You know twisted anxiety reader is gonna hate the events from book 5. Like "What do you mean people I barely know is staying here?"
They're just invading on reader's safe space. The only place she can be for a few hours without being so anxious she can't think or breath.
NVM ALL THAT
What does she do in the other events she can't be at the dorm? In book 3 does she sleep outside? In book 4 does Jamil make Kalim tell her Yuu and Grimm are okay or smth? Like after book 2 she doesn't really have a safe space anymore. People are constantly at the dorm.
Does she find a place to hide away when more people start approaching the dorm?
Anyways twisted anxiety reader is the bravest soldier. I wouldn't have made this far. Btw love all your work and you don't have to answer anything that's spoiler-ish/at all if you don't want to.
no because 🌀 will become a cryptic at ramshackle 😭
each guy will have their own interaction with her, but only at night. Jamil finally put Kalim to bed at 1 in the morning, only to find mc snooping through the fridge for a midnight snack
vil gets up in the middle of the night to use the bathroom (even he cant ignore nature for beauty sleep 😔) and mc is finally getting ready for bed and its a 🫵😲 🫵🤨 moment between them
rook gets up super early to work out/ go for a quick nature walk only to find mc on the porch watching the sunrise
Kalim gets up super early because he just cant keep his excitement in only to find mc on the couch doom scrolling and they have a heart to heart 🥺
epel comes back to the house early mad after practicing (he HATES this) only to find mc trying to learn the moves and having fun while doing it, helping him with his process of 'changing his fixed mindset' a bit
ace finds mc on the roof watching the sun set and they have a confrontational teasing moment that brings them closer
deuce forgot something at heartslabyul and was going to sneak out to get it but as he opens the door mc is returning from...wait just where was mc? doesn't matter, they both go together and bond 🤭
but other than these cute one on one moments, mc is in HELL, she cant do ANYTHING ANY MORE BECAUSE BOYS ARE EVERYWHERE!!
she goes to the bathroom for me time, only to have someone pounding on the door yelling about how they 'forgot they were lactose intolerant.' more than once has someone accidentally walked into mc's bedroom thinking it's there's because every room looks. the. same.
mc cant even explore in the middle of the night because EVERYONE IS AWAKE??? THE HOUSE IS NOW ALWAYS NOISY and now she has to temporarily find solace somewhere else- wdym mc is now you's assistant?
ive been thinking about how mc fits into the chronicles of twisted wonderland.
I think mc would follow along with yuu and grim to leona's dorm, but she'd try to make as little of a fuss as she can, but, leona here finds that more annoying and gives her extra things. (he also feels bad for her 😭)
but mc doesn't go the first time to the Scarabia when yuu and grim get trapped, not feeling in the partying mood. but she does try to visit/ go there (because she promised yuu and doesn't want to let them down) the next day... or maybe in a few days?
its either mc also gets trapped or gets kidnapped by one of the leeches in the middle of the night when yuu escapes to the lounge 😭
but yes, mc gets forced to start exploring more and more of the campus as more and more people decide to cause her problems (call it the 'push of fate,' that causes you to react to your situation)
that's where singer au and ice skating au comes from... maybe she comes across a club or the heartslabyul animals!! or an 'abandoned class room' that's actually used for a club and is then forced to join said club....
I think mc would have a whole array of hiding places she can use that will eventually come in handy!!
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AAAAAOMG UR TWST OC IS SO ADORABLE?? i'm absolutely in love with eden sm (+ his design?? the star eyes and the wings are my favorite,, i wanna smooch all his tattoos!) and i hope it's okay to ask a few questions about him... (I KNOW U SAID IT WAS OKAY BUT I JUST WANTED TO MAKE SURE 😭 i'm genuinely interested in knowing more!)
1) does he have anyone in the twst cast that he tolerates/likes? i know he's part of the whole harem thing but is there anyone he doesn't necessarily mind being around (or even sharing with the prefect?)
2) do grim and eden have a good relationship? i would assume so since they're living both with one another but do they just get along with each other for the prefect's sake or are they actually best buds? (๑ > ᴗ < ๑)
(little dumb idea but i think it would be so cute if the prefect treated the two as if they were all like a little family! eden and prefect being the two parents and grim their rambunctious kid lmao,, i would imagine the others not being so happy about it (っ‘ω`c))
3) is he okay with physical affection/pda? is he totally chill about it or would he rather shy about the whole thing? is he open to having the prefect touch his wings or his tattoos?
4) oooo any funfacts that you have about the new ramshackle resident?? just in general really if that's okay with u ofc!! ☆
aa okay that's it!! i hope my questions weren't annoying or anything! (っ‘ω`c)
Had to get one of those wheels ive seen going around where you put the oc and how they feel about the character and how the characters feel back about them, but with a twist lol (most of them are haters).
