#and i love that i just wish EVERY OTHER ARC FOLLOWED UP ON HER BEING A BAD PERSON

[the-owl-tree]

Aside from the incredibly unjustified, poorly written forgiveness Feathertail (and Mistystar) grant her, what do you think about Leopardstar? In spite of everything, I’ve always liked that they gave us an extremely morally dubious she cat in power, who’s main motivation isn’t dependent on kits or tom cats. I feel like if the writers leaned a lot more on/ accepted that she’s awful most of the time, she could’ve been a much stronger character. And I do like how in spite of everything she agreed to do with Tigerstar, she was gunning hard for Sasha, and clearly liked her a lot. I just think there’s a lot of unexplored potential there

Big agree, I like Leopardstar as a villain. She's got a great presence in the first arc: she's intimidating and whenever she enters the scene, you KNOW somebody's going to get hurt. She goes for the throat and isn't afraid to kill, code be damned. She's ambitious and ruthless and I love how she's set up as this hungry cat who ends up being so blinded by her pursuit of power that she runs right into the claws of an even bigger predator. There's something so interesting about the way she plays right into what Tigerstar wants and yet every inch of power he gives her, he takes another for himself. Love it, fantastic set up and ending for the character in arc 1.

.....and then her involvement in the execution of Stonefur is never heavily brought up and scrutinized in the mainline books (then forgiven in the graphic novels) and she dies a very noble and brave leader. Bleh. Boring. She rubbed elbows with Tigerstar happily, why are we not playing her as a villain? Why is she just there? Her depiction post-TPB is boring and unsatisfactory, both she and Blackstar get away with waaaaaayy too much. Definitely find something interesting in her taking such an interest in Sasha, in particular her mentoring Hawkfrost and even considering him for deputy. It's that bit of wiggle room I like but I think requires more fan work than canon work for me to really wanna delve into.

side note, i LOVE the fanon idea that Leopardstar had something to do with Crookedstar's death. Poisoning him slowly, sneaking yew in his prey and weakening him slowly, all that.

[local-lamppost]

Act 3 Thoughts

Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...

I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.

Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.

Away from that, I want to focus on some good.

I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.

Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.

I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.

Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.

Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."

Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.

In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.

Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.

Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-

Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.

Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.

Spitfire round:

Sevika being made a councilor

Every single one of Mel, Cait, and Jayce's designs were 10/10s

Vi not being given an actual uniform, just armor and the gloves

Jinx cutting her hair further to match Vi

Ekko getting his crystal sword/bats

Heimerdinger dying after living a life where he could make his city something to be proud of

I was fully expecting Vander and Silco to kiss in that one shot

Everything with Benzo

Loris' name being said

Vi humming the song and the song being their mother's lullaby

Viktor being held within the Herald

Sky leaving so Viktor was free to bring Jayce to his space mind palace

Caitlyn's rifle never surviving

Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal

Sevika and Shoola side eyeing each other

Vander and little Vi and Powder with the bunny

The bunny being a passenger on Jinx's balloon

Singed's messed up family getting a happy ending

[yeet-noir]

Wait people actually believe Gabriel was redeemed in the end? He manipulated people up to his dying breath and wished to be seen as a hero. I know the ending seemed strange, but it definitely did so purposefully. This was a set up for the conflict next season not a wrap up of his arc.

I get the initial shock, but this show never held back on the abusive nature of Gabriel. In season 5 alone the total shift of Gabriel was idgaf about my son’s happiness and being mad at his lack of control he has on him. The last thing he did was control Adrien’s perspective of him. He went from wanting to be with his wife to being completely power hungry. His power hunger lead to Gimmi granting his desires.

And if that still isn’t enough to comfort people just remember that every season ends with a set up for the conflict that will follow in the next season:

Season 1 finale introduced Lila as an antagonist interested in the Miraculous and Marinette’s personal life which lead to Lila’s arc start which more so carried out in later seasons.

Season 2 finale introduced Mayura and Ladybug, Chat Noir the other heroes had their first epic fight beyond the scope of villain of the week. This lead to the introduction of sentimonsters and Mayura’s arc which heavily carried out in season 3.

Season 3 finale was another epic fight, but this time against Hawkmoth and Mayura. Master Fu’s identity becomes compromised leading to him passing down his guardianship to Marinette. This introduced Marinette’s guardian arc and season 4 heavily focused on her struggles with being one and maintaining peace with Chat Noir. This season also ended with both the love square “moving on” from one another which in turn caused season 4 to focus on their alternative ships.

Season 4 finale ended with Ladybug loosing the miraculous after being swindled by Felix. Felix offering a trade off with Gabriel for the Peacock miraculous. We literally ended with Ladybug having a mental breakdown and Chat Noir comforting her. This introduced the Monarch arc. Season 5 dealt with the consequences of this mistake.

So what I am trying to say each season finale ends with something that makes you wonder what will happen next. It never ends with a final conclusion only introduction to the next big arc. Seeing a weird reality where Gabriel is remembered as a hero despite us seeing him as villainous as ever to the very end isn’t his conclusion it’s a new arc.

[arceus-insanity]

With the Series Ending

I decided to do this solely based on canon, except for F which are so bad that they transcend the rule. I also put this in the lens of do I enjoy watching them, or do they infuriate me. Most of the ones in G are there because I can't tell who they are from the picture, or are so minor I don't get why they were on the list to begin with

Hawks was the hardest to place because as I've mentioned before I love villain fanon Hawks, and hate Canon for all the missed potential and the guy being shit.

Before the last arc, Deku would have been in C, and I felt most criticisms of him were undeserved. I still feel a lot of them are dumb, however, he's canonically a hypocritical, suck-up to labels, abuse apologist, idiot, etc. As much as it feels like character assassination it's canon, same with Shoji. I also just don't care to read fanfiction of him, and feel he takes a lot of roles where other characters would make more sense. If I'm not already following someone I'm not going to read fanfiction with him in it

Most of E I hate as much if not more than F but the fandom either doesn't write about, or treat them like the pieces of crap they are, looking at Mineta of course.

Fun fact Edgeshot is in E for bringing Bakugo back, and causing me both meta and dramatic issues for me. What the fuck was the point of killing Bakugo to immediately bring him back. How the fuck did Edgeshot know he could do this? How the fuck did he know how to do this? Why the fuck is he doing this for some random teenager he has never interacted with before, in the middle of a war? And now why the fuck does this fucker get to live, no one gave a single fuck about Edgeshot but he gets to live!

Centipeder would have been in E if not for the fact I know what my ringtone for him would be, Red Flags by Tom Cardy

Uraraka owes her rank in B for her arc with Toga, otherwise, she would have been in D. For the plot forgoing her original motivations so they could turn her into a generic love interest. Toga tried talking crushes with her 'twice' everything else regarding that shit, which started before they ever met, is on her

I actually love Endeavor fanfics as most of them either a treat his abuse for what it is, or b I view them as an own on canon Endeavor and his incredible laziness and selfishness. But Twitter exists and they flock to him and his bullshit so to F with him.

Speaking of Fs, Bakugo is a whiney spoiled rotten brat with a silver spoon shoved into his mouth since birth. I hope he never breeds. Damn near every shit thing that has happened to him, was either brought on by himself, literally applied to everyone, he literally doesn't care, and even with the two exceptions I'd give this, the Sludge guy, and being chained up at the sports fest (he should have been disqualified), do not justify his shit

Congrats to Dark Shadow and Tokoyami for being the only hero (student) to make it past B

Needless to say I love villains, Dabi is by far my favourite, followed by Himiko, they are way more engaging and convincing than the heroes. And by convincing I mean it actually feels like they are going to put in effort to make their goals happen, not just wish really hard. I truly wish we could have seen how Shigaraki's goals shifted during his reign over the PLF. We had already seen how he wanted the League to be happy and an exception to his goal of destruction

[thesophiewhit]

PHONING FAUST -- A Sapphic Novel of Demonic Contracts, Demisexuality, and Yearning by me! A cool queer author ~

Are you LGBT+ or BIPOC or just REALLY LOVE BOOKS? Interested in being an ARC reader and reading a book and helping a fellow queer indie author out? (Pretty please? -- ARC links all the way at the bottom of this post (beneath the rainbow banner) for those who like Sapphic demon x human angst books ~)

AND LOOK AT THE CHARACTER ART OF MEMPHIS (BADASS DEMON) AND DIAN (HUMAN) BY MY ARTIST FRIEND SNAX

https://linktr.ee/artsnaxk

ABOUT ME

Demisexual?? Queer? Nonbinary? All these were magical words to me until it hit...

