#and analysis is always useful

[rainbow-sunshine-unicorn]

Deeply obsessed with how Anthony Bridgerton will do anything and everything for the vibes, the ambience and to set the mood for his wife

Why did he lift Kate up halfway to the ceiling just to simply set her down on the desk? THE MOOD, THE AMBIENCE, THE VIBES

Why did he scatter the papers after setting her down as opposed to clearing the desk beforehand? THE MOOD, THE AMBIENCE, THE VIBES

Because of course scattered papers are an essential aspect to heir-making on a desk!!!

[justactgaussian]

This is how I was taught epsilon-delta proofs

[afflatusssss]

It was the weight of guilt that sent Icarus crashing down a second time; he wondered if he was always destined to be punished for loving something brighter than himself, even in death.

[starcurtain]

Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.

It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?

(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)

As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:

First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.

Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.

Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.

And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.

Regarding your other question, about whether I think Aventurine sleeps around to make deals...

I definitely think he does not, for one major reason.

First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.

We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.

It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.

The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:

For one, he has some of the most closed off body language of any character in the game.

Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.

Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.

This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):

Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.

I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!

We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:

Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.

However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.

While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."

And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!

This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...

And then in just about every other conversation too:

The bubble is twenty feet in every direction.

Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.

Leaving space for Gaiathra, I guess.

And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.

In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.

It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.

The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).

And ummmm, just a tiny aside here because I can't resist:

This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.

Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.

But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.

Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.

Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.

To me, he reads very much as "You may look, but you may not touch."

[starry-bi-sky]

Who is the more well-adjusted twin; Damian, or Danyal? Why, it's Damian, of course!

And I have an explanation for this! But first I wanna preface this that this is just me like, rambling about this thought I have and it's not an attack on the trope as a whole. I love the Danyal Al Ghul au which is why i'm so deeply passionate about it, because I think it has a lot of potential to be explored. It's no secret that I've mentioned before that I think Danny's psychological development tends to get overlooked and underutilized in DAG aus, and the impact that growing up in an assassin league often goes ignored. This is just me further expanding on that.

Now lets set the stage! This is specifically for Danny who is adopted by the Fentons later down in life. Lets go twin au. At 10 years old, Damian goes to the Wayne Family, Danny is adopted by the Fentons (regardless of their affiliation with the League). By 14 years old, who ends up the better adjusted, more socially aware, spiritually in-tune with themselves, sibling? Why, Damian is! Why is that?

Because he has the actual support he needs compared to Danny. And I'm not talking about good or bad parents Fentons, because either way my opinion doesn't change. Damian would end up the better off twin, because, frankly, his family knows his background. They know he grew up in the League, they know what the League's teachings are, and they know he's a born and raised assassin. Knowing this, they can then help tackle and dismantle the teachings and lessons he has been given and ingrained into by the League. They may be a dysfunctional family, but they're functional enough to at least actively help deprogram all of the League's teachings that have been ingrained in Damian throughout his childhood.

Can't say the same for Danny.

Lets say Fentons here don't know his background -- and even if they do, the results may just stay the same if they play their cards wrong, -- Danny's now just been thrown into the deep end of a pool and is essentially being told sink or swim. Regardless of how he got there -- undercover, faked death, etc -- he has no proper support. He knows the League is meant to be secret, he's not gonna speak on it for various reasons. Whether it be some still lingering loyalty, fear of harm, or whatever. Whatever the reason is, he does not have a proper support system in the Fentons, no matter how nice they are. They can only tackle the surface level stuff and whatever Danny allows them to see -- if Danny ever lets them see it at all. For what do assassins do when they don't want to be caught? They hide. Sometimes in plain sight.

"But Jazz--" Jazz is a child. She is 2 years older than Danyal and no better at giving him a proper support system than the two adult Fenton parents, even with parentification. We don't know when she got into psychology or how long she'd been studying it by the time Danny's 14. We just know she's really into it. Even then, Jazz is not a licensed or reliable therapist, or even an experienced or implied good therapist, and should not be used as one either. It's a disservice to her character to reduce her down to 'supporting female emotional crutch'. Besides, therapy only works on people who want to get better. Danny, who'd be hiding who he really is, has very little incentive to want to, or to even think something is wrong with his way of thinking, even with exposure to the outside world.

