#and devalued to absolute shit

[oddthesungod]

fuckin…. im a bit grouchy today, but reading “omg someone who draws, draw this extremely complicated and time consuming idea I had for free teehee just throwing this idea out there” makes me want to chew concrete, this isnt cute, you arent coy. just the flippancy of it rubs me the wrong way, “teehee im not asking for artists to draw for me for free, im just throwing this idea out there teehee”

Drives me up the walls, you want your ideas drawn, animated, whatever? Fucking pay an artist

[songsofaine]

You know, it's really wild to me that a lot of Star Wars fans take their views of the jedi directly from the big bad Chancellor/Emperor Evil McBadguy. Just, uncritically regurgitating the bad guy talking points, like they're drinking kool-aid at the local cult, thinking that they're enlightened.

[butchysterics]

people are so quick to laugh at other people for taking extremely loaded and upsetting representation in media ~too seriously~, but also conflate the words of some of the most powerless marginalized people with censorship by the FUCKING US GOVERNMENT. it’s so disingenuous it’s so silencing it’s so fucking shitty

it also very much feels like the cultural moment we’re in right now, where bringing up issues rooted in deep irl power structures is automatically written off as oversensitive and reactionary. it’s just media, until it’s an example from real life—then it’s just not that serious, or it’s childish to draw those connections, or it’s censorship to bring it up in the first place. allusions to irl violence are chump change but irl violence is always an isolated incident. and no one cares that this attitude magically seems to exclusively benefit the extremely conservative worldview that holds power

like lmfao no i don’t think it’s your right or anyone’s right to cover your eyes to obviously shitty offensive media writing laden with cultural baggage…. so that you can ~just enjoy it~! does this say nothing about you when you jump to silence the critiques of folks who noticed the harmful shit that went over your head? hot take… media is actually made and consumed by human beings who live in a society

[applesandbannas747]

Students will take my classroom economy and build a mafia, successfully control at least half of the class’s fake money with predatory loans and interest rates, then expect ME to deal with it when someone steals from them

Like little homies I am so sorry to tell you this because I am so sorry it’s true but I am the government in this situation. The Man, if you will. You make a mafia, you deal with running it

Anyway, they decided to threaten thieves with breaking their knee caps and I’m helping them build a spreadsheet to keep track of their finances

They have not, however, relocated the jankass box made out of roughly hacked apart pieces of cardboard glued together that’s always sitting in the middle of the class library and bursting with their dirty fake money nor seem to have any intention to make ‘the mafia’ more secure

[boysnberriespie]

The fact that I’ve seen multiple people imply that it’s abnormal for a prof to help their student publish creative writing work… huh??? Like that should be a really standard thing that’s happening, especially in MFAs, and Especially if that professor has experience in the publishing field and knows a work has a decent shot of being published 😭

Like, just because it’s normal for professors to put limited time into the publishing aspect in pursuit of teaching craft and creative skills instead, does NOT mean that we should settle for the bare fucking minimum in what is essentially career training

[charredpages]

[Alt text] ten screenshots of text posts by the user themme_fatale on Instagram. The text reads:

(1/10)

Do you remember the exact moment that anti-masking stopped being a far-right talking point

And became advice you were willing to follow?

(2/10)

I try to make the ways I communicate about COVID as compassionate and non-judgemental as possible because I understand that we have all been failed in this and my primary anger is always upwards.

BUT

I also need you to understand - if you are not taking precautions, you are aligning yourself with eugenicists.

The person who actively says “fuck disabled people they deserve to 💀” and never masks, and the person who never masks because “It’s annoying and besides-no one else is” are BOTH devaluing people’s lives.

(3/10)

And that might feel confronting for some of you, and I know the knee-jerk reaction is probably going to be to deflect by accusing me of “shaming people” or whatever.

I’m not shaming anyone though - it’s just uncomfortable to sit with because if you’re the kind of person who follows me chances are you don’t actually want to be engaging in eugenics.

And re-engaging with the idea that COVID is not only still around, but still actively dangerous is asking a lot of you when the alternative is the comfort of denial.

Especially when so many of the tools to keep ourselves and each other safe have been taken away from us. But the thing is none of that is actually a reason not to act.

(4/10)

There are people IN YOUR COMMUNITY relying on you to take precautions so that they don’t d1e.

(5/10)

With love, and compassion for the fact that this shit is hard - ignorance is running out as an excuse. It’s time to do better, and help your mates do better too.

People in your community shouldn’t have to constantly remind you not to put their lives in danger. Surely you can see that’s a pretty fucked up dynamic, right?

(6/10)

We shouldn’t have to push so hard on “it’s good for you to protect yourself too!” Like it still absolutely is, but saving the lives of people in your community should actually be enough to motivate you to act.

It’s genuinely fucked up to be ok with a whole proportion of the population being either being locked in their homes indefinitely or at risk of 💀 on the daily.

(7/10)

It should be considered more socially awkward to engage in eugenics by k1lling and isolating disabled people in your own community than it is to put on a mask

The fact that it’s not should embarrass all of us until we change it.

(8/10)

It should be considered more selfish to put people’s lives at risk than to ask to be kept safe

Your choices can change or reinforce that culture.

(9/10)

Government inaction puts a weapon in your hand

Pretending it’s not there puts us all in danger

(10/10)

Why do you require a mandate to care about other people?