The ones he are most tolerant with are grim, ace, deuce, jack and kalim. Only one he could possible share with would either be kalim, jack or deuce, because of how he sorta is annoyed by ace.
Of course cant forget how he feels about you :) he thinks you are very very very special and he loves you a lot <3
He likes grim a lot, seeing as grim isn't one of the students that is oh so annoying. He warms up to the monster, seeing how gently you take care of grim, wanting to do the same. It feels, domestic, in his opinion.
Grim likes Eden a lot too, he has never belittled him, he has always made sure to feed grim along with Eden being very warm (and therefore very nice to sleep on). In grims opinion, he thinks you should go with Eden, cuz he is a good candidate for marriage (grim has been bribed with love, affection, and tuna).
He takes good care of the cat son, making sure he is healthy and happy.
Now onto pda. Eden are only okay with you touching the wings, the tattoo and the core, being as they are quite sensitive. The scar is still off limits, but maybe if you make him warm up to you even more you might be able to-
He loves when you help him with his wings, it's one of the best feelings out there. Fo mind that only you (and grim) can touch the wings, anyone else is off limits, ESPECIALLY ROOK HE IS FORBIDDEN TO TOUCH THEM.
Eden facts!! He has lil "ear-holes" like birds, just behind the feathers. Be careful around that part when you help him with his feathers, otherwise you might have a pouty and angry Eden on tour hands.
His eyes also glow in the dark! It's the scariest during the nightly snack runs down to the kitchen, seeing him suddenly stare at you, but you slowly get used to it!
You don't know where the extra eyes sometimes come from tho...
Also some general facts about Eden!
Dorm: Ramshackle
Birthday: 1/1
Age: ???
Height: 185cm
Fav subject: alchemy
Hobby: cleaning in ramshackle, birdwatching
Likes: you
Dislikes: Loud noises, blond 3rd year hunters named rook hunt, people trying to grab onto his wings that aren't you
Fav food: he don't need to eat to gain sustenance, bur he likes mashed potatoes with gravy
Least fav food: soup, any soup, he hates it
Btw if anyone were to write for Eden I would explode it would mean the world to me
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Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series
I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened
sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.
as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.
for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.
no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.
this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.
to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.
(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)
all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.
montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.
yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.
and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.
which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.
but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.
and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.
but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.
this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.
the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.
this is also what i noticed failing first as time went on.
like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.
but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.
even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.
the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.
this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.
stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.
which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.
if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.
and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.
more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.
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why does it seem so impossible for theory people .. or any people really to even consider that rauru isnt the firstest of the first kings of hyrule, its been remade so many times already and the 'forgotten era of myth' might as well have included hyrule being forgotten; instead its always messing with the old titles and timeline and im so TIRED
is it rly some sort of complex to HAVE to connect the new stuff to the old titles somehow??
again i get that theorizing and all that can mean anythign but i havent seen anyone even bring up the fact that maybe, this is just a new hyrule and rauru was just the first guy on this one to call himself king, maybe the name hyrule survived but it didnt connect back to a kingdom so hey jsut thought thats a neat old name lets call it that, hell, maybe it was a surname of sonia even so he literally just called the kingdom after her not knowing its been called that since the beginning of time, wouldnt that be a cool coinsidence!! and also rly sweet of him!! like him being called rauru!! like a guy loooong long before him that no one knows of bc its been so long its long been forgotten he ever existed! isnt that cool and somber connection!
id also love if someone could just kinda ... consider botw/totk(uhg) as their own thing, like, i love the old titles, but i also love them as being done, their era has ended, this is a new era, what if we could just ... view this new era as their own thing without having to chain every little bit of dialog to the old titles
i really wish rauru/sonia never said they just founded hyrule, and zelda(i think) never called him the 'first' king bc apparently some people are unable to think oh this is a new hyrule and he was the first king of this one like i did but instead go into a rampage trying to make everyone believe totks past is somehow canonically right after fucking SKYWARD SWORD; like ... some people take every line of dialog like wayyy to literally, rauru probably THOUGHT he was the one who founded this kingdom bc he literally couldnt know any better with everything of the old stuff being so loong forgotten already, hes just some dude and not literal god who knows it all, characters can be wrong even when they believe they are right!!
(yes i am annoying about this bc i hate this on a personal level)
like .. i cant be the only one who thinks botw to be of a new era so long after all the old titles its basically a new world entirely, with no direct links to anything in the past, with references and callbacks from all old legends, but still a new world, without chains to the old, reoccuring names and happenings haunting it just the same as it did all the ones before them yet not being aware this has been happening over and over ....
