could you write rhea x jey x reader smut. Like however you wanna write it just no cheating please
I’VE NEVER WRITTEN ANYTHING LIKE THIS AND I DON’T THINK I’LL MAKE MORE CAUSE THIS ONE IS BAD, YOU’VE BEEN WARNED ‼️
rhea ripley x reader x jey uso
likes, comments and reblogs are always appreciated!!
‼️a little bit of angst, feels, insecure reader, fluff, romance, smut so stay away kids, not much of a plot, soft!rhea, soft!jey, dom!rhea, not so dom jey, threesome(?) and more i guess‼️
eyes on me
you didn’t exactly know what led to have you naked between rhea’s and jey’s bodies, but somehow you ended up there. maybe it was the constant tension between you and rhea. the way she would always make sure you were okay after a match, the way she helped you train everytime you were at the gym together or how she always made sure to compliment you, even if you were just wearing baggy clothes and had dark circles under your eyes.
you never meant for that to happen. after the painful break up with dom, rhea needed someone that stayed by her side. you and damian were her best friends so, of course you were both there for her.
she took your advice seriously when you told her that she had to move on. in less than two weeks she was already seeing jey uso and you were happy for her. maybe feeling a little jealous that she didn’t need you as she used to but you couldn’t lie that jey was the right person for her.
jey was always kind and gentle with you. respecting your friendship with rhea and never overstepping.
but if rhea and jey were a happy couple, why were you naked on their bed?
“we don’t have to do this if it makes you uncomfortable…” rhea softly whispered in your ear, gently kissing your neck.
it wasn’t making you uncomfortable. it was making you wonder what had changed during that dinner with rhea and jey at her place.
one minute you were all happily eating and watching a comedy show, the next minute you were straddling jey’s lap, his hands were moving under your shirt as rhea moved to massage jey’s shoulders and neck, leaving soft kisses on his skin.
you remember jey carrying you to the main bedroom, rhea leading the way. you still remember the feeling of rhea’s hands as she undressed you, taking her time admiring you. you remember how jey undressed rhea, him watching her with loving eyes, making you feel a little insecure because you didn’t have someone waiting at home that would look at you like that. you remember how rhea softly dragged you down on the bed with her, bringing a hand to your cheek and looking for any sign of discomfort in your eyes. when you showed none, she tested the water and brought her lips over yours. no rush, just a gentle kiss. one, turned into two, and two kisses turned into a full make out session with her as jey undressed himself and laid next to you on the bed. one of his hands tenderly caressing your hips. leaving soft kisses from your neck, to your collarbone, into your belly.
he stopped his movements when rhea said those words. he was too lost in his thoughts that he actually didn’t think that it might have been uncomfortable for you.
he looked between your faces and noticed the hopeful looked that rhea had. he knew that rhea thought of you as more than a friend, he talked about it with her and they both were on the same page. they both liked you, they both had feelings for you and if you were okay, they were ready to let you in their relationship.
“i’m okay with this…” you soft voice whispered. rhea and jey were able to hear you and they both relaxed when you said those words.
“but you’re thinking of something, aren’t you?” jey questioned, making you nod your head “what is it babe?”
you blushed under his staring gaze “it’s just…i don’t want this to ruin what we have…”
“i promise you, it’s not” rhea added “nothing is gonna ruin what we have…we promise you”
“okay…” you smiled, earning a smile from her side “but uhm…i’ve never been with two people at the same time so i don’t really know what to do” your cheeks turning red.
“it’s okay beautiful, we will take care of you” jey reassured you, making you nod your head.
your heart pounding in your chest when rhea started kissing you again. her lips were so soft and kissable that you were kinda jealous that jey had the chance to kiss her every day. jey moved between your legs, with his big hands, he softly pulled them apart. while rhea was assaulting your lips, jey started kissing your thighs, grazing at your naked pussy but never touching it.
“i wanna taste her…” rhea almost moaned on your lips when she heard jey kissing your thighs. he couldn’t say no to mami so he moved out of her way and as rhea positioned herself between your legs, the twin laid next to you, popping himself up on his elbow as he watched cautiously every movement your face made.
rhea’s lips kissed your clit, making you slightly move on the bed. when she got the reaction that she wanted from you, she began her attack on your pussy. she took her time eating you out, kissing and licking your clit. jey’s free hand moved over your already hardened nipples, giving them equal attention.
you weren’t a typical screamer in bed, you were shy and it was hard for your partners to understand if you liked what they were doing or not. jey noticed how hard you were trying to keep your moans low and he didn’t agree with your choice “i wanna hear your pretty voice” he whispered into your ear, while his lips left kisses behind your neck “moan for us y/n…” and that was all the confidence you needed because in the exact moment rhea licked at your entrance and jey took a nipple in his mouth, a soft moan escaped your lips, making rhea shiver from how good you were being for them.