[possessed-pack]

Anti-endos commenting on my post about loving systemmates with "oh of course youre endo safe makes sense"--when will these people stop perpetuating the ableist idea that people with disorders have to live in misery 24/7? When will these people stop acting like a system is the absolute worst thing you can be and only results in eternal suffering? How do their headmates feel knowing these opinions? How do they use their unwillingness to treat any aspect of their disorder as positive to the point where it's a weapon they use to call anyone who has any positive experience about it a faker? How do they not see that this is the same sentiments that ableists use against all disabled people to devalue them or say we should be put out of our misery? How is this healing? How does this help?

Like yeah, you expect a hate group to act with hate but I genuinely worry for some of these people because it just seems like they're not even led to believe they have the ability to heal in any capacity. The way anti-endos are structured leads anyone who sides with them to go down this path of "systems are never fun or happy and life is suffering and pain and will be forever". It really isn't. There can be suffering, there can be pain, but joy and safety are just as real and just as achieveable. We're a DID system, shit sucks sometimes but we're healing--everyone can heal. Everyone can find silver linings. You need to know that you're not doomed. It can take time, but loving your system, the people in it, or the fact that it might have helped you to survive the worst days of your life, is NOT a sign that you are fake. Healing is not a sign of faking.

[txttletale]

h… how is any of that racist

assuming that you mean my posts about the 5e monster manual entry for orcs and how insanely racist it is--by happy coincidence i have a bunch of sources about this strewn haphazardly across my browser so i'm happy to answer this.

so we will start with this. the words 'tribe' and 'chief' are deeply, deeply racialised. they have been used throughout colonial (and well into modern and present-day!) history to describe groups of indigenous peoples across the world—with implications of 'primitive' people and societies within the Western myth of linear societal progress. europeans have nations and kings--africans and native americans have tribes and chiefs. the 'tribe' is not a neutral concept--it is a concept that was constructed by europeans in positions of global military domination over a century to justify a narrative about the linear progress of civilization to justify domination [1][2]. of course, it's not just the use of the words 'tribe' or 'chief' but their deployment here in the context of what is obviously supposed to be a 'primitive' method of of government--the 'orcish tribe' is inherently violence, a 'savage' society entirely built on "bloodlust" and "fear"

regis stella puts it much better than i could in this account of an early 20th-century travel memoir in Imagining the Other: The Representation of the Papua New Guinean Subject

while we're on this point i figure i'll add all the other language around 'savagery', 'inherent bloodlust' and so on in the monster manual here to further illustrate my point: it's all quite rote and repeats itself a lot.

now, wait, waiiiit, wait a second. wait a moment. hold up what was that last thing

oh thats not good. having to explain why this is racist feels a little like having to explain why its bad to hit people with hammers but i'll do it anyway: the comparison of real-life 'tribes' of people to insects, vermin, and pestilences is a very real element of genocidal rhetoric--from the holocaust [3] to the rwandan genocide [4]. what is the implied correct societal responose to a tribe that is 'like a plague?'

finally, this is the part that made me say "holy fucking shit this is in the 5th edition monster manual?" because it is pure undiluted gygaxian eugenics shit. first of all, the narrative of the ever-swelling horde, the indigenous or Asian people as an undiffernetiated mass of amorphous Other, is an old one and one that's been used to devalue the lives of people of colour and justify violence against 'the horde'. but the part that's absolutely jaw-dropping is the use of the tropes of reproductive racism--the narrative of Black and indigenous hyperfecundity is also an established racist trope, one which was instrumental in the forced sterilisation of Black and Native women in the USA [5] and now manifests itself in the "great replacement" demographic anxieties of modern racism [6] -- think of White Genocide conspiracy theories and the 14 Words. and of course that is to say nothing of the fact that is made very clear and reiterated (and mechanicised in the form of the Half-Orc player race!) that WotC wants to be very clear about how much orcs "readily crossbreed with other races". this is miscegenation anxiety, plain and simple--somethign else stella talks about.

so yeah! hopefully nobody will ever ask me this fucking question again! (this is just across two fucking pages of the monster manual by the way don’t get me started on the shit that’s in the other books! god forbid i even think about campaign modules!!)

[shrimz08]

AANG ＆ OZAI PARALLELS: DEBUNKED

------------------------------------------------------------------------------

Because apparently the true villain is the sole survivor of a genocide of his entire nation, and not the imperialist colonizer.

Where do I even begin?? Because I’m genuinely holding in laughter writing this, it’s absolutely insane how certain people can make such egregious parallels that aren’t even found in the first place. 

AH, so a little backstory on how this fucking shit stained idea even came to existence, well our dear z^tara fans pissed their pants over Zuko and Katara not tying the knot, so, as a way of retribution for their supposed “honour” They take any chance to jump on the Aang hate train and make him into some irredeemable abusive demon, aaand they got that perfect opportunity because the LoK decided to take a lick out of the great “Main Characters Must Be Bad Parents In The Sequels” Trope. Which personally, does absolutely nothing to the protagonists resolution aside from cheap family drama but I digress. 

Now, I’m not behind the idea of the writers trying to make Aang a “flawed” Parent, I think it really makes no sense by how they went about it, (I might touch on this in another post) 

((And it’s so very clear that they’re trying to give it a soft “retcon” And even taking extra steps saying that Kya and Bumi just “remember wrong” Which I’ll actually take, because season two of LOK was hell on earth anyway so you might as well give it some saving grace.)) 

--------------------------------------------------------------

There’s three main parallels that they got from Ozai and Aang: (god help me)

Favouring a child

isolating the rest

leaving pressure On the golden child

I’m going to debunk all three of them while trying not to fall into complete lunacy over how ridiculous they are. 

