#and i love this thought v much

[buckymorelikefuckme]

Thinking about being enlisted to refresh Jake’s frosted tips. Well, when you met, they looked like frosted tips, but he had to explain to you that he actually just bleached his entire head to blonde and let it grow out, but you kinda like the two-tone hair, so he lets you give it a whirl with one of those terrible highlight caps. It’s fun and a blast for the two of you, but if it turns out all lopsided and wonky, he’s just gonna give you a brush and the bleach to go full blonde again. It’ll grow out in no time.

“Should I get some toner?” you fret, glancing at his reflection in the mirror where he’s already looking back at you with a calm, amused smile on his face.

“Baby,” he starts, his voice gentle and sweet, “it’s fine, yeah? It’s just hair. Weren’t we having fun before?”

You frown and run your fingers through his now brassy, blond hair. “Yeah,” you admit reluctantly. “But I did a terrible job! If I go get toner it’ll make it less yellow.”

He shift on the stool where he’s sitting, reaching around you to pull you closer, his other hand smoothing up the side of your waist. “It could’ve turned pink and I wouldn’t have cared. I just enjoyed the time we spent doing this together.”

Your pout smooths out a bit. “Pink,” you echo quietly, imagining it as you continue playing with his hair.

“Uh oh,” he teases. “Have I given you an idea?”

“Maybe,” you reply, dragging it out playfully, giggling when he starts to tickle you.

He doesn’t let you dye it pink (this time), but you do get toner and purple shampoo, which helps tremendously. He makes sure to ooh and ahh over it after it’s been washed and dried, posing dramatically and making silly faces just to see you smile.

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[akuma-tenshi]

i would like to introduce you all to the family my friend and i have created through sheer love of these characters

[ryllen]

[oaksapling]

had fun playing virtual barbie with rory yesterday

[edorazzi]

Some Thunderbirds Are Go comics I’ve been working on over the last few weeks! Sorry to everyone but I’m completely obsessed with this show lately. Love these boys so much.

Feat. Scott getting some dopamine from Virgil, Gordon and Alan getting creative (inspired by a Distractible clip) and John forgetting how gravity works. I’ve got the scribble bug so lots more of these are on the way! 💖

[matchbet-allofthetime]

Saw a post years ago that pointed out that all the black characters they saw that were represented without racist caricatures were done with white hair (with few exceptions)

And they went on to say that there are too many brown/brown/otherwise POC characters like that (especially women) like Kida from Atlantis

And since reading that, every time I see a fire, badass, beautiful POC characters with white hair, all I can think about is that post

Like Kalim Al Asim from TWST or Kida from Atlantis, Storm from X-Men and Mirko from BNHA. Hell, even Asra from Arcana or Ekko from Arcane/League of Legends

And there are countless more that I've seen done in a similar fashion, too

All of these characters are awesome, beautiful, badass representations that are extremely well done!

But they're all done with white hair. It makes me, as a white person, wonder if artists do this simply because the white balances out beautifully against brown skin

Or the more likely answer, where perhaps they do it as a way to make them 'desirable' brown characters. It feels odd and off (even though I love seeing BIPOC with all sorts of cool hair colours, it's the way it's done that makes me feel strange about it bc it happens so often)

Like,,, let them have darker skin AND darker hair.

Hell, let black characters have darker hair, darker skin, AND ETHNIC HAIR. Give them locs, or braids, or actual coils, or textured hair of any kind. Give them bantu knots, twists, etc.

You can draw all these crazy clothes and spiky hairstyles, but not ethnic hair?

Bullshit.

(edit before anyone sees this: would love LOVE comments/reblogs detailing anyone else's thoughts, especially if you're BIPOC!! as a white person, I'd really like to see your opinions on this frequently-used 'stereotype' in media. I would like to know, too, if my feeling uncomfy with the stereotype portrayed is just me not having any BIPOC experience to personally draw off of or if it's something others feel and notice too.)

