#and i get stressed when that happens

[crisismoth]

i feel physically ill from thinking about The Characters. i would say im going to step away and think about something else for my health but what else is there to think about but The Characters? everything can be related back to them.

[cj-the-random-artist]

Here's a Cult of the Lamb comic that I scripted on a whim and then spent. Actual time on.

I hope y'all like this cuz it was fun to make and. I spent actual time on it lmfao

(Also for the "brought Narinder back" line. I started a new save and I swear between my two saves he's died three times. This guy. Goodness gracious.)

[bunnieswithknives]

RAHHHh ok comics done I can post this now!!! He is having the worst possible time

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[haunted-xander]

Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.

Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.

And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.

And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.

So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.

I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).

And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.

I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.

[puppyeared]

my stardew farmer ^_^ he doesnt have a green thumb for shit so he keeps animals and does mining

some tidbits i came up with while playing hehe

reclusive and doesnt really go out of his way to talk or visit people unless its an errand. but he also doesnt try to befriend others to get something out of it, so he has a very easygoing approach to making friends. on good terms with linus and sebastian since he runs into them most often.

if he respects or takes a liking to someone, he'll greet them with miss/mister (name). if you get close to him he starts using first name basis. if he doesn't like you, he'll refer to you by your title without using your name. only a few people have caught on to this.

the farm he inherited, Milky Way Farm, was the site of a meteorite crash and sometimes you can find shards of meteor debris littered around the farm (i picked the hilltop farm bc of this lol)

lost his sweater and pants a long ass time ago and doesnt have the time to look for them, so hes been working in his sleep clothes ever since

isnt actually grandpa's real heir to the farm... ;)

[jq37]

Just to throw my two cents on the Rat Grinder discourse: They weren't worth the Intrepid Heroes' time. We didn't get the full picture of what's going on with the Grinders until the last quarter of the season. Before that they were just this other clique that hate the main characters, so in-character why would the Bad Kids bother giving them so much attention when they've got so much of their own crap going on. Kristens quest to get Cassandra back and her presidential campaign, Gorgugs courseload, Riz's million and one plates that he's been spinning all season, Adaines financial problems, Figs curse and her doubts about what she wants to do with her life. Fabian's the only one who might have had the time, but he had to be Maximum Legend. There genuinely was no time or even an incentive on the IH's side to develop the Rat Grinders characters.

I still think it's fucked up that these teenagers got taken advantage of by adults they trusted, but we didn't learn any of that until we only had two roleplay episodes left. Too little too late to even try anything diplomatic even if they didn't spend all their time after the Last Stand in hiding.

And a thing about Ivy that no one is roasting her about and really should: An elven archer? Really? Wow, never seen that before.

Yeah totally. Like, from a meta level, I see where the players themselves could have been more curious about the Rat Grinders. There are obvious plot threads that could have been teased out there (though, in fairness to the cast, the adult manipulation aspect didn't become clear until way later in the season--the rivalry and foil aspects were more obvious). This final confrontation could look really different if they'd played that all the way out all season.

But in character? The Bad Kids really didn't have a good reason to waste time on the Rat Grinders. They came into this school year already burnt out from their Night Yorb quest and wanting a break. But they don't get that because they immediately are beset by problems they have to deal with--Kristen's god is on death's door from neglect and she's on the brink of expulsion, Riz is running himself ragged trying to boost his resume for college, Fig is having a whole ass existential crisis, Adaine is struggling with money issues she doesn't want to talk about, Gorgug is taking FOUR YEARS of school at the same time, and Fabian is multiclassing and dealing with his empty house/not having parental support (or Cathilda's support) for the first time. They are dealing with SO MUCH high stakes, personal stuff before the plot even kicks in. And, mechanics-wise, this is represented with the downtime system that means that any time they spend on the RG's is time they can't spend on something that matters more to them. IMO, not prioritizing your haters is actually pretty mature. Like, they weren't proactively using their free time to bully them or anything (except for arguably Fig). They were snippy with them when they crossed their paths and that was it. As opposed to the Rat Grinders who literally had to be told by Jace to stop antagonizing the Bad Kids (though they must have been pretty ineffectual at it because the Bad Kids hardly noticed, which I bet stung considering they were so obsessed).

