#and fundamentally she is not the master of course

[rearranging-deck-chairs]

yaz, whose master mirror status becomes so very obvious when shes mad: nice house you got there.........would be a shame if someone..............burned................it down..............haha! unless

[corallapis]

ooc imo for tegan to be thinking this way but. still.

[kashverse]

umbrellas are, without a doubt, mankind’s magnum opus. rain? blocked. sun? deflected. want to look like a brooding protagonist in a slow-motion film sequence? pop that thing open and stride dramatically.  a/n: read till the end to see choso's temu collab <3

unfortunately, this universal truth is lost on gojo, who believes his infinity is a catch-all solution to every problem in life, including weather. does it keep the rain off him? sure. does it do the same for you? absolutely not. but does he realize this? of course not. so while he’s smugly holding you close, humming some dumb love song and talking about how "this is just like those k-dramas, huh, babe?" you are actively getting drenched. fast forward two days later—you’re curled up in bed, tissues piling up like a battlefield, and gojo is wailing as if he’s the one on death’s doorstep. “my baby is dying,” he cries to shoko over the phone, who is ignoring him as she eats her lunch. it doesn’t matter that you told him it was just a mild cold. gojo is now hand-feeding you soup with the solemnity of a man who thinks he is on his last day of service. *“i should’ve—sniff—bought an umbrella.” you have half a mind to hit him with the spoon.

geto, on the other hand, is a man of preparation and, for some reason, exclusively stocks clear umbrellas. like, exclusively. open his closet and you will find nothing but a neat, borderline concerning collection of transparent umbrellas, stacked like they’re waiting for a government-distributed evacuation plan. does he use them all? yes. does he need that many? no. when you question him, he simply shrugs and says, “it’s aesthetic.” but the aestheticism fades a little when the two of you are forced to walk under the blazing summer sun, grumbling like old men because the clear plastic is offering exactly zero protection from UV rays. "we’re gonna get so tanned,” you whine. “we’ll be fine,” he reassures, though he looks about one minute away from passing out. why doesn’t he just buy a regular umbrella? you may never know.

toji, meanwhile, gives you the slow blink of a man who has never voluntarily used an umbrella in his life. if you ask him where his umbrella is, he will blink at you like a lizard sunning itself on a rock and say, "what’s an umbrella?" except he’s joking, but also not really. the thing about toji is that he fundamentally does not care about the weather. if it rains, it rains. if it shines, it shines. he has completed jobs in typhoons, sprinted through downpours to reach you in the middle of the night when you were anxious, and once walked through a literal snowstorm to buy a six-pack. weather is an inconvenience only for the weak. that is until his philosophy backfires and he ends up with a sunburn so severe he’s walking around the house hissing like a vampire, or with a cold so bad that every time he blows his nose, he sounds like a goose fighting for its life. and now he’s grumpy about it. "should’ve used an umbrella," you tell him sweetly as you rub aloe on his peeling shoulders. he grumbles something unintelligible and sulks like a big, overgrown toddler.

nanami is the only one among them who has fully mastered the art of umbrella ownership. you don’t even have to ask if he has one; the answer is always yes. he has one for every occasion. he carries a primary umbrella, a backup umbrella in his bag, and if you check his office drawer, there’s probably another one neatly folded away just in case. he whips it out at the farmers' market, during evening strolls, and most impressively, in a street fight. if you’ve ever seen a man turn an umbrella into a lethal weapon, nanami is that man. he can and will beat the shit out of someone with it. “it’s a tool,” he says simply. and honestly, who are you to argue?

choso, however, is firmly in the raincoat camp. umbrellas make his hands hurt, so he skips the struggle entirely and commits to full rain protection like a man on a mission. the problem arises when he starts browsing for new raincoats and sees children wearing character-themed ones. next thing you know, he is holding up two sanrio-themed raincoats from temu, grinning ear to ear. "they glow in the dark when they get wet," he says proudly. they allegedly glow. allegedly. you do a quick google search and find out they might actually contain enough lead to take down a fully grown man. "choso, you are not wearing that." but he already bought it. and now he’s standing in the rain, in a kuromi-themed raincoat that is possibly a biohazard, smiling like he’s the peak of fashion.

sukuna, much like toji, does not give a single damn about rain or shine. it could be pouring or blisteringly hot, and he’d still be doing whatever he wants, unaffected and unbothered. however, if the weather starts personally inconveniencing him—like preventing him from stretching out in his favorite sunspot like some oversized demon cat—he will glare at the sky itself and, somehow, it will fix itself. it doesn’t rain if sukuna doesn’t want it to. the sun won’t shine if he says so. when you ask him how he does it, he just shrugs. "i just do." you don’t push for answers. you’re a little scared to.

[princesssarisa]

As I've read different people's views on Little Women, I've realized that for different readers, it's a fundamentally different book.

When I see someone describe the "universal" experiences of identifying with Jo, wanting her to marry Laurie, and disliking Amy, I remember all the proof I've seen that these are far from universal. The latter two weren't even my experiences: identifying with Jo, yes, but shipping her with Laurie and disliking Amy, no!

Even people with equal amounts of knowledge of the historical context and of Louisa May Alcott's life seem to come away with vastly different feelings about the story and characters.

I suppose there are a wide variety of reasons for this. First and foremost, which of the four March sisters you personally admire or relate to the most. Then there are other factors like your gender, your age when you first read the book, your relationship (good or bad) with traditional femininity, whether you read Parts I and II as a single novel or as Little Women and Good Wives, your relationships with your own family members, your religion and ethical values...

The list goes on.

That post from @theevilanonblog that I reblogged recently about the different interpretations of Frankenstein makes me want to write out a similar list of ten different views I've read of Little Women. Here it is:

Little Women is about the March sisters learning to be proper virtuous women of their time and place. With Marmee as their role model (a role later shared by Beth as she becomes increasingly angelic in her illness), they learn to conquer their flaws, give up their wild ambitions, and settle down as good wives and mothers. This is especially true for Jo, whose character arc is a slow taming from a rough tomboy to a gentle nurturer. It's a conformist and anti-feminist message, which Alcott probably disliked, but she wrote it to cater to public tastes. (This reading seems mainly to come from critics who dislike the book.)

Little Women is about Jo's struggle to stay true to herself in a world that wants to change her. She struggles with whether to stay a tomboy or become a proper lady, whether or not to marry Laurie despite not loving him romantically, and as an author, whether to write what she wants, write what earns the most money, or give up her writing altogether. In the end, she changes only in ways that make her happy, e.g. by learning to control her temper, and later by embracing romantic love. But in more important ways, she stays true to herself: always remaining slightly rugged, clumsy and "masculine," finding success as a writer, and marrying Friedrich, a man just as plain and "unromantic" as herself, but whom she loves and who respects her as an equal.

Little Women is about learning to "live for others." That phrase is used often and could well be the arc words. Beth is the only March sister to whom a selfless life comes naturally, but the other three master it by the end of the story (as does Laurie). They learn to conquer their moments of pettiness and selfishness, to live in better harmony with each other and with their friends and love interests, and to give up their self-centered dreams of fame and wealth, building lives that focus on service instead.

Little Women is about growing up. The first half is mainly about the March girls' maturing by surviving hard times and learning to be better people, while the second half is about reaching adulthood and bittersweetly parting ways to start new lives. At the beginning, Jo is a girl who doesn't want to grow up: she wants to always be a wild young tomboy with her family (and Laurie) by her side forever. But of course, she can't stop time or womanhood, and is eventually forced to accept the loss of Meg, Amy, and Laurie to marriage and Beth to death. After grieving for a while, she lets go of her old life and willingly builds a new one with Friedrich.

Little Women is about family bonds and the fear of losing them. We meet and become attached to the wonderfully close, cozy March family, which gradually expands through friendships, marriage, and new babies. But throughout the story, the family is in danger of breaking apart, whether due to conflict (Jo and Amy's sibling rivalry, Meg and John's marital problems), or separation by distance (Father going away to war, Amy going to Europe, Jo to New York), or death (the danger of losing Father and Beth in Part I, and the ultimate loss of Beth in Part II). But in the end – unlike in reading #4 above – the family doesn't break apart and never will. Conflicts are resolved, travelers eventually come home, the surviving family members always live near each other and stay as close as ever, and even Beth isn't really gone, because her memory and influence live on.

Little Women is about femininity and each March sister's relationship with it. Meg and Amy happily conform in different ways: Meg to "domestic femininity" as a housewife, Amy to "ornamental femininity" as a society lady. Beth pressures herself to conform to self-effacing domestic femininity, until sadly, it kills her – either because she's too selfless and nurturing when she cares for the fever-infected Hummels, or because she has anorexia, as Lizzie Alcott might have had. But Jo strikes a successful balance in the end, conforming just enough to fit into society, but only on her own terms, and otherwise living a happily unconventional life as a writer and schoolmistress.

Little Women is about Jo's unlearning of internalized misogyny. At the beginning, she's a "Not Like Other Girls" tomboy, who wishes she were male, disdains feminine girls (especially her sister Amy), doesn't care enough when "her boy" Laurie behaves badly toward women, and is afraid to be vulnerable. But gradually, and without losing her strength of character, she learns to embrace the sweeter and more tender aspects of herself, sees that Amy's ladylike manners have practical benefits, and learns to say "no" to Laurie when he turns his childish, unhealthy romantic attentions to her. Then after Beth dies, she realizes how precious Beth's utterly domestic, feminine life was, and embraces a more domestic life herself. Yet by doing so, she becomes a true feminist, as she enters an egalitarian marriage and devotes her life to teaching boys to be good, respectful men.

Little Women is only what US Americans know as the first half. It's just about the March sisters getting by and learning moral lessons over the course of the year their father is away at war. Nobody gets married and nobody dies. Everything else is in Good Wives, which is a sequel with different character arcs and different themes, and which should be published separately, as it originally was and still is outside the US. Trying to tie them together into one narrative never feels quite right.

Little Women is Alcott's idealized version of her own life and family, where no one suffers quite as much as they did in real life, everyone is slightly less flawed, and Jo ends up happily married to a man very much like Alcott's lost love Henry David Thoreau. She wrote the life she wished she had.

Little Women is just a semi-autobiographical slice-of-life that Alcott wrote quickly for money.

Which is the truest to Alcott's intent? I don't know. But while some of these readings I like better than others – and some of them I despise – I'd say they're all understandable and reasonably valid. Some aren't even mutually exclusive, but can be used together... although of course, other readings are mutually exclusive, like whether the story is feminist or anti-feminist, or whether the March family ultimately breaks apart or holds together. And they're all worth using as springboards for discussion.

Alcott wrote more books than she ever realized she did, because Little Women can be many different books to different people.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher, @fictionadventurer, @fandomsarefamily1966

[igotanidea]

Probation : Dick Grayson x reader

part 2 to Shattered

the gif is there on purpose, you'll get it ;)

***

„Y/N!”

„No, Dick, no! We’re done. I’m done! Have a happy life or whatever-!”

She shut the door behind her, walking away from everything they build for the last months and years.

Something that could never been permanent only because the fundaments of their joined life were being successively undermined by a mole in the form of Barbara.

His best friend.

Huh! Even thinking that, was some sort of aberration of her. Best friend, damn it. Best friend who wanted nothing more then to jump his –

No.

No, enough.

Y/N was free. Free from manipulation, free from mind games, from fear, from pain and constant self-questioning her worth.

Free.

And if that freedom came with sense of betrayal, loneliness and stupid aching pain in the chest due to holding back tears – so be it.

***

“I don’t understand…”

Meanwhile Dick was sitting on the couch in his apartment, face hid in hands, shaking head and ruffling his already messed up hair.

At least he had some decency to put on a shirt, cause somewhere deep inside, the last of his braincells whispered that it was sort of inappropriate to sit half-naked alone with Babs.

And honestly, that was the first surprise, cause such thought had never haunted him before.

So why now?

“I know you don’t, Dick…” Barbara whispered sitting cross-legged next to him placing hand on his shoulder – “Me neither. I just don’t get it why she would suddenly get so – vicious and – and mean and – vulgar.”

“That was not my Y/N…” Dick stuttered, barely noticing that Babs started tracing soft, comforting circles on his shoulder.

“Maybe that was the part you didn’t know before?”

“No!” Dick raised his head abruptly. “no! no, of course not! I know her! She can be bossy and mean and tend to want to have things her own way, but she’s not – aggressive!”

“Hey, hey relax, I’m just saying-“ Barbara raised her hands in the air, in the sign of pure intentions and innocence (yeah, right). “- people change you know.”

“but not like this! Not so – abruptly!”

“Dick-“

“I mean it Babs!”

“Ok, ok, relax. How about we’ll make some tea and watch a movie to get some perspective?”

“Tea? Are you being serious right now?”

“Dick-“

He almost jumped off the couch and started pacing around the room, rubbing his face nervously.

‘I’m not going to be drinking tea while Y/N is somewhere, god knows where!”

“But she’s the one who stormed off.”

“Well then maybe I should have done more to make her stay-“

“Dick, you can’t stop a girl when she’s angry-“

“It’s my Y/n!”

“So what?”

“So – so what?! What do you mean so what? She’s my girlfriend!”

“Have you ever considered she may not want to be your girl anymore?”

“What---?”

“Dick, just listen to me-“ Barbara stood up and walked to him, reaching for his hands and squeezing them reassuringly. “she doesn’t respect you-“

“What are you-?”

“She doesn’t cherish you-“

“This is not-“

“She doesn’t love you.” Barbara cupped his cheek and caressed it softly but if her intention was to make Dick lean into the touch it definitely backfired when he grabbed her wrist in an iron grip, almost tearing her hand from his skin.

“Don’t.” he almost growled.

“Dick-“

“I said don’t. she loves me. And I love her. Her. You hear me loud and clear now. I love Y/N.”

“She’s not good for you!”

“Not good, huh?” Dick scoffed ‘how would you know what’s good for me? You? With your manipulation? With your tricks and puppet master role?”

“I don’t-“ she tried to defend herself but it was too late. Dick Grayson may have not been the sharpest tool in the shed but if anything he was tuned in on any manifestation of injustice, unfairness or cruelty. Mix that trait with the fact that the object of said behavior was his Y/N and add the sprinkle of guilt of not realizing it sooner and you get an explosive match.

“Enough.”

Dick Grayson, the nightwing, the hero was gone.

All left was a protective and possessive boyfriend, even if a little belated.

“Get out.”

“What?”

“You heard me.”

“But I’m your best-“

“No.”

“No? What do you mean no? We’ve known each other since we were kids! You can’t put her over me!”

“That is exactly what I’m doing.”

“You’re gonna regret this.“

“Maybe. Or maybe not. But right now, I want you out. Out of here and out of our lives.”

“You are going to regret this. Besides, in case you didn’t notice, you already lost so-called your Y/N. She’s gone and she hates you. So if anything, I half-succeeded and you are left with nothing. When you come knocking at my door, you’ll realize I won.”

Barbara grabbed her clothes and walked out the door, shutting them behind herself in the same way Y/N did some time earlier, leaving Dick with a heavy heart and weighing conscience.

Already masterminding a plan to fix everything.

***

“Y/N.”

“Y/N?”

“Y/n!”

“What!?” Her colleagues finally managed to throw her out of her reverie, by yelling her name repeatedly, making her awfully angry. “what is so important that you have to resort to screaming match?!”

“Dick is waiting outside, staring at our window.”

“Dick is waiting - what?”

“come on, look for yourself.” One of her friends dragged her towards the window so she could see for herself. The second that Dick caught her silhouette he raised hand in a shy form of greeting. And damn, that smile that always made her knees weak.

“Are you crazy?” Y/N wriggled free and jumped to the other side of the room “we had a fight! I don’t want to see him!”

“How were we supposed to know you had a fight! You never share such things!”

“We’re work colleagues not friends!”

“Oh! Great, now she’s mean. Do not pour your relationship frustrations onto us!”

“I’m not- ugh!” she groaned, throwing hands in the air in frustration, falling onto the nearby chair in a sense of defeat.

“Y/N…”

“Leave me alone….”

“We’re not going to do that.”

“I’m gonna start crying.” She warned.

“Oh god, forbid you have some human emotions in you.”

“Stop making me feel better when I’m feeling bad.” Y/N chuckled “That’s mean…”

“Go talk to him.”

“No!”

“Go!”

“No!”

“You love him!” her friend reminded her. “you love him, you love him, you love him, you-“

“Fine! Fine! I do! I love him! Happy now!’

“Extremely.”

Before Y/N could realize what was happening, she was being wrapped in a coat, with a hat on his head and a scarf over the half her of her face and literally pushed outside to have a conversation with that poor guy who was freezing in the cold.

***

A life lesson worth remembering is that a person should make sure the scarf does not limit one’s field of view before stepping outside onto the snowy, slippery ground.

In the heat of the events Y/N failed to do her homework in that area and found herself tripping over the frozen surface, starting to fall down, her entire life flashing through her eyes, already saying goodbyes to her worries, closing eyes in a wait for eternal bliss –

“I got you.”

She did not meet with the creator and definitely not with any of his angels, but the face she saw was pretty close.

Of course she had to end up like a rom-com heroine, engaged in a seemingly funny but awfully cliché, embarrassing and directed scene of being saved from bruised ass.

“Great….” She muttered, but made no move to free herself from his grasp. “just what I needed.”

“You want me to drop you?” Dick chuckled

“By all means, please do. Just make sure I hit my head hard enough to not remember this.”

“How about I’ll help you hit yourself so hard you won’t remember how much of an idiot I’ve been?”

“Mh. Interesting idea, even if that would mean forgetting quite a few years.”

“I’m sorry.” He sighed and she raised an eyebrow.

