, the day Will went missing, but also that the Mind Flayer was controlled by Vecna. So, this begs the question of why Will? If Vecna is controlling the Mind Flayer, then he specifically targeted Will in s2, but why? What was so important about Will? Why does it seem like Vecna had an influence in his abduction? I am sure the answer lies in the strangeness of Will's Upside Down experience, especially since we know we are getting a Castle Byers flashback, but what is it? So many questions that I do not have the answers to.

[trentcrimminallybeautiful]

i was talking about how i like to have s1 trent get his brains kissed out (bc he deserves it) and also how if it's ted like. the earlier in the season it is the funnier it becomes. when you're not taking it too seriously. ANYWAY. and now i'm thinking about like. okay, so, ted charms trent pretty early. obviously. he wins him over in episode three, with the interview, but i think he was already at least a little bit reluctantly charmed by his second press conference in episode two. now, i've done plenty of scenarios where they meet pre-canon/ep1 for whatever reason, and i've done plenty where they end up kissing/become closer than in canon during s1. usually during or after episode three. however i am now thinking of what would happen if they somehow met, in a relatively in private, non-professional, one-on-one (or with only their kids, no other adults?) context, etc, between episode one and two, when trent's opinion of him is at the lowest it ever gets (and honestly, probably vice versa, too). and i am just... spinning that.

because, i mean. you know ted's gonna charm him. even if he isn't trying quite as hard without the interview giving him a direct reason, he's gonna charm him. just by being his kind, goofy self, he's gonna charm him, and without the interview to give context and reason to be talking professionally--assuming they are still talking and not avoiding each other, for whatever contrived reason--it's gonna put poor trent in such a snit. liking ted personally, so much, and not knowing how to handle it because as far as he's concerned, this is still someone who is putting the team and everyone who cares about it in a bad situation, but also, even after talking to the man for a few hours, it's already hard to believe he would do that. trent catching on to the fact ted lasso is smarter than he pretends, catching on to the fact that nice and kind and positive attitude is at least mostly if not completely and utterly sincere, and all that--just a little bit earlier. not enough to really make a difference in canon but. idk man. a) assuming this is a barely canon divergent thing it's just kind of fun to imagine that happening b) however back on my s1 trent gets kissed agenda i have literally no idea what circumstances could possibly arise to make that happen however i am CACKLING at the thought.

ANYWAY, back to the point: i just think there's something kind of compelling about that. between episodes one and two, when both of them have the lowest opinion of the other they will ever have, meeting in some innocuous way and being helplessly, unwillingly charmed. ted sees That One Reporter outside the press room only he's affectionately wrestling a frog hat onto a small child, grinning at her when she boops his nose, and can't help a smile at the reminder that even the coldest, rudest people are people, capable of kindness and goofiness, and he hadn't forgotten but it's still nice to see. trent, confronted with the full blast beam of The Lasso Effect right to the face and up close and outside of the press room, away from where he feels most confident, off duty and balance, sans notebook and pen, stumbling just a little into awkwardness, the edge of rudeness that comes from dislike that's tempered by some standard of british politeness and a hint of confusion and then quickly melted away entirely into utter bewilderment and oddly endeared charm, because what. trent crimm has no idea what to think of him. ted finds he actually likes trent, quite a bit--their conversation, however odd, had been entertaining, and despite their, uh, eventful, less-than-ideal first impression, ted may or may not have a favorite journo suddenly. because that sharp-cutting no-holds-barred journo from the press room is also strangely warm, and perpetually bewildered at the smallest kindnesses, and a good dad, nevermind that ted's heart is aching interacting with little kids like that.

idk man i'm just going in circles here i'm rotating and spinning because something something each seeing a better side to the other just a teensy bit earlier and it doesn't really change that much in the long run, unless it does; something something ted has only seen trent once, at his worst, being outright hurtful, and now here they are outside of that context, and trent has only reasons to think ted's incompetent, careless, greedy, an asshole, or some combination of the four, and yet here they are, and just. idk man! something

[moonblossom-bunny]

Fizzarozzie have a good character dynamic actually (and are decent characters overall)

There comes a time, in whatever fandom you’re in, that you come across some takes made by people which makes you think right away ‘are we watching the same show?’. Takes made on storylines, characters and but most of all ships. Recently I came across, multiple shared takes regarding Fizzarolli and Asmodeus from Helluva Boss. Two secondary cast characters who have interacted in a total of three episodes as of writing this. These takes were presented as a negative and included the following: . Fizz and Ozzie’s personality isn’t the same after their first introduction and that’s a bad thing. . Fizz acts too childish and therefore can be perceived as child-coded as well as it infantilizes gay men. . Fizz and Ozzie have a sugardaddy/sugarbaby dynamic and that’s a bad thing. . Twink boyfriend and strong boyfriend dynamic is fetishsizing gay men. I, personally and thus in my opinion, don’t agree with any of these takes. Hence this character analysis post to debunk all of this points. I’ll try to keep this as objective as possible. I also can’t really make a solid point on the last take and partially on take two, since I’m a bi disaster and not a gay man, so I can’t stand on that soapbox to claim if a fictional character is toxic or bad representation or fuel for the fetishsizing of gay and queer men from their experience and standpoint. (But I did do some Google research and apparently what is meant by the fetishation of gay men, is that the tropes of how a gay man is portrait in media, for example anime, manga, sitcoms, movies, is carried over to irl gay men and as such they are treated like an accessory or less like a person. Slash shippers seem to be most notorious for this. Source: {link} {link} {link} Again. Can’t say how much of the claim adds to an already fictional gay couple in a show filled with LGBTQ+ characters��but still not my soapbox to stand on.) Feel free to add on to this post if one so desires. This ended up being a 5 page doc though so it's a long one.

