#and being able to commit to working with them for new solutions

[erinwantstowrite]

if you're stuck on a chapter there are a few reasons:

-your set up to the scene you're writing is not working. go back and check it

-you are not in the right POV. think about who would be the most interesting or the most entertaining or the most informative in that scene, depending on what impact you want the scene to have

-you're at the beginning of the chapter and the words aren't coming to you even though you have it planned out already? the solution is simple: you don't like what you have planned out as much as you think you do. do not force it

-solution to a lot of problems comes from a single question I ask myself: Do I choose the kind option, or the mean option? (Your readers will eat up either one)

-You find the dialogue lacking? Act it out

-Your scene feels boring or something just "ain't right" but you can't tell what it is? Try making yourself feel the emotion you want your readers to feel. If you didn't cry while writing a scene meant to make your readers bawl their eyes out, then you might not have connected to your character as well as you wanted to. Put yourself in their shoes, pretend you ARE them.

(And afterwards, please practice putting yourself back in your own shoes and taking care of your mental health. Sometimes the fucked up stuff might get to you. Healthy minds create healthy lives, and in turn, you get to keep creating.)

-Your environment might be bothering you. Take a look around you and see what's nagging you. Is your workspace not clean? Are your notes out of order? A clean/orderly workspace can help you organize your thoughts or get you into a more productive mood. (Trust me, I get it, sometimes it's really hard to keep it tidy.)

-Try white/brown/pink noise. Try listening to music, or to videos that create background noise you feel most productive with.

-Jumping jacks. Squats. Stretches. Wiggle around your room. That one scene in High School Musical where Sharpay and Ryan are warming up. It sounds ridiculous, but this is good for you, your body, and your mind. Release pent up energy, get yourself awake and focused. If you aren't able to do this, try something silly to wake your brain up. Do some puzzles, sing some songs, etc.

-Most importantly:

Did you do your laundry? Did you get enough sun? Did you drink enough water? Did you eat enough today? Did you get your favorite snack? Did you smile? Did you run in your yard like you did as a kid? Did you laugh with your friend? Did you see the way their eyes crinkle when they smile at you? Did you play with your dog? Your cat? Did you look at the flowers in the field near your house? Did you meet someone new? Did you learn something you didn't before? Did you try something you were scared of? Did it go well? Did you enjoy being yourself? Did you explore the world today? Did you live? Did you love? Did you feel? Did you breathe, and relax, and feel that everything is gonna be okay?

It might seem insignificant, but we write from the heart, not just the mind. Let your story sit in the back of your mind when you truly feel stuck. Take care of yourself, try getting out of your head. Notice the details around you, commit them to memory. Your story will wait for you. It might take a day, or days, or a week, or a month, months, or a year or years. But the story sits with you and you'll be thinking about it without actually thinking about it. When you come to your story again, it will be happy that you've grown, no matter how big or small

[jedijenkins]

About the structure of The Librarians: The Next Chapter and the potential Future of the Franchise (from a longtime obsessive fan):

sometimes i genuinely forget that your average person is not knowledgeable about how making television works, and don't really pay attention at all to the behind the scenes activities of the people who make television.

to everyone responding to The Librarians: The Next Chapter trailer with negativity along the lines of "why are there new Librarians" "why is Stone the only one there",

i am actually shocked to realize you guys are unaware of the entire reason the first Librarians show exists in the form it does. But then i realize i'm probably the weird one for knowing all of these specific details but here we go: The only reason Eve, Ezekiel, Jenkins, Cassandra and Jake even EXIST is because of scheduling conflicts. Noah Wyle wanted to come back to star in a spin off of the original movies very badly, but he was currently under contract in the middle of filming the final few seasons of Falling Skies. If you're unaware, when you're under contract to finish a certain amount of filming, you can't just break that contract without serious legal repercussions. Not to mention, Noah wanted to do Falling Skies justice. So the executives behind both projects and Noah came to a scheduling compromise - something that Noah was only able to do because of the pull he, Dean Devlin and John Rogers have, not something most actors can easily swing - to where he could finish his work on Falling Skies while also appearing in The Librarians in the time he wasn't filming for Falling Skies. This meant that Noah would be able to be there for at least a couple episodes for the first few seasons, but not all of them. Naturally, you can't have a show where the ONLY main character, the ONLY Librarian, is gone half the time for the first few seasons. So the obvious and genius solution they came up with? More Librarians.

An ensemble main cast that would be able to hold down the fort and keep the show moving forward when Noah/Flynn wasn't there. And they specifically wrote it in a way to where it made perfect sense character wise for Flynn to be absent, both because of the plot and because of Flynn's trauma and fear of commitment. They made Noah Wyle's inability to be there the whole time an integral part of the plot and themes, and constructed the rest of the show around it.

And then when Falling Skies was finished filming, Noah was able to appear more regularly in s3 and s4 of the show, while still being absent sometimes to maintain the consistency of his character arc. The group and plot was set up to allow it to make sense for him to be able to come and go as needed.

I want you to take a second to digest this information. Your favorite characters and their relationships with each other would never have even existed if Noah Wyle had been completely free at the time the show was being started. We would have no Eve Baird, no Ezekiel Jones, no Jacob Stone, no Jenkins, no Cassandra. It would be just the Flynn Carson show, just like the movies. Flash forward seven or so years, and Dean finally gets the chance to bring the franchise back again - but all the actors from the first show are now, just like Noah was, tied up in contracts and schedules for stuff they are already doing. The person with the most schedule flexibility? Christian Kane, because the other shows he's working on currently are also under Electric Entertainment. All of the actors have confirmed they DO WANT TO RETURN WHEN THEY ARE AVAILABLE. They have told Dean this, they talked about this at the convention panel at ElectricCon, and I even personally talked to John Harlan Kim during the meet and greet about how excited he is to eventually return whenever he can. They will return when they can, and these new characters are perfectly set up to work alongside them smoothly the second they do.

Therefore Jake is the best choice to be the first returning character to bring in the new characters and establish their connection to the Library, because they are new recruits, not replacements. This is a CONTINUATION spin off, not a reboot. The Library is once again expanding it's employee base and becoming even more of a capital-O Organization than it already was in the first show. This makes sense both externally and internally.

Externally, this is exactly what they did when they made the first continuation spin off show based on the movies. They created a new ensemble cast of main characters to form relationships with the previous characters in the franchise, and to hold down the fort when those characters are off screen because their actors are currently busy. Internally, expanding the Library even more is the natural progression of the plot and themes that where being explored in the original show. The entire point of the final season, if not the show, is that it was always a mistake to have only one Librarian, a mistake made out of fear. The natural endgame of the themes of the show was to invite even more people to join the Library - there where even multiple side characters heavily set up to potentially become future Librarians themselves. (Lucy Lyons for example). These new characters are not replacing the old ones, they are holding down the fort so that the old characters have a franchise to come back to in the first place. Because if they had to wait for all the actors to be available again to make the new Librarians show, it wouldn't get made, because the people with the money don't wanna wait when they're greenlighting a show. When you get greenlit on a concept, you make it now or you never make it. This was true when Noah was too busy to be the sole main character of the first show, and it's true now when the actors where too busy in 2022-2023 to all return at once for the new show's first season. And a final but EXTREMELY IMPORTANT POINT: Dean announced this show while talking about expanding The Librarians universe, and then at ElectricCon he announced that what he REALLY wants to do is bring back the original show if next chapter is successful, and have both the next chapter and the original librarians team's show airing at the same time while crossing over constantly with each other. Essentially creating a shared Librarians television landscape for characters to move throughout. But that will only happen if The Next Chapter is successful enough. So PLEASE, open your hearts to these new characters and these new actors, because they are in the exact same position the cast of the original show was in. I was there, movie fans where complaining that it wasn't a show solely about Flynn and Flynn alone. But when once the show actually aired, they all quickly shut up, because the day Dean Devlin makes Librarians characters that aren't worth obsessing over is the day hell freezes over. If you don't support The Next Chapter, you will completely lose any chance of seeing those older characters return. Trust me, guys. Relax. You will love these new characters just as much, and you will see the old ones again if this show gets more seasons. So if you want that, you better start getting hyped!

[antianakin]

I think it's fair to say that Andor, despite having no Jedi in the show, makes the greatest argument as to why the Galaxy needs the Jedi! I mean, look what happened to Bix!

See, that's not really how I take it. Andor is hardly the first piece of media to show the Empire being completely awful and showcasing that they're a force that needs to be stopped. The first piece of media to do that was A New Hope when it literally showed them massacring an entire ship, burning down the Lars home, torturing Leia, and then blowing up an entire planet.

The message that Andor is trying to send is much more about COMMUNITY and solidarity and commitment to a cause greater than yourself as being the things that will truly save you from oppression.

