#and I love it because every other scene has had lyrics from the musical playing in my head

[damthosefandoms]

while I realize I’m the same person who did the math on how much of the book was covered by the movie and this is sort of hypocritical of me: I kind of love the pacing of the show so far and it’s really interesting to see which parts they cut out/slightly changed for the sake of the adaptation. also very interesting that the show has basically pieced together the beginning of the story in the exact same way as the lightning thief musical

[morimess]

i keep seeing songs on TT that remind me of Linebeck...and I don't...really know how to feel about it.

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[hotvintagepoll]

Propaganda

Ginger Rogers (Swing Time, Top Hat)—Look I’ll level with you, I’ve never seen her in a musical and I know that she’s an amazing dancer and she’ll be even hotter when I finally watch Top Hat but I’m not submitting her as a dancer I’m submitting her as an ACTRESS. Her comic timing is impeccable!!!!! She’s full to bursting with life and in every role she seems to be having FUN, you can practically feel the twinkle in her eye. With her natural warmth it’s like she’s letting you in on the joke, y’all get to have this fun together! Making me laugh is hot!!! [If you'd like to see Ginger dance, videos below the cut]

Dorothy Lamour (The Jungle Princess, Road to… movies)—Ok, to be honest, I get if no one wants to vote for her--she's kind of like my ~problematic fave~ because she started in the Road (Singapore, Bali, Hong Kong, etc) movies with Bob Hope and Bing Crosby, which are full of all sorts of exoticism tropes and usually have her playing very side-eye type roles..island princesses and things...yeah. also she banged J. Edgar Hoover. not very hot. but your honor i still think she's pretty despite all that she's pretty please look at her and tell me she's prettyyy

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Dorothy Lamour propaganda:

She started in jungle and South Seas movies and became famous in the Road series. She learned quickly to improvise when facing Bob and Bing. Road to Bali almost has her character marrying both of theirs, since she's island royalty and nobody had a problem with it - a nearly poly relationship, an epiphany for a viewer who didn't even know that that could happen! She was a popular pinup girl during World War 2, and was the first singer for the popular standard "It Could Happen to You". She sang often in her movies and has a lovely voice!

Ginger Rogers propaganda:

She needs no introduction! An undeniable powerhouse on the dancefloor, and no less talented an actress. I once watched a compilation of cinema's greatest dance scenes and one of her and Fred Astaire's dances was featured, and one of the talking heads said he pitied her for 'having to keep up with him' - or something to that effect. Bullshit, I cry. Ginger Rogers was his absolute equal, and underplaying her incredible skill is downright criminal. I want the 'Cheek to Cheek' sequence from Top Hat to be permanently burned into my memory.

"Backwards in high heels", as the saying goes (though the pedant in me must point out that she in fact spent her fair share of time leading or dancing side-by-side). One of the earliest twinkle-toed ladies of the silver screen, and in terms of acting/persona, her balance of wide-eyed cuteness and movie-star glamour has never quite been replicated.

we all know her beloved string of musicals with fred but ginger also has an extensive and varied non-fred filmography that she's great in! a few ginger moments that are important 2 me personally ginger singing “we’re in the money” in gold diggers of 1933, complete with a verse in pig latin bc this whole movie is kinda mocking the concept of anyone actually being in the money in 1933; ginger and una merkel singing a verse of “shuffle off to buffalo” in 42nd street, providing some statler & waldorf-esque commentary on newlyweds from the upper berth of a railway car (interesting that belly was apparently a risque word in 1933 - maybe its bc the lyric is innuendo-ing about out of wedlock pregnancies - and that panties was a term for men’s underthings!); a favorite fred & ginger number

Ginger Rogers could do everything! She could sing, dance and act. She was hilarious in comedies, moving in dramatic roles (she won an Oscar for Kitty Foyle in 1940) and absolutely gorgeous!

Listen, no shade to Fred Astaire at all, but she both kept up with him step for step and then later went on to WIN AN OSCAR FOR ACTING. (which he did not.) truly a double threat!!!

One of the best dancers in Hollywood! Her work with Fred Astaire is just incredible.

ONE LINE: "Everything Fred did, Ginger did backwards and in heels" AND THEYRE RIGHT! Rogers was a total dance badass, and a lot of movie buffs know the story, but the Never Gonna Dance number from Swing Time took almost 50 takes, and allegedly by the end of filming it her white shoes had been stained pink because her feet were bleeding. As a note, she looks crazy gorgeous in this number. Watching these two dance is insane. They match up to each other in a way my mom describes as "divine" and she's right. DANCE NUMBERS!

Let's Call The Whole Thing Off (Shall We Dance, 1937, dancing starts at 3:14, they're in ROLLERSKATES)

(Ginger Rogers is the hottest woman ever to live in this number. seeing this as a teenager altered my brain chemistry)

(also watch her feet and how she moves opposite Astaire in this one. We all know our boy Freddie had that precision demon but jesus christ Miss Rogers, let a girl live!)

Pick Yourself Up, Swing Time 1936 (Everyone's seen this one but by god you are going to see it AGAIN!)

Shall We Dance, 1937 (duet begins at 2:34)

Smoke Gets In Your Eyes, Roberta 1935 (There's just something about Ginger Rogers in a slick black dress man)

The Continental, The Gay Divorcee 1934 https://www.youtube.com/watch?v=Cjv6nmF7wdk God she's MAGIC in this one.

Gay Divorcee's Ending Montage 1934The infamous table and chairs spin happens at about 0:49. Pay CLOSE attention to her in this bc it looks like witchcraft and I feel lightheaded whenever I watch this movie bc shes THAT awesome.

She is a miracle to watch. Sorry for the sheer amount of clips. My entire family is like madly in love with Ginger Rogers.

[nom-nommmm1]

EURONYMOUS - ONE SHOTS

Masterlist for more !!

A/n: this is just something small while I work on my request pls be patient with me :(

Content warning !!: it’s all just fluff and some swearing

Euro tries to act tough in front of the guys but when he’s only with you he is the sweetest little thing ever

He totally keeps snacks EVERYWHERE “just in case” idk why I think he does that buttt he does in my mind

If you have a different native language than him he will totally learn the basics of it, like I love you, good morning, hello, goodbye

He isn’t a huge fan of cuddling but he knows you like it so he cuddles as much as he can with you

In public he stays a little ways away from you, but when you get closer to him he always has his hands on your shoulders, arms, waist, always.

SHOULDER KISSES.

When he’s in public he will be going behind you and hold you by the waist whilst kissing your shoulder softly

He’s absolutely whipped for you and tried his best to hide it from the guys because it wasn’t “metal of him”

Even before you guys were even a thing, before you even met Euronymous he would stare when you came to one of his friends parties. Of course his friends noticed and told him to shoot his shot

You guys love to play pranks/jokes on your friends, like just trick them to think something

Very mischievous duo, you two

You’d tell Faust that there was going to be a party in downtown but when he got there he went into the quiet house, all he found was a note that read ‘thanks for being gullible, we love ya - Euro & y/n’

Stupid pranks like that

Now Euronymous is very big on the metal scene but I think if you had different style then him but the same music taste as him he’d be very interested in you, he’d watch you (not in a creepy way) he just wants to understand your style more.

If you had the same style and music as him he’d love it too. He’d rant to you about “the bullshit some people in the scene call music” and all of his work problems

Euronymous wakes up very late every single day, and when he does so he just keeps you in bed with him, almost suffocating you while you’re just trying to get up and go to work.

I think the first few weeks of the relationship Euronymous would’ve been cold, not because he didn’t like you but he was afraid he’d mess up by opening up and you’d leave him just like that.

But when he realized you would never leave him he clung onto you for dear life

He loves movie dates. I feel like he’s super anxious around even though you’re his partner he gets very conscious of what he says around you, and movie dates are perfect because you can exchange very little words to each other but still sit in comfortable silence and enjoy each others presence

I think he also counts cleaning his shop every once in a while with you a date. You guys just cleaning for hours together.