Fizz and Ozzie’s personality isn’t the same after their first introduction and that’s a bad thing. A point made by some people who dislike the way this ship has progressed because the next time we see them after their introduction in S1E7, they seem to have made a 180 in personality traits. While S1 E7 shows us these two are a team when it comes to performing and supporting each other in the club. From their duet where Fizz adds on to what Ozzie is singing and physically holds him up during one segment of it, to Ozzie not stopping Fizz when he calls out Blitz and even pointing out that Stolas ‘threw away his life for a thrust’. Which is followed by ‘that’s the spirit of lust’ and thus probably not perceived as a bad thing since he is the embodiment of lust and all that. Though it does come across as Stolas being chastised for that from his and Blitz’ pov and their body language reflects that. S1 E7 basically just shows us that Fizz isn’t afraid to call someone out on their bullshit. That he is snarky and spiteful towards Blitz. That he’s not above making fun of someone while on stage what we see him do to Moxxie. Which is also what he does being the jester character and all. A clown makes people laugh by making fun of himself, a jester makes people laugh by making fun of other people. Asmodeus is pretty much the same in that episode. Standing by lust over love and reinforcing that when it comes to the acts for his club. Calling out Moxxie in his song etc. At a first viewing the audience may walk away seeing them both as an antagonist towards our main cast with how they acted towards them. Kicking M&M out of their club over a love song. Calling out Blitz as being a disgrace in a public setting. Stolas being put in the spotlight for being there with an imp. So I do kind of get why some people figured their whole character changed when we see them again in S2 E6 and E7 and they are portrayed as this lovey dovey couple without the snark and the spite. Most importantly, also without an in universe audience. While we see Ozz and Fizz sing together in S1. Their interactions together are less direct. They don’t have a conversation with each other and the most we see is how physically they interact to give us any clue on what their relationship and dynamic actually is. Fizz tends to curl around Ozzie’s arm.

Ozzie is visibly worried and shaken when Fizz gets bonked on the head by Millie.

They share a brief cuddle with each other at the end of Moxie’s song. Even during their song there are hints that they aren’t as antagonistic as they might appear to be.

Aside from the earlier mentioned backhanded praise towards Stolas for embracing his lust, they give Moxxie the chance to change his song from a love song into one about lust for the sake of the audience and seeing that’s how the club just rolls. Only getting the insults when he sticks to his guns and keeps the song sweet and about the love he has for Millie. So there are snippets there to show us they aren’t unreasonable characters and a little softer towards each other than what they show others. The next time we see them is in a private setting and we as the audience, learn they are madly in love and hiding it from the public (badly) because the sin of lust shouldn’t be in love and least of all with an imp. But there are no prying eyes so they can let their walls down and this is the result. We still see bits and pieces of what was set up in S1 E7 though. Fizz isn’t afraid to be a little snarky when trying to convince Ozzie to let him go out without an escort.

He’s spiteful towards Blitz when they meet again and only softens up towards him when he’s learned about the other side of what happened during the circus fire.

We even see less of that in S2 E7. But by then he’s kind of patched things up with Blitz and the reason to be snarky and spiteful and resentful towards him is gone. So we get witty comeback banter instead the few times they interact in that episode. He’s also thrown in a completely different setting compared to the previous episode and we get to see how he acts in a work stress filled environment. A flashback even tells us Fizz has self worth issues and needs reassurance from those he cares about. In his childhood that was Blitz and now that person is Ozzie.

The same flashback shows us that he gets really anxious when backed into a corner or in the case of the scenario being jumped on by a creepy fan. With Ozzie we see how he takes his job as embodiment of lust seriously with the work he does in the factory. (S2E6) With making sure Stolas knows lust isn’t about force. Just as he takes it seriously in his club.

We see the spurt of anger he displayed towards M&M near the end of the Ozzie episode come back tenfold when Crimson lets him know he’s got Fizz captured and when the lawyer is getting on his last nerves.

Which also fits because Asmodeous isn’t just the demon of lust but also linked to vengeance and anger as described by The Dictionnaire Infernal, so it makes sense as to why he has a short fuse. {link} This also comes back in S2 E7 when he calls Blitz and gets worked up over Mammon and when he confronts Mammon at the end of the same episode. We also see Ozzie being worried for and even overprotective of Fizz. A small snippet of that we were already shown after Millie knocked Fizz out in S1. So yeah, they aren’t that different compared to their introduction. The setting and who they interact with show different aspects of their personality. It’s just that S2 tends to highlight more aspects of their character because of the Fizz and Blitz miniarc that happened. Fizz acts too childish and therefore can be perceived as child-coded as well as it infantilizes gay men. I can only make educated guesses why some say this. Is it the clown costume? Is it his hyperactive personality? Is it because he lets Ozzie carry him around? Is it the burgers for breakfast thing? Or how Ozzie is overprotective of Fizz which one can argue might be on the border of being a toxic thing in their relationship? All of those things do happen in the show and is shown to the audience. But those things also happen next to the profanity Fizz spews, him drinking alcohol, acting slutty, being serious about his profession as a clown/jester. He also explains, in show, why he’s constantly joking around and acting like he does even in a private setting with Ozzie. “You are with me because of who I am at my best.” To Fizz, at that moment in S2 E7, his best is how he is on stage when he’s performing. How he’s been perceived as Mammon’s brand baby. It wouldn’t be that far fetched to think he might feel a need to uphold that image even when around Ozzie. Hench the jokes first thing in the morning or when Ozzie is repairing his broken arm at the end of Oops. It’s also just a common way of dealing with tension or hide fear or anxiety to crack jokes. Doesn’t make him childish. Makes him a clown coping in his own way. Both Ozzie and Fizz also have an immense height difference between them. While you can see Oz carrying Fizz around as a way of coddling him. Fizz also actively chooses to be carried around by jumping in his arms.

