#and can major predict shit in this show

[buck-up-buck]

HMMMMM. Let's talk about THIS right now, because WTF.

Is Tim in my walls?

BABES.

Let's delve into this.

First of all, I WAS SO RIGHT ABOUT THEM MEETING IN THE HOSPITAL WHEN BOBBY BRINGS A PATIENT AND I AM GAGGING OVER THIS HOLY FUCK.

@thetangycheesemanwithaplan called the stalker AA plot which is posted below, for ya'll to see, which we just saw in the promo for 7x08 and I am FERAL OVER THAT.

SO NOW, let's delve into the fact that I...

Called Bobby wanted to gain his forgiveness, which is hinted in the promo.

PROTECTIVE ATHENA LIKE LOOK AT HER FACE IN THAT PROMO ARE YOU KIDDING ME RIGHT NOW!

The entire revenge plot like come on, I CALLED THIS SHIT SO HARD.

Amir losing someone in the fire, potentially a wife or fiance..... I SAID THAT I ACTUALLY SAID THAT!

NOW, onto my cheeky lil ideas for the next two episodes because I have some more thoughts... Again, these scream AO3 but, let me fantasies okay because that episode and promo did things to me.

Picture this.

Bobby walks into his lil AA meeting and low and behold, there is Amir, ready to throw all Bobby's troubles at him, and Bobby spirals because damnit he wants to make amends with this man and he is making it so. damn. hard.

NOW, Athena is like, you stay the hell away from this man Bobby or so help me GOD I will tie you to this goddamn dining room table with your firehose. So he listens....

UNTIL

He gets a text message from Buck, but no, it's not Buck, ITS AMIR, because AMIR HAS KIDNAPPED BUCK AND IS HOLDING HIM HOSTAGE IN AN ABANDONED EASY MOTEL IN THE DESERT.

"come get your boy. come alone."

Buck is all like "Father help" and Bobby of course is like "OH NO MY BOY" (if you understand this reference I love you, if not, it's okay you made it this far I still love you.)

Bobby shows up and he is READY FOR A GODDAMN FIGHT (Kenneth did day a conflict for Bobby in episode 8 and we did see this man put a LITERAL KNIFE TO BOBBY'S NECK) so if this does not scream fight (WHICH I ALREADY PREDICTED ANYWAY) then I don't know what does.

Buck is all tied up and a bit battered and bruised but mainly concerned about the fact that he can smell FIRE and Bobby is fighting this man while OH NO, THE EASY MOTEL IS STARTING TO BURN AND FUCK THIS IS NOT GOOD.

Tag Amir winning/getting an upper hand on Bobby and him and Buck both end up stuck in this motel burning down.

Queue, Ashes Ashes 7x09.

Now, we all saw the helipad in the sneak peek pictures of them filming in the desert so, imagine, IMAGINE, Tommy, Buck's sexy hot as mother fucking firefighter pilot boyfriend coming to save his Boyf and soon to be father in law.

SCREAMING.

Okay I'm done. Someone take tumblr off me.

[loveinhawkins]

When Steve gets to his last year at Hawkins High, it feels like some kind of veil has been lifted right in front him. Or maybe it’s more that the veil’s actually been slowly lifting for years, and he’s noticing it all the more because it’s no longer there.

Either way, when he receives his yearbook, it doesn’t seem like the huge deal that his younger self would’ve made it out to be; he flicks through the pictures half-heartedly, doesn’t even care when the candid ones taken at sporting events catch him in unflattering poses, lip jutting out in concentration.

If he tried to voice his disinterest, Henderson would probably spout off some precocious shit about societal expectations, and Steve would pretend to nod sagely before stealing whatever dorky hat he happened to be wearing—it’s not like he could let the little shit suspect that he occasionally had a point, Steve would never hear the end of it.

The yearbook signings are predictably inescapable: people passing their books back and forth in class or in the cafeteria—and that one’s a risky move, with the threat of drinks spilling on the pages, whether accidental or malicious.

Steve thinks the fever’s dwindled out until he spends a free period in the school library. The seniors typically all bunch together in one of the far corners, the spots with the comfiest seats—loners included, like the perks of age for once outweigh the usual ridicule.

But that silent truce is not exactly being upheld, Steve notes—Eddie Munson is sitting alone at a nearby table.

It becomes painfully obvious when the signing starts up again. There’s a cluster of girls on the yearbook committee who initiate it, and soon every senior in reach is either passing over their own book or signing one.

Almost every senior.

It’s not like Eddie’s the only person ever to be held back. He’s not even the only one to be held back for next year, either: John Nelson off the swim team is in the same position, and he’s still been asked to sign.

But Steve knows that’s not what the source of exclusion is, not really.

He’s gotten good at spotting silent cruelty—good at avoiding it too, before his popularity gave him a temporary shield.

It’s all just bullshit, he thinks. It’s been a recurring thought lately.

He brings out his own yearbook because he knows it’s expected. When it’s finally passed back round to him, he ends up right near the seat opposite Eddie’s, just by chance.

But actually sitting there is his own choice.

He can tell that Eddie has spotted him even though he’s not looked up from whatever homework he’s doing; there’s a silent tension in the way he’s holding his pen.

Steve mulls it over before he asks the question. It could blow up in his face, but what did that matter, really? In the grand scheme of things, it would hardly count as a major embarrassment; it’s not like it’d be any more mortifying than telling his dad that he didn’t get into any colleges whatsoever.

So he pushes his yearbook across the table, because what the hell.

“Wanna sign?”

Eddie glances up. There’s a guarded look in his eyes, and Steve can almost hear him mentally replaying the question.

“Pardon?” Eddie says with pointed emphasis, like he’s daring Steve, let it drop and we’ll say no more about it, Harrington.

Steve doesn’t take it back. He shrugs and flicks open the yearbook, finds a blank spot and taps it once with his finger, a silent offer.

Eddie stares like Steve’s a riddle, like he’s wondering just who the show’s for—but the other students have turned away, have gone back to their seats, yearbooks temporarily forgotten.

Eddie’s hold on his pen relaxes, ever so slightly.

“You sure, Harrington?” he says. There’s still a wary edge to his voice, but there’s an undercurrent of something else, too, like he’s secretly amused despite himself. “Haven’t you heard what folks say? I could curse you.”

Steve scoffs. “That all you’ve got? I’ve dealt with way worse, man,” he says mildly.

A corner of Eddie’s mouth twitches into a surprised smile. Then it’s gone almost like it had never been in the first place, his gaze turning thoughtful rather than defensive.

And obviously this isn’t Eddie’s first rodeo at the whole senior year thing. Steve wonders if there’s a veil that’s been lifted for him too, wonders if he can see straight through it right now.

The bell rings.

Eddie stands up, gathering his stuff.

Steve thinks that’s the end of it: something that’s neither a success or a failure.

But then, lightning fast, Eddie darts across the table and scribbles something on the open page. Slams the yearbook shut and pushes it back over, and it feels like a challenge, like some of his caginess is back—like he’s just daring Steve to reveal that it had been a joke all along—

“Bet you’re counting down the days till you can hold your own copy, huh?” Steve says dryly, as he stuffs the book into his bag.

It’s a risk; he knows Eddie could easily take it as pure ridicule, could misinterpret it as Steve throwing the failed school years back in his face.

Eddie just shakes his head, but he could be laughing—the moment’s gone too quickly for Steve to know for sure.

“Nah, Harrington,” Eddie says easily, thrown over his shoulder as he leaves, “those things aren’t worth the paper they’re printed on.”

Steve doesn’t check the yearbook until he’s home. He eventually finds Eddie’s signature, simple black ink right in the upper corner of one page.

Good luck, Steve. —Eddie

Some of the letters are bunched a little too close together, drifting upwards on the blank page, as if they usually need lined paper to guide them—left-handed, Steve thinks vaguely.

Within a sea of scrawled nicknames and loudly enthusiastic messages, Steve finds that he kind of likes how mundane Eddie’s truly is. Likes the sign off with minimal fuss. Just “Eddie.” Likes how he was just “Steve”, too.

And yeah, if anyone needed to be told good luck, Steve thinks, with the kind of amusement that only comes from distance—pictures his past self, freaking out about monsters come to life.

He slots the yearbook into his bookcase. By summer he might forget about it altogether, left to gather dust as he works for 3 bucks an hour, but for now he marks its significance: something real, hidden alongside the bullshit.

[twilightkitkat]

Poolverine but they dress up as each other for Halloween. I'm not just talking about swapping costumes—they go all in. They get those facial prosthetics to get each other's skin textures right, Wade goes in with makeup for detailing, and Wade wears a bodysuit while Logan wears slight platform shoes and shapewear to roughly match their builds.

They put on each other's suits and make sure the proportions are as accurate as possible. Wade even goes as far as to call in a few favors to get voice-changing abilities.

Then, Halloween, they pretend to be each other. They try to match each other's personalities and mannerisms and see if anyone can notice.

At first, you'd think it'd be obvious that they switched. But here's the thing: they know each other. Wade knows how Logan moves and talks and acts and fights. Logan knows how to predict Wade's moods and reactions and decisions. They're incredibly self-aware and in sync.

They both show up to their friend's Halloween party dressed as each other. The crowd is incredibly large because everyone invited all the people that they know, which includes Vanessa's new friends and the majority of the X-mansion.

The only person who knew off the bat was Laura. There was no hiding it from her with her sense of smell, but they didn't intend to. She was in on the joke and came to watch the shitshow in action.

When asked about their costume, "Wade" says that Deadpool is what all the kids want to dress up as for Halloween, and he was just following the trend! Besides, no need to waste money buying a costume when he has the best one right in his closet. He's the scariest to be, obviously, because Deadpool is such a fearsome name.

Logan matches Wade's pitch immaculately, curling his voice into a whine before going back to talking cheerily as if nothing happened. Nobody bats an eye, classic Wade behavior.

Any slight imperfections are hidden by the flashing lights and relaxed atmosphere and large crowd. It's hard to pick out their friends in a crowd, let alone tell the differences between their carefully crafted copycat plans.

Laura gets closer to "Logan" and asks him how "Wade" has been lately, playing along. He responds with a grunt and an exasperated but fond summary of Wade's newest hyperfixation, acting as if he didn't know any of the terminology for it.