And also, it's not like they didn't try at all with the Rat Grinders. Early Insight checks on Kipperlilly just got, "This is a polished steel orb of a personality" which doesn't sound very worth interacting with in a sympathetic way if at all and then the next big thing they learn is that she had hated Riz since Freshman Year and that she wants Riz and Kristen dead. And that's AFTER we saw her smile and kill her party cleric. In their position I'm not spending further time trying to empathize with this person, I have made my judgement and it's up to the Jawbones of the world to find if there's something in there to be rehabilitated.

And that's not the only case. Adaine straight up saved Ruben from disintegration during the Frosty Folk battle when she easily could have saved the spell slot, but that didn't soften him towards the Bad Kids any. Adaine also was really keen to Scry on the Rat Grinders to find out what was happening at their meetings. But, in scene at least, she was never able to do that so we never got a scene of them, huddled together, clearly unsure about the path they're on but not feeling like they can walk it back or say no to the authority figures in their lives. She didn't get anything humanizing that would cause her to rethink their position on them the way that she did with Aelwyn for instance. So why would they think they're anything but gleeful co-conspirators?

Hell, the one RG Adaine was even slightly curious about was Oisin and now we know that he was feigning interest in her which, man, can you imagine how much worse that would have felt if she'd actually taken the bait and pursued him beyond just thinking he was cute? Of course, it's possible that her interacting with him more along with some good charm rolls could have changed the narrative in some way but we can only go off of what we know to be true in canon and those facts are (1) He tried to get closer to Adaine while actively planning the downfall of her and her friends, (2) he (along with Ivy) was mean to Buddy behind his back while tricking him into a plan that would force him to go against his religious beliefs, and (3) he called his KVX related dragon ancestors to try to kill the Bad Kids and endanger the entire student body population. Three strikes, you're out. If I'm a Bad Kid I'm not super interested in whatever else is going on with him. And again, literally all of Adaine's friends (except Riz) gave her help to do an Insight check on him during their confrontation in the hallway so she was looking for something there worth engaging with, but she didn't get much.

Fig was fully doing CIA, MKUltra, Fantasy Geneva Convention violations on Ruben to try see if she could get information or flip him. I think she did it in an objectively insane way so I'm not entirely shocked that it didn't yield the exact results she was looking for. But she never found the smoking gun (or whatever the opposite of that is) in his head that would absolve him/show the Rat Grinders were being controlled and her messing with his dreams never flared his conscience enough to make him try to break free (as far as we know) which is what I assume she was going for. If I was Ruben looking for a way out but scared of the repercussions, I might go to Adaine who saved me from certain death earlier the same year and has helped saved the world 3 times with her party and their friends in high (and low) places. Maybe that's what Fig thought might happen but it didn't so from Fig's POV? Gave him a chance. Time to start blasting. And again, at that age, if I walked in to the first day of class and the first thing this random boy does is sneer at me and flaunt his musical success, I'm popping up on his Nemesis Alert at that moment. Doubly so after he tries to trick me and my friends into doing drugs so we get expelled. I'm surprised she tried at all with him.

Fabian absolutely tried to interact with Ivy--in large part for self interested reasons of course, but that doesn't change that he did it. And she came across as callous and unkind from the jump. Their final conversation before the latest episode is the one where she talks about wearing Mazey like a sweater and then says that Fabian missed his chance with her before stalking off. That's a pretty open and shut interaction. No way 17 year old me is like, "Hmm, but why is she acting so mean? Perhaps I should examine that more closely to further understand her." Nah, I've decided she sucks.