jey enjoyed teasing your nipples, wondering if you were so sensitive just for him or you were like that in general. his kisses were soft, he was treating you with such care that you found hard to believe that the jey uso was such a romantic lover boy.
rhea told you about the first time they had sex and how he basically destroyed her. of course, she enjoyed it, and by the way she told you that story, you were sure that those two destroy the bedroom at least twice a day. but this was a different side of jey, and a different side of rhea.
still taking the lead, she brought one of her skilled finger over your clit as her tongue was working over your entrance “fuck baby, you taste so fucking good…” she moaned against your pussy, making you shiver. the added pressure over your clit sent goosebumps all over your body. seeing your thighs trembling, jey knew that you were close and he needed to see you coming for them.
he moved his head from your nipples to your lips, gently kissing you, his tongue fighting for dominance “you coming baby?” he whispered in your ear. too lost in pleasure, you couldn’t find a proper answer but the way your thighs shook and the way your body went rigid and limp in a minute was enough as an answer for jey. grabbing the sheets, a very pornographic sound left your lips, shocking everyone in the room, you included. no one ever made you cum so hard in your life.
rhea worked you through your orgasm, stopping only when she cleaned you up with her tongue. when she was done, she brought her face down to your face and softly pressed a kiss onto your cheek “you were so good for me…” she whispered in your ear. she watched your blissful face, eyes barely open and mouth agape, you were a vision for her.
“you should taste how sweet she is…” she grabbed jey’s face and brought him to her lips, making you taste yourself on him. jey moaned into rhea’s mouth, swearing that you were the sweetest thing he’s ever tasted.
rhea’s hand teased jey’s cock. you saw it tweaking in her hand as she gave it some attention too. pre-cum already spreading along his shaft, making him whimpering as rhea mover her hand up and down. you watched in awe how confident she was, how confident she was moving and you wished you could have a little bit of her confidence. you were there, watching her pleasuring her boyfriend and you felt yourself getting wet again.
“baby…” jey moaned against her lips “i wanna try y/n’s pussy…” he said, almost as if he was asking for permission. you saw the look rhea gave him, almost a smirk and she couldn’t say no so she nodded, kissing him one last time before sitting on the bed next to you.
rhea fantasised about you multiple times. she fantasised about having you naked just for her, having you naked for her and jey and now she couldn’t believe that you were actually there.
“you doing okay love?” she asked, making sure that you were okay and not overwhelmed.
“yeah…” a whisper left your mouth.
jey checked with rhea and she signed him to go, that you were okay and ready for him.
“if at any point you wanna stop, you say the word and i stop okay baby?” jey asked you, and you nodded. he wanted this to be pleasurable experience for you and hurting you wasn’t his intention.
he was big. probably the biggest dick you’ve ever seen and you haven’t had sex in a long time, you weren’t so sure he was going to fit.
“what about we stretch you out first?” rhea asked, mostly to jey. she might have sensed your worry or maybe she remembered when you told her that the last time you had sex was months and months ago.
jey nodded, understanding that this might have been a little overwhelming for you. he brought his middle finger over your entrance, teasing you, making you whimper. he took time with you. his finger slowly thrusting inside of you. your walls immediately clenching around him.
she’s not going to fit - he thought - she’s too tight.
“let me know if i hurt you…” he whispered, reassuring you with a smile.
“okay…” you smiled back. you trusted jey, you trusted rhea, maybe you didn’t trust yourself much but you knew you were in good hands. they would never hurt you on purpose and rhea reminded you that no matter what, you had control over your decisions, whether you wanted to continue or not.
his finger moved slowly inside of you, jey finding that spot that made you crawl to him. he found it when he heard a strong whimper coming from you “oh, like that uh?” he watched as you nodded your head, not being able to answer him. rhea admired the whole scene in awe. she had dreamed about this multiple times and she couldn’t believe that now you were actually there, naked for both of them. she was mesmerised by your beauty, by the way your body reacted so well to both her and damian. she couldn’t get enough of you.
“i wanna feel you coming on my cock…” jey’s voice was low, delicate even. you nodded, anticipation building in your core “if at any point you want to stop just let me know, i don’t wanna hurt you baby…” jey was dead serious. you weren’t rhea, he didn’t know you or your body as well as he knew hers but by the time you’ve spent together he saw how more of a delicate person you were, he knew he had to be careful otherwise he would scare you.