Favouring a child + Leaving pressure: 

OK, so people are clearly blind with context clues and media comprehension, got it. No surprise whatsoever. I can’t be disappointed if I didn’t even have any expectations to begin with. 

Let’s compare the treatment on how Ozai treats Azula, and how Aang treats Tenzin. (Holy Shit)

Beginning with Ozai, well.. It doesn’t take much of a rocket scientist to understand that Ozai essentially could not give two fucks about Azula, as she in essence, serves the role of an attack dog, as long as it does its job, it’s worthy. 

Ozai favoured Azula because she was molded to match his ferocity and hunger for power, she was a prodigy bender, and was cunning and calculated, all traits that Ozai found endearing and someone worthy to be crowned the next “fire lord.” His “favouring” Of her didn’t come out of genuine love or care, she is his tool who serves a purpose. In short, she showed more competency and more ruthlessness and callousness in comparison to Zuko. Which earned her, her place as the “Golden Child.”  

-------

None of this is even remotely similar to how Aang treated Tenzin and his kids, aside from the fact he supposedly “favoured” Tenzin more, but that is such a baseline statement and has absolutely no relation with Ozai's reasons.

You have to understand that an entire FUCKING NATION IS DEAD. History, Culture, Tradition, is at the BRINK of being wiped out, Tenzin is quite literally the only Airbender that will be left after Aangs passing. Why do people devalue this concept so much? 

“B-BUT THE AIR ACOLYTES1!!” Still have limited knowledge, airbending is so heavily tied to its spiritual roots, you LOSE your ability to AIRBEND, if you aren't inclined to your spiritual side. Which is a core part of the air nomad culture. Tenzin is... Literally the only god forsaken part left of that, so yeah. It’s a pretty big fucking deal. Aang values his culture and teachings to such a high degree, he is literally the survivor of a genocide. His favouring of Tenzin was done out of necessity and love, not out of a need for power and a new attack dog to send orders around. 

Tenzin will literally be the future “Director” Or guide for the next avatar to learn airbending, people still forget this, and it’s hilarious. He needs to know all the moves, all the teachings because he will be the next avatar's personal guide. 

Aang constantly reassures him, and apologizes for the pressure that may be put upon him but he always reaffirms that he’ll be there to guide him and they’ll “learn together”

---------

So yeah not the same thing at all. Fuck you for being so inept at understanding the different reasons and perspectives of those situations, just for some petty ship discourse, genuinely disgusting.

Isolating the children:

OK this part, I have to say that the writers definitely messed up with aangs characterization, but I think the execution came out way differently than the intention, so I will try to look more into the intention of each decision.

Ozai isolated Zuko, mistreated him, belittled him, PHYSICALLY ABUSED HIM, but yeah totally on par with Aang actually. 

I don’t wanna touch on this part much mainly because his treatment was literally explained all throughout the show, and granted, while I understand most of these people haven’t touched the show aside from reading fanfic 300000 Where Aang is revealed to us as satan himself, but perhaps, even a small peak at Ozai's parenting would reveal the laughable contrast between the two.

Zuko was a slow learner, and much more of a softie, and a “mama's boy” To Ozai’s heavy dislike, he was thus treated as such, he was belittled, turned down, and literally burnt alive for showing “weakness” He is meant to serve as a direct contrast to Azula, ”The everything he isn't.” 

Kya and Bumi on the other hand, don’t show any actual signs of trauma aside from some petty jabs they threw at Tenzin, 

Bumis talk with Aang at the statue was *very very* Clearly, meant to highlight his own inferiority complex that he internalized growing up. His need for proving himself to be capable of doing just as much if not more than a “bender” Probably happened because his two parents were both prodigy benders and him being a first born son who was a non-bender must’ve hit pretty hard for him, and I’m so sure that katara and Aang reassured how special he is but that kind of thing doesn’t really go away.

------

------

Kya: [while healing Bumi] I told you those rocks were slippery. You're lucky you didn't kill yourself.

Bumi: You done with the lecture, mom?

Kya: Oh, grow up. You haven't changed one bit since we were kids. You're still trying to prove you can do everything a bender can. Well, you can't. Deal with it.

----------------------

 That talk with Aangs statue was very much meant to unveil an internal struggle rather than a conflict he had with his father. Kya even doubles down on this, telling him “of course he’d be proud of you” Basically spoon feeding to us, the viewers, that this is much more of internal than an external conflict that he has to overcome along the show. 

“Why Didn’t he share his culture with them 1!!1!” 

He most definitely did, or tried to, but it’s clear they didn’t show much interest so he didn’t pester, this is shown many times throughout the show. 

“You know I could never keep all those gurus straight… There were like a million of them!

remember that long boring story about the guy who never ate?”

This is literally Kya’s remark to Tenzin just after he tried teaching the airbender students this story, basically telling us that Aang DID try to tell them about his stories and culture, but much to their disinterest, didn’t try any further. 

And Bumi, literally could not pay attention to the story to save his life, and instead decided to fool around in his literal 60’s!! I mean Imagine what he was like when he was a kid!! 

I could imagine their dynamic was very similar to Jinora with Meelo and Ikki, Tenzin being the only one with actual interest and care, whilst Bumi and Kya goofing off and not putting much focus onto it. WHICH IS FINE BTW!! 

It only goes to reiterate that Tenzin was the only one who was actually giving interest and attention to the air nomad culture, and it was of Kya and Bumi’s own personal choice to not partake in it. To each their own I see. 