She has to hide a shit-eating grin when some of the people who knew Logan from the X-mansion came up to greet him and ask him how he's been. Plan successful.

"Logan" reaches out and pats a few heads, lingering just long enough to show he cares but pulling away soon enough to avoid deep intimacy. He answers questions with the same gruff tone as the actual Logan, giving just enough information to satisfy their questions.

Miraculously, the night continues and they haven't been caught. This is quite frankly hilarious because the two had done their rounds with each other's friends and acquaintances and apparently knew enough about each other to answer accurately. It's a pretty big feat, and even Laura has to reluctantly admit she's impressed by how well they know each other to pull this off.

The two draw together near the end, bickering as usual and using each other's tactics. Wade has to stifle a giggle at Logan imitating his out to not break character, and Logan has to hold himself back from burying his face in his hands out of embarrassment.

The real challenge is when Vanessa comes in to greet "Wade," with her new boyfriend in tow. Because Logan knows how Wade should act: vaguely uncomfortable and awkward, cagey toward the new guy, with an undertone of yearning and regret.

He knows this, but it stings. It hurts to know that while Wade and him are living together, a part of Wade will always belong to Vanessa. He knows it's irrational and that he's the main person in Wade's life, but the thought of them together makes him feel vaguely nauseous.

But he promised Wade he'd try to do this with him. They'd made bets and everything about who would find out and who wouldn't. He didn't want to ruin his fun.

So Logan grits his teeth and shifts into character, acting a little tense but also relieved to see her. Acting a bit more closed off and tense when the new guy introduces himself, and a little embarrassed to be seen with "Logan." Guilty, almost, like he'd been caught doing something he shouldn't.

But Vanessa's expression isn't remorseful or awkward. Instead, she raises an eyebrow, crosses her arms, and asks him what's wrong. Tells him that something's clearly bothering him and that he knows he can come to her for anything.

Logan becomes confused. What was he doing wrong? Was he not giving her the "puppy dog eyes" convincingly enough? Was he not portraying the bittersweet feeling of seeing "the one who got away" well?

But then she asks him if he and "Logan" were fighting. If something was going wrong in their relationship for him to act so cagey and upset.

...And Logan is baffled. What the hell does them fighting have to do with this?

Until she continues. She tells him that she knows how much "Logan" means to him and that she knows Logan feels the same (it's obvious just in the way he looks at Wade), so she's sure they'll figure it out soon.

She chuckles and shakes her head and says that it's endearing how Wade constantly talks about Logan as if he's the only topic in the world. That she's glad he's happy and that she remembered him asking to meet her boyfriend at some point so he could "rate her taste." She pats his shoulder, placatingly, and tells him that she's always there to talk if anything happens. Then she leaves.

And oh.

Logan thought he had Wade's personality down to a science, that he knew almost everything about him. His thoughts, his feelings, his relationships. ...But apparently, he was wrong for once.

Then he takes a second to stand there and analyze his interactions with Wade. And he realizes that she was right. That Wade glancing constantly back at him when Vanessa was there wasn't awkward pining for his ex, but just Wade wanting to look at Logan.

Now that he thinks about it, Wade doesn't just do that around Vanessa. He did it around almost everyone. He'd intermittently glance at Logan with what he assumed to be embarrassment over him, but now he realizes it was endearment. Awe. Bashfulness and slight pride over getting to introduce Logan to his friends instead of being ashamed of him.

And Logan realized that maybe he didn't know everything about Wade. That maybe, some of his assumptions were based more on his own experiences and past rather than the present. That he let his jealousy and insecurity and anxiety cloud his interpretation until it became foggy, creating the same rough shape but without the structure.

...And Logan smiles, under the mask. A warm, incredulous thing. That Wade spent most of his time with Vanessa talking about him. That it was so obvious Wade loved him that everyone commented on it. He'd never had someone be proud of belonging to him before, showing him off like he was something worth coveting. It felt nice.

Eventually, he rejoined "Logan's" side. He sidled up to him and threw an arm around his shoulder, throwing out a flirty comment and cuddling closer. "Logan" let him, letting his shoulder slump and wrapping an arm around him in return.

"Wade" stared at "Logan," watching his expressions shift and the curve of his lips as they moved. He let the adoration and wonder swell up in him, seeing how accurately Wade played the part.

It was obvious that he was staring, but nobody batted an eye. They all accepted it as normal, as if it was perfectly in character for Wade to stare at Logan with full focus even while people flitted and talked around them.

When Logan leaned in to kiss Wade's shoulder, nobody said anything.

(They manage to make it through the night without anyone calling them out on their impersonation. When they reveal it the next day, everyone is shocked. It was so realistic that they couldn't even tell.

Well, almost everyone is shocked. Laura rolls her eyes and Vanessa hides a knowing smile behind the rim of her coffee cup.)

[harleywarley18]

God of prophecy, music, and plague 𖤓°⋆.ೃ࿔*:･𖤓°⋆.ೃ࿔*:･𖤓°⋆.ೃ࿔*:･

I was supposed to post this Sunday but got caught up with stuff so here's a midnight rundown on my relationship to Apollo ;-;

Apollo began showing up around a month after I began my worship to Aphrodite. I was afraid at first. Not of him, but of the idea of worshipping another deity. In the past, I had only ever worshipped one at a time. As a neurodivergent person I was also afraid that my relationship to Aphrodite was just a hyperfixation since I had been playing Hades a lot.

The thought of worshipping Apollo only further worried me. I wanted to assure Aphrodite that she wasn't;t a mere hyperfixation and that she would not be forgotten. The first time I tried to communicate with Apollo via tarot cards, Aphrodite showed up instead and voiced her concerns.

She was afraid that I'd abandon her and forget about her. I knew where this was coming from because I had told her about Hades. Early 2023 I had begun worshipping Hades but after about a month and a half it became too much for me to continue and I kind of just stopped my worship and never went back. I had felt so bad but worship can be so draining sometimes.

Anyways, after reassuring Aphrodite many times I believed I had the okay to begin doing proper research on Apollo before reaching out to him. What interested me about him is his Lo'xias epithet, meaning god of prophecy or messenger of Zeus. I was so drawn to it because throughout my entire life I have always had crazy intuition and predictions.

At first I chalked up to the fact that I'm autistic and can recognize patterns really well. Specifically, I take "data" I've collected about a situation or people and use it to make predictions about what will happen or what they'll do. But, too often did I predict something and it actually happened in a scarily accurate manner. There have been multiple times that it's felt as though I've actually spoken things into existence. For example, while I was ranting to my sister about someone who had talked major shit about me and I said that (for the sake of privacy I will not describe what I said) this specific scenario was going to happen to them. I said it out of anger and in passing but that very weekend exactly the thing that I said would happen to them HAPPENED.

With tarot cards, especially, my readings are always insanely accurate. Even my sister, who is not a believer in anything that I do, is wary about my readings because she knows that whatever the cards say will happen will actually happen. Furthermore, when I first moved to college I had visited a metaphysical store with my cousin and there the owner overheard me say that it had been so long since I had really done tarot that I probably couldn't ever do it again. And she said to me "tarot reading is like riding a bike, you learn once and never forget. She then brought out her own personal oracle cards and had me do a reading on her and her husband. She wanted me to use the cards to tell them who they are. According to them, everything I had said was more than true.

With Apollo, I thought I could use his help to groom and cultivate this proclivity of mine.

After having properly reached out to him, I've come to the realization that I love more than just his prophetic aspect. I stated in my previous post that I had been struggling due to a situation that occurred earlier in the school semester. Even when I was back home, I was struggling with panic attacks and bouts of major anxiety. What always helped, however, was taking my dogs out on their walk and feeling Apollo's rays of sunshine beaming down on me.

Every single time I stepped out of the house-heart racing, hands shaking, ears ringing-suddenly it would all melt away into nothingness the second I felt the sun on my face, enveloping my person, weaving its heat through my curls and over my ears. Even if it had been storming, when the time came to walk the dogs, the sky would magically become clear enough to allow the sun to shine through.

Eventually, I started keeping the tarot cards I dedicated to Apollo under my pillow and asking him to visit me in my dreams. The first night I saw a beautiful, swirling ball of light above my bed, with orange and yellow flares coming out of it. The second night, however, I woke up in a dream. I was in the back of this van sitting next to this man. He looked young with beautiful, black curls. He had his arm wrapped around me and my head rested on his shoulder.

I remember him feeling so warm. He felt like home. He felt like snuggling up under the covers in a cold room. And I just lay there, hands holding his, watching the scenery of the drive we were on. I woke up that morning with the sun shining on my face, clearly attempting to wake me up.

I've heard a lot of people say that Apollo feels like a golden retriever boyfriend or nice frat boy. And while I respect that everyone's experiences with deities is different, Apollo to me feels like some guardian. Maybe an older brother or a father or an uncle. I think people expect Apollo to be boyish and naive because he's always been described as a young thing. We forget that he is just as wise, if not more, as his cousins and aunts and uncles.

Praise Apollo, averter of evil, dark-haired, messenger of zeus!

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 13 Dissection

Jesus CHRIST, the hits keep on coming (/pos). I don't think anyone could have predicted everything that came to light in this episode. But, hey, at least we're finally cooking on the murder method a bit more...?

SPOILERS for Danganronpa: Despair Time though Chapter 2 Episode 13! Also, CW: discussions of suicide.

Similarly to last time, I tried not to look at too many other people's major reactions/theories as to not influence my opinions as they were when I watched the episode. (Although I think I failed to do that more than last week...) Here's what this episode got me thinking about!

Genocide Jack, Junko, Mukuro, Peko, and Korekiyo:

On that note, though, this is... debatably relevant lore about Hope's Peak as it exists in DRDT? We know from Chapter 2 Episode 2 that Veronika (and likely all of the non-Terukos as well) don't remember Trigger Happy Havoc, and, based on this, it's likely that they don't remember much of the history of the old HPA either. Ace being so adamant that HPA wouldn't scout a murderer implies that the new HPA has fully regained its spotless reputation, potentially even more than the Tokyo school ever had.