You sigh, you’d been scrubbing the floors of Euros shop for hours. “You ready to get out of here babe?” He asks coming over to you once he’d finished reorganizing all of the records in the shelf’s and setting up with display. You stand up before turning to face him “yea let’s go” he brushes a stray hair out of your face as you hand him his keys. You guys lock up and head off to your house for some movie watching and giving over some lyrics he had thought would be good for a song.

Speaking of lyrics for a song, he always makes you read and listen to his song before he puts it out to the public. He trusts your judgment more than his own when it comes to music.

He has a special blanket he puts on his bed everytime you come over because he knows it’s your favorite.

You give this man stuffed animals? Yeah he keeps them on his bed, his shelf’s for decor? You name it he’s got it there. He loves to stare at them and just think of you.

OBSESSED WITH DRIVING YOU AROUND.

Especially at night, this man doesn’t care if you’re going to a club or Walmart to get something to make a midnight snake he LOVES it. He loves just being there with you making casual conversation while having his hand gently placed on your thigh.

If you get insecure about yourself when you put your hair up he will put his hair up like yours and keep it that way till you take yours down.

He adores matching with you, so you guys basically do it everyday, even it’s just something little like having the same slayer pin on your shirts. He loves it so much

He loves rubbing his fingers along your knuckles, it’s almost like a nervous tic he does. In public when he gets overwhelmed while holding your hand he’ll just sit there and play with your hand until you guys have to let go

He loves eating meals you cook bc it makes him feel proud that one day his children will have you as a parent

If your not happy he’s not happy, he can’t be happy when your suffering because his whole life basically revolves around you

Thank you for reading !! :)

Enjoy!

[hezuart]

Thoughts on the “Look my Way” music video? For context if you don’t know, this is a fan song that’s just animated. Paranoid DJ had written this song awhile back, though Viv did take out some lyrics and switch them up a bit. What I personally don’t like is that there’s a line in the original where Stolas mentions the “impish play thing” line, as well as acknowledges that Octavia is hurting, and Viv cut that out. The song itself also doesn’t help for the show narratively really regarding the ship of Stolitz.

OMYGOD Okay so much to talk about here. It's a BEAUTIFUL song, amazing song, and I even loved the original of it. The animation for this AMV is breathtaking, everyone did an AMAZING job on it. This is what Helluva Boss songs should sound like. I was annoyed with that one scene, albeit very pretty where Stolas and Blitz have a string attached to the pinky finger, which is an indication of soulmates. This bothers me because a soulmate is either A. someone you have been reincarnated with over the years to love or B. Someone you click with- someone who completes you. You meet in every lifetime or they are the perfect person for you. This does not fit Stolas X Blitz AT ALL. They are not perfect for each other, they are complete opposites and the entire appeal and beauty of their relationship was the fact that they were fuckbuddies! They weren't even friends! They were tied up in manipulations, classism, and power imbalances. Their relationship required a lot of growth, a lot of work, and a LOT of learning on what love actually was, how to maintain it, and how to right their wrongs like-They needed to actively explore and learn what love means. They needed to find a real connection that would actually give them chemistry. Being soulmates is a complete cop-out. (Soulmates don't rely on reincarnation, but some do- and reincarnation is not a thing for demons???) You could say I'm overthinking it and being nitpicky with this visual, but this is exactly what it is! That is a soulmate string!!! He even says "I'll grant you this mercy, this bind on our souls-" LIKE BRUH wHAT !!! I'm so mad about what their relationship has become. They were toxic but not doomed. Now they're nothing Anyway..... still very beautiful and pretty

