#and also paint

[spec-tralarts]

occasionally i am known to draw

[windwenn]

‘You were my new dream’ or however the fuck that scene went

[lylahammar]

My take on unicorns! I'd really love to make a mythical creature field guide someday, since the Spiderwick Field Guide is what inspired me to start drawing in the first place 🥰

[doesephs]

win for traumatised individuals! local eldritch horror is here to rip it all out free of charge

[otselotus]

"We can hear you too, you know?" Wild life spoilers kinda Not really

[nouverx]

Arcane season 2 ending made me too sad so yk what, everything is fine actually, Viktor is now a teacher at the Academy and he mentors young Zaunite students. That's how I choose to cope.

[hollisartsblog]

guess who rewatched across the spideverse🫡

[renzypretzy]

scar lored then i got possessed

[eydilily]

you just got to survive

[fogmoo]

Lamb to the slaughter

[maybeits-nana]

Soulaani Miku for the culture ‼️‼️🖤❤️⚜️

[bowl-o-nudel]

Man can't enjoy nothing without that damn nosey jealous bitch ruining it 🙄

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[possessedpasm]

Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.

This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)

If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!

Misprints can really reveal what colors were used and where, I love misprints...

Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!

You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!

Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!

[nipuni]

the snake of eden 🥰

[sermna]

they abandoned it for a reason.

I have this recurring dream where I'm in a bathroom or locker room with a nonsensical layout and dark, green tiles. There's not blood or a figure, just this idea that I need to leave now or I might never leave at all. There are no posters, no personal belongings, nothing but smooth tile and a horrible sense of dread. The corners are dark. Something is on its way.