#and a lot of rage

[pierrelucdisaster]

I don't think they should play a third period, I think we should put this team down

[spacedace]

You ever think Dick overhears someone say Jason was the most violent Robin and just gets so mad about it?

And it's not even about like, defending Jason's honor or anything. It's purely because he's just so incredibly insulted that people somehow forgot how much of an unhinged ball of rage he was as a child.

Like I'm imagining him storming into the cave and yanking on his now way too small Robin costume and muttering angrily about I'll show you the angriest Robin

Barbara is facepalming about all the nonsense that's about to pop off that inevitably she's gonna have to clean up. Bruce just starts sweating profusely and desperately trying to talk Dick down because he suddenly remembers that time Dick kicked a criminal so hard they ended up in a coma for a week and smiled so brightly while doing it that the other goons there at the time just chose to jump off a three story building into the suspect sludge that filled Gotham harbor rather than face the unhinged ten year old on bright colors and pixie boots.

Duke: But wasn't Dick the nice one?

Tim, who idolized Dick Grayson's Robin like his own chaotic god: Don't ever insult my favorite Robin that way again. Here are my top thirty photos of him reigning deranged chaotic violence upon his enemies. I'd show you more but this album just has the photos from the first month I started following him and Batman around.

Jason: The hundreds of dead assassins and all the shit I've heard about you and Young Justice suddenly make a lot more sense

[achillesbeloathed]

Such an underrated Achilles moment is him cutting off his hair to place in Patroclus' hands before lighting his funeral pyre. Like, listen listen listen, the main reason our boy grew his hair long at all is because his father promised it to the river-god Spercheus upon his safe return home. Please. Peleus promised to sacrifice his son's beautiful hair in exchange for his beautiful son's homecoming. And Achilles, fucking Achilles (beloved/beloathed), cuts it all off to give to Patroclus on his final journey, because he knows, he knows, the river-god won't fulfill his father's request. Because Achilles won't let him. Because in that moment, Achilles already knows he won't be coming home.

[cry-ptidd]

” Am I not right to weep? O my children, cursed children of a hateful mother - ”

[poorly-drawn-mdzs]

You made her cry, time to die.

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[dootznbootz]

Penelope is also Athena's pet/blorbo/special little mortal/etc. and if you think otherwise you're straight up wrong.

You're also wrong if you think Athena only likes Penelope because of Odysseus and/or Telemachus. As if Athena didn't see a young Penelope pull some shit and immediately think "Oh! Another mind to mold! C'mere you! Let's do some riddles and weaving!". Athena was happy that two of her favorite pets have met and fell in love!

[technically-human]

Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...

Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...

Part one

[riggerbison]

"no wonder he always seems dead set on killing me."

[not-quite-so-intrepid-hero]

aelwyn is the cunty neurodivergent rep we need. the look on her face when kristen is actually upset/hurt and she immediately backtracks- oh shit, i thought we were playing! we were joking! don’t friends bully each other? how else is affection expressed but through violence?

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[wolfsong-the-bloody-beast]

Navigating a Fade manifestation of Lucanis' PTSD as the underwater prison he was held and tortured in, to help him start dismantling his fears, begin healing and also accepting Spite, to help them both stop fighting for control, is certainly not on the list of things I expected from this game, but I'm so in love with it.

Even before that, you just know that Lucanis is not alright. He can't possibly be. He doesn't talk about it much, but who would be after the experiences he's had? And there are signs all over the place. I mean, he keeps hiding in the closed space of the pantry like a feral cat under a couch, and likely not just because of Spite, for example. But he keeps it all in, just like he keeps Spite in. Or out, even, in this case. But you also know that he can't go on like that forever.

And now, Lucanis has finally hit the wall. Thankfully, Spite knows what to do. So, he briefly takes the steering wheel. "Help us." ("He'll listen! He always listens to you!" I feel totally normal about knowing this, thanks, Spite.)

Just... the doors of Lucanis' mental prison opening for Rook by themselves as they gently talk down each manifestation of Lucanis' fears and doubts as a metaphor for Lucanis letting Rook in and letting himself be vulnerable with them is just 👌 Delightful. We don't break a single lock. He opens himself up to us.

And it doesn't magically solve all his problems and restore his mental health, of course, but it's a promising start. I like how the game acknowledges this. Rook is there for him, easing some of the worst thoughts, lending him perspective that he lacks because his mental downwards spiral is so thoroughly suffocating at that point. They're helping him start somewhere. Of course, helping Lucanis reach an understanding with Spite, thus helping him end the constant and surely stressful and exhausting battle over his own body there and then, showing him that Rook accepts and cares about him the way he is, so he can start accepting himself that way, goes a long way. It doesn't fix everything, but it's an important breakthrough.

The way Lucanis looks at Rook afterwards, when Teia asks them if they're alright? Also great. 👌

Though I think Rook should be able to hold Lucanis for at least like 300 hours afterwards, because that's approximately the amount of time I need to cry about it - the whole thing, Lucanis' dynamic with Rook, and Spite's trust for Rook and his willingness to play nice despite having been ignored and pushed away for so long.

Actually, poor Spite doesn't get enough credit for all that. He really goes, "Fuck, if he's not going let me in or go to Rook for help, I'm going to pull them into the deepest crevices of his psyche, so they can see the mess for themselves," and improves the situation for himself, Lucanis, and his budding relationship. Good job, Spite!

[xxplastic-cubexx]

apocalypse doodlings aka We Couldve Had Grey Hair Erik And Charles Is There Too I Guess

[canisalbus]

Some more of these. A little angrier this time.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[cubbihue]

Although Fairies appear humanoid in nature, they actually have a more pure form unseen by the naked eye. This is because Humans lack the ability to perceive anything beyond the fourth dimension. Given enough magic, a Fairy can manifest their true form onto all planes of existence.

This is usually not recommended, as seeing a Fairy's purest form can cause madness. A Fairy should only use their pure form when necessary, such as containing uncontrollable wishes, or high quantities of magic. Especially since there's heavy drawbacks and sacrifices to manifesting one's pure form.

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