Oh-- that's me.

It took me a while to come out as queer, longer to come out as nonbinary, and then some more time to reconcile all this with being a mixed Indonesian kid. A dash of mental health, a sprig of figuring out asexuality and neurodivergence. But atop all that? One thing has been constant.

I've always been a writer.

That's some live footage of me summoning some forces to reign my characters in from being feral.

WHY I WROTE PHONING FAUST

Well, well, well, after years of battling imposter's syndrome, I did it. I wrote another book! It's called PHONING FAUST and it's getting published with queer indie publishing company @ninestarpress-blog because they're all cool and LGBT+ and super talented!

Why did I write PHONING FAUST?

What is... a Faust?

A Faustian bargain is what's popularly known as the devil's bargain. A usually losing situation or a trick where the devil tricks someone out of their soul in exchange for ULTIMATE POWER!

I rewrote Faust to be Sapphic as can be. It stars a mixed Indonesian lesbian named Dian Faust who battles depression tooth and nail and ends up calling a mental health crisis hotline. Bc... she's lonely.

PAUSE-- and this is a horror comedy. Comedy. COMEDY-- you might say?

WHY? HOW? Sounds sad and depressing, right?

WHAT'S FAUST?

Well... in the original retelling version of Goethe's Faust (who retold it from folklore etc etc) the main character of Dr. Faustus accidentally summons the devil or something when he too is about to consider the meaning of life and it gets sad bc he doesn't see one so he makes the devil's bargain FOR ULTIMATE POWER. Or something.

But in my version-- it's based off my experiences as a queer person. Before I had community. Before I understood and accepted myself-- I had a rough time. For a whole bunch of factors outside of that-- I didn't feel like my life was in a good place. And even worse-- I felt isolated.

THE PLOT

I didn't want to bother my friends with my problems. So-- I'd call the Trevor Project or a crisis hotline just to have somebody to talk to. In the same way-- Dian Faust is struggling with depression in the story I write. So she calls a hotline like the Trevor Project just to not be alone.

And guess who she finds?

A super hot genderfluid devil called MEMPHIS, short for Mephistopheles. A pierced and tatted punk rocker who has an interest for telling tall tales and serving Dian Faust's every wish and command! (No, not like that!)

Because Dian Faust, like me, is a mixed Indonesian kid trying to figure out what it means to be queer AND demisexual (finding attraction only after really getting to emotionally connect with someone and feeling, as I explain in the book, a lack of that before then for anyone). And she's figuring plenty out--- including how to save her immortal soul and her feelings for a certain genderfluid demon but if you want to know more-- YOU CAN BUT YOU HAVE TO SCROLL TO THE END OF THIS POST TO FIND OUT !

I wrote this book PHONING FAUST (coming out in 2025 sometime with NineStar Press btw. I have these books CATCH LILI TOO and WAKE THE DEAD also starring Sapphic demiace MCs if it's helpful while you wait!

I WROTE MORE QUEER BOOKS (if interested)! (ARC SIGN UP LINK IS STILL BELOW THIS ONE THO! > FOLLOW THE RAINBOW !!)

MY OTHER QUEER BOOKS: https://sophiawhittemore.com/books/ ) <3 <3 <3

I wrote PHONING FAUST (train of thought, sorry, that's the neurodivergence) because I wanted people to feel less alone.

I was, like Dian Faust and like a lot of people, a queer person who felt like I was on an island unto myself. I didn't know who to turn to-- so I turned to no one. By reaching out to hotlines (no hot devils unfortunately), I managed to get the help I needed to avoid making rash decisions-- to get the help I needed to get better. To take that first step.

PHONING FAUST is a novel that raises the importance of mental health and finding community, and most importantly, not giving up. As Dian Faust says in my upcoming book...

There are stars out there-- I had only to see it.

***

🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈

🌈🌈🌈🌈ARC LINK SIGN UPS HERE 🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈🌈

ARC LINK SIGN UPS IN LINKTREE <3

Want to be an ARC reader for this queer book starring a demisexual Sapphic couple and BIPOC cast?

Sign up here! : https://tr.ee/mWPM8I9Zev

***

Hmmm, demon contracts...now where might young 2010 emo me have heard that before... ? ?

[srngrque]

low tolerance, you say

trent alexander arnold x fem!reader. fluff. Being drunk with fruitful intentions.

One thing Trent realized while dating you was to literally not put alcohol and you at the same place, at the same time. But, not many people know that aspect since you and Trent do not go out often, staying home in each other's presence.

Many people not knowing your low alcohol tolerance is absolute shit is what made Trent's job hard tonight. After picking up your call, he became more alert noticing it was not your angelic voice; rather greeted with a huskier male tone but was relaxed immediately as the person from the other line claimed, "She had way too many drinks to handle, but if the address is right. We are outside your house. Please take her away from me."

Every fiber in Trent's bone eased up. Rushing down wearing his flip-flops, frantically opens the door to see your male friend followed by three other girlfriends move you out of the car. His eyes darted on your fragile limping drunk legs almost giving out, Trent could not help but chuckle at your friends trying to keep you well.

"My boyfriend is here." You screamed loud, your eyes squeezed your eyes to scan your boyfriend coming out from his front yard to pick you away from the world for the night. Trent walked toward you, but you ran behind your friend's car.

You sat down on the road, hiding your face on your lap. Trent glanced at your friends in question since some of your drunk actions are still concerning and confusing. He is not surprised, just picking up pieces real quick.

With no words exchanged, Trent walked behind your friend's car where you were crotched down hiding your face. He bent down on his knees to meet your eye level. "What's wrong, baby?" He whispered in the shell of your ears, his fingers slowly cupping your face to glance up at him.

"You are not angry at me?" You tilted your head, clenching his hand which was settled on your face. Trent stared at your eyes slowly shutting themselves before you shook yourself up. His nose wrinkled to force himself from laughing at your drunk gesture.

He shook his head, "Never, princess. Come, let's go home." Trent gently lifted you from the ground. With his single action, you enveloped your body securing your arm around his neck. Trent silently thanked your friends for dropping you off. You shifted your head safely on the arc of his neck, eyeing your friends. "I love you guys, thank you for tonight." You waved your hand.

Trent laid you down on the sofa. For you, the whole world was spinning. It was even worse than the roller coasters you enjoyed back in some of those expensive amusement park. This cycle was endless, even if your body knows you are home, your eyes and mind are not helping at all.

"Trent, are we sure we are back home?" You asked with your eyebrows furrowed. Your hand waved around but was beaten around by the air, not being able to hold Trent. With no answers returned, you took matters on your own hand.

Standing on your own feet to only fall back on the sofa. Your legs had given out all the energy. In the spinning world, you had resulted that Trent was just a hallucination. With that, you wailed loudly, eyes shut as tears sprinkled down your cheek.

You covered your eyes with your forearm, thinking you are alone in this whole world and the person you love, is not even real. It was just a fragment of your imagination. In between your thoughts and your sobs, you paused. Wait, you thought, Was I not drunk? You removed your forearm away from your eyes, soaking in the cozy and humbling living room in front of you.

Before you could process everything, the face of the man, you swore you dreamt of popped in front of you. "You are real?" You whispered, your fingertips reaching out to draw out his face.

Sun-kissed skin, doe-eyes, and the perfect plumped lips you wish you could ju-

"Please stop eye-fucking me."

He also speaks. "Yes, I speak." He spoke, shaking his head, pulling you forward to sit on the sofa. Trent sat in front of you carrying your makeup remover, a few clothes to change, and a blanket.