I have friends who actually know this guy and work closely with him. Apparently, Viv was the one who asked to change the lyrics of the song because it didn't "fit her story"???????? The lyrics changed: OG: "Come now, my little impish plaything, we both made our choice" Viv: "But dearest, I know better now I must give you this choice" It makes sense why she would want this changed since this song is about Stolas actually finally being in love. But it's still very sus because we still have not addressed Stolas's classism problem that seems to fluctuate episode to episode. OG: "Is this how she'd feel? Abandoned, all alone and left to fend For herself, for some semblance of happiness that doesn't have to end?" Viv: "Is this what you feel? Scorned by a realm that cannot comprehend, What you are, so I'll grant you this mercy this bind- on our souls needs to end" Again I can understand this change because we are going off-topic with Octavia here. However, I do find these changes very suspicious, especially if she wanted the song to better "fit her story". Because these circumstances are things that I have accused Viv of retconning before. Where Stolas wasn't actually in love with Blitz from the start and only saw him as a shiny toy, an "impish little plaything". Where Stolas was actually shady in cheating on his wife and not being there for his daughter nor really understanding her. "Home doesn't feel like home anymore. You ruined it." I can understand in the context of the song why these lines would be removed, but in the context of the overall story, I'm very suspicious of it, because those are very important contexts that people try to insist are "just people's headcanons" when they literally aren't. This could be considered active proof of Vivziepop retconning her story, but I will go with the latter and stick to my logical explanations for why the lyrics were changed- gonna try to have some faith here.

~~~~

Apparently, Cherri and Angel's AMV Addict was also a fan song. In THAT video, this is the description. Fully acknowledging it was a fan song, and giving clear credit to the person who made the song.

THIS. IS THE DESCRIPTION FOR "JUST LOOK MY WAY"

NO acknowledging this is a fan-made song. NO credit for Paranoid DJ. No thank you, no praise for the original, no links to the original song- He is at least in the credits, but not the description! This is insanely shady! I don't know if this was just a mistake or not, but this is really uncool. Again, he's at least in the ending credits, but... the description would make it more obvious. Vivziepop has a history of not crediting people for their work- I don't know if she was the one who made this mistake nor not.... this is not the worst it could have been, but at the very least whoever runs the youtube should fix the description out of respect.

[us-the-voices-and-more-voices-2]

My headcannons for what type of music the Batfam likes lol

Bruce: 40s love songs, mostly because Thomas and Martha are lovers of old music and art it’s a call back to Batman being such an old.. old character.

He also loves really, REALLY sad songs. Just straight depressing songs, like he knows all the lyrics to like the most downright suicidal songs ever.

Dick: he listens to very upbeat music, but like EDM and rap, he also loves circus music and really ridiculously old songs he knows all the words to “the flying trapeze” by heart ❤️

Jason: unironically his favourite album is Neil Cicirega's "mouth sounds" series of albums, he also would never admit it but he listens to Kikuo constantly. he's not a "fan" of vocaloid he just likes some songs. he also constantly listens to 80s and 70s hits as a call back to his character being popular in the 80s.

Tim: worst taste in music ever, he does NOT get the aux. it's all the most popular hits of the last 4 decades, for better or worse.

he also gets all the WE jingles stuck in his head, it's so bad.

it's mostly now video game OST's he got into FNAF lore at one point and actually solved it, and then got super into the music. he relates a bit too much, he calls Jason sometimes mike because they are both undead guys hellbent on keeping kids safe from the evils of this world, and Ra's afton because the bastard always comes back. he will BLARE "I hope you die in a fire" when working a Ra's case.

Damian: despite what he holds himself to he really likes the same fandom sorta music, video game lore was the only thing that Damien and Tim talk about, they have usually ZERO free time to watch or play games they just extrapolate wtf the game is about from their friends WITH free time. that being wally and bart.

so damien has a bunch of the living tombstones, classic Chinese and arabic music but mainly Pakistani, some 80s hits. 40s love songs because bruce is right they are really good, and some mislabeled cassette tapes\CD's Damien picks up on patrol that he likes.

Steph: she didn't really get a chance to listen to much music, since Cluemaster was a dick. but she did bond and learn to love Ballet music ever since Cassandra introduced it to her, she gets whole records and albums and buys one time releases on Ebay for herself and Cassandra. otherwise she just listens to audiobooks or podcasts when working.

Cassandra: TONS of ballet music along with classic Oprah music and theatre music, she goes to plays and pirates them, she listens to every single play or theatre music she can get her hands on. she listens to "rocky horror picture show" "the guy who didn't like musicals" "Coppélia" "Jesus Christ superstar" "The Mousetrap" any and everything. she adores it all, she and Steph are constantly looking for more records and plays to watch and pirate.

Barbara: weirdly enough 60s music, Jim rubbed off on her and she honestly just listens to all sorts of 60s sounding music, she had a Elvis phase where she just was constantly listening to Elvis, eventually she found out there was a TON of other 60s and 70s black artists who were ripped off by Elvis and started listening to them, she then eventually got into punk rock and rock and roll.

Harper: she is fully into the Gotham punk music scene, she literally is one of the biggest supporters of the Gotham punk scene. only random punk song CD's, videos she converted into CD's, old gothamite punk songs on vinyl, digital releases, she just has so much merch half she made herself and half she bought, she is the epitome of Gotham punk fan. she actually has a whole ass internet archive account dedicated to JUST Gotham punk.

Duke: weirdly he loves very ethereal and bright peppy music, only instrumentals though, listens to the weirdcore playlists on YouTube listens to corecore, he just has very strange music tastes.

sometimes he forgets his entire playlist is filled with weirdly ethereal music and the rest of the batfam get so confused, and think Jean-paul is blaring church music again.

Jean-Paul: only church music, he has the most bland music tastes, he sometimes listens to catholic metal or something when he's working but other than that he just blares organ music and mass and church music, everyone tries to tell him that he CAN LISTEN TO ANYTHING ELSE. PLEASE. but he just doesn't lol.

Thomas: he listens to 40s love songs and old Sicilian and Italian songs, he's a old fart, he loves old movie soundtracks.

William Cobb: circus music only circus music, late 1880s and 1950s circus music. it sounds like a clown house and it triggers the shit out of bruce.

Jarro: he's a baby, he has no actual opinions the batfam put on nursery rhymes andcoco melon

and the rest (carrie, Bernard, huntress and the other ones)

I have 0 idea I have not read enough comics to figure it out lol

[theyhavetakenovermylife]

Bayverse Headcanon: What kind of music do they like?

Idk why I had to do this, but I just had to.

Also, one day I might make more detailed versions of these scenarios.

Warning: Long af, spelling bc I'm dyslexic.

—----------------------------------------------------------

Leonardo:

There are a few sides to the leader in blue. The part that sits in the dojo for hours, meditating in complete silence. Probably one of the few things he had to practice on - meditating with noises all around him. And then there’s the part of him that listens to music, while doing mundane things. Whether it would be cleaning his room, taking a shower, a warm up before training or just chilling in his room or on the rooftops. Leo do enjoy music a lot, he just has clear rules for when he can hear it. No modern music in the dojo! Martial arts should be honored, and to do it in other that silence would be an insult to the arts and the old masters. But outside of the dojo, it would be possible to find Leo with a pair of headphones on every once in a while.

Leo is a rock kid. Not heavy metal - no - that is just not Leo’s kind of music. But old school rock and maybe even glam rock. It was usually music with prominent guitar or bass that he often found himself listening to. It kind of fitted the way he saw himself. Th stoic leader on the rooftop, fighting with an edgy soundtrack in his head. Edgy and cool being the way he described it in his own head. It gave him a slight tingle in his stomach, when he jumped from roof to roof with his headphones on, listening to certain rock songs. He felt like a true leader, jumping high over people’s head, listening to “Zitti E Buoni” by Måneskin. When really feeling it alone in the shower, with the same song booming from his blue bluetooth speaker, he would channel his inner Damiano David, singing along to the fast part without any mistakes. Now, Leo is not usually the one to sing along to songs. He doesn't even hum that often, but when he does, it is usually in the shower. But there was this one time Raph walked past the bathroom, while Leo was screaming his heart out to a Måneskin song. Usually Raph would find a way to make fun of his brother for such a thing, but this time Raph decided not to, mainly because it didn’t sound near as bad as Raph though Leo’s singing would do.