The way I connect it to the Jedi is that THIS IS WHAT KILLED THEM. People DIDN'T have a sense of community and solidarity and commitment to something greater than themselves. They RELIED on the Jedi to solve all of their problems and if anything bad happened to them at all, then it was the Jedi's fault for not stopping it somehow, despite all of the many many reasons why the Jedi logistically could not stop every single ill in the galaxy.

Things like what happened to Bix were likely happening every day even during the Jedi's hey day. Plenty of planets likely had corrupt officials in their local governments, and obviously plenty of normal people are just bad people who have no issue with hurting others for their own gain or pleasure. The Jedi cannot and should not be expected to somehow be able to keep all of it from happening. The Jedi RELIED on regular people being willing to stand up to corruption and oppression and injustice themselves. The Jedi were intended to be an INSPIRATION to others to fight back against their own darkness and the darkness around them, not the end all and be all of the solution to darkness.

And THAT'S what allows the Empire to fall eventually. The Jedi were gone, so people finally had to stand up to darkness on their own. There was no one left to hide behind and shield them from the consequences of their own cowardice. And not only do they stand up, but they ultimately win because we see them standing BESIDE THE JEDI. In Rebels, it's all of the regular people in the Rebellion working with both Kanan and Ezra that takes down Thrawn and saves Lothal. In the Original Trilogy, it's Luke using the Force and working alongside the other Rebel pilots that destroys the first Death Star and saves the Rebellion from total destruction.

What's interesting to me about the situation on Mina-Rau is that we see the community around them get scared and uncertain, same as we did on Ferrix, and we aren't entirely certain how the shop owner is going to react when the stormtroopers finally show up, but instead of falling prey to his own fears and selfishness the way Timm did last season, he actually STANDS UP and helps Brasso and Bix and Wil as much as he can. He gets them a way to escape, he refuses to sell them out, despite whatever he may or may not feel about them as undocumented immigrants. And it's not enough, obviously, it doesn't save Brasso or Bix, but it's still important that he DID make that choice to help them when he didn't have to and it put himself and his own family at risk to do it.

And that's what's important here. It's not a message that this is why the galaxy needs the Jedi, but a message that this is why it's important to continue to stand up for each other, to protect the people in your community, regardless of how you might feel about their choices or their politics personally. Maybe it won't save everyone, but that doesn't make it less worth doing. It's important for everyone, even regular people, to ACT like the Jedi, to have that compassion towards others, because THAT'S what's going to save us in the end, THAT'S what's going to defeat the darkness.

[dalekofchaos]

Friendly reminder. Bruce Wayne hung up the suit and retired after THREATENING someone with a gun and this was his reaction.

And then his immediate reaction is to shut down and close the Batcave and his only words were. "Never again"

A truly tragic, but fitting way for Bruce’s career to end. Powerful stuff. Batman's career ended the same way it began: with a desperate man wielding a gun

Batman choosing not to be weak like Joe Chill >>>> Batman going on a killing spree because fighting crime is hard.

And by the way, since Zack Snyder says his inspiration was Dark Knight Returns, I got news for you, TDKR Batman doesn't kill either.

Zack Snyder is a complete blithering fucking idiot.

his statement on Batman just lines up with what I’ve seen from all of his work. He likes the idea of the comics he makes movies out of but he doesn’t actually understand their themes. A Batman that kills is pointless. An edgy Superman is not only the most boring way to write him, but doesn’t make any sense without the wholesome one. That’s why injustice Superman/brightburn/Plutonian/omniman/homelander kind of make sense in their own ways because the original exists to compare them to.(mostly also boring though) His take on watchmen was pretty much devoid of any of the actual commentary from the graphic novel, but instead was just a dark justice league that were pretty bad at their jobs. Rorschach was just framed as a kind of unhinged Batman, but still a badass that does good, which is wildly generous compared to the way he’s originally written. I can understand turning your brain off and coasting through an action movie, but his fans are delusional if they think he does any of these stories justice. I wouldn’t take any of his comments seriously if they would stop letting him make these mediocre movies.

Zack Snyder is all flash and no substance. His films are visually stunning but utterly lacking in compelling storytelling.

The point of Batman is he cannot 'stoop to their level'. He HAS to be better, he HAS to believe these criminals can be rehabilitated, because if he kills them, he becomes just like them. With his wit, his intellect, he could future proof the city against crime ever happening by just killing the criminals before they commit crimes based on probable statistics and similar themes. But a Batman who refuses to kill is a murderer by inaction. Every time he chooses not to put Joker in the ground, he's allowed him to slaughter dozens, hundreds more, just for a laugh. Batman is equally guilty for every one of those deaths, because he could simply kill the Joker, and stop him from ever killing again. But he doesn't. Snyder saying Batman can kill, Batman SHOULD kill, is to say that without batman doing so, or being able to, he is just as bad as the villians. Except dipshit doesn't even have his Batman kill The Joker. "Oopsie daisy, Joker got out and bombed a hospital full of people, sowwwwyyyy, I put him back in jail again dunt worry TeeHeee :3". And then next week we do it all over again. OR. You kill the Joker, and he never hurts another person again. Which is why Jason Todd works so well as a counter to batman, and SHOULD be what Snyder is looking into. The reason why Zod works so well as a villain is because Humans are flawed apes who cant be trusted to govern themselves and should be conquered, and Superman, a literal God, could fix all that, but doesn't, because of Hope. Its foolish, childish even, to consider that a solution. And when placed in the vacuum of a comic book it works because you have to suspend disbelief, and forget that Superman let a city full of people die while he punched Zod through skyscrapers.

If you want Batman to kill people, just go and read one of his 1784956th copies that kill people. Go read Midnighter. Go read Punisher. Go read Moon Knight. Go read Peacemaker. Go read Nighthawk. What is stopping you?

I'm sure all those characters have brought about the peace and prosperity and the crime-free society that a "killer Batman" was supposed to. "Punisher would clean Gotham in under a week", right, just like he cleaned Marvel's New York, didn't he?

It has to be Batman specifically the one doing the killing? The number of superheroes that kill is nowadays much higher than the number of heroes who don't. Remember how Hawkeye spent the better part of his existence being the most anti-killing Avenger? Nowadays he is known as a super-assassin that "never had a non-kill rule". Should heroes who don't kill go extinct?

I like that Batman doesn't kill people. I feel no need to turn him into something he isn't like it was done to Hawkeye. If I wanted a Batman that kills, I would go and read one of the thousand "Batman who kills" out there.

Batman should not kill and should never kill.

"Gotham would be better off if Batman just killed The Joker"

You. Miss. The. Entire. Point.

Bruce Wayne lost his parents to crime and Bruce Wayne is a child who died alongside his parents and was reborn as a creature dedicated to insuring it never happened to any other child. He made a vow never to reduce himself to the criminal scum’s level or to Joe Chill’s level. He never kills for a reason.

Batman not killing is what makes him so compelling, if he kills criminals, there is no moral conflict, he is no better than the Punisher, Wolverine or any other dark edgy hero. Hell, if he starts to take a life, Batman is no better than Ra’s Al Ghul.

In the Daredevil Netflix show, Frank Castle told Daredevil this “That’s not how this works. You cross over to my side of the line, you don’t get to come back from that. Not ever.” That alone is why Batman should not kill, not even The Joker. Bruce Wayne is not Frank Castle, stop trying to make him Frank Castle. I mean…Stan Lee was absolutely disgusted when someone called The Punisher a hero, Frank Castle is a murderer, not a hero. How is this so hard for people to understand?

I don’t want to hear that Batman killed in the old comics and I don’t want to hear Elseworld stories. It’s an established fact that Batman does not kill and it’s a big part of his character.

Guess what? We already got a Bruce who killed The Joker, it happened in the Burtonverse/Schumacherverse and he was disgusted with himself. “So, you're willing to take a life.” “Long as it's Two-Face.” “Then it will happen this way: You make the kill, but your pain doesn't die with Harvey, it grows. So you run out into the night to find another face, and another, and another, until one terrible morning you wake up and realize that revenge has become your whole life. And you won't know why.”

A huge part of Bruce’s character is that he doesn’t kill, no matter what. Same with Clark. But edgelord writers from the New 52, DCEU and the Injustice abominations think it’s cool to make heroes kill. Heroes should not kill. You can’t be a hero and a killer. IT DOESN’T WORK THAT WAY!