We can let loose all kinds of possibilities on why that is, from the fact that Fizz is disabled and being carried is less daunting on his limbs. Or maybe it’s more from a cinematic standpoint and makes it easier for the animators to not have Ozzie bend over all the time while they’re interacting or need to be kissing for a scene. By being carried, Fizz is also elevated to Ozzie’s level to possibly show that they see each other as equals in their relationship. Or the more simple possible reason, it’s a way to play around with their height difference and nothing more. Since it’s happened more than once, I do think it’s an deliberate choice that was being made to have Fizz in Ozzie’s arms frequently. It might even just be there to show that Ozz is the ‘caretaker’ out of both of them.

He’s the one that cooks and he’s worried for Fizz’ safety and he’s the one who reassures him.

Even if Ozzie is overprotective of Fizz, Fizzarolli doesn’t shy away from voicing his opinion and wants. He directly argues against Ozzie’s over protectiveness when it crosses a line for him.

“Come on Ozz, I can be on my own for one day.” (About going to Greed without an escort)

"Mammon’s been my idol since I was five. I’d be letting him down. The fans down.” (Voicing arguments about attending the clown pageant even though Ozz really makes a case on why he shouldn’t.)

So while, yes one might see Asmodeus’ mother hen moments as babying, we never see Fizz actually being fully dependent on Ozzie and the security he gives him. The whole point of S2E7 was that Fizz couldn’t just quit his job because without it he would feel like he would lose all the good things he has. Including Ozzie.

And to be fair, the cutesy moments between them are on par with what Moxxie and Millie have. That’s all. The nicknames, the cooing, the giggling. They are just madly in love with each other your honor and that is far from infantilization. At most annoying to some people I guess. But not infantilization.

Fizz and Ozzie have a sugardaddy/sugarbaby dynamic and that’s a bad thing.

The only time Fizz has ever been called a ‘sugarbaby’ is by Blitz in S2E7 as he implies Ozzie is his sugardaddy.

Fizz still works for his money at that point. Fizz continues to work for his money after that, as we see him salespitching to Blitz in S2E8.

He’s not only Ozzie’s partner partner, but also business partner.

We’ve never seen Ozzie spoil him directly. It might be speculated that’s the case since Ozzie is a King in Hell and all and with his fancy palace and probably being the leading adult toy manufacturer, but we never see him actively spoil Fizz like a sugardaddy does for a sugarbaby so it’s never confirmed.

It’s not ‘Daddy give me your card so I can buy some milk today.’, it was ‘I’ll get some milk today while I’m out.’

Ya’ll seeing things that aren’t in the show.

Twink boyfriend and strong boyfriend dynamic is fetishsizing gay men.

Oh no, it’s like character dynamics have tropes in fiction. I’m sure you’ve seen those posts floating around with the ‘draw your faves or your characters here’ dynamic templates.

The angry gremlin and the optimistic one, or the nerdy one and the jock, or the emo one and the optimistic one, or the short tempered one and the ray of sunshine….etc.

This…is nothing more than that. A dynamic trope.

The feminine one and the masculine one.

Even with that, it’s also obvious that Ozzie has feminine traits too. Guy wears a mini skirt, wears high heels and that high pitched ‘Fizzieeeee’ he let out in S2E6 is everything. So they don’t fall completely in that dynamic trope. But still. It’s fiction. It’s going to rely on tropes to connect easier with the audience. Writing 101.

--------------------

In conclusion, these points are clearly made to nitpick on the show and its creator because hating on a thing is apparently still a whole separate fandom branch these days.

I'm also going to leave this really good video by Georgia Dow, who analyses fictional characters from a psychology standpoint.

[ikjun]

i am bemoaning the length of the dongjae spin-off because i think it is very well done. the case is constructed in a way that it’s not boring, you just have to pay attention to everything said and shown because it is all relevant to solving it, and to the overall plot, duh, in a manner that’s very stranger-esque. dongjae being able to make a breakthrough due to a minor interaction in one of the first episodes is so the si-mok playbook that i couldn’t not love it and similarities between his team-up with police officer hyun-woo is also a nice callback. but the show is still distinctly dong-jae in tone and feel, he’s sometimes the butt of the joke but he also gets to succeed and win - we actually see him be good and sufficient at his work, which would explain why someone like him got to stay in his line of work for twenty years.

in that vein it is also great to see them put so many callbacks to his time as a character (third lead !!) in stranger into this show, which rewards longtime fans a lot. his relationship to won-cheol, showing how much medication he’s got prescribed after the events he went through, using his malpractice case from s1 as a hung-up and roadblock for him in the prosecution, and how scared he was when the internal investigator in ep7 said he’d want to interview si-mok as a witness and how dong-jae was vehemently against it right away. it makes sense to the audience that knows him while keeping first-time watchers curious what the deal with that and dong-jae is exactly.

then there is nam wan-seong as a villain. he only works as one because dong-jae is the main character. someone like si-mok wouldn’t give a man like ceo nam or his family the time of day, any temper tantrum would fly right over his head or go past him while he’d solve the case and prosecute him. but nam wan-seong can push every one of dong-jae’s buttons and so does the involvement of his son at the beginning of the case. dong-jae has two achilles heels: his opportunism and his investment in cases involving teenagers and kids. he loathes child-bullying and teenage delinquents, he doesn’t want to see teenagers (teenage boys specifically) go down this path because, for whatever reason, he is affected by that as a father himself. so he can’t let sleeping dogs lie in that regard and nam gyeo-re is the perfect segue way for him to start an investigation and that leads to him clashing more with ceo nam. ceo nam, who bribed dong-jae when it was still en vogue for dong-jae to indulge in that, and who knows how to play someone who is pliable. he’s the type of man dong-jae has to rise against because he is everything dong-jae was and somewhat is somewhere still inside of him, so to win against him also signals a character progression for dong-jae, which would also be signified in such a big case possibly getting him back to seoul.

it’s fun, even bordering on downright hilarious (the inner monologues, the soundtrack!, the physical comedy of dong-jae being dong-jae), it’s engaging and thrilling, it’s a cat and mouse game, a procedural, and more than anything it feels like a victory lap dedicated to the fans of a franchise who gave their time and energy to this character over and over again, honouring the original writing of the show as well as lee joon-hyuk’s best and most signature role. that’s our dong-jae indeed, and our show (and i wish it got the sixteen episode order to carry it home.)