"So you are my boyfriend?" You hesitated to ask, not sure how you bagged a hot scrumptious-looking boyfriend. Trent leaned on his knee, using his elbow as leverage to stare at your drunk swollen eyes and pink lips that has been abused too many times by you with the continous biting.

Trent nodded, "We have done way too many times, princess. For now, please do as I say." You raised your eyebrows, and a line formed between your eyebrows in question. You gave him a lopsided smile, "So how do you want me?"

"On your back."

You froze. Being drunk does not mean you did not understand the intention of his words. Trent snorted cockily, "Are you serious? Let me remove your makeup." He asked, waving his hand and gesturing you to lay down on the sofa so he could remove your makeup.

So lying down on the sofa, you did. Trent sat on the edge of the sofa near your arm as he leaned forward to press the wet wipes onto your face, forcefully closing your eyes after every aggressive wipe.

In silence, Trent removed your makeup. Giving you enough time to admire his face closer once again. Up close, he . . seemed so familiar. All the small freckles that are not spoken about, the light wrinkle settled on his forehead, and the vein that pops out on his temple. With it all, Trent was simply so beautiful.

"We should definitely have babies." You said breaking the silence. Trent paused his action with his third use of makeup remover wet wipes. He lazily smiled, grinning ear-to-ear. You glanced upward to the ceiling as the tension was peaking its roof.

Trent clicked his tongue, "I don't know. Don't you think we should get married first?" He proposed, his eyes twinkling with the hint of mischievousness but your mind was too hazy to process through what he was saying.

"Then why are we not married yet?" You curiously asked, your arm finding its way to his neck pulling him closer to your face. "Or we can just do everything the opposite. I heard there are many people who do that." You justified your reason on wanting kids, slurping on your own words.

Trent giggled hiding his face on the nape of your neck at your utter misery and cuteness. He had the urge to pull his phone and record the amount of random crap was coming out; it is the same routine when you are drunk.

"I am serious though." You softly laid down your guards. With mind intoxicated and eyes about to give out to the lights. But this, you know, Trent was the man you want your kids grow up calling father; it is not a dream so hard to not want considering how dearly Trent is to you.

He removed his face away from your neck, coming face-to-face. "Baby, you are drunk and we have spoke about wanting kids and getting married like hundreds of times when you are drunk." He confessed trying to retrieve back to his original position to finish off your leftover makeup.

You pulled him forward caging him in your arm. "Then ask me tomorrow morning when I am completely sober if I still want to have your kids, Trent. I will say yes." You dared, eyes not fazing away from Trent.

Your eyes glanced down at his lips, "And I swear if you stop me from doing this, I will say no." You threatened before pressing your lips against his. You moaned loudly in his lips pulling him closer. Trent moved to straddle his legs as his hand shifted under your shirt.

Your hand itself tangled to pull his sweater off his body. He tsked away, continously shaking his head. "Let's do this tomorrow, baby. Let's go back to bed." He insisted only for you to shake your head whining, already missing his lips on you.

"We can only stop this operation if i accidentally vomit."

"What operation?"

You shrugged your shoulder, "To have your kids."

[half-man-half-lime]

Listening to Arc 27. Damn if Shadow Stalker isn't a dark horse Blorbo for me. Just... first off, the endgame dynamics between her and Taylor (the conversation in prison) and Aisha (epilogue and "Your family loves you lots, Shady"), the "enemies teamed up against a greater threat" uncomfortable camaraderie and fun banter with Taylor's strike team and Lung, the violent history with Brian and Alec, and how cool and layered the intimacy of secret identity plays into their relationships (that's a concept I could talk at length about, it probably makes Batman villains like 40% better), the history of the bullying and her witnessing Taylor's rise to power and unmasking, obsessively following Taylor's career from prison, someone completely recontextualized as a person to her- also recontextualizing what Alec, Regent did to her- a very intimate form of cruelty, at that.

Then there's the fact that what Regent did to her was so fucked up, and I find the fandom support for torturing her so upsetting that I basically defaulted to sympathizing with her.

Plus she's just fascinating. She's a constant open wound. She is aggressively projecting strength every second of her life so she doesn't feel a trace of the weakness and victimhood she went through, while also in complete denial about being insecure.

I brought up the Wisp fic idea, and the reason I wish I or someone else were up to writing it is that on top of how fascinating she is, the notion of what it takes to rehabilitate her is fun to play with. In comparison to other villains who project strength like, I dunno, Lung, she's a relatable teen (for a weird definition of relatable), she's been involved enough in mundane society and rationalized her actions to herself enough that being a decent person or healing her issues isn't quite so alien, even if it's a steep uphill battle. She could become a better person, but it's contingent on facing herself and working on her trauma far more than it's about her growing a conscience and acknowledging her sins, which is a little counterintuitive.

I dunno, I just think she's neat.

[zhuoyichenpretty]

aww yeah ep 20 GOOD

I guess I do (very casual, broadstroke) episode commentaries now, halfway through the show lmao. Spoilers below!!

Bai Jiu BETRAYAL?

Wen Xiao WANTED?

Zhuo Yichen DETECTIVE-ING?

Ying Lei BACK?

*crowd cheers*

The dots are connecting like crazy with the big bad's whole inner core crusade and also with the simultaneous demon case like I did not recognize Ao Yin as the demon Li Lun first released eight years ago but oooh do I enjoy that minor payoff.

Love the repeated use of the demonic-spell-restraining sigils now that we've been introduced to them though I wonder why the Bureau doesn't ever seem to make use of them. Maybe they don't deal with enough powerful demons to need to paint those in their own (very empty) dungeon? Or perhaps just plot convenience. (edit: someone has pointed out the Bureau indeed uses them!! I'm just blind <3)

Anyway I kind of wish in the Chongwu Camp dungeon PSJ fought a little bc she's so cool in action and their bailing was a little abrupt, but it makes sense that they'd have an immediate getaway plan. Also this is an ep 19 comment but that line Mr. 3-Face Mask delivered about PSJ being fated to always be betrayed by her little brother(s) HURT. So good.

Back to the Bureau, I do love me a good framing, and I'm also happy to get a tiny bit of the episodic demon-murder-case style back. WX was v clever to hide out in Situ Mansion, and (small detail but) I appreciate that the others catch her up on the Bai Jiu thing onscreen. As an aside, I also like that the actress for WX got to be double-casted even just briefly. Seeing some of the actors get to play around with portraying various extremes in characterization and costuming is a ton of fun.

And then yay Bai Jiu backstory at last~! It's crazy how much that blood moon fucked up everyone's lives eight years ago huh.

Everything ZYC says to him is on point (and honestly, ZYC is really quite adept at comforting others, he just sucks utter ass at it when it's his fault and he has to apologize lmaooo) but of course my favorite scene in the whole episode is as follows:

The very slight shine in the waterline, the bittersweet smile/grimace as, deliberately or not, ZYC's words indirectly echo everything about the circumstances between the two of them right now??? Whew. They did that for me specifically.

Anyway, this was a good one to chew on for me, packed with plot movement enough that I didn't feel unsatisfied with just one episode. I'm glad that so far it seems like the release schedule bears in mind what episodes should be watched in pairs for maximum effect (eps 16/17, 18/19 specifically) and which ones are okay to stand alone for the day, but I also don't want to speak too soon haha. We'll see how ep 21 fares.

Also since this is a ZYC stan account (lmao) I have some obligatory ZYC thoughts that I haven't managed to fit anywhere else. I've been meaning to comment on this for a while now and was reminded by this episode: I love the fact that ZYC actually smiles quite often. I think it's a bit surprising every time he does because he so easily fits the archetype of stoic broody action hero, but it really is just an archetype he's fit himself into, and it's never clearer than when they flash back to smiley baby!ZYC (how freely and purely he used to give those smiles away...).

On the other side of this is also how caustic and biting he can be with his words, whether sarcastically or otherwise, and how clearly his face telegraphs his emotions in general. I love that he actually emotes quite a lot and isn't cold and unaffected in the least, just pouty frowny and awkward.

The last piece to this for me is probably his age (which I very much appreciated being established super early on) and how convincingly TJR portrays him as young and inexperienced and extremely earnest. He's so sincere in everything he does that it really doesn't take much to move him, which also (imo) makes his arc less overdone.