When people's beliefs are outright challenged, they tend to double down on them, and Jazz canonically has a habit of psychoanalyzing her family and declaring what she thinks is the problem -- regardless of whether or not she's right about it. Jazz would get into psychology, try and psychoanalyze Danny, and all it would do is cause him to clam up, shut into himself further, and throw up even more walls so that she can't figure out that he has been lying this whole time. It would do more harm than good, and would actively hinder any progress he'd make in trying to open up to them. Roads and good intentions and all that.

That being said, I think Danny's development and dismantling of the League's teachings would be slower than Damian's. Much slower. Because he would be the one having to pick apart everything and figure out what is right, what is wrong, what he wants to keep, and what he wants to toss. Everything he unlearns would be stuff he has to unlearn himself. If he even gets to that point at all -- depending on his experiences, he very well could not change at all, or change very little. The League acts as a purge for humanity, meant to reign in their hubris and retain balance, they just also happen to be assassins for hire. Danny's time spent in Amity Park could as well strengthen his belief in their teachings just as much as it could weaken it, especially if it goes as canon and he gets bullied.

Regardless, being tossed to a civilian family as someone who is very much not a civilian, without any support, would be actively detrimental to Danny's overall mental health and development. Especially to strangers like the Fentons. Damian was closed off and standoffish even with blood family, and it took him time to open up to them -- Danny, with the Fentons, would be even more so. He doesn't know them, he doesn't trust them, he has no rhyme or reason to open up to them, and since the Fentons don't actually know him, they can't help him the way he needs. Once "Danny Fenton" is made, he has even less reason to open up. So long as Danyal allows it, they will only ever know Danny, and they'll never know Danyal.

TL:DR the Fentons aren't the better family option just because they're civilians, and actually that makes them the worser option between the two because they can't give Danny the proper support he needs. You can lead a horse to water, but you can't make it drink.

[iwritenarrativesandstuff]

This entire scene emotionally destroyed me but there's one part in particular that was like taking a knife to an already open wound.

So, Gon shuts down after the reveal that Kite was dead all along and his stunned and racing mind is disjointed and contradictory. Most of his statements fit into roughly three categories of desperate thoughts:

Vehement inability to process that Kite is dead. From the statement being repeated multiple times to the amount of "no"s everywhere on these pages.

Taking the blame for Kite's death, in a frankly horrifying show of self-hatred (especially given the context of what comes next).

Blaming Pitou and proclaiming that he "didn't do it" in an attempt to absolve the weight of his guilt.

Heartbreaking. But there's one thought here that's a bit different.

Throughout all of this, Gon has been adamant that Kite, and by extension the situation, can be "fixed" - after all, most every issue that's come up before on his adventures could be resolved nicely. But now, suddenly, it can't. Gon can't stand feeling powerless or helpless, and now he finds himself more helpless than he's ever been. And we get this.

"Somebody help me."

Gon is independent. Gon has a burning need to prove his worth through his own strength. Gon has a bad habit of equating "taking responsibility" with fixing things all by himself and rejecting help from others.

Gon has never pleaded for someone to save him before.

And it's just. Holy shit. Holy shit - he's a kid. He's just a kid. And in just a few pages, he's going to make a despair-fueled decision to throw away his life just to regain any semblance of power over a situation that was doomed to be unfixable from the start. He says, "Let it end. I don't care what happens to me now.", because this is the only way he can think of to make his pain and his guilt and Pitou all just stop, by losing himself to all of his power instead of his grief.

