#and feeling like a failure

[not-poignant]

Jesus H Christopher, Pia. Your writing load is insane.

Maybe you should cut back on how many chapters you release for certain stories? Like Stain and Palma (since these stories dont equal income) until UtB the other Underline stories are almost done. Just a thought

Because I feel burnt out just by thinking of writing that much, so I can only imagine how you feel. Please take care of yourself

Hi anon,

TL;DR: My brain is stupid, which is why I can't do this, even though it makes sense and is logical.

Unfortunately the fanfiction is what often makes the original fiction possible, or more enjoyable.

If I lock myself down into too much schedule and rigidity, or if I only focus on writing for money, I actually start to hate writing, even if I love the stories. There is nothing like 'will this earn money, do people like this, would people pay, what if they all decide to stop paying for this, why would they pay for this, would I pay for this, how much would people pay for this, is there any incentive for them to pay for this, actually if I wrote a ton of different tropes maybe I'd make more for this, but that's depressing, but I need the money, shit what do I do, what if I lose my income, what if it all stops tomorrow, I need to write more, I need to write more, I need to write more' that is actually very exhausting and makes writing not much fun at all.

And to deliberately break out of that headspace as much as possible, I write fanfiction. Because that headspace (the one I wrote about above), on its own, even if I'm only writing two stories, can and has led to burnout and depressive episodes. I don't recommend it.

In a way, one of the reasons I can write so many stories right now (ADHD meds aside) is that I am letting myself break out and just have fun with fanfiction, and remember that my original writing is meant to be fun too. But without fanfiction, I lose sight of that very quickly.

Fanfiction means that when an original story chapter does super badly, generally there are still excited comments elsewhere that keep me going. That's how I survived The Ice Plague, and that story would never have been completed without fanfiction, because that was my worst performer of any story I've ever written. It also means if a lot of subscribers leave at once, I don't feel like The Worst Writer In The World. So having fanfiction behind me was like...a literal safety net or my security blanket.

If I have to discard my security blankets or use them less often in order to keep writing the original stuff, I might as well just stop entirely, because my longest hiatuses from Patreon (i.e. one lasted 1.5 years, many have lasted 4-6 months) have been when I'm mostly just writing original fiction, and am not writing much fanfiction, or not deliberately finding time for it, and finally get so stressed out re: money I literally have to stop. I'm on a (partial) Disability Pension.

A long time ago some professional people told me I probably shouldn't be working at all because of my mental illnesses and then paid me money because of the severity of those mental illnesses. My dumbass brain be pretty fragile, actually, and keeps chugging away because I make bad business decisions and write stuff I enjoy instead of writing to market, or doing rapid release, or releasing more novels (or novels). Writing does ironically help when I'm stressed, but not when I'm stressed about making money because of writing.

I will cut at my income before I cut at my love of this job, and unfortunately fanfiction keeps me going in this job, which means I can't really cut at that first.

(Also from a business perspective, it's actually a very good funnel to the original stuff and then subscription. Most of you wouldn't be here if you hadn't read one of my fanfics first and then gave the original stuff a try - I try not to think about that too much because I need fanfic to not be about money, but the fact is, I would not have this career without fanfic).

I do have plans to take two weeks off in January from posting chapters (I can still post rewards in the second half of January) and that's not too far away.

And the reality is that I probably would have kept going okay if real life hadn't imploded on top of everything like the world's worst bukkake party.

[ruporas]

need to exist in your warmth (id in alt)

[lavenderleahy]

Some people: I don't feel myself on medication

Me: fuck I finally feel *normal* again with medication

[acid-ixx]

mild spoilers for chapter six for my series again &. again, but i really feel the need to ramble about this, and i'd love to hear anybody's opinion on this hehe.

as i write outline chapter six (and write for chapter five), i'd like to say i couldn't wait to write the reader's face reveal in bruce's perspective. and it's not just angst, for me, this plays a very pivotal turn for the series— because bruce will spiral to insanity.

to never once see a single portrait of your second youngest child, whose presence has long been erased from the manor, not a single image, nor trace of you is sickening to the heart, even if he scours through the internet day and night for a single memoir of you, nothing— but to find your portrait in alfred's living quarters and seeing you for the first time in forever? graduating a milestone no less?

god, he's in for a ride just analyzing every aspect of your physical appearance.

the color of your eyes, the shape of your nose, the quip of your mouth, the fat in your cheeks; even the length of your lashes! god, does he brand it into the deepest parts of his mind to never forget you anymore. his pearl, his treasure.

the longer he stares, the more he notices and gazes even more, obsessive as he stands lonesome in the room with every bone in his body locking up, his eyes unable to look away from the portrait that showcases his baby child.

and there, there it is that he concludes a detail so small it's unrecognizable for someone who's seen it for his entire life; yet it's all the same triggered deranged emotions deep within him.

