#and i understand why this may be some people's favourite

[writerfromshikahr]

A pre-relationship piece. TW for some discussion of abuse, but nothing detailed.

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Pebbles - Lucanis X Rook Fanfic

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"I can see why this is your favourite spot," Rook said, gazing out at the bustling city below. "Treviso looks stunning from up here. I never got to explore this part of the city as a child."

Lucanis smiled as they sat together on the rooftop. "Illario and I would come up here and throw pebbles at the people below—until Caterina caught us," he said, smirking. "It was his idea, of course."

Rook laughed softly. "Yes, that does seem like something he would do," she said, turning to him with a knowing smile. "But you should have known better."

They sat in companionable silence for a moment, the distant hum of the city below filling the air. Then Rook spoke again. "Must have been hard, growing up with Caterina. She seems like a formidable woman. If your training was anything like mine…" Rook trailed off, her voice softening as she caught herself.

Lucanis regarded her for a moment, his gaze steady but unreadable. "She’s my grandmother, but yes, it was difficult. At the time, I hated her. She was impossible to please, and like most Crows, I suffered. But what made it worse," he said, his tone lowering, "was when she’d turn around and tell me it was because she cared for me. It was… confusing."

"I understand," she said quietly, though her voice carried the weight of her memories.

"And you?" Lucanis asked, his gaze lingering on her. "I learned a little from Viago. He may have called you 'his idiot,' but don’t take it personally. If he ever stops using that word, then you should start worrying." His smirk softened as he added, "You were eight when you joined House de Riva?"

"My parents were killed while they were trading here," Rook said, her gaze fixed on the city below. "We were walking back to our accommodations when some mercenaries jumped them. I don’t remember much of that evening." She hesitated, "But I do remember using my magic for the first time—trying to help my mother."

Her hand drifted to her lap, her fingers fidgeting as she spoke. "I would have been killed too if it hadn’t been for a Crow that… intervened." The word lingered, heavy with meaning. "House de Riva took me in—gave me a home, a place to sleep. But they never addressed what I’d witnessed. Instead, they used it, reminded me of that night, to push me harder in training." She glanced at Lucanis, her expression conflicted. "I’m grateful, but like you said, it’s strange to feel grateful to people who also hurt you."

"We have things in common, it seems," his voice thoughtful. "I lost my parents young, but unlike you, I had family." He glanced at her, his expression softening. "You were alone in a city that wasn’t your own, surrounded by strangers you had no choice but to rely on." He paused, his dark eyes lingering on hers. "Admirable resilience for someone so young, Rook."

"I get a compliment Dellamorte? I’ll take it—Viago doesn’t hand those out too often."

"Oh, you’re his favourite; that’s why he’s harder on you," Lucanis leaned back on his hands. "Besides, you have me by your side now. That’d terrify him more—he and I, we have a history."

"By my side? Is this just Crow loyalty, or… something else?" she mused, glancing down at the city. Her heart fluttered as the question lingered, unspoken feelings stirring beneath her curiosity.

He regarded her quietly for a moment before replying, his tone unreadable. "As I said, there are plenty of reasons to work with you. Some, I admit, might be more out of self-interest than others."

"Self-interest? I can work with that," she said, smiling at him.

Lucanis didn’t respond, and she hadn’t expected him to. Silence fell again, broken only by the faint hum of the city. She noticed him digging into his pocket.

"I almost forgot," he said, pulling out a small handful of pebbles and offering them to her.

"I wondered why you were picking those up when we walked here."

He smiled playfully. "Whoever can hit that merchant’s stall three times in a row buys the coffee later. Bonus points if you can land one in the bowl of mackerel."

Rook raised a brow, taking a pebble. "The fish? Now you’re just trying to show off."

Lucanis rolled a pebble between his fingers. "Maybe. Or maybe I just want to see if you're up for the challenge." He tossed the pebble lightly in the air and caught it, his gaze darting to the stall below. "Your move."

Rook narrowed her eyes, "Oh, I’m more than up for it."

She aimed, letting the pebble fly. It bounced off the corner of the merchant's stall, missing her mark by inches. "Damn it," she muttered, biting back a laugh.

He chuckled, leaning forward. "Close, but not quite. Watch and learn." With an almost lazy flick of his wrist, his pebble sailed down, landing with a soft plunk in the bowl. He tossed another pebble in the air looking decidedly smug.

"My coffee’s going to taste even better knowing you’re paying for it."

[4thegadiesandlentlemen]

I'm just going to throw out an idea here. Err

So, Cam's God. Does it mean heaven and hell exist in the universe?

Wayne knows God exists, he's experienced the divine presence. He's spoken to God face to face. He's lived with him. Cameron being God means he can see all. He knows how people act. But face to face, they may hide some of it to avoid consequences (but I think some of these characters are a bit too honest for that). Fear in the face of God and all that. Wayne doesn't have that fear. Wayne doesn't hesitate to sin and inflict harm on his roommate. He just disrespects his creator??? Death wish. So when it gets too far, Cameron Slaughters him.

Could Wayne's fear of death also stem from that fact he'd go to hell? When he died, I'd like to think he experienced hell. Not like "oh this feels like hell" I mean like he's burning in the afterlife with no one to save him.

So when he gets brought back, he'd see it as like God taking pity on him and giving him a second chance. But he doesn't understand why he went to hell so he just does the same things except now his pranks are less extreme or something. And I think he avoids doing it to cam? I forgot the timeline. Obviously, that won't change where he's going. But yeah, he meets Justin (I am always going to reuse the Justin case movie when talking about him) and now he's in captivity with more freaks and he's losing his mind.

So basically, I think he'd value his life a lot more the second time. So I'll snatch your escape idea. Wayne was so desperate to live because he knows that if he dies, he'll end up in the worst place Imaginable. He'll even risk escaping the guy who's prepared for EVERYTHING (except being gassed).

Maybe Justin only showed the people trying to escape how the cloning process works to kill spirits and show the gravity of the situation as punishment. If he showed people who didn't attempt to leave, I feel like they'd try harder. But that could also be the possibility for those trying to escape. Justin could also just not show them. What if they actually escape and know how Justin's doing this. Wouldn't he get into even more trouble (he doesn't. Canonically, man just stops. Like, that's it. Hilarious)

And "God's Favourite"?? Oh what a painful thought. Like, obviously, Cameron hates Wayne. But the way he keeps being brought back only to suffer?? Wayne is God's favourite to punish. He's going to put Wayne through the same shit he went through. But God's favourite is such a ughhh get out of my skin get out of my skin get out of my skin get out of my skin get out of my skin get out of my skin get out of my ski

I feel so sigma !

AAAAAAAAA JUSTIN CASE UPDATE??? WHAT THE FUCK WHY DID HE JUST POST RHE SPOILERS TO THE NEXT INSTALLEMENT OF THE STROY RIGHT THERE INSREA DOF BEING LIKE YEAH IM DOING IT IM KILLING CAM RN FUCK ME (ron intended)

anywayssssss

nathaniel is dead, not very skibidi sigma of him at all but i’m not too surprised, cam’s been trying to get rid of ol’ nathan for a WHILE (besides, look at his last name. it was inevitable)

cam added a mary sue self insert oc that’s basically a god into the cgcu who’s summoned by racism and sexual jokes. damn.

i get the ending and it’s alright, but also seems anticlimactic. like cam shows up and tells justin “dude you’re a fictional made up character on the internet you’re already immortal 💀” and justin’s like “oh fr then ig i’ll stop” which isn’t that satisfying at all. i don’t like that ending the discord’s ending (ask me for an invite link if ur interested in the server, we’re all very cool) is much better since yk. it has actual character development.

personally? i don’t like this ending much and i am unsatisfied. it might be better if he actually posts it but i still don’t like it much. if only…….i finished the goddamn animation……..ughhh

also……….max? whipping it out? right there? cam you better film this part or else /hj

[brekker-by-brekkerr]

hsmtmts s4 spoilers ahead!

so i actually liked hsmtmts season 4. and i never expected to be saying that. from the trailers, i was worried the high school musical 4 plotline would take over and make the story too crowded. i thought they would focus too much on new characters. i had my problems with how portwell was handled and how EJ's plotline was handled in season 3. i was scared they would turn EJ into this guy who peaked in high school. i thought half of the theatre kids would be missing.

but i've never been happier to be wrong. yes, it took me a second to warm up to this season (though I'm looking forward to rewatching it and seeing how these thoughts change) and some choices felt especially out of pocket, and i still have problems with things, but this was still. so good. it honoured the heart of the early seasons and each character was given so much love. i'm so happy EJ Caswell my love was still a part of the show and got to sing and have his moments and story. i'm not super happy with how much of it was more for ricky's benefit and i still think he deserved so much better but i like them being friends. i like where he ended up with gina.