And Kristen has tried with Buddy literally up until the last moment. She rolled an Insight check on him right before the fight started and she got a 1. She got nothing from him.

Mary Ann is actually the only Rat Grinder who hasn't done anything to make a bad impression on the Bad Kids--the only thing she did was have a really good Bloodrush tryout. So no reason to hate her specifically (and, in fact, she is also the only Rat Grinder that at least half of them are positively obsessed with), but no reason to explore her further. And Kristen still tried giving her a stuffed animal and her response was that she already had that one and that she was going to give it away. What are they supposed to do with that?

Even when they tried, they didn't get information that was worth chasing when they were so busy and had to manage their free time. Gorgug didn't even slot in downtime to talk to his bio parents when they visited. Why would he spend any time on Mary Ann to figure out her deal? Maybe if they were given more explicit opportunities to interact with them in passing. If Mary Ann was shown at Bloodrush Games. If during class time Oisin tried to interact with Adaine. If Kristen ran into Buddy and Bucky talking. If any of their forays into talking to them or looking into them yielded anything actionable or that piqued their interest--they opened the door for Brennan to give them something more than once. But they never got anything that was worth investing more of their limited time into.

(And also, they didn't learn that Porter was involved until WAY into the last quarter of the episodes. Which absolutely could have changed things since, as far as they knew the RG's were working alone to raise this god which isn't crazy for them to think because Kristen literally did that last year and it was of her own free will. If they knew early that the RG's were smaller players in Porter's plot then maybe they would have been in more of a rescue mindset--especially since Fig has always mistrusted him--but that's not information they had and by the time they got it, the RG's were in deep hiding, like you said.)

And so, coming into the last few episodes, that's who the Rat Grinders are to the Bad Kids. A group of kids who they first heard about in the context of, "they famously hate you," even though they'd never interacted before. A group of kids who they already thought sucked even before they tried to kill the entire study body an hour ago. A group of kids who are trying to doom all of Elmville to eternal rage and who are willing and ready to kill them to do it.

With that context, yeah I think their actions are pretty understandable.

(Also, lmao. Yeah, I think calling Ivy basic would probably hurt her more than most things you could say to her.)

[separatist-apologist]

Feyre: Rhysand is my mate and I'm telling you this to your face.

Also Feyre: If you try and break my mating bond, I'm going to ruin your life.

Also Feyre: If you drag me back to Spring against my will, I'll destroy everything you love.

Tamlin: Break her mating bond so I can drag her back to Spring and we can start over.

Also Tamlin: I can't believe you destroyed everything I love and ruined my life!

[princealberich]

the "empath" shit really did a disservice to autistic & adhd people who suffer from hyper-empathy

[aka-indulgence]

[stress]

[somegrumpynerd]

Killer goes stage 3 when Nightmare isn't around, so the boys have to contain and calm him down themselves. Luckily they know what they're doing and make a good team, so nobody gets hurt.

And, because I can't make anything serious, bonus from the next day:

[mellosdrawings]

How do you do hands so well!?💀

I cheat lol

Ok, so that's a half truth half lie. Here's a few tuto, one about hand composition, one to teach you how to make a hand from scratch, and one to tell you that sometimes, in art, you gotta simplify your life.

First, hand composition:

Red: palm shape and fingers size

From above, the palm will look like a pentagon, a bit wider towards the fingers, with the middle finger being the peak higher than the others. You can replicate that little knuckles hill at the end of the fingers. Fingers' size depends wildly on the person, some have palms longer than their fingers, others have fingers longer than their palms. For a base ref, make palm and fingers as long as each other and move the fingers' length from there.

From the side, the palm will look like a trapeze, base wider than the top.

From the front, the palm will never be completely flat! At rest, it will curve inward slightly. Draw a lump for the general shape.

Orange: fingers

From above, fingers tend to fan out at rest.

From the side, keep following the line of the top part of your hand. The inner side of the fingers will be straighter though. Fingers are composed of three mostly equal parts (the last one might be shorter depending on the person).