[mikuyuuss]

Mitsuri's weirdness is slept on me thinks. It's true that Mitsuri sorta represents normalcy in kny's bleak setting, despite being seen as unusual over something she can't control, but still, she's a weirdo <3 (affectionate) Maybe people forget that Mitsuri is weird because she doesn't have deceased parents (therefore isn't as unhinged as the other characters) and is girly(?) so surely, she must like normal girly things like makeup and shopping. I mean true! I'm sure she enjoys those, but I don’t think those are the only things she would like. (besides food ofc) Mitsuri is depicted as so stereotypically girly that it is unconventional in itself. She made the boys wear LEOTARDS in the hashira training arc. She's weird in a childish whimsey sort of way.

Mitsuri is a fangirl. She gushes over her colleagues at the most inappropriate times, but she compliments the things that are unconventional, like Sanemi's scars, Giyuu being quiet, or Obanai being snakey. (whatever that means)

Ya girl is also so obsessed with cats that her breathing style techniques are named after cats?? Complete with meowing sound effects too. Cat Love shower hello?!??.

Also I feel that aside from normal girly things, Mitsuri would LOVE magical girl things like sailor moon. There's so much magical girl motifs to her. She is like obsessed with cute things that her breathing in itself is super colorful and shiny, with bubbles and glitters. She also does a lot of unnecessary backflips, because she's just that. Extra.

She even has little hearts on her tsuka! Everyone else is regular looking or plain. I think she's the only one with that kind of design on her katana.

And I don't think these are a coincidence. Even in extra materials she literally has a ridiculous yet adorable OC named Big Hand Cat.

Look at her dragon even! Its so silly and whimsy I love it. It's like her cat oc in dragon form, complete with the big anime eyes. Again, Mitsuri would soooo love anime.

She even made a manga where the characters are based on FOOD

In short, Mitsuri is equivalent to THAT weird art kid. She's a weirdo let her be weird. 🩷

[shikai-the-storyteller]

I've been thinking a lot about Leonarda's not-death ever since it happened back in April.

("What death?" you might ask, to which I say: "EXACTLY!")

Back in mid-April, Vegetta and Leonarda were mining together in a one-block wide tunnel. A mob (a Petriman) got between the two of them, and Vegetta told Leonarda to step back while he took care of it. At this point, they'd spent enough time together that he trusted Leo to listen to him.

Instead, she was killed by the same sweeping edge bug that killed her siblings.

-

Vegetta's reaction here is what's really interesting to me. Unlike most other parents on the Island, there are no shouts or tears – only a very brief "Hmm" and then silence. He very quietly takes stock of the situation, saying "Vegetta, no" and wondering aloud why Leo didn't defend herself. In chat, Foolish says "It was a bug, right? LAG" to which Vegetta slowly responds "Yes, lag. Bug." (Despite this, Foolish still asks "WHAT HAPPENED" in chat, though Vegetta doesn't reply).

Instead, he creates a slightly wider space in the tunnel where Leo's body is. He continues quietly taking stock of the situation, wondering why Leo didn't defend herself (which is what necessitated his intervention). She'd been lagging a lot that day, and he figures that must be the cause, and eventually when Leo re-appears out of thin air in the middle of the cave and collects her stuff, she confirms that the lag got to her and that's why she didn't fight the mob.

Now here's where things get interesting:

Vegetta checks the tab list. Online, it's just him, Leonarda, Roier, and Foolish. He quietly tells Leonarda "The body has already disappeared, and without a body, there is no crime. Nothing is happening. Did you die?" Leo shakes her head, and Vegetta shakes his head too, and in the kind voice he uses sometimes with Leo, he says: "I believe you have not died. Where is the body? It isn't anywhere, no mija. If it was a mistake, it was a mistake."

Leo says: "I saw Diosito (God) pa, and I was scared. God, what am I doing here?" and Vegetta laughs, telling her it's alright. Leo says "No pasa nada (don't worry / nothing happened)" and Vegetta says: "And the people who are watching us have not seen it either." To Foolish and Roier, he messages: "Secreto."

And the funniest thing about this is it worked.