I want you all to know that I tried to write out a little theory about whether or not Levi could have killed any plot-relevant characters here, but I came to a dead end at every venture. Levi killed Mai? No, he has no motive, and the murder happened before everyone attended Hope's Peak. Levi killed Elliot? No, Ellie was probably killed by dogs, and the timing is all wrong. Levi killed someone at the North C and Chariton incident? That didn't even happen. I was just getting that confused with my theories about what Xander might have done at that incident in FF's DRDT Milgram AU. Not even what actually happened in the AU. Just my theories on what might happen.

The only option I couldn't fully rule out was the idea that Levi killed some of the ~5 missing members of the altDRDT cast, but, holy shit, can you imagine how funny that would be? Teacher and the gang get to the sixth Class Trial and ask all dramatically, "so, what happened to the rest of our class that didn't make it to the killing game...?" and Monowhatever is just like "actually, Levi Fontana just straight up merced those dudes years ago." Hilarious.

Anyways. That goes to show that I do think these were just random guys, and the only specific relevance they would have is in the realm of Levi's backstory specifically.

RIP to the "Levi used to be an assassin" theory. I actually kinda liked that one myself.

(Also, hijacking this image to point out the background music here. You hear the ticking clock motif? Very suspicious indeed...)

Yup, even more confirmation that HPA highly valued having an incredibly pure and righteous image. Of course this HPA was also corrupt. Is it even possible to make an HPA without some level of corruption?

(Levi. My guy. I need you to use a different sprite; the quadruple image combo is starting to look ridiculous.)

What I find really interesting here is that, even in the realm of forgetting about murders, Levi remembers the three random guys before his father. Like, I know that Levi says that he kinda equally doesn't care about everyone (and I believe him to be telling the truth on that), but you would think that, just by virtue of having spent more time with his dad or the people around him's reactions, Levi would have remembered killing his father before offing three random thugs.

I don't know if this is meant to A) really drive the point home that Levi sees no difference between those he "knows" and those he doesn't; B) imply that Levi might have sustained some greater amount of trauma from killing his father that caused him to block that memory out more; C) suggest that killing the guys was more recent than killing his dad, which might lead him to remember it with more clarity; or D) some combination of the former three. However, I think it's an interesting detail to note.

The foils are foiling........

This was hilarious. And lowkey evidence that Nico was the one who tried to kill Ace.

You know, I actually almost made a theory once that the clauses "you're a murderer" and "you have no remorse" could be read as two separate secret statements! Not to say that Levi didn't have no remorse for the killing part, but that having no remorse was a state of being not solely tied to the murdering.

Alsoooo... just gonna say, Levi on Drawing Pins is looking better and better all the time...

Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

WE ARE BACK AT IT AGAIN!!! "GOOD PERSON" SPECIFICALLY IN THE LEVI/EDEN CONTEXT AAAAAAAAA

Beyond the further "good person" jumpscare, I found this line interesting due to how Eden describes Ace. Someone who "always pushed [Levi] away." Sounds a lot like Arei, huh? In fact, a lot of it sounds like Eden is applying it to herself.

"But I'm a good person. Why am I thinking these things when it's clearly not true? I'm so kind to everyone. I'm always helping others out, even when it'd be easier not to. Like that time Arei yelled at me. I kept trying to help her, even if she always pushed me away. Isn't that what "a good person" does?"

Obviously, I'm reading into this in the "Eden is the blackened" context, but I think that it's still an interesting read of Eden's mental state even if she isn't the blackened. We know that, to some extent, Eden blames herself for both Min and Arei's deaths. Therefore, despite likely feeling like she's fucked up, she wants to cling onto the idea that she's a good person so she doesn't lose faith in herself.

That leads into some super interesting parallels when it comes to this speech versus what Arei said, but I'll talk about that more once we get to the Arei monologue.

This week, acevi shippers take the L. Really, Levi x anyone shippers, but I think acevi shippers got the worst of it.

Except, they also took the W. "Ace lowkey confirms he once had feelings for Levi" was NOT on my bingo card. Or Star's.

(Also I LOVE this new sprite)

I saw some people talking about Ace's friend (Taylor?) but I do not remember and cannot find any information about this character (so I can't even tell if they're just fanmade :( ). If anyone knows what I'm talking about and has a link, please send it to me. Anyways, "insult to his memory" definitely makes it sound like Ace's friend is dead. I wonder if the way in which he died has anything to do with Ace's fear of horses/cowardice in general.

I want to see more Levi and Veronika interactions so bad. It's no surprise that Veronika was the first to pick up what Levi was putting down. Both of them don't have the "normal" way of processing their feelings and interacting with others, but while Levi has decided to try to be what society deems as "good" anyways, Veronika has decided to fully live by her own creed. I wonder if Levi could be at all convinced by Veronika to go back to his old ways.

Veronika: You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want.

I'm excited to see Levi and Nico interact too, obviously. I suppose Nico is kinda like the midpoint of Veronika and Levi-- doesn't understand people and wants the world to work the way they perceive it, but also has been bullied enough to feel forced to play along with how others want them to be. Characters like these have become some of my favorite archetypes to discuss. I'm so glad that DRDT has so many of them!!!

The foils are foiling AGAIN...

Why the fuck are you so pressed about the secrets now??? I thought you were all about privacy?????

Well, thank you for "confirming" that swap, ladies! This talk of a pact is very interesting, though. I guess Hu must have gone to Veronika pretty early to ensure that her secret wouldn't get out-- makes sense, as without that there's a good chance Hu could believe that Veronika would reveal her secret at the most unflattering time to create drama.

It does slightly recontextualize Veronika's "A little mystery makes this Trial more exciting, don't you think?", though. I wonder if that was just straight up a lie, or if that was the rationale Hu used to appeal to Veronika. I doubt we'll get a flashback of this scene now that this moment's passed, but I'd love to see it. FTEs...? 👀

David you have to stop this right now or you're going to become my new favorite character. Dude's been dying to don the mantle of the comic relief character, apparently.

Is The Motive Scoreboard Accurate?

I'm including this because I've seen some other people say that it is, specifically on Teruko's front. I strongly believe that this motive board is incorrect, and Teruko and Xander's secrets are swapped.

The blaming yourself secret mentions parentS and siblingS. Back in Chapter 1 Episode 4, Teruko says that she never knew her parents (and therefore may even just be assuming that she has two), and she only had one biological brother. Furthermore, she has no idea if they're dead or not. On the parents front, she could assume that being sent to an orphanage is confirmation enough that her parents are dead instead of just not wanting her. Being sent there with her older biological brother is a further implication of that.

However, Teruko specifically says that her brother "left with some other family." She makes no mention of believing he's dead at all. Therefore, for Teruko to have the secret she claims to have, Teruko would have to be constantly mourning parents and an additional sibling that she never knew, and to believe that all of them are dead despite having no reason to believe that her known brother died.

Obviously, all of these things were said aloud to Charles and Whit, so there is a possibility that Teruko lied about or concealed parts of her past to keep her walls up around those two. However, what does this face from David mean if not "I've caught you in my trap?"

(DRDT sprites are SO GOOD--)

To me, this sprite clearly indicates that David knows that Teruko is lying about something, but has chosen not to bring it up to save it for later purposes. I don't know if he has something specific in mind or just wants to hold the potential blackmail over her head, but I strongly suspect that we'll come back to this someday-- either in later daily life or a post-Trial scene in this chapter.

It's also interesting to note that, while David knows that this is Teruko's for sure, Charles and Whit also have the opportunity to recognize the discrepancy. I definitely wouldn't be surprised if Charles kept notes about what he knows about everyone somewhere. We'll have to see if either of them ask her about it down the road as well.

Eden: I know that she's dead!! I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again. But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends. If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope. Please! Tell me what happened last night between you and Arei!

Oh boy.

Can Eden Still Be the Culprit?

Look. I understand if you look at this and believe that Eden couldn't possibly be the culprit-- or at least, not without being a completely different character than we know her to be. Because I almost did. Zel's performance did a really good job of selling Eden's heartbreak in a way that makes it feel like she couldn't have possibly been the one to end Arei's life. However, upon further review, I do think that Eden's words could be that of the killer, with minimal levels of intentional manipulation thrown in.

If it would cause you emotional distress to listen to me continue to accuse Eden, I'll write the rest of this section in purple so that you can skip it if you'd like. I don't want to make anyone sad, so I fully understand if you want to avoid these bad vibes. However, for those of you who are still on the fence, and those who have stuck with Eden!culprit all along, here's my justification. I think it'll be easiest to break it down block by block.

Eden: I know that she's dead!!

Okay, well, maybe skipping this section a bit. More points for Arei truly being the one who's dead, I guess?

Eden: I know that she's dead and that she's never coming back. I know that I'll never be able to talk to her ever again.

Alright, so, this can fairly easily be read as the same thing as what Eden was doing back when she was talking to Levi: reassuring herself.

Well, maybe "reassuring" is the wrong word. Basically, she's repeating the same mantra that she told herself when she was trying to justify her decision to kill Arei. When making the decision to kill anyone, the killer (if they care) has to process that they will have to kill every other person in the game if they want to escape for themselves. Therefore, if Eden is the killer, she already had to grapple with the fact that she can't turn back time. ("You can't go back, no matter how hard you try.")

I think that Eden might have it in her head that, even if it wouldn't fully erase her wrongdoings, as long as she doesn't just forgive and forget the whole affair, it makes things slightly better. That's why she was yelling things like "You forgot about all the things you did just because you didn't face any consequences for them? That's incredibly selfish!" at Levi.

Feeling bad about things is her punishment to make sure that Arei is never fully forgotten. She knows that, if she goes through with killing, she'll never be able to talk with any of these people again. However, if there's something more important to her than these 13 lives that she has to escape the killing game to reach, it's a consequence she'll have to accept. She knows it's selfish-- but she at least won't be so selfish as to also forget everyone else's sacrifice.

Eden: But even then... I have to know that when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends.

This is probably the part that feels the most damning. Why would Eden care about whether or not Arei was trying to become a good person if Eden is the one who killed her? Wouldn't it be better for Eden if she wasn't?

Well, that's what Eden is trying to figure out, too. In Venus' Narrative Defense of Eden Culprit Theory, Venus says that Eden didn't believe that Arei actually changed and wanted to be her friend. And, it really makes complete sense if she didn't-- Eden had no idea that David and Teruko continued to talk so seriously with Arei after her departure, and Arei saving Eden from Arturo literally happened the same day that Arei had her breakdown. It had probably been, like, 4 hours since Arei chewed her out for her worldview being stupid, and then Arei's suddenly turning around and declaring that she wants to protect Eden at all costs. Of course Eden might just believe that Arei was setting her up for a fall! (Murder pun not intended.)