[ef-1]

burn your village | female rage playlist

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[all-inmoderation]

gonna admit, i was very convinced that patrick was in love with Art, but i wasnt very convinced of it the other way around. art just seemed head over heels and tunnel visioned onto Tashi. idk what do u guys think

[manitapaleta]

listen,….. we don’t know y hermie didn’t grow up with his dads but i already know its going to DEVASTATE ME when anthony tells us bc i know they would have loved the little joker, our sweet little thespian (also big brother nick hellooooooo)

[lovemoroporo]

the return to portrait practice w d20 characters that absolutely everyone saw coming ft. the ball

[swearingcactus]

and he helped, and bled, and away he fled, with all the knack of a stardust speck. //little v as a cryptid story the nomads tell around the fireplace

[minticecodes]

I'm slowly getting through devil may cry v and got inspired enough to doodle again. Sure they aren't polished but I love looking at others' sketch dumps, it's like looking at a smorgasbord of ideas. So here you go. Read more for close ups of the other doodles. The ID in alt are the same as written in the text.

[I.D. Digital art. A boy in a shirt hoodie, Nero, sits cross legged as he leans backwards to smile up at his companion. Said companion is a tall horned knight, Nelo Angelo, kneeling behind Nero. Nelo gazes to the side, but braces his broadsword by Nero, and his cape drapes around where Nero's sitting. Nero is rendered in light blue and red, Nelo is rendered in light blue, and they're brightly illuminated. End I.D.]

(Was thinking of 'Love Seeketh Not Itself to Please' by Indigomoods on ao3 while doing this one).

[I.D. A number of digital art sketches, most prominently featuring Dante and Vergil from the Devil May Cry series. From top to bottom, right to left:

Headshots of two boys, Dante and Vergil. Short comic of a man (Dante) ruffling a boy's (Vergil's) hair. Sketch of two boys on a couch, one (Dante) looking concerned at the other (Vergil) in foetal position. Branches curl under the couch. Sketch of child Dante and Vergil in red and blue, running hand in hand. Thumbprint sized chibi child Dante and Vergil. Nero and Nelo sitting together.

Semirealistic headshot (DMCV Vergil) in blue. Boy (Dante) curled in a fire, and fire demon (SDT Dante) gazing at his palm against a black background. Loose sketches of a man's head, roughly scribbled out except one, and an angry cat with a sword. They're labelled in blue and red writing. Side profile of a young man in blues (DMC3 Vergil), face shadowed, a yellow ribbon curled in the background. Side profile of DMC3 Vergil. End I.D.]

[I.D. 4 black and white digital pen cartoony sketches of child Dante and Vergil. Head and bust shot of a boy with slicked back hair and black turtleneck (Vergil) looking right. His brows are furrowed, eyes narrowed; he looks unimpressed. Below is a head and bust shot of a boy with shoulder length hair and white shirt (Dante) looking left with wide eyes and a fang toothed, wide grin. Centre close up of a cloaked boy (Vergil) glaring up, brow furrowed. His hair hangs over a shadowed face. One narrowed eye is visible. Right sketch is of a cloaked boy (Vergil) hugging a book to his chest, referencing a Visions of V panel. His one visible eye is wide as he gazes down with a small expression. End I.D.]

[I.D. Coloured digital art over a black background. Two panels. Panel one is child Dante, arms hugging his legs as he sits within a fire raging around him. He's buried his face in his arms. Panel two is an adult Dante in his demonic SDT form. He gazes down at his clawed hand while the fiery core in his chest glows as the main source of light, casting shadows and red light against his armoured form. The tips of his claws seem to glow in the reflected light. End I.D.]

[I.D. Messy sketch of child Vergil and Dante, running hand in hand. The two look at each other with smiles, Dante with a wide grin and Vergil with closed lips and determined brows. Their full expressions aside from the smile cannot be seen; Dante's hair whips back and covers his face while Vergil's face is eyeless. They're softly rendered in light blue and red, and bright lighting. End I.D.]

