#and i barely have a plot idea

[teknikolor-walters]

OH YEAH I HAD THIS BLOG IDEA THATS BEEN SPINNING IN MY BRAIN ALL DAY BUT IDK IF I HAVE THE SKILLS NECESSARY TO PULL IT OFF

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”

[ecstarry]

listen but rival teachers jeggy where they are both competing for like a very lame prize at the end of the year that the school gives out and they just really dislike each other and how they are as teachers but they keep getting forced into situations where they have to get along like chaperoning a dance or going as the two teachers for a field trip and they kinda start understanding each other better but also they both really want that lame prize so they don't want to care for the other and ugh just absolute two idiots slowly falling in love

[buddiedaydreamer911]

am i the only one who doesn’t like the eddie x priest trend going around???

i fully believe that would just ruin the buck/eddie situation. like, yeah i understand that buck dated tommy first so it’s only fair that eddie gets to date someone else too.

but on a real note- it’s always been understood (at least on my tumblr feed) that this is how the buddie dynamic works.

buck needs to realize his sexuality before he realizes he’s in love with eddie. eddie needs to realize he’s in love with buck before he can realize his sexuality.

if eddie learns he’s not straight because of a crush/date/hookup with the priest- then we’re just in a never ending loop of “these two idiots” just constantly missing each other.

[twentydollarsandanicecreamtruck]

SONIC X deadpool au Idea

sonic is deadpool and shadow is wolverine (obviously)

and it took a LOT of thinking BUT

tails is vanessa but its a BROTHERLY relationship instead of a romantic one

[dolokhoded]

my one season 4 complaint is Where The Fuck Was Aneesa

[bacchuschucklefuck]

holding onto nsbu with both hands you are my saviour my everything. why is izzy doing the Most

[kiwisandpearls]

genuine question to anyone who wanted bai he to be a more prominent character after season 3:

what would she even do?

and im talking pre season 5 (iykyk). What would she do for the plot and the characters. She doesn’t seem to have any sort of relationships with the other characters other than being slight acquaintances (no, not even macaque, asides from her getting carried by him once she literally never interacts with him.), she doesn’t seem to be a reincarnation of a past self, she didn’t seem to have any powers, she’s just some person.

I think people have really gotta accept that bai he’s only purpose in the plot was to be the person the lady bone demon has possessed. Again, it’d be nice to see a scene of her coping with that but really that’s it.

[beansterpie]

rewatching LoK, i'm being reminded how much I dislike the.... the brothers, mako and bolin, yanno? they're such underwhelming characters on basically every level. it'd almost be impressive if they weren't in every episode and didn't annoy me so much ugh

[kandicon]

*writes the same exact headcannons in slightly different scenarios over and over again*

[danzainosolitude]

Once again I read fanfiction that seems to have been precisely written to deal psychic damage to me.

[avirael]

FFxivWrite 2024

Day 18 - Hackneyed

With a curious expression A’viloh looked up to the giant statue of some saint in the middle of the plaza. It was beautifully crafted from a block of white stone and depitected a knight wearing cloak and armour. His face was hidden by a helmet.

“Don’t you think they all look the same somehow?”

“A bit. I assume this whole heroically fighting against the dragons story can get a little overused and repetitive in 1000 years…”, Rael offered and turned their attention to the statue in front of them too.

The Miqo’te furrowed his brows.

“But don’t you think each of them must have been a lot more individual than that with their own dreams and hopes? It doesn’t seem fair that they all look the same, their faces hidden by a mask…”

Somehow the idea of having all their stories reduced to almost identical, grey, expressionless faces of stone was a sad one. But Rael assumed that this was what time did to memories sometimes, once no one was left to remember their faces or how things had actuall happened.

“Maybe if our plan works, they one day built one of these for you or me too. The ears should be recognisable at least…”, Rael joked in an attempt to brighten the mood. “Saint A’viloh - he bravely fought against the dragon brood on the Steps of Faith and brought peace to Ishgard…”

But imagining that seemed to make A’viloh even more thoughtful. “I’m not sure I want to fight against the dragons. Vishap was already terrifying, can you imagine how horrible the great wyrms must be? Besides, don’t all saints die some horrible and painful death?”

“True…”, Rael mused. “But even though Iceheart may have a point, I don’t think this conflict can just be ended as easily as everybody seems to hope right now…”

“But aren’t they all tired of fighting by now? Isn’t all this talk of holy wars and heresy getting old?”, A’viloh asked and looked distressed, like he himself was already tired of it.

The Viera sighed and remembered their kins hatred for the Garleans. The conflict for Golmore was by far not that old yet as this war but had already produced so much bloodshed too.

“It’s not that easy, A’vi. A thousand years are a long time. One cruelty avenged by another and another and another. The Ishgardians? They were born and raised in this war, it’s everything they know. And the dragons? You heard Midgardsormr. They live long enough to remember all of this bloody war… It doesn’t matter anymore who was right in the first place. Neither of them are just going to give up and admit they were wrong. Both sides feel justified in their hate and this will make it difficult to find a peaceful solution…”

For a moment A’viloh was quiet, silently contemplating what Rael had said.