I am so proud of each of these characters and how much they have grown. I'm especially proud of how much Gina and Ricky have matured and how much they've learned from their past relationships

this season brought me the things i said i needed for me to support ricky and gina. yes portwell will forever have my heart and i will read fanfiction about a world where they got together and dream about what should have been but I'm also learning to be okay with the way things went this season. they were respectful of ej and gina as characters (other than taking risotto away what was that >:0), had them communicating and in such a healthy way and gina apologizing, and it felt so much kinder than last season. and the show acknowledged how it's always gina having to go first and put in the work and they had ricky change that! ricky really did show up and not gonna lie that love confession scene at the end got me it was good. they're not going to be my favourite ship ever by any means but that's okay. i can understand why other people love them and i just hope we can all be friends bc there are so many good ships in this fandom lol so we can all calm down and stop bullying each other thanks <3 (seriously the way none of these ships are problematic but people will be saying the rudest stuff if you mention a ship they don't like. like the number of posts i keep seeing calling people stupid and lacking in media literacy for having a different opinion is just so unnecessary)

and i was so happy for gina in this season! having her moment, showing so much strength and growth she was just everything and i love her so much.

i like that hsm 3 had its moment. and i am so so so happy all of the family was back (other than nini I'm sad she couldn't be there but i also didn't think she would be unfortunately). the highlight of everything for me was really gina's goodbye speech to everyone. it was so beautiful it felt like a love letter to every character on the show and i appreciated that so much.

so even though it was messy and imperfect and i love seasons 1 and 2 much much more, this season was so strongly found family and it's the found family i love and I'm happy with the ending. it had me sobbing because these characters (and the interactions I've had with people in the fandom) have meant so much to me. i started this show as a senior in high school and now I'm going into my senior year of college and this show with its found family of theatre kids and the soundtrack have been a huge comfort for me and I'm just happy it ended in a place i could appreciate (especially because i didn't think i would be saying any of this after season 3).

so for every moment of heartbreak this show caused me, I'm still happy knowing it ended with these theatre kids laughing and singing in a limo driving to denny's. maybe i would change some things along the way, but that was the perfect ending.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[dummerjan]

i just came across ai covers on youtube and people are requesting songs in the comments instead of getting enraged and i am further losing hope in humanity and turning to misanthropy

[hai7ani]

我的心肝宝贝 / i have found you / haitani rindou

sequel

losing your memories after a terrible car crash that's left you confused, quiet, and a little clumsy afterwards. all confidence had left your soul just like the past 2 years of your life, and honestly, you didn't think you'd be able to get through not knowing anything. things had changed a lot from when your memories had last stopped at.

you still manage to pick yourself up, however, even though it'd took you quite some time to gain back the confidence to go out in public with the blank and empty feeling in your head, your heart. you still don't remember much from the memories you've lost, and you find yourself constantly searching for something that you don't know.

and now you're in Don Quijote a little after 9 to run some errands for your mother who insists you go alone this time. before you left she had claimed that this may be helpful for you. she'd pointed out that this used to be your favourite place to visit at night when you had nothing to do. at first you didn't understand what she meant by it 一 you couldn't figure out why a place like Don Quijote would be somewhere you like spending time in, considering the loud, overwhelming music constantly playing through the speakers and the crowds of people who were somehow always everywhere in all corners of the store.

until you're queuing up for checkout and you hear a deep voice call for your nickname that you haven't heard in a while. you don't recognise the voice, though, and you think to yourself that this might be someone you had known just before you had lost your memories.

so you turn around, already getting ready to say the words you find yourself repeating quite a lot recently.

"i don't remember you."

the man before you is tall. he towers over you, he's a little tanned, and he's also the same guy you'd made eye contact with a while ago when you were browsing for ramen. you remember he had been staring 一 he seemed very mysterious, but you didn't think of him as creepy nor did he give off any human-trafficker vibes, and he never once broke eye contact too when you were passing him at the aisle.

"hi," you start with a little smile, and he thinks your eyes are bright with so much sun despite it being nighttime and you don't seem to be bringing anything up. he looks at you with an expression you think strangers don't normally give to another stranger, so you figure he must be someone you had known closely before.

"i, um," you blink once, twice 一 suddenly feeling a little out of breath and warm 一 and your chain of thought gets interrupted when he takes a step closer to your body. you can smell the hints of tobacco off his clothing and you resist the urge to pick away a loose thread from the collar of his black coat. the sudden temptation to do that was shocking to you, as you'd never felt anything like this before to anybody you've met recently.

then he lowers down a little to grab the handle of your basket and swiftly places it on the conveyor belt when you don't notice the cashier calling out for you (your back had been turned).

"thank you." you say as you start pulling out your wallet, getting ready to pay.

you turn to look up at the man again while waiting. you had bought quite an amount of items today, so this would give you time to converse with him.

"i'm sorry, have we known each other before?" you begin. you notice from his body movement that he is a little stunned when you'd asked him that, because he had taken a step back and frowned. he seems a bit confused as he curls his fingers inwards and forms his big hands into fists. the Don Quijote song plays softly in the background as you stare at each other like that 一 as he swallows the pit in his mouth, as you dig for just anything at all, right at the core of your brain.

nothing.

you decide to explain further when he doesn't budge. "i'd just lost my memories recently, from a car accident. i don't remember anything from the past 2 years..." you bite your lip, trailing off.

"so if we had known each other during those times, i'm really sorry, but i don't recognise you at all." your shoulders slump as you say it to him.

during those times.

you feel a little something, probably in your heart, rip apart inside of you when you see the light in his eyes swiftly disappear. you think the purple of his orbs had just turned into a darker shade. from violet to eggplant, his frown disappears, and he opens his mouth to speak-

"cash or card?"

you hurriedly look away from him and he sighs. out of relief, out of disappointment, or out of sadness?

"oh, cash-"

out of nothing but love.

"...we're paying together." he slams his own basket on the conveyor and eyes the cashier in a way that would've made you squirm out of fear because he looks so intimidating. "make it quick." he's stern when he says it, and the poor cashier looks so afraid that she does make absolute quick work of scanning his items together and checking you both out. but surprisingly to you, you don't sense any malice in his voice. you know he didn't mean anything bad by it -- he'd just really wanted it to be quick.

he's a nice guy, just a bit rough. he doesn't know how exactly to be polite. he has good intentions. he speaks up a lot, but he doesn't voice out very often.

you know. you want to tell her that. but he covers your sight by stepping in front of you and hands the lady his card.

(you end up sliding the cashier a piece of sticker you'd randomly found in your purse while mouthing a quick "sorry!" to her on your way out of the store.)

ane now you're standing outside the store, under a dim lamp post and you're searching for something inside your bag of groceries.

and he watches as you fish out a bag of chips, rip an opening easily, and hand it to him with a big smile. "here! my treat for paying for my groceries."

oddly to you this entire interaction feels so normal. usually a stranger would've never let another stranger pay for their things this easily, but with this man, it feels fine. it seemed okay to let him do that. you feel like this has happened before.

"why this snack?" is what he asks when he grabs a chip from the bag and shoves it in his mouth. he chews and chews and grabs another and chews, and your smile grows even wider when he finally takes the entire packet away and starts eating it like it belongs to him.

"dunno. i thought you'd enjoy it." you shrug, "and you do seem to actually enjoy it. i'm glad. i didn't buy it for any reason exactly, just felt right for me to grab it off the shelf."

he cracks a smile at that.

"you really don't remember me?"

"no, gosh, i'm sorry. what's your name?"

he eyes the small purple keychain of a specific initial hanging off your handbag. you hadn't switched it out even after so long, he realises.

...perhaps you did feel the same for him after all.

regret.

longing.

maybe still some love.

"Rindou. i am Rindou."

you give him a smile. he feels young all over again because you're looking at him the same way you always did.

"hello Rindou, i am y/n." you giggle as you say it, knowing he already knows, but you still want to say it anyway.

"were we friends? where did we meet?"

he sucks the flavouring off his thumb. it starts snowing a little. Don Quijote is no longer lit up and noisy as they start closing up the store.

"here." he looks down to the packaging in his hands and folds it nicely before throwing it in the trash. you tilt your head to the side, obviously extremely confused and a little nervous.

"we met here, two winters ago. i was lost as i was new to tokyo, and you bought me this snack as a cheer up before walking with me to my hotel."

"...and?" you grin, patiently awaiting for the rest of his response. it felt good to know you were nice to him back then 一 that this place was also coincidentally where you'd first met him with him eating the same snack that you bought for him.

a light layer of snow starts covering your head and shoulders, but he is warm when he moves closer to you and pats them away gently.

he then slides his hand down to rest it on the back of your head.

and he kisses your forehead.

you think you want to melt away like the snow on the ground. you think the empty feeling inside of you has been filled and you don't ever want him to leave again.

you think you have found what you have been searching for so feverishly after losing your memories.

"i loved you before."

you don't move in his arms when he snakes them around your figure 一 as he pushes you anymore closer to himself, into his chest.

you hear his heart beat for you before your ears.

"i still do."

in chinese we have this term of endearment: 心肝宝贝 (xin gan bao bei) which is a very cheesy endearment for a loved one, commonly used by parents for their child, but it can be used between lovers as well.

心 xin (heart) | 肝 gan (liver) | 宝贝 bao bei (baby/sweetie for endearment, commonly used between lovers) = basically saying that you are just as important as my heart and liver

i was picturing rin saying this to her in his heart when he was hugging and pushing her to his chest :(((

[beware-of-pity]

I don't really mean for this to sound mean, at all, and this is honestly meant to be a sort of constructive criticism but I've been at my wits end these past few weeks when going through stories of some of my favourite characters because all I've been seeing are characters x reader stories being tagged as so only for them, in the end, to turn out to have been character x oc stories all along. I know some people probably do not care to tag correctly their posts, and some probably do so with the intention of posting them in hashtags that are intentionally misleading for the sake of readership and likes, and whatever not, but Tumblr is not ao3 where you can filter out certain characters or certain tags to clear the search of any unwanted characters or triggers and etc, etc because at its core Tumblr is a blogging platform where certain dedicated people and fandoms post fanfics of their favourite characters, which is why it does not possess such a feature like ao3 in the first place. I understand that new writers, probably, also cannot differentiate between a reader-insert and an actual original character created by them for their stories. But I fear it may be, common knowledge that when someone is specifically looking out for an x reader story they more than likely do not want most of the tag to be filled with people self-inserting themselves in the story through an oc. I know that no reader-insert will ever truly be a reader-insert because there is no way that the person reading the story will ever come close to the personality or appearance that is needed of the reader to make the story work but all I ask, at the very least, is for people to be honest about what kind of story they're putting out there and to not mislead people by posting stories that have nothing to do with the tag that it's been posted under only because it involves the character it's being matched with.