“Are you admitting you’ve been wrong in something?”

“Wrong? No! Never. I’ve never been wrong in my whole life!”

“Never? I’ll be merciful and give you five seconds to reconsider. Four… three… two…”

“Fine! Fine! I was wrong….” Dick muttered, looking down, his words barely audible and hardly coherent.

“Better. Please continue.”

“I cast her out.” He muttered

“Your myopia? Poor you, I’m sure you feel lonely now-“

“Y/N!” his grip on her waist tightened, blue eyes threw daggers at her.

“What?”

“You’re making it awfully hard to apologies to you!”

“You were expecting me to make it easy?”

“Nah.” He grinned “Not in the slightest. Though I figured it was appropriate to point out how much effort I’m putting into getting you back.”

“This is not a teenage movie, Richard.”

“Of course not, you are way past your teenage years, love – Ouch! You hit me!?”

“You mocked my respectable age, you dumbass!” she wriggled free and started throwing half-formed snowballs at him.

“Oh no, you don’t!” he attacked right back, grabbing onto her, spinning her around, pushing her hat onto her face (blocking the view again!), and beginning to gradually turn her into a giant snowman.

“Stop it!” she laughed struggling against him, wriggling arms and legs in poor attempt to break free before the snow landed under her coat.

“I’m sorry!” he yelled, not letting go.

“I said stop it!”

“Did you hear what I said?”

“You’re yelling in my ear, I’m practically deaf now!”

“I’m sorry.” He turned her so she was facing him, fixing her hat to meet her eyes “I’m sorry. I should have-“

“Idiot.” She cut him off

“Absolutely.”

“Dumbass.”

“The biggest in the world.” He agreed without missing a beat.

Y/N bit her lip, thinking deeply.

“Fool?” she tried again.

“Without a doubt.” He nodded “But are you going to keep throwing synonyms at me?”

Suddenly she got an idea, the mischief flashing in her eyes as she reached for her phone and flashed the camera in her face.

“What are you doing?” he tilted his head, raising an eyebrow.

“Rudolf.” She laughed

“What?”

“No more synonyms. You are so ugly Dick!”

“Ugly? Ok, I get it your mad, but that’s a low blow, even for you and – OH MY GOD!”

The photo she snapped?

With him having red nose, messed up, flat hair  full of snow, crooked scarf and red mark on the cheek?

“Betrayal!” he yelled

“Again – did you expect me to make it easy?”

“Seriously, now you absolutely have to forgive me.” He grabbed both her hands in his.

“I have to?” she smirked

“With that snapshot I suppose we’re even?”

“Dick.”

“Yeah?”

“What happened?”

“I love you.”

“Oh? Do you?” she teased “Since when?”

“No idea. It’s just kind of happened to me. Like a lightning bolt.”

“Bless mother nature for giving us subtle signs. “

“She’s gone. I’m sorry for being blind. You are the most important to me and – “

“and-?”

“Do I have to?”

“Yes you have to.”

“You were right…” she sighed “you were right about Barbara all along…” he bore eyes into the ground.

“Eyes up Mr Grayson.”

“Y/N… you are the most important to me…”

“You’re officially on probation now.”

“Really!?” he lighted up immediately “I am? Thank you, thank you, thank you!”

He spun her in the air, upon hearing that she was kind enough to put him on probation.

Things were looking good.

@fullbelieverheart @peachmartini @flooofity @gloomysel @disi2507 @marzzrambles @justliving15 @smileysunshinesworld @simpforlanzhan

[pirateshelly]

One thing that really fascinates me about interview with the vampire (the show) is this sort of tension between power and powerlessness in all of the characters. Because it doesn't present becoming a vampire as something that just gives you power and magically makes you completely detached from all human concerns and struggles.

And that seems to be something Lestat does very much want to believe, and he's in enough of a position of privilege that he's able to convince himself it's true, and it's a fundamental area where he just cannot understand Louis because Louis CAN'T pretend even if he wants to. (And of course Lestat cannot ACTUALLY separate himself from "human troubles" the way he likes to think he can, he just has an easier time pretending than most). Because as much as becoming a vampire grants these characters supernatural power it doesn't just magically take away the very tangible human ways that they were previously vulnerable or powerless.

Becoming a vampire doesn't negate Louis' struggles with racism; in some ways it amplifies them with how he is alienated from his own family and community; his closest connection becomes Lestat. He loses his economic independence and becomes socially dependent on Lestat in a way he wasn't to anyone as a human because in some ways becoming a vampire made him MORE vulnerable, despite granting him physical strength/speed/etc. The promise of freedom in vampirism Lestat presents to Louis (that I do think he does genuinely mean, but "freedom" means very different things to Louis than it does to Lestat) is never fulfilled.

Likewise Claudia learns the hard way with Bruce and later with the coven that she may be a vampire but the world still looks at her and sees a vulnerable young black girl and that will always put her in danger.

Claudia rescues Madeleine then turns her into a vampire, but rather than protect her from future harm the "crime" of turning her becomes the very thing that gets her killed by yet another angry mob.

And 514 years as a vampire will never be enough for Armand to truly trust or believe in his own power. Because the first 200 or so years of his life he was literally never once allowed any agency at all over his own identity or his own body (child slave sold to a brothel, sold to an abusive master, captured and violently indoctrinated into a vampire cult for centuries). No amount of material strength and power is going to undo the psychological effects of that. (And I know some people like to read his frequently passive demeanor as simply manipulation and a way of catching people off guard (because how could someone so old and powerful possibly feel a genuine sense of fear/vulnerability/etc 🙄) but to me that's an incredibly disingenuous reading of him. But that's a different rant for another time!). Being a vampire does not save him from being horrifically abused, nor does it save him from the lasting emotional effects of that abuse.

And I think there's something interesting to be said about the way that, in order to survive safely, they have to feed on the most vulnerable members of society (people undesirable and therefore least likely to arouse suspicion) in order to go unnoticed. If they want to live they have to prey on those vulnerable in possibly the same ways they themselves once were (and in many ways still are).

There's a frequent argument I dislike that we shouldn't be viewing any of these characters through too human of a lense because they're literal monsters (to be honest it's an argument I see most often made when people simply don't want to talk about the show's complex depiction of racism/misogyny/abuse/etc and used to dismiss those as issues "too human" to be relevant to a story about a bunch of monsters with a supposedly alien sense of morality), but I think the show itself makes a huge argument that for these characters there is no escaping or separating themselves from the very human struggles and vulnerabilities that marked them before they ever became vampires. It's like a sort deconstructed power fantasy.

[planetarytransformation]

Tier list of Les Mis characters based on how good it would be if a trans woman played them

---

F tier

Gavroche: Too sad. Also weird that a bunch of students are keeping a nine-year-old trans girl around.

Marius: Eddie Redmayne isn’t allowed to do that shit to us again.

D tier

Cosette: Chaser Marius is funnier than chaser Cosette, but still not that fun. The trans girls I know are getting tied down and spit in, not having saccharine romances with dapper young gentlemen. Fundamentally inhospitable to a trans reading.

Fantine: Oh, how bold. A trans woman gets fired from her job, cuts her hair, becomes a sex worker, then dies of an STI while penniless from child support. I actually got a little sick writing that. Please don’t do this.

Thenardier: Yeah, yeah, what if the evil criminal and child abuser was also a faggot with it. A trans woman would absolutely knock the audience dead with Master of the House, but things just get ugly in the second act as the corpses of these brave little cis boys get picked over by some crossdressing creep. Not as fun as it seems.

C tier

Mme. Thenardier: Only funny because then you get to have Chaser Thenardier, and frankly that suits his character well enough that I want it to happen.

Jean Valjean: I’m tired of trans people having to be self-sacrificing. Jeanne Neovaljeana is the story of a community workhorse being ridden to death, giving up the respectability she spent years clawing back, carrying her cis daughter’s cis boyfriend out through a sewer, and then dying on the wedding day. Stupid!

B tier

Javert: Not a conventional pick, but Javert turns to the law as a source of stability in a morally unsettled universe, and I think that that contradiction would be further complicated by her being transgender. Plus, then her fight with Valjean in Act 1 makes a point about trans women in sports. Honestly, there’s an argument that the character as is has some serious repressor energy – she even kills herself at the end!

The Bishop: Now we’re talking. Extending mercy to a man who robbed you and changing the course of his life is like a sublimated version of what happens to a guy the first time he gets topped. She is the most powerful person in every scene she’s in, and she deserves it. Great pick.

A tier

Enjolras: Come on now, think about it. Leader of the revolutionaries, bohemian philosopher-turned-soldier. Just picture her at the top of that barricade, brown corset over white blouse, curly hair over her shoulders, lipstick matching the red of the French flag as she waves it. I have to stop describing this because I’m getting a little too worked up.

Grantaire: Okay, okay, I get it. You want to do a transgressive casting, but you can’t make the noble revolutionary hero look too AGP. How about his slovenly, lecherous sidekick? Only makes sense that a tgirl in 19th-century France would develop a drinking habit, and she gets some fun lines to boot.

Eponine: Every trans woman I know has fantasized about dying in the arms of her unrequited lover. A Little Fall of Rain already makes me misty; watching one of my sisters sing it would absolutely break me. She even does tactical boymoding at one point; god, the casting writes itself. Phenomenal choice.

Conclusion

Everyone dies in this fucking play, but some people die well and others die badly; fundamentally, the casting must impart dignity. It’s hard to get that as a trans woman in theater. Be brave.

[divaofmads]

Daughter of Water

Pairing: Oberyn Martell x Female Reader (OC)

Warnings: Sacred virginity nonsense, Smut, +18, loss of virginity, sex with a stranger, fingering, standing sex, sexuality leaning more toward body-worship, dirty talk, fluff, mockery of absurd beliefs, use of the title “sacred whore” (though not to degrade the woman — you’ll understand when you read it), manipulative and mischievous Oberyn, Rough, Language!

Y/N: Your Name S/T: Skin Tone H/C: Hair Color

Word Count: 8.5k

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A/N: I'm not a professional when it comes to fanfiction. I just write as a hobby. I started writing thanks to the amazing people who do this perfectly. So if you're going to focus on my mistakes, please don't read it.

A/N 2 : I apologize for the mistakes I made in English that is not my native language and I am trying to improve my writing skills.

The dunes of Dorne shimmered even on starless nights, yet that evening felt dark and silent to Prince Oberyn Martell. The decision to exile him had begun with news from Highgarden. A covert assassination attempt against House Tyrell had failed, and subtle clues cast a shadow of suspicion upon Oberyn. The true perpetrator was never confirmed, but the delicate balance of power within the Seven Kingdoms was fragile enough to threaten Dorne's independence. Oberyn's courage and rebellious spirit made him an easy target for such intrigues. His brother, Doran Martell, saw no alternative but to send him into exile.

"The best thing you can do for Dorne," Doran said, "is to leave. This will be the salvation not just for you, but for our house."

As always, Oberyn responded with a smile.

"Exile me? Perhaps you're doing me a favor, brother. A fine excuse to explore the world beyond the Seven Kingdoms."

Upon leaving the warm sands of Dorne, Oberyn stepped into the complex and ruthless world of Essos. Exile offered him not just freedom but also the opportunity to discover the extent of his own boundaries. His first destination was Lys; known as the island of love and passion, this city was famed for its golden beaches, wealthy merchants, and renowned beauties. However, Lys's seductive façade quickly became monotonous for Oberyn. Dazzling women, gold-embroidered wine goblets, delicate incenses... These could not fill the void within a Martell's soul.

"Beauty becomes dull quickly," he muttered to himself, sipping wine on the terrace of a Lys inn. "The essence of pleasure lies in the unexplored."

After spending a few months in Lys, Oberyn set his course for Myr. Known for its fine craftsmanship, glassmaking, and ancient poison masters, Myr offered more than just hedonistic pursuits—it provided something to satiate his curiosity: the fine art of death.

While wandering through Myr's narrow, labyrinthine streets, Oberyn's eyes caught a shop he'd heard much about. Known as Tanith's "House of Spices and Elixirs," this establishment was a hub for poison dealers from across Essos. Upon entering, the air was thick with the scent of spices; dried herbs, snake skins, and finely ground mineral powders lined the shelves.

Tanith was an elderly woman; her eyes bore the faded memories of something once vibrant. Upon seeing Oberyn, she immediately recognized not just a customer but a student hungry for knowledge.

"Poison isn't wielded like a crude dagger, prince," Tanith said, retrieving a dark red powder from a shelf. "Poison requires patience and intellect. In the right hands, it's an art; in the wrong, a disgrace."

Under Tanith's guidance, Oberyn began to learn the secrets of poisons. He delved beyond the common toxins sold in Myr's markets, seeking rarer and more lethal concoctions. The impact of poison lay not just in the victim's physical agony but also in the psychological terror it induced.

Tanith taught Oberyn three fundamental principles:

1. The Power of Time: Some poisons acted instantly, while others consumed their victims slowly over weeks. Oberyn learned that a poison derived from the blood of the Lys snake left its victim debilitated for days, with death arriving only during sleep.

2. Deceptive Taste and Aroma: The deadliest poisons often appeared as innocent as a dessert. Oberyn tasted a poison from Old Volantis; when mixed with wine, it left a sweet, spicy flavor, yet a single sip ignited a burning sensation in the victim's veins.

3. Poison and Intrigue: Poison was not merely a physical weapon but a message. It was used not just to kill a king but to instill fear in a kingdom. Oberyn understood the importance of poisoning not just the victim but also those around them.

Under Tanith's supervision, Oberyn began crafting his own poisons. One of his most successful creations earned him the title "Red Sand" among the people of Myr. This sand-colored powder induced a sensation of sand coursing through the victim's veins, leading to death within hours. However, Oberyn used his poisons not solely for killing but also to slowly subdue his enemies and leave them in terror.

During his months with Tanith, Oberyn began to grasp the philosophy of poison. It was quieter than a sword, swifter than an arrow, and as powerful as a word. He researched the great poison masters of history; he listened to tales of a poison made from dragon blood used in the final years of Valyria. Compared to Myr, Westeros's tradition of poison seemed primitive.

One evening, he turned to Tanith and said,

"Poison is like a gift stolen from the gods. A swift death can make a king feel powerless; a slow one can strike terror into an entire people."

Tanith smiled and replied,

"But remember, prince. Poison consumes the one who wields it as well. If you go too deep, in the end, you may find nothing but yourself."

Oberyn, satisfied with the knowledge he had gained and the poisons he had crafted in Myr, still felt an emptiness within a longing for new places to discover and desires yet to be fulfilled. He had mastered the subtleties of poison, but now it was time for a different kind of adventure.

Leaving behind the warm, salt-scented air of Myr, Oberyn Martell burned with the yearning for his next journey. During his time in Myr, he had fed both his mind and his soul, yet the restless passion in a Martell's blood drove him to seek more. It was then, in a harbor tavern, that a tale sparked the beginning of his journey to Pentos.

The tavern, a wooden structure overlooking the port of Myr, was filled with the scents of wine and bursts of raucous laughter at dusk. Oberyn was drawn in by a drunken merchant’s tale. He spoke of the Prince of Pentos, who, as part of an age-old tradition, would be sacrificed to the gods after a season of poor harvests. A new prince would then be chosen in his place. But what caught Oberyn's interest most was the central figure of this ritual: Daughter of Water.

"Daughter of Water ," the merchant slurred, wine dripping from his lips, "is seen as a gift from the gods. She must be so pure, so beautiful, that when the new prince unites with her, fertility and peace return. The city waits for her for years, dedicates her to the gods. They say there's one now… her name is Y/N."

Oberyn listened to the words with a deep smile. He slowly lifted his wine glass and leaned toward the merchant. “Tell me, my friend. What is the story of this Y/N? And what kind of place is Pentos, that even the gods marvel at the beauty of its women?”

Pentos, a golden city overlooking the sea on the western shores of Essos, began to take shape in Oberyn’s imagination. Known for its brothels and harbor, Pentos was a hub where merchants, pirates, and nomadic warriors converged. But the city held far more than outsiders might suspect.

The narrow, stone-paved streets of Pentos were adorned with ancient mosaics, each telling a story from the city’s past. Golden-domed palaces stood as symbols of wealth, yet beneath this splendor lay a sharp game of fear and balance of power. Though it seemed as if Pentos was ruled by its lords, true power rested in the hands of merchants and wealthy families.

The people of Pentos fed their city with the gifts of the sea. Spices, exotic fabrics, fish, and precious stones from the East kept the port alive with motion. But behind this wealth were also the marks of poverty. Most of the houses were narrow, leaning on one another, barely letting sunlight pass through. The streets echoed with both the laughter of wine merchants and the silence of beggars crushed by hunger.

And in the middle of all this chaos, like an offering to the gods, the name of Daughter of Water, Y/N, was whispered among the people. Y/N was on the verge of becoming a legend.

What the merchant said had stirred Oberyn’s blood. The mere fact that Y/N had been chosen as Daughter of Water was enough to convince him to embark on this journey. But it was not just about a woman or a ritual. For Oberyn, Pentos was a new playing field. When the merchant said, “Pentos lives like prey caught in the talons of an eagle. It looks strong, but it always fears,” a sly smile spread across Oberyn’s face.

“Is it easy to get to Pentos?” Oberyn asked.

“Finding ships in the harbors isn't hard. But be careful—Pentos lords don't easily trust outsiders,” said the merchant.

Oberyn paid little mind to the man's warning. He was confident that with his wit and charm, he could get whatever he wanted in Pentos. At the port of Myr, he boarded a trade ship called the Silver Scorpion. The vessel was filled with exotic spices and rare fabrics, but for Oberyn, this journey was not about commerce—it was about discovering a woman and the dark secrets of a city.

