#and also paint
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spec-tralarts 1 year ago
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occasionally i am known to draw
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lylahammar 5 months ago
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My take on unicorns! I'd really love to make a mythical creature field guide someday, since the Spiderwick Field Guide is what inspired me to start drawing in the first place 馃グ
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saracastically 1 year ago
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now she鈥檚 all ready for spooky season鈥攁re you? 馃寱馃惡
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cozylittleartblog 7 months ago
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i dont know how to explain it but joining extremely small fandoms with only a few people in them feels like this
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fogmoo 8 months ago
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Lamb to the slaughter
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maybeits-nana 3 months ago
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Soulaani Miku for the culture 鈥硷笍鈥硷笍馃枻鉂わ笍鈿滐笍
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doesephs 12 days ago
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win for traumatised individuals! local eldritch horror is here to rip it all out free of charge
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hollisartsblog 1 month ago
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guess who rewatched across the spideverse馃
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bowl-o-nudel 3 months ago
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Man can't enjoy nothing without that damn nosey jealous bitch ruining it 馃檮
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cryptocism 5 months ago
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"just as I did, in 1983."
you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable
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possessedpasm 1 year ago
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 馃憠)
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If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
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Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
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You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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eydilily 5 days ago
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you just got to survive
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nipuni 1 year ago
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the snake of eden 馃グ
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sermna 6 months ago
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they abandoned it for a reason.
I have this recurring dream where I'm in a bathroom or locker room with a nonsensical layout and dark, green tiles. There's not blood or a figure, just this idea that I need to leave now or I might never leave at all. There are no posters, no personal belongings, nothing but smooth tile and a horrible sense of dread. The corners are dark. Something is on its way.
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ciearcab 7 months ago
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gouache falin
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chimchiri 1 month ago
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gideon & harrow OR rd and sf as cowboys please please please
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It's the cowgirl necro and her gunslinger cav! Who is so damn extra she's got three guns: one left, one right, and one in pole position! (She swears the ladies love it!)
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