Guess what would happen if Batman kills The Joker? The Joker wins. The Joker and Batman are each trying to prove a point to society - and really to us, the readers. The Joker wants Batman to kill him because he perfectly embodies chaos and anarchy and wants to prove a point to everyone that people are basically more chaotic than orderly. This is why he is so scary: we are worried he may be right. If the Joker is right, then civilization is a ruse and we are all truly monsters inside. If the Joker can prove that Batman - the most orderly and logical and self-controlled of all of us - is a monster inside, then we are all monsters inside, and that is terrifying. The Joker is terrifying because we fear that we are like him deep down - that he is us. Batman is what we (any average person) could be at our absolute best, and the Joker is what we could be at our absolute worst. The Joker’s claim is that we are all terrible deep down, and it is only the law and our misplaced sense of justice that keeps us in line. Since Batman isn’t confined by the law, he is a perfect test case to try to get him to "break.” The Joker wants Batman to kill a person, any person, but knows that the only person Batman might ever even remotely consider killing would have to be a terrible monster, so is willing to do this himself and sacrifice himself to prove this macabre point. Batman needs to prove that it is not just laws that keep us in line, but basic human decency and our natural instinct NOT to kill. If Batman can prove this, then others will be inspired by his example (the citizens of Gotham, but again, also the readers), just as we are all inspired every day to keep civilization running smoothly and not descend into violence, anarchy, and chaos. This ability to be decent in the face of the horrors and temptations present all around us is humanity’s superpower, the superpower of each of us. The struggle of Batman and the Joker is the internal struggle of each of us. But we are inspired by Batman’s example, not the Joker’s, because Batman always wins the argument, because he has not killed the Joker.

Batman not killing matters. Batman stories to me are the ultimate tale of turning pain and suffering into something positive. That is a story that everyone can relate to because let's be honest here. The world can suck. I've experienced and probably will always experience feelings of fear of depression of anger of angst. It's in my nature as a human being to experience those things. It's in all our nature it is what we choose to do with that pain that we all feel that defines us. Batman chose to turn all those negative emotions, he feels into a symbol that can bring people. Hope that Batman will save us from pain but more importantly hope that we can all be Batman. Why do we fall? And Batman Begins explains this best “Why do we fall sir? So that we can learn to pick ourselves up.”

Yes, Bruce Wayne is a flawed crazy person. He is at times mean stubborn and even abusive but he is still good. He is still someone we can aspire to be. We can try our hardest to be Superman but no human being can fly, but we can still try to be Batman We can all try to turn our pain into something good when I see Batman killing people or fans saying he killed before and he should kill The Joker, It pains me. It actually hurts my soul. Batman is not about finding a way to kill evil. But try to redeem it. His mission is an impossible task. Maybe he should kill people. Maybe he should kill The Joker, but what makes him fascinating what makes him a hero Is the fact that he has that moral code and stopped himself from crossing that line That's why I always looked up to Batman even as a kid despite all the adult subtext or mature themes superheroes are for kids. And killing is not Batman and it is not Bruce Wayne. This is why I hated the portrayal in the DCEU and the Burtonverse and why I really hated the implication that Batman killed The Joker in Batwoman. A Batman who kills is certainly not Bruce Wayne, that is an interpretation of Bruce Wayne that completely misses the point of Batman. It's easy to kill. Batman does not make the easy choice… Batman does not kill.

[blternative]

The Captain isn't exactly free of blame either, I feel like that gets lost a bit as you play and get sucked into Jimmy's mental breakdown at the end. He was aware that Anya was pregnant by Jimmy through means that weren't consensual, knew that she wanted to use the gun to protect herself from him but resorted to hiding it after finding that she couldn't use it because she didn't have the proper authority to get the code to unlock it but realized Jimmy would be able to.

Granted, Curly was in a bad position for the issue from the beginning, he's the only source of authority on the ship and the ship as a whole would've suffered from being down one member but he doesn't do anything to protect Anya, his solution is to talk things out with Jimmy then think of a further solution together, not pull rank and put him in whatever their version of jail would've been on the ship (probably just stuffing them in a cryo pod until they reach their destination). Loyalty to his friend blinded him to the safety of his entire crew and he wanted to keep tensions as low as possible, even when that friend was threatening to take him down with him if he wasn't protected or staging a murder-suicide so no one would know what happened.

Even with Jimmy dangling the threat of Curly's career being in ruins once the news is reported, Curly doesn't stop him, he only slows him down at best and even that doesn't work, Jimmy proceeds to then crash the ship in an effort to completely get away with his crime(s) at the expense of a few lives. Curly gets mangled beyond recognition, unable to do the most basic of actions on his own, and is forced to spend several months in utter agony while watching his crew break down and die or get seriously injured in front of him. He sees everyone die, or the process of their death, except Jimmy, who gets to kill himself out of Curly's view as the stasis activates and Curly freezes. But Jimmy fixes it! He saves Curly and is a hero!

Except, why would a defunct company bother wasting what little funds they have left searching for a ship that was only carrying mouth wash? If no one finds the wreckage in twenty years, Curly gets reawoken and suffocates (I'm pretty sure one of the characters said something about running out of oxygen before food); if he gets found then he gets the finger pointed at him for presumably intentionally veering the ship into a collision *while* spending the rest of his life in continued agony. It doesn't matter what they believe for how the crew died, Curly takes all the blame as he's not only the only survivor but the captain, not only did they all die in horrific ways but they burned through most of the cargo!

In the end, Curly did it to himself really, every problem that happens, every death a reminder that none of it would've happened if he had did the right thing. Every time Jimmy exercises his anger on him by forcing the pills down his throat and ignores his choked cries and tears, it was Curly taking responsibility for his actions, or rather lack of, that got them to that moment. Even if he didn't want to take responsibility, he still did, he had no choice.

It's why Curly was the captain and Jimmy wasn't, why he could've called himself captain all he wanted and no one (except Daisuke but, he's Daisuke) believed it, not even himself.

He never took responsibility for anything he did, he laid the blame for the crash on Curly and even for delaying the news of the company's bankruptcy even though Curly technically broke protocol and told them early; everyone died believing Curly was the one piloting even though by the time he got into the cockpit it was too late. He never took responsibility for assaulting Anya and subsequently getting her pregnant, instead choosing to hide the truth and secretly hounding her into "fixing it" to the point of her committing suicide so it truly was "fixed." He didn't take responsibility for getting Daisuke killed by having him crawl into the broken air vent and getting seriously injured, instead the truth of the events that lead up to it coming out as the kid lay on his bed dying, profusely apologizing for what in his eyes was a fuck up on his behalf.

Everyone else takes responsibility for the consequences of actions done by Jimmy. Anya takes responsibility for him getting her pregnant and "takes care of it" like he wanted her to, presumably before the crash even happened he was telling her this. Daisuke takes responsibility for knocking out Swansea and going into the vent, even though he was going off of Jimmy's commands. Swansea takes responsibility for not only trying to protect Anya (why he constantly carried the axe) but for falling back into alcoholism by coping with their fate, even though Jimmy was the one who opened the cargo hold.

Even when Anya is dead, and Curly is forced to lay by her corpse, Jimmy doesn't take responsibility for him being the reason she took that course of action, completely blotting the scene out of his mind until he's forced to look at it when picking up Curly, even then he only focuses on Curly.

At his end, he never feels regrets for his actions unless they're in the context of it affecting Curly, and even then its only because he didn't know how stressful the position actually was. He doesn't have remorse for assaulting Anya and pushing her into suicide, for getting Daisuke mercy killed by Swansea (he doesn't have anything to say about it beyond berating Swansea for being hasty) or pushing the old man into coming at him with an axe after he had his own mental break. He only feels remorse for being jealous of Curly and not realizing how stressful the role of captain really was until he was in the position himself, he only thinks Curly as a prestigious prick who cares about his own image and career and no one else's.

He gets to kill himself, consequence free, even being able to think of himself as the hero at the end, when everything that transpired over the course of the game was his fault.

I don't think Curly is as bad a person as Jimmy is, but hes still bad, he's too much of an optimist and wanted to keep trying to see the good in people even when it came to the detriment of his crew.

In short, fuck Jimmy but fuck Curly too.

[singularscissor]

so uh. i don't really like the previous ref post i did for Bright Crown so. i made a new one that gets to the point and also actually looks good. it's still not really an art reference per se (consistency is for losers 😎), more like a general summary about them

much yapping and elaboration follows below

Bright Crown was initially designed by a member of the Assembly in Recognition of Ignorance. The Assembly was a scientific trancendentalist organization that believed the Solution could only be found through a deeper and more complete understanding of the world in general, in particular various natural laws and phenomena.

The Assembly conducted research in a variety of fields, astronomy/upper orbit conditions were only one branch of the organization. For much of the Assembly's existence, the work of Bright Crown's development and construction progressed slowly. Scientists built ground infrastructure (the Endless Sea Facility) and refined the superstructure's design in anticipation of its construction.

When the Great Equalization came, storms and flooding began to threaten the Assembly's complexes, and the leadership fell into agitation. The branch responsible for Bright Crown suddenly became politically powerful because of the infrastructure they had built -- the automated facilities were already designed to supply the superstructure, and it was not difficult to adapt them to also support the Assembly's general population. In particular, the half-constructed communications spire was modified to include a sizeable city, safely above cloud level.

With control of the Council, the Bright Crown branch was able to more fully commit the Assembly's resources to the project, and construction proceeded considerably faster (though, compared to other contemporary iterator projects, progress was slow. Building in space is difficult.)