Venus also adds that, at this point in the Trial, David knew something that Eden didn't: namely, that Arei actually wanted to change, and saw Eden as her inspiration for doing so. Under the assumption that that revelation has been bothering Eden the whole time, it makes perfect sense that Eden would want to know more about what David knew about Arei. She needs to know exactly how terrible she needs to feel for doing this terrible thing.

I think the quote becomes a lot less defendable if you just swap out the "that" for an "if."

"But even then... I have to know if when she was alive, she was still trying to become a good person. That if she lived, then maybe there'd be a world in which we would both be friends."

Now, obviously, you could say that this is an unfair point-- Eden didn't say "if," she said, "that"! How can you excuse Eden based off of evidence that isn't actually real?

My point is that, even if DRDTdev didn't have Eden phrase it that way, it would be an incredibly easy swap to make. Thus, the only way in which Eden would have to be lying is to swap out one word. With that one word, "if," we see how she's still doubting whether Arei really was trying to be a good person, and can read into why she's bringing that up at this time. To disguise it, all Eden has to do is trade "if" for "that"-- she doesn't have to be some masterful lying manipulator to pull off a quick exchange that makes her look more innocent.

Eden: If you really say that you lied about making Arei kill herself, then tell me the truth. Tell me that you didn't make her lose hope.

Eden needs the truth so that she can know how despicable she actually is (in her opinion). She needs to know how bad she needs to feel for taking Arei's life, so that she won't wind up as "inhuman" as Levi.

I also think that "tell me that you didn't make Arei lose hope" could be interpreted in a killer-ish way. There is a rhetorical device in English that sorta turns words like that on their head. Like, if I said, "don't tell me you spoiled DRDT for all of your followers!," it's often interpreted as "I know that you did spoil DRDT for all of your followers, but I don't want to hear it." In this case, Eden might not want David to tell her that he made Arei lose hope because she doesn't want to believe that Arei had any hope in the first place. It's better than if Eden was the one to directly crush those hopes, sure, but if Arei approached David talking about wanting to be a better person mere hours before her death, that still means that Eden was killing a hopeful Arei. She doesn't want David to confirm her worst fears.

I don't know if I phrased that section exactly how I imagined it in my mind, but hopefully you understand what I'm getting at.

Eden: Please! Tell me what happened last night between you and Arei!

In the end, though, Eden knows that she has to face the music to figure out how she wants to proceed with this trial, whether that's sinking the cost of her fallacy or owning up to her crime. And that's how I think you can justify this outburst of Eden's within the context of her being the blackened, without having to fully corrupt her character.

What Arei Meant

This part isn't a theory, exactly; it's more of an analysis of the point I think Arei was trying to convey in this section. I've seen some people be sad about the new note that Arei's character is "going out" on, but I actually think that this is a pretty realistic, thematic ending for where Arei's story and the themes of the chapter are headed. Time to praise DRDTdev's writing for a bit!

Arei: I'm a manipulative, two-faced bitch. I pretend to be cute so that I can treat others like trash. I only care about myself, and I always hurt others for selfish and stupid reasons. Of course I wanted to change myself. [...] Still, for the longest time, I thought it was stupid to even try. I'm rotten to the core, and I might as well be a different species from saints like you and Eden. [...] No matter what, I'll never be a good person. And yet, despite all that... David, you... It turns out that you might be a total piece of shit after all. If even a perfect inspirational speaker like you turns out to be an asshole, then there's no such thing as "a good person." [...] And that makes me relieved, because it means I'm not too far gone. It's okay that I'll never be a good person, because no one else can be either.

I don't think that Arei is saying that the world is a lost cause.

Instead, she's saying that no one is a lost cause. She's applying that Syndrome logic: "if everyone is a bad person, no one will be." Arei thought that, because of her upbringing, there was no possibility that she could ever Be Good, because she'd already done too much wrong. Good People are perfect, unerring gods who do nothing but help others and reach out to wayward souls. However, David's manipulations proved that that wasn't true.

Good People fuck up. Good People do good things for bad reasons, and bad things for good reasons, and, hell, if David is a Good Person, then Good People do bad things for bad reasons sometimes, too! Arei confessed to us that she felt like her life was over because she was given an unfair start. However, now she knows that the bar has been lowered, and that being a good person can be done by anyone, anywhere, at any time. Perfection doesn't exist. Now that she knows that there was never any need to be perfect, the chance she sought for so long has finally been granted.

(Dipping back into purple for a sec to talk about Eden culprit stuff)

After this, I feel like the theme of this chapter has to be about deconstructing the myth of "The Good Person." You think that Nico is just a soft and shy bullying victim? No, they're just as willing to kill as anyone else. You think that Hu is a gracious motherly figure? No, she has an angry streak and talks over other people. You think that Levi is a softhearted giant who just struggles with what to say sometimes? His kill count is higher than everyone who's died to the killing game so far, and he doesn't really care that that's the case. You think that Whit is just a silly guy who cares about others? Fuck, even he's willing to stall out the trial in an attempt to fulfill his own agenda.

The main person who hasn't yet been proven so be not as good as they seem so far is Eden, who in this episode has been clinging to the idea of being a good person harder than ever. I know that some people believe that Eden needs to survive to fulfill the role of the optimist, but I feel like this episode proves that that isn't true. We don't need A Hopeful Person because anyone can step up to the plate and believe in hope if they want to do so. Eden isn't A Good Person, but a real person, who's just as capable of laughing and crying and living and dying as anyone else.

A good person is not gold. That's why everyone who tried to cling to the idea that they were being A Good Person-- Xander, David, Levi-- has always wound up hurting others in the end. Xander believed his actions were morally justified, and thus decided to kill Teruko, causing Min's death and lots of anguish for Teruko. David wanted to follow in his footsteps, and beyond his inspirational speaker persona causing damage to himself, he was also about to kill everyone else to do "what's right." Levi (Arei pending) hasn't killed anyone since trying to become A Good Person, but pretending to follow those guidelines without actually wanting to change anything about himself emotionally hurt Ace, who was set up with false expectations.

If Eden is so convinced that she's a good person, she's only blinding herself to the ways that she's inevitably not.

Back to Arei, while it is sad that her development was cut off just as she made this revelation, I believe that clarifying this additional bit of content is a way to allow her to rest in peace. Even if she didn't get to transform as much as she wanted to, she at least got to die knowing that she wasn't as wretched as she convinced herself that she was all these years, and having done at least one good thing-- saving Eden from Arturo-- before she passed. It's an amazing character arc to squeeze in for your second victim.

Phew, finally, a chance to talk about objective lore instead of heavy and divisive character themes! Except, uh...

WHAT THE FUCK???

Remember when, at the beginning, I said that no one could have predicted everything that came to light in this episode? This was the main point I was talking about. I don't think anyone saw this reveal coming, especially in this moment.

For starters, even though this CG does appear in David's memories, I don't think that he or Arei actually remembers whatever this was taking place. Beyond me attempting to debunk the idea that David had additional memories of Hope's Peak last week, Arei or David specifically referring to this moment means that they had to... be there? When whatever this was happened?

I say "whatever this was" to briefly create suspense before connecting the dots everyone's already talked about: that Eden was probably the one to scratch out Xander's eye. This would make Eden the "she" that Xander (er, I mean, "the guy with the bloody hands") talks about in the intro scene.

It also gives some more context to the clock with the fork stabbed into it depicted in LGI.

I don't know if "non-functional" and "I didn't expect her to" mean that Eden could have been brainwashed or otherwise broken down into not acting like herself when this happened, but it certainly seems out of character for what we know of Eden. Even her facial expression seems to suggest that she might not have wanted or intended to attack anyone with that fork.

Anyways, for Arei or David to know about the contents of that CG, they would've had to both be there when Eden attacked Xander and then also have regained/had their memories of it, which seems unlikely given how both of them treat Eden. Like, even if Arei is sure that Eden "did something to hurt someone in the past," this seems a bit extreme, and David probably wouldn't be so neutral on her if he knew that she attacked his man.

Another really clever point that I saw someone make (AND THEN COULDN'T TRACK DOWN WHO OR IN WHICH POST IT WAS--) was that Eden is wearing her current outfit in this CG. Interestingly, I looked back at A History of Hope's Peak and Visiting Graves to see what Min and Xander were wearing, and while Min was wearing her typical killing game uniform, Xander was wearing something different. Given that Min's scene takes place in HPA and Xander's doesn't, this could imply that Min was wearing the HPA uniform? That's fitting, for her.

We also know that the DRDT cast were all wearing these outfits believing that they were headed for the HPA entrance ceremony. Therefore, we know that Eden would wear this getup to school, but we don't know if she'd wear it elsewhere. Once again, assuming it was Xander who got forked, we can place this CG some time between Visiting Graves and the start of the killing game. I have a hunch that Visiting Graves might have taken place during HPA's spring break-- in A History, Min and Mai (er, I mean, "Unnamed Student") are at school studying for a test with "Spring Break next week" on the chalkboard, while in Visiting Graves, Mai and Xander have traveled elsewhere-- but that's not confirmed, so we can't lock it down.

Maybe we can get more information about this in Eden's bonus episode! Because, well, I at least do think that most of the mysteries of this CG could be solved within a bonus episode and/or other characters talking about her posthumously in later chapters. Again, I understand if you want to use this CG as evidence that Eden is important enough to need to stick around, though.

AREI I MISS YOUUUUUUUUUU

Also, I didn't catch this at all, but credit to everyone who noticed how similar this scene is to the "Diana Chiem" scene in LGI! Fascinating implications that I have no additional thoughts on at the moment. Mostly because we don't know shit about Diana, if that even is her who's portrayed in that CG. I'm sure I'll come back to this someday, just not right now.

Oh, and I don't think you can really argue that Ace made up this conversation anymore. Idk how much of it he stuck around to listen to, though.

See like why is she so pressed about it???