“BUT WHAT ABOUT THE VACATIONS” 

This.. I agree, weird for the writers to decide this, but given how they low-key are retconning it in interviews, my best guess is that each of those trips were side-quests during their journey to teach an important lesson that might’ve just drowned out because Tenzin may not have remembered it as well. 

Also keep in mind that Tenzin was put into a lot of pressure, Aang probably saw this, and as a way to still keep it enjoyable, he took him to trips that would help ease the mind for a little kid whilst also learning something valuable. That seems pretty on brand for Aang actually

And given that Kya and Bumi are literally in their fucking 60’s it wouldn’t surprised me if they didn’t have the greatest memory. Hell, they didn’t even fault Aang as a parent until Tenzin started boasting about “trips” That Kya and Bumi gave petty jabs but weren’t actually showing genuine hurt, just annoyance.

Kya even comments how Aang was too busy “Trying to save the world, and doing his duty that he didn't have much time for them” 

Phrasing as if it wasn't anything "important" But it's clear that this was Kya's own personal irritation towards Tenzin rather than an actual evaluation on Aang's duties.

A continuation comic best explains it in a deeper way:

----------

Literally showing that “neglecting” His kids wasn't up to him, and was out of a sense of necessity, trying to cram as much knowledge onto Tenzin, the only one who was basically putting his lessons into practices. Kya and Bumi were left feeling neglected. But that wasn’t out of his decision; he still loved them dearly.

-------

This. Literally highlighting how much pressure was forced upon Aang, so yes, as any person would, he struggled with making time for everybody. Holy shit who knew?? 

GASP!! IS THAT… A REALISTIC BUT UNDERSTANDABLE FLAW!!?? HOW DARE YOU! ITS OZAI #2 

The fact that the smiley energetic person forgets to SMILE, is a big deal, man was put through hells amount of stress but he never cracked.

So tell me, how is a genocidal freak, who treats his golden child like a tool and abuses the other both physically and emotionally for showing “weakness’ 

Even remotely comparable to

 the sole survivor of a genocide, trying to withhold his teachings and culture onto literally his only child that showed actual effort in doing so, while also maintaining the balance of an entire fucking world and being literally the biggest “advisor” And “Mentor” For society, OH! And also building and managing a literal city, but along the way struggling to make time for his children. 

Guess what, they’re not. And if you think they are. You are an idiot, with bias and headcanons.

So the conclusion is, Aang is a flawed parent, but he isn't a "bad" Parent - confirmed by the literal writers.

Comparing him to Ozai a literal dictator, is absolutely sickening, just for your petty shipping discourse when this show's been over for a decade is insane. Indulge in what you enjoy, but stop projecting delusions like they're canon.

:D

[saintsenara]

Wait why are you not a fan of Snape and Hermione?? 2 nerds who care a socially awkward amount about the things they care about nerding out together at levels of romance people who can be chill and normal about things can’t comprehend?? It’s not one of my fav ships but I can definitely see it!

I headcanon that Snape picks on Hermione being a muggle raised know it all thirsty to prove and lacking self awareness because he was one himself when he arrived at school and James and Sirius picked on him for it! It’s like that you’re most repulsed by the things you’re self conscious of in yourself thing to me. Or maybe a him trying to live out being the “cool” one in that dynamic thing

But when she’s a grown woman and more self possessed like he became too I feel like that same energy ness has potential for love!

Hermione is famously respectful and compassionate enough towards all beings to be more understanding than say Lily Evans of his prickly tender ego if he had another m word style outburst and such a people pleaser she’d keep coming back for more snark as long as he peppered it with the odd encouraging compliment

And I feel like a Snape in reciprocated love could absolutely veer into inventing beautiful and helpful spells to impress his lover or sending “made me think of u 😘” notes with verses of elaborate obscure poetry territory that would be frankly the level of literary and academic courtship our Herms deserves 😌

Is it cause they’d both be the highly strung worrier one and they both need someone to ground them? Or maybe too pessimistic together and one of them needs to be the cheerful one?

anon, i genuinely love this for you - i'm always thrilled to get people explaining their love for ships in the ol' inbox, especially when they're ships i don't instinctively vibe with, and i have been won round to stranger premises than this by a passionate defence of why two characters should kiss.

where i still think snamione isn't clicking for me, however, is that the way you describe both snape and hermione here doesn't align in any significant way with what i personally think would be interesting to explore about either character in a relationship and have them still feel meaningfully like their canon selves.

[i will say, though - because i always think it's worth reiterating my fandom commitment towards being neither a cop nor a priest - that i literally don't give a shit about either the age gap or the student-teacher dynamic. i know that's an objection to pairings like snarry and snamione which lots of people do express. but i will never be one of them.]

the primary reason that i don't vibe with many of the more... sapiosexual hermione ships [by which i mean not only snamione but tomione] is that they hang on the idea that hermione's intellect expresses itself in a way we never actually see in canon.

or, the idea that snape and hermione are intellectually compatible [and that they would enjoy hanging out being nerdy about stuff] is just... not true.

throughout the seven-book canon, the way that hermione shows herself to be clever is that she displays an excellent memory and an enormous capacity to rote-learn. her intelligence is overwhelmingly demonstrated - both in the classroom and during the trio's year on the run - by her being able to regurgitate swathes of information, very usually verbatim from the source she got it from.

she is clearly able to use this ability to retain information to understand the theoretical component of magic in a way neither harry nor ron ever manage, and she is able to use this understanding of theory to work out how to perform spells which are ahead of her expected level on the hogwarts curriculum.