We all know from the start what direction his development will likely go, how he'll learn he's mistaken about ZYZ and how he'll grow to have a more nuanced view of the world as he creates more bonds with others. But he's so emotional and emotionally aware that it doesn't really take much push and pull to get him there. And actually, it's not untread ground to him—he is moreso thawing, in part returning to the open-hearted nature that he had to very abruptly shutter away rather than fundamentally changing as a person. I think to me, that makes his character more compelling to watch because his cynicism about the world is perhaps the least sincere thing about him. It's entirely learned, and not by choice. Relatable.

[pacificwaternymph]

I. ADORED. S2 of Arcane.

Final thoughts on the season below the cut

Season two was incredibly emotionally fulfilling. The climax was amazing. I loved the constant butterfly effect throughout the entire show, starting with Jayce as a child in the snow and Vi and Powder pulling off a heist leading up to all of this. All of it felt like a natural progression, so many threads of fate being woven together into one.

But there is a part of me that almost wishes they hadn't raised the stakes quite so high.

I know it's literally the namesake of the show and therefore this was probably always the plan, but there's a part of me that wishes they had left the Arcane out of it and just focused on the class war that got kind of... brushed over in Act 2?

It feels like they had to brush aside the themes of classism and oppression for the sake of making room for this bigger climax. And I think a big part of the reason I feel like this is because season 1 chose to focus so much on that part rather than the Arcane plot. So maybe I would have felt this way no matter what they did. But in their defense, they didn't forget about it entirely.

The shot with Sevika joining the council and several councilors giving her disgusted or mistrustful looks is a wonderful way to show that while they may have temporarily joined forces to defeat a bigger threat, the tensions between Piltover and Zaun are not automatically resolved. And I do like how Sevika is still the only councilor from Zaun. Everyone else is still topside. It's a good way to show that while a little progress has been made, it's only the beginning, and Sevika will likely have to fight tooth and nail for any reform.

Jinx's death... well I suppose I should have seen it coming. It was a good conclusion to her arc. But I still wish it hadn't happened. I am of the personal opinion that it didn't need to happen, and now I'm just left wondering how the hell Warwick/Vander was still alive when every other construct or whatever the hell they were had already died.

Vi... my darling. Even at the very end, couldn't catch a break. She really did lose everything. I'm glad she has Cait. I'm glad we got the sesbian lex scene. I just wish she could have ended the show genuinely happy, after having suffered so much throughout her entire life. I know for Arcane it's kind of a long shot for anyone to end up truly happy, but... I still really wanted it for her.

And on a lighter note: just when I thought I couldn't be any more attracted to Mel, the character designers decided to take that as a personal challenge.

I LOVE that they gave Mel more attention this season. The whole witch plotline and Mel having magic came kind of totally out of left field, but I still really enjoyed it. It gave Mel an actual role in this season which was less focused on internal politics, which I am glad for. It meant that she wasn't pushed to the side when the final climax came up. And I liked how her being a black rose put her in direct opposition to Ambessa, as opposed to the subtlety both of them had been employing up until that point. I liked the juxtaposition between the two of them, and I liked how she became the leader of Noxus following everything. Returning home after a long exile.

The completion of Viktor and Jayce's arc together was so fulfilling. I wasn't even sad about their deaths, I was glad that they were together, and that they could finish what they started together, just as both of them had always wanted.

I know everyone ships them but honestly I don't. I don't think their bond needs to be romantic. It transcends the need for those kind of labels. What's important isn't the exact nature of the relationship, it's the depth of it. It's the fact that their destinies, their souls have always been and always will be intertwined. And honestly the fact that they weren't explicitly romantic is almost better to me, because it defies the idea that relationships that deep always have to be romantic.

Ekko, as always, was perfect. My only complaint about him at all this season is that we didn't get more of him. I so adore him, I loved his episode in arc 3, it felt so perfect for him. To see what could have been, having just briefly everything he could ever want, and then knowing he had to leave it behind in order to keep moving forward.

And gosh, what a way of tying his time travel abilities into the story. It does make me kind of question what was going on with his fight with Jinx in season 1, if it wasn't actually time travel, though? Maybe we were just seeing another timeline, and he wasn't? Idk.

I'm so glad that at the end of the day, it was him that managed to save everyone. It wasn't perfect. He didn't bring anyone back to life. He didn't reset any timelines (which I am immensely grateful for, I would not have wanted everything that happened to be erased, it would have been such lazy writing), but he turned back time just enough to let Jayce snap out of his trance and free Viktor from the emotionless shell he'd surrounded himself with. He gave them one last moment together. And that's all they needed.

I don't know how I'm ever going to be the same after this. I am so glad for Arcane's existence.

[lifes-pinata]

Duck and Mytho, A Relationship Analysis

BY POPULAR DEMAND (10 notes and 1 prompt by a blog I follow and admire)

Duck and Mytho are obviously so very important to each others stories. Without Duck, Mytho would have remained a heartless doll forever. And without Mytho, Duck would have remained a simple bird. The story cannot exist without Duck, and up until the last few episodes, Mytho remains her primary motivation.

Which is why is was so surprising to me that the way their relationship resolved was so..... Unsatisfying.

Now when I say that, I am not talking about Siegfried and Tutu's resolution, which remains one of the most touching scenes of the show. I am specifically talking about the relationship between Mytho and Duck.

For the first 14 episodes, Duck and Mytho's friendship was a slow but steady burn. Duck is an anomaly in Mytho's small world. Even heartless, he doesn't quite know what to make of her. "Fakir and Rue don't say things like that" he says in episode 3, when Duck reacts to his hurt hand.

Duck, as a person, represents something Mytho never encountered even when he was Siegfried. Her simple, straightforward kindness is so different from Rue's desperate, grasping love. Fakir's poisonous protection, and even the blushing, tittering classmates that never dare to speak to him.

And even though Mytho can't express it, I think it's really valuable to him. Early on, Duck is the only person capable of making his loneliness disappear. Not Rue or Fakir, who he's known for years (which he says to their faces oh my GOD) but Duck. The first request he makes is that she stays a little longer.

The entire first arc Duck continually proves herself to be trustworthy. Once Mytho returned to school after receiving the feeling of fear, Duck tackle hugs him, saying she looked for him everywhere. She knows about Princess Tutu, and is the only one who listens to him. Who doesn't talk over him. She brought him an umbrella when he was waiting for Tutu. He values her opinion enough that he asked her opinion on gifts to get someone. And yeah maybe he could have asked anyone, but we never see him seek someone out until the Raven's Blood kicks in.

In episode 14, Mytho says to Duck, straight out "You're the only friend whom I can tell everything." And then? They never interact again? Huh???

Well. That's not entirely true. There is one more scene where Duck and Mytho interact, if you believe that Mytho was lucid enough to truly count it. Episode 24, where Mytho has fully succumbed to the Raven's blood, and as a result has turned into a raven himself. He runs outside, after being hidden away by Rue, and finds Duck. And what does he do? He asks her to dance, just as he did on the day of the fire festival. But this time, Duck doesn't answer. She backs away from the monster he's become, just like everyone else.

To its credit, that is a resolution, but it still doesn't sit right with me. It feels too bleak in a story where hope overcomes everything else. A spot where Drosselmeyer's tragedy wins.

The thing is, I understand why they did it this way. One thing I have always appreciated about Princess Tutu is that there is no wasted time. Even at the beginning of the show, when it seemed lighter and sillier, every episode contained important information. From the very beginning, they were building to the finale.

The second arc of the show is even more this way, there is no wasted space. Where would they even put Duck and Mytho interactions? Duck is reckless but she knows better then to approach Mytho when he's actively trying to rip out the hearts of their classmates. If anything, trying to shoehorn interactions would come across as forced, and could even cheapen their interactions in the finale.

But as much as I love the scene where Mytho realizes that Princess Tutu was a duck. I also wish he had a moment to realize that the duck was Duck.

Because Princess Tutu performed magic and returned heart shards with her beautiful dancing.