I'd like to say that this is a win for Whit not being the mastermind (because he doesn't seem to know what MonoTV is talking about), but he could probably just be going "why are you saying that at this time?" or something like that. Sigh (/j)

Why Does Whit Know So Much About Hanging?

Alright, so, obviously, this could be a super-suspect hint that Whit knows all of this stuff about hanging and therefore decided to use that knowledge to kill Arei. But, I don't care about that! What I don't understand is how Whit came to know all of this in the first place!

Well, after a quick review, there's one option that stands out more than all the others: Whit's mom was killed by hanging, likely self-inflicted. The only thing we "know" about Whit's mom dying (assuming that secret really is his) is that she is dead, and Whit omits it. It's phrased pretty vaguely. We also know that Whit thinks his mom is awesome, but that doesn't tell us anything about how she saw herself. Sadly, I think this lines up all too well.

Whit's main character flaw, as we've seen throughout the story so far, is ignoring things that stress him out or make him sad. He represses, and chooses not to get involved in others' fights because it's "not his business." It would make sense if the same extended to what he was like before the killing game. If Whit always chooses to ignore things that worry him, there's a possibility he blames himself for his mom's death via not paying enough attention to any warning signs that her mental state might have gotten so dire. Of course, if repression runs in the family, she might have been doing her best to not make it obvious as well.

So, even though he hates himself for not giving his mom enough support in her darkest hour, he still can't (yet) make any changes in his life because ignorance is the only way he knows how to cope. Yet, he still won't let himself pass up on helping another soul in clear need of support, like Charles panicking over the blood, or Eden suffering over seeing Arei's body. He can push himself to help others that are sad, as long as he never focuses on himself.

Or, he's the time loop mastermind who's heard Class Trials discuss hanging a billion times before. You never know with this guy.

CONGRATS TO FF AND BADJOE FOR BEING THE SMARTEST PEOPLE IN THE WORLD!!! 🎉🎉🎉🎉 Man, even seeing Teruko explain this mechanism as the truth, I still don't know if I would've been able to come up with it myself. This fandom is so smart :D

(Also, why was Whit a dog? Goddammit, is this more MonoTV coding?! /lh)

FUCK YES, WE'RE ACTUALLY GOING TO GET ANSWERS ABOUT THE GYM MURDER IN THIS TRIAL? HALLELUJAH! IT'S ABOUT TO BE T A P E T I M E, MOTHERFUCKERS! (/j)

Phew, barely squeaked it within 30 images! I'm impressed and amazed that DRDTdev keeps managing to make such gripping episodes week after week.

Get it? Gripping? Like grippy tape?

I'd apologize, but you're almost certainly going to hear more of that from me next week. Until then!

[ananke-xiii]

Some speculations about the power of stories, cycles and karma and... Boyd.

***FROM spoilers (although it's mainly just my predictions lol)***

One of the things that I like about FROM is how they use different forms of art to help people remember things about their past.

Miranda used paintings so that she could remember and so does her son, Victor, who draws so that the pictures would remember for him. And it's precisely his sister's drawings that help him remember what he had removed.

Then, there's music, obviously, that make Tabitha and Jade remember not exactly their lived past but their karmic past.

There's also dance in the show but it hasn't worked its magic yet, I'm very curious to see how the ballerina is connected to Boyd and... Tillie? It's still minor compared to the previous two but I think we'll see our ballerina again pretty soon.

There's, finally, the power of stories. Ethan is the key-figure here because he's our go-to guy for all the crazy meta-ness of the show. But also Kenny and Kristi were reading a story together (cute and very Lancelot and Guinevere of them), they got stuck at chapter 6 or something before shit hit the fan so... I hope they won't forget about that.

More importantly, I'm very curious about one specific aspect: season 3 ended with Ethan saying that a story that has been told can't be changed so everyone is talking about how FROM is following LOST rule of "Whatever happened, happened", aka: you cannot change the past. Okay. But.

But I wonder if this is going to be the case with FROM since we now know for sure that the main theme is breaking the cycle of abuse. Since the show has introduced the concept of reincarnation I'm wondering if this means that yes, okay, the past cannot be changed, the story has been already told and there's nothing that we can do about it BUT isn't breaking it the whole point of karma?

I mean, a lot of major characters are starting to remember their trauma so this is good news but this also means that the show is faced with the three narrative choices, I think:

keep to its genre and let everything end in horror and blood. I think this type of ending can only be satifsying in movies but in shows where people invest a lot of time across multiple seasons spaced out over long years? Mmmm, it's very tricky to pull off. I mean, it can be done but I think it's very hard to convince people who have watched a show for over 5+ years that yeah, everybody dies horrendously, hurrah!;

the LOST way: some people manage to escape the town and go back to their lives and they all (more or less...) met there because they needed each other to move on from their past. I think this won't happen because of Harold Perrinau. He specifically accepted the role because he was promised it wasn't gonna end like LOST, so... Either FROM's ending will be a huge embarassment for everybody involved or it won't end the same way as LOST (fingers crossed);

since we've been shown that art has healing powers, stories too will be healing for the characters, aka they'll manage to change the narrative/the past. Now I think this is where the money's at and why I'm so intrigued by the introduction of time travels.

My istinct tells me that it's going to be a mix of 1 and 3: I think the show will end with the breaking of the cycle but I don't think that one particular character will make it to the end. The character is Boyd and I think that in season 4 he'll be key to understanding if the show will have a happy ending or not. So far I think it's not gonna be happy-happy for everyone.

I don't think Boyd will make it to the end because the elements so far tell me so:

1. The ballerina dance didn't help him remember anything, as a matter of fact he destroyed the music box to save people. This is a huge red flag: will he destroy his chance to break his cycle for the sake of other people?;

2. He's got two sons in the show: his actual son Ellis and his putative son Kenny. Kenny's father, Bing-Qian suffered from dementia and has been associated with feelings of confusion and with not being understood. He also talks about another form of universal language, that is chess. He unfortunately dies (Boyd seems to suffer from Parkinson's and he's convinced it's that because his father had it but he was never actually diagnosed with it. Or it's not been shown yet). Abby, Boyd's wife, also dies by none other than Boyd's hand. She was described as "confused" and people believed that she had started to show signs of some sort of paranoia, I think (we know now that, perhaps, she was remembering her past life). She wasn't understood/believed, too. Kenny's mother, Tien-Chen, dies as well and her death is also connected to Boyd. So, I mean, as far as parental figures with whom he's paralleled/paired go, things don't look good for our sheriff;

3. The point of the show seems to be that parents must avoid the sacrifice of their children. Boyd has two sons and he has martyr-like tendencies. Sooooo..... again, things don't look good for him;

4. Boyd-as-husband is connected to Henry and Jim. They're all husbands who didn't believe their wives and didn't support them. Henry and Jim are also heavily associated with the Man in Yellow who seems to be the primary abuser of the show (or he's very strongly related to the cycle of abuse that's been happening for who knows how long). Henry and Jim (and Boyd too, by extension) are portrayed as ambiguous figures, they're clever man who're also very morally skewed. There's something dark about Henry, I'm not sure about his intentions, his talk with Donna about thinking that, for a moment, he hoped that Victor were dead... I mean, it was a human moment but it was also ominous. (Let's also not forget about Boyd being a former-military and how the Civil War is a sleeping theme in the show. Henry was doing hard drugs with Miranda in the 70s so this tells me he wasn't sent to Vietnam? There's a latent element of actual war here. I don't know how it'll pertain to Henry, Jim (Jim's father was an alcoholic, is PSTD from war related to this?) and Boyd in the town but I KNOW there's something going on. I unfortunately don't remember much about my American History class at uni so I can only pick up the vibe without really explaining it, it's so frustrating).

While I'm more confident about points 1, 2 and 3, I'm not so sure about point 4. I think this will be the gordian knot of the story.

For whatever reasons, time travels are associated with grand-fathers/fathers and their assassination or impossibility thereof. On one hand, with the introduction of Henry (who's got the same function as Jim), Jim seems to be redundant and therefore his death is final. On the other, if his death is final it means that Julie, as a story-walker and time traveler, cannot change the past. This doesn't bode well for my hoped-for happy ending.

The shows seems to tell us: it's not about whether or not you can kill your father when you time-travel because it's about saving your father! (Julie saved Boyd-as-father in the well by handing him the rope).

So we have a story about parents saving their children and children saving their parents! Isn't this beautiful? I literally can't wait to see if I'm right or not about this, lol.

It all boils down to Boyd: so far the story is telling me that parents will most likely save their children but they probably won't be able to save themselves. However, Julie did save one father-figure so far, will she be able to save her own father? Can children save their parents?

These are very interesting questions but I truly hope they will stick to the "art has the power of changing people" theme (parents, children, everyone!) and give us a healing story rather than a hopeless one. Can we make it through the horrors or not? More importantly, can we make it together and stop this sacrifice madness??? I think we need stories that heal and give us hope!!!

p.s. for posterity: Season 4 will have "Tie a Yellow Ribbon Round the Ole Oak Tree" playing in one of the diner's jukebox. Mark.My.Words.

[icystorm76]

I’m stuck in this intense cycle of “Oh my god Interview is going to be on Netflix I hope I blows up.” And “Oh my god if this show blows up then the fandom is going to get SO BAD”

I love this fandom as it is. There is some drama and discourse (looking at you Marius) but for the most people at least respect that the books and show are complicated and people can come away with different takes. There are a few bad apples but not so much that you can’t block them. People seem to respect that even if you don’t ship the same things those ships are still valid. My worst nightmare is a giant fandom and the black and white picture that comes with it.

The larger the fandom the more discourse there is and OH MAN does Interview have room for discourse. The nuance of Loustat and Loumand and Devils minion (to a lesser extent) are so important and the generally gray morality of most characters leads to a situation where things can turn very ugly very fast.

A list of my worst case scenario predictions:

- Lestat and/or Armand are deemed extremely problematic and shipping them with Louis is seen as a major red flag.

- Claudia and Madeline’s relationship is bashed, likely due to age difference.

-Armand is written off as a completely unredeemable monster (and subsequently Devils minion is written off as abusive and toxic)

- Daniel is either lauded as a perfect beacon of truth or a random old guy with very little importance or a pervert.

- FUCKING RACISM. This is my main sticking point. Large fandoms can get really fucking racist and with 3/5 main characters being POC things could get really shitty.