and this is intelligence - and i want to be very clear that i'm not trying to suggest that hermione shouldn't be thought of as intellectual, or that her academic achievements should be devalued. but it isn't the way snape's intelligence manifests itself.

because hermione is never shown - at any point in canon - to be a particularly creative or experimental thinker.

she places an enormous intellectual trust in disciplinary authority - teachers and textbooks - and is frequently rattled when these are revealed to be partial or incorrect, as we see in her shock at hogwarts: a history not mentioning house elves or her anger at harry getting better results by following the modified instructions in the prince's textbook [despite knowing nothing about the theory underpinning them] than she does with the "official" ones.

she also regards the gatekeeping of inquiry which disciplinary boundaries enforce to be a positive thing and she never displays any inclination to step beyond them. she dislikes the spells in the prince's textbook because they aren't ministry-approved - and i must say that i think the idea that she'd be won over by a man creating spells for her is wishful thinking...

she is immediately mistrustful of anything she can't find something she regards as an empirical source for - notice, for example, that she only comes round to the idea that prophecies might be real once she encounters them in the ministry of magic.

even when we see her using magic on her own terms - the jinx she uses on marietta edgecombe, for example; or the protean charm on the da coins - the magic she's using is sophisticated, and is being applied in a way which wouldn't be classroom-sanctioned, but it's not magic which is being used in a way which is removed from the spell's original purpose. the protean charm on the da coins is impressive because it's a flawless execution of newt-level magic by a sixteen-year-old. it's not impressive because hermione is using it in a strange, experimental, or radical way.

[in contrast, the dark mark - which harry notes the coins mimic - is clearly a spell voldemort himself invents.]

snape, on the other hand, is an experimenter. he's someone who clearly sees magic as a creative force which he has every right to shape as he sees fit by adaptation and invention. and he's someone who evidently rejects the logic of disciplinary gatekeeping - one tension in his relationship with dumbledore prior to half-blood prince is that snape evidently retains an enormous intellectual interest in the dark arts [which, as he tells us, are an area of magic which is feared precisely because they can't be neatly contained within disciplinary boxes - they are ever-changing, unfixed, mutating...]

and it's these conflicting views of what magic is and how it should be used and thought about which is the cause of the intellectual incompatibility we see between snape and hermione in canon.

he is unequivocally in the wrong for his dismissive classroom manner towards her - because he is an adult and she is a child. but he isn't wrong in principle that hermione just repeating what she's read in the textbook and refusing to synthesise her knowledge [she always goes massively over word limits! she never gives answers in class in her own words!] isn't actually a demonstration that she understands the material. [and therefore something a good teacher would guide her through conquering... snape having no interest in doing this is his own fault.]

and - from a snamione-specific perspective - it's all the evidence snape needs that, actually, they're not going to enjoy hanging out chatting about academic pursuits. hermione values knowledge like a dragon hoards treasure. snape wants to take that treasure, melt it down, and turn it into new and weird things.

once again, i don't think this a flaw in either of their characters - it's just something which is. and i don't think it's an insurmountable obstacle to writing snamione, because i believe any ship is possible if an author has enough nerve. but it's an aspect of both characters' canon personalities [and hermione's above all] which never seems to make it into snamione fics - all of which, as far as i've encountered them, are beholden to an idea of hermione's approach to academia which is considerably more flexible than we actually see in the books.

of your other points, i'm not particularly convinced by the idea that snape sees his younger self in the teenage hermione. this isn't just for the reasons outlined above - hermione isn't trying to prove herself in the same way he was, which was by creating and experimenting in a bid to be noticed and considered impressive - but also because of the massive gulf in their respective class backgrounds.

hermione is really posh - and, while she's obviously subjected to discrimination at hogwarts on account of her blood-status, she also comes from a family with both the financial resources and the cultural language to make her familiar with the vibe of the elite muggle boarding schools hogwarts is a pastiche of.

the teen snape - in contrast - stands out from his cohort in that he is visually identifiable as working-class [which does appear to be genuinely unusual at hogwarts]. his class background is something which clearly drove a lot of the marauders' bullying of him [i'm sorry to the girlies who think james and sirius targeted him out of some righteous desire to stamp out his prejudice - it was because he was poor and uncouth] and which he still has a chip on his shoulder about as an adult.

this - again - is not an insurmountable barrier to a snamione relationship [as it's not a barrier to thousands of real-world partnerships and friendships]. but it is something an author needs to grapple with if they want to make the pairing - at least, in my opinion - seem plausible. but the standard vibe seems to be that snape would be comfortable in the grangers' home fairly quickly, and that he'd be delighted to have hermione swanning around offering suggestions for how they could do up spinner's end... instead of him resenting this as the unwelcome meddling of people who've never had to worry for money.

i'm also not particularly convinced by the idea that hermione would get over being called a mudblood - especially by an adult man. while i think it's completely plausible that she'd handle this differently than lily [although lily's reaction is entirely justified - and i don't think we should throw the baby out with the bathwater of contextualising the teenage snape and the motivating factors behind his decisions by pretending that cutting off your friend because he called you a slur is a petty, ill-thought-out, or unreasonable move], i don't think that her reaction would be automatically forgiving.

hermione is compassionate towards kreacher when he calls her a mudblood because kreacher is a slave, whose prejudicial views are inextricably bound up in the magic used to oppress him [i.e. that if he received an order to use the term, or to refuse to serve a muggleborn food, from his masters, he would have to punish himself violently if he disobeyed it]. she is not - quite rightly! - compassionate towards someone like draco malfoy when he calls her one, since he is a free person with full agency to choose not to do this.