As the Silver Scorpion glided over the waves, Oberyn pondered what lay ahead. The beauty of Lysandra, the ritual of the Water Maiden, the mysteries hidden beneath the golden domes of Pentos... This voyage promised to be one of his greatest adventures in Essos.

“Pentos,” he murmured to himself. “The gods truly know where to hide their gifts.”

As the Silver Scorpion approached the harbor, the grandeur and darkness of Pentos slowly entered Oberyn Martell’s view. The city’s golden domes and elegant seaside palaces suggested peace and order, but beneath that splendor was a chaos waiting to be uncovered.

The moment he disembarked, Oberyn scanned his surroundings. His eyes sought the order beneath the harbor’s chaos. Pentos seemed disorganized at first glance, but deep within its heart lay a hierarchy. Here, power was shaped in silence and shadows. Oberyn trusted his instincts—they would lead him to Daughter of Water, for a Martell never strays from his path.

He acted on the information given to him by the merchant he met in Myr. Daughter of Water was no ordinary girl. She was seen as a gift from the gods, venerated by the people. Such a being would not be hidden among the common folk; she would be kept in a special place, protected like a living icon.

Crossing the cobbled roads beyond the harbor, Oberyn made his way to the quieter and more noble part of the city. The northern quarter of Pentos was home to wealthy merchants and lords. Here, grand structures rose toward the sky, courtyards adorned with marble statues. But Oberyn knew Daughter of Water would be kept not just in wealth, but in sanctity.

As he traced her trail through the city’s bustle, a wine merchant whispered to him, “Daughter of Water? She’s in the Garden of the Gods. Beneath the golden arbors... but you can’t just walk in there.”

The Garden of the Gods was one of the oldest and most sacred parts of Pentos. Located on the city’s western slope, this area was a sanctuary dedicated to the old gods, filled with graceful statues and exotic flora. According to rumor, Daughter of Water resided there, under the watchful eyes of temple priests. The temple was open only to the chosen; within its walls, magic, tradition, and faith intertwined.

Before reaching the Garden of the Gods, Oberyn sought out more knowledge of Y/N from merchants and priests. Each described her divinity and beauty in their own way.

Y/N’s S/T skin was said to shine as purely and brightly as moonlight reflected on water. Her luminous complexion was viewed as a sacred sign by the people—as if the gods had touched her and crafted her with a purity unlike any other. Her H/C hair resembled the night sky: long, silky, and moving like waves in a gentle breeze. But what truly set Y/N apart wasn’t merely her physical beauty.

The priests said that the real reason people believed Y/N was sacred was because of the Blood Moon that appeared on the night of her birth. That night, Pentos fell into an eerie silence, and the city’s oldest priest declared that Y/N was “the rebirth of the gods.” Even more impressive was her voice, which seemed to enchant everyone who heard it. Her songs touched the hearts of those who listened, filling them with a kind of peace and awe. The people believed they heard the voices of the gods in her melodies.

Oberyn knew that entry to the garden was only possible for chosen individuals. But a Martell possessed the wit to turn obstacles into opportunity.

As Oberyn Martell moved through the narrow streets of Pentos, he gathered clues step by step to locate the Garden of the Gods. Every time he heard its name, he sensed a tremble of reverence in people’s voices. This place held not only beauty, but also mystery and power.

In the marketplace, he spotted one of the priests. The man was different from the others—his robe was cleaner, his walk more dignified. Most likely, he held a significant place in the temple’s inner hierarchy. Oberyn decided to follow him. He watched as the man began speaking to a merchant in a spice-scented alley. Observing from a distance, he noticed their interaction was based on mutual trust.

This insight offered Oberyn an opportunity. Even among the temple priests, some could succumb to worldly desires; for gold or prestige, no door was truly sealed. He needed only to wait for the right moment.

The next day, he witnessed a priest examining fresh flowers being taken into the Garden of the Gods. Oberyn seized the chance and approached, introducing himself as one of Pentos’s prominent merchants. He centered his conversation on the people's devotion to the gods and his "admiration" for the sanctity of the temples.

“Honored priest,” Oberyn began, with a subtle smile. “I’ve heard stories about the Garden of the Gods in Pentos. They say the gods left traces of themselves there. Tell me, what does such a sacred place look like?”

The priest responded with a cautious expression. “The garden is for the gods and their servants alone. Entry is not permitted for someone off the street.”

Oberyn’s lips curled slightly. “Someone off the street? Perhaps. But I didn’t come to Pentos as just another merchant. I’ve spent most of my life uncovering the mysteries of Essos. In Myr, Lys, Qohor... I’ve seen the signs of the gods. I believe in what you say, and I cannot help but admire what has been granted to you.”

The priest examined Oberyn’s confident tone. Still, he seemed ready to object. At that moment, Oberyn lowered his voice, speaking in a tone that balanced between a subtle threat and a tempting offer. “In this city, many speak of the sacrifices made by the temple priests, and of the sacred relics you guard in the Garden of the Gods. But sadly, some rumors suggest that this sanctity is no longer well protected. Such whispers could tarnish the priests’ reputation. However, a foreigner like me could see things in a very different light. I could help exalt the temple’s name, if we worked together.”

The priest evaluated Oberyn's words, sensing the subtle threat and flattery woven together. Turning him away carried risk; remaining silent, however, might make an enemy of a man as clever as Oberyn. In the end, they reached an agreement. The priest would lead Oberyn to the edge of the garden, but crossing the temple's boundaries would depend entirely on Oberyn’s own skill.

The massive stone gates of the Garden of the Gods were more magnificent than even the grandest structures of Pentos. The carvings above depicted ancient deities, each holding a different element of nature: fire, water, earth, and air. As Oberyn studied these representations, a phrase etched beneath the gate caught his eye: "Peace is found only in places blessed by the gods."

As the priest opened the gate, he turned to Oberyn. "Not everyone who comes here can feel its sanctity. But this place sees the soul. If you lose your way during this journey, it will be by your own choice."

When the gate opened, Oberyn felt the presence of another world. The Garden of the Gods was no ordinary garden. Towering marble columns reached toward the sky, and birds danced around them, transforming the temple grounds into a work of art. Water whispered from every corner, flowing through narrow channels that connected the courtyards.

Oberyn tried not to be swept away by the garden’s enchantment. "The blood of a Martell is sacred too," he reminded himself. Even amid such beauty, he remained focused on his mission. He could sense that Y/N was at the very heart of this garden. His eyes scanned every corner, every step calculated.

Oberyn Martell relied on his intelligence and sharp observational skills to move through the Garden of the Gods undetected. His desire to reach Y/N gave him a renewed sense of determination. As he watched the garden and its routines, he carefully noted the behavior of the priests, the patrol paths of the guards, and every small detail around him.

The first thing he noticed was the sacred order that governed the garden. The priests moved in a constant ritual rhythm, traveling to different sections of the garden at set times. The guards were vigilant, especially near the central pergola that lay at the garden’s core—an area under tight surveillance. Oberyn realized that a direct approach was impossible; he would need to find a flaw within the system’s structure.

Through his observations, Oberyn noticed that at specific times the priests gathered beneath a small pavilion in the garden’s corner. There, fruits and wines were offered as symbols of the garden’s sanctity, and the priests partook of these gifts while expressing their devotion. Yet Oberyn saw beyond the sacredness—he saw a glimpse of human nature: despite their faith, the priests consumed the fruits and wine with eager appetite, surrendering themselves to the moment’s comfort.

Oberyn recalled the months he had spent in Myr, learning the arts of poison. In the small leather pouch he carried, one vial contained an extract of a plant called Silent Shadow. The poison was not deadly; its effects were more subtle. It clouded the mind, dulled awareness, and slowed reflexes. For his goal, it was a perfect tool.

His next step was to mix the extract into the fruits and wine offered to the priests. But it had to be done without drawing attention. Oberyn purchased a few pomegranates and figs from a small fruit stall outside the garden. In a secluded corner behind the stand, he used a thin syringe to inject the poison into the fruits. He also treated a bottle of Pentoshi wine in the same way, preparing everything for his plan.

Oberyn discreetly placed the fruit and wine on a table near the pavilion, blending them in with the other offerings. When the priests gathered at the corner of the garden, they unknowingly included Oberyn’s contributions in their ritual. Soon after, he watched as they began to taste the sacred offerings, all while his plan took root.

The effects became evident quickly. The priests' movements grew looser, their speech slowed. Some chuckled softly; others gently swayed where they sat. Even the guards, having sampled a few bites, started to show signs of the same dazed state.

Oberyn knew this was his moment.

Oberyn, knowing this distraction would continue, decided to act. At this point, the most crucial part of his plan was to silently find the path to the center of the garden, to Y/N’s arbor.

The water channels running through the garden were another detail that hadn't escaped Oberyn’s notice. Passing under delicate stone arches, these channels connected every corner of the garden, extending silently toward the center. When Oberyn realized they were wide enough for a person to pass through, he decided to use them.

Taking advantage of the priests’ and guards’ scattered attention, he slipped into the most secluded part of the garden. There, a small arched tunnel marked the origin of the water. As he entered the tunnel, he stripped off his outer garments and began to move carefully, clinging to the damp stone walls. The humid, dark atmosphere tested both his mental and physical endurance. But Oberyn was used to such challenges; a Martell did not succumb to fear when opportunity presented itself.

As he moved forward with the sound of the water guiding him, he noticed a small stone staircase at the end of the channel. It led directly beneath Y/N’s arbor. Climbing the damp steps in silence, Oberyn advanced like a chess piece moved with careful intent. At the end of the tunnel, he spotted a sentry priest standing alert in the dim light. Now, intelligence and creativity had to serve as sharper weapons than any blade.

Looking around, Oberyn noticed thinly carved stone holes reaching up to the ceiling of the channel. These openings, combined with the sound of the water, created echoes that carried whispers across the garden.

A clever idea came to him to distract the priest. He picked up a small stone from near the entrance of the tunnel and placed it in the flow of the stream, waiting patiently. As the stone drifted with the current and clattered against others, it echoed, making it seem as though the sound had come from a distant part of the tunnel. But Oberyn wasn’t finished; to amplify the illusion, he gently blew air into one of the stone carvings, adding a whisper that blended with the rhythm of the water.

The priest suddenly stiffened. The rhythmic sound of the stream mixed with faint whispers must have seemed like a divine warning or sign. With unease, he turned his head and began to approach the shadowy entrance of the water channels. At that moment, Oberyn's cunning triumphed once again; while the priest waited for a sign from the gods, Oberyn glided up the stairs like a shadow.

The stairs led Oberyn to a chamber beneath the arbor. Here, on the surface of the stone walls, he saw carvings resembling ancient Valyrian symbols. Yet among them, Oberyn recognized the subtle outline of a mechanism. The stones shifted slightly when touched with care. With the patience honed under Dorne's blazing sun, he studied their arrangement. Moving with near-blind sensitivity in the dark, he found the correct alignment. As the final stone clicked into place, a soft mechanical sound whispered through the air and a stone door slowly opened.

A narrow passage led Oberyn just a few steps from Y/N’s arbor. Yet he could already feel her presence; the air itself seemed to hum with divine energy around her. It was as if her very breath filled the chamber.

But for Oberyn, the real challenge was how to approach her. It would take more than wit—it required a captivating strategy. This meeting with Y/N was less a hunt and more the final steps of a dance. He had reached the most sacred part of the garden, but as he neared Y/N, he prepared to don his mask: one of charm, danger, and cleverness.

When Oberyn Martell stepped into the sacred chamber of the arbor, his eyes lingered for a heartbeat. Y/N was far more than what the priests and the people of Pentos had described. The young woman seemed shaped by the very hands of the gods. Her S/T skin, so rare and pristine to someone who had grown under Dorne’s scorching sun, was like a canvas—pure and mesmerizing. The smoothness of her complexion reminded him of a mountain peak kissed by the first snow; cold, yet with an untouchable allure.

Her H/C hair, catching the flickering light of the torches in the room, resembled the night sky itself—each strand a shadow of starlight cloaked in darkness. It flowed down to her waist like a silken veil, framing her face in a way that made her seem like she belonged in a sacred portrait. But what struck him most were her eyes: deep, intense, caught between the golden flame of a dragon and the silvery gray of Valyria. Those eyes pierced through Oberyn’s gaze like an arrow.

Y/N left a divine impression not just with her beauty but with her very presence. Her movements were graceful—not in the way of a trained lady, but as though gifted by the gods themselves. The golden bracelets on her slender wrists, bestowed by the priests, chimed softly with each subtle motion. Yet Oberyn sensed those bracelets were shackles; Y/N was a bird in a cage, condemned to a fate she had never chosen.

A faint smile touched Oberyn’s lips—not one of victory, but of something deeper, a recognition. Y/N was not simply beautiful. She possessed a uniqueness unlike anything he had ever seen or experienced. This young woman could make him forget the flower gardens of Dorne, yet behind her beauty lay fragility and solitude.

"As beautiful as a goddess, and as fragile as a bird," Oberyn thought. "But a Martell fears neither gods nor cages." Y/N’s beauty stirred not only his admiration but also a hunger. He was not a man content with watching—he was a man of pursuit. But with Y/N, that pursuit felt elevated. This woman was more than a symbol offered to the gods—she was powerful enough to deceive the gods themselves.

Oberyn was captivated by not just her appearance, but the aura she emanated. The priests may have marked her as chosen by the divine, but in Oberyn’s eyes, Y/N held a power beyond their reach. The sorrow in her gaze ignited the fire in his Martell blood. His fury at her caged destiny, and his desire to truly know her, made him more resolute than ever.

"To only look upon her," Oberyn thought, "would be like gazing at stars and never daring to make a wish." Every movement she made, every breath she took, became less an image and more a melody in his mind. The fire of Dorne met the elegance of Y/N, and he knew this was merely the beginning.

Oberyn Martell would not accept that Lysandra belonged to the gods. In his eyes gleamed the resolve of a warrior and the passion of a lover. This bird would not remain caged—for Oberyn was a man who broke cages.

The Garden of the Gods in Pentos had lost none of its grandeur, even under the night’s shadow. Marble columns rose like phantoms in the moonlight, while the ancient trees overhead formed a canopy that veiled the sky. The soft trickle of water and the occasional chirp of birds gave the garden a sacred harmony with nature. The holiness of this place weighed upon the hearts of all who entered—but Oberyn Martell’s heart bore only one thought: Y/N.

“Y/N,” he said, stepping from the shadows with his usual confident, cunning smile. His attire—rich in black and red—was embroidered with golden suns of House Martell. He looked both noble and enigmatic, moving with the ease of a predator who cared little for the sacred. Y/N, under the moonlight, shone like a tale brought to life. But to Oberyn, this was no tale. This was the beginning of a mystery waiting to be unraveled.

“The Garden of the Gods... they say it’s a sacred place. But I’ve always been intrigued by how fragile sacred things can be. Just like you, shining here tonight.”

Y/N was sitting on the bench by the window; she quickly turned around and frowned at the stranger standing before her. There was more discomfort than fear in her eyes. "I don't know who you are, but you shouldn't be here. Only priests and the divinely chosen are allowed to walk in this garden."

Oberyn took a few steps toward her, and when the moonlight hit his face, that famous smile of his became more pronounced. "I did not claim my right from the priests, but from the night itself. I’m looking for something, Y/N. And I’ve found it."

Y/N's brows furrowed. "This isn't a place for games. Tell me who you are and leave."

Oberyn didn't seem affected by her authoritative tone. On the contrary, the smile on his face grew wider. "I am Oberyn Martell," he said, each word carrying the power of his name. "Prince of Dorne, son of the Snake, a wanderer who sings songs of love and death across the Seven Kingdoms. But tonight, I am only a man. And perhaps the Garden of the Gods has summoned me."

Y/N stared at Oberyn. "You came all this way just to find me? If achieving that makes you feel divine, I'm afraid you'll be disappointed. I'm not a miracle, nor the embodiment of a prophecy. I'm just... someone born in the wrong place at the wrong time."

Oberyn took a step to sit beside her, but Y/N stopped him with a motion of her hand. "Don’t come closer. I don't care who you are. I’m in no state of mind to talk to anyone on behalf of the gods."

"I'm not speaking on behalf of the gods," Oberyn said, his voice warm enough to slowly melt Y/N’s defenses. "I speak for myself. And when I look at you, I don’t see a prophecy or a miracle. I see a woman. A woman who has bewitched me."

Y/N turned her eyes away from Oberyn. "Bewitched? I suppose after growing up in a brothel, being seen as sacred is somehow less unbelievable."

Oberyn was quiet for a moment. "A brothel?" he asked, his voice curious rather than mocking.

Y/N paused for a second, then shrugged and continued speaking. "Yes. I was born in one of the famous brothels of Pentos. My mother worked there. The women did everything they could to protect me, but I grew up in the middle of that life. If you’re wondering how I remained a virgin, the answer is simple: I was scary enough."

Oberyn raised his eyebrows slightly. "You were scary?"

"Yes," Y/N said with a sharp smile. "From an early age, I didn’t let anyone come near me. I outsmarted them, protected myself with fear. Eventually, the priests came and told me I was the chosen of the gods. Funny, isn’t it? Someone who grew up in the back rooms of a brothel suddenly becomes Pentos’s sacred symbol."

As Oberyn listened to her words, the smile on his face faded into a more serious expression. "I can’t say your story surprises me," he said at last. "But I must admit, it makes you even more captivating. Because it's impossible to believe that a woman who defends herself so perfectly could ever be ordinary."

Y/N shot him a sharp look. "Don't flatter me. I've heard enough praise before you ever walked into this place. If you want something from me, just say it!"