During this time, all five launch rails were used to deliver components up the the station for assembly. The rails use a combination of gravity manipulators and magnets to accelerate the supply capsules past the cloud layer. The capsules are also equipped with their own thrusters for use once the rails are cleared.

After the structure's completion, the launch rails were used less -- though, as an mostly isolated and definitely not lossless system, Bright Crown requires regular shipments of fuel, replacement water, raw materials etc. All five rails were kept operational for the sake of redundancy, but only half of them were ever used at the same time.

Most communication receivers are designed to catch signals from other ground based sources, rather than from space. Even proper equipment (such as the specially designed ESF spire) can only pick up a signal when Bright Crown is at the proper point in orbit above it. This left Bright Crown socially isolated -- though they are assigned to a local group based off ESF's geographical location, they are more or less ignored by its members due to the infrequency of their transmissions.

Bright Crown also often worries about their long term survival. There are a lot of inherent complications with being in space -- damage that might be ignorable to a normal iterator would be crippling in such a precariously balanced system. A hull breach in the wrong place, or a breakdown in the groundside supply chain could spell disaster.

Relations with the Assembly eventually degraded. Bright Crown hated being dependent on Endless Sea Facility and the Council's goodwill, and also held a grudge against them for continuing with their own construction even after it was clear their longevity would be substandard.

[justalittlesolarpunk]

I've been feeling climate anxiety lately. I think it's really necessary to change everything and progress towards a postcapitalist future that doesn't endanger our planet, our Pachamama. But I don't see how that will be possible. What do you think about this?

Hiya, thanks for getting in touch and sorry it’s taken me so long to reply. I get a lot of asks like this so I think I might make this another masterpost. Here’s climate anxiety solutions according to me:

1) Accept your feelings. Recognise that fear, grief, rage and despair are all normal, healthy, human reactions to paying actual attention to what is being done to our planet right now. You aren’t wrong or sick or overreacting by feeling them. Sit with the emotions, allow them to wash over you, cry, smash plates, punch a pillow, journal, write poetry, yell at the news, scream in the woods! Trying to repress these feelings will just make them harder to deal with.

2) Recognise that the paralysis of climate anxiety is not a good place from which to make a difference. Try to let horror, guilt and self-blame go, and lean into the love for people and planet that motivates all eco-anxiety. Start consuming good news stories and keying into activist spaces so that you can learn how others are claiming agency to fight this problem, and how you can emulate that. Remember that despair absolves you of responsibility and that true solidarity with the most affected means letting your emotions drive you towards action.

4) Educate yourself through reading, listening to podcasts, attending talks, seeking advice from elders, and more - whatever works for your particular life and circumstances. The more informed you are about these issues the more you’ll feel able to address them.

3) Make as many changes as you can in your personal life. Are you eating a high-carbon diet? Try to reduce that. Are you consuming a lot of water or energy resources? Look for green and low-intensity alternatives. Examine your transport habits and prioritise walking, cycling, trains, low or zero emission buses, sailing, and replacing longer-haul journeys with remote options. If you live in a throwaway culture, try to prioritise reuse and repair over consumption. Consider how your livelihood impacts the planet, and if it’s negatively and making change is possible for you, start the process of moving towards an occupation that lets you make a more positive difference.

4) Fight! Join a campaign group, write to your elected officials, attend a protest, donate money to causes if you can, commit civil disobedience if you feel willing and able. Put pressure on governments, businesses and the public to change their ways.

5) Prioritise joy and connection. Spend time in nature, watching animals or foraging for plants or swimming or walking or just letting it all wash over you. Link up with other people to talk through your worries, go hiking, lobby for climate justice, safeguard ecosystems and pass down your local heritage. Sometimes, take a day or two to check out of all these issues and problems and just spend time drawing, cooking, playing games with loved ones, or whatever it is that relaxes you. There are enough of us that you can take the time to avoid burnout.

I hope some of this was helpful, and do please get back in touch if you have any other questions or queries. You’re part of a huge global community of people who love and revere the earth and want to build a better future for all life upon her. Hold onto that.

[genericpuff]

Omg hiiii, I absolutely love Rekindled! You're so talented, and the story you're making for Persephone is so intriguing! A lot more than whatever trashfire Lore Olympus has become.

That being said, what was the moment you stopped liking LO Persephone? Have you always disliked her, or was it gradual? Or just a specific moment that made you go "yeaaaaah.. she's not it ;-;"

(And bonus question if I can ask, but how do you draw hands?? I hate them with a passion, but unfortunately hands are pretty necessary T^T)

aahhh thank you so much!!!

honestly, I was a pretty big fan of LO up until the trial arc. Like, you've all seen me hate this comic with a fiery passion, but the only reason I'm able to do that is because before I hated this comic, I loooved this comic. I'd literally be counting down the hours until new updates, I loved the art, and I was too smitten by the appeal of the series to notice its writing problems, I just loved the romantic drama and the H x P ship, and yes, I loved Persephone, I loved her design, her personality, and I felt so 'seen' by her struggles, both with her trying to pave a path for herself and the SA plotline. I was even (regrettably) one of those people who would lurk in the antiLO tags and think "wow, these people are dumb, can't they see how brilliantly written this is ?? they're nitpicking!"

But then the trial arc happened which involved writing a plot that didn't put the romance front and center anymore - now that Rachel had to actually write something complex and logic-driven, the blinders started to fall off and I went wait... maybe Rachel doesn't know what she's doing. Persephone choosing her own lawyer? And it's Hades, one of the judges? Why are they suddenly establishing Thanatos as Hades' adoptive son? I'm not a lawyer, but I know that's not how any of this works and it really tipped me off that something was amiss, that Persephone was having all of her solutions conveniently handed to her on a platter and all of the other characters were suddenly being made to look like assholes just to make Hades and Persephone the heroes.

And then... Eris happened.

See, one of the things I loved most in the story was Persephone's character arc concerning the Act of Wrath. I write stories about characters with dark "personas" all of the time. So it was something I had frame of reference for, I really loved the premise of Persephone earning her name through this act of violence and while it was dashed with the opening of S2 revealing it was "all an accident", I was excited to see how the trial arc would bring about new information and confirm who was telling the truth about what "really happened" with the Act of Wrath. If the courtroom drama wasn't gonna be realistic, I could at least hope for some good 'OBJECTION!' reveal that would finally put to rest once and for all what really happened, and maybe Kore would finally embrace this 'dark side' she had.

So for the actual twist to suddenly reveal itself as... 'actually, this one goddess we've never mentioned before blessed you with wrath. why? idk she just did. anyways she's the reason you have wrath and that's what made you commit the act of wrath. problem solved.'

And that was where the twisting of 'faith' happened. When I went through the subconscious realization of , "Oh no, Rachel doesn't know what she's doing and it took me this long to notice. Oh no, maybe those antiLO freaks had a point-"

That said, there was a glimmer of hope in the midseason finale. Persephone was sentenced to remain in the Mortal Realm to carry out her mother's duties and I thought, "great! This will be Persephone's Rocky moment! She'll have to prove herself without the help of Demeter or Hades! This is gonna be awesome!!" During the hiatus, I was VERY excited to see where the story was going, I still had so much hope and I figured the mishandling of the trial arc was just a bump in the road. The series was still good, it was just going through a rough patch, these things happen.

And then it came back and it all went downhill from there. There was a 10 year time skip with very little insight as to what happened. Minthe and Daphne were just suddenly back to normal. They were referencing some food shortage or terrible event that happened during Persephone's reign that they never explained in explicit detail. And now, all of a sudden, Persephone was just returning to the Underworld, where Kronos had suddenly taken over. I had cautious optimism but throughout it, I was really seeing the cracks that were already forming opening wide. A lot of what I had to say wasn't positive anymore, I literally couldn't understand what the reasoning was behind these writing decisions and I couldn't find myself rooting for Persephone anymore, everything just seemed to convenient and easy for her to make her seem like the "strong and confident" character the comic claimed her to be.

The S2 finale was my breaking point and I think it was for a lot of other people too. That was pretty much where my 'transformation' from passionate stan to passionate critic happened, and it happened alongside the creation of the UnpopularLoreOlympus subreddit which would become my new 'home' within the community. After seeing how much the story had gone downhill, it made me realize in hindsight just how awful and one-note Persephone is, how she really never cared about anyone but herself and Hades, how her mother did, actually, have a point about her being practically groomed into a relationship with a billionaire slave driver, how she was very intentionally drawn to look like a child in ways I couldn't believe I had never noticed before, the list of "awakenings" goes on. And it sucked! It sucked to have that realization that the thing I loved wasn't just imperfect, but incredibly problematic in its writing and art choices. And just like when I loved the comic, I couldn't just let go of it, I had to understand to some degree why this happened.