[oodlyenough]

arcane s2 act 2

so my main criticism of act 1 was that everything felt rushed. that has not gotten better lol

i knew going in that two seasons -- of nine episodes, and short 40 minute episodes at that -- was probably going to be too little. and it is. well. what can you do, i guess. i'm glad this isn't my number 1 fandom interest the way it was in 2022 because if it were i'd be much more bothered lol. many of the beats we're hitting are beats i like on paper but we are blitzing through them so fast they have no time to breathe or sink in before we're onto the next one.

also i respect the huge amount of effort that goes into creating an animated series that looks the way this looks, but these episodes are so short. the runtime is 40 minutes and five of that is credits and another five of that is our obligatory stylized music video. it's just too little time to dedicate to a large ensemble cast and a complex plot. it sucks to be watching the final season of a show and realize you haven't seen [Major Character] for entire episodes, or entire acts (!). outside of jinx and ambessa, it feels like everyone's fave is getting shortchanged on screentime, some more than others. with only three episodes left it's hard to imagine they'll manage to resolve everyone's arc and all the outstanding mysteries and bring everything to a satisfying conclusion. fans freaked out when they first accidentally let slip that after s2 they were moving away from these characters and fans were right. womp womp

more detailed spoiler stuff:

sevika. the hair. why :(

"jinx is a symbol of resistance" is one of those things that i didn't feel they entirely set up. sure, she has pushed back on piltover -- but every time she has, piltover has cracked down even harder on zaun. there's really no zaunites who resent her for that? hm

isha is a character i struggle with because i thought everything about her was too on the nose in act 1 and then we had open act 2 with jinx stating the thesis aloud to the camera. "gee you remind me of my old self powder. i wonder if this is how silco felt about me, powder." lol

i was DARING the show to have vi flashback to punching powder after she hit isha lmaooo. impressed they resisted

whatever tho i did enjoy the jinx-sevika-isha unit while it lasted

vander's werewolf self going back to the hideout he used to share with silco... their jackets hung together... bro...

i have to say i'm actually not sure i like the felicia stuff that much. i don't know. arcane isn't subtle ever and this felt like another sledgehammer. i think i also ... actually derive a bit less meaning from vander taking them in/silco raising jinx if actually vander and silco were besties with their mom and knew them growing up, too. not that it stopped silco from wanting to murk vi lmao so i guess it's no guarantee of his affection for jinx, but... yeah. idk. subtle as a brick: that's arcane

also was this telling me that vander saw felicia die during a rebellion they all incited, flipped out and blamed silco and tried to DROWN HIM ... like... jesus man that's pretty harsh lmao i'd start villain monologuing too

mel in the torture labyrinth was interesting, and i loved getting to meet a version of her sexy brother kino. as soon as [man's voice] appeared i was like omg is it her sexy brother... and it was! sort of! i'm assuming his look and personality and voice match real kino even if he was some kind of trick monster thing. i like the medarda family lore and i liked getting to see mel and kino interact, if briefly

on the other hand, mel being trapped in the torture labyrinth meaning that's her only 5 minutes of screentime for all of act 2 and the reveal is that she has magic powers which we already surmised from the s1 cliffhanger... i don't know... and an illegitimate baby plot? like... we have so many plots. please.

also she's totally pregnant and i hate that. lol.

i started this season ambessa's number 1 fan and i have enjoyed her but also there is a lot of her, when other major characters from s1 get little screentime. i had hoped seeing more ambessa would mean seeing more of ambessa and mel, bc their relationship with each other is very interesting, but... nope??? i mean, sure there's act 3, but we've had six episodes so far of little.

caitlyn's arc was such a disappointment to me. the end of act 1 with her was such a strong stark scene and by the time we pick up with her in act 2 we've already montaged past all her war crimes and into the part where she feels bad about them and is ready to turn a new leaf. like. come on man.

her reunion with vi was way too smooth. i would love vi to be angry with her for her bullshit. maybe they'll fight again next act, they fight all the time, but like... ugh. 2.1 was such a big falling out and then vi just shrugs it off and we're back to "cupcake". poor vi the writers dgaf about her

viktor's cult was not what i expected at all, i expected something more outwardly sinister lol. people on twitter are arguing back and forth about how obviously evil it was but i am not sure that's the case -- or like -- i mean i think as an audience member aware you're watching a tv show, it's easy to be like "this is clearly evil and will be revealed as such later", but just in terms of what the show is putting down in act 2 i think it's presented as this bastion of hope which is then destroyed. in act 3 we will find out why it was destroyed, i assume, and can retroactively decide if that was a good decision or not.

sky. sis. i wish they like. made you a person in s1. i have no frame of reference for if this feels like the real sky whose consciousness is now in the void (like viktor's seems to be?) or if she's like the hexcore's avatar for getting what it wants (which is what i feel act 1 implied), because they did not spend time in s1 to establish her

i joked in s1 a lot about salo getting a front row seat to jayce and viktor's weird gay thing over the years so it's nice he got to participate in their last conversation flkhghgl. but this was another scene where i felt the pacing was nerfing things -- i like the general exchange on paper, that there's been this time apart and viktor wants to show jayce what he's working on and jayce is all fucked up and bitter or whatever, but in real time their reunion, split, and then this scene happen in such a condensed time ... we haven't really seen either of them apart, we didn't see jayce's time growing bitter or whatever and even if we see it in act 3 it's belated?

