#and i dont think it chose me

[gammasquad]

I’ve been thinking a lot about pregnant Dick Grayson in the past 24 hours.

[jonsnowunemploymentera]

Rhaegar Targaryen is easily one of GRRM’s best deconstructions of the genre and we don’t talk about it enough. He’s prince living in a world full of magic and wonder that has dwindled over time. His own family had a great monopoly on one of the most magical phenomena (dragons) to ever exist, but they lost this control over time and it was due to their own faults. But there’s an all encompassing hope that this magic, these dragons, will come back. They all live within the promise that it will all be back and with a huge bang. It’s all so romantic. Magical forces of ice and fire battling it out in a song.

Then there’s Rhaegar, a prince born for the sole purpose of being this song’s romantic hero. He already has his destiny mapped out and it will be a great one, greater than any other man who ever lived. It’s a song of ice and fire, and Rhaegar is its bard. You’d expect this to give him joy. Yet by all accounts, he was depressed as fuck. I think he’s unfairly earned the reputation of having an ego so big to think that he will be the hero….but that’s quite literally the point of his existence. He was born to be the hero. He paid the price at birth to be the hero. How can he revel and glory in this destiny when he has no say in it?

So it’s genuinely funny that when given the chance, Rhaegar immediately pivots to someone else taking on this burden. But how tragic for him that he cannot escape it too far. Because it will be none other than his own son who, under a “bleeding star”, is marked at conception for this great destiny without a say. More than his ego, Rhaegar is marked by the inability to escape this duty. His whole life is dedicated to fulfilling a duty he can never escape. He isn’t just a future king, prophecy dictates that the world’s survival is placed squarely on his shoulders. Even when he isn’t the hero, he’s now responsible for raising him…

…but then he makes one decision and it all comes crumbling like a pack of biscuits. He escapes this burden…but dies. And his successor dies too. And now the ones who will inherit his legacy are two people who never knew him. They never knew of his burdens, of this prophecy. But they too cannot escape its jaws. I think this does bring up some interesting questions about the nature of fate and destiny in the world of ice and fire. Can you really escape it? Rhaegar tried to, and paid the price for his defiance, but he never truly made it out because the burden instead jumped to the son (and sister) he never knew. Funny thing is that in a bizarre (and tragic, in its own way) twist of fate, this son was brought up entirely without the trappings of power that depressed Rhaegar. Rhaegar was a dazzling prince, Jon is a bastard. Rhaegar was marked by his great inheritance, Jon is marked by the lack thereof. Does fate say “well the first one got too depressed by having too much so let’s give the next one nothing?” Even Dany, who grows up a princess does not have the privileges that Rhaegar did. So how does upbringing craft a hero and the choices they make? Welll, GRRM had given us two versions of Rhaegar’s tragedy in Jon and Dany for us to see.

Rhaegar’s impact on the meta-narrative is honestly so massive. Like I’d put him right up there with Quentyn, Sansa, and Bran as one of the best genre deconstructions in the series and no one can tell me otherwise.

[i-wanna-be-a-cowboybaby]

imagine you settle down with this random dude who has a weird satan tattoo and is scary good with firearms and you guys have kids together and love each other and get to grow old together and then you die first and you're waiting up in heaven for your husband to meet you but he never does and then you eventually find out its because he actually went to his brother's heaven for the rest of eternity to bicker with him and drive around the place in their old ass impala that has zero suspension

[bluebugjay]

It's almost like Edwin and Charles are each others unfinished business. They cant move on without the other but they also can't move on together (different afterlife placements) so they're stuck where they are, but it's the best place for them to be. They chose each other and now fate has had to mold itself around that, they've created their own personal, perfect afterlife. A heaven on earth.

[astralzeraphias]

“he was mentally ill. this monster was a- was a sick fantasy. a product of his dementia.”

“…i saw it too. does that make me disturbed? demented? does… that make me sick too?”

[cheekinpermission]

Omg guys help i fell down the aceyuu rabbit hole and i can't find my way out the fanart is fanarting

[pinazee]

Small headcanon that max actually never knew who the mascot was and would talk to zeke about his hopes and deepest fears, and richie just sort of awkwardly comforted him and nodded along hoping max never found out who he was, and in a way, zeke was actually maxs closest friend.

[athenasplan]

"You don't have to call me that" destroyed me.