“i will…” you reassured him.
he brought his dick through your folds, collecting your juices before slowly thrusting his tip inside of you. he was big, probably the biggest one you’ve ever been with. he made you feel inch by inch, thrusting deeper inside of you “breathe baby…” rhea reminded you.
once he was all settled in, he waited for you to adjust, leaving soft kisses on your collarbone and breast, whispering praising words “you can move jey…” you nodded your head when he gave you a questioning look.
he moved slowly at first, his eyes never leaving your face, making sure there was no sign of discomfort.
when he hit that spot inside of you, you couldn’t contain your moans low any longer, pleasure was building inside of you and rhea’s hands touching between your shoulders and your breast weren’t making it easy for you to stay quiet.
“faster…” you moaned, making him smile. he sped up a little, hitting all the right spots inside of you “oh fuck…mh…” you felt tears forming inside your eyes, you’ve never felt that much pleasure in your life.
your thighs shaking a little, making jey speed his movements as rhea lowered her head and took a nipple into her mouth, biting and kissing it “you’re being so good for us baby…so fucking good” she murmured against your skin. you loved her dominant side, you trusted her with your life and you gave control over your own body.
“jey…oh-fuck…” you opened your eyes, meeting his staring look. a few tears fell and rolled down your red cheeks “please…” you didn’t even know what you were begging for.
“please what baby…you like it?” he whispered into your ear, only earning a nod as a reply “good girl…baby, you’re made for us…” he quickly looked down at rhea, noticing how her lips were playing with your nipples and her hands were playing with her pussy, bringing her own pleasure. the room was filled with moans, your skin shining from the layers of sweat upon it. jey’s body moving in sync with yours as you were both chasing your orgasm.
“jey, i’m so close…fuck” your voice whimpered, making jey slowing his thrusts as he could take a good look at you. he brought a leg over his shoulder, moving deeper inside of you.
“oh fuck…come for me baby…” he almost cried when he felt how your walls were squeezing him. you were close and he knew it “keep your eyes on me baby, i wanna see your face…” he ordered and you tried your best to do as he said “eyes on me…” he whispered, voice so rough and yet so soft.
rhea was about to cum as she played with her own clit and her moans vibrating against your skin where enough to send you over the edge.
“jey…oh fuck…i’m…” you weren’t even able to finish your sentence that you were already coming on his cock.
“yeah, i know baby…i wanna feel you” he sped up his movements as you were coming all around his cock. your own orgasm led to rhea coming all over her fingers. jey couldn’t hold himself anymore and he quickly pulled out and came all over your chest. he wanted to cum inside of you but as a first experience with him and rhea, he didn’t want overwhelm you. “oh shit…” his eyes rolled back as he leaked all over your chest and red breast.
you took time catching breath, your chest heavy while rhea softly kissed your reddened skin. your whole body was sensitive, legs still shaking and tears still falling from your eyes. jey moved to get a washcloth from the bathroom to clean you up.
“you did so good baby…” rhea whispered as she moved closer to your body. she laid down on the bed and she gently grabbed your body so you could lay against her. your head over her shoulder as she softly whispered praise words into your ear.
jey admired the two of you, feeling so grateful that you trusted them both.
he quickly cleaned himself before coming back to the bedroom, his hands moving to wash your sensitive pussy and chest, to clean you up from all of his juices and when he was done he moved to lay back down, next to your and rhea.
“are you okay baby?” he asked, meeting your eyes “anything that hurts?”
you smiled “no…i’m perfectly okay, nothing hurts…” and they both believed you. you looked so peaceful in jey’s eyes that he wished this could be a permanent thing and not a causal one.
“i should probably go home…” you whispered, feeling like you didn’t belong there. it was fun, it was good, but you didn’t want to crash rhea’s and jey’s romantic relationship more than you already did.
jey and rhea looked at each other, worried that they might have done something wrong “what are you talking about love?” rhea softly asked.
“i mean…this was just one night thing, right? i don’t wanna be the reason you two break up or have problems…” you mumbled, shying away.
“what? hold up! what is that coming from?” jey intervened.
you took a deep breath “i mean…isn’t this what you wanted? just an experience?”
“absolutely no…baby, why would you think that?” rhea was partially shocked and hurt “what i said at dinner, it’s true…i’ve always thought of you as more than just a friend and just because because jey and i are dating, doesn’t mean we don’t want you too…if you want us” she smiled at you.
they wanted you? not just for the sex, but they wanted you.
“i know that your pretty mind is overthinking right now…” jey murmured leaving a soft kiss over your shoulder “but we want you, if you want us…”
“like a relationship? the three of us?” you definitely didn’t expect that proposal.
“yeah…” rhea breathed “the three of us…we can take things slowly, we are not rushing you and we definitely will never make you do things you are uncomfortable doing…but it’s pretty clear, we like you more than just a friend and the idea of not having you with us it’s killing me…”
“okay…” you whispered, meeting rhea’s face and her hopeful eyes.