It happened because Persephone was always being written as a one-note, easy to project onto self-insert character. A Wattpad protagonist. Not an actual representation of the Goddess of Spring, but a blank slate for the creator and the fans to imagine themselves as purely for the power fantasy of hooking up with a rich and abusive guy.

That was when I made my first piece of LO art intended to be an 'edit' - a redraw of Persephone's rebirth as the Dread Queen from the S2 finale, an ode to the Persephone I was hoping to see but never got. The rest from there is history.

I know I'm being SUPER dramatic about it but this was literally how it felt to go through the realization that this comic - and its characters - wasn't as good as I thought it was, and I think that's a sentiment that's shared by a lot of the 'haters' in this community. LO was a big part of my life and even some of my friendships with people, so when it went downhill, it felt like such a hit to the gut. It's still a big part of my life, albeit in the opposite direction, but I still wonder sometimes over the "what ifs", what if the series hadn't turned out this way? What if I had never realized its flaws? Rekindled is basically a love letter to those what ifs, satisfying the feelings I never got to keep with LO, and giving me a reason to count down the hours on Saturday nights again. I'm glad it's made that same impact for others, too <3

[a-dauntless-daffodil]

Wereharpy Vaggie au idea rant thingy: Lute accidentally 'created' or 'awakened' wereharpy Vaggie when she cut out Vaggie's eye with angelic steel. le whoops?

secondary ideas: Exorcists and their weapons as re-purposed "sin-eaters", the remnants of the hell-touched winner souls who were torn apart when their job of saving sinners from sins was seen as a failure and being able to permanently destroy them instead was discovered. The original wereharpies were the Sin-Eaters, who gouged out one of their eyes with their bare hands as a final test of their commitment of giving themselves up to save sinners, and took on their more monstrous forms after absorbing and battling with the sins they devoured. Their refusal to switch from eating sins to murdering sinners ended up with them being torn apart by the Sera. Adam then was handed the re-shaped pieces of the Sin-Eaters in the form of Exorcists, while the talons were used to create the alloy that came to be known as heavenly steel, the only substance capable of permanently damaging or killing a soul. (only like can cut like)

Lute cutting out Vaggie's eye with a heavenly weapon, specifically after Vaggie had refused to kill a sinner, reawakening the scrap of the Sin-Eater Vaggie had once been part of, including her 'new' wereharpy form.

The more time Vaggie spent in Hell trying to save sinners the more her harpy form, and the Sin-Eater instincts ingrained into it, started to come out.

Vaggie thought this was some part of being an Exorcist stuck with her prey and worried her harpy self would start mindlessly killing sinners if set loose. She worked with Charlie to keep herself as much under lock and key during harpy time as possible. Meanwhile Charlie just assumed this was part of Vaggie's sinner form and was happy to help her manage it in a way that kept her from hurting others or worrying about hurting others.

Neither of them knew the full history of the Exorcists or Sin-Eaters.

which, given in more detail, maybe goes something like this:

Heaven is new and workshopping how to handle having "winner" souls enjoying their eternal reward up there. YAY!! First problem: Winners are sad when their friends and family die but don't end up in Heaven with them. :( First solution: Create sin-eaters to take on the sins of souls down in hell, specifically the ones vouched for by someone up in Heaven! In eating them the Sin-Eater strips the soul blank, memories ripped out and sorted with the bad ones remaining with the Sin-Eater and good ones stored safely in Heaven while the soul is returned to Earth for another life and another chance at someday being with their former loved ones again- the memories of which will be returned once the soul arrives up in Heaven.

Perfect! How could this go wrong???

Snag number 1: Heaven born cannot sin or take on sins, so some Winners have to volunteer for the terrible job of going down to Hell and eating the souls, which isn't fun and will probably change the composition of their own soul. The Seraphim argue for a while if this can still count as being given eternal rest, but finally agree that they shouldn't deny the chance to any Winner that wants it. Some do, and the first Sin-Eaters are made.

Frist snag dealt with!

Snag number 2: Eating sins imbues the Winner soul WITH sins, obviously, staining their wings and tarnishing their halo and eventually twisting their entire physical form as well as leaving them with terrible memories and sinful thoughts haunting their minds. Sin-Eaters learn to focus wholly on their conviction of saving sinner souls, using the virtues to drown out the rising tide of sin in them, and their bodies warp into bird-of-prey and then harpy-like shapes in reflection of this. The Seraphim decide to make a dedicated area for the Sin-Eaters up in Heaven, both to shield other Winners from having to see them in their self-chosen suffering and to help maintain the concentration needed for the Sin-Eaters to contain their willingly taken-on sins.

Second snag.... mostly mitigated. The plan is still working. Continue.

Snag number 3: Lilith, with Lucifer's help, is working to make Hell a place that can be fun to live in actually, a place where no vice is taboo and no punishment can be worse than what's already happened. It becomes a place of power, passion, and personal freedom, sins as things that don't JUST have to cause suffering, and if the people around sinners aren't the nicest well no one really is and getting your head cut off means a lot less when you'll just pull yourself back together again. Some sinners start getting chopped into pieces for fun, even! In fact some sinners like their life in Hell so much they run from the Sin-Eaters that come for them, even when told this is happening on the request of someone who loved them in life and that a second chance at Heaven is waiting for them if they just HOLD STILL AND LET THEMSELVES GET EATEN FOR A MOMENT. Not many sinners do. First, sounds too good to be true. Second-Give up what they already have for something that only MIGHT happen? A lot of sinners don't like the odds on that, or the idea of losing their memories of the people they've met and befriended in Hell. Running from Sin-Eaters turns into fighting them. The Sin-Eaters are powerful though so that doesn't work so well.

Snag number three is. Kinda still there. And about to get Worse.

Snag 4: It turns out a soul can die. As sinners put more thought and effort into fighting off Sin-Eaters they start actually hurting them. Boons with the Queen of Hell give them very limited abilities to try fending off the Sin-Eaters who want to take them from Lilith's realm. It's not enough to really damage the Sin-Eaters, but it stops them in their tracks and makes some Sin-Eaters defend themselves on reflex. Which is when snag number four comes in like a wrecking ball- Because the souls torn apart by a Sin-Eater's talons do NOT pieces themselves together afterwards. They stay dead. And not only do they stay dead, their sins unravel into demonic energy and are released into the surrounding area, imbuing the fellow sinners with power and denying the Sin-Eaters anything to devour or save. Instead of reweaving the threads of a sinner's soul the threads are SEVERED. The Sin-Eaters are horrified. This isn't want they wanted, but apparently taking on parts of other souls (absorbing them, not chaining them) can distil a soul to the point that it tears apart other souls with it's own existence. (like a black hole that used to be a star collapsing under it's own weight and slowly devouring other stars in turn) The sinners are upset about all this for a hot second before realizing that having free floating demonic power in hell means ppl can take it for themselves. The ones that manage to claim this power now find themselves with the power to give their own very specific boons- and to do even more than that, for the right price. Power in Hell shifts slightly away from it's King and Queen and lesser nobility of the hellborn demons as the first Overlords rise up and start bartering souls from and among their fellow sinners, with all limitations on self defense removed from the abilities they can grant. Meaning sinners are powerful and can attack unprovoked if they want to. And oh, do a lot of them WANT to.

Not good! The Seraphim do NOT like seeing this!!!

Snag 5: Hell is suddenly getting MORE powerful, able to resist Heaven's will with force and self-cannibalize to condense power down among it's WORST and most ambitious sinners- But at least the solution is also part of the problem here. Adam, always grumpy about the idea of giving any kind of second chance to the "losers" his ex is SO proud of, floats the very obvious but also drastic idea of just, y'know, killing MORE sinner souls. Sure it'll free up more power for the Overlords, but that'll just make them fight each other over it even more, and hey, none of souls returned to Earth a second time have made it into Heaven anyway! Why not split the difference? "Free" souls from eternal torment by killing them, reduce the numbers Hell has at it's command, make more Overlords to fight the Overlords that are already running around. And maybe have some FUN with all it!

Sera thinks this plan might work....

Snag 6: The other Seraphim disagree, and so do the Sin-Eaters.

Snag 7: Sin-Eaters are losing control over the accidental soul killing, their sense of conviction shattered by this sin that they did not take on but CREATED with their own actions, they scream. The virtues they've been propping themselves up with like scaffolding crumble under the weight of sin and the need to confess it to the loved ones of those they killed. This need drives them into mindlessly trying to break free from their section of Heaven. Sera concedes to the other Seraphim that the Sin-Eaters cannot be asked to kill more souls.... ...but she also convinces guardians of Heaven that the other heavenly souls should not be burdened with knowledge of or guilt over sins they did not commit. The Sin-Eaters must be stopped. In the end the power of the sins proves too much to cage or chain and Sera herself rips the Sin-Eaters apart.

Well. That didn't end great. At least it's over through, right?