But Duck did the hard work of being human. Of living and loving and trying and failing and getting back up.

It was Duck who saved the town in the end.

And it was Duck, who was ultimately forgotten.

[ask-the-wicked]

It is a Wicked Month !!

Stamps creds

“What's the Wicked Month AU?”

Skid and Pump are purposefully troublemakers who misbehave and cause distress to others (excluding his families.. partially) constantly. Skid is manipulative and finds joy in other people's pain, a trait gifted by his own father's genes, while Pump is brattier and follows no rules with the intention of having fun no matter what. It leads to bad reputation, lives ruined and the dreaded decision of changing. But despite all that, they are still spooky kids who loves halloween, candy and whimsical fun, and still have much to learn.

Important!

;; Despite being an ASK/RP blog, this is also officially the account where I'll be posting AU updates, rewrites and others!

;; Avoid sending asks that breaks the story, such as trying to snitch on Skid to his mom. I'll pretty likely not respond to those.

;; Specify which character you're talking to, please!

;; If you send an ask to a character who's now gone, they'll be answering it from before they died unless specified. It also counts for episode timelines. Ex: Bob before meeting the kids will answer differently about them compared to middle Tender Treats.

;; You're more than welcome to ask things to the mod himself about the characters or the lore. I'll answer happily.

;; Basic sense on asks, just don't be weird and we're cool! :)

;; OC's are more than welcome! I love them!!

;; A few characters may not be available to talk to, such as Skiddad or Pump's parents.

About the Mod + Others!

;; My name is May, I am 17 years old and I use both He/Him & She/Her. My main is @mayisgoingnuts. As much as my boundaries are there already, I'll be saying the most important ones here.

;; If you make part of a basic DNI criteria, is a proshipper and/or pro-fiction, I'll politely ask for you to not interact. Supporters are also included.

;; Please don't start any drama including myself. Call me on DM's for us to solve it.

;; I'm not experienced on roleplaying every single SM character, so some of them (such as Father Gregor or Bob) may not be so accurate as I wish they were.

Tags!

#WM — [Character] // (ex: WM — Skid)

#Not Canon

#Just some silly posting

#Oh a Spooky Ask for us!

#We roleplayin!

#Post a little longer

#Messed up reblogs

#Mod talking

#AU shenanigans (updates)

#Woah arts!!

Misc Tags!

Crocodile Arc

Wolf Arc

[miriadalia]

Things I wanna see in Cobra Kai S6 part 2

Since I'm on a Cobra Kai streak since they dropped the new photos, I want to make a list of things I wish to see in part 2. And then check if they become true 🙏🏻 (I'm writing this before they drop the trailer)

Feel free to add whatever you want <3

Alright, HAJIME!!

1. Kwon's backstory and character development

I don't want him to be a 2D villain. Every character until now has had at least some internal conflict and reasons behind their behaviour (even bullies like Kyler), so please, PLEASE, give the guy an interesting background. If we have to tolerate Daniel and Johnny love-hate every season, I want my little Kdrama too 😂

Also, if they're going to add even more secondary characters (who, according to the leaks, will be kind of villains too), I need them to focus on Kwon first.

2. Tory defending herself from whatever BS the Miyagi Do's will tell her

Yes, she's not well at all after her mother's death and yes, Cobra Kai isn't the way to heal from her wounds... But if I hear one of them getting angry at her or calling her a traitor when none of them went after her, I'll be kicking 540s in my room................

I would also love to watch her train in Korea with the new team, giving Kim a "TAKE THAT B*TCH, who wouldn't have lasted one minute in your dojang back home??" (In season 5 Kim told that to Tory and Devon) and watch her training her hardest and truly fighting and earning her position as captain, not to appear magically in Barcelona as sensei Kreese's pet ('cause I don't think neither Kwon nor Yoon will like that).

They can even do this as flashbacks before each round of the tournament. But... I'm kind of losing hope on this because of the producers' comments. I write it here just in case :(

3. Johnny being a real father to Robby

I understand his main interest is defeating Cobra Kai, especially now that they know Kreese is back. But Robby will need him more than anyone during this tournament: the poor boy has the pression of being the team captain in a televised international competition, he needs to win the Sekai Taikai because that's the only way he could be offered a better future after being in juvie for so long, his girlfriend (ex?) has been MIA only to appear with their nemesis' team........

I've seen an interview where Xolo said Miguel's going to be Robby's main support during part 2. And while I like that, I still feel that, for once in his life, Johnny should step up and put the son he abandoned for so many years first. That would be his REAL redemption arc, more than being sensei for his own version of Cobra Kai.

4. Demetri and Hawk fixing their problems FAST

I understand them both, but their argument seems like the typical post-high school crisis where you have to separate yourself from your lifelong friends because (surprise!) each one wants and must follow their own path and dreams.

So for me it's alright if they solve this with just one conversation after winning together some round during the Sekai Taikai. I don't need something like one of them DYING or ending up in the hospital (though that's probably what will happen to Demetri seeing the X-men-mutants they've chosen as their rivals........).

In short, for me the character arcs of Hawk and Demetri are already complete and do not need more drama. They can become secondary characters, although I love both actors and I'll miss them so much :')

5. Bring back #MiguelSeason 1!!!!

I don't think there's anyone who doesn't want this to be honest haha. But in my case what I mean is I want the concentration and power he had back then, not him playing dirty or seriously injuring someone.

I want FULL POWER Miguel, the ultimate version of this young fighter we saw growing each season, using every style he's learned and making it his own.

And who knows, I won't be mad if he wins after all, but that only if Robby gets an awesome final character arc.

6. Sam and Tory supporting each other even if enemies on the tatami

These girls have already apologised to each other and now Sam understands Tory's situation and mental state without any judgement, so I want Tory to find selfless support in Sam and to learn how to confide in her.

And I want Sam to fully embrace Mr.Miyagi's teachings of forgiveness, balance and strength.

And what better way to do it than by applying them to your former arch-nemesis?

EXTRA POINTS if they fight together against Zara or any other enemy!

7. Silver NOT coming back in this second part...

At least until the end of the last episode.

We have villains already. We have NEW characters (villains?) already. And as much as I like chaos and drama, I don't think it will be easy to follow a story where everyone is against Miyagi Do lol

They can save him for the finale.

... Plus I just can't stand that dude :'), I prefer Kreese as an antagonist all the way.

8. Sassy arguments, teenage drama and funny scenes

I already read that part 2 is gonna be very action-oriented. But Cobra Kai is much more than amazing stunts and choreographies (which I love, don't get me wrong). I just don't want them to forget the potential of having a hotel and a sports park full of troublesome teenagers, with even more troublesome senseis.

They're participating in a hard competition abroad, but that doesn't mean they can't have some comedy scenes here and there like the ones they have in the Valley.

Idk, you have a Korean dude with an anime-looking hair and an American dude with a freaking American flag in his mohawk!!!!! Someone has to make at least a comment about that.

9. The characters eating Spanish food or trying to speak Spanish

This one is personal hahaha

I grew up in Spain so I need to watch them tasting a tortilla or trying to buy something and getting scolded by a Spanish "abuela" (grandma).

BONUS POINTS if Johnny Lawrence drinks the typical beer from there (Estrella Galicia). (Know this won't happen as it would be free advertising haha).

10. Amanda and Carmen being the queens they are, finally happy and in peace as every karate freak (including their respective husbands) are booked and busy at the other side of the world

[alicentsswornshield]

@wolfie-1221 posted a list of their fav rhaenicent fics 🤌 10/10 recommendations

I've been inspired to share my own list since I've been spending probably too much time on ao3 - hopefully it will be helpful for anyone looking to start reading rhaenicent (note that few are already mentioned in the above mentioned post)

My favourites (in no particular order):

(WIP) Seven (by @comicxgrl)

The story follows two alternating timelines and you're equally invested in both. It's so so well written, you fall in love with the characters immediately, the pacing of the story line is incredible and with only 5 chapters published, I think story is slowly set up for the main arc. The author is an architect and you can feel the thought process and clear intention behind every line and action.

