#and i got to see ocean

[petrii-dish]

A piece of home

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.

[kurikorso]

nostalgia slapped me upside the head a little while ago so i had to draw my favorite dudes ft. the gecko effect

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[valgeristik]

revisiting the modern au now that ive gotten to know them better🫡

more info + some elaborations under the cut <3

Vetted Gaza Evacuation Fundraiser List

E-sims donation

^ this is from my very first post on the topic, and i still think most of this applies. maybe i went too far with the architect part tho but it was funny in the moment

But this is what i mean by calling him 'man with every job'. it was really funny to me how he does many errands for people all over the place in the games, and i want this to translate. hence, he's the guy who can fix your broken chair. and build a shed. and drive. etc. most useful neighbor to have

what field did he get a PhD in, u ask? entomology. he was like 'man, i wish i could get paid for lookign at bugs all day'. and well...

if u really think about it, ull see my vision

As for Zelda... I think she spent a lot of time being pressured by her father to get the best grades n nothing less, and then to get into a good college etc, leading to many nervous breakdowns and other. Issues.

By the time she's about 23 the relationship becomes less strained, there's less pressure from his side, and in any case it was fine, really, he just wanted a good future for her, really, so- Point is, she wants to keep a good relationship with her father despite All That. Link still fucking hates the guy tho If her dad is the only one getting burnt food at the new years party, it was an accident and no one can prove anything <3

and i think she'd be in the engineering field. it just. feels right i dont think theyre actually married. yet

[yeosin-n]

quick self insert doodle :,D

I’m back from work!!!! Got a tan from all the snorkeling I did hehe !!!

[legend-had-it]

4ever yearning for a fic where zoro and sanji are in-canon childhood friends and theyre like, exactly the same, but small

i want zoro to show up to the baratie [kuina and koushirou took him] and Instantly pick a fight with sanji, and this just Keeps on going forever.

and everything is the same but they pull up embarassing childhood memories whenever they start losing

[0xeyedaisy]

Some greens

[orykorioart]

Very excited for Ethersea Mermay stuff, so here’s a little WIP sneak peak + a silly sketch featuring a smol portable Zooxie.

[sci-bax]

Sebastian Solace sleeping peaceful in 4k hyper resolution oculus meta quest 2 quality

Drew him sleeping cause of this:

Same drawing but without the slight darker filter over it:

I wanna draw fish man angst

Also its 4am so im going to sleep goodnight, or goodmorning idk

[ormymarius]

Arthur meets Orm for the first time

Batman and the Justice League Manga Vol. 2

[ratatatastic]

the need to raise and kiss her is but a siren call they must fulfil at all costs

nothing like the smile of a man who just saw his name engraved for the first time

Benny Cup Day | 8.16.24 (x)

[57sfinest]

i wanted to look at the symbolism of the ocean in disco elysium because it features so prominently in the setting. insulinde being an isola comprised of islands, martinaise as a port town financially anchored by its ocean trade. the divisions brought by water that we see in the geography: how the canal separates the working district of martinaise from the even poorer, commerce-less village-- how the river esperance separates the worst ghettos of revachol and jamrock from the more rebuilt and financially stable districts-- how, for example, lilienne looks across the bay of revachol to the wealthy district of la delta, a poignant moment of separation between someone desperately poor and the towers of wealth built out of the ruins of revachol. we see water, and often the sea specifically, acting as a divider in various contexts. 

the ocean of time and distance that separates dora and harry, that separates klaasje from oranje:

then, further into the idea of the ocean as representative of time: in various contexts i see the ocean as representing the past. memory residing under the waves, and each of us living above water-- in the present-- but often still helpless to the tides when we’re not careful. to me this is cemented by the implication that the pale is commonly theorized as an *outer ocean* (juxtaposed with harry’s introspective skill, inland empire!!): the pale is the past, and if the pale is seen as an outer ocean, then right there is a tangible connection between the two. memory and the past as an ocean, dangerous if you don’t respect its power, but ultimately navigable. there is frequent reference made to the fact that the bombed ruins of martinaise are sinking or lost into the ocean, lost to the past, now only memory. 

and harry, who is living in the past and being consumed by nostalgia like a rot, drives his car into the ocean. harry’s badge, which is conflated with his identity in the aftermath of his amnesia, was underwater before he pulled it from the car: until he got it, his entire identity was lost with his memory in the past. klaasje’s documents, too, presumed lost to the ocean, a loss of who she was or claimed to be (until you meet the phasmid). lilienne’s husband was lost to the waves, and in the same lines she’ll dismiss your concerns-- he’s in the past now, she’s really not too upset. the cleaning lady, abandoned by the world, who has only her own memories for company in her sea-beaten room. in the context of ruby’s near-suicide in the shack, how inland specifies how the “waves had calmed” as she put the gun away: ruby distancing herself from the past that she thinks is chasing her to form a better plan. the working-class husband, who, had his corpse fallen through the boardwalk into the ocean, would have been lost to the past, living only in the memory of billie and their daughters.