“okay?” jey asked, smiling a little too much.
“yeah…okay, let’s do this…” you knew you were in good hands so why not giving it a try?
Oh yay! Apprentice asks!!! Can we get a small look at all the Kindling apprentices relationships with their mentors?
I'm going to just be doing the ThunderClan apprentices, because I have no idea on any of the other Clans, since they weren't relevant enough to design:
Tigerclaw and Sandpaw: Easily the most emotionally distant pair of mentor and apprentice out of the five. They didn't think too high or too low of each other - the pairing was decided by Bluestar with the specific intention of managing Sandpaw's temper and guiding her into a more sensible, calmer warrior. Tigerclaw was the cat everyone respected, to the point that even the cat with the worst attitude in the Clan (Darkstripe) submitted to him and enjoyed his company (not that Tigerclaw was super close to anyone at this point in time). That said, Tigerclaw hadn't really wanted another apprentice, but he knew he was the cat for the job, so he agreed to it. Sandpaw needed his discipline and stoic sternness to grow as a person and actually get some learning done. It worked out pretty well, I'd say.
Redtail and Dustpaw: Now these two, on the other hand, very much enjoyed being paired together. Dustpaw deeply admired the deputy of ThunderClan for his cool head and excellent work ethic, and Redtail was fond of his overly-rules-oriented little student who could use someone more casual and friendly to study from. Dustpaw was eager to learn and Redtail was eager to teach, and he saw great potential in Dustpaw that he hoped to channel into a leadership position one day. The only pair in this list more perfectly matched than them is the one below this paragraph!
Whitecloud and Ravenpaw: Whitecloud was not remotely surprised when Bluestar approached him and asked if he would mentor the scrawny, shaky little puffball of anxiety who took a full month more than the other kits to be coaxed out of the nursery. In fact, he'd been observing Ravenkit and felt a pang of sympathy every time the little guy flinched or ran away from someone who raised their voice just a bit too loud. Ravenpaw was still terrified when he had his ceremony, but he quickly found that Whitecloud was the first cat he could really relax around and feel...well, maybe not confident, but certainly less panicked and doubtful about his self-worth. Whitecloud never once raised his voice above a near-murmur around his apprentice or used anything but a gentle vocabulary, and it did wonders for helping Ravenpaw utilize his intelligence and learn more easily and quicker than everyone else. But Ravenpaw still needed a push to be able to speak to his fellow apprentices... luckily, a young kittypet with a soul as soft as down-feathers came along and helped Whitecloud out quite a bit with that. Safe to say that Whitecloud is incredibly proud of Ravenwing for having grown as much as he has since becoming a warrior, and Ravenwing is immeasurably grateful that Whitecloud was there to help him every step of the way.
Lionface and Greypaw: Discussed this here!
Bluestar and Firepaw: Well... we did see how that went from a first-person perspective. What Fireheart wasn't in the right head to see was that Bluestar had quite a bit of anxiety about him - she was very worried that she'd made a mistake and couldn't put her money where her mouth was to raise this very un-ThunderClan cat into a proper ThunderClan warrior. It took her a bit, as it took everyone else, to realize that Firepaw was going to be a perfectly fine warrior, but there was no way she could force him to be anywhere near as aggressive and distant as ThunderClan is famous for. In fact, more than anything, he seemed to be encouraging the younger cats to be as soft as he is! Bluestar had no idea where that was going, but despite her nervousness about it, she couldn't help but be interested in seeing where this little guy was going to go next.
Now. I’m not saying that fans of The Amazing Devil tend to be a touch, shall we say, obsessive, BUT….
If I may direct you to a side-by-side comparison of the Spotify Wrapped data for my siblings vs. me:
Sibling 1 Top Artist
Minutes listened: 2,671
Her Placement: Top 0.5% of Listeners
Total Monthly Listeners: 15 Million
Sibling 2 Top Artist
Minutes listened: 4,635
Their Placement: Top 0.01% of Listeners
Total Monthly Listeners: 10 Million
My Top Artist (The Amazing Devil)
Minutes listened: 14,003
My Placement: Top 0.1% of Listeners
Total Monthly Listeners: 241,710
Y’all…. The math ain’t mathing! I listened to TAD 3X more than Sibling 2 listened to their Top Artist, and that artist has 20X as many monthly listeners. How is their listener ranking higher than mine? By a factor of TEN?
Overall I’m just deeply impressed by the determination, the gumption, the sheer force of will that TAD fans apparently have.
Idk what they put in that music, but I’m reasonably sure it’s changing our collective brain chemistry.
I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh
hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]
i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..