Not a single person spoke about it. I saw this entire event go down live and I didn't see a WHISPER of what transpired among fans. I can't even remember if the QSMP official accounts talked about it (they sure didn't mention it in Vegetta's recap of the day). We could discuss this in meta terms of course– Leo was having known lag issues that day, Vegetta's beloved by the admins so of course they're willing to turn a blind eye rather than slap a "?" over Leonarda's life on the Eggstatistics, but meta talk isn't what I'm interested in here.

I'm interested in q!Vegetta, the weird "god-adjacent" aura he's got, and the way the universe bends to his will.

Before he took a break from the server, Rubius seemed to be a caretaker for the Eggs who died (for example, he was present when Maxo, Quackity, and Mariana & Slime said their final goodbyes to Trumpet, Tilin, and JuanaFlippa). Because of his role as an "angel" and some of his dialogue during the early days of the server, it's not a stretch to say he probably came to collect any Egg who lost a life. I can imagine he did the same when he saw Leonarda die – that is, until Vegetta said "And the people who are watching us have not seen it either." Realistically, we know Vegetta was saying this to Chat (and possibly the admins as well), but again, we're looking at this from an "in-universe" perspective.

I wonder if Vegetta was aware of Rubius' role, and this was his way of telling Rubius "No. I won't allow that to happen." We know Rubius has a soft-spot for Vegetta (and we also know that Rubius was cast out of heaven several months later) so it makes me wonder if these two instances are connected.

Either way, this isn't the first time the laws of the QSMP universe have bent for Vegetta, and I certainly don't think it'll be the last.

Rubius or no, Leo didn't die that day.

Vegetta made sure of it.

[blanceyblance]

Lance is such an interesting character to me in part because of how the narrative wants to portray him to the point it becomes contradictory.

His "arc" is supposed to be "cocky and immature teenager grows from his need for glory into a reliable team member"

And he does! He becomes Keith's right hand man, taking charge in battle, covering the team's backs and becoming an emotional support for other members when the time was needed.

But he is also a Comedic Relief™

Other characters have comedic relief moments too, like Hunk's love for food, Pidge's excitement about tech, Keith being socially awkward, etc.

And as aggravating as Hunk's fat jokes can be they don't contradict the fact that he is a brilliant engineer and became a brave paladin. Keith's social awkwardness doesn't contradict the fact that he became a capable leader.

But then you have Pidge and Hunk, making fun of Lance being "naturally dumb", and then a space deity calling him "the dumb one"one moment then following Lance's orders in battle and having him give emotional speeches to others the other.

The writers want us to take him seriously and see he is growing only to make fun of him when its needed for a laugh.

I feel the episode The Grudge is a good example of this:

Lance finds a way to find where they left their Lions.

Hunk and Allura seem impressed but Pidge dismisses it.

That would be the end of it until later when Veronica is talking with "Keith" (actually a hacker pretending to be him) and the says "Lance has it figured out", Veronica then in a sarcastic way says "Lance, the navigation genius".

Keith agrees and that's what clues them about something being wrong.

Is it a joke about Keith being openly nice to Lance? A joke about Lance's navigation skills?

Either way, the joke is at his expense, even when early in the episode we see him actually suggesting a way to correctly navigate.

In the end what I'm trying to say is, that the writers want to have their cake and eat it too. Showing Lance growing and being capable but also making fun of him and not really having that much respect for his character.

[kismet-cat]

you ever think about how sissel spends three chapters of the game back to back trying to save two deeply depressed guys with zero self-esteem? how he sees right through jowd's insincere self-pitying apologies; and how he's so promptly over the justice minister's disguised negative self-talk, eventually trying to set him on a better path by telling him to not go so hard on himself?

with hindsight, i'm surprised sissel never comments on it all feeling... familiar.