(WIP) Out of sun (by @lumyart )

Rhaenyra and Alicent share a complicated past. Skip 10yrs later, Alicent is an excellent surgeon, has three kids and a husband. Their paths cross again when Targaryen Enterprises start being involved with Alicent's hospital.

Tags for this story are #bdsm #makingkinkemotional #emotionalslowburn - I think that's all you need to know?

I feel like it's really hard to write about bdsm w/o making it feel gratuitous. That's not the case here. @lumyart involves it as one of the main plot points of the story. It explores the emotional/psychological reason/need behind kinks and how those relationships differ etc. The push and pull in their relationship is dizzying, as the story progresses we get snippets of their past and what went wrong between them and how did they get where they are now. It almost feels like you're uncovering a mystery. There's many layers to the story and each chapter gifts you one piece of the puzzle.

See also: Blame it on Fate (morning show au we deserved) | silver sparks (wish this was the s02 hod script)

Love is complicated (by @molter-writes)

Absolute favourite of molter's fics and that's really hard to decide on.

This story made me want to start a campaign to get @molter-writes to actually write a rhaenicent Notting Hill AU.

Don't even read the summary. Just read everything and anything by @molter-writes , it will always deliver strong writing, a compelling storyline and characters that you can't help but fall in love with.

Bodhrán beat (by @molter-writes)

I'm not a monarchist but I will make an exception for this modern royals au. Whatever you think this fic is about, you are mistaken.

Only one chapter posted so far but it's so so good. I don't think you realise how unwell I was after I read it.

See also: (WIP) leaf and blade | (Completed) grey ridge (ríl liatroma) | (Completed) ride the dragon (and do it quickly) | (WIP) song of the exposition

(WIP) Lying (in the hollows of your heart)  (by @wakesirens) 

I usually read only modern AUs (because of the misogyny in Westeros, I have enough of that irl thanks) but this fic is amazing nonetheless. Keeping Baelon alive and him being king gives us an alternate version of Rhaenyra's life. One where she's his most trusted advisor and representative of the Crown but she's not bound to the throne/realm in same way as the heir. This allows her to still attain power and freedom usually not afforded to women. Oh and Alicent works in a brothel.

What you wanted (by mrdcai)

Berlin, spies, complicated past, angst

Again it's just excellent writing! This one only has 1/3 chapters out but I'm already convinced that it deserves to be among top five fics. Only downside is that the story will only have three chapters, though a part of me is hoping that the author will change their mind and make it a longer story.

Side note, I keep imagining Alicent as Olivia Cooke's character from Slow Horses... great spy/thriller show btw

See also: Desire (I want to turn into you)

Some other fics I loved:

(WIP) Honey, make this easy (by nerdsofdeath)

Alicent is a history professor at university and Rhaenyra is her new TA. It's a slow burn and v angsty 😭

Midnights Like This (by pure_black_wings)

College AU, they're two idiots in love that don't know how to cope.

War of Hearts (by Silanahfire)

Rhaenyra Targaryen is barren and the realm needs an heir. The King and Grand Maester Mellos found a solution in the scripts of Old Valyria. Alicent Hightower will carry her child, even if the estrangement between the two seemed impossible to end. An arranged marriage waits both.

(WIP) You Broke Me (by skullgamerscy)

Angst 😭

The Silver Queen and the Lady in Green (by Wandering Fan)

This is AU in every sense of the word. The author built a whole different world with its own lore. Very very slow burn

[okwonyo]

moot game! ship your moots with an idol and give them a trope!

hihi! ^^ i didn’t put everyone because i don’t know everyone’s bias.. so mea culpa ><

@byhees with jungwon | rivals to lovers.

yizu and jungwon would both be the top of their classes, constantly competing over which one is going to be on the top of the whole school at a given semester. it’d obviously be the reason they wouldn’t stand each other— well, maybe just yizu because if you ask jungwon, he is quite fond of her actually and this is why he loves, and emphasizes on that word, to come sit next to her during her studying time. claiming that he needs to distract her (he can’t let her surpass him, can he?) but really, teasing her might be his favorite thing in the world.

@okwons with sunghoon | middle school crush (and still going strong)

and don’t get it wrong; if you ask vi about sunghoon, she’d say that she doesn’t really mind his presence and that he is a funny guy. if you ask sunghoon about vi, he’d go on a whole rant about how beautiful she keeps on getting and how he wishes he could give her the moon, and far, far beyond. he’d be so enamored by her that he’d look so stupid whenever she is near— stumbling over his every words and blushing when her shoulder slightly brushes his.. and the worst part about this is that: she doesn’t even notice! and it makes everyone go crazy.

@isoobie with heeseung | fake dating.

heeseung and ri wouldn’t that much of friends.. just seeing each others then and there at parties or at the cafeteria. he’d give her a little smile and a charming wave when he sees there, even if they don’t talk that much. and one day, when they find themselves alone in the school’s library, he’d ask her to date him and she’d go ‘huh?’ and he’d explain whatever his raison may be.. but at a moment during the whole fake dating thing, the line between reality and fake would get blurry— little unnecessary kisses there and there, a tad bit jealousy when ri talks with a guy.. i’ll let you imagine the rest.

@boyfhee with jay | neighbors to lovers.

they’d meet in such chaotic circumstances, there would be absolutely no way that they just go back to normal after that. it’d be the kind of situation where jay hears cael screaming her lungs out because of a small bugs in her apartment, she’d run out of it so hurriedly and end up in jay’s arms, who lives just infront of her and was worried sick about these screams. he’d help her, of course. and ever since then, they see each other everywhere; at the grocery store, at the gym, somehow even at work! they’d even get kissy at the club... hehe.

@hoonvrs with sung hanbin | girlboss x malewife.

saint is that strong, independent, smart, funny, cool and many more, woman that works in a office, where she is very important in and hanbin is her silly husband who makes sure to prepare dinner before she comes back home. i can see them being that one side couple in a kdrama everyone would watch just for them; because they are just so cute and funny— the audience would love to see how scared hanbin would be whenever saint is a little irritated, but at the same how soft she is with him when she annoyed.. she has a soft spot for her cutie husband.

@tyunni with riki | annoyance to lovers.

mj would not be able to stand riki in the slightest, rolling her eyes whenever he talks and scoffing when something unfortunate happens to him. her hate would be justified; he tends to get so annoying with her, pulling a strand of her hair when he sits behind her, stealing her food and holding it really high so she can’t reach it, etc.. poor girl doesn’t even know why he is all over like that but it’s just that he wants her attention, you know! of course, he’d have his redemption arc where he follows her like a puppy and obeys to her every word. the treatment she deserves!

@wonryllis with jungkook | situation (seven ver.)

jungkook would be so obsessed with her, she’d have wrapped around her finger.. for her, jungkook is a just a guy she likes to spend her time with and sometimes, okay, they kiss, but so what? for jungkook, yeonie is the only woman ever on this godforsaken planet— he’d even tend to get a bit clingy and obsessive. following her in the rain after an argument, forgetting his initial destination to follow her whenever she goes whereupon he sees her in the train. he just doesn’t know how to show her that he likes her a lot and she doesn’t make it easy either..

@alaezasmystery235 with sunoo | coworkers to lovers.

alaeza would be that cute girl at the cafe next to the faculty, and sunoo would be the new worker to this cafe— who also happens to be head over heels for her. as nice as she is, she’d help him with all his work, given the fact that he is new and doesn’t really know what he is doing, showing him how things should be done but, the thing is, sunoo wouldn’t even learn anything at all, staring at her hand as she shows him where the glasses are and watching her hair fall beautifully as she leans to look at the exposed donuts..

@euncsace with mingyu | meet cute.

they’d meet each other at the bus stop, where rim goes back home after going to the library and mingyu comes back from the gym. he’d ask her if she knows when the bus is coming and she’d say that she was about to ask him the same question. then, they’d have a little conversation about their day and what they are planning to do next. these cuties would exchange numbers before rim gets out of the bus and never leave each other alone again..