Snag 8: Sera still agrees with Adam's plan and has an idea of her own for how to make it happen. To create an army close-knit and bloodthirsty enough both to stand ready at Heaven's defense and have earned the pain that entails, Sera reforms the pieces of the original Sin-Eaters into the Exorcists- taking Adam's preferences into account, seeing as he will be taking responsibility of them from here on out. The resulting angelic women are armed with the weapons forged from the Sin-Eater's talons, and each year Adam leads them down to hell to Exterminate as many sinners as they can. He gives them cool horned masks to wear to match his own, since they're his girls after all, but adds the "stitched shut mouth" (they're not Sin-EATERS anymore and won't be spilling ANY secrets) and "missing eye" (which he has to admit DID look badass) details as an inside joke for himself to snicker at. As far as the rest of Heaven is concerned, the Exorcists are a host of Heaven born soldiers incapable of killing souls but willing to lay down their own lives defending them, and any resemblance to the Sin-Eaters is a only a memorial honoring those poor souls Heaven could not save.

Only Sera and Adam know the truth.

Now Adam is dead, and many Exorcists with him, and even IF Sera wanted to try undoing what has been done by piecing back together the souls she cut apart, hoping they might heal now the truth they died trying to confess to has come out... she can't.

That feeling, the drive all Exorcists take strength from, the need to be part of something bigger than themselves- it can't be fixed.

They can never be part of the whole that they once were.

But... maybe Vaggie is proof they can still help the sinner souls they so devotedly wanted to save. Maybe this new way is even better than the one that made them what they were.

Maybe the rest of the truth will come out someday, but until then, wereharpy Vaggie slowly feeling more protective of than bloodthirsty for the sinners living in her and Charlie's hotel is a something she can be relieved about. It's nice having friends. She's glad she doesn't want to kill them so much anymore.

(she doesn't know what that urge to feast on them really is meant for)

(so instead of taken their sins from them, she and Charlie go on trying to help the Hazbins live with and grow beyond their pasts instead)

(and. it. works.)

[starwarrior18]

So..... I've heard about the news of a Live Action Ninjago Movie

and oddly enough, I've been thinking a lot about this could go down. Now, what do these movies have in common?

Alvin and the chipmunks

The Smurfs

Hop (I'm now realizing that most of you guys probably either don't care or don't remember these movies so I'm going to movies you probably DO know or care about./j)

Sonic the hedgehog

Detective Pikachu

What do they have in common? They all just threw in the Title Character in CGI With a human partner.Why am i asking you this? Cause this is my vision of a Live Action Ninjago Movie. Just throw the ninja gang into the real world, trying to get home, with a human partner helping them out. (smthn like this ⬇️)

They'll have their powers, but it won't be where they barely pack a punch. THEY'LL PACK ALL THE PUNCHES.

I want Kai to Commit arson! (Being accidental is optional)

I want Jay to accidentally taser somebody out of reflex!

I want Nya to attempt to drown somebody for insulting her Husband Jay!

I want Cole to accidentally break someone's hand by giving a handshake!

I want Zane and Pixel to search the internet for a solution while Zane keeps their drinks cool!

I want Lloyd to Kamehameha a hole in a wall and immediately apologize for it!

I want Wu to also help finding a solution while SOMEHOW being able to drink a Human sized cup of Tea!

All while the human character is trying to herd them like a bunch of feral kittens, trying to keep them from getting discovered, while reality the Ninja are pretty good at being stealthy and it makes the human look crazy. (Example: someone walks in, Human tries to explain why they're tiny talking legos, Ninja already vanished to not get seen)

and it's possible too!

The same guys who worked on the OG Ninjago, Lego movie and The Lego Ninjago movie are scripting this! It can be possible they would do something like this!!

I'm not sure if they'll add a villain or not but what i want is obvious. I WANT A BUDDY COP LIVE ACTION MOVIE WITH THE NINJAGO GANG AND SOME RANDOM HUMAN THEY PICKED OFF THE STREETS!!

Thank you for coming to my ted talk.

[lesbians4armand]

on the technical side of things, maybe armand is intersex. he was often described as being beautiful like a girl! he couldve been born with a boys body but as he got older and hit puberty, perhaps he had a hormone disorder he didn't know about/coupled with sexual trauma/being turned he never really got to go through a full hrt puberty.

i know armand slept with numerous vampires in his coven, but he DOES have a tendency to not fuck human beings. maybe vampires CAN get pregnant, but they need a living counter part to make it work. immortal children are banned under vampire law, so i can see why female vampires aren't having children of their own (for fear of their child/them dying/the child being unable to progress physically or mentally) but wouldn't it just be like armand to be pregnant and not know until it's too late to do anything with?

or he gets pregnant and daniels the first to recognize the symptoms? the eating, the mood swings, how feral he's gotten during sex. i assume it would be jarring to wake up and find your vampire boyfriend projectile vomiting the 70 units of blood he gorged on 3 hours prior.

INTERSEX ARMAND!! YES!! The vampires of the vampire chronicles have always defied gender in its social ways but to have it completely blur binaries of biological sex is so so good, they already have so many differences to their biology and anatomy its not too much of a stretch.

And you’re right, armand is always described as being very androgynous, and bringing that along with his limited memories of his youth and the trauma that he went through, he could very well be intersex and not even realise it, though lack of memory or some other factor. I love exploration of Armand’s gender identity a lot due to his lack of self identity in general, I’ve considered genderfluid armand before and even transgender armand (t4t devils minion… real) but intersex is a new concept to me that’s super fascinating.

(shout out to that one fic where armand IS alice because he can literally change his gender and sex at will btw been thinking about that since i read it… very good very delicious very gender)

On logistics of vampire specific pregnancy, i also agree that one participant must be a living human, i doubt that vampires can get one another pregnant (both being dead things, as well as the law to not create vampire children). I think male vampires who do sleep with human women (cough cough, lestat) would be able to get them pregnant, and that human men can get vampires pregnant too. Someone has to be alive to create life in this scenario.

Who knows if these pregnancies would be entirely viable without specific requirements. Would the fetus need blood in-utero if half-vampire?? or is the baby just human as its created with living dna regardless? how does the vampire reproductive system work?? if their hearts still pump blood and their lungs still breathe, and their brains are still alive, their reproductive system may still be functioning even if other processes shut down? Iirc the VC universe later established that vampirism is kind of like a ghost-alien parasite infecting a dead human body but keeping some parts of it living. maybe this does include reproduction, I think all grounds of logic went out when we first got to aliens.

In the tv-show universe (in which im basing this crazy au), the vampires can have sex (though they could not in the books), so this implies a working reproductive system.

Anyway yeah! I think intersex Armand COULD be getting pregnant here. Admittedly I’m not super familiar with intersex people and how this would work but I’d love to learn more and it’s definitely a way of getting mpreg to work here. I think im too scared to commit to omegaverse so this is a very fun dynamic and solution.

On to the other parts of this ask as I have gone on a bit, Armand does seem the type to neglect his own wellbeing to the point he doesn’t realise he’s pregnant until months along when there is little to be done, but I also think he wouldn’t want anything to be done. He might not have very good experience or track record with children or kid-vampires (see claudia), but he would love the evidence of love from daniel. It’s a part of daniel and a part of him, I think he’d be obsessed with that, that they can bring something that is alive and good and both of them to the world.

The idea of daniel realising like “oh my vampire boyfriend is actually very strangely, almost like he’s ill, but vampires can’t get ill! It’s weird it’s like when Alice was pregnant with… Oh! oh that’s it. okay.”

thank you for the ask this was very interesting.

[cerastes]

hey, i'm planning to get armored core 6 despite never playing any of those games before and since you seem pretty knowledgeable about them i was wondering if you have any tips for someone totally new to the series?

Sorry for the super late answer!

The first thing I can tell you about Armored Core is that you have to get comfy because half of the game is high speed intense high octane combat, and the other half is accounting. Brother, I know how much you want to go back to the part where rifles go bang and swords go swoosh and you have enough Gs on your body that you could passably cosplay a plate of mashed of potatoes, but you gotta do the Excel spreadsheet part, too.

It's really not as bad as it seems, and once it clicks, you know exactly what to look for. But if you want to get all the juice out of the tenga, you have to sit down and take a deep gander at how the systems click. Once you do, trust me on this one, an endless horizon of options will stretch before you because that's when you'll know exactly how to tailor your big death machine to your exact specifications and playstyle. It's deep, but also deeply rewarding!