i also thought it was odd how viktor was like "i was clouded by emotion" when honestly their breakup was the most emotionless he'd ever been to that point lol

it is very funny to think that jayce came out of s1 and the hell void and the lesson he learned was he should continue shooting first and asking questions never

i can think of several possible explanations for jayce's behaviour, ranging from "something i'd be super into" all the way to "i don't want to type it out in fear of invoking it into the universe". so i'm trying not to speculate all that much tbh, lest i grow attached to the former and get the latter

"peacock princes... an old family joke" and "you once told me every system has limits" are two great examples of stuff feeling rushed. these so clearly feel like they should be callbacks to scenes we actually *saw* but they just aren't. because we never got flashback kino, and viktor and sky never held a conversation until she died.

ekko and heimerdinger died on the way to their home planet...

this all sounds exceedingly negative listed out, when in reality i was mostly having a good time. it's just... the cracks are starting to show as the the show strains under the pressure of accomplishing all its goals in a measly 18 episodes. that crunch means any time someone's watching a scene about a plot or characters they like less they're going to start feeling impatient, any time a musical number doesn't hit (and i have to be honest, s2 is more misses than hits for me so far) they're going to feel impatient... i don't know. i find it difficult to see how they'll pull all of this off without leaving the audience thinking "jeeze that needed another season", or "why did they waste time on X when i wanted to see Y".

[raayllum]

I think one of the reasons the "TDP is too focused on Rayllum and/or I want to see Callum and Rayla interact more with other characters" critique (complaint?) falls flat to me is 1) Callum is the main character and Rayla is his deuteragonist, 2) the show justifies their journeys together because they're most relevant to what needs to be happening (Rayla needed to go home in S3 just as Ezran needed to turn back; they have to go to the Great Bookery and Starscraper bc the info and items there is most relevant to her and Callum's arcs), 3) nobody ever has the same complaints about Terry/Claudia or Janai/Amaya even though those relationships actually Are the embodiment of said complaint.

Amaya has not had a plot line at all left unaffected by Janai since S1; 90% of her scenes are with Janai with brief intervals of her and Gren or her and Karim in S4, and her and Rayla with one scene in S5. Terry is a great character, but he is there to flesh out Viren (S4) and Claudia (S5) in tandem, having all of his relevant scenes with either one or the other; we've yet to see Terry actually interact with literally anyone else.

Conversely, throughout S4 we get to see Callum interact with Corvus (4x01), Ezran, Soren, and various other characters we meet along the way (Rex Igenous, N'than). We also get a decent amount of Ezran and Rayla interaction and Rayla and Soren interaction in particular in S4, and she's the only one of the main trio to interact with Terry or Claudia; Callum likewise gets Opeli, Archmage Akiyu, and Finnegrin in S5. Meanwhile in S5 we get to see how Rayla interacts with Janai and Amaya in addition to her own view(s) of her family, and more smaller Ez&Rayla and Rayla and Soren dynamics.

So what the complaint boils down to is usually "I'm bored of Rayla and Callum's romance (because I feel like it got restarted in S4)" when even if they weren't having to work things out, they'd be getting these plotlines in S5 and S6 (the seasons apparently they spend the most one-on-one time in anyway) regardless because Plot Relevance. It also reads as boredom with Rayla's arc (to me) because learning 1) leaving has consequences (s4) and 2) to accept grace and support (s5) are all things she absolutely needed to have happen. Idk about you but I'd prefer that one of the main character's arcs and core conflict isn't resolved in 1-2 episodes max leaving her to just stagnate for two seasons, and that means letting her take up time and space in the narrative making good choices and bad

It also feels like people are misremembering earlier seasons because they've always primarily driven each other's conflict and growth even in S1 (1x03-1x06 is about their inter-group conflict) and pushed each other to new places and epiphanies (S2) while offering support (S2, S3).

Like to be clear — think and feel whatever you think and feel, I nor anyone else can necessarily change your mind let alone stop you. But if it's Only a critique levied towards them and not towards any other plot centralized dynamic in the show, you might wanna think about whether it's just because they're the two of the three Main Characters and you're tired of seeing them more than characters & dynamics that aren't as consistently featured bc they're not The Main Characters > the characters you want to see more of that aren't as relevant to core plotlines. Because if you're going to have a critique / complaint about something Structurally, you wanna make sure you're being consistent about said structural complaint, tbh

[folklauerate]

I’ll say something else while I’m here-one of my biggest issues with Bridgerton s2 was the lack of cohesiveness. Jesus Christ no one is upset with characters making unlikable decisions and if you want a wedding for the sake of drama, Shondaland, have a fucking wedding, but make it earned! And on top of that, the wedding episode had the fucking audacity to be boring as shit! Just all trodding on and operating off of the assumption the viewer would be aghast and would sit through nearly an hour of boring yawn snooze because there were “stakes” and it seemed like the main pair might not get together. Like for fuck’s sake have as much drama as you like but at least make it well written! Instead the wedding episode is a dirge and not because it’s a reflection of some character’s mental state or any seemingly deep reason, no; it’s like they decided there would be a wedding and shrugged when it came to getting the character’s there. It doesn’t count as good writing if you’ve spent the past months/years trying to wrap your head around or write fic around the reasons why x decision by y characters make sense to fill in gaps that shouldn’t be there in the first place and that’s all this fandom has done.