@soov with yeonjun | gym crush.

yeonjun would be that attractive man at the gym who works his biceps and and in a tank shirt and rei would be that new girl who doesn’t really know what she’d doing.. as the gentleman as he is, when he sees a damsel in distress, he’d come to her rescue and help her.. moving her by the waist so he can see the machine she’s using clearly, that only move would send butterflies in her stomach. and, yeonjun, even when he doesn’t need to, would always come help her about something— just to talk to her. let’s hope that the gym crush makes it to the outside!!

@atrirose with wonbin | tutoring au.

seiu, as smart as she is, would offer her help to wonbin, who is clearly failing is tutoring classes. they’d meet at the library or at the cafe, and have some studying sessions together. wonbin, would be far too focused on seiu’s features to even listen to what she’s saying, always answering wrong when she asks him a question but swearing that he is focused.. well, he is, but more on her lips than what is coming out of her mouth.

@seongclb with jeno | grumpy fast food employee au.

jeno would be the type of employee that says that the ice cream machine doesn’t work just because he is too lazy to use it, he’d be so unhappy to be there that it’d be written all over his face. kat would be that nice and breathtakingly beautiful girl who comes regularly and for who, jeno as a tender spot for. he’d always have a wide smile when she comes that his coworkers would make fun of... and she’d be so oblivious about it because as far as she knows, he is the nicest guy she has ever met.

end! ♡

[accirax]

initial thoughts on DCAS episode 11

oh my god

i had already guessed that Alec was lying (much like Jake did), but this was a really nice explanatory touch! Alec and Riya's friendship is, as usual, one of the season highlights for me.

would've been a lot more interesting if the campers could have chosen their own partners in one way or another, imo, but that would definitely eat up a lot of time in an already packed episode. plus, some pairings (like Connor and Riya) probably couldn't have happened this way, given how Riya wound up reacting to Connor.

"alright Fiore, here's how we prevent you from going home this week," one could say.

i was SO worried that Alec was going to have another confessional at some point being like "lol i was testing my acting skills on Fiore too" but he DIDN'T. which means this is CANON. THE ADOPTION IS BACK ON!!!!!!!!

okay, i actually love the decision to pair Hunter and Grett together here. both of them are the "very flawed but kinda mistreated partner of their appearances-obsessed date," so it makes sense that Hunter could give Grett a good perspective on this. also, is it just me, or did they rework Hunter's personality in this episode to be more like S2? i liked it.

i'm going to put every Fiore and Alec moment in this post and you can't stop me. i am initially thinking about them.

"joke's on you fucker i didn't teach her literally any of this. she's just built different."

as much as i enjoy Alec appreciating his daughter's sass, this does seem like a pretty radical heel turn from "i only voted Connor out of this game because it was what was best for him." i guess maybe spending time with Riya and the other villains has caused Alec to fall further off the deep end/forget about Connor's genuinely nice qualities...? or it's inconsistency between different writers, who knows.

i am 0% a jul(?) shipper, but, damn, the jul shippers were eating well this episode.

Yul is such an interesting little guy.

James flexing his character arc, we love to see it.

WHAT IS IT WITH THE CYAN WOMEN AND SECRETLY BEING JACKED????

society..... it's becoming more utopian........

see, this is why i didn't think Tess would be the one to return to the game.

Aiden is such a hater, i love him. but, overall, i agree with Lake. we're definitely sowing the seeds for a Jake redemption(/winner?) arc and a heroes' reunion.

Riya, finally finishing what she started in S2 of making the gays fall off cliffs.

villains are so fun. i love villains.

THE SOFT DAD SMILE IS BACK :D

ooh, nice callback.

this is an objectively funny screenshot. why does Alec yell like that

what a surprising outcome! (/s /lh)

:,) <3

i wish Aiden and James had more of an opportunity to talk during this episode :/ it's fine, though-- i think that James and Lake's characters were used more effectively this way.

they're getting back together after this trust me guys i'm disventure camp

YAYAYAYAYAYAYAYAYAYAYAYAYAYAYAYAYAYAYAYAYAY

they truly are family now. i love it.

"not that bad" is a weird way to describe your would-be crush.

this will be a fun scene! idk which episode "Saturday" will be, though. both because idk how many days will pass in any given episode and also bc i don't recall which day today is in canon.

i do wonder what evil Gabby is doing here. i guess maybe it'll just be the side of Gabby that wants to run with the villains alliance for power vs the side that wants to follow Ellie's advice? that seems kind of weird. maybe it'll be more like the side that wants to go mad with power on the revenge quest vs Gabby's more rational and strategic side? either way, strange cliffhanger.

can't we just have everyone here... always... all the time...? no? okay :( well, it was still really nice to get the whole gang back together for this episode. i'll look forward to seeing them again in the finale.

and, hey, Connor's back in the game now! and he can't be eliminated next episode, at least. are there going to be three players with immunity...? that could get spicy. we'll see how the heroes and villains smack down when the next real elimination rolls around. back up to ten to nine again... see you next time!

[soleminisanction]

The thing I keep coming back to, now that I've wrapped up the first part of "Batgirl, Repentant" and am starting to outline the second, is how much the book's hyper-focus on Steph hamstrings the story I think they're trying to tell.

I say I think because obviously I can't read the writers' minds so for all I know they taped the random lip service about hope and justice and fighting for the little guys onto the Stephanie-love-fest in a half-assed response to criticism, but I'm trying to give them the benefit of the doubt and believe that when the first arc ends with:

And that gets followed up two issues later with Steph telling Damian:

I want to take them at their word that that's what they're going for. But it's not the story they tell at all because, for all the lip service paid, there's not a single plot point that actually backs those themes up. Every single narrative element is instead 100% oriented around Stephanie, her feelings, her desires, and her ambitions, none of which involve helping or protecting other people.

Batgirl's first appearance in issue 1 isn't about bringing hope or protecting anybody, it's about, "Ooooh, who is this mysterious new Batgirl who's such a badass but looked down on by The Man for being a little chaotic? Ta-da, it's Stephanie Brown!!"

When she talks about promises being made to her mom (by which of course I mean lies, she's just lying to her mother) or the supposed "promise" she didn't actually make to Tim Drake, it's all framed as unreasonable expectations that other people are piling onto Steph's shoulders, without so much as a second thought for how the person she supposedly made these promises to might feel.

When Cass leaves her the Batgirl costume, it's not with requests to carry on the legacy or protect Gotham in her absence or even to look out for Barbara, it's all about Cass's relationship with Bruce (as though that was ever her motivation!) and then "Now the fight is yours, Stephanie" while she vanishes into the rain in her underwear. Like Batgirl is a toy she's letting Steph have her fair turn with now that she doesn't want to play anymore.

When Steph thinks about the symbolism of the Bat and of Batgirl, it's not about how it can be a symbol of hope and protection in the darkness of Gotham, it's about how it makes her feel powerful. Even when she worries about messing up it's framed as, "Nothing I do ever ends well" and "It's just a matter of time before I get caught," not concerns about the harm her previous attempts that "didn't end well" wound up doing to other people.

And despite the fact that there's a riot going on in the next few pages, she's not inspired to go out and help with that, but to assist a single dumbass cop who got in over his head.

And then again when Babs shows up to chew her out in the next issue, it's all about Steph and her safety. "You already died" this and "You have a death wish" that. Barbara Gordon, the original Batgirl, only gets to talk about the symbolism of Batgirl as it relates to Stephanie Brown -- "Wearing that Bat on your chest might scare off the smaller thugs, but you're literally asking, no, begging for attention from more dangerous criminals. You're a mark for anyone who wants to make theirs."

Again, even the fact that she fucked up in the past and hurt people is framed around Steph -- "The last time you tried being helpful, you accidentally brought Gotham to its knees." And while Steph pays lip service to "doing this instead of sleeping" because she "thinks it's right," she doesn't ever elaborate on what exactly is "the right thing" she thinks she's doing, and it's not like she's gone out to protect people. You can't even argue, like you maybe could with the street race, that she's doing a flashy display to show ordinary people there's someone on their side -- she's beating up random goons in an isolated chop-shop.