[I.D. Messy sketch of child Vergil and Dante sitting on a couch, shot from behind the couch. Dante directs a concerned gaze to Vergil, his hand braced on the couch back as he leans closer. Vergil only looks down. His arms are curled around his knees. From the angle, his expression cannot be seen aside from a small frown. Under the couch slithers Qliphoth tree roots. End I.D.]

[I.D. Chibi doodle of child Vergil and Dante, holding hands. Light blue and red ovals were airbrushed on the page, and a pen lined out their features. They have round cheek patches, like budgies. Vergil has a cartoony pout and a book tucked under an arm, labelled with a V; Dante has a toothy grin and is making a bunny ears hand sign. End I.D.]

[I.D. 'DANTE' is evenly block printed in blue pen. Underneath are what looks to be the start of three portraits of Dante in black pen, but they're roughly scribbled out. The most detailed of the three scribbled out portraits is Dante's grinning side profile. He had sunglasses on. The only intact portrait is a shot of Dante from behind, from the chest up and face not visible aside from a grin. Carried on his back is the Devil Sword Dante, rendered in more detail than Dante.

Meanwhile 'VERGIL' is written in orange/red pen, but strikethroughed. Written above instead is 'PURR-GIL!!', an arrow pointing at a doodle of a cat holding a roughly drawn katana(Yamato). The cat is grimacing with furrowed brows. It has spiky fur on its head, a spiky curled tail, a thorn pattern on its arms resembling Vergil's coat sleeves, and fat round blushy cheeks. End I.D.]

[I.D. Semirealistic rendering of DMCV Vergil from the neck up in three quarter view. He's painted in blues, with soft red shadows. He glares at the viewer, brows furrowed. His irises are a soft red, and he has eye bags. His lips are somewhat glossy. To the side is the blue color palette. End I.D.]

[I.D. Stylised depiction of DMC3 Vergil glaring downwards in profile, from the chest up. He's rendered in blues, his face shadowed from the light against his back. Running over his skin are cracked gold lines, reminiscent of kintsugi. In the background curls a yellow ribbon in the same gold. He's wearing a sleeveless turtleneck and cravat. End I.D.]

[I.D. Stylised black and white lineart of DMC3 Vergil glaring in profile, lips sneering, from the neck up. He's in a coat and cravat. End I.D.]

[I.D. Messy comic.

Panel 1: DMCV Dante ruffling child Vergil's hair. Dante's face is out of the panel

Vergil (grimacing): "Dante!"

Panel 2: Vergil's staved off the hair ruffling, lifting up Dante's hand with both his hands. His brows are furrowed as he looks up at Dante. In the background is a laughing sound effect, that tapers off. 'HA HA ha...'

Panel 3: Adult Dante gazing down at child Vergil, arm hovering over him. His expression seems sad, despite the small smile.

Dante: ... I missed ya, Verge.

Vergil gazes up at Dante, a small question mark by his head. End I.D.]

[iminhiraeth]

cutely sprinkling romance tropes into this Limoreau fic before these mf’s have the chance to find even ground with each other

Marie needing something else to wear: Guess I’ll just have to cope.

Jordan, begrudgingly handing over their sweatshirt: SIGH.. Here. 🙄

[samfangalore]

There’s so much depth built into the camps in RDR2 and it’s constant every time you’re at camp something is happening between two characters and depending on which camp you’re at the interactions amongst the crew really sets the tone for where you are horseshoe overlook really feels like a new beginning it really feels like a breathe of fresh air from the cold snow a new start vs shady belle there is a constant tension and fear in the air as everyone waits for the final shoe to drop another one of the things I love is when you’re doing chores the more you do them the more conversations you overhear and the more you see who actually does what around camp I feel like if you don’t spend time at camp you miss a whole layer of story and character development and just general quirks and kookiness amongst your fellow criminals