Again, this is only a general criticism, and it's not supposed to target anyone. Also, my main aim is not to be either rude or mean but it's something that's been going on for a while and that has been frustrating me so I felt I had to finally speak up about it.

Also, ps for certain writers, if you don't like using Y/N maybe reader-insert-centered stories are just not for you, because by then naming the reader it automatically makes the story an oc story.

[copperbadge]

Hey Sam! Since it's currently AO3 donation time, I'm wondering what your thoughts are on it? I'm asking because you've written RPF and it's one of many "anti-AO3/anti-AO3 donations" people's favourite things to bring up when they're complaining about AO3 getting so many donations that it continuously obtains an excess of its donation goal whenever donation time rolls around? (Wow, how many times can I say "donation" in an ask?) Sorry if this question bothers you! I don't mean to offend or annoy.

Hey anon! Sorry it took a while to get to this, I don't even know if the drive is still going on, but the question came in while I was traveling and I didn't really have the time for stuff that wasn't travel-related. In any case, let's dig in! (I am not offended, no worries.)

So really there are two issues here and as much as some people who are critical of AO3 want to conflate them, they are different. While some criticism of AO3 may be valid, rhetoric against AO3 tends to misinterpret both in separate ways.

First there's the issue of what AO3 hosts -- RPF, yes, but more broadly, varied content that some people find distasteful or think should be illegal, which is a misunderstanding of the purpose of the archive and more broadly a dangerous attitude towards the concept of freedom of expression.

Second, there's the issue of AO3 generally outpacing its fundraising goals while not allowing monetization, which is a misunderstanding of the legal status of AO3 and to an extent a misunderstanding of philanthropy as a whole.

The longer I watch debates about content go on, the more I come to the conclusion that I was fortunate to have a teacher who really wanted to instill in us an understanding of free speech not as a policy but as an ongoing dialogue. It's not only that freedom of expression "protects you from the government, not the Justin" as the meme goes, but also that freedom of expression is not a static thing. It's an ongoing process of identifying what we find harmful in society and what we want to do about it.

Should the freedom to shout "Fire!" in a crowded theater be restricted? Should the freedom to yell slurs at drag performers? Should the freedom to teach prepubescent kids about gender, sexuality, and/or safe sex? Should the freedom to wear a leather puppy hood at Pride? Who gets to say, and why?

I was nine when my teacher did a unit on freedom of speech and the intersection of "harm prevention" and "censorship", which is (and should be) a discussion, not a set of ironclad rules. This ambiguity has thus been with me for over thirty years, and I'm comfortable with the ambiguity, with the process; I'm not sure a lot of people critical of AO3's content truly are. Perhaps some can't be, especially those affected by hate speech, but RPF is not hate speech. It's just fiction. Or is fiction "just fiction"? This is a question society as a whole is grappling with, although fandom seems to be a little out ahead of society in terms of how explicitly we discuss it.

The idea that prose can incite violence or cause harm is both valid to examine (witness the rise of fascism on the radio in the 20s, on Facebook and Twitter in the past ten years; they're very similar processes) and a very slippery slope. Because again: who decides what harm is, and what causes it, and what we do about it? Our values align us with certain beliefs, but those are only our values, not universal truths. So AO3 is part of the ongoing question of harm and benefit both to society and individuals.

AO3 itself, however, has a fairly defined policy that it is not meant to police content; it is an archive, not a bookstore or a school board. AO3 refines its TOS and policies as necessary, but the goal is always open access and as much freedom of expression as possible, and if that's uncomfortable for some people then that's a discussion we have to have; ignoring it won't make it go away. But it has to be a discussion, it can't be a unilateral change to the archive's TOS or a series of snaps and clapbacks, and I don't see a lot of people ready to move beyond flinging insults. Perhaps because they were taught a much more binary view of freedom of expression than I was.

So, self-evidently, I support AO3 and I don't have a problem with RPF. Whether other people do is something we're going to have to get to grips with, and that's likely to be a process that is still going on when most of us are dust. I'd rather have a century of ambiguity than a wrong answer tomorrow, anyway.

But whether AO3 hosts RPF is truly a separate issue from its donation drives, because it's a criticism some people level at the site which exists whether it's fundraising or not. So people can criticize AO3's open policy and they can give it as a reason not to support the site, but it's just one aspect of the archive and the fundraising as a whole should be examined separately.

I think AO3's fundraisers are deeply misunderstood (sometimes on purpose) because even people who are anticapitalist get a little crazy when money gets involved, and this is, to fandom, a lot of money -- a few hundred thousand, reliably, every fundraiser. To me, a fundraiser that pulls in three hundred grand is almost quaint; my current nonprofit pulls in better than ten million a year and my previous employer had an endowment of several billion dollars. At my old job I didn't even bother researching people who couldn't give us a hundred grand.

On the other hand, AO3 is an extreme and astounding outlier in the nonprofit world, because basically it's the only one of its kind to work the way it does. It is entirely volunteer-run on the operational side (ie: tag wranglers, coders, lawyers, etc) and has no fundraising staff (gift officers, researchers, outreach officers) as far as I'm aware. To pull in three hundred grand from individual one-time donations, without any paid staff and without even a volunteer fundraising officer? That's insane. That doesn't happen. Except at AO3.

What people misunderstand, however, is the basic status of a nonprofit, which is a legal status, not simply a social one. (I'm adding in some corrections here since it gets complicated and the terminology can be important!) The Organization for Transformative Works, the parent of AO3, is a nonprofit, which indicates how it was incorporated as an organization; additionally it is registered federally as tax-exempt, which carries certain perks, like not paying sales tax, and certain duties, like making their financials transparent to a certain extent. (Religious nonprofits are exempt from the transparency requirement.) If you're interested in more about nonprofits and tax-exempt status a reader dropped a great article here.

Nonprofits, unlike for-profit companies, cannot pay a share of their income to stakeholders. Nonprofits don't have financial stakeholders, only donors. They can have employees and pay them a salary -- that's me, for example -- but if a nonprofit pulls in $10M in donations, my salary is paid from that, I don't get a percentage and nobody else does either. That's what it means to be a nonprofit -- the money above operational costs goes back into the organization. The donations we (and AO3) receive must be plowed under and used for outreach, server maintenance, further fundraising, services expansion, et cetera. You can see this in the 990 forms on Guidestar or ProPublica, or in their more accessible breakdowns on Charity Navigator. Nonprofits that do not put the majority of their income towards service provision tend to get audited and lose their nonprofit status. So nobody's getting paid from all that money, and the overage that isn't spent goes into what is basically a savings account in the name of the nonprofit. (I'm vastly simplifying but that's the gist.) Using that money for personal purposes is illegal. It's called "private inurement" and there's a good article here about it. The money belongs to the OTW as a concept, not to anyone in or of the OTW.

So the biggest misunderstanding that I see in people who are mad at AO3 fundraisers is that "they" are getting all this money (who "they" are is never clearly stated but I'm pretty sure people think @astolat has a special wifi router that runs on burning hundred dollar bills) while "we" can't monetize our fanfic. But "they" get nothing -- nobody even earns a salary from AO3 -- and you can easily prove that by looking at the 990 forms they file with the government, which are required to be made public. You can see the most recently available 990, from 2020, here at Guidestar. Page seven will show you the "highest compensated" employees, all of whom are earning zero dollars or nonmonetary perks (that's the three columns on the right).

Either AO3 is entirely volunteer-run or someone's Doing A Real Fraud. The money the OTW spends is documented (that's page 10 and 11 primarily) and while they may pay for, say, the travel and lodging expenses of a lawyer going to DC to defend a freedom-of-expression case, they don't pay the lawyer for their time, or give them a cut of the income.

Despite what you've read, the reason "we" can't monetize our fanfics on AO3 has nothing to do with the site being the product of volunteer handiwork or AO3 having it in their terms of service or it being considered gauche by some to do so; it's because

IT'S ILLEGAL.

I cannot say this loudly enough: It is against the law for a nonprofit to be used by its staff, volunteers, or beneficiaries to earn direct profit from the services provided by the nonprofit.

You can be paid to work at one, but you cannot side-hustle by selling your handmade friendship bracelets for personal gain on the nonprofit's website. If the nonprofit knowingly allows monetization of its services, it can lose nonprofit status, be fined, be hit with back taxes, and a lot of other unpleasant bullshit can go down, including prosecution of those involved for fraud. If you put a ko-fi link on your fanfic, you are breaking the law, and if AO3 allows it, they are too.

Okay, that was a sidebar, but in some ways not, because it gets to the heart of the real complaints about AO3 fundraising, which is that people in fandom are sick or unhoused or in some form of need and other people in fandom are giving to AO3, a fan site that is financially stable, instead of giving to peoples' gofundmes or dropping money in their Ko-Fi or Paypal. And while it is a legitimate grievance that there are people who are in such desperate need while we live in an era of unprecedented abundance, that's not AO3's fault. AO3 doesn't solicit actively, there's no unasked-for mailings or calls from a gift officer. They just put a banner up on their website, and people give. (Again, this is incredibly outlier behavior in the nonprofit world, I'd do a case study on it but the conclusion would just be "shit's real, yo.") You might as well be mad that people give to their local food bank instead of someone's ko-fi.