Then of course there's the fact that nothing about Scarecrow's whole Thrill plot makes any sense because he's not being written with any kind of coherent villain motivation, it's all just being done to set up moments for Steph. Why do some of his goons decide to spike the punch at a random college party and then run away at just the right moment to make themselves look as suspicious as possible? Because Stephanie's going to be there and they need to hook her into that plot.

And when Steph argues with Babs later about why they should work together to solve this case, does she express concern about her classmates or her university, or even point out that Barbara isn't working with an on-the-street agent like she has in the past and hey, maybe you'd be a little less stressed if you had someone to share the load?

Nope. It's just "I'm just as much a part of it now as you are!"

To say nothing of my eternal, teeth-grinding frustration over Barbara's characterization. "I'm only being so hard on her because I'm jealous that she's Batgirl and I'm not anymore." Fuck all the way off, Bryan Q. Miller.

This whole thing is so bad that when you get to the climax of this arc -- when they've tracked Scarecrow and his goons to their creepy hospital lair -- the stakes aren't that anyone is in danger, or that there's any chance that Scarecrow might be able to escape in the next five minutes before the police arrive. In fact, if Steph's actual motivation was to make sure Scarecrow saw justice, it would've been a better strategy for her to stay outside watching the exits so she could jump him if he tried to make a run for it.

But she doesn't do that. Because the actual stakes for the climax of the first arc are that if she doesn't swing in and beat the shit out of Scarecrow right the fuck now, the police will beat her to it and then Stephanie won't get the credit for saving the day.

They even try to clumsily raise the stakes by implying that Scarecrow works for Black Mask, a plot point that goes absolutely nowhere because -- whoopsie -- Black Mask is dead at this point and has been since before Steph came back to life. He only ever showed up again as a Black Lantern in Blackest Night, at which point Ivy fed him to a plant.

(They did not fix this in the trade paperback version BTW, I checked)

There's some effort to turn Steph's fight with Scarecrow into something more by having him spout some weird nonsense about how he's controlling people with drugs because, "Nobody truly has a choice little girl" while she represents free will fighting back against attempts to take it away, but that's seriously hamstrung by the fact that writing is all over the place.

Like, at the start of Steph's big dramatic speech, she's all but arguing against the concept of free will, echoing an earlier classroom discussion I've bitched about before, saying that people (by which of course she actually means herself) stay when things get tough "Because we don't know how to do anything else."

But on the very next page she poses the question again and answers it with... frankly complete nonsense.

Because the point isn't actually 'control vs. free will', the whole thing -- all of the forced, misunderstood philosophy that fills out this entire arc -- is actually just repeating the same question Babs was asking earlier, this time in metaphor -- why does Stephanie keep throwing herself into danger, why doesn't she just quit?

And her answers, apparently, are, "because this is who I want to be" and "because I don't know how do anything else." Neither of which spare even a passing thought for anyone but herself, which is kind of a problem if you're trying to present Batgirl's mission statement as bringing hope to the people around her.

Then there's the bit about "facing your worst self," which refers to slightly before this, when Scarecrow drugs Steph with Thrill (a move that makes no sense in-universe because again, Scarecrow is only here to set up set pieces for Stephanie and has zero internal logic of his own). What Steph sees during that sequence is her ex-boyfriend and previous identity tearing her down and telling her that she's not good enough to be a superhero, which implies that her 'worst self' is self-doubt, or possibly "letting other people make you doubt yourself." Again -- all about her, with other people framed as nothing but obstacles to her happiness.

And just to remind you-- she has no actual reason to be here. She's not "saving the city," the city is not under threat. She's not doing anything heroic by throwing herself into this fight. She's only doing this because she wanted the credit for saving the day. That's the only stake the story ever establishes.

It's like there's this standing assumption that she must obviously want to be superhero for selfless reasons, therefore they don't need to bring that up ever and can just focus on how much she wants to be one and how noble it is that she's willing to fight through pain and hardship to be one.

But that's just not how it works? Maybe if you were still writing for the Golden Age when the storytelling was simpler and characterization was optional, but not in 2009. Part of the purpose of a solo book's first arc is to establish/re-establish the core hero's motivation and, if it's changed, explain how and why.

Just as a contemporary example -- Red Robin sends Tim Drake off on what's literally a personal quest and spends its first arc establishing how he's darker and more alone than he's ever been before... but it still opens with him rescuing a kidnapping victim, reaffirming that, whatever he's going through and whatever he has to do to accomplish his goal, he's still, at heart, a hero who will put his own needs aside to protect an innocent. That's also the role that Tam Fox essentially plays in the second arc, giving him someone to protect even when he's isolated from the normal push and pull of the DCU.

Whether you're approaching Batgirl (2009) as a new reader who's never met Steph before in your life, or as someone who read her previous material, there is nothing in this first arc, or those that follow, that establishes her motivation beyond, "I want to be Batgirl and I won't let anyone tell me no." She'll occasionally say she's being selfless and heroic, but it's not backed up by her actions or her thoughts.

Perhaps the most blatant self-contained example of this "It's all about Stephanie and obviously she's a perfectly selfless hero so we don't need to bother establishing it," mindset comes in the denouncement of the first arc. They recreate the vow in the dark -- not the most iconic scene in Batman history but still one that's well-known, a moment that goes all the way back to the first appearance of Robin, when Dick and Bruce vowed an "undying oath" to fight together against crime and corruption and never to swerve from the path of righteousness, symbolically committing themselves to act as a light in the darkness and protectors of the innocent.

Batgirl (2009) recreates this scene... by having Barbara vow to support Stephanie Brown and only Stephanie Brown in everything that she does "for as long as she wants it" so she "won't go out alone" and end up in a chair like Babs did. Meanwhile, Steph's response boils down to, "Oh yeah totes me too," because, according to the book, she doesn't need to take an oath, it's just completely self-evident that she's already made her right choice and will obviously continue to do the same forever and ever, no doubt about it.

Two extra little details scattered throughout:

Through the entire series, Steph is constantly doing this obnoxious humble-brag thing of, "I'm Stephanie Brown, and I'm just a normal girl tee-hee" over images of her doing badass Batgirl things that are obviously supposed to be ironic, and she always uses her full name. The trade paperback version is literally called, "Batgirl: Stephanie Brown" because there's nothing else to say about this story. Tim Drake: Robin didn't use his full name this much and it was actually in the title.

And that's not even getting into how often they waste entire pages on splash images of just... Stephanie. Not Stephanie doing anything special, just, Stephanie, and we're supposed to be very awed and impressed by her because she's Stephanie Brown and she's Batgirl now wowie wow wow.

That one tiny little caption box in the upper-left corner of the last page of the storyline? That's literally the first and only time that the concept of "Batgirl makes sure everyone gets home to see tomorrow" is ever mentioned.

This his is all just the first storyline. This same pattern continues on into the rest of the book, only getting worse as they add in other Batfamily member guest-stars for Steph to show up and prove wrong, and stock civilians who do nothing but shower her with praise and adoration. The tiny little sprinkles they offer up of, "Oh yeah I'm doing this to bring hope to the people of Gotham!!" just don't compare to deluge of "Steph gets to be Batgirl because she wants to be Batgirl, that makes her the coolest motherfucker on the planet, and if you disagree you must be sexist."

---

TL;DR (and sorry this got so long) -- Bryan Q. Miller et. al seem to be either under the impression (or want to give the impression) that they're telling the story of Stephanie Brown, the plucky young girl who never gave up on her dream of being a superhero no matter the haters or setbacks she faced, and how seeing her succeed despite being so average and relatable inspires other average people to have hope and fight for a better tomorrow.

But the story they actually tell is of Stephanie Brown, a teenage girl utterly obsessed with becoming a superhero to the exclusion of all else, including her own well-being, future, and relationships with her friends and family, apparently just because she likes the way it makes her feel, has no self-control and can't imagine herself doing anything else, who is applauded and cheered for this by everyone she meets, save for a small handful of haters who are just there to be proven wrong, beaten up, or both.

The first could've been a good-ish story -- ish, because it doesn't actually engage with Steph's previous characterization, but that's a different post -- but it's just not the story they told.