.. and, after it was said that oh rauru was the name of the 'first' king of hyrule, immediately thought oh shit he founded this new hyrule coolio
(lets ignore how much i grew to dislike totk in general, i was hopeful still at that point)
(lets also ignore how many problems totk alone has with its own damn lore for this ok, its its own mess that dragged botw into its mess but that doesnt mean it ALSO has to drag literally every single other game into its mess too)
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heeeeello party people!~ super bacteria uncle nina here using my silly tumblr to cope again ( my culture came back and it was...suuuuper fucking bad! like i knew it would be, lol! awesome! <3 thanks, god! )
but we're not thinking about, what were gonna think about is the time that ravenstan got a little Too tipsy topsy turvy on jerseyky boxwine,
( it's the cab sav one, fyi. i can't drink on all these Fucknut Antibiotics - they prescribed me the wrong one and i took it, if you can believe it; i luv doctors - can y'all believe i did this shit Sober? unREAL, brohs! )
and was on tiktok live, the dawn spawns of the world convinced him to do the 'White Boy Of The Month' filter bc he's too impressionable and what can i say;
The Man LOVES White Boys. ;) xxx
( helpsksdj )
so, he started doing it and was like 'nooooo, is /KYLE/ on this one?!?! You're Joking.' ( everyone said 'JK <3' because they all think they're jimmy valmer stand-up sit-down comedians, smh...but no, naught joking, Actually JK bc in my ncau-niverse, cd and the blondies gang are celebrities, so naturally they’re on A Lot of social filters )
so he was GOING to save The No.1 slot...for the no.1 slut ( if you will, ) my ginger gringo king, ceo of dark academic debauchery and bottom feeding ;), new jay's finest - literally - kyley b matthew broflovski; <33 ( buuuut! he's a reformed manhoe; so watchya mowtH! )
buuuuut x2 ( and i'd say it's a big butt, but it's not, it's ravenstan, so it's flatter than the sidewalk; luh you flat stanley ) Gaydhd Won Again and tipsy ravenstan got distracted by all the FINE ASS WHITE MEN and started getting philosophical about it ( that man put a lil too much #thot into those placings; he was born for it, soz )
had about two spots left ( the top and bottom spots; i am laughing ) figured that there was almost 'No Chance!' he would get jersey...
PUT /MATTHEW! GRAY! GUBLER!/ AT ONE ( Immaculate Taste, btw! he also put jacob elordi at number two because he is a fucking genius and that...really tells you Everything you need to know about my stan. like tall, could probably be a runway model, intellectual, kind of a jackass, stays fitted, accent or eccentric manner of speaking...yeah )
-- BUT HE WANTED TO BE CLEAR, HE HAD TO SPECIFY THAT HE WAS SPECIFICALLY REFERRING TO /DR. SPENCER REID/ OF CRIMINAL MINDS. WHEN I TELL YOU HE HAS NO IDEA WHO MGG IS BUT HE HAS SEEN EVERY EPISODE OF CRIMINAL MINDS SEVERAL TIMES. IT’S LIKE...HIS /FAVORITE/ FKN SHOW. AND HE DOES HAVE A FAT CRUSH ON REID. YES, I DOES TRACK; I KNOW. )
and RIGHT when he was rolling for the very last spot ranking on the filter ( that's the BOTTOM, i repeat, THE B/O/T/T/O/M of the tierlist )
...hE GOT KYLE
FUCKING
BROFLOVSKI
and had to place him at /TEN/.
-- riiiiiiight as Kyle /FUCKING/ Broflovski came out of the kitchen in the dorky ass star of david apron that sheila got him for hannukah, with his hair up and everything, holding a fork so stan could taste...
...T-THE PASTA HE JUST MADE HIM FOR DINNER BECAUSE HE'S A SWEET BEAUTIFUL /ANGEL/....and i'm talking The Very First Bite Of EXTREMELY DELICIOUS KYLE Pasta that he put ZUCCHINI IN JUST FOR STAN BECAUSE HE IS ( what? ) AN ANGEL!! FROM hEAVEN!!!!! AND THE WHITE BOY OF THE /YEAR/: TAKE YA JERSEY SLANDER SOMEWHERE ELSE: HE'S MY WHITE BUOY UVF FOREVA!
...proceeded to Blow On It ;-;, s-so stan wouldn't burn his mouth... ( bc rav always gets too excited and burns his mouth; nooo :c </3 ) and asked him why his phone was blowing up w/ people tagging him in thirst traps of 'That Supa Nerdy Guy From That One Crime Show' and asking him if stan tweeted something about him cooking bc people keep telling him that he's 'Cooked'. SHKDLDHLKS HEEELP.
And....
*rawr xd home mid/hschooled ravenstan vc*
Scene. <3
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