People’s issue with side plots taking up too much time isn’t really that they take up too much time-it’s that none of them follow a set of overarching themes of the season and feed into them or a main storyline in a significant way, giving the illusion to the viewer that they’re completely separate from the romance at the core and therefore taking away from it, as opposed to everything being harmonious.

On top of that, the characterizations are so fucking varied and there’s a large tonal shift between s1 and s2 in terms of the way the Bridgersibs interact with one another. Siblings can fight and be rude and whatever to one another but for them to turn into completely different people out of nowhere is so ??

And on the topic of characterizations-WHERE WAS KATE’S??? Anthony gets 28363938 motivations for why he is the way he is and then is honestly left floundering with all of them, until you’re honestly a bit ?? as to why he can’t marry for love, and then you get Kate who is just… There. Why can’t she marry for love? Why is she hellbent against marrying? Why is she prioritizing her family’s finances and Mary/Edwina above herself? What conversations did she have with her father before he died to make her this way or was she always like this? What were their lives like in India? I could keep going! At least in the book you get some half hearted “I’m too ugly and old to get a match” reason but in the show no one is going to fucking believe Simone Ashley is too ugly or old to get whatever lord she wants 😭✋ and THEN???? To top it all off-Kate and Anthony don’t have a single meaningful discussion around an entire eight episodes!!!!! Not one!!!!!!!!! What fucking growth happens between them fucking and the coma and then their fucking dance to have them propose? If the actors themselves had to invent all these so called secret conversations their characters had in between everything to make things make sense, I really don’t think that’s a hallmark of good writing. They rush that happy ending in there at the end and it feels like they forgot they had to end the fucking show with these two characters together and they just said “fuck it let them kiss” and that’s what we got. WHAT CONVERSATION OF SUBSTANCE DID THEY HAVE. And what fucking argument can you make that it’s okay that it didn’t happen on screen??) NONE!!! It’s TV! It’s a VISUAL FORMAT??? Oh my god.

I told myself I wouldn’t rant about this, just redirect people to walle’s thoughts on this, which is (in her own words) how she sat shiva for the fucking wreck of what Bridgerton s2 is. Walle if you don’t know wrote a thousand cuts and s2 was the nail in the coffin for her. It was so so so bad. It went against such basic principles of storytelling. The writing was so abhorrent. It was insane. And to defend it feels more insane it feels like you’ve been taken hostage by this damn show and you’re writing thinkpieces on tumblr and twitter to make it make sense!

What grates me is that it really could’ve been good. The juice was there. The actors are amazing. The production team is clearly so so dedicated and hard working. IT WAS ALL THERE. Honestly the way the show was marketed in the trailer feels completely different from how it came out and I have to think there was some fuckshit going on behind the scenes given the large tonal shift during/after ep 4 and CVD’s hasty and odd departure.

[snowblack-charcoalwhite]

I can't help but cringe hard at that bts video from ep6, (Aemond and Alicent scene), when Olivia says that Alicent tries to reach to Aemond and to whatever has left of his heart (I'm paraphrasing it) but it's to no avail. So, It seems that the narrative that Aemond is a heatless monster continues, even the actress supports it. Like, let him be the monster all you want, bu at least give him someone with whom he can be more than a one dimensional villain, and Alicent as his mother was perfect for this, especially according to their s1 arcs. Now, however, it seems her sons disgust her (these are Olivia's words). I just hate this narrative so much and they keep pushing it. Also, according to the leaks, Aemond and Helaena will apparently share a few scenes and she'll be his comfort person after his fallout with Alicent. Honestly, this could be interesting and I would love to see them actually interact for once, but I have zero faith in the writers and I also have a feeling that Helaena will somehow be forced by Aemond to be some kind of an unwilling and tragic prophetic figure. I do hope I'm wrong, but I'm afraid that I lost every ounce of optimism and faith in this show.

Well, I guess I'm about to receive my weekly dose of cringe tonight lol. Anyway, I'm looking forward to your insights and takes on this (and the next episodes).

"Weekly dose of cringe" - what a great way to describe season 2 of HotD. Sad but true.

The way Aemond's (and Alicent's) relationsip with their family is being presented this season disheartens me to no end - and I have next to no faith for the things to get better (both according to the leaks and simply taking into account the direction the writing has taken).

If the script has Aemond force Helaena to help him, it really will be a new low, so I really hope it will not come to that. The way Ewan and Phia talked about the scenes they shared didn't put me on alert - but then again, as our collective experience has already proven, actors' words often have to be taken with a grain of salt.

As for Aemond's relationship with Alicent, I've had bad feeling about it for quite some time (since Olivia called Ewan as Aemond "so scary" in the early stages of the promo campaign). Even though the thought of it is frustrating, I don't feel like blaming Olivia for trying to get into her character's mindset and to feel what she feels the way all of it was written. After all, what other options did she have (even if she would have Alicent behave in a different manner)? Alicent is her character, and she has to play her the way she is on the pages of the script. Unfortunately, in HotD actors apparently have little influence on the way their characters are developed (they can make a difference - like Tom and Phia asking for an additional scene with Aegon and Helaena or Matt doing the same for Daemon and Rhaenyra in season 1 - but not the major plot points are concerned).

[sherl-grey]

dangerous words I fear but I’m craving some OFMD critical but civil discourse… s2 finale spoilers included below the cut. this is incredibly long FYI bc I’m truly desperate to get all my thoughts out

I want to preface by saying I loved S2. I think I loved it more than s1, I think there were some absolute GENIUS moments this season (the entire Calypso episode was *chef’s kiss* my favorite), and I think the cast, crew, and DJ deserve a lot of love and, of course, a renewal for another season.