for me, the final dream had some of the heaviest but most subtle inclusions of the ocean symbolism. it’s brought on by looking into the ocean around the seafort and takes place under the ocean somewhere. even before the dream, dora is alluded to in the context of the sea. she moved across the ocean and now, to him, she’s lost under it. she’s trapped in his memory.

where we see things half-submerged or partially oceanic, we see a bridge between the past and the present being represented. something partially lost to the past but still with a foot in the here and now. harry’s half-sunken car, in part a representation of his career: part of his past, yes, but still very much in his present. one of the primary spiritual practices we hear of is the volta do mar: originally a palefarer’s practice to keep them grounded in an onslaught by the past, and its meaning is *return from the sea*. when harry tries to turn back time, he wants to go back to a time when the sun had not yet sunk into the sea-- when the light in his life didn’t reside solely in the past.

also in this context, something that really struck me was how harry will sometimes think of himself in the context of the sea. first is the sea monster thought, brought about by the broken plaza: him as a creature submerged in the past, terrorizing the present. and seafaring brought up to represent a kind of compromise between living in the present and acknowledging the draw of nostalgia. even joyce in her limited knowledge of harry compares him to a “half-submerged ruin”. and when harry is prompted into introspection by the dros predicament, inland empire becomes the *inland sea*.

and i really want to make a final, individual point of this. the whirling-in-rags music is sea power’s song “fire escape in the sea”. there is an explicit reference made to the song by shivers as well, and i think the choice of this song is very intentional. the whirling-in-rags is where harry forgot his whole life, the whole world, and it’s where he wakes up and begins to piece it all back together. the whirling-in-rags is harry’s fire escape in the sea. his bridge between his past and his present, his last-ditch attempt at escape from the tortures of his subconscious. 

(this is by no means exhaustive, there are a lot of other moments where the sea comes in, but i included the moments that spoke to me most. you’re welcome to add your own!)

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[starpros-sunshine]

Eichi gives away the mask so easily because it was never meant to be an "engagement ring" like you delulu wataeis imagined it to be lmao. It was wataru saying that he will continue playing tsumugi clown role in fine and won't leave it for hokuto's mother troupe after graduation. Do you dumb fucks even read the stories? Eichi didn't even understand tf that mask meant when wataru gave it to him and wataru referenced fucking tsumugi in his "proporsal". I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" when the chapter it happened wasn't even close to the end of ep:link. Cope

PS: how do you live with the fact that Eichi clearly admitted to never being in love in his life and Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives?

I love you anon thank you for giving me a nice reason to ramble again beautiful ask 10/10 I'm sorry this is probably not how you hoped this would go but this is such a funny block of text delightful really thank you for the enrichment please marry me

But okay yes now to get down to the actual ask just to disclaim I am solely relying on translations seeing as I do not speak japanese well enough to understant the original text so if anyone has anything to add to this or to correct me on please feel free to do so.

Now to get started I'm not sure if one could say Eichi gave away the mask "So easily" seeing as he claimed that it was "a hard choice to make"? Which, as one might know, implies unease with an idea and pondering and debating and a general amount of thinking behind a decision so? I know this isn't really the main focus of this ask but I'm just a tad miffed with the semantics of it is all. And in either case giving the mask back to Wataru while expecting it back still shows a certain degree of trust in their relationship it wouldn't have been such a big deal for him (as it apparently was) if the mask didn't have a lot of sentimental value to him (the both of them really if we look at the whole exchange).

Now to the claim that the mask was "only" Watarus promise to stay with fine and "continue playing Tsumugis clown role". This is not entirely incorrect. Regarding the acting troupe and staying with fine bit at least.

I'm assuming this bit in EP:Link Deadend/7 is what you are referencing, and I see where you're coming from. But the bluebird line

from literally three dialogue lines further down, which references this line of dialogue (notorious Eichi line everyone should be familiar with)

kind of somewhat really recontextualises that? Because you see this is a reference to a fairytale about a pair of siblings and they get sent out by a nice fairy to find the bluebird of happiness for her sad daughter to make her happy again so they both go on an adventure and travel far and search and search but they can not find the bluebird of happiness and then when they return home again, disappointed because they couldn't find the blue bird, they realise only one night has actually passed and the journey was probably just a dream. But then their eyes fall upon their pet dove in it's cage which appears blue all of a sudden and so they gift it to the fairies sad daughter which becomes happy again and sets the bird free. The real bluebird of happiness is a dove. At least in the version of the story I'm familiar with but I mean everyone sees the symbolism right? It's. very hard to miss.

And then dropping this?

I'm not sure how to say this properly but in the overall context this makes it pretty clear that Tsumugi has nothing to do with this anymore this is Fully between Wataru and Eichi. And I am the last person to dismiss Tsumugis significance in the course of Wataeis relationship as characters I will be among the first to protest when someone dismisses the importance of Tsumugis and Eichis relationship in favour of some image they have of Wataei but he has nothing to do with this one.

Yes Tsumugi gets namedropped but - again - I don't really see how that would lessen the sentiment Wataru is triying to convey here? Because. Yes. Why wouldn't he mention Tsumugi?