Another artist Leo would be singing along to in the shower is Micheal Jackson. He might even do a few dance moves, but he would NEVER IN HIS LIFE, do them outside of a locked bathroom.

One of Leo’s favorite bands had to be Blur. He really liked Damon Albarn’s voice and the guitar of Graham Coxon, and would often find himself listening to them before going to bed. At one point, Leo even tried to sneak out to see all of Blur play live. Did he get in? Yes. Did he watch them from somewhere just below the roof? Yes. Did the bassist spot Leo, blink in confusion, only to look back up to find the spot Leo had been hiding in empty, with Leo having fled the scene? Yes, and that’s why Leo doesn’t do concerts anymore. But he never told his brothers. Mikey would not be happy to know that Leo had sneaked into a concert, while having told Mikey time and time again that he wasn’t allowed to.

Leo has a thing for languages when it comes to music. He grew up in New York City with English as his first language, with Japanese from Splinter following right after as his second. He decided to learn Spanish, just in case it would get useful, and since he had an Italian first name, he also learned Italien. That would probably explain some of his love for Måneskin. But Leo just really liked languages. He doesn’t have to understand the lyrics in order to enjoy it. One prime example of that is the song “Stefania” by KALUSH and Kalush orchestra, even though it is hip hop in genre. Did Leo understand any Ukrainian? Nope. But did he have a general idea of what the song was about, and found the Ukrainian language beautiful and interesting? Yes, very much. He found the courage of Ukraine inspiring, and would often use that inspiration in his training, which is why this is one of the very few songs he will actually train to outside of warm ups.

A true bedroom song for Leo is “Demoni” by Joker Out. He wouldn’t do much while listening to that. He would just lay in bed with headphones one, eyes closed while either bobbing his head or right foot to the beat. Leo isn't much of a dancer, but more a bobber. That was usually how his brothers knew if he liked a certain song; he would bob his head slightly to the beat. That only fueled Mikey’s imagination, creating a picture in his head of Leo head banging in his room to heavy metal, but that couldn’t be further from the truth. Stoic Leo didn’t head bang, but he did move at least his head or foot lightly.

Now, what does Leo’s brothers like about his music taste? Well, to be honest, most of the time they weren’t too sure what kind of music Leo liked. They did know that he was into rock, and they knew very well that at this point that he liked Måneskin and Micheal Jackson. But there was this one time while driving the garbage truck, that Leo somehow got in charge of the aux. None of the guys really knew what to expect, but “Gladiator” by Jann wasn’t it. Mikey even said something along the lines of; “emo Leo doesn’t listen to My Chemical Romance”, causing Leo to remember once again, why he normally didn’t want to be in charge of the aux, and liked keeping his music to himself.

Raphael:

Raph listens to music quite often. Probably not as often as Mikey, but still at way more than Donnie and Leo. One of the main reasons why Raph listens to so much music is - you probably guessed it - training. He would often lift his weights to the beat of the music, in a way that most humans could only dream of doing. But he would also listen to music on his own, either riding his motorcycle through the streets of New York City at night, or while knitting in his room.

A favorite song of Raphael’s to ride his motorcycle to was “Would You Ever” by Skrillex and Poo Bear. Swerving in and out of traffic, causing people to yell in anger in his direction, or causing groups of girls to giggle and point at the mysterious bad boy that just rode past them. Covered in a helmet and covered in a big leather jacket and cloves, he looks like a big hunk of a man, showing off his motorcycle. But would Raph play his music out loud while riding down the street? Normally he would not. But there was this one time he just couldn’t help himself. Stopping at a red light, Raph found himself beside an open roofed car, filled with giggling human girls. Most of them were tipsy, and Raph wouldn’t be too surprised if the girl in front of the steering wheel was too. Obviously, they had something for big guys, as they started asking about his name, how old he was, where he lived, or if they could get a ride on his motorcycle. Or if he would come ride with them. Raph didn’t say anything, he just pressed a button on his motorcycle, causing the music to disconnect from his helmet, and started playing from his motorcycle speakers. He saluted them, just as the light turned green, riding away while the girls stared at him in awe. In his opinion, it was very much worth it.

Raph has quite a few songs he liked lifting weights to. One of them being “Hello” by Will.I.Am. When Raphael is lifting weights, he will do it proud and loud, playing his music on a red speaker, much to the annoyance of Leonardo, who very much wants to meditate. When it came to boxing, Raph would often listen to Eminem, hyping himself up with the music or the angry lyrics, causing Mikey to ask him what the hell Eminem had done to him, since he would get the need to hit something whenever he heard his voice.

Raph would almost always find a reason to listen to Eminem. When Raph was angry and wanted to hit something; “Kamikaze”. Should Raph ever find himself mad at a woman; “Farewell”. Was Raph ever in a good mood and just wanted to dance and have fun; “Shake that”. But somehow, when Raph was sad, he wouldn’t listen to Emniem. If he was sad and decided to box, he would listen to The Weeknd. Mikey caught on to that pretty fast, and would do his little brother duty to bring up Raph’s mood, whenever he would hear the voice of The Weeknd from Raph's room.

Like Leo, Raph would also listen to music while showering. But it was while being alone in the bathroom, that Raph would listen to much that wasn’t often associated with big angry muscle men like him. It would often be more pop than electronic or hip hop. And god, how Raph hoped none of his brothers would hear him sing along to “i don’t wanna talk about love”, by Micheal Medrano. Raphael could just shut up and shower in silence, but nope, a man got to groove in the shower. Luckily for Raph, only Donnie had heard him once. Had Donnie laughed his ass off as soon as he got to his room afterwards? Yes, oh my god yes he had. But did he tell Mikey and Leo about it? Nope, he did not. But he did tell April and you about it though, and what a laugh you guys had over the phone.

Raph would never admit it to anyone, but he did listen to Madonna, and he did enjoy it. It started with “Future” by Madonna and Quavo, and before he knew it, he was sitting in his room enjoying both “Like A Prayer” and “Like A Virgin”, which led to him singing “Hung Up” in the shower. Madonna would lead to Dua Lipa, and before Raph even realized what was happening, half of his playlist would be pop power women. Loreen, Lady Gaga, old Miley Cyrus songs. And did he know the lyrics? Oh yes he did. And one time, his brothers would catch him listening to at least one of them.

It was one of those days where each turtle seemed to be doing their own thing, which left Raph alone with his work out equipment and his speaker. As usual it started out with Eminem, Juicy J, Kanye West and others, before suddenly “Rendez Vouz” by INNA. That caught Mikey’s attention, and once he heard and saw Raph dance and sing along from his hiding spot, he went to find Leo and Donnie. And oh, how they fought to keep from laughing when Raph started feeling himself too much, working out to “Work Bitch” by Brittney Spears. After that, the phrase “get to work bitch”, was used quite often around Raph.

Donatello:

The purple scientist is very straightforward with his taste in music. If he likes it, he listens to it. He often has music playing while doing stuff in his lab. Sometimes calming lofi music in hopes that it could get him sleepy, but that usually didn’t work very often. Instead Donnie would often find himself listening to music from the indie scene, or what some people on the internet might call vibey music. Aesthetic music. What aesthetic, you might ask? Well, Donnie had no idea, and he most differently thought that the internet had no idea either. One of these so-called vibe or aesthetic pop songs was “HEAVEN AND BACK” by Chase Atlantic. Tapping away on his computer or connecting whatever hard drive, he found that the music helped him concentrate at the task in front of him.

Though Donnie didn’t seem to notice, his brothers did. Most of the songs he listened to had some not so happy lyrics. Often quite depressive, covered over with bass, keyboard, drum kit and sometimes even a saxophone. At one point Leo had brought this concern up with Donnie, causing the purple turtle shrug.

“Music is music. I listen to what I like”, he said, making another cup of coffee, before going back to work in his lab.

Those few times Donnie finally left his lab to relax in his room, he would read a book, listen to songs like “Quite Quitting” by NOT A TOY. To Donnie, music was mainly background noise, helping him to shut out his loud brothers so he could focus. What the lyrics said didn’t bother him too much. But there is one thing Donnie notices in most of the music he listens to; a smooth bass. It didn’t have to be a loud bass, often becoming part of the background with the drums, being overshadowed by smooth special effects or the singing. Donnie really like bass, but he also like smooth keyboards. There had been times where he had thought of getting a bass or keyboard, or maybe even make them himself. Mikey had his drum set, so Donnie might as well get a few instruments of his own.