[m4rs-ex3]

"cause i know you, rayla" i am short-circuiting. yk i assumed if he ever brought the whole issue up, it would be because he was brought to his limit watching her hurt herself, that he would be filled with anguish. and yet here we are: it's just something that he knows, and he's always known it, and KNOWS. HER GODDAMMIT. he knows that this is just how she is, and that it's a part of her, and he loves every part of her, so he's content to simply give her everything she won't give herself, whenever possible. he doesn't bother with telling her to "just do better" when he could just show her what that looks like, and let her be better for herself, and make sure she knows that he will always be there to take her by the hand--literally (placing her hand on the corona, and all). the development from arc 1 is insane--"then you don't know me at all" -> now this--and it makes me so happy to see that he's not just "forgiving" rayla for "what she's done," but actively correcting the mistakes that he made back then, too. all the while encouraging her to do the same with nothing but love and consideration. i'm ok i swear

[inhuman-obey-me]

The Authoritarianism of "Father's" Celestial Realm (NB Season 2)

OKAY, life got crazy for a while, but we're finally all caught up on Nightbringer's main story, and PHEW we've got some things to talk about. So let's dive right in, starting with one of our favorite topics:

God and the Celestial Realm actually kinda suck in the OM universe!!!

(spoilers up to NB lesson 38!)

Now, this been a consistent pattern for most of OM's story and lore, but we're going to be focusing here mostly on Lessons 37 and 38 in particular this time, because they had a lot to talk about in that regard.

In Lesson 37, we are introduced to the underworld, specifically Cocytus at the very bottom layer of it.

One interesting note, however, is that this region is territory of the Celestial Realm, despite it being geographically in the Devildom, and the Celestial Realm is the one that doles out punishments relating to it -- usually. We'll dive more into that whole conspiracy in another post, but it's certainly an interesting geopolitical fact of the Three Realms.

As for the underworld itself, the idea of multiple layers of hell is a common one which originates from Dante's Inferno, the first section of the Divine Comedy, and we see that Cocytus here is taken pretty directly from that as well. Just like Dante describes in the Divine Comedy, Simeon informs us that there are four regions that make up Cocytus, made up of four concentric circles of growing intensity according to their corresponding offenses. Specifically, each layer of Cocytus is related to a type of betrayal: of family, of homeland, of guests, and finally, as the very worst type of betrayal, of "him".

The design of that is immediately very telling about how the Celestial Realm views these offenses. Other offenses may land a person in the underworld in general, but these specific types of betrayal are the worst. And among those worsts, betraying God is the ultimate offense, absolutely beyond anything else one could ever do.

Now, these levels of Cocytus almost directly match Dante's Inferno take on them -- with one major, interesting distinction. In the Divine Comedy, Judecca is for "traitors to masters and benefactors." In OM, it is traitors to "him." Considering that the rest of the levels are a direct match, this suggests that, in OM, their father is the master who must never be betrayed.

And as Mammon notes, that's exactly what our beloved demon brothers did, with Lucifer in the lead.

That brings us to the present situation, with Lucifer chained and suffering at the very center of the bottom of the underworld. The worst of the worst offenders.

Simeon, Luke, and MC arrive to find Lucifer in a screaming rage, noting that same fact. Lucifer is in such pain and rage that he's creating dangerously massive gusts of wind, and as he worries about MC and then his brothers, it only gets worse. Suddenly, Raphael appears to read Lucifer his charges. And then, we get this conversation:

There's a lot going on there, but to go piece by piece, Luke is obviously distraught upon hearing the brothers' decreed fate. He wants to protest it and argue against it. Simeon stops him because Luke absolutely must not say another word -- as a reminder, arguing against Lilith's punishment was the catalyst for the whole rebellion that ensued, which is the entire reason Lucifer is being punished like this now!

Simeon, however, has recently been demoted. We know he was a seraph at the time of the rebellion; the official Nightbringer website specifies that he was demoted for "covering for" the brothers, though we don't know the specifics of what happened there. Simeon has always been a little daring on speaking truth to power, and considering he's already been demoted, it seems he's willing to take the potential consequence of speaking up again here. So he does, expressing his questions and concerns about the whole situation going on. And, finally, he calls out Raphael on also feeling the same as he and Luke both do.

