In the bayou
''It's too damn early for this,'' I told him. The coffee he had given me resembled the same sludge that permanently stuck to the soles of my boots, and I swirled it around in my cup like it'd come alive if I let it sit for too long. The air was heady, thick with warmth already as though the sun hadn't come up a handful of minutes ago.
I looked over at him when I heard the crinkling of newspaper. One page stuck up in an odd angle, and there was a jagged tear where the page folded into a new one. In silent question, I stared blankly as he wrestled with the paper for a bit before flattening it out against his knee in surrender.
He huffed and discarded the creased thing before looking over at me. ''Drink your coffee.'' His fingernails were permanently lined with grit, like the mud had become a part of him. It's only been a few days in the bayou, but the mud's starting to become a part of me too. It's creased into the worn leather of my boots and jacket, I suppose it won't take long until it creases into my skin.
''That's an insult to coffee,'' I muttered, swirling the sludge around again. ''and you never answered my question.'' Time feels different here, but I'm sure no less than a few minutes must've passed. I turned away from him, staring out towards the old truck, once-white-but-aged-yellow, and the rust eating at its sides. I wondered if the truck would feel the same as me, were it to have emotions.
He thudded his boots onto the wooden floorboards a few times until some dried mud flaked off. ''What question?'' The entire porch shook miserably with the action, and I tightened my fingers around the cup. Perhaps it had been longer than a few minutes.
The bayou tends to swallow everything up.
''Lately, I've got this giddy, hollow feeling inside. This urge to do something stupid, or to wreck some thing, but the nearest thing is myself.'' It was closer to the truth than I had gotten in a long time. ''So, what does that mean?''
I took a sip of coffee, coughed, spat it back out again, and it slid back into the cup exactly like mud would. It tasted disgusting, and a sick part of me wanted to down it in one go until I threw up or choked. He gave me a look, all eyebrows and downturned angles.
''Kid, you're damned near covered in it all. All those guts, an' none of the glory, all of them stabs you've taken at yourself.'' He leaned back, rummaged in his pocket, and pulled out a battered pack of cigarettes. “Don’t think I ain’t listening to you.” My throat closed up, skin itching, whether it were his words or the cigarettes, I couldn't tell.
When he'd caught me smoking out back yesterday, he'd smacked the back of my head like I was a child. Later, when I laid in bed, I had dug my nails into the skin of my neck, like I'd be able to hold his hand if I dug in hard enough.
I pulled out a lighter and held the flame towards him. He gave me that look again as he put the cigarette between his teeth, but he leaned forward all the same. The hairs around his lips had turned grey-yellow, a combination of poorly-made cowboy coffee and nicotine. I wondered if he tasted like it, too.
''Don't think,'' He said, and I looked up from his mouth, then down again as he took a few quick drags in succession, smoke tangy in the summer-air around us. ''Don't think for a second I don't know what you're doin' here, but I wonder what the hell I'd see if all that metaphorical blood was visible.''
''I'd be covered in it,'' I couldn't bear to look at him as I said it, and I stared at the mud below the porch instead. ''I don't think you would be able to recognise me, if it were.''
He made a gruff noise, achingly familiar as though I'd been here for years already. ''I'd recognise you anywhere,'' he told me, and then recoiled, like he thought he’s been too gentle for the gruff-old-man stereotype he'd fit himself in for so long.
''Then I think, I put my insides on my outside.'' and it's rotting in the southern sun, I didn't say. ''I'm hollow on the inside, because it's all dried up on my skin like some nightmarish shell.''
There it was, that giddy feeling again, filling the empty space inside of me so rapidly I couldn't sidestep it. I followed it forwards, dropping from my rickety chair to my knees in front of him, plucking the cigarette from his mud-stained fingers to put between my lips.
Under the overwhelming tobacco taste was something headier, better than his cowboy coffee.
I got a grunt for my efforts, but he let me have it, sighing something long suffering. From where I sat, down on my knees, the world seemed small enough to hold in my hands, like we were the only ones in the whole bayou.
He stared at me like I'd been doing to him all morning. Then, ''You oughta know, a person ain’t meant to be hollow, somethin’ will always fill that empty.'' He wrapped his hand around my wrist and took a long drag of the cigarette from where I held it between my fingers. “Just ‘cause you ain’t used to the mud, don’t mean you can’t learn to walk on it.”
''You think I can’t walk through mud?''
''Don't you play dumb, you know better.''
I tilted my chin up in defiance. ''Alright then. So what are you saying? The urge to self-destruct is just because I don’t know any better?” As soon as I said it, I wanted to shove the words back into my mouth. I’d gotten too close to the truth, I hated it. I hated it so much that for the first time since the blinding sun filtered through the trees, I felt sweat run down my back.
He knew, and I hated that he did. “There’s hunger in them eyes of yours, and you’re so damned blind with it that you start bitin’ at yourself until you’re covered in your own guts.” He said.
All at once, the giddiness dissipated into nothing, the hollowness suffocated me, and I made to stand back up and away from the moment of vulnerability, but that gritty hand clamped down on my shoulder. “Ain’t that the whole reason you’re here in the first place?” I refused to meet his eyes. “You keep runnin’, cause good things scare the livin’ hell outta you. Don’t you realize the mud ain’t made for runnin’?”
Maybe the truck wouldn’t feel like I do, but it’s me who feels like the truck. Rusted red, stuck in the mud, forgotten by the bayou but kept alive by one gruff and stubborn old man. “Then what?” I said, “What the hell do I do now?”
Another huff, silence, and then fingers underneath my chin. I met his eyes, once-green-now-mostly-grey, and I dropped the forgotten cigarette in my forgotten coffee cup. When his hand moved from my chin to the back of my neck, I ignored the biting instinct to pull myself out of his hands, but even so, his fingers tightened as if I’d disappear if he didn’t. Slowly, I allowed myself to lean on him, and if it weren’t for his thumb wiping away at my cheek, I wouldn’t have known when I’d started crying.
“You gotta accept the mud, kid.”
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So we saw Tammy Thompson sing the national anthem in the first episode of s4...
Which prompted Robin and Steve to give each other looks because they remembered Robin's coming out moment in the bathroom, where they made fun of Tammy's singing...
Vickie overheard them joking, and Robin took the opportunity to talk to her, saying that she "used to think that Tammy sounded good because I had this massive crush—um, we took a massively hard class together. We were in Mrs. Click's class together," reminding the audience of Robin's explanation that, in the class, she wanted Tammy to look at her, while Tammy only looked at Steve.
So episodes later, in the boat out on Lovers Lake, where Robin looked at Nancy looking at Steve? Yeah. This was a direct callback.
And it's interesting that even though Robin's crush was specifically mentioned when talking to Vickie, it's this scene with Nancy that we see what Robin referenced in action.
But the question is: why do any of this?
Even though Robin said Vickie is the girl of her dreams, we saw Vickie for approximately 3 min of s4, and it's within the last 20 min of the final episode that they had their first actual on-screen conversation. Meanwhile, Robin had been glued to Nancy's side all season. The writers are smart, they could've inserted Vickie into the main group at any point, to give her and Robin a chance to bond, and to develop their relationship. It's been done before with other characters. If anything, it seems like the last thing the writers would want is to give clear preferential treatment to Robin's dynamic with a character who's (supposedly) not meant to be a love interest for her (especially in the season where the actual love interest is first introduced, and the audience has been mentally prepped for Robin to have romantic interactions). I'm not saying Robin can't have platonic female friends, I'm just pointing out interesting writing choices, and the usage of show vs tell.
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