Those are just my worst case scenarios, but I think it’s worth thinking about. I don’t endorse gatekeeping and I absolutely love new people getting into the show (at this point I’ve forced 3 people to watch it with me), but we need to let people know that that shit, ESPECIALLY racism, sexism and homophobia is absolutely not something we will tolerate.

[hexhomos]

oh god I'm freaking out now. I did not watch the leaks, but I had read some (similar) opinions and choose to ignore it because I don't trust the general media analysis capabilities of like 70% of tumblr. But I do trust you and I like reading your vikjayce and doomreed thoughts... is it really that bad? Isn't there anything salvageable?

Don't click readmore if you don't want vague spoilers.

I genuinely have no emotional investment in much, if not majority of what happens in s2. Maybe this is because I'm an industryperson and not exactly awed by the idea of 'inversion' for pointless inversion's sake, maybe because the past year of publicly televised USA-backed genocides have made arcane's fraught politics more detestable than ever. I abhor how married this show is to the message that every atrocity, no matter how vile or senseless, is 'committed for love' as an easy way to sidestep discussions of capitalism, exploitation, imperialism, and all the systematically-enforced evils that make up the reason Why this world is so brutally unfair. They literally took a guy whose entire deal is building human centipedes in his basement, making weapons of war, and inflicting as much pain as possible for the sake of a laugh and said 'oh... he does this for love,' and i felt like throwing rocks at the screen for how stupid that shit is.

The episodes I've seen feel shallow, limited and empty in their writing; the world has a raindrop's depth. There are maybe 10 people total in these cities and everyone else is a nameless, vapid NPC, functionally indistinct outside of how they rack up morale for a certain character. The animation is still kinetic, the music videos are still certainly a big part of the flashing lights, but i feel nothing for any of the characters onscreen except for contempt or mild disinterest.

It feels like a first draft put to animation. It's to the point where i believe season 1 should have closed without continuation and let You decide how the uncertainties pan out. (Have you ever seen Wicked? Do you know how everyone tells you that it completely falls apart in the second act so best pretend act1 is the whole thing?) The 'twists' it tries to pull aren't clever. If you're a game fan, you're left confused as to why some of this shit is included in this show and not some other region's show, if you know nothing of the game, you're going to be namedropped on lore buzzwords that get little explanation, give you no reason to care, but are placed as if they are a big deal anyway. Kind of feels like you're cheating both demographics. Parts of this season feel like backdoor pilots to greenlight a Noxus show -- the region who most thrives in the edgy aesthetics of cool awesomesauce grimdark fantasy imperialism -- and i just want all of these characters to die. But they end up getting all of the sob-story justification screentime while the poor people are either stupid kids or drug addicts. every single main undercity character is a drug addict of some kind, war-on-terror propaganda style, and the one who isn't has been surgically removed from the plot for majority of the runtime. I have to laugh.

The things some people were looking forward to - the gay romances, the gay divorces - will probably make more than a few fans go on to say threats of terrorism, but i still felt like i could see right through the script's flaccid bullshit. You're not getting a rise out of me like this. You barely fucking tried.

'Salvageable' is a dangerous word around me I'm notoriously obsessed with taking shit that sucks and recycling it to see if it can be improved like 'there is always hope' and all that gushy heart bullshit but like... that is between you and god. that is magic that happens inside your mind. it's work that you put into it, and that I predict people will be putting into it, out of their own volition. Or as a way to ignore what just happened.

[notafragilething]

Buck/Tommy Late Night Ramblings: The Data (the 24 hour update)

We've passed the 24 hour point of the official 911 ABC Instagram posting the Buck and Tommy hospital kiss and holy shit, it performed better than I anticipated. Views have slowed, which is to be expected, but not as much as I anticipated. So let's get into the numbers.

If you want to take a minute to review what they were last night, check out 5/5 nightly BuckTommy ramble post here.

First major news is that multiple other videos were uploaded today, which brings the total number of reels on the official account to 113 with the average view count of 379k (so that has remained unchanged).

The hospital kiss has, as of the time I'm posting this, had 791k views, 75k in likes and 2k in comments. When we compare that to last night, it was an increase of 256k in views (so roughly a quarter million on it's second day), 19k in likes and 500 additional comments.

Overall, it moved from being the 22nd most viewed reel on the Instagram to 9th most viewed reel. The fact it was able to break the top 10 already shows just how much engagement this video is getting.

I also went down and broke down the top 11 videos so we can look at those closer.

Happy 1-18 Day (15 weeks ago): 4.1 million views

Trailer for Season 7 - Day of Premiere (7 weeks ago): 2.2 million

The Bachelor Promo (4 weeks ago): 1.4 million

The Bachelor Promo 2 (4 weeks ago): 1.4 million

Wedding Cliffhanger Scene / End of Episode 4 (3 weeks ago): 1.3 million

Happy Holidays from Angela (19 weeks ago): 1.1 million

Oliver Making a Basket on set of episode 4 (5 weeks ago): 927k

Name the Season Episode Title (1 week ago): 926k

Buck and Tommy Hospital Kiss & Coming Out (1 day ago): 791k

Buck Coming out to Eddie (3 weeks ago): 764k

JLH Song for Wedding (3 days ago): 753k

So a few observations about these:

I include 11 reels because I don't really consider the Happy 1-18 a good representation of the top videos. That clip is only a few seconds long and loops really quickly. That explains why it has 4 million views compared to everything else.

Most of these videos have been up 3+ weeks to pull these type of numbers.

I think it's interesting the Madney/Chimney song video is pulling very similar numbers as the Buck/Tommy kiss in the same time frame. This, to me, suggests a similar appeal to the ships in regards to how fans are engaging. Which is a very, very good sign. It also passed the Buddie coming out scene which honestly surprised me. I didn't anticipate that happening so quickly.

Comments also remain overwhelming positive.

I'm gong to update the numbers tomorrow night but I don't predict a huge movement in it's overall place. As you can see, spot 8 and up are basically at the million and higher mark. I do have confidence that this video will eventually hit that but when that will be is determined by how quickly the views slow down (which naturally occurs as we get further and further away from the date it's posted).

I've also decided to keep doing these nightly BuckTommy rambles so please follow, comment and send me ideas of what you'd like me to talk about.

[fataldrum]

The Magnus Protocol and The End of History

In episode 21 of TMP, Leonardo Kennings, co-treasurer of the Magnus Institute, debates the Institute’s plan to participate in the London Millennium Exhibition.  

The calculations provided by Dr Welling and his team presuppose that any outputs from the site will be broadly balanced; that as a symbol of the future it captures both optimism and despair – the belief in a better world and the terror that a new millennium will bring nothing except new ways to suffer. It is my belief, however, that the actual balance of energies involved will be profoundly skewed towards the fearful and despairing[…]

This modern social and political order, following the fall of the USSR, has taken root in the popular imagination as a natural and final state of society with an emergent and inherent stability. The turning of the millennium is therefore felt as an “end of history” to borrow a term, and in this context the Dome may be seen as a monument to this order. A full stop. 

I’ve been hearing a lot about The End of History lately and wanted to share some information for those who are unfamiliar. Note that this is based on secondary sources like Philosophy Tube and the podcast If Books Could Kill, because I’m not about to read 400+ pages of a neoconservative being deeply wrong about everything.

In 1992, political scientist Francis Fukuyama wrote The End of History and The Last Man. In it, he makes a pretty bold claim: Western liberal democracy is the final stage of society. After the recent collapse of the Soviet Union, people worldwide would accept capitalism and American-style democracy as the objectively superior way of life. 

Once every country adopted liberal democracy, there would be no real need for major social change. Small events would continue to happen, but the overall shape of history is an arc that ends with liberal democracy. Everything else would just be minor adjustments. That’s it, guys, we won. History is canceled!

Admittedly the word end can be a bit deceptive. On one level, Fukuyama was describing liberal democracy as the final destination of society. But he was also using end in the sense of a goal, borrowing from the works of Hegel. 

I don’t need to tell you that Fukuyama was full of shit. Every major event since 9/11 has been a massive callout post for him specifically. To be fair, he wasn’t alone in his bullshit. Plenty of Western political scientists assumed the fall of the Soviet Union would lead to mass adoption of liberal democracy. 

There was a lot of misplaced optimism at the end of the Millennium. Take, for instance, the Millennium Dome in London.

A massive undertaking, this 48-acre building would cost £789 million and be the ninth largest building in the world. Tony Blair, the Prime Minister at the time, declared confidently that it would be "a triumph of confidence over cynicism, boldness over blandness, excellence over mediocrity." Critics called it a Museum of Toxic Waste, based on the site’s history as a gasworks. 

The Dome contained 14 zones aiming to depict modern British life. There was a concert by Peter Gabriel. There were daily acrobatic shows, and a special Blackadder film.

In the statement, Kenning asks the foreman how long the Dome will last. He went quiet for a moment, then told me he wasn’t sure. “Could be there forever!” he said, with an odd manic edge to his voice. “Or it could be gone in a year. You just… never know. Do you? You never know what’s coming.” 

Organizers predicted the Dome would bring in 12 million visitors per year. They got just over half that. It was closed after a year, and even then, it cost over £1 million per month to maintain. The government couldn’t even sell the damn thing, because who needs the world’s ninth largest building? It ruined a fair number of careers. To quote the Sunday Times: 

At worst it is a millennial metaphor for the twentieth century. An age in which all things, like the Dome itself, became disposable. A century in which forest and cities, marriages, animal species, races, religions and even the Earth itself, became ephemeral. What more cynical monument can there be for this totalitarian cocksure fragile age than a vast temporary plastic bowl, erected from the aggregate contribution of the poor through the National Lottery. Despite the spin, it remains a massive pantheon to the human ego, the Ozymandias of its time.

Kennings describes the Dome as “almost uniquely dangerous to our work as a place of power, adding, “It is my firm belief that not only is this site already on its own journey to become a decidedly hostile locus, but that the future it represents, and that we are being pushed to incorporate into our grand ritual, is unfit being so profoundly and irrevocably poisoned.”

The Magnus Institute burned down on December 24th, 1999. The Dome was officially opened to the public on December 31, 1999. It appears Kennings was right about one thing: the Dome was a very bad idea for the Magnus Institute.