Next up, something universally useful in Armored Core: Turning Speed. If you can mod, upgrade, or otherwise improve your "Turning Speed" (or equivalent) stat, crank that up as often as you can. It's always a powerful tool, it's always very useful, it's never superfluous. This ties in to the next point:

Your strongest weapon is your camera. When fighting other ACs, player controlled or otherwise, your strongest tool, throughout the games, has been to keep your opponent in your camera, and to stay out of your opponent's camera. Movement is huge in Armored Core, you need to move so as to 1) keep your enemy in your sights, 2) stay out of your enemy's sights, and 3) line up shots. We call this "lining up a vector" or "keeping the enemy in a vector". What this means is that you want to set up your enemy in such a way that they are moving in a direct vector relative to you -- directly towards you or away from you -- so that your shot with stronger, single shot weaponry will land and deal significant damage. You set up this vector while also trying to not be 'caught' in one yourself, and as you may think, this is hard, because if they are in your vector, you are in most situations also in theirs. So, the solution? Be outside of their camera while they are in yours. Can't shoot what they aren't aiming at, right? This is a lot to take in, I know, but you don't have to commit all of this to execution off rip, just keep it in mind, develop your playstyle and learn naturally with this in the back of your head until it clicks and you start being able to see, through your own playstyle, how it is you'll do that.

One final thing I want to recommend is that you don't fall for the allure of The Big Damage Number without considering other factors. Especially when learning, you want to make a balanced build: Have your single shot strong weapons, like a grenade launcher or sniper rifle, paired with a weaker but easier to land weapon, like assault rifles or machine guns, and compliment this further with some sort of auxiliary tool or weapon, like flares that give you leeway, or missiles that can put further pressure on your enemy. In general, when starting out their Armored Core journey, I recommend to people the following loadout: Grenade launcher, assault rifle, laser sword, missile launcher. This is a well rounded toolkit that'll keep you effective at most ranges, and more importantly, will reveal to you, your own preferences. Once you become a super Newtype ace pilot fuckhouse, you'll doubtlessly make your own deathkaiser machine with quadruple railguns or missileboats or pure melee builds, but to get to that point where you know exactly what you want to do, a balanced build helps in letting you learn where your heart leans, what kind of movement-to-bulk ratio works best for you, which weapons are your favorite, etc.

[sl-ut]

what's happening in gaza?

i know first hand that it's very difficult to fully understand what's going on in the world right now, especially coming from somewhere that is so different culturally, geographically, and historically as palestine. being online recently and seeing that people are being called zionists for simply asking questions about what's going on or not fully understanding bc, for the most part, it isn't your fault that you are so ignorant to the issue at hand. news sources based around the world and misinterpreting the situation in order to put palestine in bad lighting, so it's important that you all take some time and do your own individual research to look into what's going on, what your stance is, and what you can do to help. no one is asking you to donate your last $100 if you cannot afford to do so, but the acts of declaring your side and participating in boycotts are enough support to at least show the people of gaza that THEY ARE NOT ALONE.

below i've put together a few articles from different sources with different backgrounds, if you're interested, please read a few of these sources and educate yourselves on the situation. i've included sources to explain what's going on now, what's happened between israel and palestine in the past, the kinds of things that are happening in gaza, and why this is being treated as a genocide instead of a war. this is what i've been able to find, but if you discover some more pls feel free to reach out and i'll add them to my list!! everyone be safe and be kind to one another <3

What is Hamas and why is it fighting with Israel in Gaza (BBC)

Israel and Palestine: a complete guide to the crisis (The Guardian)

Timeline: A look into the long history of the Israeli-Palestinian conflict (ABC)

The history of conflict between Israel and Palestinian militants in Gaza (CBC)

A 'cultural genocide': Which of Gaza's heritage sites have been destroyed? (Al Jazeera)

Key takeaways from UN court's ruling on Israel's war in Gaza (AP News)

Israel-Palestine conflict: what is the two-state solution and what are the obstacles? (Reuters)

'Chilling effect': People expressing pro-Palestinian views censured, suspended from work and school (CBC) (this one is not directly about gaza, but shows the way that people are being punished just for supporting the people of palestine against this genocide)

ALSO PLS KEEP IN MIND THAT any acts of violence being committed by the hamas group is NOT a representation of the people of palestine, and the inhumane and monstrous treatment of these people absolutely is not deserved in return for the things being done by the hamas. regardless of your political stance, if you believe that the way that israel has treated palestinians in the past and continue to treat them in the present in deserved or justified in ANY WAY, pls unfollow and block me bc i want nothing to do with you.

[quinloki]

Starlight

A little something for @madameredart \o/

I went with a nice quiet moment with Law. It's not much, but I hope you enjoy it 🥰

Summary: He's going to be gone for a while, and there's not much to do, except enjoy the quiet moment before for as long as you possibly can.

Law snuffed out the last of the campfire before joining you.

The island you’d ended up on was in the midst of autumn, and while the air was crisp, it wasn’t deeply cold. The skies were clear, and the small island didn’t seem to have anyone else on it - save you and the crew.

People had collected into small groups and gone to enjoy different parts of the island. So much time was spent cramped inside the submarine that it was nice to have a little away time from most everyone else. Law had dropped a lot of heavy information onto everyone’s shoulders earlier, that had caused an even greater need to cool off.

He stepped into the small pile of blankets and pillows you’d laid out in the open the field, settling down beside you and leaning back to enjoy the scene. Nothing above you but a clear dark sky, painted beautifully with bright clusters of stars. There was no moon out, but the stars shone so bright collectively, that it was easy enough to see Law and a decent area around you.

“If there’s one thing I don’t like about the Tang,” you hum, smiling up at the stars. “Is that you can’t see this view from beneath the waves.”

“She’s got her own sights to show.” He murmurs and you nod. “But this is beautiful.”

“It’s nice to just… look.” You admit, laying back entirely on the bed of blankets and pillows, taking in the sky. Law’s yellow eyes flicker in the starlight for the briefest second as his eyes move over the horizon before he lays down beside you.

Shifting slightly you nuzzle into him, resting your head on his shoulder. He tucks you into his side snugly, hand on your waist. His fingers flex against your soft skin, and he pulls you tight against his side for a second, hugging you a little as he kisses the side of your head.

“Thank you. Suggesting the shore leave was a wise idea.”

“Mm, well, you’re going to abandon me for a while, aren’t you?” You keep your gaze on the stars but you can feel him flinch. “I get it though. It sucks, but I get it.”

“You… took the news better than I expected.” He admits, mind wandering back to earlier in the day when he’d laid out his plan for everyone.

Tomorrow he would head to Punk Hazard. Tomorrow you and the rest of the crew would leave for Zhou. Tomorrow was a few hours away still, so it was better to enjoy tonight.

The peace. The quiet. The stars.

The warmth.

“There wasn’t anything else to be done.” You sigh, letting yourself sink into him and the blankets as you relax. “Your plan is… I don’t want to say good, good would be us being able to be there for you, but it’s the best chance to be had.”

“Punk Hazard just doesn’t work with you all there.” He sighs as he says it, and you can hear the frustration in his tone. Not at the situation itself, but more at himself for not being able to see whatever perfect solution might exist. “No matter how I tried to look at it.”

“I’d say be careful.” You turn onto your side, arm tucked under his shoulder, and leg draped against his stomach. “But I already know.”

“… Know what?”

“Not even death would stop you from reaching Zhou. Whether it takes months or a couple years.” There’s a soft, sad smile on your face, but nestled into his chest he can’t see it. The hand that traces idle circles against your back is reassuring.

“It’s hard to see the stars like that.” His tone is teasing, but the point is to try and get you to look up, and instead you tuck in a little more snugly.

“It’s not the stars I want to commit to memory.”

“You’ll see me again.”

“I’ll see them tomorrow.”

“So will I.”

“Are you going to say ‘we’ll be looking at the same stars’?” You tease, looking up at him with your sad smile, trying your best to smile warmly.

“… We will be.” He pouts.

“We will.”

Silence falls between the two of you for long moments. Fingers wander over bodies, and small sighs slip into the air in puffs of white as the night grows colder. You cocoon inside the blankets, wrapped within limbs. The warmth and sensation soothes you, sinking into your bones as his steady breath sinks into your neck.

Tomorrow there will be just stars, but for now there’s limbs and lips and warmth as soft kisses bring your heart rate up, and needy tattooed fingers seem desperate to mark the stars into your skin.

[maneaterwithtail]

Did Elf Senshi Change or Not

Figured post character development, at the least result of red dragon, use his mithril knife. Maybe tear clothes to make cloth shield

I realize the gag is supposed to make him super duper p**** looking While still committing to the same bit of just standing there and being archetypical even to a goofy degree just elegant Alf as opposed to doofy dwarf

The problem is you have to turn off every other aspect of his personality and behavior in order to get the gag to work to the extreme it goes to

And as even more so in the episodic presentation but especially what came before you figure he would be all about committing himself to a pragmatic solution for his current predicament and group utility.