“But what can we do about this at all?”

“I don’t know. But you heard what Thordan said. And if the Ascians are involved behind the scenes, we can’t just ignore this. I have no perfect answer for solving this conflict but neither does Iceheart or Aymeric or anybody else… But we have to try anyway. Maybe together we can find a solution…”

[sealrock]

realizing I'm creating a bunch of mini AUs/'what-if' scenarios the more I write out these plot bunnies in my head. an AUception going on here

[wildflowercryptid]

victor pottinger being the only relatively normal masc protagonist in all of poké-europe, dude just likes making curry and hanging out with his massive ass squirrel.

[elytrafemme]

actually maybe the solution to my issues with CS is bitching about how miserable it makes me on tumblr because now i'm looking at the outline and am actually a little excited again

[kurokoros]

One fundamental writing flaw with S4 is that it simply holds the viewers hand too much and overexplains things. Which is total normal for an early draft of a written project! In early drafts you tend to overwrite and give information that isn't needed simply because you're putting all of the pieces together in your head at the same time you're putting them into the story. The Duffers clearly had more time to revise S1 than they did S4, and it shows in the sloppy writing and too long runtime.

Take, for example, S1E08: The Upside Down in comparison to S4E06: The Dive and S4E07: The Massacre at Hawkins Lab. Specifically, take the scenes paralleling Steve going back into the house to save Nancy and Jonathan in comparison to Nancy, Robin, and Eddie going into the Upside Down to save Steve.

To be clear, I think this was a fantastic parallel made by the Duffers (Steve is being mauled by bats when a bat is what he used to save Nancy and Jonathan. It's clever, if a little on the nose). They're very good at paralleling previous events and calling back to their own plot points. In general, as the show has gone on, I think they're much better at over-arching ideas and thematic parallels than they are at crafting individual scenes, but that's a different post.

S1E08: The Upside Down is very snappy when it comes to Steve going back into the house. He runs outside. He fumbles with his keys. And then he turns back to the house and:

There's no dialogue here. We don't need anything more than this shot to know that Steve is going to go back into the house. Joe Keery's acting and prior setup do all of the heavy lifting here. The last we saw of Steve before he came to the Byers' to apologize to Jonathan is him arguing with Tommy H and Carol, which ends with Tommy H telling Steve to "run away like [he] always [does]." Steve has to go back into the house. The narrative tells us as much. This single shot tells us that it isn't up for debate. It isn't even really a choice. Steve is going back into the house.

And it's not a surprise when less than a minute later Steve saves Nancy and Jonathan . We don't need to actually see him run back towards the house, or pick up the bat. He doesn't need to say anything to announce his presence. The scene doesn't need to halt to dramatically reveal that Steve came back.

S4E06: The Dive and S4E07: The Massacre at Hawkins Lab have the same general premise of characters making a choice to put themselves in danger to save someone else. Unlike the scene in S1, this scene is overdramatic, played with an edge of comedy, and it gives us too much information.

Steve is dragged underwater and then--we get about almost a minute worth of clips showing Nancy, Robin, and Eddie all jumping into the water. And it's all filled with characters yelling about what just happened, and quippy dialogue ("She said wait!" "Yeah, I heard her." "She's in charge!" "Are you kidding me? I made that shit up." / "[indistinct swearing] This is so stupid!") as each character dramatically dives into the lake one by one.

We don't need this information. We already know that Nancy and Robin are going to jump into the lake. We know that Eddie is going to jump into the lake because they put him on the boat in the first place, and if he was really a coward he would have stayed on shore with the kids.

It's Chekhov's gun logic in both scenes. Steve is told to "run away like [he] always [does]" and we, the audience, know he won't run away despite being given the chance. Eddie gets on the boat to go towards the potential danger and we, the audience, know he isn't going to be the only one that doesn't jump into the water to save Steve. We don't need to be explicitly told this. This is almost a minute worth of scenes that we don't need. We don't need to see Nancy, Robin, and Eddie jumping into the lake, just like we didn't need to see Steve run back into the house and pick up the bat.

What's even more pointless to me is the dramatic entrance the Nancy, Robin, and Eddie make upon saving Steve:

One of the bats it hit and goes flying, and then the camera does a slow pan up Nancy, with Robin and Eddie standing behind her just waiting for the directing cue for them to do something, but first Nancy needs to drop a one liner ("Hey there."). I was going to try and gif Steve coming back to save Jonathan and Nancy for a comparison to this shot, but I couldn't. Because when Steve goes back into the house it's fast paced, there's no pointless dramatic pauses, and the scene is simply too chaotic to actually clip anything halfway decent. And that's good! That's how you make an action scene have weight and realism (and yes, you do need a degree of realism in shows, even if those shows are about sci-fi monsters).

And the problem with S4 is that every single scene is like this. The writing holds your hand through every shot. The directing is lacking. Every scene feels like it's 30 seconds to a minute too long. And the show feels like it's trying to be a Marvel movie, rather than Stranger Things.