Like Leo, Donnie liked to listen to music on the rooftops every once in a while. But unlike his brother, Donnie would usually stay at the same roof, remembering the names of stars, plants and constellations on the sky above him, while listening to songs like “ALIENS” by The Griswolds and Transviolet, wearing big soft headphones. Comfort over looks was important for Donnie, and being a mutant turtle hiding from the people of New York City, he didn’t give a crap about what his headphones look like. He thought they were nice, and he likes to wear them, and that was enough for him. His brothers, on the other hand, thought they were chunky and strange, to which he could only say it was good they were his headphones and not theirs. And it was at nights like those, that Donnie thought of how, maybe his brothers were right about his taste in music. He might be a little different from them, like how the alien was described in the song he was listening to. Not that he worried too much about it. He liked his head and the brain inside it, and with that came being different. That’s just how it was.

But not all the music Donnie listens to is filled with sadness and depression. Songs such as “Strange Clouds” by ufo ufo were a good morning song according to Donnie. When he woke up after finally having had a full night's sleep, he would listen to songs like that, while making breakfast or making his coffee. But then later in the day, sitting in front of the computer screen, once again not being able to sleep, he would listen to stuff like “Numb” by 8 graves. It was the lyrics from that song that had made Leo’s alarm bells ring. Mikey on the other hand wasn’t too worried. He just called Donnie’s music taste “calm edge lord, that doesn’t need to try hard”.

Now, if there was one artist Donatello had to say was his favorite, it would probably be Mystery Skulls, especially “Stronger”. A nice bass in front and center, backed up with synth all around. But Donnie also really liked Luke Black. Way different from all the other music Donnie would listen to, yet he really liked it. He would probably never admit it to his brothers, but he did listen to the lyrics of Luke Black, and he did find it more than a little interesting.

Michelangelo:

Mikey - or as he like to call himself; DJ Mikey - listens to music all the time, every day, everywhere, rarely turning down for the sake of any of his brothers, blasting it oh so loud on his orange speaker, only putting headphones on if his brothers threatened him. Or if Master Splinter asked him to.

He sang along, danced along, sometimes even to the embarrassment of others, like the many times he would scream along to “Turn It Up” by Oliver Tree, Little Big and Tommy Cash.

Mikey likes big, loud and up beat music. Something he can move his body to and be his little happy self. It could be anything from pop to hip hop, maybe even electronic or EDM. It would usually consist of him listening to the same few songs over and over again, until he is getting slightly tired of them, while his brothers are ready to rip their heads off, or maybe dig into their skulls to rip their ears out.

With Mikey being his small ADHD self, it wouldn’t be strange for him to listen to music made by people with ADHD for people with ADHD, making a big deal out of it. One of those songs being “Irresponsible” by Emei. There was this one time he almost made Donnie deaf by blasting the song into his ears while scream: "This song is made for me!"

Much to Leo’s annoyance, Mikey didn’t follow his rule of “no music in the dojo”, since Mikey often found it easier to train with music. This man can do all of his katas perfectly, if only “Hypnodancer” by Little Big is playing in the background.

If there is one thing Mikey likes, it is listening to “Pac-man” by Gorillaz, and making eating pizza into his own version of pac man, in which his brothers are the ghosts, and he has to steal pizza from them. At this point, his older brothers know to keep a good eye on their food as soon as that song starts playing... Or if he just plays Gorillaz at all.

Another thing Mikey likes when it comes to music, is when his brothers somehow enjoy what he’s playing. It had happened before, and it would most likely happen again. Mikey sat in the middle of the lair, happily dancing where he sat while reading comics, playing “Go Bananas” by Little Big. Raph didn’t growl at him from his bench press, but instead started to lift the weights on every other beat. Donnie sat at his computer, pressing the keys of his keyboard in beat with the song, probably without noticing. And Leo was bobbing his head ever so slightly while sharpening his katanas. This had Mikey over the moon, which only caused him to want to play more music for his brothers. Every once in a while they would let him do it, just to make their little brother happy. That was the main reason why Mikey is the aux guy.

When Mikey decided to skateboard, he would most often do it with old school hip hop playing. As a turtle in the sewers of New York, that only made sense to him, which is why he often would skate up and down the sewers, vibing with “The Message” by Grandmaster Flash & The Furious Five. And of course Mikey could rap the whole thing. Now, this was one of those few songs that Leo, Raph and Donnie didn’t mind Mikey playing over and over again.

But then there were those times on patrol where Mikey just would start singing out of nowhere. When he started breaking into “Sax” by Fleur East, complete with thought out dance moves in the way only Mikey could do it, Raph was ready to throw him off the roof and down to ongoing traffic.

It would be no surprise to tell you that one of Mikey’s favorite artists is Little Big, and that he also loves Gorillaz. But he would also quite often listen to the music that his brothers were playing. He very well knew that Leo loved listening to Blur, and that most of Raph’s playlist was made up of power women, and that Donnie’s secret favorite was Luke Black. And of course Mikey could sing every single word to the songs of his brothers' favorite artists, being the little attentive brother that he is. And because his music taste had room for more than theirs had.

—----------------------------------------------------------

You can tell I’m European, can’t you?

[fourraccoonsinacoat]

The beautiful subtleties of the Astarion scar scene, and why this is that headcannon scene where Tavurge draws Astarion.

***Trigger Warning for discussions of body autonomy and sexual trauma.

And we're back for yet another midnight dissertation where I over analyze the F out of a video game character romance, because I can't stop thinking about how amazing the storytelling is. I need help.

So we all love that Astarion romance headcannon where Tavurge draws/paints/does-something-to-show-Astarion-his-face. It's a beautiful headcannon and I adore it. But, allow me to convince you that Larian did, in fact, give us this scene. And it's the scene where Tavurge draws Astarion's scars.

Jump in the car, here we go:

The song playing in the background of this scene is "I Want to Live." I think that's a very deliberate choice, as that song is very tied to Astarion. So much so, that you can stand on a rock behind his tent and suddenly the full song starts to play, lyrics included. Music reminding us of the one thing Astarion wants more than anything else?

Astarion wants the freedom to live a life he chooses, he wants his choices to matter. He's been living 200+ years, but can't remember ever feeling alive until now. He is so deathly afraid of what he has being ripped away now that he's had a taste.

Because every other time he ever felt hope, Cazador tore it away and punished him. Cazador has caught him before when he ran, and locked him in a tomb to starve in darkness for a year. There's a reason the game makes it clear that this is his worst memory. It has to constantly be haunting him, fearful that at any moment Cazador is going to rip this away, too.

So, Astarion sleeps with Tavurge and is suddenly told that the design Cazador drew on his back is written in Infernal. Infernal being the language devils use to write Infernal Contracts. Astarion has to be out of his mind with fear that whatever is on his back binds him to Cazador in some way. Maybe in a way he doesn't know about.

I need to say something about body autonomy trauma, so trigger warning for those who struggle with these subjects. Sexual and body autonomy trauma both play into why this scene is powerful. I struggle with both and there's a reason his story hits particularly hard with me.

****Trigger For Description Of Emotional Response to Trauma: Having control of your body taken away leaves you with a type of deep, primal fear that is very difficult to explain. It's ridiculous and cliche, but the honest-to-best way to describe it is it, feels like a hole deep in your chest where something used to be. And it was literally wrenched out of inside your body, a place where nobody should be able to go because if your body isn't safe then where the fuck is? So keep that in mind.****

Not only has Astarion not had control of his body, he can't even see it in a reflection. Let that sink in.

To add it all up: he has something written in Infernal on his back that he can't see, but that could mean the one thing he's dreading = being bound to Cazador and having all of this ripped away. Again. And then he'll be punished, doing nothing but thinking about what he only just got a taste of.

This is why the cycle of abuse just crushes hope out of you. Because things hurt so much worse when you're hoping for them to work. At some point you're just hurting yourself by hoping.

He's terrified and he can't even look at his own body to see what someone forcibly mutilated into his skin.

So, Tavurge approaches Astarion from behind, just like in the mirror scene. Except this time, Astarion can't see them approaching.

Tavurge surprises him, in what's already a vulnerable moment, and surprises him from behind. A position of weakness. We'll hit on this more in a moment.

Astarion snaps at Tavurge due to being caught in a vulnerable moment. But, he quickly slides back into his charm and apologizes. Mask back up.

He explains what he was doing and the dialog choices here even throwback to the mirror scene. You can tell him you'll be his mirror in this scene.