You cannot lay at AO3's feet the fact that people want to give to AO3 instead of to your fundraiser. That's a choice individuals have made, and while you can engage with them in terms of why they made the philanthropic choices they did, to blame an organization they supported rather than the person who made the choice to give is not only incorrect but futile, and unlikely to win anyone over to supporting you. We know from research that guilt is not a tremendous motivator of philanthropy.

It is also not necessarily a binary choice; just because AO3 gets a hundred grand in $5 donations doesn't mean most of the people giving don't also give $5 elsewhere. I support the OTW on occasion, and I also fundraise for UNICEF and the Chicago Parks Foundation and BAGLY and others, in addition to giving monthly to several nonprofits that I have longterm relationships with -- my alma mater, the animal rescue where I got the Cryptids, my shul. And I give, occasionally and anonymously, to fundraisers that pass through Radio Free Monday, which are mainly individuals in need, because I was once in need and now I pay it forward. These are the choices I have made. Nobody twisted my arm. I respond poorly to someone making the attempt to do so by attacking places I've given.

I think the upshot is, after all of this that I've written, that we cannot begin to come to grips with questions of institutional inequality in philanthropy, or freedom of expression and censorship, until people actually understand what's going on, and too few do. So all I can do is try and explain, and hopefully create a forum for people to learn and grow when it comes to charitable giving.

Archive Of Our Own and the Organization for Transformative Works are products of our community and as that community changes, we will necessarily continue to re-evaluate what aspects of it mean and how AO3/OTW express the community sentiment. I hope that the ongoing discussion of support for AO3 also leads to people learning more about their philanthropic options. But criticizing AO3 for fundraising by attacking it for fulfilling one of its stated purposes is silly, and attempting to guilt people into giving in the ways one thinks they should give rather than how they do give is just going to make one extremely unlikable.

As members of this community, we have to be a part of the push and pull, but it's difficult to do that competently in ignorance. So, I do my best to be knowledgeable and to educate my readers, and I hope others will do the same.

[gay-dorito-dust]

Could I request Welt, Dan Heng, Sunday, Gepard, and Argenti finding their s/o's poetry collection of them?

Argenti:

Would sit himself down somewhere nearby and read every last poem, each one leaving him with a full heart, butterflies in his stomach and another addition to the list of reasons why he adored your creative soul.

He’s extremely honoured that you decided to chose him as your muse for your poems, for he could feel the love and respect you have for him through your writing, before holding the collections of poetry made in his name against his chest as he beamed with happiness.

He’d even openly praise you for your works if he were to see you later on in the day, which would make you understandably upset and embarrassed that he went through your things, but with the way that he passionately talked about your writing and the look upon his face that clearly shown his appreciation and admiration for poetry.

At the end you’re the one who ends up being flustered whilst Argenti was still sending appraisal after appraisal your way, all the while re-reading your works and proudly reciting his favourite passages without shame.

Sunday:

He thought it was sweet that you write poetry about him.

He didn’t feel as though he was invading your privacy at all, seeing as how he’d like to claim that whatever of yours was now also his by osmosis…totally not because he’s fishing for stuff to hold over you and maintain control should you act out…

Anyway- he’s taking his sweet time reading each and every poem you’ve written with him in mind and smiling at the hold he’s taken within your heart, finding it fascinating what adoration could make one do just to express their whole array of emotions.

It was almost as though they were on some timer that others couldn’t see just to express all their innermost feelings towards the special person in their life. Then again love tended to make people feel as though they were invincible, so the unthinkable and accomplish things that they never thought that they were capable of achieving in the first place.

So it didn’t matter whether or not you were able to wax poetry before him, but it was obvious to Sunday that the moment he had taken hold of your life and your every thought, poetry has became your primary outlet for feelings that you weren’t nearly brave enough to say aloud to him. Rest assured however for that day will come for you to open up about those unspoken feelings of yours…sooner or later.

Gepard:

He feels as though he was invading your privacy by reading your poetry collection and wanted to leave before he’d inevitably get caught, but just as he was about to take his leave, he stopped when the title of the first poem caught his eye;

Everlasting winter

He found himself reading through the first few opening sentences and immeditly made connections between himself and the person within your poem. To say it didn’t take long for Gepard to realises that the similarities between him and the person in your poem were purely intentional, and that he was the one the poem was actual about.

His face was blossoming red upon the realisation and averted his eyes elsewhere as he takes in the fact that you found him a perfect enough muse for your poetry. Him, the man who couldn’t hold a tune to save his life, grows flowers that unfortunately don’t last long, and wasn’t possessed with the basic skills of drawing.

And yet you found something about him that was worth writing poem after poem about. He didn’t know why that was but he was appreciative that you found something in him that urged you into written it down on paper, where your affection and admiration for him would be forever immortalised…He also may or may not have taken a poem to read to himself later on at night.

Dan heng:

He had noticed that you left a piece of paper laying about one day and was about to call out to you and give it back, while scolding you for leaving your messes everywhere for him to pick up after, only to see that it was in fact a poem about him.

Red faced, Dan Heng still planned on taking the poem back to you and journeyed to your room where he found that the door was left ajar, but could immeditly tell that your room was empty. Sighing, Dan Heng opened the door and quickly made his way towards your desk, where’d he found more poems in regards to him.

Much like Gepard, Dan Heng felt as though he was reading something he shouldn’t but he found himself unable to look away as he was secretly tempted to know how you viewed him. What he found was nothing short of you portraying him in a way that he’s never quite thought of himself before. If he wasn’t already so easily made flustered by your words alone, your writing was enough to put the poor man into a catatonic state.

Dan Heng wasn’t use to being smothered in a love like yours. Where you felt as though speaking your love for him wasn’t nearly enough, so you had to expand and start writing it instead in the form of poetry. He doesn’t feel as though he’s deserving of it but isn’t going to look a gift horse in the mouth and is more then willing to try to accept the fact that you care deeply for him; especially when he can not find it within him to find anything about him remotely worth being with.

Welt:

He’s made copious amounts of drawings of you that he’s kept hidden in his room. So upon coming across your poetry collection about him, it only made him feel more comfortable knowing that he wasn’t the only one to express his innermost feelings through an art form.

Besides it wasn’t like he was actively searching your room for your poetry collection, he really wasn’t as he just came across them out of pure coincidence. He was currently about four poetries deep and was finding it extremely endearing how you viewed him in most of your writing: which was mainly as an well educated, wise man with a young man’s heart and restlessness sense for adventure, who had a talent for drawing.

Welt would chuckle under his breath at all the moments you’ve shared together, before you’d then went on to write about how beautiful he was in every possible way. From his sweet, insightful eyes that seemingly held all the knowledge you could ever ask for, to his calming, velvety voice that could lull you into a deep sleep within seconds.

You posed him as this figure of comfort, a figure of warmth and Welt soon finding himself not so subtly sneaking some of your poetry into his pocket to read for later. Your poetry only gives Welt the confidence he been looking for, as he would then starts to leave his drawings of you in places where you’d be able to see them; all in hopes that you would know that you had just as much of a huge place in his heart as he did in yours.

[lurochar]

Yandere Alastor x Reader who refuses to talk and not just to him but to everyone. Maybe one day he came off way too strong to her and ever since then she hasn’t spoken a word. How would he react? It’s almost like she’s ignoring him as she always has the far off look in her eyes even when he’s speaking to her.

Not sure if this is quite what you requested, Anon, but hopefully it’s a little satisfactory >_<

Warnings: Yandere!Alastor, Violence

--------------------------------

Everyone is quite worried about you. They have no idea why you suddenly just stopped… talking, but Husk and Vaggie have a pretty good guess and it definitely has something to do with their hotelier because of course it does.

Alastor, on the other hand, thinks your reaction to his… proposal (not literal, but aww, if you took it that way, he wouldn’t have refused your darling little self) is cute at first. So you’re playing hard to get, making him work for it? Usually, it’s demons coming to him asking and begging for deals in exchange for their souls, not the other way around.

Perhaps he was a little too forward, blunt in asking for your soul right away? It seems he was a little too eager to have you solely for himself that he completely forgot his manners – he didn’t woo you like a gentleman should.

After a proper courtship, only then should he have sweet talked you into giving him your soul.

But after a while, you refusing to speak, to him, to anyone – just avoiding everyone in general, completely spooked by the near loss of your soul (and Alastor, on some level, can understand your way of thinking, you are relatively new to Hell after all), well, it’s starting to irritate Alastor a little. 

He does want to hear your lovely voice again.

So, he starts out small, casual things – acts of service, maybe cooking your favourite meal, doing one of your chores around the hotel, buying a trinket on one of his outings. He does hope you’ll be at least polite enough to thank him for what he’s doing for you, but all he gets is a shaky nod before you’re running to the ‘safety’ to your room.

That’s fine, there are other ways to make people talk.

He just didn’t want to have to use them with you, but he didn’t realize you were this stubborn and if his kindness was wasted…

Alastor goes to collect any and all acquaintances, friends, and family members of yours to be rounded up and brought to his radio tower. His shadow has forcibly sealed you in Alastor’s room at the hotel and you have to listen in absolute horror as familiar screams are being broadcasted to you through the multiple radios in Alastor’s room.

“My sweet Doe, I will stop this, but we must make a deal first. Do promise me you will never give me this dreadful silent treatment again and I won’t lay a finger on any of these souls again. Do we have a deal?”

You are completely frozen in fear, the screams echoing in your head. Is this a trick? If you go there, is that what Alastor would do to you too? You don’t answer Alastor’s question, you can’t.