I fucking hate it when a person turns out to have, in fact, zero understanding of a piece of media I initially assumed they were sensible enough to comprehend. Now my respect for your media literacy and capacity for critical thinking is gone. In less than five minutes. Poof! Just like that. Even more disappointing because it's supposed to be a colleague... like... come on man, you had one job. How do you fuck up so badly...
considering unfollowing/blocking a bunch of people i like just bc my stress levels at slight disagreements (or ‘disagreeing more strongly on discourse opinions that i don’t even really think i’m in the RIGHT for’) have gotten unbearable. already let someone go. wish i could leave a goodbye letter stating my reasoning but that’d be fucking wierd
can you show us the art? if you're comfortable to, i'm sorry your friends reacted with that. Even if they're trying to help you improve from their perspective it's not something that should be done unprompted and that sucks they did that :( i'm sure your art is lovely and i hope you continue to make the art that makes you happy :)
Aw thanks. I don't really wanna show it here, just because people might recognize it and I don't want my art tied to my anonymous tumblr. It was a small animation- one of my first- and I made it without any animation software on my phone.
It was okay that they did that, just felt really bad because I worked so so hard on it and was already super frustrated from all the mistakes I fixed before even showing them :( I learned a lot about animating though so I still consider it a success.
thinking about eyrie and ryne with endwalker but they come back from elpis and they’re a little different. there’s something off in them—something different from their usual calm collectedness. they hug her a bit too hard and their hands shake when they look her in the eyes and promise her that they’re going to make sure nothing bad happens to them—to her, especially.
and then they leave with naught a word added on, and ryne’s gut sinks. sinks down to the floor and by god she hasn’t been this terrified since the Amarout. She hopes and prays that they will be safe. (one night she cannot sleep—she cannot close her eyes because something feels so so wrong. So she sits there with Gaia close by and prays all night). But she doesn’t hear anything for a year. one long, long year.
and then they show up one day, utterly unannounced. and she sees the toil and the trials from their aether to their soul to the blindfold and new scars on their face and it Aches. it hurts to see their hurts, but by the gods they are alive.
In a context where Batman is known and seen through his public League appearances, the misogynistic, homophobic, "alpha male" guys start using his image to illustrate their discourse of going to the gym, and seeking submissive women. They admire and misinterpret his traits as endorsements of their toxic masculinity. Online, they share images of Batman with stuff like "Be the Alpha, Be the Batman". They even use the word Batmen as a synonym to Alpha Male. "Real Batmen don't show weakness".
When Bruce becomes aware of this, he hates it. He despises them for all their messed up views, knowing they completely misunderstand his principles. Batman's true strength lies in his commitment to justice, empathy, and respect for all individuals, values that are fundamentally opposed to the toxic masculinity they promote. Bruce is determined to distance his image from their rhetoric, seeing them as nothing more than sexist and homophobic idiots.
So he decides to be a tiny tiny bit more Brucie when they appear in public. Not in form, but in substance :
When he's asked a question, he tries to go "I have no clue, I'd have to ask Black Canary.", or "I'm not sure, I'd have to see what Wonder Woman thinks about that", or "This time, we really couldn't have done anything, anything at all, without Supergirl."
Also, Batman becomes more visibly affectionate with Superman. During public appearances, if he senses a camera on them, he makes sure to be seen clinging to Superman. He would rather face dating rumors every day than be associated with those idiotic discourses.
(It's also a good premise for a superbat fake-dating fic !!)
i have been in community with profoundly developmentally disabled peers and peers with brain damage my whole life, bc i had a childhood diagnosis. i have also been leftist my whole life; my mother was a marxist and raised me that way, and while their politics were absolute dogshit, they were lefty dogshit.
my entire life, i have seen leftist educators throw mentally disabled people away as "lost causes" because they couldn't engage with the material the way it was being presented. leftist outreach and education does, genuinely, have a massive lack of accessible material. to be blunt, people are not interested in retrofitting their leftist outreach to be accessible to people who learn best through episodes of sesame street.
as in, i have repeatedly faced outright laughter and cruelty over the idea that this could be a priority. or even something that we consider doing at all.
"people who are that mentally disabled don't need to know about these things," the kindest interpretation goes. ("people who are that mentally disabled don't interact with the world, anyway, they're all in institutions or monitored 24/7 by their parents," the uncharitable underlying assumptions go. "they wouldn't be a worker who needs a union. or a library attendee. or a member of the community garden. or a volunteer at the food bank. or or or")
the people i have seen this hurt the worst, over and over again, are profoundly mentally disabled people of color whose lack of access to accessible antiracist education is causing real danger in their lives. institutionalized disabled people of color who have learned racist ideology and behaviors from white authority, whether they were adopted by white families or incarcerated in care institutions run by white staff. who are treated lower than garbage by leftist educators, who view them as "lost causes," as unworthy of time and effort and attention, as deserving of their abuses because they... what... internalized the abuses that make up every aspect of their lives since birth?