He's hesitant about the idea. He's not comfortable with vulnerability, and outright tells Tavurge this isn't their problem. This is an extremely vulnerable thing, especially for someone with body autonomy issues. You're turning your back on someone and asking them to show you what's on your own damn body! What if they lie?

This is a major trust moment for Astarion. If you ask later to talk to others in camp about his scars, he is quick to say no.

He's not ready to trust that much. He just was vulnerable with Tavurge and that took too much out of the vulnerability reserves to push for more. Got to let those reserves build back up by seeing more reasons that show it's okay to be vulnerable.

This man does not want to turn around. He keeps his head down and grimaces, closes his eyes to brace himself. Think about all the triggers he must have about turning his back on people. He wasn't exactly bringing the morally upright back to Cazador. And Cazador, himself, obviously took advantage of his control to force Astarion to turn his back to him. Thus the scars.

Given all of that, he still turns around in an act of consent.

I love that you can just choose to quietly draw. You don't tell him how bad it looks, you don't try to comfort him by saying it's not that bad (which he would likely only hear as patronizing in this moment), and you can choose to not make a joke. I feel that's meaningful.

He turns around and can finally fucking see this thing that's been on his back for over two centuries.

At least he got to see his face, even if he can't remember almost anything about it. At least he can touch his hair, touch his face to get an idea. He can't even do that with the scars.

This means a lot, guys. Tavurge has drawn something that I argue is more meaningful than Astarion's face.

Tavurge has drawn a significant key to his future. The future he wants more than anything.

He needs to figure out what the hell this is before Cazador possibly activates it and Tavurge just made that significantly more possible.

And then, Tavurge has the option to call the two of them "we" for the first time in a way not tied to sex. Telling him "we will figure this out" and not asking for anything in return or giving him a hard time about it - at least not too much. The "shut up and turn around" dialog is one of my favs, and I feel Astarion appreciates the candor.

He's definitely sus when you say "we".

That is the face of sus.

But also...amusedly hopeful?

I like that he calls Tavurge "sweet" here. It makes me think of him calling them "cute" in the spawn ending at the grave with the flower.

I think Astarion really picks up on small things. Things people say and do genuinely, and I think it both amuses and confuses him, and in the beginning (here) still makes him uneasy and suspicious. He even asks it as somewhat of a question. Like, are you really actually this genuine?

I also would like to make an argument to the court that this is a significant moment when Astarion starts to realize he !FEELS! something for Tavurge and it's wigging him out!

They're making him hope again, and that's scary.

So, there. That's my evidence for why this scene is the drawing Astarion scene that we all love in our headcannons.

Tavurge is drawing something of extreme significance here. And I love how incredibly subtle this scene is in not blatantly pointing that out.

It's beautiful writing and that is all, your honor. Midnight dissertation - but also I may be in court - over!

Thank you for reading any of this nonsense.

[deadcryptiid]

Interview with Euronymous for Morbid Magazine 1987

You had planned a tour in Italy, what will happen now that Manheim is gone?

Euro: We'll just use Torben. But the tour will be in December instead of August as first planned. This is for several reasons.

Does Maniac use distortion on his vocals or is his voice natural?

Euro: Maniac's voice is actually natural! When I first heard him I was sure that he used distortion, but he don't. You can hear that on the demo/record, because he and Messiah use the same mike together! But I think he uses some ki nd of space effect.

How do you manage to play so fast?

Euro: Well, you know that the more practice you get the faster it goes, and we've played for three years, now. But we don't play fast compared to bands like Napalm Death! They're fast!

Has your demo sold well?

Euro: We've sold some, but most people prefer to wait for the record, I think. We've sold a couple of hundred records, even before it's out!

Are any record labels interested to make a deal with you?

Euro: I don't know.We haven't tried to get a deal yet. We recently got a letter from some label called Thunder Records. They wanted a demo so I sent them one. But except from that we haven't sent out any demo to record companies at all.A lot of people have told us that we'd get a deal easily, but we hate record companies. If we'd sign a deal, we'd loose all control. Now we do everything ourself, distribution, promotions and stuff, on our own label called "Posercorpse Music, Inc. "If we sign a deal, we might get much better distribution and more money, but still we prefer to do things ourself. I mean, which rec. company would print our lyrics? However, if we one day do sign a deal, I doubt that it will be more than a one or two record deal.

Were do people that buy your demo come from?

Euro: From all of the world.We've even got a lot of letters from strange places like Japan, Australia, Poland, Chile and Peru!

What do you think of the Norwegian thrash scene?

Euro: It sucks, but I think it starts to build up now. More and more people seem to become active in the scene which I think is good. One thing which also is good is that punks and thrashers now start uniting. But I think that more girls should get into the scene! I know about just 5-6 of them here in this country. However, the Norwegian scene has alot of suckers!It is people who just walk around, thinking "I listen to Slayer, I'm hard!" and we also have those who make crooked use on bands and others, I'm not going to mention any names, but this is Bad!

Do you feel that many people buy your demo after they have read a Fanzine with you in it?

Euro: Yeah, I think that's the way most people get to know about us. We've also been played on lots of local radios everywhere, but it's deffinetly the fanzines who make most of the promotion.

What music do you listen to?

Euro: Personally I listen a lot to electronic syntheziser music like Klaus Schule, Tangerine Dream, Conrad Schnitzler and Brian Eno. I also listen to lots of thrash and some hardcore. But, NO disco shit, pop music or HM.

What do you think about Vomit and the music they play?

Euro: They rule! Their new stuff is so great! To be honest, I think they're better than us! They're really great guys. When Manheim left us they lent us Torben and they let us come to practice at their rehearsalplace every weekend. That's a cool attitude. Support them! They will have a new demo out this autumn.

You visited Kreator some time ago, how did they react when they first heard you?

Euro: The German thrashers are psychos! At that time we had only released "P.F.A" demo, and a lot of them loved it! Then you have to be sick!

You've got some help from Metalion of Slayer Mag. what do you think of him and the Fanzine?

Euro: Metalion is a fucking great guy and our best friend. If it haden't been for him....... The Deathcrush record is dedicated to him, and he truly deserves it! His 'zine is one of the best ive seen and also definitely the sickest.

[aprilclementine]

Steve and Robin sneaking away every other weekend to a bar in the city, that's very accepting of their lifestyle, plus the drinks are cheap and fruity, there's live music once a month, and they've never felt so free.

One weekend the two go up because a friend they made on one of their many trips is raving about the live music they'll be having on Saturday. Robin begs Steve even though it's only been a week since they were last up there, and Steve agrees reluctantly. The two pile into Steve's car after work, and make the drive.

When they arrive they immediately feel underdressed. The energy in the bar feels different, and it's definitely not the usual crowd. The two share a confused look, not thinking too much of it before, making their way to the bar, shoving past lots of leather and chains. They order their usuals, and fall into easy conversation.

A cute girl approaches Robin, so Steve keeps to himself, listening in on their conversation when he can. Steve isn’t eavesdropping, honestly, he’s making sure the girl will meet his standards for his best friend. "My name's Nancy, I manage for the band that's playing tonight," Steve remembers hearing very clearly. He looked over at the girl, with her shoulder length, head of curls, a few pieces being held out of her face with clips, she wore a leather skirt, with a band tee tucked in. Steve read the name "Corroded Coffin'' across the top of her shirt, and suddenly his interest was piqued.

He leans over Robin, catching the girl's attention. "Did you say you're the manager of the band playing tonight?" Steve asked.

The girl nodded with a proud smile. "Mhm, they pulled out quite the crowd, I scoped this place out a month ago before I booked them, this isn't their normal scene." Steve and Robin nodded in agreement doing another once-over of the crowd gathering near the small stage. "They don't look much like your guys' style either. You guys stuck out like a sore thumb," Nancy had said with a small laugh, looking over Steve and Robin's clothing. "What brought you guys out here? Or did you get caught in the middle of this." She had inquired.

“Word to mouth," Steve had answered simply.

Robin continued, "A friend we made here called and raved about who was playing tonight, didn't tell us the genre, we just like live music. We love a good show."

Nancy nodded, sipping her drink before speaking again, "Well, Eddie sure does put on a show." As if on cue, she nodded towards the stage, Steve looked over, and saw the hottest man he thinks he has ever seen. Long curly hair, a band shirt similar to the girls, but his was cropped, the tightest jeans in the entire club, Steve is sure.