[edgy-dragon-trash]

Astorvember 2024 — Day 17: Lost.

I took liberties with this one.

I didn’t get if lost meant “lost the battle” or if it can be taken any way, given the prompt defeat is also coming. So I mixed stuff up.

Because I wanna talk about my post-calamity boy! Ramble ahead.

The post-calamity part of the AU was actually the first part ever made, so I sorta went backwards. At the time I made it, it was because I wanted to imagine a reason for Astor to be a playable character.

Having lost the final battle, our man finally gains back control of his mind, which towards the end was almost entierly controled by Ganon, with very little free will and thoughts of his own. His memories where changed, his thoughts where manipulated and changed, his desires, his wants and so on. So he can be a perfect violent tool.

Finding himself alive and given a second chance (mostly to be asked questions in regards to the calamity), he finds himself under constant watch for years. Until he finally flees and moves into a forest one day.

Thats sorta like the first part for short. There is more information here.

Anyways. Au jumps from aoc to totk. He gets visions of Phantom Ganon trying to find his house, at some point actually showing up in the form of Zelda.

Paranoid by that encounter, thinking his old master wants to find him again, he takes his cat, possum and stalhorse and decides to move to Lookout Landing for a bit. Robbie and Purah did make his sheikah prosthetic and often times update it, so they got along after a while.

And based off that last bit, I made up quests in my head, as well as thought about what Astor could do as an NPC.

You know how in totk based on what you to, people will show up in Lookout Landing and do mundane shit? Yeah. Exept he actually is very mundane, in comparisson.

One of the quests is helping him find his cat. Thats it. Find his cat. It’s in a tree. You get money and dark clumps💀.

I like to imagine he’d know what to do with dark clumps, because besides food, I find them useless.

I also thought of finding him in the depths with Robbie at some point. He starts to ramble to you about the poes and hints at the barganier statues.

As for what he’d do as an NPC… Well, fortune telling. I thought maybe you’d get predictions based of like bosses from major quests you didn’t yet do, then cryptic hints at their battle mechanic and how to beat them.

Idk.

He has a werewolf cat, look them up :3

[nalyra-dreaming]

I have seen quite a few people state that if the season 1 episode 5 fight isn't resolved to their satisfaction by the end of this season they are done with this show. And my resolved, I mean the drop having not happened at all. And maybe I am the cheese that stands alone, but I guess I just don't get it? I admit I am rather new but I have read up to book 5 and I get that it seems out of character for Lestat, especially considering that it had happened to him, but we are dealing with monsters here so even if it did happen the with the drop, I don't see that as a dealbreaker for this show. I know that the episode was quite triggering for people. That I totally get, especially as I have had to deal with violence myself. But in terms of this show and these characters as monsters in toxic relationships, I didn't find it to be as egregious as people think, especially if we get confirmation that Lestat didn't walk away as clean and unharmed as it appeared he did. What am I missing with that? I gather you have a long history with these characters and books so maybe there is something major I am really missing.

The thing is...

for some it is totally OOC for Lestat to be shown doing this at all, and the DV that was shown tainted it all for them. Because for others... Lestat became the big bad white abuser™️ there, and the sheer mention that it would be revisited and that the tale might not have been as it was shown... ended in accusations of racism, abuse apology, and so on. I wished I was kidding.

Episode 5... divided the fandom. The fact that they always intended to revisit did not mean shit, what the actors and writers and producers said was ignored for the most part, I actually did a rant post a while back about that, which blew up into a big accusation spree wrt me.

And... here we are, as predicted, with Armand having meddled, and the tale... a tale. A story. A misremembered and flawed story.

I have been pointing out the discrepancies for ages. I got a lot of hate for that. I have been called things. There's people screenshotting my page and ranting about me alllll the fucking time.

I'm just pointing that out to illustrate that this is a high emotions topic.

High, high, HIGH. :))

There will be those who will be unhappy with what will happen, for one reason or the other.

There is nothing that can be done about that, the show does its own thing and it has done so from the beginning.

Those who will not like it might leave. That's fine.

Those who continue to love it (like me for example^^), will stay.

Ultimately, that is all there is to it. :)

The books are old, emotions are connected to them. Not everyone likes what the show does. *shrugs*

[chelseachilly]

THIS LOVE - prologue | high tide came and brought you in

pairing: ben chilwell x reader

rating: T

word count: 1.5k

summary: you and ben have been best friends since you were kids. there’s nothing you wouldn’t do for him, including pretending to be his girlfriend to help his career when his public image has taken a hit. what’s the worst that can happen?

A/N: hi everyone! welcome to my latest ben fic! thanks to everyone who voted in the poll i made recently, ultimately i couldn’t decide so ended up going with both fake dating and friends to lovers lol. the title is from this love by taylor swift (taylor’s version obvi) <3

view all chapters

When you woke up today, becoming Ben Chilwell’s girlfriend is the last thing you would’ve expected to happen. Short of an alien invasion or a complete nuclear apocalypse, there is hardly any conceivable scenario that you would’ve had a harder time believing.

The day starts like any other.

You wake up after hitting snooze a couple times then hurry to get ready for work. You don’t have time to make coffee at home, so you grab a latte and a bagel from Pret on your way to the hospital.

It’s a typical, stressful day in the life of an A&E nurse, with a few major traumas coming in and the usual NHS understaffing issues.

You have lunch with your favourite coworker talk close friend Valerie, who you met in uni, and talked shit about your least favourite coworkers while eating mediocre salads from the cafeteria.

By the end of the day, you’re totally exhausted, practically dragging your feet as you walk up the stairs to your flat and collapse on the couch.

You’ve just mustered the energy to change into your pyjamas when there’s a knock on your door, and you excitedly run over to grab your dinner.

Unfortunately, it isn’t the Indian takeaway you’ve ordered waiting for you on the other side, it’s your best friend Ben.

“I thought you were Indian food,” you groan.

“Sorry to disappoint,” Ben chuckles as you step aside to let him in and he kicks off his shoes. “Tough day?”

“Long day,” you reply, walking back over to your couch and plopping down as Ben walks into your kitchen to get a drink, making himself at home.

You and Ben have been best friends since you were six, when you and your family moved and you started at the same primary school as him. He was the first kid to show you some kindness by asking if you wanted to join him and his mates for a game of football at recess. Obviously, at the time you couldn’t have predicted that the childhood pastime would turn into a massively successful career for him.

You two grew closer over the years and remained close even when he started at Leicester’s academy and you didn’t get to spend nearly as much time together. You almost never missed a home game, regardless of if it was a friendly in the academy days or a monumental Champions League match once he made it to Chelsea.

Likewise, Ben has always been there for you, supporting you as you worked your butt off to make it through uni and get your nursing certification. He was elated when you landed a job at a hospital in London not long after he signed with Chelsea, immediately offering you a spare bedroom.

Although you did take him up on that offer for a couple months while you saved up and looked for a decent flat, you eventually got your own place to be closer to work. And because you found that guys you went out with were either threatened or way too excited when they found out you lived with a Premier League footballer.

You’ve both been living in London for about three years now, and while you’ve made your fair share of friends in the city, there is something special about the bond you have with Ben. He knows you better than anyone else, just as you know him, and hanging out with him always feels right.

He feels like home.

Ben joins you on the couch with two beers he stole from your fridge, one of which he passes to you.

You raise an eyebrow, accepting the drink and taking a sip. “Since when are you allowed to drink the week of a game?”

“I’m just having one,” Ben retorts, kicking his feet up on your coffee table. “I’ve had a long day, too.”

“Oh, right, the PR meeting was today,” you recall. “How did it go?”

“Not great,” he sighs. “Do you think I’m a man whore?”

You nearly spit out your beer, trying very hard not to laugh as Ben looks at you with complete earnestness.

“Well, um, I wouldn’t say it like that,” you chuckle. “But…”

“Oh my god,” Ben groans. “If my best friend thinks that, no wonder my publicist says my image is shit.”

Frankly, Ben’s reputation has been better. Lately, he’s been spotted with more models and influencers than you can keep track of, none of whom stick around for very long. The media has been loving it, branding him as Chelsea’s resident playboy and splashing photos of him leaving clubs with beautiful women all over the tabloids.

You try not to judge, as it’s none of your business who Ben hooks up with, but you do think it’s a bit unlike him to be so reckless about it. Nevertheless, you’ve kept those thoughts to yourself.

“Isn’t that sort of the norm for footballers, though?” you question. “I mean, it’s not like a cheating scandal or something. Some of those guys are way worse than you, at least from what I’ve seen online.”

“Yeah, but according to Shreya, my publicist, times are changing and people don’t like the playboy shit anymore. Apparently I would have more luck getting brand deals and stuff if I seemed more…wholesome.”

You love Ben, but you struggle to see the man who proudly told you he left Jack Grealish’s party with two girls a few weeks ago as wholesome.

“So, what’s the plan?” you ask, taking another sip of beer. “Be more discreet with your hookups?”

“Not exactly,” Ben replies. “The team thinks…and I know this sounds crazy, but they want me to get a girlfriend. Well, a fake one. Someone to improve my image.”

You can’t help but burst out laughing at the absurdity of the situation, and Ben narrows his eyes at you.

“God, I didn’t know famous people actually did that,” you say, trying to hold back your laughter. “Who’s she gonna set you up with? Please say it’s Taylor Swift. She’s single now!”

Ben laughs for a moment before setting his beer down on the table and turning to face you with a slightly more serious expression on his face.

“Actually, they had someone else in mind,” he says sheepishly. “Someone I already know.”

“Who is it?” you ask, trying to rack your brain to think of what girls Ben knows that would improve his image. Outside of his family and his mates’ girlfriends, you’re pretty much the only woman who is a constant presence in his life. “Wait, are you - don’t tell me you’re asking me?”

Ben pauses for a moment before hesitantly nodding, looking a bit as though he’s afraid you’re going to hit him. Which, frankly, you’re considering.

“The PR team asked if I knew any girls that would work and Mark started going on and on about how you’re my best friend and a nurse and they all said you would be perfect-“

“Ben, I can’t date you!” you exclaim, cursing his agent, Mark, for even suggesting something so absurd. “Who would even believe that?”

“We don’t need people who know us to believe it, just the public,” he states. “And you don’t have to actually date me, we just have to pretend in public for a couple months.”