— you don't just share him and your mother's traits, no, your smile is also reminiscent of his mother's.

martha wayne, who'd died in his arms, laying in a pool of her blood with a bullet grazed deep inside her body. his loving mother, who caressed his face whenever he'd cry from his nightmares, who'd shown him motherly love that until now he still craves.

she died with her pearl necklace that once decorated her porcelain neck spilling to the ground and stained with crimson.

you wore pearl earrings on your graduation.

the thought alone is enough for him to just snap.

this? this is the child that he's been neglecting far too long? who shares the same, loving expression of his mother's? his child? not even a single memory could be conjured with you but fantasies now do. if your happiest moments were within the picture frame that he holds with shivering fingers at present; could your smile be any wider if you'd be with him?

how come he never once noticed? why is bruce always destined to fail left and right? why, just why is he brimming with jealousy for all the people who must've seen your smile before him, and contempt for himself that he was never there to pick you up from the police station beforehand?

bruce isn't a heckler for favoritism, but a darker part of him is motivated to take you away from wherever you are, and to never let anybody else witness his beautiful, little treasure.

he's gotham's knight, first and foremost. but he's a father, too, with goals to protect his children just like a father should.

and the things he'd do for you, his child, now? anything.

if it means he has to see that smile, then he'll turn the world upside-down.

he has to protect your smile.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[a-polite-melody]

“But if a trans man wasn’t trans would he—”

SHUT THE FUCK UP

He is trans.

You don’t get to separate the trans and the man because it’s convenient for you. Trans men are men because they are trans. Trans men are trans because they are men. You can’t just separate trans men’s identities out like this to say they’re oppressed for being trans and not men because THOSE ARE THE SAME THING and separating them to categorize how trans + man interact in a mathematical version of identity politics flies directly in the face of intersectionality and I’m so tired of pretending it doesn’t.

[nagitosstolenhand]

i don't like the growing opinion that people are being 'too hard' on deku for his failing to save shigaraki.

i've seen quite a few people complaining that a lot of the bnha-critical crowd are being too mean to deku for getting tomura killed, arguing that it isn't really his fault, and that hes a 16 year old child soldier who's been failed by almost every adult in his life, why should we be putting all of this on his shoulders? hes just a kid after all?

and the truth is, they're right. deku IS a 16 year old boy whos had the fate of the world thrust on his shoulders. but the story itself just plainly refuses to acknowledge this.

the narrative doesn't acknowledge how fucked up having a school that trains literal children how to be combo cop-celebrities is. it only tentatively acknowledges the fact that a universe having combo cop-celebrities is fucked up, and even then the only people who ever point this out are antagonists, who are portrayed and treated in-universe as untrustworthy. the narrative doesn't care how fucked up dekus circumstances are. the narrative treats deku like hes a fucking messiah here to touch the hearts of the evil depressed villains with his magical empathetic heart of gold before they get blown up or just sent to fucking superhell for daring to challenge the status quote.

deku isn't a person. he's barely even a fucking character at this point. he's a plot device, and a mouth piece for the objectively shitty themes bnha is trying to spout. the themes that tell you that if you're mistreated by society and want to do something about it, you're a villain. that disrupting the status quote and refusing to repent to some random teenage boy spouting empty platitudes at you means you deserve to get sent to fucking superhell. the themes that portray people fighting for civil change as mass murdering supervillains. the themes that look the audience dead in the eye and can call deku the greatest hero to ever live.

deku, who barely spared a second thought to lady nagant telling him the truth about the hero commission. who spouts meaningless platitudes about heroism and morality at nagant, and aoyama, and toga and shigaraki, when even the thought that he should question the world around him comes up. who's constantly talked about as this truly kind, empathetic person, but hasn't spared an empathetic thought to literally anyone who is classified as a villain. who listened to every authority figure around him except the ones who asked him to question his worldview. who saw la bravas tears, shigarakis various breakdowns, himikos plead for understanding, chisakis catatonic state, lady nagants truth, and barley batted a fucking eye. deku, who killed tomura shigaraki.

people don't criticize deku for failing shigaraki because they just hate deku. people criticize deku because of what he represents. because hes a mouthpiece for the atrocious morals and themes of this ideologically rotten manga. because any character he had was chopped up to bits in favor of the incomplete husk we have now. people criticize deku because hes the main character of my hero academia. theres nothing more damning then that.

[o1iveangel]

Queen Clytemnestra of Mycenae as the “Death” tarot card

upright meaning: destruction, finality, transformation, sudden change

reversed meaning: resistance, repeating negative patterns, attachment to the past

line art under the cut

[bunnieswithknives]

Thinking about his brain

[governmentcheeseboy]

True freedom will not be a possibility until everyone understands that all oppression is interconnected, and none of us can be free until we are all free.

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[auss2egr2t]

sixty three eighty one || soixante-trois quatre-vingt un

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[bitchthefuck1]

I actually really love that we see Helena's palpable hesitation about going back to the severed floor. We know that this has all been a publicity thing for her and it's about helping Lumon, so she's really invested in the outcome, but like. from her POV, she's literally letting someone who actively hates her and everything she stands for, and also has a proven willingness to hurt herself if it means hurting Helena, who now knows who she is and her significance to Lumon, pilot her body for 8 hours every day in an environment where they've repeatedly failed to control her. If I were her, I'd be genuinely surprised to wake up with my limbs intact.

You already questioned why on earth she'd come back after Helly's suicide attempt, and the identity reveal explains the reasoning, but on a human level that's still a wild thing to have to think about. This person (who is you but also isn't) almost succeeded in killing you, and like a week later you let them pilot your body again like nothing happened. How could you not be terrified?

[jo-gakky]

Bilbo comfort doodle because im going into a depressive episode. I apologize if i start to become less active and communicative on all platforms for a bit.

[fanaticloser]

I need a tag that says “Fake dating but one of them thinks it’s real and the one who knows it’s fake actually falls for them and there’s angst but they end up together in the end”