I know there’s been a lot of anti-finale-critiquing posts out there (and yeah, I also don’t want to see baseless hate or, god forbid, people trying to interact with the cast/crew with anything less than love and respect) but personally, I think the biggest sign that I love a show is me wanting to pick it apart. I think digging into the writing and decision-making and characters of a show means you really appreciate the choices that were made even if you don’t agree with them, because you’re working to understand the story on a level most people only dive to if they’re forced to in an English class. No story is going to be perfect. No story is going to be written specifically for me unless it’s literally by me. But sometimes I still want to study it like a bug under a microscope, you know?

So here we go: I didn’t like the finale, and I didn’t think it fit very well with the rest of the season/show. Weirdly enough I didn’t feel a need to discuss online until I started reading the interviews DJ has been giving about the finale (specifically the choice to kill Izzy and Ed/Stede’s ending) and I’m so curious as to whether others interpreted things the same way. (Yes, they’re DJ’s characters. No, I don’t think all viewers are obligated to interpret things the same way as writers did—that’s half the beauty of storytelling and media consumption.)

Izzy’s Death

Let’s unpack the big one first. I think a lot of what DJ/finale defenders (if I may respectfully call fans who enjoyed s2e8 that) have mentioned is that Izzy’s arc was over and he’d served his narrative purpose. I’ve got a few different issues with this:

1. Part of what I love(d?) about this show is that I did not think this was a show that kills characters once they’ve served their narrative purpose, or a show that kills characters as punishment/retribution for mistakes/earlier actions. To me, OFMD symbolizes the idea that everyone is deserving of love, forgiveness, and second chances. I truly trusted that no one on the Revenge crew would die in this show, and to be proven wrong was a bit disheartening, to say the least. Will talk more on the suicide notion in the next bit because I think it was symbolic, but Izzy also now represents a suicidal character who finds the will to live again. I’d argue that a “full arc” for a character like that should be ending in happiness, not death (and especially not with a line like “I want to go” or whatever the specific words were).

2. DJ seems to describe Izzy’s role as being a mentor to Blackbeard, which I personally struggle to see at all. Despite the Captain/First Mate status difference, I think most signs have pointed towards them being roughly equals—the unrequited love Izzy feels for Ed, the way the two of them stand right up to each other when everyone else would be afraid to, the clear shared history and longevity of their friendship/companionship. (If anything, I’d argue Izzy takes on the mentor mantle for Stede in s2, though it’s a bit glossed over because of how crunched for time everything was.) I certainly have trouble seeing the “father figure” relationship that DJ mentions in interviews, because I think Izzy is the one crew member that puts himself on even ground with his captains.

But even humoring that, Ed’s story has been about shedding Blackbeard. And DJ has a great quote in the Entertainment Weekly interview where he says that Izzy and Ed are both Blackbeard, that the two of them together are what makes Blackbeard “happen.” So in theory, if we’re killing Izzy off to further Ed’s storyline, it’s to ultimately kill Blackbeard, right? Especially since his line at the end is to “just be Ed.”

Except we already have metaphorically killed Blackbeard, several times. I think S2E3 is a really interesting episode because in season 1, it can be argued (and is, by Chauncey Badminton) that Stede kills Blackbeard in his own pirate-y way—with kindness. The crew is also somewhat a part of this, as they all accept and love Ed for who he is and not only because he’s Blackbeard; the crew follows the example of their captain and it changes who Ed is as a person. S2E3 is a crew under Blackbeard, and they also kill Blackbeard following the method of their current captain—violence. And this “death” is, in my mind, the death of Blackbeard while Stede symbolically saves the part of him that is just Ed. (Bonus: we also get Ed trying to sink his leathers, and while it might just be because he’s on a damn boat, it’s interesting that Blackbeard’s clothes are drowned/sunk while Ed’s metaphorical comeback was being saved from drowning by Mer!Stede.)

So Ed’s half of Blackbeard is dead. If we stand by DJ’s idea that Blackbeard is half Izzy, we’ve still got half of Blackbeard left, right? Well, that would’ve been right immediately post-S1, but then they gave Izzy a beautiful arc that seems to be a shadow of Ed’s S1 track. Ed and Izzy are very similar characters, but in S1 Ed is on the receiving end of love, acceptance, and admiration—namely from Stede, but also from the crew. Meanwhile, Izzy is subject to contempt and hostility… once again, namely from Stede, and also from the crew. Ed blossoms under the love during S1 until that’s taken away; Izzy simply moves in the reverse direction. He continues to be an antagonist while being treated like one, but once others start treating him with kindness (Fang hugging him, Jim and Archie amputating his leg while Frenchie lies for him, the whole crew making him the unicorn leg), he too becomes a part of the family. And wouldn’t you know it—Izzy has a near death scene as well, a suicide no less. Izzy is the one who is responsible in S1 for “bringing back Blackbeard,” so the symbolism of him pulling the trigger on himself is huge. This is Izzy killing his half of Blackbeard! Because Izzy Hands continues to live, even if it takes him some time to remember how to live without Blackbeard at first, and his relationship with Ed effectively dies here.

(As a side note, this growth arc and the way Izzy fully transforms into a member of the Revenge crew afterwards—whittling Lucius a shark and talking to him about forgiveness, dressing up in drag and singing to the crew, cracking silly jokes about Ed and Stede’s relationship—are also why I find the “Izzy Hands is the symbol of traditional piracy and his death is symbolic of traditional piracy dying” argument to be weak. In season 1, he was that definition, but we’ve literally watched him grow out of it. He’s no longer symbolic of something stagnant that will remain the same or be destroyed—he’s symbolic of something that grows and adapts to the new situations, that survives when all of the rules change on him.)