Blue: thumb

People tend to forget the thumb is surprisingly mobile! Unlike fingers that can only close and spread, thumbs can move forward and backward, up and down, and make actual rotations!

The base of the thumb will take at least half of the palm's side, but extra skin to allow movement will make it look like it take more space. Just like other fingers, it's actually composed of three parts. The thumb will usually be just a tad longer than the base knuckles of the other fingers (but as said before, fingers size change depending on the person).

Brown: knuckles and wrist

For the knuckles, you can make little elongated pyramids at the top of your palm shape. They will always follow the line of the fingers.

The inner part of the wrist will be mostly straight or curved inward, but the outer side should have a bump due to the ulna bone. Sometimes I place it as a hill, sometimes as a circle.

Second, the messy tuto:

1. Movement

First you should always draw a shitty shape indicating the general position and movements of your hand. Don't bother with proportions or details, you just wanna be able to tell what you want your hand to be doing.

2. Palm shape

Start by detailing your palm. Try to highlight where the fingers and the wrist will be. Refer to the hand composition above for the general shape.

3. Fingers implantation

Separate the top of your hand in four mostly equal circles for the base of your fingers, and the side of your palm in a roughly rounded triangle for your thumb. Once more, refer to the hand composition above.

4. Fingers

Place the three parts of all your fingers more or less following the initial shape/movement you wanted to go for. Fingers should be roughly the same size as your palm, but you can vary the length as no two people have the same hands.

5. General shape

Once you have placed all your finger parts, you will be able to draw them and connect them to your palm. Don't hesitate to start making adjustments starting from this step.

6. Details

Nails are, just like fingers, very different depending on the person. Globally you can put either an oval or a rounded rectangle on top of your fingers. You can make them longer after the finger for effeminate or well kept nails.

Add pyramids at the base of your fingers to place your knuckles and a circle or a pyramid on the outer side of your wrist to place your ulna bone.

7. Finish

Add details, adjust sizes, remove extra lines, and you have a hand.

Ok. Now, that technique I just showed you? Don't use it. No, I'm serious. Don't use it for hands that are part of the main focus. Do it for background characters or doodles or training or comics panels where hands aren't that important.

For illustration and panels with a focus on your character's hands, use the following technique instead.

Third, how to make your life easier as an illustrator:

1. Reference

Yes. That's how you make good hands. You take a pic of your own hand doing the pose you want to use as reference.

2. Palm

Just as the tuto explained before, you start by finding the shape of your palm on the pic and try to replicate it. It might be a bit difficult at first to copy proportions properly, but doing it again and again will make it easier in time. (Also refer to the last part of this post*)

3. Thumb

Usually I'd go for the fingers first, but since the thumb is on the foreground I started with it here. First the implantation with the palm, then the two last parts. (As you can see I have tiny potato hands so I tend to artificially elongate the fingers compared to my reference to have prettier hands).

4. Fingers

Find the general movement of your fingers. Straight lines for fingers in tension and connected cylinders for fingers flexing.

5. Once you are able to place the general shapes, you will have an easier time copying your own hand. Doing it without the previous steps is feasible when you are used to copying, but if you are new to this I would suggest deconstructing your hand to train your brain into remembering every detail.

6. Corrections, details, add a little movement if you are into dynamic-art, keep it realistic if you are into realism.

You now have a pretty hand.

Remember : You can (and you should) use references! Normal humans aren't made to remember every single details about everything, especially when those things are as complex as hands (or Gods forbid it buildings and cars and whatever else).

If you struggle with drawing hands, take a pic of your own hand to help. Try to find the big shapes composing your own hand so it'll be easier to yolo another time.

References are your friends! Don't think you're any less of an artist because you need to have your own shoe on your drawing table so you can draw your character's feet!