I will try to put into words why in the next days, but for now I will just try not to break down crying everytime it crosses my mind again.

[technicalthinker]

inspired by this post and others that have pointed similiar things out: the thing about sang-woo hunting the narrative in squid game season 2 is that he does it in two different ways

like first of all: gi-hun takes on the role of sang-woo. he does things that sang-woo did. he brings up the voting, informs about the red light/green light situation, but he also just acts more like him. gi-hun is more subdued than ever, and plays his cards closer to his chest. when his cheery friend from the outside world runs up to him he is not like himself. the friend notices but sticks to his side anyways. towards the end of the season, he gets into the "we need to make sacrifices" mindset. they need to win the game no matter the cost, the idea of winning is just different.

but also: in-ho takes on the role of young-il, who is not only similiar to sang-woo, but he's also sort of who gi-hun wished sang-woo was. intentionally or not. like they're similiar: collected, steady and focused. sort of the same hair and physicality. but young-il is also easier than sang-woo. he opens up about his situation unprompted. he'll apologize for stepping out of line. he states clearly how much he trusts gi-hun. he is the one who initiates teaming up. he asks for gi-huns opinions and plans. when young-il suggests something he checks if it's alright with gi-hun. he risks his life for others, especially the ones considered weak. young-il shares a lot of traits with sang-woo, but ultimately is not burdened or guarded in the same way. so young-il is both a stranger and something familiar to gi-hun. but also young-il is not real. not in the perfect way in-ho tries to present him. beneath it all there is that flawed and cold complicated person. gi-hun hasn't discovered that person yet, like he once discovered that side of sang-woo.

but sang-woo is still dead. he's haunting it in two different ways but also kind of a third one, which is arguably a combination of the two: he's simply a dead man and gi-hun wishes he lived. gi-hun has nightmares about his decapitated head. he looks after sang-woos mother. his money might as well be covered in sang-woo's blood. gi-hun looked up to him and admired him (feeling like he never could be as good as him, but maybe hoped). sang-woo failed and betrayed him, but was still redeemable (there was a good well-meaning person underneath but it was ripped away from him by circumstance). sang-woo was real but now he haunts the narrative and haunts gi-hun and haunts us all. but he's still dead.

[unriding]

a … a gift from the talented @kruinka 🥹 thank you so much!! ദ്ദി ༎ຶ‿༎ຶ)

[somedecrepitcryptid]

TRANSFORMERS?????? HELLO???????

[crow-quet]

the preview made me want to draw moonpaw!! and her twin of course. :3

also wanted to explore both the individual designs esp since the twin gets her own

[g0nta-g0kuhara]

The tragedy of Kokichi to me is that he really Didn't have to do all that. There's endless discourse about ch4 and if what Kokichi did was justified. And a lot of people argue that Kokichi had to sacrifice Miu and Gonta, mainly for his life, and partly for his plan. But the reality is he didn't have to do that- but not in an immediate sense. His cold attitude and lack of belief in others pushed him into a corner where his long-game Plan to End The Killing Game was his best course of action. So in the end, no, he didn't need to do all that, but it's not as easy as stopping at ch4. The cause of his actions runs much deeper than the surface level motivations of that case.

[muchmossymess]

Why is everyone here so obsessed with sex and romance why can't you appreciate the comedic genius of "rivals who fight about parenting to rile the other up to begrudging coparents who bicker like a divorced couple to actually maybe tolerating the other and the insults are now less spiteful and biting to hells first qpr (queerplatonic rivalry) to hells first qpr (queerplatonic relationship)"

[sidesteppostinghours]

ok. question.

ortega ended up hallucinating sidestep after they "died", but sidestep doesnt know about that. they know it got bad, but never the full extent of how their death affected them. so if your sidestep Did learn, if they found out ortega looked for them in every little piece they could, would that change anything for your sidesteps? would their relationship with ortega be any different?

[basofy]

i think you can be as critical about the venezuelan opposition and maría corina and edmundo as you want but arent venezuelans allowed to choose for themselves even if the options arent perfect? are you willing to justify electoral fraud and police brutality, class inequality, bad management of resources, lack of maintenance of the country, breach of the law, lack of investment in health services and education etc etc just because the person doing it is someone you like or because you don't like the other option? are people at fault for wanting something different?