There is a sigh over the radio and Alastor’s shadow perks up, picking you up a moment later and you’re silently panicking, wondering if these are your last moments alive as you and the shadow travel through the voids right into Alastor’s radio tower.

“Interesting. I didn’t believe I would have to go this far, but…”

A breath escapes you and you tense when Alastor pulls you up from the ground, drawing your back to his chest (though he has to lean down some) as he places his hands tightly on your shoulders, claws ripping the fabric of your clothes. “While I may prefer the auditory experience, some are visual learners, I suppose.”

At some point, you believe you completely dissociate, unable to keep watching Alastor brutally torture your friends outside the hotel and the few family members you had found and reunited with in Hell and it’s then that Alastor strikes.

He does cast a spell on you after he’s finished with what started this all, his proposal for your soul and now he’s thinking about it, a real proposal may be coming very soon.

It’s a spell intended to scramble your mind, thoughts, and memories if you ever decide to talk with Charlie and the others again (he honestly thought about just stashing you away elsewhere, but seeing as he spent the majority of his time at the Hazbin Hotel, you would be safest there too), that you would not recall anything that Alastor had just done to you or that he now owned your soul to begin with.

After all, he certainly did not need Charlie to call Lucifer up if it ever did get out what he had put you through just to get you to speak again and to get you to sign your soul over to him.

Alastor had what he wanted and he would not let a little deadbeat ruin it.

[endlessxdreams]

The little hints that are easily missed part 2:

1. When Charles said to Declan (I’m paraphrasing because I don’t remember exactly the lines) that he and Rupert are the same, stubborn, workaholics and want their way always winning I feel like it was a for shadowing for the dynamic between Declan & Rupert’s relationship with each other. They are the same person that in another universe they might be the other way around (Rupert married with kids and Declan a playboy). Regarding that, I feel that it was intensionally assigned as a scene to showcase that Declan’s hate was influenced by Tony but also reasonated the reason why Taggie is entangled with Rupert. Electra’ s syndrome where women fall for men that have the same personality as their father. She sees a lot of her father (which she admires) in Rupert. It may be far fetched but hear me out. Maud is a really bad mother to her children, especially Tags, which she is jealous because of her youth and beauty and she calls her retarted and stupid. Declan on the other hand, has a drinking problem, is a workaholic who rarely goes to his house, has anger issues and has been in a weird relationship with his wife (he enjoys other men watching Maud, lusting after her, being desired and sleeping with them) but as a father he loves Taggie (I think she is his favourite because in their house she’s the only person that is not problematic and tries her best to care for them).

2. Declan immediately saw the way way Rupert was watching Taggie at the pub and said “Stay away from Taggie, you’re old enough to be her father”. So if Taggie is 20 years old (in the books she’s 18) that makes Rupert 40 (in the books he’s 38). The dirt he gathered for Rupert and his secret weapon he will use it when he finds out about AngelBlack (I love the ship name, kudos ❤️❤️ to the person that suggested it).

3. The way he calls her “Angel” is his way of seeing the celestial light, she is an innocent creature, full of love, care and compassion for animals, people, her family. She’s an introvert who loves her own space, likes to provide comfort and love to others but also she didn’t choose this role. She’s not the typical 20 year girl. She’s like a mother figure, she takes care of the household, she cooks, she tries to help other people, her father, her sister while at the same time she tries her best to make her life better, to overcome her own difficulties (dyslexia)- As someone who has dyslexia I can assure you that is difficult, I’m lucky in a sense because while it was 20 years ago (I was in first grade) and it was when my teacher noticed and informed my parents, they didn’t dismissed her and they took me to speech and occupational therapists and is not bad (I read-write-think perfectly without a grammar mistake and when I tell people that I have dyslexia they don’t believe me because I’m the devils advocate and they tell me I should be a lawyer because I’m always 5 steps ahead. But I have a terrible ADHD brain disorder and I can’t remember stuff I read a day before and I can’t concentrate to read and understand what I’m reading/I have also a bad anxiety disorder so while I read I can’t get my mind to remember shit and get anxious and start crying and feel like I’m an idiot because I read the same paragraph 15 times to comprehend what I’m reading and wherever how hard you study and you try you always fail miserably). Mind you that this was 20 years ago in Greece which is not a place that people have empathy or tolerance toward someone else being different than them (even some teachers back then didn’t want me in their class or they didn’t want to help me study because they though I was slow and dummy and some of my classmates were the same). Therefore, I love the representation of people with learning disabilities and how difficult is for them to navigate life. And in the 80’s when so little things were known back then. Thus, Taggie is a fallen angel, she pays for other people’s sins, she is a pure sensitive soul, who from a young age she is always puts other people’s needs first, she keeps her distance, doesn’t try to make herself visible to others, doesn’t take space, attention, affection and love (only her siblings love her continuously as we saw at the hug scene of the NYE episode but I feel like the love her like a mother figure and not as a sister). Rupert’s sees all of that, her sacrifices, her fierce nature to others and her willingness and is drawn to her like a dog needs water, he is the devil and she will redeem him from himself. Someone on Tik Tok mentioned that the bedroom scene from the NYE episode was directed to Rupert’s emotional state. He is in a cold place, he doesn’t care about anyone or tries to give this impressions, he doesn’t see his children because his ex wife didn’t want him anywhere near them, he finds comfort between women’s legs but is temporary and he is a shell of himself and his glory days. And as he puts Taggie to sleep and they look at each others eyes, the celestial light shines bright making Rupert feel warmth inside of him, like all his sins will be consumed.

4. From all the people in NYE episode he was the only one that went into the kitchen and told her to relax and have fun, no one other cared to bother to remember that she existed (expect Patrick and Caitlin). He took care of everything that needing to be taken care of, he protected Charle’s photo of panic attacks getting on paper, he payed the DJ’s, cleaned up and went home. Acts of service. He saw Taggie in an fragile emotional state, feeling unlovable, unworthy, unable to cope with all of this pain and wanted to help her. He talked to Freddie and wanted all three of them to make the franchise in order for Taggie to not leave and because she was devastated by her father losing his job, credibility and leave the town she liked for once in her life. Rupert saw all of this. She had the world on her shoulders at such a young age and wanted to make her happy.

5. The line “What if no one ever loves me?” is a parallel to Rupert’s own thoughts. He confessed to never have been in love in Declan’s show.

6. The way that he was jealous of Ralphie and said that she can do so much better than him and watched intensely and wanted to throw hands for hurting her in the worst way, of Seb who took her to the movies meanwhile he was fucking Cameron.

7. He cared about her opinion of him. He doesn’t give a fuck or pretends to to other people’s opinions but with Taggie he’s eager to learn what she feels of him and he starts slowly to unmask himself from his persona. He gave her an egg jewel and not something mainstream which he would get for other women (for example the bracelet). He was pleasantly surprised by the fact that she accepted his apology but not his gift, because he is so used to pay his way into women’s hearts-pants and Taggie returns it. Also I believe that the egg jewel was a personal gift in which he choose himself whereas all the others were picked by the Jewerly stuff or his assistants.

8. He wants her empowered and to speak her mind. In the episode of the killing of the birds which she did the catering, he pursue her to admit that she will not do another catering job for hunting/killing innocent animals.

9. Rupert’s worry of Taggie’s accident and the way they hugged each other, especially him, the realisation that shr could have been dead. He immediately drove the car and Taggie home because she was so upset that she couldn’t drive and when he heard the tape of the directions, he offered both of them to go to the tours around city promoting Venturer.

10. The way that I HATED HIS GUTS/ LOATHED HIM in the first episodes and couldn’t fathom the fact that they’re a ship and slowly we saw him change, yearning and longing for a glimpse of her, like he see his true self come to the surface and be vulnerable when he sees her . As Bas said “crushing like a school girl”. A 40 year old playboy with a lot of issues that wants his partners daughter which he promised that “she’s out of bounds” and everything is complicated, he could loose everything, his money, his house, his position as a minister, Declan, Freddie, Taggie and his entirety of his life. Talk about complicated and difficult.

[miwiheroes]

Season 1 Mike Wheeler Queer-coding

Just some of my favourite pieces of queer-coded Mike evidence that I have found from season 1. Let me know if you have never seen these before because I'd love to add to the conversation <33

My overall conclusion from season 1 is: Mike gets taught that being queer/ not liking girls is dangerous. It means you die/ disappear. Being 'normal' or straight is therefore easier. Take this conclusion in mind as you read this.

Disclaimer: This is just my opinion. If you want to interact with this post because you disagree with me, please be respectful.

(Yes I will be doing all the other seasons at some point but it will take a while because this one took me a WEEK)

1. Ted's Comments

Take these with a grain of salt, because when I watched the show again I was a little unsure of whether these are actually implicitly homophobic or due to other things.

So here Ted says 'see Michael, you see what happens?' after Nancy storms off and goes to her room. This could be in relation to Mike shouting at Nancy earlier and that's why he's scolding him a little, but also Mike was talking about how it isn't Will's fault that he's gone missing. It's also kind of established that adults in the town think that Will is gay (more on that later) and was hatecrimed, so Ted could be referencing that.

It's also notable that Mike thinks his dad is talking about Will's disappearance because he then says 'what happens when what? i'm the only one acting normal here. i'm the only one who cares about will.'

So I think it's pretty clear what he's insinuating here. He didn't want to explicitly say 'see what happens when you're not like everyone else' but you can tell. And why would this be said to Mike in relation to Will's disappearance if not for queer-coding? Even early on in the show, Mike could associate being queer with going missing.

Ted, later on in the season, says 'our son? with a girl?' which tbh i thought could be because he's a nerd and only likes hanging out with his friends.