Steve couldn't even think straight as the man approached the mic, a wide smile as he greeted the crowd, and Steve was a goner once he saw that dimpled grin.

Steve got up mindlessly, leaving Robin and Nancy to continue talking, moving with the crowd as the band played through their first song. It was definitely different from the music Steve was used to, he didn't know if it was the music he was captivated by, or just the man performing it.

Steve moved closer and closer to the stage, as if the man on stage had some magnetic pull on him. Before he knew it, Steve was at the front of the crowd, not letting his eyes leave Eddie on stage, by their third song Steve is sure Eddies noticed him, not sure if the heat he feels rushing from his neck to his face is from the alcohol in his system, or the man's intense gaze.

Before their last song, Eddie addressed the crowd, announcing they were doing a cover of an ACDC song. Steve nodded along as if he knew who ABCD or whatever they called were. Eddie was putting his all into this last song, throwing his head back as he belted out some of the lyrics, taking his mic off the stand, and dragging the cord along, as he moved to the edge of the crowd, swinging his electric around to his back. Steve could feel his breathing stop as Eddie was now in front of him, singing to the crowd over Steve, rocking his entire body along to the music.

Steve was frozen in place, not being able to do anything but look up at Eddie from where he stood at the end of the lifted stage. Steve's breath hitched when Eddie looked down at him, Steve could see something in his eyes, asking for something, so Steve nodded pathetically.

Eddie gave him that same smile, before he cupped Steves face with one hand, slotting his fingers through Steve’s hair, pulling roughly so Steve was craning his neck, Eddie leaned down, pressing his forehead against Steve’s, their noses touched and the only thing separating their lips, was the mic as Eddie sang the lyrics into Steves flushed face.

"Let me put my love into you, babe! Let me cut your cake with my knife!" Eddie sang the chorus with a wicked grin, giving Steve's hair another rough tug, as he pulled their faces apart, and finished the rest of the song from the middle of the stage.

Steve's ears were ringing, as his body went into autopilot, moving away from the stage as the song ended, making his way back to Robin at the bar.

Robin had a goofy smile on her face, Nancy still seated next to her. "Enjoy the show, Stevie?" Robin teased. Steve nodded, still trying to bring his mind back to reality.

Nancy laughed from beside Robin, "I did tell you that Eddie is quite the showman."

—

hiii enjoy another short blurb from my drafts because I have so many wip’s rn

(bonus: robin thinks this was a “planned attack.”

"That was a planned attack-" "Robs, what-" "No no Steve listen, she said we stick out like a sore thumb, so we are easy to notice, out of all the people she comes to in the bar its us, normies, and then her band, the one person that gets any attention from the leading man, is literally the only other normie here!"

"I say, they saw us from backstage, we piqued their interest, I mean of all the people sitting by us, she came to talk to me! She-" "Robs, thats ridiculous." "Oh, is it, Stevie? So, tell me why she left to meet with them after the concert? Hmm? Thats right, probably to meet with Eddie and fill him in on the state he left you in-" "Or, and hear me out, she has to, I don't know, manage the band shes in charge of?" "No, too simple." )

[tunguszka20]

infodump about Epic please- I know nothing about it but it sounds awesome and where do I watch it? :)

Okay okay okay. Let me get my thoughts together.

So let's start from the begging. There's this amazing man called Jorge Rivera-Herrans (Jay), who started making a musical adaptation of the Odyssey by Homer because. He can. He's super enthusiastic about the project, if you look up his videos on yt, his enthusiasm and energy is basically contagious. He's also super funny.

So the tricky things about EPIC is that. It's not done yet. So you can't watch it (well you... Can in some way but not like you can watch Hamilton or any other normal musical). Jay puts puts new "chapters" of the story whenever he has one ready (they're called Sagas. There's 9 sagas in the whole musical, 6 of them are out. These are The Troy Saga, The Cyclops Saga, The Ocean Saga, The Circe Saga, The Underworld Saga and The Thunder Saga). 5 Sagas are in Act 1 and 4 in Act 2. Both acts have 20 songs, so a total of 40 songs.

When a new Saga comes out, there's usually a watch party (it's also streamed on YouTube), where Jay streams the songs with the lyrics, and with some scenes they recorded/animatics.

The Thunder Saga came out today, but this time Jay didn't only stream the current saga, but the whole thing (My friend @randomfangirl32 recorded it, if she'll let me, I can send you the links so you can watch the whole thing we have so far, if you want). It was because they had to re-record the first two sagas due to... Financial stuff, idk how to explain it, Jay has a video about it.

And also. The actors. The actors are SO perfect. My favorite ones are Talya Sindel (as Circe), Teagan Earley (hope I spelled her name right, and she's playing Athena), Steven Rodriguez (as Poseidon), Luke Holt (as Zeus), Anna Lea (as Penelope), but seriously, everyone else is awesome too 🥹

And then. You'll get my favorite songs. Because I can't just choose one.

From released songs:

Full Speed Ahead (it's pretty underrated imo)

Warrior of the Mind

My Goodbye

Keep Your Friends Close

Ruthlessness

Puppeteer

Wouldn't You Like (HERMES 😭😭)

No Longer you

Suffering

Different Beast

Thunder Bringer

(but like. I love every song so muchh)

Not released (there are snippets in yt):

Little Wolf

Legendary

God Games

Dangerous

Charybdis

The Challenge

Hold Them Down

King

Gracie. Thank you for this question. From the bottom of my heart. This is literally a once-in-a-lifetime question, and. I'm so happy 🥹

Anyway if you still have questions I'll. Gladly elaborate.

[chaosgremlinmunson]

Rocker Stevie

Might be part one.

Diane: So let's set the scene, it's 1988, you're newly 21. You are top of the charts bubblegum pop princess Stevie Hendrix. You're married to top selling actor Tommy Hagan known for his action films and beach body. You just won two Grammys that year, and then, what happened?

Stevie: So, like you said. I was newly 21, I married my highschool sweetheart who'd reached stardom right alongside me as an actor instead of in music, which, honestly Diane, thank God for that. The man has no idea how to hold a tune, he'd likely make a dying cat sound like a siren. Laugh No, really! It's that bad! Anyway, I was fresh off my latest tour for Rainbows and Leather and came home to see my darling husband. I was so excited I'd been missing him, you know. Well, I walked into the house and what did I find? My husband, in bed butt naked with my Best friend and his personal assistant at my behest, Carol Perkins. To tell you the fallout from that was anything less than apocalyptic would be selling it short.

Diane: So after the absolutely dramatic divorce, you decided to change genres? Why Rock?

Stevie: Rock spoke to my soul, I wrote ‘I wanna ghost myself’ one night drunk on apple spritzers with my sister Robin, and her best friend Eddie. They'd been in my corner from the start, but Eddie and I always nipped at each other about our music tastes, then that night he picked up his guitar and started playing and ‘I wanna ghost myself' just flowed out. I was laid out on the floor by the ending between lighter and tears, and just felt so free. So like myself. And that was it, Stevie hung up her rainbows and sunshine and embraced her chaos and revenge.

Diane: So where did the lyrics 'think I'll take my heart and throw it off a cliff, yeah I have a feeling that it won't be missed” come from?

Stevie: You have to understand, I was devastated by what Tommy did. I had only ever been with him to that point in my life, he'd made me believe he was the only one for me. That without him my life would feel meaningless because up to that point every moment together he showered me in affection and praise. He was the ideal husband on the surface, and then I found out he'd been having an affair with Carol for literal years. Everyone knew except for me, and I was crushed. ‘Think I'll take my heart and throw it off a cliff’ was me almost literally saying my heart is broken and I don't want to feel anymore. I became wild and lost myself to the music. Eddie wrapped me in leather and lace and asked me to be the front woman for his band. I was shocked, because honestly was I going to make it delving into a whole new genre? I'd already come to the end of my contract with Upside Down records, so I wasn't concerned about what my team thought. However, my fan base? Would they still love me the same, would I make it? I was scared, and then we had our first show. It was small, and it was a test for me to see if I could do this. The world caught fire for me that night, and I never looked back.

Diane: So let's fast forward, finally Devil's Prey became a household name, and Stevie Hendrix was a sensation. What happened the night of the music awards, in your own words.

Stevie: So, for years I'd gone by Stevie Hendrix so no one would know who I was. It was mid set for ‘Bulletproof’ and as I turned the lights cut out and a picture lit up the screen. It was a photo of me on my wedding day, my eyes crossed out and ‘Stefania Harrington the Whore’ written across my body as I stood between Tommy, his old friend Billy, and Jason Carver. I screamed, and looked back at the audience just as Eddie tackled me to the ground and a shot whipped past my head.

Diane: So Eddie Munson saved you that day?