Oberyn took a few more steps closer, locking eyes with her. “You wonder what I want from you? I want the truth. I want to know what guides you beyond this prophecy nonsense, what makes you feel like a pawn in the gods' game. But most of all, I want to understand you, Y/N. Because your story is more sacred than anything in this garden.”

Y/N remained silent for a moment. The sincerity in Oberyn’s voice had begun to chip away at her walls. Yet deep down, she still questioned how trustworthy this man truly was. “Your tales and my truths are very different, Oberyn Martell. I gave up believing in fairy tales a long time ago. But if it’s the truth you want, I might keep talking.”

Oberyn lowered his head slightly, wearing that famous smile again. “I’m not just a storyteller, Y/N. I’m a man who knows how to seek the truth, and live it. And tonight, here with you, I’m ready to uncover the truths that touch your soul.”

In his eyes, Y/N could see the dark shadows of her own fate. This man could be the most dangerous and the most captivating person to cross her path. But standing before him, she was determined to keep whatever she felt tonight a secret.

Oberyn stood in silence before her. Her sarcastic gaze, tired smile, and disbelief might have dissuaded another. But for Oberyn Martell, this was nothing short of a challenge. His intelligence and charm were often sharper and deadlier than any blade.

“The chosen one,” Oberyn said, adding a sly warmth to his voice. “You once said how foolish you thought that title was. But I’ve been wondering something. When you reject it, is it truly because of disbelief? Or is it rebellion against something that was forced upon you?”

Y/N turned to him, brows furrowed. “You’re trying to understand me, aren’t you? Others have tried before. Priests speaking in the name of gods, dragging my mother through the dirt while lifting me up… They all told the same lies. But my mother… she was different. She was the only one who taught me how the world really works.”

Oberyn took another careful step forward. “Your mother was a prostitute. But she did everything she could to protect you from her fate, didn’t she? A girl who grew up in a brothel and managed to remain a virgin… That alone is an incredible story. What protected you, Y/N? Your mother’s love? Or your own will?”

Y/N looked down in silence. The sharpness in her voice had faded, replaced by sorrow. “My mother trained me. Not just to protect my body, but my soul too. It had nothing to do with the gods. But that doesn’t make me sacred. It just… means I survived.”

Oberyn didn’t let the moment slip away. “Survival is already a miracle, Y/N. Especially in a place like that, with a past like yours. Staying a virgin doesn’t have to be a sign from the gods. But it is a power. A power only you know, and only you can control.”

Y/N narrowed her eyes. “Are you trying to persuade me? Because if you are, you’re talking to the wrong person.”

Oberyn leaned in, his face close to hers. “No, I’m talking to the right one. Because you’re someone who rejects titles and prophecies. That makes you stronger. The reason so many people cling to you like you’re divine isn’t just your beauty, it’s your resolve. Y/N, they want to make you sacred because you control your own fate. And now, we can write that fate together.”

When Y/N saw the sincerity in his eyes, she hesitated for a moment. His words were chipping away at her walls. “What do you want, Oberyn? What do you really want from me?”

Oberyn shrugged with a soft smile. “Just one night… just one moment. To be with you, and leave all this prophecy nonsense behind.”

Y/N, while weighing the meaning behind his words, remembered her mother’s advice. Oberyn’s charm and wit offered her a world she had never known. But within that world, she realized she could make her own choices. This man was offering her an option.

She looked at Oberyn in silence for a while. Then, with a slight nod, she spoke. “If that’s what you want, then I will be with you. But that doesn’t make me sacred. It makes me a woman. A woman who can make her own choices.”

Oberyn leaned in with a look that was a mix of triumph and tenderness, taking her hand. “What is sacredness anyway? Where there are choices and freedom, there is true power. And being with you will be a source of strength for me.”

Y/N smiled softly. This man had reached the vulnerable parts of her. But most importantly, he reminded her that she could choose something of her own free will. A gift from the gods? Perhaps. But in that moment, she chose to simply be a woman.

Y/N stood up to come level with Oberyn. The room was cloaked in semi-darkness. Her cheeks flushed at the thought of experiencing such an intimate moment with a man for the first time, but the shadows would conceal her. Yet her skin glowed like porcelain in the candlelight, making it impossible not to notice the change in her color. Oberyn gently cupped her chin between his fingers and lifted it, making her look into his eyes. Her eyelids carried a subtle weight. Her gaze became more alluring, more intimate than ever before. As Oberyn looked into her eyes, he felt both a kingdom to be conquered and a goddess to be worshipped. Then his eyes wandered to her lips, curving softly upward. He slid his thumb down to her lower lip. Its hue resembled a rose fed with fresh blood. Her lower lip was fuller, each word she spoke a silent invitation for a kiss. He could no longer resist. As their faces drew closer, their skin touched, and he kissed her lips—an innocent yet sinful kiss.

Oberyn Martell’s kiss carried layers of meaning, passionate yet always in control. Y/N’s body trembled involuntarily. This was the first true intimacy she had ever experienced. Her lips were soft and shy, while Oberyn’s were like a storm of experience overtaking them.

The kiss began gently. Y/N’s trembling breath made the warmth of Oberyn’s lips even more vivid. When Oberyn slipped his tongue lightly between her lips, Y/N’s entire body reacted as though washed in fire. For the first time, she discovered the depth of her own desire. When Oberyn’s tongue touched hers, she instinctively held onto his shoulder.

The kiss became more and more sensual. Oberyn’s experienced lips tore through Y/N’s shyness, urging her toward boldness. Their tongues began to dance, as though trying to taste each other more deeply; with each motion, the dance became bolder and more intricate. Y/N’s first hesitant touch of her tongue drove Oberyn wild. Her fresh and innocent responses only fueled the fire burning within him. As he deepened the kiss, his hands slowly moved upward. His palms caressed the sides of Y/N’s delicate neck, tilting her head back slightly to make her fully surrender. His thumb pressed gently on the spot where her pulse throbbed; this small gesture allowed him to feel how alive and sensitive her body was. The rhythm of her heartbeat pulsed beneath his fingers like a melodic song.

The moisture of the kiss blended with the warmth that spread from Y/N’s lips to Oberyn’s beard. Oberyn deepened the kiss as if he wanted to savor the taste of her lips a little longer. His free hand slowly moved down to her waist. Y/N’s slender figure, for Oberyn’s strong hands, was as precious as the gold and diamonds that adorned her body. His other hand gently touched the small of her back, fingers gliding beneath the fabric as they explored the curves of her body. His fingertips traced the bends of her spine, offering both reassurance and a subtle invitation to his fire. With every touch, he could feel Y/N’s faint shivers. Her deep breaths were a sign of how willingly she was surrendering to his passionate caress. While Oberyn honored her innocence, he was also relishing the pleasure of breaking it with her.

When Oberyn finally slowed the kiss and pulled away from her face, a soft breath escaped her lips. Y/N’s cheeks were flushed with desire; her lips slightly parted, marked by the trace of his bite. Oberyn studied her face and spoke with a mocking smile. "The taste of innocence is so sweet. But you will never be innocent again, Y/N. Not with me."

Then, Oberyn bent his knees slightly, one hand behind her back, the other under her thighs, and lifted her into his arms. His feet glided over the carpet embroidered with pomegranate motifs symbolizing fertility and sanctity. Though his movement was graceful, it held the decisiveness of a warrior lifting his sword. Y/N’s body felt light in his powerful embrace. When Oberyn's hand held her back, his fingertips discovered the smoothness of her skin—silky, warm, and fresh.

As he carried her toward the bed standing at the center of the room, the walls carved from black marble and inscribed with ancient symbols seemed to close in around them. The heavy velvet curtains darkened with each step, surrounding them like a lingering echo.

The bed was draped in deep blue silk covers, rippling like sea waves, adorned with shimmering white floral motifs. An ornate golden headboard stood tall like a symbol of sacredness. But for Oberyn, it was merely a vessel—not for the gods, but for surrendering to desire.

As he laid Y/N down, his movements were as delicate as a sculptor placing a masterpiece, yet as assertive as a conqueror celebrating victory. When her back met the softness of the bed, every fabric and texture on her skin suddenly felt foreign. Oberyn paused for a moment; leaning over her, his lips nearly touching hers, his breath stirred her skin. "The gods offered you as a sacred body," he whispered, his voice a reverberating tone in the darkness. "But here, in this bed, your sanctity will be undone. The gods misplaced you... They left you in my hands, not theirs."

His hands glided gently down her sides, as though drawing a boundary between her smooth skin and the bed's fabric. Oberyn read both her fears and desires. As his lips returned to hers, his hands moved over the curves of her breasts, the fullness of her hips, her skin burning like fire under his touch.

The dress Y/N wore hugged every curve with its thin and soft fabric, yet it drew a line Oberyn had yet to cross. His hands moved toward the elegant slope of her neck. As he gently slipped the fabric from her shoulders, his fingers made their first direct contact with her skin. There was a beauty that was both inviting and provocative, stoking the flame already burning low in his loins. "Being this flawless... is it merely a coincidence?" he asked, already knowing the answer.

He slowly slid the dress down to her wrists. The fabric stretched slightly over the fullness of her hips before falling freely again. The idea of a man seeing her bare body excited her; her nipples hardened, the fine hairs on her skin stood on end, her breathing grew erratic, and her chest rose and fell with intensity. How long could Oberyn withstand such an enticing sight? He climbed on top of her, supporting himself with one hand on the bed while the other cupped her breasts. Their round shape echoed nature’s symmetry. When he rolled the hardened tips between his fingers, a shiver erupted from her spine and surged toward her loins. Oberyn, alternately soft and firm in his caresses, bent to kiss her lips once more, ensuring her body met each touch with delicate sensitivity.

His fingers, feather-light, traced a path from her breasts to her stomach and down to her waist, brushing her body with teasing strokes that danced along the curves brought to life by the deep contrast of candlelight. Y/N trembled under Oberyn’s every touch, her body tightening in pleasure as she tasted such new and overwhelming sensations.

When Oberyn released her lips and moved down to her breasts, she gasped in surprise as if she had discovered something unknown. Her areolas were enveloped by his mouth, her nipples caught teasingly between his teeth while his tongue continued to provoke the untouched areas. Yet his hands never strayed from her sinuous figure.

In the midst of all this lustful passion, Y/N noticed something—an ache pooling low in her body, unlike anything she’d felt before. The tension gathered in her pelvis, and her most intimate part pulsed with heat. One leg rested on the bed like a column, while the other bent slightly inward, as if trying to contain the trembling arousal spreading through her. She felt embarrassed. Oberyn’s sensual touches had awakened every sensitive cell in her body, preparing her for a climax she couldn’t fully comprehend, while a warm, slick moisture began to seep between her thighs.

Oberyn finally released her breast from his hungry mouth, and without lifting his face from her skin, he trailed his nose, lips, and tongue between the swell of her breasts down to her navel. He licked each spot the candlelight revealed, and the trail of saliva he left behind cooled her delicate skin like a breeze across silk.

Kisses soon accompanied the strokes of his tongue. As he moved closer to her pelvis, the pleasure seemed to intensify; when a soft moan slipped through her teeth and filled the room, Oberyn lifted his head and smiled. "You're finally starting to let yourself go," he said, not with mockery but with the feral intensity of an impatient bull. "How about mimicking the sounds you heard in the brothel, Y/N? You may have kept your virginity, but surely you've been exposed to memories you didn't ask for."

Y/N froze for a moment. It was as if she had forgotten how to breathe. She saw the certainty in Oberyn’s eyes. She had grown up in a brothel and witnessed the orgasmic expressions on women's faces—grimaces that seemed to mix pain and desperation, as if they hurt but still begged for more. Her mother always said the women in that house were on a wicked path, that they sold their feelings for money, and ever since, a woman's moan had felt like something shameful to her. But now, she understood—resisting the overwhelming power of the pleasure she was experiencing would be absurd. As Oberyn continued to taste her body, a louder moan escaped her lips. The tension in her muscles had eased, and she could feel his touch much more deeply now. Her mind had surrendered completely to the spell of lust.

But it seemed even this wasn’t enough for the prince. He straightened up and gazed at Y/N’s sculpture-like, flawless face with desire. "Come on, gift me the sanctity of your moans," he said, "let me help you—lie on your stomach, and part your legs."

She hesitated at first. Her womanhood was like a vault where an artist hid their most precious works—a mysterious sanctuary. And now she was about to open that mystery to a man she barely knew. Her nervousness slowed her movements, but she did as he asked, supporting herself with her arms. She lay face down, pressing her elbows into the mattress while her head and breasts hovered above. She slowly dragged her feet across the sheets and opened her legs. When the cool air from the window brushed against her burning sex, she realized just how ready she was for this man.

Meanwhile, Oberyn began removing his clothes. The sharp sound of skin sliding against fabric, the gentle thud of garments hitting the floor filled Y/N’s ears and echoed in her mind like a melody announcing the carnal pleasure to come.

When Oberyn moved to position himself on the bed, his knees on the bed again, the bed trembled with his movements. And when he finally placed his body on top of Y/N’s, she felt his strength and weight down to her feet. When Y/N’s body, which would make the gods jealous, merged with Oberyn’s, the missing piece of the puzzle was complete, they were in such harmony.

On the ceiling was a fresco dedicated to the gods. The fresco depicted dragons piercing the sky and sea goddesses. The pale light filtered through the fresco, adding a mystical air to the room and illuminating Oberyn’s bronze skin and Y/N’s S/T. The light from the fresco surrounded their bodies in harmony like a sacred halo.

Oberyn’s hand moved along the edges of Y/N’s body, stopping at the edge of the bed and her body, his fingers began to push the edge. “Come on, Daughter of Water, help me,” he said, leaning into her ear, his warm breath mixing with his words. His lips were so close, the goosebumps of his breath brushing against her skin.

Oberyn slid his hand from her waist, wedging himself between her and the bed. He struggled toward her groin, his fingers finally meeting a warm slick, a soft moan escaping her lips.

Y/N felt trapped beneath Oberyn. His weight, his strength, and the way his arm wrapped around her waist and lowered his hand to her fresh pussy made her feel like a captive, a prisoner who had forgotten her freedom. Her movements were completely restricted, and she realized that she had to surrender herself only to his touch. But what she was trapped in was the orgasmic moment Oberyn would give her, and she could remain in a prison of lust forever.

As uncomfortable as Oberyn thought it was when his beard dug into her skin when he placed his head on her neck, even that discomfort gave her a reason to get wet when the prince’s fingers started moving. The sloshing sound of her wet pussy caught her ears. Oberyn was slowly caressing the girl's clitoris in a circular motion, moving his fingers to the left side with a certain tempo, and with the sudden change of direction, he could feel the girl's whole body shaking under him. Then he dipped his index and ring fingers into her outer lips, stretching her swollen flesh on both sides, and reached the entrance of her vagina with his middle finger, and while stimulating this area, he continued to stimulate it with frequent up and down movements, sliding the precum he had collected up to her clitoris and pressing it hard.

Oberyn had passed his other arm under Y/N's ribcage and placed his hand on the girl's neck. As the girl was exposed to the naughty movements surrounding her inner lips, her tensed muscles struggled to lift her off the bed and get some rest from this maddening pleasure, Oberyn wrapped his arms and legs tighter around her body. Y/N was moaning now, as he wanted. A deep moan coming from her chest, a combination of pain and pleasure.

"Does this feel good?" he asked, knowing that the girl was in no mood to speak. And as he had expected, no words came from her lips except a groan. A dark and threatening air swept through the room as Oberyn repeated his question. The fingers around her neck tightened slightly.

Y/N's mouth let out a series of painful, broken cries, then she answered, her voice trembling. "Yes, I've always wondered about that feeling," she admitted.

“Oh, good,” Oberyn said, his fingers softly against her throat. But Y/N had become so sensitive to the sudden stimulation from her entrance to her clitoris that she buried her head in the pillow. She was moaning much louder now. But he was forgetting something. Oberyn wanted Y/N’s moans to echo throughout the room. So he pulled his hand from her pussy, tangled his damp fingers in her hair, and lifted her head violently off the pillow until his ears brushed her lips. He breathed through his teeth. “You will not do this, Y/N! If necessary, the priests and guards will hear your moans and come here, but you will never lower your voice, do you understand me?”

Y/N was afraid. She was disturbed by this rough treatment, by the disregard for her will. But she also wanted, absurdly, to continue this fear and for Oberyn to be harsher with her. And she was too ashamed to tell him.

She did as he said. When Oberyn placed his hand between her vulva and the bed again, his voice grew louder with the intensity of his caresses. Oberyn was pleased with her. He laughed softly. "Well done, Y/N," he said, "as long as you listen to me, it is inevitable that you will lose yourself in the 'sacred' pleasures of sex." As the girl moaned and shook more, a hardness that belonged to Oberyn continued to swell in her ass. He wondered how hard it would get, and was equally surprised. Back in the brothel days, she had watched the son of a young, rich family fucking one of the girls in the house. When he had withdrawn his penis from the woman's vagina while he was secretly looking at them through the open door, he had seen that it was a small and slender organ. It did not look very hard, though. Now, as the hardness she felt behind her increased, she felt sorry for the boy. And she understood why he had come there.

Oberyn rose from Y/N, choosing to look down on her squirming body, and when he placed his strong hands on her waist, turning her like a wooden puppet, he spoke in a tone that showed his admiration. "To touch you is like defying the gods. But it is worth it; I am willing to burn with your fire."

Y/N tried to catch her breath and digest his words. The intensity of Oberyn's gaze startled her, but it also made her feel stronger than she had ever felt before.

The invisible attraction between them grew stronger with each second as the captivating scent of basil and sandalwood filled their lungs.