“I know, but…”

“Please, Y/N?” Ben says, looking at you with wide eyes that you’ve found hard to resist since he was using them to get your extra biscuits in fourth year. “I know it’s a weird request, but it could really help me out.”

It’s really hard to say no to that. Ben has always been there for you in every way imaginable. He once flew to Leeds, where you went to uni, on a moment’s notice because you were stressing over finals and needed a friend. A couple years into his time at Leicester, your dad lost his job and Ben insisted upon covering your parents’ mortgage for six months to help out, claiming he “owed them for all the Sunday roasts” and refusing to accept repayment even when your dad found work again.

He would never use any of that as a bargaining chip or try to cash in a favour, but you really do feel as though you owe him one. And more importantly, you want to help him.

“Okay,” you sigh. “I’ll be your stupid fake girlfriend or whatever.”

“Really?” Ben’s face lights up and he pulls you into a tight hug. “Thank you so much. God, you’re a lifesaver.”

You hug him back just as tightly, breathing in his familiar scent - a mix of his aftershave with a bit of grass and something else.

“You’re welcome,” you say, rolling your eyes slightly as you pull back. “I feel like I’m gonna regret this.”

“You won’t, I promise,” Ben assures you. “I’ll give you a cut when I land the next big brand deal, how’s that?”

“Ew, no, that makes me feel a bit prostitutey,” you chuckle. “It’s just a favour, no need to compensate me. Although you can pay for the food when it gets here, since you’re gonna end up stealing half of it anyways.”

“Deal,” he grins, grabbing your TV remote and putting on an episode of New Girl you’ve both seen before.

As you settle in with your beers and samosas, laughing at the television together, you can’t help but wonder what you’ve just signed up for.

Oh well. What’s the worst that could happen?

A/N: i hope you enjoyed this first part, please let me know what you thought!! should have the next up soon! 💕 (also let me know if you want to be added to the tag list!)

[soimcoga]

"every major baddie problem in the lmk universe is caused by SWK not dealing with his shit properly"

exept he dealt with all the shit and i'm tired of people ignoring it to paint him as an ignorant, uncaring bastard.

(very very minor s4 spoilers, so the cut)

Demon Bull King? Got his ass whooped and was sealed away for however long years it took for an entire ass megapolis to be built literally on top of him, causing absolutely no trouble to anyone whatsoever. Oh, and what sealed DBK? The staff. And if you'd care to know SWK outside of the LEGOverse, you'd realize how strong was SWK's resolve to seal DBK - keep him relatively safe, one might say - by using his trusty staff. The guy would literally die seven times over than let go of this thing.

Also people like, ignore the fact that canonically SWK stuck around the area (for the most part to stalk MK, but still), so he was literally there to deal with the DBK family if something went southwards? He didn't, because MK was able to hold the staff and the legend of the Monkie Kid then began.

(also zero antagonistic feelings towards DBK from SWK, like, whatsoever. i bet the dude actually wanted DBK to be free, cuz he felt bad abt it)

Macaque? In a morally gray manner, still very dealt with. SWK killed the dude. He was literally as dealt with as it can be. Or what, should SWK have predicted that after thousand upon thousand of years later a spirit (he dealt with too) would pull Mac out of Diyu? Yeah, I'd like to see that thought process.

SWK isn't omnipotent, he isn't even that far-thinking. Never was, actually. So holding that against him is like, very stupid. Especially because you don't do it to any other character in the show. 

Spider Queen? Wouldja look at that, also pretty much dealt with. We don't really know how exactly, but we know that she lost literally every ounce of power she had and had to resort to living in the sewers, prolly never to cause troubles ever again because, well, we never even heard of her until the special. SQ was pulled onto the scene by the Lady Bone Demon.

Which is, again, something SWK couldn't predict even if he tried.

And now into the fun part.

Lady Bone Demon? Was sealed away by Tripitaka and also didn't cause any trouble until DBK decided to use this freaky coffin he knew literally zero things about for his plans.

"But he should've killed LBD!!!"

He tried. Believe him he tried. This decision just wasn't his, and if you hold it against him and not Tripitaka, shame on you.

"He should have told the crew about LBD!"

He really couldn't have.

And people thinking that are blatantly ignoring SWK's character. Not that obnoxious fan favorite uncaring bastard one.

SWK deals with things on his own. That is just how he is, how he always was and he never learned to do it the other way around. If that's a fight, he'll do it, because he's damn strong. If it's to scout the mountain, he'll do it, because Bajie is a lazy ass motherfucker. If it's to find food for Trip, he'll do it, cuz he's fast and his eyes are awesome.

Same applies here.

LBD? Tried to kill her and Trip didn't let me -> Basically I didn't do the job right -> WTF I always do my job right, I am Sun Wukong hello???

It was, dare I say, a question to his pride, and SWK will forever be prideful. And when he acts on his pride, he does it with style and flare, in the most stupid way possible.

Hence all of the s2 off-screen investigation arc.

"Well, he should've told about the Samadhi rings!"

It would've endangered Mei, questioned his at this point in time very shaky authority and ability to handle shit, and prolly would've fucked Mei up a very whole lot.

You don't go and say to a person that they are a part of the most dangerous seal in the world and could die and destroy everything they love because you fucked up long time ago (again, very much jabbing at his mentality of 'Sun Wukong can do no bad job, and if he does he'll better fucking die trying to make it right').

Was his plan a shitty one? Obviously. Like, no question asked, it was a shit show of a plan. Very in character, though (SWK handles all the shit because he thinks he can).

And this little character arc of SWK not learning a damn thing results in him, oh golly you would not believe it, running off to do things on his own because he thinks he can handle it, because he's THE Sun Wukong who already handled this in the past.

Who woulda thought.

MINOR S4 SPOILERS START HERE

And the new addition to the baddie group, Azure Lion. Won't be addressing all 'SWK is a betraying bitch' because the show refuses to give us SWK's perspective and I hate it.

But you already know what I will say, because you know the truth. He was dealt with. Got his ass whooped and sealed away in the inky scroll. To be pulled back onto the scene by a third party that Wukong literally couldn't have known about.

See a pattern?

SWK deals with the shit, some unknown variable meddles in it, suddenly SWK is an incapable asshole who left the problems for the poor lmk crew to deal with.

MINOR S4 SPOILERS END HERE

Wukong did his job. Someone fucked him over by undoing his job. He tried to deal with it again the only way he knows how, but the solo play doesn't fly anymore, so he made it kinda worse.

He's not an unbearable, incapable asshole because of it.

And I'm tired of people not seeing this.

Thank you for coming to my TED talk, I am Sun Wukong Apologist till the day I die.

Have a nice day!

[that-one-i-think]

I like writing for the sole purpose of I have managed to make my own "SHIT! Maybe the curtain isn't just blue!" moment for my own fic.

So a good majority of Liochant and Garroths solo interactions (so far) are when Liochant is doing dishes. As someone who comes from a large household, it is one of the few situations where a person would realistically be on their own. Everyone does their after dinner chores or activities leaving the person who does the dishes to do the task alone. Liochant likes doing the dishes so Garroth uses the moment to talk to him in private. It is simply a way to bottleneck them into a situation, but I have realized that it could have more meaning.

In the house or group, Liochants official chore is cooking and it is a chore he assigned it to himself. In other lords houses he even takes over for maids or chefs (with permission) so he can cook. He spent half of his life dealing with food instability so he does this to ensure that he and the people around him have a good meal. He cleans up after the meal because he wants to ensure that the utensils are good for the next time. That is why I have Liochant cook and do the dishes. It gives him control.

Now, whenever Garroth decides to have a chat with Liochant, it is in a space that Liochant views as his. Almost all of the conversations so far involve Garroth actively mistrusting Liochant despite being in the one place with proof of Liochant being helpful. Only a fool would go into a kitchen and accuse the chef or busboy to be unhelpful. Garroth is too blinded by his paranoia to realize this.

Moreover, Garroth comes in to cause trouble and irritate Liochant into revealing his "true colors" early on but Liochant's hands are clean, literally. Doing dishes cleans oneself as well as something else. The more Garroth tries to upset Liochant the clearer it becomes that Liochant isn't hiding anything because he can't. It gets to the point where Garroth can't find a reason to hold onto his bigotry. Liochant is clean so Garroth has to wipe those thoughts away. Like one cleans off a plate.

It shows that despite Garroth being the more dominant and aggressive person in the conversation, Liochant is the only person who is actually getting something done. He is in control while Garroth is an unrestrained mess.

Or, my curtains could just be blue. But seriously, this was a nice exercise to expand my thinking of my writing so if y'all have any repeating situations, try and think of what they could mean beyond the predicted scope. Curtains may be blue but there is a lot that goes into making them, from sewing to dying, it could all be important.

[beautiful-basque-country]

how is that rigged? if everyone against israel is boycotting it then obviously the vast majority of viewers are either neutral or support israel and that would be reflected in the voting results. Dont get how that means it must be rigged, by boycotting yall set the situation up this way only to complain about the turnout.

Kaixo anon,

The boycott may have not been as huge as Tumblr may suggest. Just in Spain this year's show has hit +40% share and improved last year's audience. I sadly imagine this has happened in other countries. So no, the presumed boycott doesn't explain shit.

It could be that Israel's song was the best for many people and voted for it without further intention. It could be that a genocidal country that's losing the favor of people - especially youth - has considered the opportunity of taking part at an event watched by millions as a mean for cheap propaganda to white and pinkwash itself. See? European LGTBI+ people and youngsters voted massively for my song, that means they love my country and legitimate what I do. Probably this is the shit the people living in Israel will read today.

Also, and fun fact: the Spanish commentator that worked in about 40 editions could correctly predict which one would recieve the highest scores from the country speaking. Each. Fucking. Time. For 40 years. His predictions were so accurate it was almost impossible to believe and everybody started saying the man had powers. He used to say that he only needed a map of Europe.

That's to say that's been rigged every year; same countries voting for same countries, and every year there are irregularities in several countries regarding the televote (it comes to mind that Azerbaijan was accused of using a sort of a call center some years ago, and also Russia). There are bot farms that can vote massively, there's software that can do the job, you can vote from several countries with a good VPN, there's money to buy votes. The televote is quite easy to rig, sadly.