But now that I'm thinking about it, they also say that kind of stuff about Will in season 3. And people on twitter who were against Will's queer-coding before season 4 figured that a lot of the reason people called him slurs was because of him being shy/ stereotyped/ a nerd/ sensitive. But it was confirmed after season 4 that the slurs were queer-coding aka we were right. So the same could easily be said for Mike in this situation.

2. The 'Talk' tm

We've all seen a lot of people talk about this, but I have a teensy bit more to add onto what others have said already because it's sort of funny.

This scene is different to both Karen and the audience. To Karen, she's basically asking Mike if he's feeling particularly sad about Will being missing because of reasons. But to the audience, and Mike, this is a moment for him to be worried about the fact he's hiding El in his closet.

Karen says: 'with all this that's been going on, with Will, i can't imagine what it's been like for you. i just-- want you to feel like you can talk to me. i never want you to feel like you have to hide anything from me. i'm here for you. okay?'

This feels like something Joyce will say to Will in season 5 LMAO like-

If you aren't queer, you will never understand how obvious this is that it's a gay talk. The word 'hide' is so often used in these situations. What is she insinuating? I understand that the 'i want you to feel like you can talk to me' might just be about Mike's sadness, but the emphasis on 'hide anything' is crazy. Also this is about Will and nothing else because at the beginning she pointedly says, 'with Will'. She's basically insinuating there's something different about Mike's relationship/friendship with Will.

What she could also be insinuating is that she thinks that Will's disappearance had something to do with him being queer, (which is rumoured about). She then applies this same logic to Mike. She may be thinking 'oh if Will didn't feel safe about being queer, I'd better let Mike know he is safe.' -- This could be far-fetched though.

Okay so what is very interesting is that El's in Mike's closet at this time. There are multiple reasons for the directors to put her in there: One, to show a flashback from when she's in the lab, and Two, for her to be in the closet during the queer-coded conversation.

Here's why: RIGHT AFTER KAREN SAYS ALL THE HIDING STUFF, THERE'S A SOUND FROM MIKE'S CLOSET......

Walk with me here folks... To the audience, this is funny because Mike is hiding something. He's hiding El. But. Also the sound came from his closet. He's hiding the fact he's in the closet-- *gunshots*. Double meanings exist i swearr

3. Lucas's Teasing

This whole scene is so interesting to me. I used to ignore it because it's possible Mike and El proof but...

It reinforces the heteronormativity of Mike and could even feed into how he acts in his relationship with her. First of all, Lucas tells Mike that just because he is being nice to a girl he must want to marry her and love her right?

This could be a 'Mike could like El' scene, but no. Mike is literally like, 'Lucas what are you talking about?' HE IS CONFUSED. He's also fed-up, he's not embarrassed. He's not flustered. He's not like 'omg shut up hahaha' he literally bluntly says 'shut up Lucas' in this voice that sounds kind of tired.

What Mike learns here is that being with a girl is kind of expected. He's not allowed to be friends with a girl or care for a girl without people assuming they're a thing.

This leads perfectly onto the next point.....

4. Bullies' Homophobic Comments Exhibit A

Straight after learning that Lucas assumed he had heterosexual feelings for El, Mike learns that being gay is a 'bad thing'.

These comments could just be coding for Will, sure, but there are indications that it could be Mike queer-coding as well.

First of all, 'He's dead, that's what my dad says. Probably killed by some other queer', is a very weighted comment. The fact that Troy's dad said this to him implies that Will's sexuality is like a rumour amongst adults in the town. It's also the show portraying how hate like homophobia can be taught from parents.

Mike's then the one to be like 'just ignore them' and goes to walk away. SPECIFICALLY IT IS HIM THAT IS TRIPPED. I REPEAT!!! HE IS TRIPPED NO ONE ELSE.

This could imply that the bullies were targeting him as well as Will for homophobic bullying, maybe in the past as well, and the 'killed by some other queer' comment could be directed at him. I guess you could say that he was tripped because he was the nearest person, or that he was the one speaking, but the directors chose him to be the one walking there. And SPEAKING. Why??

So: Mike has just learnt from Lucas that being nice to a girl can be seen as attraction and means he has to love her. THEN Mike has just learnt from the bullies that maybe Will died because he was gay, and that being gay gets you hurt (tripped over).

Mike is given a choice between the lesser of two evils: choose to fit into a heteronormative society but get made fun of Lucas, or embrace being gay and get killed/ bullied like Will.

Later on in the season, he finds out Will has died. Let me repeat that. He. Believes. Will. Has. Died. Would this maybe reinforce what the bullies said? That being gay = disappearance. Oh poor MIKE OMGGG

Queer coding all up in this scene lads. (+ a reason for internalised homophobia uwu)

5. Bullies' Homophobic Comments Exhibit B

This scene and the previous scene are inherently linked.

Mike is the one to confront the bullies about Will, defending him, so the bullies instantly resort to homophobia. This means that they may be implying that Mike trying to defend someone who they view as gay is also gay.

In the last scene, I guess you could say that the comments weren't particularly targeted at Mike as well as Will because he wasn't at the forefront of the group (even though he was tripped over). But in this scene he definitely is. They chose to utilise homophobic language about Will because they know it touches a nerve with Mike: This homophobic language doesn't just affect the person they are talking about but also the person they are saying it to.

So here's what they say: 'Besides, what's there to be sad about anyway? Will's in fairyland now, right? Flying around with all the other little fairies, all happy and gay.'

The words that Troy is saying here are obviously more linked to how Will is queer-coded throughout season 1, but the way that the scene is shot, the music, the implications, they're all coding for Mike.

'Will's in fairyland now, right?' is posed as a question. They didn't have to make it a question, but they did. This is basically them saying 'oh we've told you this before, shouldn't you know?'/ implying that Mike would know because he's also gay.

Another line they didn't have to include unless it was queer-coding for Mike is: 'Flying around with all the other little fairies.' They could have just written Troy to say 'Will's in fairyland now. All happy and gay,' or something along those lines etc. The jab at Mike is that other gay people exist, and that Will is being gay 'with them'. The words 'all happy and gay' here doesn't actually imply Will's sexuality by itself, but the act of 'being gay together' or in a gay relationship so to speak.

So if you put the pieces together, they're making a point about Mike and Will's friendship in a sense. Also the fact that Troy at the beginning of this insult says 'What's there to be sad about anyway?', basically means that he's trying to get under Mike's skin by saying 'Why are you sad that Will's happy and being gay with other boys? Are you sad he's not with you?' I know that's like, on the nose, but whatever.

(Also Mike has tears in his eyes during this part showing how the words are also affecting him and not just Will)

Another thing I want to talk about is the music. Obviously this music is foreboding and is trying very hard to make the audience uncomfortable, trying to let you know that something bad is going to happen. When Troy walks away, the music swells and the camera zooms in on Mike's angry expression.

Then, Mike pushes troy over for the homophobic comment. This is interesting why? Because Troy tripped Mike over in the previous scene I talked about. Meaning: the scenes are linked. Troy was being homophobic to both Mike and Will. Mike's had enough, so he retaliates in the same way that Troy had treated him earlier.

I'd also like to add that before El saves Mike, he just stands there as Troy stands up and says 'You're dead Wheeler, you're dead.' He was ready to take whatever Troy was going to throw at him. Which is interesting because in the previous scene I talked about, Troy spoke about how being 'queer' means you'll get killed. ('He's dead. That's what my dad thinks, probably killed by some other queer.') So Troy is going to kill Mike, just like how Will is dead too.

A lot has happened between the previous scene and this one. Mike thought Will had died. Yes, during the assembly scene, he doesn't believe it anymore, but he watched Will's body being dragged out the water just recently. Just like in the scene where he jumps into the quarry, this is yet another instance of Mike not caring if he gets hurt in regards to bullying/ Will.

6. More Lucas Comments

"Screw you Mike! You're blind, blind because you like that a girl's not grossed out by you! But wake up, man. Wake the hell up!" (btw I'm not saying that Lucas is being homophobic here, they're little kids and they've been through a lot)

I mean, come on. This basically implies the classic compulsive heterosexuality concept of Mike choosing which girl to have a crush on because she's the easiest option, since she didn't know him growing up or didn't go to the same school together. Even if this isn't accurate, it is still coding because they wrote Lucas to say that jab at him, it hurts Mike inside, because he knows deep down it's at least a little true.

He looks saddened by this, not angry. Mike usually gets annoyed much quicker than this and whenever he's insulted he looks shocked or has a scowl on his face, but here he just looks... sad. Because he knows that Lucas is touching a nerve. (The top pic btw)

He's completely silent. Until, of course, Lucas starts talking about Will:

'She knows where Will is. And now, she's just letting him die in the Upside Down.'

'Shut up!' -- Mike suddenly shouts either because a) he doesn't like that Lucas is insulting El or something OR b) he hates that Lucas is implying that it is his fault that Will is dying in the upside down because he's being blinded by the fact El isn't grossed out by him.

I think it's B tbh <3 (this scene isn't toooo important for my overall conclusion but it's a little nugget of info i guess)

7. Mike Jumps Into the Quarry

Let's be honest here, before this scene, almost everything seems hopeless for Mike finding Will. Firstly, he physically saw Will's 'body' being dragged out of the same water that he's about to jump into. Then he found out he was still alive but somewhere extremely dangerous and he could be dying there for all he knew. Then his one hope at finding Will (Eleven) is gone and he can't find her ("She's a weapon!... We're no use to Will if we're dead!") and Lucas won't agree to help him find her.