i see people saying things in this conversation like "disability isn't an excuse for racism or transphobia or whatever, people have the obligation to improve themselves." oh, believe me, i have seen again and again how many privileged disabled people utilize their disabilities to punch down on others, try to escape accountability for their punching down by citing disability. but individual weaponization of identity is just that: weaponization of identity.
the power structures at play are what they are. it is a noble and admirable goal to want leftist outreach and education to be more accessible to all. if that is truly your goal, you must eventually reckon with the existence of people who do, actually, really need it presented in a picture book. or an episode of bluey. or a conversation where you only use examples of people they know in real life, using things that happened to them personally. the existence of people who cannot grasp forms of abstract reasoning, who need information presented as rules, or as guidelines, or as categories. the idea that yes, fully grown adults who need daniel tiger to explain racism to them are human beings who not only deserve access to that very thing, but who also deserve to be a part of leftist spaces and benefit from leftist organizing. are people for whom it might be INTEGRAL they get to be a part of leftism. are victims of racism themselves and suffering without access to antiracist spaces and community and support.
and you will need to reckon with the abject cruelty of your peers who laugh and mock the very idea of this. you need to reckon with the fact that a lot of people you respect, a lot of leftists doing genuinely good work, will respond to this by making fun of the people you're serving, even outright telling you their violent fantasies about these people. that is the experience of organizing in leftist spaces for profoundly disabled people. that is why so many of us burn out so fast. there IS a structural problem with mentally disabled people being seen as disposable and not a part of community. and it is EXTREMELY present in leftist organizing and outreach efforts.
alright y'all lil (alright, maybe not so little) recap of the second show of AG's Boom Done tour last night 3.4 in Buffalo @ one of my favorite venues, Mohawk Place. because my brain commits absolutely everything to memory at shows & i like writing it all down before i forget
(for fun & plus maybe folks going to this tour want to know what's shakin, since i haven't seen much online yet):
(note there will be setlist spoilers)
- alright so first, a freakin HIGHLIGHT for me was, of course, GET OUT!!!
Anthony was just kinda messing around with his guitar & then teased it by being like "hmm... how should i play this..." and then went into that and the crowd reception was AWESOME, dude. whatever the opposite of masking is, that's what i was doing there. i definitely started physically jumping up & down once i realized what it was (typical wavernot4love @ the AG show behavior). aka evidently he knew your boy (who like i've mentioned on here, got into Circa last summer through a kind person at a Dunes show rec'ing me Get Out & then BSN. Get Out was straight up my introduction 2 Circa) was in the building (/Ih).
also, i had to shorten my clip to post because in the rest i must've had my phone right next to my mouth,,, which made for some horrifying tone deaf live vox from wavernot4love. be glad i spared y'all from that one.
(i'm gonna put one of those keep reading thingies here, click it 2 see the rest)
- he also played Dyed In The Wool & Frozen Creek, continuing that theme (though I expected these more since he's played em recently). Dyed In The Wool with everyone singing along during the chorus was probably my top moment, and one that's gonna stick with me forever, honestly. i remember thinking it straight up felt like, a churchlike (but positive) experience or something during the songs everyone did that for (remember, it's just anthony this tour no backing band, so it was somewhat quiet in there). more on that later, but AG kept pointing out how nice the singing along was & how fun/awesome this all was, and man, that it was.
- he mentioned valuing spontaneity over a planned setlist every night and basically implied he was just goin for whatever felt right at the time. so just consider the songs i mention here as a basic guideline, he could very well switch stuff up every night. i love that he's like this when it comes to shows - idk dude, like, at one point he even asked folks what time it was, laughing when they told him, jokingly accusing them of being untrustworthy & then going right back into the tunes. dude was just here to play, for as long as he could.
- kinda tied to that, there was a running gag of the set being "inconsistent" (his word). he'd bring up jokingly that there'd be moments where everyone could be singing along, and then songs that nobody knows (and he'd jokingly "apologize" for that), and he'd even (lightheartedly) call specific people out and be like (to laughs) "look at this person, they have no *idea* what i'm gonna play next!" actually i think he said that before Get Out. at one point he was (paraphrased slightly) like, "so if i start playing 12 Circa songs in a row, let me know." i love how he just does whatever the hell feels right in the moment.
- also a couple times he messed up while starting a song (i think due to laughing) and bro would call out folks laughing at him for it (lightheartedly) and be like "this is all performance. vou don't know what goes into this!" (this was not at all serious and said through laughter. straight up half the show was all of us in that room just cracking up together)
- he introduced his Title Fight cover (Numb, But I Still Feel It) by calling TF one of his favorite bands & joking that they're gonna hear this & think it's time to get back together so... if you hear that Title Fight reunited, you know why, which, well, if you know that side of the scene, you know what's up. real shits and giggles moment, if i do say so myself.