(*For new artists : TRACE! I'm sure you've heard everywhere that tracing is diabolical and you should never do it. It's FALSE. Tracing helps with your hand-eye coordination. 80% of art is reflex! I no longer need to think about all these steps because I have been drawing for more than 15 years. I started by tracing Winx Club stickers I had one my windows! It helped me have a sense of movements, proportions, and fluid lines.

What you shouldn't do with tracing is post it as your own art! You are free to trace as training, but you should never claim it is your own art.

Other than that, please, trace. Trace your own hands pic to get used to the shape. Trace your favorite artists to understand what you like in their lines or proportions. Trace that damn building because you don't have time to create a whole background from scratch for your webcomic.)

Art is cheating. Always. Don't feel bad for making your life easier.

[slightly-depressed-sloth]

Breakfast burgers!

(As always click for better quality)

I’d like to think that Damian is visiting after his Robin shift and they’re getting in some supersons hang out time before school

My emergency commissions are still open with everything 10% off the final price!

Version without lighting effects (+coloured lines) and zoomed in version under cut;

[renanr3nan]

1 or 2? 👹or👼🏻?

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[ninyard]

hello I would like the kevallison smut ?? Please

The promised kevallison headcanons (aka how the two of them figure out what the other person is into + how they might go about doing it)

When they start hooking up it’s all pretty standard stuff. Allison gets him off after a game. Kevin eats her out if there’s ten minutes free in between classes and an empty dorm room. They’re a booty call before, during or after a night out, or a no-strings-attached way to get some frustration off their chest. Their friends-with-benefits situation is more often than not just a quick fuck when they’re bored. But it's kind of just… that? It's just fucking. It's a handful of different positions, in a handful of different places, but nothing more than fucking, finishing, and leaving. They don’t feel a need to bring it any further though, in some ways hesitant that the other will catch feelings if it gets too intimate. But from the get-go their agreement is clear - if either starts to get attached, or jealous, or even thinks that it might be worth pursuing, they stop. It doesn’t happen, of course, but in the beginning they really try to err on the side of caution until they know that for certain.

There’s one of two ways that their casual hook ups becomes more... interesting every now and again: one) accidentally. two) intentionally.

If it is accidental, I think they stumble upon the other’s kinks by the Grace of God. It's a quick fuck that turns into something more because one of them picks up on how the other's demeanor changes and they realise oh. oh. That did something for them. The moment when it happens is so intoxicating and sexually charged; So intense at the realisation of how turned on the other person is, that they’re just waiting for someone in the dorm room over, or outside the bathroom at a party, or in the almost-empty parking lot to ask did anyone hear Allison and Kevin fucking last night? For either of them, single and used to quick fucks with strangers that don't mean anything nor have the longevity for experimenting with, getting to dip into their fantasies is unparalleled pleasure.

If it’s accidental, it’s a pleasant surprise for them both, and Kevin and Allison have that in common - they are both incredibly, heavily turned on by their fuck-buddies feeling satisfied. It happens, where sometimes Kevin just wants to be blown without returning the gesture, or where Allison wants to come without having to put in the effort it takes to give back. More often than not, though, whether it be with each other or with other people, they're most satisfied when the other person is satisfied, too. So when the topic of kinks and turn ons is broached, or accidentally revealed, it doesn't matter that it's Kevin, or that it's Allison. When they've been fucking for long enough that they find themselves discovering these things, they're comfortable enough with each other to not feel embarrassed about what happens when they have sex. If it makes her wet, and it keeps him hard, then it doesn't matter. They don't talk about their sex lives outside of when or where it happens - a kink or two isn't going to change that.

For Kevin, sweet submissive baby boy who just lives to be praised - oh, when Allison finds out, it opens this door for changing their dynamics that she hadn't even realised existed. Kevin gets so turned on that he practically melts, and Allison eats it up like it's the hottest thing she's ever laid eyes on.