It is perhaps the most telling moment we've gotten to date of how Raphael has felt about this whole civil war between the angels. In the past, he's been fairly consistently strict about the Celestial Realm's rules, which essentially boil down to always obeying their father, and Michael by extension. And he holds himself to basically the same standards, obediently doing whatever Michael tells him to even as he's disgruntled or frustrated by the myriad requests. But when it comes to seeing Lucifer punished this way, he can't accept it either. It's wrong, and he knows it.

But he can't question decisions that come from on high. Even doubting is considered wrong.

We've heard the same from Lucifer once before -- that he questioned one who was never to be questioned. That is what he has been punished for.

This is the reason Luke must not speak up. This is the reason Raphael is crying. And it's the reason for Lucifer's current punishment. Simeon, Lucifer, and Raphael all know it implicitly -- what comes from on high is absolute. Questioning is unacceptable. Doubts are unacceptable. And rebellion is unacceptable -- the absolute worst thing that someone can do.

Anyway, now throw all that out though, because apparently Lesson 38 wants to attempt to bring us to a completely different conclusion!

Let's be honest here -- OM is a bit jumpy on its writing sometimes, and sometimes makes wild left turns. But we ended Lesson 37 feeling pretty excited because it's revisiting a common theme we've had hinted at throughout both games about what kind of leader their father is and what kind of place the Celestial Realm really is under him. And what we've seen, generally, is this: it is a very strict place, unforgiving of those who step out of line, where their father's word is absolute, and even feeling doubt is a grave offense. We even know that Simeon's greatest fear is their father!

So imagine our shock and disappointment when Lesson 38 suddenly decides that, no, actually, this punishment and everything else is actually God's love for them. What?!

New theory: exactly one person on OM's writing team is actually super religious and keeps trying to make this game about dating demons into a message that God is good. These lessons were not written by the same person.

Lesson 38 starts with a rather chaotic scene -- Lucifer has broken free of his chains and is lashing out in rage and despair, not thinking straight. Diavolo makes his appearance and tries to subdue Lucifer, though the two end up going into an all-out brawl as Lucifer lashes out at Diavolo as well. MC eventually intervenes and the brothers show up to protect MC from both Lucifer's and Diavolo's attacks. Lucifer is taken aback seeing that his brothers are all okay and present in front of him, and as MC approaches him to further calm him down, the Ring of Light glows and Lucifer momentarily transforms into his angel form, inspiring awe from everyone around at the sight of the Morning Star once more.

Earlier, Lucifer was begging to be shown some kind of sign from his father, of what it was that he wanted from him. Simeon comments that this might be Father answering that call for a sign -- a sign of his love. Lucifer seems to accept this, though with some bewilderment. But we have Lucifer straight up tell MC later in the lesson that he "must have forgotten" that Father loved them all along! That all he ever did was give, and never ask for anything in return!

Except for blind, unwavering loyalty. Something that Lucifer has actually forgotten about in this moment.

For that matter, why does Simeon automatically assume it's this grand sign of their father's love?! He himself just stated his own doubts and called Raphael out on his.

It's a huge 180 that gave us some intense whiplash for sure. But this isn't the first time we've seen that more religious trauma view from Simeon; we've seen it before in OG season 4, where he has obviously been deeply affected by being demoted out of being an angel altogether but tries to reassure himself that their father does everything for a reason, "even this."

However, even aside from the very sudden turnaround, this explanation leaves a lot to be desired, because it doesn't actually answer anything!!!

We just got told that Raphael was crying from the cognitive dissonance of obeying orders to read the charges against Lucifer while feeling deep down in his heart of hearts that this is wrong. Luke has been stopped from saying anything that could be construed as going against their father! Even harboring doubts is wrong, but somehow we are supposed to suddenly believe that it's because their father loves them?

If that's God's love, it's sure sounding like God is an abusive helicopter parent, because that's not a healthy loving relationship.

Think about it -- this is a scene of punishment. Lucifer isn't just chilling down here for fun; he is actively in pain when we find him, and it only escalates his torment at the thought that his brothers are being punished similarly. And even as we are told that Little D. No. 1 couldn't take material form because their father "just loved them so much," is it really a healthy form of so-called love to hold on to a piece of Lucifer's soul without his knowledge, even after casting him out?! We wouldn't say that a parent who throws their own child out to be homeless while keeping their old room intact is a good, loving parent; why should we think this is any different?