Oberyn would prepare Y/N for their new position. She was wet enough, eager enough... But she was still just a young. This time he didn't ask her. He placed his hands under her knees and made her stretch her legs. This way, Oberyn could easily slide between her legs, making sure her slit, which was burning with pleasure and completely covered in precum, was spread apart so he could insert his cock between them.

Y/N gasped as her prince's vein-throbbing cock pressed against her inner lips, and she punched the bed with sudden force. "Fuck," she screamed. Oberyn laughed with pleasure. "What would the priests and common people do if they knew that Daughter of Water they worship as a sacred virgin was screaming lust under a foreign man?" he asked breathlessly, his voice stinging and mocking. The girl's virgin pussy was so wet that the liquid leaking from her legs began to spread on the blue fabric of the bed.

Oberyn was forcing his way into her vagina, first grabbing his cock in his hand and flicking it against her clit, then stroking it all the way around her vagina a few times, then inserting a few millimeters of his tip into her vagina, but it never went in. This was driving Y/N crazy. "Fuck you, Martell!" she screamed, a phrase she had heard a whore say in the past. "I want you inside me now." As rude as it had sounded at first, she now realized how useful it was.

Oberyn was provoked by the girl's words. With sudden movements, he grabbed her by the arms, straightened her up, and hugged her as if he wanted to crush her. He pulled the hair covering her ears hard and growled through his teeth. "Do you want me to fuck you like your whore mother, Y/N? Turn the holy virgin into a holy whore?"

Y/N was aroused by these words. It was interesting that Oberyn treated her differently than other people. "Yes," she moaned, "I want you to fuck me like a whore."

The more the girl begged him, the more Oberyn became greedy. "You really need to be fucked hard by a strange man, don't you, Y/N, huh? Tell me!"

Y/N moaned breathlessly, "Oh, yes, I just want to be Prince Martell's bitch!"

Oberyn got off the bed without letting go of the girl's arm and stood on his feet. He turned the girl's back to him and placed his chin on her shoulder. One of his hands was pushing her back as he spoke. "Bend over, my holy whore," he commanded.

Y/N did as he said immediately and pressed her upper body against the bed. Oberyn placed his strong hand on the girl's back to find the position she needed and made her chest press a little more against the bed. Y/N's full ass was now clearly visible to Oberyn's eyes. Smooth as porcelain and as aesthetic as a statue. Just below, between her ass cheeks, her full pussy lips were glistening with precum reflected by the candlelight. So needy, so delicious and worthy of being spanked without tolerance...

Oberyn first placed his fingers on Y/N's right ass cheek. He caressed it gently. Then he repeated the same for her left as he now held her cheeks with both hands and stretched them to the sides. And suddenly he slid his penis into the girl's vagina. Y/N was startled and breathless when she suddenly felt his cock in her vagina. She wanted to get up, but Oberyn's hand was still on her back, keeping her steady.

Oberyn’s cock completely enveloped Y/N’s vagina. It was neither too tight for him. He threw his head back in pleasure as the rough, warm walls of her vagina encased Oberyn’s smooth manhood. “Oh, gods! I hope they’re watching us.”

It had been a long time since Oberyn had been inside such a tight vagina, and he was lost in longing for the pleasure it gave him. Each time he pushed his huge snake inside her, his swollen balls slapped against her clit, stimulating both her g-spot and her clitoral, nearly bringing her to tears.

“You like that, don’t you?” Oberyn asked between growls. “Tell me you want me, Y/N, tell me you want your prince’s big, hard, juicy cock in your horny cunt!”

Y/N was panting. With the intensity of the pleasure she experienced, tears started to flow from her eyes and she started to cry, her moans became louder and echoed in all the frescoes. "Oh, yes, I want my prince's cock inside me."

A wild moan came out of her throat with each impact as he rooted it into her tight hole. And he continued to push rhythmically. "Feeling you from the inside is like a mortal tasting heaven."

Both of them were about to reach the peaks of pleasure. Y/N's tight vagina felt Oberyn's hardness and veined surface down to its smallest cell. Oberyn's penis, on the other hand, was wrapped in Y/N's warm and knotted walls, twitching like a pulse.

At this moment, Oberyn's attention was drawn to a mirror hanging on the wall opposite the bed.

Its frame was delicately shaped and decorated with mythological figures. Women's faces, looking up as if praying to the gods, were intertwined among sacred texts embroidered in gold. Its surface was like natural water, radiating a wavy light.

Oberyn grabbed Y/N's arms before he could pull her toward him. His head found its place in the curve of her shoulder, his lips caressing her cheek as he asked if the mirror was related to her sacredness nonsense. Y/N tried to regain her composure, her breath coming back to her. Then he answered. It was a mirror made solely to reflect Y/N's virginal and "sacred" body.

There was irony in Oberyn's eyes as he emerged from Y/N, examining her as if she were a being as fragile as glass. He gently wrapped his fingers around Y/N's arm and led her to the mirror, speaking in a voice that echoed off the cold stone floor of the room. "Is this it? Is this the holy light they believe in?

The mirror had made Y/N an icon in this world. To the priests, her silhouette on the mirror's shiny surface was a mark as pure as the touch of the gods. But now... this was a night when that holy glow would be tested.

He entwined his fingers in her hair and stroked her encouragingly. "A reflection, a vision shining on the surface of the glass..." then Oberyn touched her perfect curves as if introducing their naked bodies. "But you are the real thing, Y/N. Blood, living, human..." he pulled aside the hair covering her neck and kissed her passionately. Each kiss was wet and sincere.

Y/N turned her gaze away from the mirror. But Oberyn held her chin and turned her face back to the mirror. Now her reflection was not of the godlike light she was used to, but of the heat of excitement in her body.

"We will continue here," Oberyn said softly, almost a whisper. "You will see the girl reflected in the mirror free from her chains. Now...bend."

Y/N felt guilty despite everything. When she saw herself in the mirror, she felt in her heart that she had broken the trust of the people, the priests, and even her mother in her. While the words that had been flying in the air just now disappeared, the image reflected in the mirror hit her with all its concreteness. But she never gave in to the impositions of the people, she did not really want to play the role assigned to her. The reflection she saw had changed; she was no longer an innocent icon, but the silhouette of a woman who did not hide her feelings.

Oberyn ordered her in a harsher tone this time. And he grabbed her waist tightly and helped her bend forward with a rough intervention. Y/N spread her legs. Her clitoris and vagina were still pulsing, and the colorless fluid was leaking from her legs. And when Oberyn slid back inside her, she groaned, realizing that she was still as hard as iron. He fucked Y/N much faster now. He gripped her arms to support himself comfortably and control his movements, and pressed his fingertips tightly into her flesh. Her firm breasts, defeated by gravity, shook and quivered as Oberyn moved rapidly inside her. Her vaginal walls tightened and pierced her joints each time he entered, announcing his presence to her entire body, and when he left, he created a huge void.

Oberyn leaned toward her ear, his voice trembling with a snarl. "You want their imposed sanctity to be destroyed, don't you?" She was out of breath, her moans mixing with each other. "Look in this mirror," he said, his voice so firm that Y/N obeyed. "Your innocence, your beauty, the reflection they loved so much to worship. But tonight, the gods saw you differently." He pulled her arms tightly toward him, still thrusting; he pressed his lips to her ear. His growls were still wild and ambitious. "You are breaking free from being their temple and carving your own path." When Y/N looked into the mirror, the smooth, godlike silhouette that had symbolized her virginity was replaced by the traces of sin. Now, on the surface, a body moved by Oberyn's hands, a body shaking with passion, a lustful cry on her lips. This was the story not only of a body but also of the liberation of her soul. The moment came with a mocking smile that came from Y/N’s own voice. The words she managed to squeeze out between her moans were, “Perhaps the gods are not jealous of me, but of the pleasure I feel in sinning.”

Oberyn laughed softly at her words, then took her chin between his fingers, holding her face in the mirror. As if he were addressing the gods who ruled the room, he spoke into Y/N’s skin, almost a whisper but threatening. “Look and learn. This woman has rejected your lies, and now she lives here, with her own desires, her lust. That is true holiness. That is true power.”

With the spasms and twitches that betrayed the coming of a perfect orgasm, Oberyn pressed his lips to Y/N’s. They were kissing wildly. Wet and hard. Their tongues danced in harmony. He continued, his rasping voice not taking his lips away. “I will miss this night so much… I would take you to my palace.”

Y/N could not even answer for all the pleasure she was feeling. Oberyn continued to bite and kiss her ears, neck, and jawbone. They were now close to their orgasm, their moans echoing through the room.

"Y/N, are you ready?" he moaned. Y/N was in sync with Oberyn's pace. He spoke without taking his lips off hers. "Oh, Y/N, you're perfect for me." Oberyn let go of her arms and grabbed her waist to increase his pace. He sped up, faster and faster. The "snap" sound of their flesh slapping against each other drowned out his words.

Y/N closed her eyes tightly and breathed deeply. Her chest rose and fell. The pleasure made her head spin so much that when she stretched her arms out to the wall to keep her balance, her hands gripped the edge of the mirror tightly. "Oh, my prince!" The sacred mirror trembled along with Y/N's shaking body as Oberyn continued to fuck her at a steady pace. Her balance was completely off and she was leaning to the left, at an acute angle to the wall.

Oberyn finally came inside Y/N. He clenched his glutes so tightly in pleasure that her pits were clearly visible. Y/N came at that moment. As the electrifying electricity of her orgasm coursed through her body, she used her power disproportionately against the mirror, causing the already unbalanced sacred mirror to slide down the wall and fall to the floor as Oberyn wrapped his arms around her. The sacred mirror, now shattered into hundreds of pieces, now reflected Oberyn and Y/N's lust from every angle.

Both were out of breath. Y/N’s head was resting on the prince’s shoulder, her eyes closed and her legs shaking in exhaustion as she tried to control her breathing. If Oberyn hadn’t wrapped his strong arms around her, she would have collapsed to the ground. Her juices mixed with Oberyn’s cum and seeped from the sides of his massive penis, branching out from her legs and running down to her ankles.

Y/N’s eyes caught her reflection in the broken mirror on the floor. The impositions of virginity, sanctity, the gift of the gods had vanished one by one.

Her ears were still ringing when Oberyn released her. “No more sanctity,” Y/N said, her breath coming in short gasps, her voice carrying a dark pleasure and a hint of mockery. “The Water's Daughter of Pentos, destroyed by her own decisions.”

Oberyn took her face in his hands and kissed her passionately on the forehead. “Holiness is a chain only for the weak,” she said, her voice a whisper of defiance. “You are not a daughter of the gods, but of your desires and your freedom. If you have power in this world, it is your will to be your own.”

The reflection in the shards was a sign of chaos for Y/N’s people. The holy virgin was now tainted; a crisis of faith would erupt between the priests and the people who believed that her body would bring fertility. When the land lost its fertility, the priests would surely blame Y/N. But Y/N felt the lightness of freedom, not the weight of her sin, in the mirror.

“Oberyn,” she said, her eyes now on Oberyn’s. “These people sought to enslave me to their gods. But now I will show them that I am only mortal. I am neither holy nor cursed. I am only myself.”

Oberyn smiled, with the pride of a victorious general. "And so I chose you," he said, his fingers touching her cheeks. "These people wanted to use you for the gods, but you lit your own light. Now all will see that you belong only to yourself."

The mirror no longer symbolized holiness, but rebellion and freedom. Y/N's reflection reflected her own choice instead of the definitions that had once been imposed on her. The chaos of the people and priests would echo a revolution that had begun in front of the mirror.

The morning sun of Pentos rose above a continual chaos. The streets of the city were filled with talk of the fall of Daughter of Water and the lies of the priests. Whispers of Y/N’s loss of sanctity had spread to every corner of the city; the woman who had been seen as a symbol of fertility was now a sinner in the eyes of the people. The priests tried to erase the traces of this event that had shaken their faith, making promises to keep the people in check. But the roots of the chaos were too deep. The lands of Pentos would never be the same again.

Oberyn Martell stood on the deck of a ship that waited silently in the harbor, taking one last look at the city he had left behind. A wry smile was on his face, a combination of the destruction he had left behind and the freedom he had gained. Y/N had chosen her own path, and with Oberyn’s touch she had broken the chains imposed on her. Her virginity may have been sacred, but no one could offer that sacredness to the gods anymore.

This city was merely a stopover for Oberyn, the beginning of another adventure.

“Prince Oberyn,” the captain said, coming up behind him. “We are ready.”

Oberyn turned once more to Pentos. His eyes scanned the horizon of the city, his thoughts following the chaos he left behind. “Divinity,” he muttered to himself, “is a lie invented only by the weak. But chaos… that is the true gift.”

He walked across the deck to the prow of the ship. He leaned his hands on the side rails as the salty air rising from the sea filled his lungs. His heart beat with the excitement of a free man. The marks he had left on the city would not be forgotten for long, but Oberyn had no place in his life for the burden of the past. The seas and new horizons, pleasures to be discovered and vengeance to be taken, answered his call.

The skyline of Pentos grew smaller as the ship slowly left the harbor. Oberyn turned and looked to the horizon. The sun was drawing a golden path across the seas, heralding a new adventure. "The story of Pentos is over," he said to himself, "but mine is just beginning."

And so The Red Viper of Dorne set sail for new adventures, leaving a city full of chaos in his wake. The lands and peoples that awaited him were ready to bear the mark of Oberyn Martell.

[moirindeclermont]

5+ things I love about the Mirror Scene

also know as horny edition, reprise, again I decline every responsability if "feelings" arise during the reading of this thread. I'll be tempted of discussing the scene frame by frame, but I shall restrain myself to the most important points maybe

1) Words. This is not just about the speech at the beginning of the scene but also throughout the entire piece. I'm a writer, ofc I love when people use words well. Pleas don't make me say how many times I though about Mr Colin "I love dirty talking" Bridgerton (a couple of people actually knows) because it could become uncomfortable very quick.

2) Consent. Consent. Consent. I'll repeat every time because it's the sexiest thing I've seen. What do you mean it ruins the mood? Your partner is checking in with you and it builds trust connection and intimacy. It's not apart from the act. It's a fundamental part of the act.

3) Boobs. I'm sorry to report that, even as a fellow member of the perfect breasts club, I'm absolutely not immune. Not even one bit. I'm not even sorry I'm not immune. Thank you, Nicola, your service was wildly appreciated. (But seriously, did I buy a more revealing dress because I was a bit more confident of my own because of this bit? Yes! So, jokes aside thank you Nicola for your service)

4) Guidance. Gentle Dom Colin is my favorite Colin and I will never be able to hear the word "lie down" without thinking of him. But also, the tenderness displayed, the softness, the attention to the partner's needs, it's all part of a pattern of Colin being the most attentive partner.

5) "You are so beautiful", I'm not going to lie, I'm still walking 5 feet taller because of that. It healed something in me. It doesn't magically cure all the self issues problems, but it hit me the first time and it hit me again everytime. And if it was healing for you as much as it was for me, let me give you a hug. You are so beautiful!

(I can't believe I can't find the gif, if someone knows where to find it, please tell me, i'll edit the post)

6) "Not there. Not yet." Colin Bridgerton, Master of Edging. I see you Sir. I approve you wanted to wait for round 2 for that. But don't hide you did say that because you would finish in 0.1 second if she would arrive that. Still, even just for the cutest expression on Pen's face, it was worth it.

7) "Is there more?", Pen I want to hug you (respectfully and dressed, of course). His nod. Her blinding smile. Lord (don't) forgive me, I do not care about sinning when it never looked and felt better.

Gif by @polinsated

8) All the moments where you can see the lust and the pleasure in Pen's eyes. I will never shut up about it. They send me always into the stratosphere because it feels real. I don't know they do it, but it just feel real.

9) "Can we do it again?" What can I tell you? It's always the quiet one (I should know, I'm also a quiet one 😏) I'm not sure Colin realize what he did awake but he will become aware soon. I'm sure he doesn't mind.

(it's not my gif, stupid Tumblr, it's from @polinsated )

10) Let's be honest. All the above are real, but what really sell this scene is trust, connection and intimacy. It's not an easy thing to communicate but somehow they do it perfectly. And the nudity is functional to this goal. It adds another layer.

I love this scene but the me I was some years ago might have hated it because it is a mirror indeed for me. The me I am now is grateful that this scene exist. Because it's kind of the goal, to have that trust, intimacy and connection. So maybe it's a sign from the Universe. Maybe it's a sign of things to come. I certainly do hope so.

Maybe one day I might be able to talk about this scene without tearing up, but today is not that day.

[katakaluptastrophy]

What do Captain Deuteros, the Princesses of Ida, the Baron of Tisis, the Lady of Koniortos Court, the Duchess of Rhodes, the Master Templar, and the Reverend Daughter all have in common? They almost certainly own slaves.

Ok, not "slaves". As I'm sure Housers would be the first to tell you, they do not have slaves. Gideon herself explicitly establishes this in chapter one:

I’m indentured, not a slave.

But functionally, what does that mean?

We don't get a definition of what Gideon means by a slave, or how this word is used in House (do the Houses also have slaves? Are slaves something other, uncivilised people have in the benighted darkness beyond the light of Dominicus and the empire?). Gideon is an unfree person who is subject to violence and exploited for the financial gain of her masters, but it means something to her that she is not, in some economic or legal sense, a slave. So what is an indentured servant?

Gideon's status is referred to using several other terms over the course of GTN, primarily by Silas Octakiseron. While Silas is not an unbiased commentator, it's interesting that his objection to Gideon is not just because she's Ninth, but because she has usurped her social position:

“Thrall,” said Silas. “Serf. Servant... Villein,” continued the necromancer of the house of the Eighth, warming to his thesaurus. Colum was staring at Gideon, almost cross-eyed with disbelief. “Foundling. I am not insulting you, I am naming you for what you are. The replacement for Ortus Nigenad, himself a poor representative of a foetid House of betrayers and mystics.”