And then we have the return of Blackbeard: Pop-Pop pushing Ed to go back to doing “what he’s good at,” Ed fishing his leathers out of the ocean, Ed killing a ton of people because he thinks Stede is likely dead or at minimum in captivity/grave danger. This bit seems to go against everything the season was building towards; Blackbeard was almost entirely gone, but Ed is now the one who brings him back because he thinks Blackbeard is the one who can save Stede. And that’s fair, but what does that have to do with Izzy at this point? Why does he need to die for Ed to put that part of him away again? While we’re not owed a main character having a death that serves a narrative purpose, I’d hope for that to be the case, and I struggle to interpret what happens to Izzy as beneficial to either plot or character.

3. I think the actual core arcs of the show are character arcs and not plots. I get that they might’ve been trying to wrap plots with Zheng and the British in case they aren’t renewed, but I don’t think it was necessary—the pirating has always been secondary to the rom com and the found family, IMO. In S1, we had two main characters, but I’d argue Izzy got enough focus and attention to be a third this season. Which left us with a great character-driven story: we’re watching all 3 of them come into their own and discover who they are individually, while also discovering that the changes in themselves are causing friction between them now that they’re growing into new people. Which is an amazing story to tell, if you ask me, but the fulfillment of that story requires all three characters to be there. The conflict to be resolved is how these characters can become the people they want to be and still coexist together, because on some level they’re family now. Notably each pair combination of these characters grows together or apart (or in Stede/Ed’s case, both) during this season. Ed and Izzy are growing apart because they hold each other back from becoming the person they want/need to be; to complete this narratively, I would’ve expected the next challenge to be finding a way to become friends again as their new selves while letting go of the fact that they used to have a toxic relationship when they used to be different people.

Ed and Stede’s S2 Ending

So Izzy’s death is the big talking point, but I also think DJ’s take on Ed and Stede was interesting. He said that they deserved a happy ending for the work they put in this season. I agree with him in theory, but I’m curious as to whether others agree that they put in a lot of work. I think Stede followed through with his goal to come back and tell Ed how he feels, and to stay instead of running away from his problems. I think Ed followed through with trying to understand who he is and what his needs are while also trying to find the courage to open himself up to love again. But critically, they never talk. E7 makes a point to highlight the miscommunication/lack of communication between them, and then in E8 they still aren’t shown talking.

(I realize part of the issue is the limited amount of time and the amount of plot shoved into episode 8. I get it; personally, I think the plot should’ve been sacrificed for the characters. At this point, we were 7 episodes into a very character/relationship-heavy season. Plot could’ve waited for a potential S3.)

What’s more—there’s a huge, glaring gap between where they left off and where they end up. Ed left in S2E7 after he begins panicking and realizing Stede is becoming deeper entrenched in pirate life just as he’s finally finding his way out of it. Not once do they talk about this, but suddenly they’re retiring together? And right after Ed says Izzy was his only family and Izzy calls the crew his family (which… is also an unearned line, as Ed and the crew have almost no bonding or forgiveness this season, since we focused mainly on Izzy with the crew and Ed with Stede), they leave the crew to do their own thing? They’re all relatively minor things that could be fairly easily addressed by dialogue, but they fact that they’re not only serves to underscore the way that Ed and Stede really aren’t on the same page.

I want them to get their happy ending. They deserve it. I’m just not sure that I agree that they earned it to the degree that it was received, with retirement alone together without their crew, if that makes sense.

Positivity Tax: Calypso Love 😊

I’ve probably got more to say but those were the big ones on my mind after reading the Vanity Fair and Entertainment Weekly interviews. Just to counterbalance some of the more critical things I’ve said, I wanted to share some loving analysis of the Calypso episode:

1. It’s a minor thing, but the way this episode shows that Ed’s actions as Blackbeard had consequences is amazing. Despite him arguably committing the more grievous wrongs in S1, he’s the one we get the least redemption for in this season (his apology to the crew wasn’t great, and most of his screen time is spent repairing his relationship with Stede), so for him to have to face something that happened because of his past actions is cool, especially because it was done in a way that doesn’t further damage his standing with the crew.

2. The way Stede saves the day is incredible. Competent Stede this season has been an absolute joy to watch, and his success in this episode is twofold: first he wins his way, with signature Gentleman Pirate flair. He listens to Ned’s crew, helps facilitate communication between them, and encourages them to stand up for themselves and demand better treatment. That’s a very classic Stede win. But then he wins in the traditional pirate way, and it’s absolutely glorious; he’s been working towards becoming a better pirate, both in terms of stomaching violence and building up the necessary skills. Ned’s crew can be taken down with kindness, but Ned himself is a pirate and will only be matched by another. I genuinely cannot think of a more perfect way to show that Stede is still himself while also showcasing the newer side of him that he’s been working towards this whole time.

3. Speaking of that newer side of him, the way this episode starts to open up Ed’s insecurities? The combination of seeing his least favorite parts of himself reflected in Stede as well as watching Stede grow into the career that he’s trying to leave? Amazing conflict development.

4. I’ve already talked so much about Izzy but the way this truly caps off the crew’s acceptance of him as part of the family is gorgeous. He’s an entirely new man at this point and there’s no jokes made, no friendly ribbing… just love and acceptance. It highlights both his newfound comfort and familiarity with the others as well as the extent to which they care about him.

5. Less analytical, but it’s also just a really pretty episode.

Considering the fact that I have zero OFMD mutuals and this was a whole essay (I’m on mobile and can’t see how long this is but I’m honestly scared), I would be shocked if someone made it down this far, but if somehow people are here and open to civil discussion… I’d love to know how you felt about this, if you thought DJ was right, if you were a little more on my wavelength and thinking things weren’t adding up, etc. Realistically I’m not sure if anything could change my mind as I’ve done a lot of stewing, particularly about Izzy arc, but new perspectives are always refreshing. Much love to the fandom and of course the creators, who hopefully never see this and get their s3 renewal 🤞🏼