- at one point (only bad thing) someone at the front was being objectively Weird in the way people (unfortunately) do to try to get an artist's attention (let's just say it involved throwing money (????? literally what) while yelling stuff about understanding because they're in the industry (??)) and he honestly handled it with so much grace. he pretty much said that made him uncomfortable etc and he would Not be taking more of their money please, he already did that, and that led to him ranting for a second i think mostly to himself in a thinking out loud/under his breath kinda way about *hating* having to sell stuff in the first place in order to do this and like,,, i go into this a bit in the tags but it genuinely reminded me of how i get when i'm passionate about something. what i'm trying to say, is dude clearly was heated & meant it. fully. just felt relevant to include
- then he ranted about something related to the moneythrowing, drunk (question mark) weirdo (long story, but it ended in him telling them to tip bartenders with their money instead of weird things), then used that to go on a tangent about how we should always tip people working in service in general and respect/be kind to them even if they seem rude or whatever because doing that shit is hard & sucks and maybe your kindess will be the wakeup call that causes them to one day have a moment where they're like, man, i was a dick back then for no reason. (i feel like i am nearly direct quoting him here)
- then after a song he joked about the incident saving we were probably just all watching like 🧍♂️ and it was like watching dad yell at mom at the dinner table while you just sit there staring at the ground and safe to say the mood was fully lightened after that moment of self awareness fhfhfh
- then a few songs later i guess the person that was being weird had left so he was like, (at this point there were no weird vibes whatsoever, like we were all just scoffing/laughing at the situation and cheering him on) "oh that person who hates me left. did they give the bartender that money?" (someone implied they thought so) and he was like "good." and that was the end with that weirdo situation lol. i have absolutely no idea why that person, drunk or not, thought that was a normal cool thing to do. as always, please don't be weird 2 musicians they are in every sense just Some Guys (gender neutral), treat them like anyone else.
- back 2 totally unserious things, during... uh don't mind me, like i've said in my previous posts i'm still getting 2 know Boom Done, so whatever song has like, the horns kinda near the end? he just started making freakin. horn noises since since there were, in fact, no horns in the building and made us all do them too and everyone was just straight up cackling because it was so stupid (/pos).
- idk one thing that stood out to me was one person belting along at the end of... i can't remember what song it was actually, i think one of his older tunes, but you could tell he heard & a song later complimented it & said it was beautiful. i'm telling ya, he kept going on about how nice folks singing along sounded and encouraging that, which was awesome because i wasn't sure what the vibe was gonna be there since it was just him playing.
- don't want to go into detail since it feels like something between Anthony & whoever he decides to tell it to in real time, ya know, but he did tell a pretty extensive story leading up to Miracle Sun. in terms of themes, it was in regards to (with plenty of laughs mixed into the serious bits, of course) letting folks that matter to him down + falling into a cycle of engaging in stuff that temporarily made him feel better but was moreso just self destructive, in the past. just interesting stuff to hear in connection to a song.
- at the end, before Dear Child, he just talked in the most honest manner about knowing he's let people down, cancelled shows (there were laughs mixed in here too), just not been the best version of himself over the years etc, but appreciating how long everyone has stuck around, and how we keep coming back, & jow much it means whenever we tell someone go check out a song or anything like that, & helping him continue to do this and also support his family and whatnot and man it just. embodied everything i love about AG solo sets i guess. i just admire how open a book &p vulnerable dude is. while i love his more theatric frontman persona of course as it's fun as hell, it's so nice at solo shows like this to hear more from him, in seriousness and otherwise. also dude was posting about how fun it was on instagram later so i'm just glad we all had a great time.
- also at one point before a new tune he was talking about these cds he had that have that on it + some rerecordings, Frozen Creek (feat. Keith of GOW), etc. i love cds so i ran to snag one later of course (they're $12)
- as for other merch he had a few shirts (like that cute one i keep seeing around, with him & the puppy), some art prints, & the Boom Done book thingy (i really wanted it but couldn't swing the $25 right now sadly)
anyways,, i posted on Setlist FM for the first time, here are all the songs i remember for sure (there were definitely at least 4/5 others i am not thinking of, i'd say he did 17ish songs, he played for close to an hour and a half. keep in mind he talked a LOT with us which was awesome)
edit: someone added a few more!!!
anyways, that's the show!!! 1. i may or may not be trying 2 figure out how to pull off one of the other northeast dates (looking @ Cleveland, which is closer but i'd have to drive to, or New York, which is further (+ yknow.. dealing w getting around in NY) but i could take a bus to, this weekend/next week as we speak,,,, that's how freakin good and homey (more on that in the tags aka uhh literal diary section of this post) and impactful this show was.
and 2. if any of this (especially said tags) sounds loopy it sure is because i wrote most of this at roughly four am last night post show, when i was even moreso still back *at* the show in my head. i still stand by all of it though of course, i just know it might not be the most coherent.
this tour rocks. AG's tunes mean so much to me. get out 2 a show!!! tell me about your experiences if ya do/did!!!! yay!!!!