They've found themselves standing up against a wall in a bathroom at a party somewhere, too many suggestive looks across the room leading to a desperately desired handjob or two, and Kevin is fumbling with the buckle of his belt. He struggles with it for a second, before pulling the black leather out from it's square frame and Allison offhandedly says good job with a laugh as she trails kisses up his neck and her fingers down his stomach. She feels his reaction to her words before she notices how his eyes glaze over with the thoughts in his head; how he stills at her words, how he's yearning through his sigh when she follows with a knowing whisper of oh, you want me to tell you how good you're being?

Him in her hand, the long acrylic nails of her free hand dragging lines down his neck, Allison feels how needy he is and softly purrs in his ear to tell her how much he wants it. It's not lost on him how she plays with him like putty between her tender fingers, but still he looks into her eyes with his eyebrows knitted into each other, too close to argue; The please that escapes his lips trapped in between a gasp and a moan is rebutted with her sultry say it again. I want to hear that pretty voice beg. It takes the stalling of the rhythm in her working hand before he finds the ability to whimper out his desperate please, please, please. She's using her free hand to hold his face still, their eyes locked together, while he can barely keep himself in one piece. Her thumb is soft over his lips, brushing over little gasps and short breaths, holding him while she whispers a question and he falls apart in her hands.

If Kevin loves to be topped by strong women, Allison loves to hear a man moan. And she’s never heard him like this before, his lips drawn apart just inches from hers, one hand steadying himself against the wall and the other tugging and pawing at the skin of the small of her back. She doesn't let him look away as she guides him to climax with her soft words of gentle praise. How pretty he looks when he's trying his hardest to be quiet, how well he's doing at keeping himself composed.

Allsion doesn't care that she's accidentally unlocked this submissive side of Kevin; firstly, he's hot as hell when he's this desperate, and it's not as if she's going to be leaving that bathroom and calling him a good boy on the court, because that's not how this works. She's fucked him angry and she's fucked him needy - the passion of fulfilled fantasy only working on a different level to anything else.

(When he's caught his breath and started to clean himself up, she washes her hands and admires her work; his rosy cheeks burning up as she watches him in the mirror. She pushes herself up onto the vanity, and when he can finally bare to look at her again, she says I'm proud of you with a playful smile. Kevin covers his face to laugh in semi-embarrassment, his head shaking as he finds himself in between her legs. They don't talk about it too much before he returns the favour.)

Then there's, Allison, sweet Allison, who's interests work in harmony like a perfect composed song. We knows she loves to hear the men she sleeps with, but there's two things that really get her going that more often than not go hand in hand - rough sex, and loud sex. Living in dorms, it's hard to indulge, especially the second, but usually she'll just pull him close, with his lips to her ear or hers to his. Allison gets off on hearing the person she's fucking, and Kevin is not an exception to that.

They've somehow had a stroke of luck - an empty house in Columbia and some time to kill. Kevin is on the edge of the bed, and Allison is facing Kevin while sitting on his lap, her knees resting on either side of him, in a skirt that is already so short that it's barely even there. They're making out, and Kevin isn't really thinking, but he slaps her ass - something he'd done once or twice before, but never that hard, never that loud. Allison sits back, hands on his shoulders with her mouth open wide. She doesn't get the chance to finish her questioning what are you doing? Before his mischievous smile curls around, what, this? as he laughs and does it again. When she stands up off of him in a half-protest, shaking her finger at how close he was getting to really getting her going, he follows her up. He stands in front of her with feigned apologies for his boldness. She leans into his kiss, with arms wrapped tight around her waist, but instead of pouting his lips, he picks her up and throws her back onto the bed while she scream-laughs.