This scene was foreshadowed earlier on, making it a very important scene anyways -- Hopper said that no one would survive the jump and the water 'turns into cement, hits you like a tonne of bricks'. Mike would have died if El didn't save him. And he seemed okay with it.

The camera focuses in on him, and if you listen closely, you can hear his heartbeat. You could say that he's only really doing this to save his friend, but like, why is he so willing and why did they so pointedly zoom in on him?

Here's where we get a little serious: Mike would have committed suicide if El wasn't there at the last second. He would have died in the same place where Will's body was discovered.

Quotes about how being gay gets you killed:

'See Michael? You see what happens?' --Meaning: What happens when you're gay? You disappear.

'He's dead, that's what my dad says. Probably killed by some other queer' -- Meaning: Being gay gets you killed/ means you should die.

'Besides, what's there to be sad about anyway? Will's in fairyland now, right? Flying around with all the other little fairies, all happy and gay.' -- Meaning: Will's dead along with all the other gay people, that's where they should be etc.

'You're dead Wheeler, you're dead.' -- Meaning: Mike you should die too, because you're just like Will, and you should join him in 'fairyland'.

(from this scene) 'Jump [into the Quarry].' -- Meaning: Mike you should die just like I told you earlier and in the same place that Will died. (Honestly I believe the whole town now think that Will is dead and his body was found in the quarry, so Troy would know too and use it against Mike.)

Then, after Mike survives this queer-coded death (which can be paralleled to Will's hypothetical death because it's in the same place), he says to the girl that he cares about and has been presumed to 'like' by his friends: 'You saved me. You saved me.'

(just wanna note that i think that is a very sweet scene and doesn't just have to be all about Mike's queer-coding. it's a bond between the party as friends because Dustin also hugs El. But still.)

You tell me what this scene means then.

8. Mike wasn't Lying (Theory)

Okay so this is more of just a theory than queer-coding, because there is something about this scene that I just find... weird.

I personally think that this scene with both Nancy and Mike talking about their so-called 'crushes' is meant to be so you can see the difference between someone who is lying and someone who is telling the truth. Their reactions to the questions are very different to each other (although it could just be a difference in their characters).

Mike: 'Do you like Jonathan now?'

Nancy: 'What?' *looks to the side, fighting a smile* 'No... no, it's not- It's not like that.' -- She's clearly lying because she's being vague, looking to the side, stuttering over her words etc. However, Mike nods like he believes her. This is key for later.

Nancy: 'Do you like Eleven?'

Mike: 'What? No. Ew. Gross.' *looks her up and down in disgust* -- Telling the truth because he stares at Nancy, doesn't stutter over his words and is very direct.

The fact that these reactions are so different (and we know that Nancy likes Jonathan lets be real) is purposeful in my opinion. It shows that at this point, Mike doesn't like insinuation that he likes her in that way.

Something else that happens later in the episode is also quite interesting to me, which further points to Mike 'telling the truth', which is that Mike thought his and Nancy's conversation was mutually truthful.

Why? Because he was completely confused when Lucas says that her and Jonathan are romantically involved later:

Mike: 'They're gone. Nancy and Jonathan. His car's gone.'

Lucas: 'They're probably just sucking face somewhere.'

Mike: 'What? No. No way.' -- Clearly showing that maybe he thought that Nancy was being truthful, meaning he thought their exchange was mutually truthful.

This seems a bit far-fetched but... something to think about.

Btw, I was going to talk about how the First Kiss between Mike and El is queer-coded, but tbh, it's more like... weird. Because they're 12/11 years old and El literally has no idea what a kiss is and they have this exchange about being brother and sister (ew). Then Mike kind of says 'oh i want to go to the snow ball with you, but not if you're my sister', just gives me vibe that he's just doing what he thinks is normal as a result of what others say. But that's it, not much else to say abt it really (also im tired of writing this post ive been doing it for so long <3)

In conclusion: Mike gets taught that being queer/ not liking girls is dangerous. It means you die/ disappear. Being 'normal' or straight is therefore easier. He internalises this for a while poor child <3

Thanks for reading!!! I love you <33 Let me know if you have anything you want to add or if you have contradictions idk byeeee

[huellitaa]

⋅˚₊‧ ୨ feeling uncomfy in ur own skin

ok so this is something ive been struggling with for years. like i wake up some days and just feel Eugh way more than id like to. SO i decided i'd make a little guide on this! for me and for you 🩷✨

──★ ˙ ̟🎀 reasons why we could be feeling uncomfortable with ourselves and who we are

♡ having a shitty mental diet and consuming media and things that make you feel bad abt urself

♡ being in an environment where we're constantly being judged or put down, even over the most basic things

♡ hanging around negative people or negative places

♡ not giving urself enough credit for ur own achievements and accomplishments

♡ changing urself constantly for others and not having a clear sense of self to hold on to

♡ not having boundaries on how you and others treat you

♡ staying stagnant in the same place in your life and not changing (🎀🗒️also read: get comfy being uncomfy ♡)

♡ not paying enough attention to yourself and avoiding your genuine thoughts, feelings and emotions

🧸𓂃 ࣪˖ 1. be gentle with yourself!

pleasepleaseplease its ok to have bad days its ok to not feel great every day. treat yourself as you would someone you love. if you just aren't feeling good today, then you aren't feeling good! honour that and respect that and deal with that accordingly. even if you are uncomfortable with yourself right now or you don't like yourself right now, please try and treat yourself with care regardless, because no matter what stage you are in in your life right now you are and always will be the most important person in ur life, so TREAT URSELF LIKE IT🫶💖

🧸𓂃 ࣪˖ 2. inspiration, not comparison!

i know its often told not to go looking at people who are ahead of you in these times but hear me out. i think looking at and observing people you admire who are further ahead of you is very motivating to build yourself up and *become more like them* in your own way. you look up to them because of ___? what can you do to become your own version of that? thinking like this gets me more inspired to just get out of bed because i want to be more like them.

two words for this one - NO. COMPARISON. gaining inspiration from others to better yourself and comparing yourself to others are two completely different things. 🫶 (shameless self promo, but i have a post on this here! 🩷✨)

🧸𓂃 ࣪˖ 3. analysis: detective work chapter!

journal and think and think to urself why u might feel like this or what caused this. when did it start? has anything happened lately that may have caused this? how does it feel, in depth? what can you do to combat this? how can you make it through the day & make it so you do even better tomorrow?

🧸𓂃 ࣪˖ 4. channeling the mindset!

back to my point on our idols, thinking like them & thinking what they'd do in this situation helps me a lot. personally one of my idols is ada lovelace so whenever im really tired and unmotivated or insecure on my abilities or appearance or anything else i think to myself "what would she do?" and 9 times out of 10 im up at my desk in my cutest outfit hard at work. this is def one of my favourite points and something i use on the daily for like literally everything and 100% recommend 🩷✨

🧸𓂃 ࣪˖ 5. what would i do?

similarly, ask urself what the best version of yourself or the version of urself youre working towards would do in this situation. be your own inspiration. be ur own muse. would they stay in bed and rot all day? if the answer is no then ur up. out. immediately. ask urself what they would do. if ur feeling drained, would they take a day off to do some self care and recharge? if ur feeling sad, would they be gentle with themselves and let themselves feel sad for a little while & try to work to the root of the problem?

🧸𓂃 ࣪˖ 6. understanding yourself!

make a list of the things that make you the happiest and most comfortable & productive and the things that make you the unhappiest and the opposite of those things. i mentioned this in my recharge day post, but figuring out these will help you find out which negative behaviours or habits are lowering ur vibrations and making u feel like this, and help u to engage more in the things that make you happy with yourself and everything around you 💗✨

🧸𓂃 ࣪˖ 7. pay attention!

pay close attention to ur internal landscape and your self talk throughout the day. note down every little thing you notice, even if you think it won't be helpful; for example, do you find yourself indulging in negative talk abt urself, negative talk abt others, constantly being pessimistic and expecting the worst, indulging in judgement and criticism of urself and everyone around you, getting distracted easily, and so on.

🧸𓂃 ࣪˖ 8. what would i do, part 2

like i mentioned earlier, you should be your own inspiration. you should be your own muse. as much as it's nice to have idols, when ur trying to change something about urself and adjust and improve ur own behaviours, you should be mainly focusing on what you want to achieve by changing said behaviours. do you know who you're working towards being? do you know how you want to feel? do you know what you are changing these things you feel into? think about whether or not the person you are now lines up with the person you want to be in all aspects of ur life. if you feel like you aren't even trying to meet these standards then of course ur gonna feel bad about urself. of course don't be too hard on urself, but keep this in mind. 💓✨

finally, remember that these things are temporary and it wont be like this forever. ur beautiful and perfect no matter what and in these times u gotta show up for yourself even more and never give up! i believe in u 🫶🩷

all my love 💗💬✨🎀

[doumadono]

ANNOUNCEMENT

This is a turning point for me. I've been silent for too long, but I can't stay quiet anymore.

I'm going through writer's burnout, and it has hit me hard. I've been writing on Tumblr and Ao3 for nearly eight years now (with about 1.5 years on my private blog, doumadono). Over that time, I've written more than 400 stories across various fandoms, created the Sinful Sunday event and a series that many people like, helped many with numerous emergency requests — so many that one masterlist wasn't enough to cover them all.

But all of this has brought me to a place where writing no longer feels like a joy, but rather a duty. In my effort to make everyone happy, I lost myself and took on too much, accepting even the most twisted and difficult requests. It made me anxious and unwell whenever I thought about writing. This is why I haven't been posting much these past few weeks. I missed the breaking point and let myself reach a place where I was seriously considering quitting writing altogether and closing both my Tumblr and Ao3 accounts.