Can you explain the "breyer horses are stylised" thing you said a while back? Not because I don't believe you but because I don't know enough about horses to see it (besides the mane and tail)
All artistic representations of a horse will be somewhat stylized. Humans can't help it, they imagine details, even when referencing photos or live animals. A swayed back gets exaggerated, sickle hocks are overlooked, the face becomes more expressive, because to a human who loves a horse, and who expresses their own emotions with their face, the horse's face just feels more expressive.
Take a look at this horse from Peter Paul Rubens' "Wolf and Fox Hunt" (1616) and how it compares to a photo of a horse
The artist was clearly familiar with horses, and most likely referenced off a live horse. And yet its face is much more expressive than a real horse's face - it's neotenous and borderline anthropomorphic, with its huge sorrowful eyes, and the short muzzle that puts the mouth in closer proximity to its eyes (making its expression more readable).
I think a lot of people see what they want to see when they look at a horse, and they reflect that in their art. Is the horse an independent agent or a tool of its rider? Is the horse an unthinking animal or a soulful creature like yourself? Does the artist admire animals, in spite of painting them in terrible war-like scenarios? Does the artist paint animals in these scenarios because he admires them? Is the horse meant to elevate the status of its rider, by being depicted as a soulful creature that nonetheless submits to its rider? (You can probably guess my own opinion from these questions)
Earlier art saw horses almost an afterthought, depicted from memory while their rider was drawn reverently. All those art pieces of emperors and kings on horseback, where the horse looks like a cartoonish oaf, use the horse as a symbol of power, with no regard for the animal itself. Even when the horse is beautifully rendered, it's nothing more than a vehicle to carry its rider. The artist has depicted the horse as expressionless, beastly, and soulless.
Even when you get into portraits of horses in the 17-/1800s, they are still stylized, though now you're just as likely to see a lithe and graceful companion, as you are a muscled working horse or a faithful old friend. Horse breeding really took off around this time, as did theories of animal minds, so adoration of horses-as-individuals became more widespread. Examples are "Lustre" (1762) by George Stubbs, "Mare and Foal in a Stable" (1854) by John Frederick Herring Senior, and "A Grey Horse in a Field" (1873) by Rosa Bonheur.
All this is to say that horses will always be stylized in art. Humans can't not twist the horse the suit their own tastes, and that's fine. I actually think it's kinda beautiful. The way horses are stylized can give you insight into the artist's opinion of horses. An artist with a neotenic, expressive stylization probably has more respect for horses-as-individuals than an artist who depicts them as inexpressive, powerful, willing beasts of burden.
Breyer horses have an airy painterly quality to them. Even the draft horses seem almost weightless. Compare Breyer's "George" with the self-released resin horse "Gustav," both sculpted by Brigitte Eberl.
George has much longer hooves and smoother curves in his legs - you could draw a near perfect curve from his hind knee to his toe -, giving him a flowing appearance with very little weight behind it. Gustav, on the other hand, has sharp edges and corners. He feels heavy.
I'm a big fan of wrinkles and muscle on model horses, but the muscles on George seem like he's been through a rock tumbler. They're smooth and soft-looking, except for the extremely deep crevices between them, which are probably there to better catch paint and enhance the shading (an effect that's especially noticeable on George's thigh). Gustav, on the other hand, has very subtle muscling and virtually no wrinkles (he deserves neck wrinkles, give my boy neck wrinkles!!). He looks like a working horse with a solid layer of fat over his muscles.
George's stylization is, for lack of a better word, smooth. Flawless. A bit too perfect for my liking. George is like the platonic ideal of a visually appealing draft horse. A horse like him can't exist.
I think resin horses by master craftsmen are the closest we'll get to depicting horses exactly as they are in life. The stylistic choices are extremely subtle, and seem more like a consequence of the medium than a deliberate goal on the artist's part (e.g., you can't make a realistic mane out of resin, so you have to compromise).
I love both the stylistic trappings that humans fall into when depicting horses and the endless quest for the perfect artistic representation of the horse. Both are beautiful. All horse art is beautiful.
(Obligatory disclaimer that I'm not an art historian or anthropologist, I literally studied bugs at university, so if you think I'm talking out of my ass you are MORE than welcome to add to this post!)