We don't know the exact connotations of these words in House. But a "serf" historically was a sort of feudal peasant tied to the land of a manor. Unlike a slave, a serf usually couldn't be bought or sold as an individual, but could be transferred wholesale with the land. Generically speaking, serfdom involves a tie to the land, an obligation to generate income/goods for the feudal lord of the land through labour and/or rents, and a lack of freedom of movement. It could be from birth or a voluntary indenture.

The contextual information that we get about Gideon's status backs up this very feudal image:

Gideon is, as Crux repeatedly reminds her, in some way the property of the Ninth. She wears a security cuff, and her attempt to run away is described as theft and misuse of House goods. In a typically House way, it is not just that she owes them her labour - she owes them her body once she dies. (What's interesting is that this part isn't specifically tied to her status as an indentured servant, but it fundamentally colours how it is understood in world.)

"You talk so loudly for chattle, Nav... You chatter so much for a debt. I hate you, and yet you are my wares and inventory."

Crux is Harrow's seneschal. And it would seem that at least on the Ninth, this role is very much the same as its medieval feudal equivalent: the official in charge of the management of the estate's goods and labourers.

Gideon is a legitimate subject of violence in House law: Harrow talks about how it would be "master's sin" if she "employed unwarranted violence" against her. Which means that some degree of violent punishment of indentured servants is legally permissable.

She is meant to be a financially useful asset: regulations exist governing indentured people joining the military, where they can generate revenue for their House. However, Harrow warns Gideon that "the Cohort won’t enlist an unreleased serf" - because the movement of a serf is at the discretion of her Lady, not something over which she has free choice.

The description of how Gideon came to be of the Ninth is particularly interesting in shedding some light on the institution of indenture in the Houses:

The Ninth had historically filled its halls with penitents from other houses, mystics and pilgrims who found the call of this dreary order more attractive than their own birthrights. In the antiquated rules of those supplicants who moved between the eight great households, she was taken as a very small bondswoman, not of the Ninth but beholden to it: What greater debt could be accrued than that of being brought up?

Medieval serfs too had no freedom of movement; they required a license from their lord to spend extended time away from the manor.

It's easy to forget, when the Houses themselves likely range in scale from the size of Los Angeles to Aotearoa New Zealand, that legally they seem to understand themselves to constitute feudal households. Those born in each House are part of - or in some cases it would seem, property of - the House. We see discussion in the Sermon on Necromancers and Cavaliers of the heirs of cavalier lines being traded between Houses for political capital. Necromancers, meanwhile, are apparently such a political or reproductive asset that they are usually not allowed to marry outside their House. Obviously, these are examples of people at the top of House society, whose movement brings with it political power, or financial assets, or reproductive capacity. Where does that leave a more ordinary person who lacks those desirable assets? It would seem that they can be their own asset, granted access to another House on a debtor's bond - it's not clear in the House context whether this is typically an exchange of people already debt bonded to their House, free people entering into such bondage to secure a right of passage to another House, a combination, or something else entirely.

But it speaks to a much more ancient understanding of how people are tied to lands and lords, alongside the Houses' very different attitude to the value of human lives:

“You’re no slave, but you’ll serve the House of the Ninth until the day you die and then thereafter"

One could infer, since we've encountered nobles and serfs, that the Houses have something akin to a three-tier system like many historical European feudal systems, with nobles, freedmen, and serfs.

The medieval European feudal system was primarily a function of the management of land - serfs and freedmen's statuses were a result of their relationship to obligations to the land - requirements of work, or rents to their lord, who ultimately controlled and profited from that land. This is where the tricky difference between serfdom and slavery tends to arise.

But the Houses are not a European medieval feudal kingdom. They are not, presumably, a primarily agrarian economy. So what use might such bondspeople be? What does that society look like, outside of its highest nobles investigating each others' murders and its strangely incestuous demigods?

There must be some agriculture and industry. Given the trying conditions of living in inhospitable space environments, that there might be some class of labourers fundamentally tied to their Houses, perhaps initially stemming from the order or situation of their ancestors' resurrection, isn't impossible to imagine (after all, ruling families and cavalier lines also trace their status from the Resurrection). From the information about the rules governing movement between Houses, perhaps there are also people living in dire conditions on remote moons willing to sell their freedom for a chance at slightly better conditions, or a new start in a different House. Most Houses do not have the necromantic capacity to create skeleton constructs on a scale to manage most of their labour - in The Mysterious Study of Dr Sex, it's clear that the Sixth has a finite supply of skeleton constructs that they would require Ninth input to overhaul. We have to assume most labour on most Houses in human, and some portion of it at least in some way unfree.

But the Houses are a spacefaring society with a large, centralised military and an economically complex empire. It does not function entirely like a medieval kingdom, however much it may sometimes look like one. Much of its imperial structure seems to be on a much more 19th or 20th century model.

And the Cohort is one area where we can see some non-medieval, but awful implications to the Houses' practice of serfdom. Consider the commission that Harrow offers Gideon:

It purchased Gideon Nav’s commission to second lieutenant, not privy to resale, but relinquishing capital if she honourably retired. It would grant her full officer training. The usual huge percentage of prizes and territory would be tithed to her House if they were won, but her inflated Ninth serfdom would be paid for in five years on good conditions, rather than thirty.

Gideon is not being promised as canon fodder - this is a promise of officer training. And yet, Gideon is a serf - and that officer training would be an investment in financial returns from her involvement in the bloody machinery of empire.

How many people in the Cohort are not free? Are serfs released from their usual obligations in the House to which they are debt bonded to instead generate income for their House on the battlefield or die trying? What proportion of the Cohort are functionality enslaved children, sold a dream of glory by smutty comics and released by their Houses because their eventual deaths will be more profitable to their Houses than their labouring lives?

And fundamentally, if the Houses are in some way substantially reproducing aspects of medieval feudalism, there's only one person who can be responsible for that...

[kanagenwrites]

Hey folks. My name is Kanagen (It's pronounced Ka-na-ngen. Kana is fine.), and I'm a writer. I mostly write sci-fi with a more or less sapphic bent, and I'm not shy about putting lewd content in what I write because fuck petty moralism.

I'm active in the Human Domestication Guide writing community, where apart from being an author (see below), I'm also a Loret, which means I help maintain and update the lore of the setting, help new creators with questions about it or how to fit a story into it, and so on. All of my publicly available fiction at the moment is HDG content, but I plan on working more on my own original settings and concepts in the future.

I have a Patreon, where I post my current long-form project's drafts chapter by chapter, once weekly. I also occasionally talk about my writing process. I'm hoping to expand content there in the future as well.

I don't use social media very much because I remember what the internet used to be like before walled gardens and techbros ruined it. (You kids really don't know what you're missing.) Nevertheless, the life of a freelance writer rather demands I put myself out there somehow, so here I am. You can also follow me on Bluesky, if you want. Ask me questions, behold the weird stuff I reblog, and try not to get too parasocial with me. I'm just a weird lady who puts words in funny shapes.

Bibliography

Long-Form Fiction

To Dine on Dust (ongoing) - A detective walks the streets of a weird, Jazz-Age Neo-Assyrian Empire that never was, trying to track down a missing goddess. A noir mystery-thriller with ancient Mesopotamian flavor, the coruscating power of divinities and the dead, and of course lesbians. Lots and lots of lesbians. This is one of my stories, after all. This is my current project, and unlike my HDG work, I won't be liveposting it publicly every week; if you want to know more about it, check out my Patreon.

Human Domestication Guide

Long-Form Fiction

No Gods, No Masters - A revolutionary leftist copes with the subtle differences between her own idea of the perfect world and the just-a-little-off version of it the Affini offer. First novel-length work in the Tillandsia Trilogy; highly suggested you read this before The Floret in the Mirror and especially Freedom's Ember.

The Floret in the Mirror - A mystery/thriller about identity, digitization, and impossible simulated lewdness. Content warning for amnesia resulting from traumatic brain injury as part of the setup. Sequel to* No Gods, No Masters*.

Freedom's Ember - Sixty years after the Affini conquered her world, a woman clings to her independence; sixty years after being frozen for cryogenic flight from the Affini, a woman struggles to discover who she really is when freed from her father's influence. What is freedom, and what does it mean in the context of the Compact? Sequel to No Gods, No Masters and The Floret in the Mirror, conclusion of the Tillandsia Trilogy.

Sui Generis - A martian attorney living on Earth finds adjusting to life with the Affini easier than most; she was already keeping her wife as a pet before they arrived. The real question is, where's that strange jealousy coming from?

Short Fiction

Mainspring - A Terran secret agent is captured by the Affini, trapped by artist for whom his body is a canvas, and she means to make of him her magnum opus. Wind-up doll content, and probably my most commonly cited story for "this rewired my brain"-style reactions.

Reading the Leaves - A tea-obsessed barista, an affini new to humanity, and a sweet (if awkward) romance culminating in a very raunchy ending. Entry for the HDG February Fluff Fic Jam 2024.

The Fifth Fundamental Force - This story is a silly joke. It should not be taken seriously, though many inevitably do.

Aftertaste (stalled) - A former quadrillionaire and epicure who just barely avoided domestication is tracked down by an affini culinary anthropologist who wants to use his brain to reconstruct a lost flavor using his long-buried memory - he was the last human to ever taste bluefin tuna. This fic is only sporadically updated because the stars must precisely align for my brain to be in a state to write boyliker fic. Sorry, I'm just really gay, y'all.

[2ofpentacles]

An Extensive Character Analysis of Zelkov

You guys know that I'm a little unhinged about him, so have a lengthy examination of who he is and why he's like that.

Zelkov is an extremely unique, multilayered, and complex character. His supports are all excellent, ranging from funny to heartwarming to tragic. He had me from the moment he said, “It may appear as if I am sitting *mysteriously* by the fire, but I am actually cooking yams.” 

A few facts

His birthday is August 2nd. He’s 6’1”. His hobby is listed as “everything,” but he specifically likes reading, cooking, and sewing. His talents are “medicine and mystery.” His favorite foods are mostly carbs and potatoes. He hates being in the sun/heat and finds it exhausting. He carves a statue of Alear on the Somniel. The Ally Notebook describes his personality as “Meticulous and multitalented. Speaks in a *mysterious* way. Pursues activities passionately. Strong nurturing instinct.” I might add “extremely depressed, melodramatic, perfectionist workaholic.” So let’s break that down.

What’s his deal? The first thing you notice is that he emphasizes seemingly random words in his speech (also he never uses contractions). Why? For fun. As he says to Alear, “I may speak in a way that *suggests* a deeper meaning, but rarely is that actually the case. It is simply another way of “killing time.” Idle *amusement*, nothing more.” He also does it to appear more mysterious. The second thing you notice is his hobbies. Why does he have so many hobbies? To give him a reason to live. Again, as he says to Alear, “Once my work is done each day, I fill my evenings with these varied *pursuits*. As I *enjoy* them, I am always mindful to leave something unfinished for the next day. That ensures I always have a project. A reason to *continue* living.” He describes something as being “*fatally* boring.” With anyone else you would think it’s hyperbole, but with Zelkov you kind of wonder.

Additionally, he is a master at all his hobbies, as you see in many of his supports (such as Amber’s) or else he will work tirelessly until he does master it (as in Clanne’s). Of course he’s just as (if not more) serious about his job. As he tells Roy, “Our training begins now, Roy. It ends only when my body *collapses* from exhaustion.” He’s a perfectionist. He tells Camilla, “The thought of *failure* fills me with dread.” If he has to be healed frequently in battle, he’ll say, “That I should suffer so many *injuries* in battle is positively humiliating…”

The next thing you notice is his “strong nurturing instinct.” It’s particularly obvious when he’s interacting with children like Jean and Anna, and also Emblems that he thinks of as children, such as Tiki and Veronica. This often manifests as him giving them things (he also gives gifts to Ivy and Kagetsu). It’s most obvious in his support with Citrinne where he flips out about a bird he raised leaving the nest (he literally asks how he can keep living and is not over it by the end of the support chain), and then she asks him to write letters of advice to people struggling.

One of his characteristics that is less noticeable, but still very present if you look, is his lack of self worth. He calls himself a wretch in his support with Jean. He considers himself to be a bad influence on Alear. At Florra Mill Town he says, “Quite an *idyllic* scene, this. Someone like me is as wrong for this place as battle.” Most blatant is his bond conversation with Corrin. He says, “I have killed many people. So many, in fact, that I sometimes feel *violence* is all I am good for.” Corrin says, “If that were true, you would be a fundamentally bad person. I don’t think that’s the case.” He replies, “Your words are comforting, but I am afraid that is *precisely* the kind of person I am.” 

Now, as much as I’ve emphasized what a sweetheart he is, he can absolutely be ice cold. He’s not afraid to say exactly what he thinks (albeit very politely) in a cold, impersonal way as you can see in his support with Ivy. On the way back to Elusia, he says, “I have no issue with cutting down anyone in the Elusian army now. Not even the *familiar* faces.” In the DLC, he tells Fell Ivy, “I will end you now, and I will feel nothing.” (After she says that he can die for her again.)

There’s a reason why a lot of people start out scared of him. It doesn’t seem like he quite realizes this though. He doesn’t understand why Kagetsu thinks he dislikes him, and has to ask Yunaka about the impression he gives. Yunaka gives a good rundown. She says, “You’ve got the same killer instinct I do. It practically oozes from your pores. Like slime!” She describes his eyes as ice cold and calculating, and goes on to say, “Normal people don’t go around evaluating what folks’ lives are worth. That’s an assassin thing. You’re always probing for weaknesses too. Considering vectors of attack, right?” If he throws himself so entirely into his hobbies, you can imagine how intense he was about training to be an assassin. Which leads us to…

His history

The Ally Notebook tells us “From a wealthy family in a forest town of Elusia. Parents and younger brother were murdered by bandits.” In the Japanese version, it’s specified that his brother was his twin. We also learn from Jean’s support that Zelkov’s mother was a physician. It’s because of her he knows so much about medicine. We don’t know how old he was when his family was murdered, but he says that his mother has been dead for more than a decade. He swore revenge (he calls it his first pursuit) and became an assassin. He tells Alear, “A decade ago, my efforts bore their last fruit. All my family’s killers were vanquished.” If we’re considering his datamined age (28) to be accurate, that would put him at 18 when he accomplished his revenge. He continues to tell Alear that, “Once I had achieved my end, I suddenly became aware that I had nothing left. No purpose. It was King Hyacinth who rescued me, quite by chance. I was selected to join the royal guard. Then I was promoted to retainer, and that purpose has sustained me in large part since.” We don't know exactly how long he's been Ivy's retainer (although I have theories), but we know he was there before Kagetsu. (As an aside, Zelkov was able to defeat Kagetsu, so we know that Zelkov's a better fighter than Diamant who could only fight Kagetsu to a draw. /jk… mostly). Anyway, it’s clear that he fears his life lacks a purpose, and he uses his hobbies to fill that void. Now let’s talk a minute about…

His purpose

It’s being Ivy’s retainer, currently. He says as much in that quote above, but it’s reiterated multiple times. Edelgard tells him, “I’m glad you work hard for Princess Ivy’s sake, but be sure to take care of yourself as well.” He replies. “My duty *preoccupies* me. That is all the care I require.” In his conversation with Marth, he says, “The loss of my family left me with an emptiness that not even *revenge* was able to fill… Fighting for Princess Ivy gives me *relief.*” To Ivy herself, he says, “Princess Ivy, I hope you know I *enjoy* my work. In fact, when I have a task before me, it is my way to *immerse* myself in it entirely. In those times, and *only* those times, my mind is truly at peace. So long as I am your retainer, so long as there is *work* to do… I have a purpose. That is how deeply I appreciate working for you.” (I think people tend to take their support chain at face value that they dislike each other, when it’s much more complex than that, but that’s a whole post on its own.)

Although being Ivy’s retainer is currently his purpose, the fear of not having one in the future is still something that occupies his mind, hence all the hobbies. His ending card says that he later founded an orphanage.

In Conclusion

So what we have here is a man who has no sense of self worth who believes his life is meaningless. Despite all the kind and caring things he does for everyone around him, he thinks he’s only fit for violence. He ponders with Sigurd whether his revenge was just, and comments on Yunaka’s lack of regrets in a way that implies to me that he does have regrets. He’s desperately searching for a purpose, but in the meantime uses his hobbies to fill all his free time so that he doesn’t have to think about all the terrible things that he’s experienced. And speaking of which, his “superlative” in the Ally Notebook is that he sleeps the least of any ally. This is because, as he tells Tiki, “Old *nightmares* preclude me from proper sleep. I only dare to nap.” 

But for real, most of his supports are pretty funny.

Anyway, let me know if there’s anything you think I missed or disagree about. Also if you want to hear about my extensive headcanons, including: What’s with the keys? and Why does he have crit quotes in French?

[crooked-wasteland]

I'm very much looking forward to your Stolitz/HB is a bad musical essay. I've had my own thoughts on HH being subpar as far as a musical goes but never really felt like I had the knowledge on musicals as a narrative style nor as a music genre to do it much justice; excited to see you tackle the topic in regards to HB! 🫡

I absolutely understand the hesitation. It isn't like I personally have a masters in Musical Theory, but I think we as a generation have had musical theories subliminally inculcated into our psyche from the sheer amount of exposure that we can understand what makes a good musical and recognize when those qualities are simply not there. No one has reservations talking about how bad Wish was as a musical, and what I am finding in my own deep-dive for this essay is that Helluva Boss and Hazbin Hotel suffer the same issues as Wish. The lead in music being Sam Haft who is not a musical theatre composer and frankly doesn't understand how musical theatre functions on a fundamental level.