could she forgive him - or snape - for using the term? sure! absolutely! but i don't think it's a given - and i also think she'd expect a demonstration of how sorry snape was which wouldn't necessarily align with how he'd think he'd demonstrated his regret.

i do agree that - as you say - hermione is a people-pleaser, and she definitely has a far greater tolerance for being treated cruelly by people she wants to impress [especially authority figures - including snape himself] than either harry or ron. and i think this has the potential to introduce an extremely thorny dynamic into a snamione fic - in which the power dynamic inherent in the age gap [which, to reiterate, i think is completely fine for an author to enjoy] is compounded by hermione being unwilling to anger or contradict snape [which is a vibe - as i've said in answer to an ask about harmony - we also see in her relationship with harry... it's also obviously exactly how snape's relationship with dumbledore works.]

on a couple of the more minor characterisation notes, i'm afraid that the idea of snape as a great romantic has never hit for me. it seems really bound up in the way alan rickman portrayed him in the films, which i've always found a bit toothless. i also don't like the trope of "actually snape's really hot" which seems to always accompany it - ugly, odd men to get to bone too!

[what he would be - i think - is a magpie. get ready to be handed odd stones and bits of leaves on dates.]

i also think they're highly-strung in ways which differ enough to mean they'd just annoy each other. hermione is highly-strung in that she flusters easily and is very poor under pressure, but she's actually pretty emotionally stable [and i'd dispute that she's a pessimist - this is a girl who thinks that she's successfully eradicating slavery at hogwarts by knitting hats; she's pretty robust, funny, cheerful, and idealistic]. snape is highly-strung in that he has a hair-trigger temper and is very emotionally volatile, but he's obviously an extraordinarily good liar, very quick on his feet, and very good under pressure. he'd think she panicked too much [and over insignificant things he didn't care about], she'd think he tanked the vibe of a date by taking offence at someone breathing too loudly.

where are they similar? well, they have a shared self-serving streak [hermione is appalled by behaviour from harry and ron she considers perfectly moral when she does it]; capacity for cruelty; tendency towards secrecy; tendency towards pettiness and pleasure in the misfortune of others; loathing of flying a broom; cutting sense of humour; stubbornness; resilience; clear dislike of slumming it in nature; love of puzzles; and a weakness for red hair.

i think you could make it work on the grounds that they'd probably have the time of their lives being haters together - especially, i feel, about rita skeeter.

and - y'know - because love is weird.

[skaruresonic]

Spinning telling me about Netflixavania's impact on how CV is viewed by the mainstream reminds me of the fact that video games, for all of their advancements, still carry something of a stigma.

Particularly old games. Call me a crotchety old lady, but there's no respect for them. Not their history, their context, their legacy, or their preservation.

In addition to the revisionist narrative that "Sonic was always inconsistent" people invented in order to elevate spinoff media over the games, I'm reminded of how Silent Hill fans are now pushing this erroneous narrative that James shows little emotion because of "technical constraints," therefore erasing Team Silent's deliberate creative decisions. (Sato stated otherwise in a 2001 interview, fyi)

People will invent narratives to ingratiate their love of viddy games to the mainstream because in some capacity, games are still considered #cringe. It doesn't matter if it's an ongoing series (Sonic), a dead series (Castlevania) or a seminal work in its genre (Silent Hill), folks will still make absolute steaming horse shit up to devalue previously-lauded works. Suddenly Sonic is no longer good and has never been good. Suddenly Silent Hill 2 isn't a masterpiece or a giant of the survival horror genre; no, it's old, and therefore outdated, and the devs were only doing the best they could with what little they had, uwu poor lambs.

I literally had to stop watching a Silent Hill analyst because she too fell prey to the "technical limitations" cruft, suddenly making up flaws she'd never pointed out before for absolute bullshit reasons because she had decided to agree with the mainstream opinion that SH2 is now "obsolete" as a work of art.

I hate the ahistoricity, the revisionism. And it's so fucking xenophobic patronizing to the game devs, sending the message that despite their best efforts, they only made silly viddy games, while others are now taking the same material and elevating it to the status of Art(tm).

[myfandomrealitea]

You're allowed to feel sad, disappointed or lose some interest in a character because its no longer played by a specific actor or character.

(Obviously not talking about blatant racism here. Derail this and I'll scream.)

But I mean like. I see people shitting all over anyone who is losing interest in The Witcher because Henry Cavill is no longer Geralt, but at the same time actors will all have very unique ways of portraying the same character, and its perfectly fine to not feel the same way about how a different actor portrays or visualises the same character.

If you prefer the story and portrayal of Steve Rogers' Captain America over Sam Wilson's Captain America, that's fine! They're two completely different stories under the same mantle. You can absolutely respect the story and message of Sam Wilson's Captain America while still preferring the one Steve Rogers' Captain America told.

If you're in love with the way Henry Cavill depicts Geralt, you're not a bad person who holding onto that and choosing not to devalue Liam Hemsworth's interpretation by forcing yourself to consume media you no longer have a vested interest in.

Spider-Man is another prime example. While the core values and details of the Spider-Men stay the same, the specific stories and characters of each Spider-Man are supposed to be different. They're supposed to fit the narrative being told and the larger framework of the universe they are set in.