OK sure not carrying his PAN because it's too heavy for him. so why isn't he carrying anything else that can cook or keep food abd provide safety with or make sure he's armed because he definitely knows how dangerous the dungeon is and how critical it is to have some sort of tool in order to affect violence that might be necessary for living

Contrast and compare say how he introduced the golems to how he's handling the gargoils

Now it's understandable, the gargoyles are new and the golems are known and familiar

And it was pointed out he has a tendency to use his weapons in such a way that he runs them down as opposed to keeps them in the best condition. the exception being his cooking implements which he treasures immensely which might be due to his own single focus on cooking or the fact that you know they're ancestral keepsakes from the closest thing he has to family and the only property he's probably had most of his life

Which is strike 2 on the whole him just leaving the PAN behind because he's kept it with him for literally decades at this point so it's too heavy that's why I left it seems an odd decision (empty and all carrying make more sense)

Having his knife on hand makes perfect sense because a knife is incredibly practical tool that you can use in a variety of situations that are likely to come up especially in combat exploration or survival situations

To be fair that is a knife that he seems to reserve almost exclusively for elements of cooking or at least did until the dragon situation. So naturally at this time it should be readily available for him. Especially as he's just recommitted himself utterly and completely to the good of the group.

And the previous incident had him more or less coming clean and being more open.

so if the issue is " I don't know how to fight without my normal strength and tools" you think he would express this at some point to his leader so that that way he's prepared or ask what to do next when it comes up.

The implication is when he's been Blunt before yes he is doing so but it's also with an unspoken level of communication based on instruction and cooperation such as the incident with the shiki Gami

There 3 members of the party effectively coordinated an attack that was able to come together. With the implication that if not exactly planned this, he knew how to act in conjunction with his friends

Again all of this disappears when he becomes an elf. he apparently loses all sense of unity with the party that he's remarkably been able to work alongside and definitely has been developing this rapport about

He doesn't communicate critical information that would be relevant to ongoing practical concerns nor is he prepared for a likely upcoming practical concern

And he betrays his own limited Arbitrary but established stubbornness such as With regards to keep sakes or sticking to a certain lifestyle or collection even if it's Deviant from his race or others expectation

Simply put Senshi has been surviving in the dungeon on practical terms for very good reasons for a very long time.

I can understand why for instance he could walk around with a broken axe until he got to the point where he could replace it either from a corpse or earning enough coin to go into town and buy one

I could understand for instance him leaving his equipment in one place and then coming back to it later if believe it's critical for his own safety or recovery

None of these apply here and more importantly the party knowing it's roles and how to be armed and what to expect is absolutely critical. so much so that this first off not being taken care of in a passport or between scene is already a bit dubious. We see scenes of them dressing and of them basically rearranging to the circumstances as they are

For instance it makes sense to me that Marcel fired a magic shot even though she doesn't have as much in the tank. it's established very early on how much she is all about and prides herself on magic as well as can often overlook practical concerns and practice and also the realities of things that she might know intellectually but is unfamiliar with in practice.

That's in fact her very constant gag! Though they definitely find new ways to explore that. just the previous episode, for instance, in terms of making familiars As well as designing how to maximize their use

So she keeps hold of her staff, because that's her item. the only one experienced in order to use it especially now, and she instinctively uses too much magic because that's her first instinct at almost all times but then due to a recent disability she has not adjusted to she's taken out of the fight as a direct result

The same as when lios tires out in mid fight. he's gotten used to the strength. so he naturally assumes that that's going to come with stamina only to realize, especially in a fight, that's not the case. but he's only recently had this body and recently addressed its physical realities and this is the first major physical confrontation he's had.

but note he still has armor and he still has a weapon

Chilchuk - I think this is missing in the actual episode z but he just comments how weird his senses feel and when he sticks to his normal strategy of run like hell and hide in a corner. it doesn't work explicitly because he's so big and probably draws greater agro now or nit used to running in this body with these senses

It also makes sense he doesn't compensate for it. he's been established as someone who doesn't regularly fight. the one skill in fighting he's started to establish as firing arrows. I don't think he actually had the bow and Arrows available. and he was up against Stone monsters this time. so understandably didn't even bother to try. especially in a situation that was unfamiliar to him. he's been established as - I don't want to say cowardly but definitely does not stick his neck out unless he absolutely has to though he will try to save someone if they are in danger **which is something we actually see him do**

Nstsumi has a tendency to go on a bit of a feral attack given Traits of animal instincts as a result of her own modification. Hers is arguably the biggest change but 1, she is less established so there is more leeway. 2, we are literally given a reason for it right when it happens. new animal, new instincts. so she doesn't know how to control or respond to them. So she has to be worked around on that level. It's a major change but it's also a major change that's the focus on the scene and folks working on it

But Senshi's there's this major change but then he says there isn't one which doesn't hold up. To be fair he did do the " stand there and look hot "during a battle one time. specifically the Fallon chimera. but even that 1 kind of made sense, because there were Multiple other fighters and he did have a strategy at hand.

'Appease the leader who was threatening the group by having the meal prepared.' it was a weird strategy but again it falls within the 2 sort of obsessions that he's known for and sticks to stubbornly.

Also the threat before then was that the mixed party would basically start fighting each other and in fact a fight had nearly broken out before the chimera attack and he was already doing that so he just didn't change course in order to attack what was already being addressed or at the very least stay out of the way so that he didn't ruin the one strategy he did have when the very attack ran the risk of reigniting interparty conflict

It was certainly Blunt and stubborn and arbitrary but it wasn't thoughtless or Without group concern.

So yeah I do think the transformation in terms of practical effect had way more of a change than I think even he is willing to admit. To be Fair reading his diary versus watching him in a narrative you get the sense yeah you get inside on what he's thinking but you also realize the way he's thinking doesn't necessarily reflect all that's true even in regard to just himself

As an example, the entire hypogriff soup entry is remarkably very truncated and doesn't explain a lot of what's going on

In fact they're surprisingly amount of stuff he glosses over in terms of what he thinks of as relevant or worth noting or reminding himself about

Which hits at a much more mired or thick headed psyche than one might think as opposed to project a deeper wiser one.

[crossdressingdeath]

I knew it would be risky to give one of the netherstones to that loose catapult Orin, but when I look in her eyes I feel something, though I'm not sure what to call it - and after all, what's the point of a grand alliance of the Dead Three without old Bhaal? I thought I could depend on that aged stump Ketheric, however, it never even occurred to me he could be brought down by a random collection of shabby adventurers. Obviously, possession of the Weapon, but do the vagabonds possess the Weapon or does the Weapon possess them? It's just as the great sages say: a plan will take you only so far, and then you have to fall back on principles. And inasmuch as control is the guiding principle of the committed Banite, it's axiomatic that I must be in control of all three netherstones. The solution is obvious - pit the vagabonds against the loose catapult, and once they bring me the other two netherstones, we'll find suitable positions for them in the new order to follow. Not the illithids' Grand Design, of course, but the Golden Reign of Gortash. Yes, that has a nice ring to it. Then we shall deal with our naughty Absolute brain and its growing propensity to throw petulant psionic tantrums. It's no accident that I chose to place it in a domed cavern beneath the Upper City - the location is perfectly formed to concentrate the psychic force of the netherstones, concentrate it to such a degree that not even our Netherese-enhanced brain will be able to resist my commands. Once I control all three netherstones, naturally, and the sooner the better.

I can only assume this was written in the period between Ketheric's death and the start of act 3 cutscene where Orin reveals that Durge survived and is leading the "shabby vagabonds" who brought him down. I don't think Gortash would've been so dismissive in his writing if he knew his favourite assassin was on their way. Also, he clearly doesn't yet know about how one person alone can't control the brain. It's interesting seeing him talking about how he does in fact intend to stab his remaining ally in the back so that he could control all three Netherstones and the brain when he seems to have genuinely intended to rule with Durge (at least given him being genuine when he re-offers an alliance at the coronation).

It's fascinating seeing Gortash's response to the alliance with Orin as Bhaal's representative versus his response to having Durge as Bhaal's representative. Like... the alliance only exists because he really really liked Bhaal's Chosen. Having him now kind of lightly complaining about having to include Bhaal and talking about how he thought he could rely on Ketheric is absolutely bizarre when you know that all evidence suggests that he had to be forced into letting Ketheric into the alliance because he was entirely happy with it just being him and Durge. The tone of this also doesn't match with how pleased with their partnership he is when he's telling Durge about their plan. Maybe I just have Durgetash brainrot, but it really does feel like some of the spark went out of the whole thing for him once he wasn't going to be ruling with Durge.

Interesting that he seems to have always intended to uphold any bargain he made with the party, even before he realized he'd need at least one co-ruler to keep the elder brain under control. He wasn't going to rule with them, but he wasn't going to kill them either. It's also still very funny that he dropped the elder brain in a place accessed from right beside the Temple of Bhaal while grumbling about not being able to find the temple. And I love him calling Orin a loose catapult, because obviously cannons haven't been invented yet. The etymology doesn't really work (the phrase "loose cannon" refers to a cannon that's come untied and is now rolling around the deck potentially crushing people and breaking shit, which doesn't really happen with catapults), but it's still fun.