The entire conversation pretty much boils down to "Yes I was initially only in this because I thought I could replace Tsumugis role in your life and then I wanted to leave but we have spent so much time together that I realised that that is definitely not working out because I really do love you. I love you as a teammate; I love you as a friend; I love you as a person and I am very angry at myself for not managing to get that into your head. So please allow me to stay with you for as long as you'll have me." And then also Eichi not understanding because he has the emotional self awareness of a very emotionally unaware loaf of bread and also because he hates himself that is a very big thing about his character huge part of his character arc actually that he. you know? Hates himself? And feels guitly for his actions during the war? And doesn't think he deserves love and companionship? Which is why Wataru wanting to stay with him for him and not for some twisted form of revenge is such an alien concept to him? Because he is projecting his insecurities onto Wataru? As one is wont to do when they hate themself? "EiChi Didn'T eVen UnDErStanD WhAt tf ThAT Mask MEAnt" Yeah. That's. That's the point? So he can think about it and come to that conclusion himself which works as a keymoment in his characters journey from hating life and himself to enjoying being alive and wanting to live on because of the people he's surrounded with? He literally explains why he didn't immediately understand the mask during the EP:Link Epilogue/4

And to get back to the "I dunno why the f you think it's ok to lie about "! EnDiNG wItH wAtAeI EnGaGeMEnT" about which I have two things to say:

"Lying" implies further intent and an effort. Neither of which exist in this case.

He literally went down on one knee while making a big proclamation of offering himself to Eichi with a very personal item that works as a symbol for their commitment to each other on a starlit rooftop. The comparison writes itself.

3. https://en.wikipedia.org/wiki/Joke

And then I expected there to be a proper reason given and instead you proceed to follow that up with "when the chapter it happened wasn't even close to the end of ep:link". I know the shame is on me for expecting something sensical from an ask which has been near constant in it's lack of correct statements but such is human nature I suppose. And you are not wrong. Deadend/7 isn't very close to the end of EP:Link. That is true.

But do you know what Is very close to the end of EP:Link? The Epilogue Chapters 3-5.

Do you know what the content of those chapters is? I do. Very well actually :)

(Eichi literally explains why he didn't get it)

So if this answers your "Do you dumb fucks even read the stories?" questions, Yes. And I think I'm a lot better at it than you. So I'd say I'm coping quite well over here :p

PS: Regarding your PS, I take the "I've never been in love before so I wouldn't know" comment with a lot of humour actually as an aroace person who's emotional self awareness also ends at "good" and "Not good" I think it's very funny all things considered especially because he mentioned the loving Wataru thing several times before that and I'm generally of the belief that actions speak louder than words and also am in a happy long term relationship with the concept of "Reading Subtext". So please excuse me for not breaking down in tears everytime someone reminds me of that one singuar line of text in one of my favourite all time enstars stories that came out three years ago which also brought us the single best card set in the entire game

as well as absolute banger dialogue such as

Among others <33

And there are soooooo many other examples of wataei dialogue that simply make me swoon but I have already had to take out so many of the one's I wish I could put here so this wouldn't get "Do you love the colour of the sky" long

And also, regarding your "Wataru said that even though Eichi likes him, he still can easily discard him for the sake of his objectives" I'll just say that no he absolutely could not. I mean he'd say that and if pull comes to shove and he has no other option then he might seriously consider it but may I mention that Wataru was gone for a few days at most but really not that long of a time during Sanctuary and Eichi stopped considering being a normal rational person that doesn't leave helpless 17 year olds in the midst of a construction site. Very different situation but I feel like it's worth mentioninh here. Another example is Eichis almost not being able to go through with the war because of Wataru. Wataru had to actively come and tell Eichi to go through with it. Wataru isn't the reason Eichi started the war, that is wrong, but he is the reason Eichi almost didn't finish it. and during the war era that was his Main objective. Again I'm part of the fraction "actions speak louder than words" Show don't tell and all that, but even the words are pushing it.

And that concludes my essay :)

[ethosiab]

A lizzie in the boat boys pirate au perhaps? :D

I was wondering if she has any role, would she also be a pirate? pirate lizzie would be cool haha

(Feel free to ignore i dont know how requests? work?)

Lizzie is actually the Ocean Queen in this AU! Smalletho aint a romantic ship for me, but Jizzie sure is so it's about the only canon romantic relationship (except for cleo and etho but theyre exes anyway lmao).

She's the only god so far in bbpau that's not just... some guy i made up, so she does make much more of a character appearance than the soul god (I have an idea for a plotline including her but we will see if I'm able to start on the comics soon or not). She and Joel are husband and wife (even though i have no idea how that legally works given Joel is a pirate and Lizzie is a goddess. It probably doesnt legally work! That's okay!), and they met when Lizzie was visiting a village he stopped in in her human form. Sometimes she used to join his crew in human form for periods of time before going back to her duties as a god.

They aren't able to see each other often, but Joel makes sure to stop by her territory and say hi, tell her of all the things he's been getting up to recently, all the adventures he's been on, and all that. She's the only person he's actually close to other than Jimmy, which is funny considering most people think Etho is the 'broody loner type' but actually up until dealing with the soul god Etho had friends. Joel.... not so much (3rd life Joel i love you and cherish you forever).