So many people hated on Tom Holland's Spider-Man because he wasn't the 'OG gutter rat broke bitch' but like. For one, we do actually see those aspects in the story still (Peter taking dumped items off the sidewalk, his small room, stressing about money and replacing things, ect) and for another, he's meant to be different because Spider-Man with The Avengers is different to Spider-Man alone.

Its meant to be a different depiction of the same character.

Its fine not to like one or to prefer the other but it doesn't make it bad media or a bad thing either way.

[heretherebedork]

And here we get to the real heart of why Yoh doubts his relationship with Segasaki constantly and why he cannot face or accept the idea that he might truly like him, care for him and love him.

Because Yoh looks at himself and goes why.

And then the rest of it is just insulting all his possible talents and all the issues inherent in his attempts to be a manga artist and we really get to see how poorly he views himself, how badly he thinks he of his own life and how he looks at his relationship with Segasaki as absolutely impossible in reality.

I mean, just look at him. This is literally how he describes himself. And then when he gets mocked he can't even argue but we know he doesn't feel loved and isn't convinced that Segasaki cares at all most of the time. It's that insecurity, that certainty of how much he's failed as a person that leaves him like this, trapped in a place that could make him happy but isn't.

And then we get to the peak conflict of the episode... when Yoh's insecurities meet what Segasaki wants for him and both of their struggles with words come to a head.

And this was when Segasaki fucked up and had absolutely no idea because he has no idea how Yoh takes that statement. None. Absolutely not a clue. Not even a hint of knowledge.

Segasaki fucked up because he is trying to tell Yoh that he wants to support him and take care of him and spoil him and love him but instead, because of Yoh's insecurities and doubts and misunderstanding about their relationship, he comes across as insulting and belittling what Yoh is trying to do.

Way to take the exact opposite of what he means in the moment but it also makes sense in a way. Because Yoh doesn't believe that Segasaki loves him or cares for him but rather than Segasaki is just using him, taking advantage of him, tricking him in some way. Despite all evidence to the contrary, Yoh simply cannot trust Segasaki.

Segaski is trying to say "I just don't want you to overwork yourself or worry about anything and I don't care about your success because I want you to be safe and here and loved." but all Yoh hears is "I don't care" because Segasaki never says the part about love outloud, only through actions, and so Yoh basically starts the seven stages of grief and lands squarely in anger.

And this is the ultimate breakdown in their really bad communication. Because now Yoh isn't just hurt or insulted, he's hurt and insulted and he feels like he doesn't matter, like his dreams were just ignored and that everything Segasaki has been saying came from a place that suddenly is much more sinister and hurtful. Yoh feels devalued and insulted and like his dreams don't matter to the one person he thought was doing this to support him.

Just the absolute shock on Segasaki's face here, the way he cannot believe what is happening and doesn't have any idea why Yoh went from snuggled in his arms to yelling at him about making fun of him. Segasaki genuinely does not know what just happened. He was trying to be supportive and loving and making sure Yoh knew he didn't have to take risks or overwork himself or put himself in danger and suddenly Yoh is just losing his shit at him.

And then Segasaki decides to track him. To follow him and see where he goes. It's meant as protection because he sees how upset he is and he believes he's desperate enough to do anything but also, dude, why do you have their airtags just lying around? I love Segasaki because he's fucked up but I wasn't sure I was expecting this.

Oh, next week is about how this all actually started three years ago and what happened that lead to what we see now.

[vergess]

hello do you happen to have an explanation/definition of what pinkwashing is? don't trust googlie with a term so new and it does not line up with my understanding of the terms it's made up of (-washing = covering or changing the original or true depiction, pink- = I only know this term in politics from pink-collar and I am 99% certain it does not mean the same thing here)

Oh, yeah, you're absolutely correct about it not being a pink-collar thing.

For my followers, pink-collar refers to paid work outside the home that is traditionally held by women. The "pink" refers to women, femininity, etc. Just girly things, if you will.

In pink-washing, however, the pink refers to pink triangles, a prominent symbol of queer survival after pink triangles were used to mark sexual deviants (that is, gay men and trans women).

Pink-washing is the use of "we have queer rights, unlike those barbaric savages" to justify state violence.

Right now, the term is mostly coming up in discussions of Israel. In that specific context, it refers to the fact that Israel is far and away the most progressive and well-protected place for queer people of all sorts in the middle east. Which the Israeli government often likes to point to as proof that their brutal ethnic cleansing is a "necessary force" to protect queer lives from Islamist extremism.

It's a sort of, "look, I know what I'm doing is bad, but what they're doing is way worse: look at how badly they treat their queers. Obviously I must be violent to help civilize the animals, for the sake of their queers," often while actively killing queer civilians for being for the wrong race.

Unfortunately, pink-washing is itself strong evidence that a state devalues her queer citizens, thinking of them not as vulnerable people to be protected (as the state will insist is the case), but rather as tokens to be trotted out as proof of the state's "goodness." And should any queer person defy the role of "good little token," they are inevitably and severely punished. As they say (they being in this case an Israeli sociologist whose name escapes me entirely), "A trans woman in uniform will be given medical care, but a trans woman who refuses military service will go to a men's prison."

Pink-washing is also extremely, EXTREMELY common in the U.S. though this doesn't get as much air time lately as Israeli pink-washing. But, the U.S. very regularly uses pink-washing around gay (not so much trans) rights to justify both imperial and domestic violence. Even at the per-state level, it is extremely common for people in "progressive" states to say absurd shit like, "well we treat our gays with respect, unlike Alabama!" to thought-stop themselves from noticing how miserable their lives are as a direct consequence of state action (or even state inaction to stop violence, as is often the case with capitalism and policing problems).