Plus, this is the case for Lucifer -- but what about the other brothers? Though they all managed to get free, Cocytus itself seemed prepared to punish each of them for their various transgressions, and as Mammon points out, all of them were guilty of treason against their father. Yet, it's only Lucifer whose Little D. was never able to take form. It is Lucifer specifically who is targeted for this Cocytus punishment, and the others would likely have been left alone if not for the fact that they came to save him. Lucifer is the one who, for that one moment, regains his angel form.

And what does this mean, if this is God letting go of the last of his grip on Lucifer? That he still loved his favorite son but is casting him away for real now? We know Lucifer has said that God would never forgive him in particular, and though he's been accused of just being stubborn himself (and make no mistake, Lucifer certainly is also stubborn too), it does seem in line with everything else we've been shown about their father. Does this mean that their father no longer loves Lucifer, from this specific point onwards?

And, if their father loves them so much -- then why did they need to rebel for Lilith's sake? The implication here is truly bizarre: their father was going to obliterate Lilith entirely from all existence so that not even her soul would remain, but he also just loves Lucifer so much, but is also so authoritarian that Lucifer trying to talk it out with him was met with a complete shutdown so that Lucifer felt he had no other choice but to start the war. Of course, conveniently, this lesson also just chooses to completely disregard the whole Lilith thing, both her existence at all alongside the brothers before the war and her punishment, so apparently none of that matters!

It's completely out of line with the rest of everything we've ever really been told about the Celestial Realm, and frankly, we don't like or accept it. This so-called love that's suddenly used as the explanation in Lesson 38 isn't a true or healthy kind of love, and we don't want it.

So in conclusion: God is gaslighting us but he really does totally actually suck. We're just supposed to suddenly believe now, out of nowhere, that he doesn't. But he definitely, really does.

Anyway so, Lesson 37 is 10/10 and 38 is -10/10, would not read again. Merry Crisis!

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[juniperpyre]

i think my key issue with the sanitization of death eater characters is that it feels like people do not see their stories as tragic or empathize with the characters until we have a hc that's like "actually they were morally good the whole time!"

regulus black and severus snape are tragic characters and child soldiers no matter what side they were "really" on. even barty crouch jr, who may not have been groomed into being a death eater, is tragic when you spend a second to consider his relationship with his father. there are plenty of death eaters who we know are taking after their fathers in joining the cult. lucius malfoy, who was a prefect when the marauders enter hogwarts, most likely spread the death eater ideology, since the ideology is just a more extreme version/logical endpoint of what already existed in the wizarding world.

to me, these ideas are not headcanons, because they are heavily implied by the text. when jkr mentions malfoy in the deathly hallows that is not for no reason.

mallfoy's acceptance of snape and position of power are both highlighted in this sentence. we can infer that snape felt a sense of community for the first time in Slytherin. with malfoy as a prefect we can infer that the culture of Slytherin house lifted up bigots and those with an important family name.

this is a culture that breeds more bigotry. we know that Dumbledore did not step in to stop this cultural development in the 90s, after already seeing what it could do!!! so we can infer that he did not in the 70s. so a bunch of children were left alone in an echo chamber of hate. of course some of them became fanatics!!!

this doesn't mean they shouldn't be held accountable. but we cannot expect children to overcome cultural and political hegemony all alone. like.... that's just not how the world works. and it's tragic that children are fodder for fascist's wars, especially when the fact that the children were abused or neglected makes them more vulnerable to be fodder.

regulus and severus weren't treated as people, their humanity was denied by the fascist they served, bc that's how fascism works. exploring their characters as they are in canon, with full humanity, without needing to change their stories to see that humanity, is much more interesting to me. it is much more in the spirit of redemption and restoration.

[stop-breaking-my-heart-telltale]

What can I say? They're my favorite.