There's something else I need to address. I feel completely detached from Jujutsu Kaisen and Demon Slayer. I no longer feel comfortable writing for those fandoms. From now on, I'll be focusing mostly on My Hero Academia. Even though the manga recently ended, both the manga and the anime hold a special place in my heart. I’ve fallen in love with the story and its amazing characters. This is what feels right to me at this moment. That doesn't mean I'll never write for Demon Slayer or other fandoms again, but not now, not at this time. Maybe in the future — who knows?

Some of you might know that I've been dealing with a flood of hateful anonymous messages. Even though I’ve grown stronger and no longer consider them relevant, it still hurts to read such nasty words. This is another factor why I need to take a break.

So, what's going to change?

Sinful Sunday will no longer cover requests, and the event won't be as regular as it used to be. From now on, I'll post some sinful pieces specifically written for this event whenever I feel it's right. I'll write only for the characters I feel attached too.

Emergency requests will be limited to two slots and will no longer have a 48-hour window to be fulfilled. Once both slots are taken, emergency requests will be closed until I manage to clear the current asks in my inbox.

As of today, my ask box has been completely cleared. I won't be replying to any past asks, regardless of their origin or topic.

Commissions will remain open, as nearly all the requests have been fulfilled.

Regarding the following projects:

The Kvitravn series will be completed this year, but I can't provide a specific date just yet as I'm still working hard to bring everything together.

There's also a new series on the horizon featuring Dabi in the lead role, with a psychiatrist!Reader as the other main character.

As for Kinktober, I made a hard decision it will not be held as an event on my blog this year at all.

As of now, I want to focus on my own little My Hero Academia based AU that I created with my best friend @crystalwolfblog , and this is something that brings me a lot of comfort nowadays, and it's what I want to focus on. I’ll likely create another blog to post everything related to this AU, to keep things organized (the blog will be linked to my pinned post). This little AU was and is my safe haven for the past year and half, and since it contains all of my favourite characters, I want to focus on it fully.

The time for purification has come. I need to rediscover my purpose and find joy in writing again. To those who understand and have stuck with me since the ThePaperPanda days — you’re amazing and adorable, and I can never express how much I appreciate you, guys 💞

I want to share one last thought. This isn’t a statement, but rather a plea to readers: please respect writers, no matter the content they choose to explore. Writing is not as easy as it may seem; it requires a significant amount of time and effort, often taking up our personal time to craft a story. Don't send anon hate. Spread love instead! The least you can do to show your appreciation is to leave a comment, even if it’s just a word or two. For you, it’s a small gesture that takes less than a minute, but for the writer on the other side, it may be a much-needed sign that their work is meaningful. So if you enjoy an author’s work, don’t hesitate to leave a comment. It truly makes us writers feel like we’re on cloud nine.

Love you all, Marcianna

[lordofshitposting]

General Inumaki headcanons because we have too little content of him and as the head Inumakier I have to make up for it

He's not a natural platinum blonde, he just dyed his hair, since his hair in his original colour palette was light brown.

He's talented at drawing (since Gojō said he is [source:Jujutsu Kaisen Stroll Radio]).

He loooves kids.

As a kid, he was isolated from the outside world for a long time because of his CT.

He watches funny cat videos on YouTube.

Has a sleeper build.

His ass does NOT read books. Like, even if he started one, he would 100% drop it.

He would only go to weddings for the food fr (unless it's a close family member or one of his friends).

He's held and played with snakes in the clan. I like to think that they own a few.

His room is pretty clean.

If it weren't for morning assemblies, he would wake up at like 11am.

The Inumaki clan has very high athletic expectations from their sorcerers. This is why Inumaki is so athletic, + natural talent.

He knows martial arts. His combat style mostly consists of Karate, Kuk Sool Won and Taekwondo (the Karate idea came from him using a hand chop in the Thorny Road At Dawn novel and Taekwondo is self explanatory. Kuk Sool Won because I wanted to add something more and this one looks like one he would use).

He can jump extremely high.

If you insult onigiri in front of him, he will either look at you weirdly or say something like "we will torture you".

Once he hid somewhere and threw a silicon snake at Maki, imitating a snake sound to scare her. He got his ass beat afterwards (this one is something I did LMAO).

He's a deep thinker.

Consequently to not being able to communicate freely, he's gone through a lot of self-reflecting, and he understands people around him immensely well too.

This is why I think if someone liked him he would pick up on it fast, lol.

He's a foodie.

He has a ton of silly pictures of himself and his friends in his phone.

No skincare routine. His flawless, soft skin is a gift from God.

Once Yuji asked him to watch a movie with him. It didn't seem interesting to him from the description and the trailer, like AT ALL, but he agreed nonetheless so that Yuji wouldn't feel bad.

I don't think he gets sick easily, but when he does, he acts like a baby. And Yuta takes care of him.

He doesn't kill the insects and flies in his room, unless it's something disgusting like a cockroach; he picks them up with a tissue and puts them outside.

It may not seem like it, but he got some sass in him fr. After Hakari, he's the second sassiest boy in Jujutsu High

So it is canon that he has low blood pressure (or hypotension), and I think this gets in his way in fights when he's pushing himself past his limit. Extreme and sudden blood lose can trigger symptoms of hypotension, which in his case I think are blurred/fading vision, dizziness, fatigue and fainting. A good example of him experiencing all of these is his fight against Hanami. After finding out that he has low blood pressure and reading about it, this explains his lightheadedness and him passing out during the fight. Maybe the source of his hypertension is his CT in the first place, who knows.

He's an INTP

He loves it when people compliment him! His reaction is always so cute (source: Jujutsu Stroll Radio when Gojō complimented his artistic skills, his reaction when Yuji said his technique is cool)

I wanted to put some more things his interests and preferences, like his taste in music, his favourite media, his favourite sweets, but nothing sits quite right with me when deciding such things, and I usually don't agree with the headcanons of others on these either. I will post such headcanons too, if I come up with anything.

[kittenface40]

I.M.P is irrelevant to Helluva Boss

When Helluva Boss Pilot came out,I was really excited, to know more about these characters, their personalities, their relationships to each other and how they would develop. Additionally, I was also wondering on why each of these characters joined I.M.P and why did Blitz start his own business.

However, as the series went on, the show went on to become the Stolitz show along with dedicating episodes to fan-favourite characters that have nothing to do with I.M.P (Ozzie, Fizz and Stolas).

This is one of the (many) reasons why I'm disappointed with the current state of Helluva Boss, I.M.P's irrelevance to the main story, while I do enjoy the new episodes. There are a lot of story issues that I have with it, the fact that IMP is basically irrelevant to the Helluva Boss.

NO IMPACT ON THE OVER ARCHING STORY:

So far we only had five out of fifteen episodes (excluding the times where it's offscreen), of IMP doing it's job is the main plot of the episode, while five episode may seem fine for some it becomes a problem when their actions are basically inconsequential to the main story.

The only times where they are important is for one-off adventures like in Murder Family, Spring Broken, CHERUBS & Unhappy Campers. The problem is that their existence doesn't impact Stolas' story in anyway (aside from Blitz), like why are we focusing so much screentime on Stolas (a secondary character) who isn't even employed at IMP. And instead focus on Blitz, the titular character, protagonist and him being the boss of IMP. Understanding his goals and reasoning as to why he wanted to start IMP.

HELLUVA BOSS? WHAT BOSS:

Another problem I have with IMP, is the fact that we don't know why Blitz wanted to start a business on killing people, was it because of his tragic past and to distance himself from it, is it that he discovered he's really skilled at killing people and decided to make it big , is it because he wants love and new connections from his employees, is it to prove the higher class or his father that he can make it big and break class traditions. What is it? We only now why he wants love and respect from his employees due to his tragic past. But we don't know why he started his business.

Also we never get to see him develop into a caring boss that genuinely cares about his employees, with the show only showing the ending of the development in the same episode but none of the development.

In addition, we also never get the chance to see him as a leader of IMP, you think Blitz would be the leader and he needs to grow into being one for his employees. But the show never has Blitz develop into becoming a Helluva Boss.

NON EXISTENT SURFACE-LEVEL RELATIONSHIPS:

Another thing I really hate is that the relationships between employees at IMP, are never explored beyond the surface level. The only one I can say this doesn't apply to is Moxxie and Blitz.

We don't get to see the M&Ms relationship grow outside of loving each other, and when they do explore it, it's written poorly (Unhappy Campers).

We don't get to see Millie and Luna, relationship grow, they don't even talk to each other that much in the show. What is Blitz & Millie relationship, why do they get along with each other, why is she fine with Blitz behaviour. Luna and Moxxie relationship, why is Luna so mean to him, how does Moxxie feel about Luna bullying him, has she ever went too far, would Millie get angry at Luna for bullying.

(Side tangent; but why is Millie not standing up for her husband when Blitz and Luna bully Moxxie, they do it right in front of her. Wouldn't she get angry at them, edit: I checked and she did get angry at Luna for calling Moxxie fat, but not at Blitz for joking about this. But she needs to say something, put her foot down, not just make an angry expression)

EMPLOYEES LACK OF REASONING:

We don't know what the employees motivation was to join IMP. Why did Moxxie and Millie join IMP, was it to prove their parents wrong, to make it big, or is it for similar reasonings to Blitzo.

Why did Luna join IMP? Was it out of gratitude for Blitz saving her, was it because she couldn't get a job as a hell hound, was it to be with her father more.

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Anyway, that's my thought for a day, on Helluva Boss, let me know what you think about IMP. Do you agree? Disagree? Why? Let me know!