There's also a significant problem in Canada with their pretty solid record on queer rights being used as a counter-argument to their mistreatment of indigenous peoples. This too is pink-washing.

Pink-washing also devalues to lives and specifically the queerness of the people being targeted for violence. You know. By killing them and stuff. But also by denying that they deserve the very right to life and safety that is supposedly the mission statement.

If the entire point of pink-washed violence really was queer liberation, they would suck at that because they keep killing all the queer people they don't fucking like.

[ceilidhtransing]

This isn't the kind of stuff I usually post about, and I have zero interest in Drama, but I want to talk about a tangential element that the whole James Somerton Debacle has rather highlighted. I saw someone say something along the lines of “who would expect a business grad to have the skill of reading from a variety of sources and synthesising their ideas into good original media analysis content” and like... yeah.

It's such a common refrain to shit on arts and humanities degrees by going “what's that actually teaching you? What skills do you even get from that? It's all useless, it's not relevant to anything, you come out of that sort of degree with nothing but pointless facts on obscure literature or some pish like that”. But no, the distinct skill of learning from a variety of sources and developing the information and perspectives into new unique work of your own is the bread and butter of such degrees, and it is not a skill everyone has.

I feel like those of us who have been trained to do this (or who have developed the skill through their own independent learning outside of an academic institution) have a tendency to devalue it, to forget that it's an actual skill, to assume everyone just does this on the reg. And the idea of simply copying and pasting excerpts from other people's work, without credit, into your work and calling it a day wouldn't even cross our minds as a thing to do, because it's so obvious that the end result would be absolutely terrible, full of points that don't connect, ideas that don't go anywhere, sections that seem to lightly contradict, writing styles that don't cohere. I'm still stunned that anyone would have the audacity to do that, not just on an ethical level, but also on a quality level - is it not obvious that what you would produce by that method won't be very good?

I don't know this person, and I don't want to speculate too much - I don't know whether he genuinely lacks this skill, or if he has the skill and is too lazy to utilise it (though given the standard of his videos, I would hazard a guess at the first, because surely if this was a thing you were good at, your every instinct would be screaming at you to spend a short amount of time just tidying everything up, making it cohere, linking ideas together, doing something to make it better than a load of quotes haphazardly chucked together). What I do know is that this whole incident shows up perhaps better than anything before the very skill that a humanities background gives you, precisely by demonstrating what humanities-style content done without that skill looks like.

Hbomberguy does make the point in his video that creatives often don't value their skills because to them, they're just second-nature; they don't register as skills anymore. And a very similar thing goes on with people with humanities backgrounds. Artistic, creative, literary, intellectual skills get devalued by society all the time. But this stuff is valuable, something that evidently not everyone has or bothers with, and ideally I'd like to see a whole lot less of “but what does a degree like that even teach you”.

[wakandamama]

You ain't raise the Federal minimum wage.

You ain't erase student debt

You didn't place rent or interest caps

You didn't protect affirmative action and positions of Diversity and Inclusion at a federal level

You didn't protect our rights as citizens to our personal bodily autonomy

You didn't protect People of Color

You didn't respect and act accordingly to tribal treaties with MULTIPLE Native American tribes.

You allowed the 90% complete erasure of the separation of Church and State violating MILLIONS of citizens religious and cultural freedom rights

You allowed, as defined by both domestic and global law, cruel acts of inhumanity against immigrants, refugees, and minority citizens of this country. At federal, state, and local levels

You allowed those immigrants interment camps to remain

You allowed further millions of Americans to die from a public health crisis

You allowed further degradation of our already fragile and corrupt systems of regulations for the things we need to have in order to survive and provide for our familes

You allowed the continued progress of militarized police brutality and the devaluing of justice

You allowed the economy to turn to absolute shit for anyone not a fucking millionare

You are ACTIVELY FUNDING AND BACK MULTIPLE GENOCIDE THAT AMERICAN PEOPLE DO NOT FUCKING WANT TO DO!!!

You are ACTIVELY ALLOWING THE ESTABLISHMENT OF DOMESTIC MILITARIZED FASCISM AGAINST AMERICAN CITIZENS

You are ACTIVELY ALLOWING THE POWER OF VOTING TO BE RENDERED NEAR NULL AND VOID BY IGNORING AND NOT FEDERAL BANNING ACTS OF GERRYMANDERING

You are ACTIVELY AVOIDING THE REASONABLE MEASURES THAT NEED TO HAPPEN AT A NATIONAL LEVEL TO PREVENT OUR PLANT FROM BEING UNHABITABLE IN 40 YEARS

Every campaign promise you declared, has failed. Spectacularly and Exponentially, fallen on your face, failed to accomplish. To the point you have grossly lied and coved up most of atrocities and violations of citizens rights, then have the nerve to gaslight the nation as evidence is live streamed to us.

This statement covers more than either of those two old white privilege fucks about to thumb wrestle over whose turn is it to helm the final stage of America's fascism. This about all the politicians in Congress, in State Houses, in Mayors Office, who fill their pockets, lie, and sell out the citizens that trusted them to do the right thing. To actually want to improve our nation and communities for the longevity of our nation.

And for any blue or red coated muthafucka wearing the white glazed goggles of white supremacy wants to argue me bout "lesser of two evil" as the Black ass and Indigenous ass daughter of a man who march in the Million Man March and has been protesting since shes was 11 please fuck all the way off.