For a small preview of a major point in my essay that I plan on expanding much more, Helluva and Hazbin completely lack an understanding of musical diegesis. This may be a new term for some. Diegesis is most often referenced in how music interplays within a movie or film.

Most of the time the music is not diegetic to the story. When we have big moments in our media with that swelling emotional music, we don't think that there is an orchestra just off screen playing this music for these characters. We are aware the music is an external component to the story. In this way, the music is most often not diegetic to the narrative.

Of course that isn't always the case. Take for example Guardians of the Galaxy and how the films utilize their soundtrack. Starting the movie off, we hear Come and Get Your Love as we would hear any other soundtrack, only for Peter Quill to remove his headphones and the music can be heard playing faintly over them. That makes the song Diegetic.

Another example is Shrek. All of the pop songs in the films are non-diegetic, but there are diegetic songs in, say, Shrek 2 with the Fairy Godmother singing Holding Out for a Hero.

To pull back to more direct inspiration, Happy Day in Hell is nothing more than an embarrassing parody of Beauty and the Beast's opening number Belle. However, Belle is non-diegetic. The Townspeople are singing their thoughts and feelings, but that is not what literally is happening. And Belle turning at the end isn't supposed to be taken as literally the town coming to a halt just to follow her and talk about how weird she is, but that the town as a collective sees her as an outsider and she gets that sixth sense sort of feeling of people judging her. Because they are, they just don't say anything. That is a key crux for the film.

Every single song in Helluva Boss and Hazbin are diegetic. We know this because Vaggie tells Charlie not to sing and we are told by Angel Dust explicitly that Charlie is, in fact, physically singing. Stolas' song ends with Stella telling Stolas to stop singing. Striker, Verosika, Moxxie, Stolas, Fizzarolli, Glitz & Glam, and Asmodeus all sing as a part of a literal performance.

In fact, Hazbin goes out of its way to shoehorn in-universe reasons to have a song rather than just allowing the world to exist in that heightened reality. Additionally, by having the songs explicitly being legitimate songs in the world, we actually face more issues with the world building because on one hand Vaggie is begging Charlie to not sing and is struggling with the secondhand embarrassment, only for the denizens of Hell to join in? Except the world has established that singing is not something people just do. It is the one time the criticism of "Why is everyone singing" and "How do you all know the words?" Are legitimately valid questions.

This all screams insecure and shows a clear discomfort with the genre of musical theatre as a whole. There is no depth of understanding how music in musicals function, just like Wish.

That isn't even touching on how San Haft's lyricism is identical to Wish's worst numbers with how he just borks the internal structure and meter of his songs.

[janearts]

Loved reading your thoughts for Roisia's companion quest! Do you have any thoughts on how Roisia would resolve the situation with her father while she is the protagonist? Would one of her companions (like Wyll or Karlach, perhaps) notice that her father is unhappy as he is and remark on it, which could help sway her in one or another direction? Or are you just letting all of the possible resolutions live as nebulously-canon at this point? (I'd be so curious to know how she'd feel about the Avatar of Kelemvor asking her to kill Astarion who she romanced, were she put in that situation.)

[The ask refers to these thoughts on Roisia as a companion.]

Thank you!! I'm glad you enjoyed it. I've answered your questions below the read-more.

Do you have any thoughts on how Roisia would resolve the situation with her father while she is the protagonist?

Roisia would be oblivious to the fact that her father is deeply unhappy with the current state of affairs. Roisia is too fixated on the fact that he's here again and she gets to have more time with her father (her gain) than on the fact that his life in the here and now is fundamentally different from how it used to be (his loss).

Unfortunately, Roisia would not resolve the situation with her father because she's not aware there is a situation to be resolved.

Would one of her companions (like Wyll or Karlach, perhaps) notice that her father is unhappy as he is and remark on it, which could help sway her in one or another direction?

I thought that Wyll would gravitate to Roisia's mother since they're both monster hunters or Yasmin was at one point anyway. (Yasmin can show him the trophy room!) I see the same thing happening with Karlach. I thought that Shadowheart or Halsin would be more intuitive when it came to Jairus, but I also considered that Astarion might clue in as well as an "undead creature" himself. I don't know if any of them would remark on it to Roisia, however. If they did, my concern would be that Roisia would persist in the belief that the solution to her father's unhappiness is the true restoration of flesh and bone rather than asking him if he would prefer a merciful death at this point.

Or are you just letting all of the possible resolutions live as nebulously-canon at this point?

100%. As far as I'm concerned, all of the resolutions I outlined are possible, but none of the resolutions are canon. (Or they're nebulously-canon as you've said.) I scripted what I thought could happen if Larian were to say, "Hey, I need you to write a companion quest for Roisia that has a beginning, middle, and an end." But as an artist outside of that hypothetical scenario, I definitely like to live in the middle of the story.

(I'd be so curious to know how she'd feel about the Avatar of Kelemvor asking her to kill Astarion who she romanced, were she put in that situation.)

By my own fictional parameters, I played a game in which I encouraged Roisia to pursue Necromancy, which means that she is deeply, deeply familiar with the spark of humanity that lies within the undead. She has tried to wheedle information out of Withers, reunited Mayrina with her undead husband, freed Thrumbo and his zombie compatriots from their mummy lord, she's talked with ghouls and ghasts, and has freed Astarion from his vampire master.

So even if she hadn't romanced Astarion, she would still deny the Avatar of Kelemvor because the undead aren't just glorified field experiments to her, they're fully-fledged people in their own right, worthy of care and having a voice in their own destiny.

The fact that she romanced Astarion just adds angst to the picture because she would be asked to choose between two [undead] people whom she loves very dearly. She so very badly wants to restore her father to how he was when he was alive and a part of her still wants to be a Cleric of Kelemvor, but she wouldn't be able to bring herself to kill Astarion. (Which he knew. Of course. Naturally. Didn't have a single doubt or a flicker of fear in his mind at all.)

[celtigxr]

The Pink Dread (Master List) - - - - - ch. xiii: Girl's Night

Chapter Summary: The night is young, and so are they. 🍷🍷🍷

Word count: 4530

Sneak Peak: Aegon turned to look at his brother, shit eating grin plastered on his alabaster face, “This is the best day of my life.”

Warnings: Copious amounts of alcohol, public intoxication, a fun time.

T H E   R E D S

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Valeana was quite surprised at how fast she fell into friendship with Wylla Stark and the third Baratheon daughter, Ellyn. It was within their company that she realized a fundamental truth of her life: she had no real female friends. She had her sisters, but sisterhood bonds through blood and marriage was an obligation. Valeana was always on guard with Floris, and Shyla was… Shyla. A cross between a cat in heat and a drunk butterfly. She had little in common with her.

The day of the two house’s arrival was the same day the King and several of their family members left to attend the funeral of the late Princess Visenya, the youngest grandchild and only daughter of Rhaenyra. Val would have gone with her brother, but she was more of a stranger now to the crown princess. She might have known her better as a child, but after a decade, it felt improper to reunite under the dire circumstances. Clement, however, knew them more closely, having sailed back and forth to Dragonstone and Driftmark more times than she cared to remember. 

The days began somberly now that the Keep was garbed in black and bleak clothing. While the sun still blared overhead, there was a dark cloud over King’s Landing; even the smallfolk mourned the loss. Though life at court still went on, and the convergence of the castle’s occupants was required as if it was a job.

It was expected for all eight of the young ladies to mingle. Cassandra, the eldest, was nearly as hard to endure as Floris (Grafton). Always complaining and pinching her face in clear disgust over the most trivial things that bothered her. Maris was quite the talker; she loved the sound of her own voice almost as much as she loved correcting people. Though, Valeana had noticed whenever a male was present, she would go silent and red-faced. Little Floris was delightful though, but incredibly naive. She took to Shyla early on, but seemed to be struggling to keep up with her. When she did talk, it was only ever about Daeron Targaryen. To balance that out of course, Shyla would talk about Aegon, so it was really an endless circle of prince talk between the two. And then there was Ellyn, who was mostly quiet but often made silent looks behind the rim of her cup that clearly communicated her opinions.

At one point, Cassandra scoffed at younger Floris when she swooned over her absent lover boy, claiming it made her look desperate, and how she– Cassandra that is– “would never be so easy for a man” and how Floris should act more “mysterious and unavailable”, like her. Ellyn’s eyes widened and her perfect U shaped smile quickly hid behind her cup while her trembling shoulders exposed the internal battle she had with her own giggles. 

Valeana felt a bubble of laughter from the girl’s expression alone, and tried fruitlessly to swallow it, but it ended up coming out like a suppressed hiccup. 

Then there was Wylla Stark, who embodied mysterious and unavailable. She sat with her legs perfect crossed under her grey and blue skirts, glass goblet in her elegant hand with her long almond shaped nails, and asked:

“How is that going for you, Lady Cassandra?”

Valeana and Ellyn could have died at the way they were holding their breath to prevent themselves from laughing. 

After that moment, the three spent as much time together as possible. Valeana needed the distraction to keep her mind off of Aemond and his rejection of her peace offering. With Helaena and her brother at Dragonstone, and Aegon fucking off somewhere, she didn’t have anyone else to turn to. 

It was the evening sometime after the hour of the bat, and the three girls were deep into their cups. Their faces flushed with laughter, liquor, and the humidity that still lingered in the night air after a long hot day. 

“It is so bloody hot here, I do not know how you southerners stand it,” Wylla pulled at the loose fabric of her bodice to air herself out. It was enough to see the tops of her breasts, which Valeana caught Ellyn openly staring at. “I miss the cool breeze coming from the North.”

“You get used to it,” Ellyn said, moving her fan to cool off Wylla, who arched her neck in gratitude. “In Storm’s End, it’s always humid. We’re so close to Dorne, but with all our rain, it is never a dry heat.”

“I can’t imagine living somewhere where it storms that frequently,” Valeana leaned her head back into the armchair she sat on, closing her eyes in an attempt to stop the spinning of her head. “Claw Isle has its storms, but at most a few times in a moon’s cycle.”

“I do envy your home, Valeana,” Wylla sighed when Ellyn stopped fanning her to relax her arm. “I’ve always wanted to go to the beach.” 

“You’re in the south now– plenty of opportunity to see the beaches,” Ellyn suggested. 

Valeana made a face, “King’s Landing isn’t a place known for it. Unless you want to smell like fish and shit, and find severed feet along the shoreline.”

“Severed feet?” Wylla said appalled, “Why feet?”

“When people die at sea – or dumped in the water – fully clothed, overtime the water causes it to bloat and decompose. However, the shoes keep the feet afloat, so eventually it just–” Val makes a motion with her hands, micking a limb being pulled off. “--pops off and floats around until it gets beached.”

“That’s disgusting!” Ellyn looked both shocked, but morbidly entertained. “How in the world do you know that?”

“Me and– and Prince Aemond,” invoking his name already gave her a headache. “We used to walk along the shores of Blackwater Rush with Ser Criston, and we would find them more often than I’d care to admit. Maester Orwyle explained to us why. Now this knowledge haunts me to this day, so I must pass it onto others.” 

“How considerate of you, Val,” Wylla shakes her head and takes a sip of her wine. “I will treasure it always.” Val cracked open her eye and pointed at her with a heavy arm, “Good! It will be useful information. In the North… where there are no beaches. Just snow… and hairy men… and-and, whatever it is in the North. Whatsitcalled? Cold Walkers? Ice Soldiers?”

“Shhhh,” Wylla chastised her through her laughter, “They’re called White Walkers, and please do not say it so loudly. It will summon my brother and that is the last thing we want.”

“I mean,” Valeana lifted her head and wagged her eyebrows, “It’s what you don’t want.” 

A pillow went flying at her face, causing both her and Ellyn to bark out laughing. 

“What? What?! Is that not why we are all here? To marry? Find a husband, and all that–” Valeana made a raspberry noise with her lips. 

Ellyn snorted, covering her face, “Oh, gods, do not remind me. That is all I’ve been hearing from not just my father, but all my sisters.”

“You would not want to marry Cregan, darling, trust me,” Wylla waves her off. “He will bore you to tears.”

“But he’s nice on the eyes,” Valeana smiled sheepishly, knowing she was baiting her Northern friend.

“Just wait until your brother returns from Dragonstone, Celtigar. I’ll climb him like a tree.”

“What’s stopping you now, Stark? I’ve got a brother right here.”

“Little Arthor,” Wylla mock pouted, “He’ll suffocate too easily between my thighs.”

“Oh, gross,” Val covered her face, “Please do not paint that image in my head.”

Ellyn shook her head, mildly amused, mildly horrified, “I am so glad I do not have brothers.” 

“Yet,” Wylla reminded. She adjusted herself in her seat, tucking her bare feet under herself to get more comfortable. “So, ladies, tell me: what are your goals for this Conclave? Who do you desire to be betrothed with?”

The Baratheon snorted, “Like we have a choice?”

“Let’s suspend belief for a moment, and pretend we do.”

“I haven’t thought of it,” Ellyn confessed, pulling her knees up to her chest, mug delicately cradled between both hands. “To be honest, if I had a choice in the matter, I would not marry at all.”

“Here, here!” Valeana raised her drink. 

Wylla snapped her head in her direction, “Oh, I find that hard to believe. You grew up in court, surely you, of all people, are more knowledgeable of all the noble born bachelors here in the south, and have an idea or two who you’d like to attach yourself to.”

“I lived here as a child. I spent most of my years here tailing the princes like a lost pup… I barely remember anyone that ever visited,”  Val scrunched up her face in thought. “I vaguely recall the Greyjoys visiting one moon… Only because they were hard to forget. Their sons were absolutely batty, especially the eldest, Dalton.” She straightened herself in her seat, now that her memory was catching up with her. Gesturing with her hands, she continued, “I remember, actually, even at seven years old, that little shit would find every opportunity to accidentally bump into, graze, or even so much as grab my arse! I was nine!”

Wylla huffed a shocked laugh, “Hells, what a little monster. I can only imagine what he is like now, a man grown.”

“Did you tell your father this?” Ellyn asked, face equally appalled. “Mine would have lost his mind.”

Val heaved a sigh, laying her head back against the chair once again, her entire body practically melting in the seat. “No.There was some tension at the time, not sure what it was, but I remember my father telling me to not upset Lord Greyjoy’s sons,” Suddenly, lost in her reminiscence, the blonde laughed. “But-but, Aemond, he–he, oh gods…” She snorted loudly to contain her laughter, covering her face as it got beat red. “He, Aegon and the Greyjoys were sparring in the training yard. He kept on dodging Dalton and using the flat end of his training sword to slap him on the rear, like thirty bloody times. He-he–” Her laughing intensified as she used her hand to illustrate the image she was trying to explain, “He was bruised all over, and so severely he could not sit or lay down on his back for two days.” 

While Valean giggled (by herself) Wylla and Ellyn exchanged knowing glances and smirks, then turned back to the drunk flustered crab.

“Well, I suppose that answers my question,” Wylla quipped smugly, nestling into her seat, smile barely being hidden behind the rim of her goblet. 

Val ran a hand over her face in an attempt to calm herself down. She blearily peered at her raven haired friend, a bit confused, “What question?”

“Who you desire to be betrothed with.”

Valeana looked at her incredulously, “Dalton fucking Greyjoy?!”

“No, you idiot!” Ellyn flailed her arms, “Aemond. Prince fucking Aemond.” 

“Ooh, gods,” Val scrunched up her face, digging the butt of her palm into her eyes as the two girls gushed and agreed with themselves. She had forgotten for a moment that she was no longer friends with Aemond, and he, in fact, hated her. “No, no, not Aemond,” she shook her head vehemently. 

“What!” Wylla nearly shouted, dark icy blues wide, “My Lady Valeana, what do you mean not Aemond? The way your face glowed at just talking about him.”

“And it makes perfect sense!” Ellyn added, “The two of you grew up together, you were quite close from what I was told. Of course it would be Aemond. It’s so sickly sweet, it almost makes me want to vomit my dinner.” 

“No, no, no, Aemond– Aemond would never want me,” Val kept on shaking her head. “He hates me. Loathes me, even. Do-do you two even know what he did to me? Why my family left King’s Landing in the first place?”

The two exchanged looks, faces scrunched as they tried to recall. 

“You injured yourself, I believe?” Wylla tilted her head.

“My father told me that Aegon accidentally knocked you down the stairs? I think?” 

“You two are close– It was Aemond,” Val noticed her cup was empty and bent forward towards the squat table to refill it with red. “And it was not an accident. Our fathers were discussing our betrothal, which he disapproved of, apparently. I was under the foolish impression we were the best of friends, and were meant for each other. Stupid, really, in hindsight. 

“He decided that he disliked me so much that he needed to get rid of me, so he pushed me down a flight of stone stairs after calling me a pig.” She surprised herself at how casually she spoke of the event, but it was likely the alcohol that numbed the reality of her emotions. “Broke my leg so severely they had to cut it off a few moons after.”

She lifted her left leg then, her dress falling down above her knee to expose her wooden foot and calf. Then with a gentle wave of her hand, she motioned along the appendage as if presenting a great trophy, “I call her Lady Footlyn Woodsby, first of her name. Her heir is Ser An-toe-knee Woodsby, the E-bone-knee Knight.”

The two other girls had fallen into a shocked silence for a moment, but that was short lived after Valeana’s introduction of her leg. 

Wylla clamped her hand over her mouth and squeezed her eyes shut, “Val-Valeana…” She snorted into her palm. “That’s– I’m so sorry.”

Ellyn had both her hands upon her face, brown eyes peeking through the cracks of her fingers, “Oh-ooooh, I should not be laughing. I am sorry, Valeana.” 