Body over body, on top of her then, a hand finds it's way in between strands of shiny blonde. A hand that she takes into hers, guiding his fist to grasp a handful of her hair. When he doesn't hold it hard enough she tugs it gently, keeping his fist closed with her hand around it. Looking down at her, he purses his lips with an oh that pauses his other hand while it pushes up her skirt to touch her over her panties. Reading him while waiting for the laugh that never comes is agonisingly long, as she braces herself for the mortifying conversation that he was not going to be entertaining it. Instead he waits for her hand to trail away before pulling her head, hard, back into the bed. And when she shuts her eyes and parts her lips in pleasure, he is quick to bring his hand up to her chin, tilting her head back. The two smallest of his fingers fingers tuck themselves neatly behind her ear, the other two tight between her jawline and her cheekbone. The ball of his thumb is resting on her chin. She doesn't stop him when his thumb trails down from her cupid's bow and into her mouth. She doesn't stop him when he takes it out hold it around her throat, either. Kevin is careful to scatter wet bruises down her chest where they won't be seen. When he's standing back to take off his pants and she’s lifting her top over her head, he asks, you want it hard? and she responds do you even fucking have to ask?

Her skirt is up over her hips and her thong down her thighs. He’s on his knees with her legs over his thighs, maybe he’s pinning her hands down above her head with one big hand over her little wrists. Headboard banging, unrestrained volume, handprints on ass cheeks and scratches across spines. Allison gets sex-drunk when he manhandles her. It’s sloppy, it’s messy, it’s loud, it’s so hot that it’s on fire. It’s eye-rolling, being in a daze afterwards type of fucking. It’s mascara running down cheeks, how the fuck am I supposed to look anyone in the eye after having that done to me type of fucking. It’s needing to have a shower immediately afterwards type of sweaty, messy fucking.

(It’s probably one of the only times they almost/kind of get caught. Not because of the noise, or the sex itself but because of the aftermath. Andrew and Neil clock INSTANTLY the missing and changed details when they regroup - how Kevin’s hair is freshly washed, how Allison has taken her heavy makeup off leaving only a fresh coat of mascara and some lipgloss remaining. How they can barely look at each other in case it reminds them of what has just happened. Their puffy lips, their general daze. Yeah, they fly a little too close to the sun that time - not enough time afterwards to recuperate from an absolutely dirty, filthy, fucking.)

If it's an intentional thing, a discussion about what they're into, and they know before getting into it/it's a conscious choice/it's intentional/some sort of discussion/WHATEVER? There's a few ways I could potentially see it possibly coming up.

A game of Never Have I Ever or some other drinking game with the group and the discussions of kinks come up; Kevin drinks when somebody mentions a praise kink, or being dominated. Allison drinks when somebody mentions liking it rough. Their looks to each other are quick but knowing, Kevin's raised eyebrows when Allison drinks to say she doesn't mind being degraded, the flick of her eyes when he drinks to say he doesn't mind begging for it.

They don't hang around after hooking up, usually. Clean up, get dressed, and leave. That's the routine. But they're talking afterwards for a little while, and the subject of fantasies comes up, and while shes fixing her makeup and tying up her hair she asks him what's the one thing he'd go crazy for. he considers it for a little bit but then gets embarrassed because it's a way harder thing to talk about when you're not actively turned on or drunk. They offer each other tiny pieces as they joke about it, starting tame before they eventually just say it out straight. (she calls him princess when she's leaving and he calls her a slut before she shuts the door.)

They ask each other outright. Kinda similar to accidentally figuring it out but they ask each other for it instead of the other person just doing something and stumbling upon it. Maybe Kevin asks her to tell him how good he feels and she asks why, are you into that? and they like. talk through it . Do you like it when I ask you this? Can I call you this? Do you like it when I tell you you're doing such a good job? Talking through sex can be so hot and even hearing the questions out loud sets the imagination off on a fucking marathon. Maybe Allison asks can you choke me? and he asks her how she likes it before agreeing. Do you like it when I hold you like this? Do you want me to spit in your mouth? Do you want to shut the fuck up and listen to what you do to me? It's a much more thorough discussion than them simply going oh, i think the other person has [blank] kink, so i'm just gonna go ahead and do that. It's a request, instead. Both of them knowing what they want and knowing how to ask for it? Yeaaaahhhh