Val waved them off, returning her skirts over her leg, “Worry not. If I don’t laugh, I’ll cry.”

Her heartbreaking admittance, despite being veiled with self-deprecating humour, did not go amiss. Wylla and Ellyn’s expressions went soft as they shared another knowing look between each other. The former reached out and placed her hand on Valeana’s knee, thumb moving in comforting motions. 

“I’m sorry that happened to you, my dearest. Men are horrible creatures, especially the ones closest to you.” 

That simple gesture and those kind words were enough to crumble her all at once. It had sobered Valeana enough to allow her sadness seep through the armour of numbness she had been trying to craft around herself. Her mouth, nose and eyes felt watery all of a sudden, forcing her to swallow and tilt her head back to stop herself from crying. 

Ellyn made a cooing sound as she unfolded herself from her seat and walked over to her friend from behind and enveloped her shoulders in a hug, resting her cheek on top of her head. It was that gesture of comfort that had made the waterfall finally break through. Valeana had not realized how touch starved she was, how hungry she was for comfort over her heartbreak. This was a level of vulnerability she had never allowed to be exposed around her family, not even Clement. Despite her love for him, men were not well equipped to handle emotional women; he would’ve reacted how men usually did, either dismiss it with aggressive advice, or unsheathe his sword and wage a war in her name. Her step mother, despite her natural maternal instinct, was a woman who would cuddle her to her breast and smother her as if she was a child, not unlike a kiss on a bruise or scraped knee. Nothing substantial, nothing deep or empathetic. Just a salve to numb the pain for a few hours.

No, the comfort from a friend– from a fellow female –was different, almost stronger. 

Like her tears, everything rushed out of her; a great purge of words, of pent up sadness, of suppressed emotions. She shared how much she loved Aemond, missed him down to her bones, how he broke her in more ways than physical, and then she shared the story of her return and the catastrophe she had made that could have been avoided, and how in her most earnest attempt to reconcile, she was ultimately left scarred more, and still yearning for him. A stuttered breath left her lungs when she finished, her shoulders caving in as if the weight of her heart finally did her in. Ellyn still cradled her head from behind, but Wylla had moved to squish in beside her and hold her middle and lay her head upon her shoulder. 

“He does not deserve your love, my darling,” Wylla stroked Val’s hair. “No man alive deserves any of our love. Selfish, fickle-hearted beasts, they all are.” 

Valeana sniffled, head laid in Ellyn’s arm, cheeks sticky with tears, and red from humidity, alcohol, and spending the last several minutes pouring her heart out. These three women were effectively strangers not three days ago, and yet now Valeana never felt more close to another human being. Not since him. Not since Aemond. 

“Except for Cregan,” Val muttered in a small voice, light but coarse through the dryness of her throat. She reached out and patted Wylla on her arm, “Him and his manly shoulders and broad chest–”

“Please shut up,” Wylla replied with a small voice and a weak smack to Val’s face. 

“Let him know I’ve got the hips to birth more of his heirs.”

“I will kill you.”

“Ladies,” Ellyn lifted her head up with a heavy sniff to clear out her sinuses. She wiped her nose and peered over to the table in front of them. “We’ve run out of wine.”

All their heads perked up to glower down at their empty bottles and carafes. This would not do– the night was still young, and so were they. The three ladies also sobered too much for their liking, and the only way to heal this disease was to drink more. 

“Where’s that serving boy?”

“We sent him away for the night, remember?”

“We were fools.”

“Indeed.”

There was a beat of silence, until: 

“Wait, wait,” Val sat up, forcing the two girls to unravel their arms. “I know this castle. I know a shortcut to the kitchens… There’s a secret door over there– behind that tapestry.”

“Which tapestry?”

“The one with the orgy.”

“... They’re all having orgies.”

“This-this one! Where she’s sitting on his face and eating a fig out of the other woman’s mouth,” Valeana stood up, wobbling a bit when she did. She hadn’t realized how much she drank and how long she had been sitting until that moment. But, she was convinced that she was too sober, and that wouldn’t do, so she marched over to the tapestry, unevenly and ungracefully. With one swift movement she shoved the tapestry aside to expose a stone wall.

“Valea–”

“Shush!” The silver haired girl eyed it for a moment before moving her hands along the edges of the stones until she could feel the cracks that formed the outline of a door. With a wicked smile she pushed her shoulder into it, throwing her whole body weight into moving it. With a groan the secret entrance wedged open, an amber glow emitting through the gap from the torch inside. 

Ellyn gaped at it, “How did you know that was there?”

Val waved dismissively, “I was a fat child. If there was a quick route to the kitchens, I was aware of it.”  

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They had reached the kitchens in a fair amount of time, but they did not, in fact, find wine. But they found bottles and bottles of dusty ale, and they weren’t about to complain. The problem they inevitably had was the trek back. Now that their minds were fully in the thick of inebriation, they got lost within the walls of the Keep and ended up in a completely different part of the castle than they were originally. 

“Valeana, where the hells are we?” Wylla hissed as they rounded yet another stone corridor with very few windows. 

The blonde squinted around them. The three were hanging off each other’s shoulders for dear life. Each clutched a large bottle of ale by the neck as if it was a lifeline; as if it was the only thing that was keeping them from floating away. Valeana craned her neck over their arms and took a sloppy swig of her drink, a droplet escaping her lips and dribbling messily down her chin.

“The barracks hall?” She said after a swallow.

“Are you askin’ us?” Ellyn laughed. “Chisisyerhome, and y’dunno where you ARE?”

“I know where I am!” Val shouted, brow furrowed in determination. “And this is not my home.. It’s-it’s– hic – my personal hell. Fuck it’s so hot, why is it so hot?” She cried out, slumping a bit, forcing the girls to bend at her weight. 

They stumbled forward until they heard the tell tale sound of metal armour clanking ever near. A form of silver and white rounded the corner and immediately halted at the sight of the three noble women linked together by their shoulders, sloshing around drinks shamelessly.

The knight stepped forward, concern marring his face, “My ladies. Are you quite alright?”

“Ser Arryk!” Valeana shouted, arms shooting up in the air, narrowly missing Ellyn’s brow. 

The knight bowed his head, “Erryk, my lady.”

“Oh, right, ‘m turribly sorry,” She threw her head back and jutted out her bottom lip in a pout at her own stupidity. “Forgive me.”

The corner of Erryk’s lip twitched upward. It didn’t take him very long to understand that these three girls were skunked out of their gourds. He gave her a nod, containing his amusement, “You are forgiven, Lady Valeana.”

“You see!” She launched herself forward, disentangling herself from her friends and reaching the white cloak’s side. Her bottle of ale fell from her fingers, clattering and rolling away along the flagstones. She then prodded her finger into his plated chest and looked over at Wylla and Ellyn, “Y’see how easy that is? I apol-ap– apolojiz–fuck me– Apo. Lo. Gized– there you go…— hic — N’you forgave me. Because yer a good man, Ar-Erryk. ‘M sorry, yer names are similar too, is very confusing.”

“Good Ser,” Wylla sauntered over, “Mayhaps you aid us troubled maids… Our foolish guide, full of hubris, led us astray, and now we are hopelessly lost.”

“How dare you insult your future Lady of Winterfell!” Val shoutted, pointing an unsteady finger at Wylla with a step towards her, but ultimately ended up wobbling on her bad leg, forcing Erryk to hold her upright.

Erryk was having a hard time keeping a straight face. It wasn’t every day that he stumbled upon drunk noble born daughters; it wasn’t very ladylike to get this drunk this publically, but he wagered that this wouldn’t be an isolated event these upcoming weeks. 

He snaked an arm under Lady Valeana’s shoulder and hoisted her up on her feet, allowing her to lean against him.

“You’re below the Throne Room, my ladies,” Ser Erryk informed, and the three of them exchanged looks. 

“How the hell did we end up here?” Valeana asked, chin turning up to her anchor. “Erryk, we were in the kitchens. The-the north one. I think.”

“No wonder we are lost!” Ellyn threw her head back. “Ugh, father will be furious.”

“Do not worry, ladies, I’ll safely escort you back, and arrange for a wheelhouse to bring Lady Wylla back to her pavilion.” 

“Such a good man. Ser Erryk,” Wylla’s words slurred when she took an uneven step towards him. “May I ask…Why– no –would you ever consider breaking your vows?” 

“Wylla!” Valeana weakly smacked the Northerner, then promptly turned to the knight. “Do not – hic – listen to her, Erryk. Don’t let this–this–temptress tempt you.”

“I am only saying,” Wylla and Ellyn started to follow the knight as he made his way out of the maze of halls beneath the Throne Room. “All the honourable ones end up being a Kingsguard. It’s such a bloody waste to womenkind!” 

Erryk smiled to himself, though decided to ignore the comment, “Up these stairs, ladies.”

“Oh no,” Ellyn grinned, “Valeana’s mortal enemy.”

Wylla barked a loud laugh and the victim in question craned her neck to shoot her a poisonous glare. 

“I’ll send you to the Wall! Ser Erryk, send this Baratheon traitor to the Wall.” 

“Mayhaps tomorrow, my lady. The hour is already late as it is,” was the Knight’s gentle, albeit amused, reply as he helped her up the stairwell and into the cavernous Throne Room, where he immediately paused upon seeing a pair of men with silver hair.

The women’s collective gasps and loud attempts at quieting themselves had naturally gained the attention of the Throne Room’s sole occupants. 

Ser Erryk immediately bowed, “My Princes. Apologies for the disturbance, I was merely–”

“Egg-On-Toast!” Valeana shouted so loudly it echoed like a lion’s roar. Her arms flew to the air above her head, then immediately marched over, completely ignoring the second prince. Her vision was tunneled, and hadn’t realized that Aegon wasn’t alone. Her warm and slightly sweaty hands gripped the eldest’s face, then she started laughing when he started laughing.

“Valeana–” Ellyn tried to reach her, eyes flickering over to the stiff Aemond that stood not six feet away. 

Aegon’s eyebrows reached his hairline, his grin uncontainable. His hands gripped her wrists, but he didn’t remove them from his face.

“Are you drunk, my darling?”

“... Yes,” she giggled sheepishly. “I see why you do it so often now, is’so fun. Egg-y. My Prince of Scrambled Eggs. Eggs and Bacon–” Val sharply gasped, mouth agape at her genius. “We are Eggs and Bacon, Aegon. Tha’s a good bard song– Ellyn, write that down.”

Aegon turned to look at his brother, shit eating grin plastered on his alabaster face, “This is the best day of my life.”

Valeana’s entire body swiveled around, brow furrowed with clear confusion. “Who are you– SHIII–T!” When she turned she was immediately greeted by the imposing, towering form of Aemond Targaryen. Standing there, head tilted, with his judgey one eye, lips in a thin line and looking delicious with his narrow waist she openly stared at. 

Wylla and Ellyn were snickering behind their fists, nearly down to their knees, failing to contain their nervous laughter. 

Val turned her wobbly, heavy head back at Aegon, lowering her voice in a very poor attempt at a whisper, “Where the fuck did he come from?”

“Darling, he was here the entire time.”

She peered at him skeptically, then looked back at Aemond, and then back at Aegon. Her head dipped to his ear, and attempted to whisper conspiratorially, “Fecker comes outta nowhere all the bloody time, pilfering through the darkness like a thief of joy– hic. Is he a man or a forlorn ghost?”

Aegon contained his laughter when he bit down on his lip, and then glanced up at the silent shadow that was his brother.

“I can hear you, Lady Valeana,” Aemond finally spoke, his voice irritably condescending, which instantly bristled her. 

Val peeled herself off of Aegon’s side and approached Aemond, angling her chin in the air to peer at him with as much dignity as she could possibly manage. And on wobbly knees, she curtseyed and said in the most patronizing tone the Throne Room has ever witnessed: 

“Prince Almond.” 

His eye narrowed, alight with challenge and something else.

Notes: This and the next two chapters are my favourite chapters of this series, so I really hope you guys enjoy it too.

Tag: @queen-of-elves, @keylin1730, @anakilusmos, @weepingfashionwritingplaid, @sugutoad, @desireangel

( if you wish to be tagged for this story, just give me a reply! )

Please do not re post, redistribute or plagiarize my work. The only other place this story is posted on is ao3 under the same username.

[jullbnt]

@aikoiya The post was getting long again so here's a new one!

I knew you were going to answer that saying "this is unfair" isn't real life logic haha (and I agree that life hasn't been fair to Sky and Sun anyway). It's just that such an ending would probably leave me feeling unsatisfied and even a bit robbed, and I think it would require a lot of other changes to be made to the story in order for it to work properly. But anyway you're right, as things are now this would just be happening behind the scenes so what I'm saying doesn't really make sense. But just thinking about it changes my perception of SS in a way I don't really enjoy, so it's not a theory I favor.

Yes in that setting I'm pretty sure that the other Sun would not make herself known to Link and Zelda and would let them have their happy ending. But I think Zelda would likely suspect her existence and know that something is wrong. I guess even Link could notice that the Temple's doors are suddenly open and would ask Impa a few questions.

I had no idea Tingle called Farore the Goddess of Wind in WW, so I went on a little quest to see if I could find the same quote in the French version of the game. Apparently it's in Tingle's description of Outset Island and I never had the chance to play with the Tingle Tuner mode. I can't find the same quote in French anywhere and I don't even know if this was included in the HD remake (I guess I'll have to wait for a Switch version to find out… if they ever release one). This has me wondering if this quote isn't something exclusive to the English version, but I can't be sure and I'd like to know what the original Japanese text says. The French wikis mention that Farore is the Goddess of Wind in WW but don't provide any quote, it just looks like the pages were translated from English but that they couldn't find the same quote in French. It's really frustrating!!

Anyway that's a bit weird because WW already establishes Zephos as the God of Wind, and he seems to be a minor deity compared to Farore. The way I see it, wind is just the element that Farore tends to be associated with, and since a lot of myths might have been lost with Hyrule in WW this could just be a mistake on Tingle's part. I mean this is the game that gave us the Golden Triumph Forks haha.

I'm not limiting Nayru/the Golden Goddesses to a singular domain, quite the opposite ^^ To me Nayru being the Goddess of Wisdom includes different concepts such as order, law, science, magic, etc., and even time (since she's introduced as the creator of the world's fondamental laws), while calling her the Goddess of Time doesn't include all of that. That's why I wrote that I found it a bit restrictive. But sure she could have both titles, the same way Farore could be known most commonly as the Goddess of Courage and also called the Goddess of Wind in some situations.

Oh I didn't think of the blocks from OoT! I would say though that they don't really use any time powers, they're just random blocks that appear or disappear for some reason when Link plays the Song of Time (it's just as absurd as playing the Song of Storms to open holes in the ground haha). But yes they were blue and associated with time, and of course Nayru is too. The difference with Hylia in my theory is that Nayru created the rules of time (if that makes sense) among other fundamental laws, while Hylia's power specifically allows her to manipulate time and foresee the future. In a way I see Hylia as Nayru's spiritual daughter who inherited some of her powers over time (and that's why the color purple she's represented with is very close to blue).

The Master Sword has also been depicted as either blue or purple though, so that asks the question of the true color of all of these things! Nayru is definitely linked to time so it makes sense that the timeshift stones are in Lanayru (and Hylia also doesn't have a province named after her).

"From the edge of time" could definitely just be a poetic way to say that Hylia kind of recorded a message for Link before dying haha. But I find it interesting that she would phrase it like that, I like to see it as a clue.

Well if Zelda simply sent Link to a point further back in time, wouldn't there be two Links existing at the same time in the Child Timeline? But sure Zelda creating a brand new timeline also raises a few questions that kind of... make my head hurt. I'm not sure what happens exactly, I've always wondered! All we know is that Link finds himself in the Master Sword's chamber with the Door of Time already open, which hints at things happening in a different way this time (because he definitely doesn't have the three spiritual stones and the Ocarina of Time yet since this is before Ganon's coup, and the ending seems to imply that this timeline's Zelda doesn't know him yet). That's why I believe Zelda might have done something a bit more complex than sending him to a point further back in time, but there's no way to be sure. The Triforce of Courage is also visible on Link's hand during the ending, and we also know thanks to TP that the Triforce is still separated in the Child Timeline despite Link and Zelda preventing Ganon from entering the Sacred Realm this time. So maybe Zelda isn't able to change everything? It's complicated haha.

Anyway, whether OoT Zelda creates a new timeline or just sends Link further back in time, that's still huge time powers and that's not something Link is able to do by playing Zelda's Lullaby.

I also believe it is more likely that Talon inherited the ranch. True, Talon might not always have been so lazy, but maybe if that was the case the game could have hinted at hit. All we know is that he leaves his daughter alone with Ingo and only comes back after Link deals with the situation, which does not make him look so great. And he only promises to work harder after that.

I'm kind of bad with names so I'm impressed you're going through all of that trouble to rename the settlements!!

I haven't gotten to developping the technology that much yet, but I'm really interested in seeing what the different races could do with it! I love the idea of using the Sheikah to infiltrate the Yiga bases. I wish TotK had done something like that and shown the Sheikah helping Link that way.

Same, I was so excited when I heard about these pirates… and then so disappointed to find nothing more than a bunch of bokos with no backstory.

Vignoble is not related to noble (though I kind of make the association in my mind, especially since vignobles are sometimes called châteaux).

Yes I thought you could maybe use clos! Aquaticlos is funny, it can work! Though maybe you could use the same logic as for the raisins (I love this Raisins de Terre idea by the way, it makes sense!) and say that what the Zoras call a clos already refers to something that's underwater, since that's probably the case for most of what they cultivate.

I don't mind helping you with French, I'm glad to do so! You put so much effort and thought into this, it's really interesting.