Stevie: Yes, he did. He held me while I sobbed in the green room. I never knew someone could be so hateful just because my songs brought what they'd done to light, but there I was running for my life while the security detail searched for the gunman. Eddie was furious, he held onto me and told me we were going to my place with his security, to pack up my things and come to his. See, Eddie lived in a damn near impenetrable home, there was no way anyone could get to me there. Of course I wanted to fight him on it, but I'm just a girl at the end of the day, and Eddie Munson has an energy you just don't fight when it's directed at you.

Diane: So you moved in that night?

Stevie: Yes. Eddie was my shadow for days, I barely could use the restroom without him following me around. It was aggravating at times, but I saw how scared he was when he wasn't in the spot he could see me.

Diane: He was traumatized.

Stevie: He was traumatized and he was ready to follow me to hell if he needed just to make sure I was safe. I never knew what love was until I was met with the force of Eddie Munson’s protection. He woke my dead heart up again, and I was doomed from the start.

Diane: So eventually the agents you had investigating the shooting found out who shot that gun, and who hired him.

Stevie: I need a minute before we talk about this. Let me just grab a water and ask Eddie to come sit with me.

Diane: Take your time.

Stevie and Eddie walk back in, they're holding hands and Eddie is murmuring to Stevie who's looking like she may just pass out from nerves. She squeezes Eddie's hand and takes a seat, Eddie sits beside her his fingers laced with hers.

Stevie: Okay, I'm ready. Breathes in deeply So Jim Hopper was the head agent on the investigative team. He had become something like a father figure to Robin and I over the years after my parents’ accident. When Jim came into Eddie's house his face was drawn, and I knew then that the people who had attacked me knew me. He sat me down and told me as gently as possible that Tommy had asked Billy to do the job. He was furious at my songs, and apparently the fan base put two and two together and his career began to tank. People were boycotting his movies. I didn't know, I swear, I just wanted my freedom and an outlet for all my pain. I deserve to have that without someone threatening me, you know? Tommy had hired Jason who was in tech support to upload the photo in the middle of our set. It was this whole plot. Make me pay in the most public way possible.

Eddie: I wanted to rip them apart. Stevie was distraught, she is such a good person. And if I could take her pain away I would, happily.

Stevie: I know you would, but you going to prison wouldn't have helped me. I need you here Eddie.

Eddie: I'm not leaving, not ever.

Stevie: So the trial came and went. They'd found loads of evidence in Tommy's apartment, through the baking records, phone records. I mean they pretty much wrote out in neon lights that they planned to kill me. Laughs incredulously All because Tommy couldn't handle the consequences of being a shitty husband?

Eddie: He never deserved you, Stevie.

Stevie: blushes and ducks her head Oh hush you big sap.

Diane: So the bad guys are caught, you're safe now, what does the future hold for Stevie Hendrix?

Stevie: More Rock and Roll obviously, but therapy to deal with the trauma. Mandatory family nights. Just things to help me feel back to myself.

Eddie: Hopefully a wedding soon, too. That is if you say yes. Eddie Munson sank to one knee reaching into his pocket and pulling out a ring. Stevie stared at him, her eyes glassy before grabbing him by his curls and kissing him, she giggled a yes, and he slipped the ring on her finger. She said yes!

Stevie: I said yes. I love you Eddie Munson.

Diane: I'm so happy for you both!

Eddie: I love you Stevie Hendrix, I can't wait to be Mr. Hendrix!

Diane: Well, It was lovely sitting with you for this interview. Thank you for agreeing to be on my show, and I can't wait to see the wedding photos one day.

Stevie: See the photos? Diane, you're invited to the wedding!

Diane: Oh wow! I'd be honored.

Stevie and Eddie stood and walked off the stage where Robin stood, her face lit in a blinding grin, she embraced her sister letting out a laugh and they both turned to wave to Diane who smiled and waved back. The show was over, but Stevie’s life was only just beginning.

[tinkerbelle05]

hi! can you write a miles (1610) x gn/fem pop star s/o? thanks so much!!

My Muse

Characters: 1610!Miles Morales x Black!Fem!reader

Genre: Fluff

Summary: (Requested) Thanks for the reqs, sweets

Warning: none :)

A/N: Did I use this as an excuse to talk about my favorite songs? Maybe lol. Let me know if you have heard of any of these, they are listed below.

Dating someone famous was not for the weak, Miles expected that. You tried to keep your relationship private, knowing how unhinged your fans could be. You loved and appreciated them (well most of them) but they could be a bit much at times.

And because of that your dating life was on standby until you met Miles. He was perfection in every sense of the world. And somehow, when your relationship inevitablely got leaked, he was calm about it. Well of course during first week Miles was the definition of a mess because who wouldn’t be. He was constantly refreshing the comment section of posts and the like.

But after that he went private and kinda moved on. Two months later and it was like the leak never existed. You moved on with your lives and the rest of the world did too.

Miles was hanging out in your room, music playing in the background. You were writing lyrics in your book and he was sketching in his. With the afternoon sun lighting up the room, the scene felt picturesque.

You felt someone watching you, and when you looked up, it was Miles. His face was resting on his palm and he had a lovesick expression on his face.

“You should take a picture, it'll last longer,” you joked and that broke him out of it whatever daydream he was having.

“Oh…oh. Um, was I staring?” He asked sheepishly.

“Yes, you were,” you chuckled. “But it’s cute.”

You leaned over and caught a glimpsed of his sketch book. But only that as he snatched the thing out of your reach. “Hey, hey, you know the deal. You look into my book, and I look into yours.”

You stared at Miles, mulling over the offer in your head, weighing the pros and cons in your head. “Okay, fine.”

You really wanted to see what that boy was so secretive about in there. And you always wanted to stare at the lil sketches he made of you. You exchanged books and went to looking.

You just hoped he wouldn't be a dork (affectionately) about what you written in your book.

But this is Miles we’re talking about here. Being dork is practically his middle name.

He glances up at you and his eyes says it all. Your cheeks were getting hot but thankfully with your complexion, it won't show.

“Can’t stop thinking ‘bout the way you kissed me, under the stars’?” Miles recounts the lyrics you wrote.

You ignored him and continued to look through his sketchbook. Even though you were enjoying his reactions.

It's one of your favorite parts about thing whole singing thing (other than the money obviously), it was how people reacted to your songs. Especially the ones who inspired it.

“Oh, and another one! ‘You’re the water when I’m stuck in the desert. You’re the Tylenol I take when my head hurts. You’re the sunshine of my life.’” He reads the words from the book with a smug smile on his face.

“What you cheesing for?” you asked with a big smile of your own.

Miles sets the book down on his overcrowded night table and comes closer to you, “You know, while reading this book, one would assume that I'm your muse."

He's staring at me with a teasing smirk on his face, “Well, am I?”

Instead of answering you shoved his book in his face and flipped through the multiple drawings that Miles has of you, “And what about this? Does this mean I'm your muse too?"

“Okay, okay you got me. I guess we’re both muses for eachother then?”

You look at him and can't help but smile, “Yea, I guess we are.”

Tags: @butterfi, @somber-dreamz, @jam-skullz, @hoeboat101, @randomhoex, @badbehaviorxx, @gw3ndyswonderland, @midnight-the-shadow-wolf, @eight-cats-in-a-box, @itstooearly-its3am, @sleepdeprivationis4coolkids, @rosebunny, @maypersonne, @yourtsahik, @mur-docs, @sawi-06, @707xn, @andhdi68a, @emgavi, @nagi3seastorm, @ghostsimp000, @cloudstrifefantatic, @vixqn, @ellatienesuscosas, @laylasbunbunny, @minimari415, @im-jisoo-im-okay, @universallypeanutpizzapersona, @avatarl0v3r, @nerdyparker616, @jell0buss-37, @centipider, @keawio, @skullux, @luci1fer, @jazisc00l, @thebestandrealestever, @baneofthemultiverse, @1uvvmi,

Anonlist & Reqs Info & Masterlist & 500 Followers Celebration!! & Taglist

Songs used: ur so pretty - wasia project & best part -HER ft. Daniel Caesar

[valkyrieromanoff]

BAD BATCH: HEADCANON ABOUT A KARAOKE NIGHT

warning:  none, fluffiness perhaps?

a/n:  Hi, to celebrate -- a little late -- the one month anniversary of the end of Bad Batch, I wrote some headcanon about what they'd be like on a karaoke night, I'll just say I had a blast with it. I hope you like it, and if anyone has any suggestions, headcanon ideas, oneshots or anything don't hesitate to send them to me because I'd love to. Kisses 💖

💖 HUNTER

Considering his role as sergeant and leader of the group, he is calm, reserved and focused. He's not shy, although he prefers to stay in the background, watching the scene rather than singing in front of the others, but he's convinced to take a chance by his brothers' encouragement. Hunter's singing is unexpectedly good, his deep, firm voice making for a good rendition of Survivor's 'Eye of the Tiger'. 

So many times, it happens too fast

You trade your passion for glory

Don't lose your grip on the dreams of the past

You must fight just to keep them alive

Hunter approaches the microphone, his posture relaxed, although his eyes scan his surroundings in his usual alert state before letting his gaze linger on the table where his brothers are sitting. His feet tapping the floor softly to the rhythm of the melody, he takes a deep breath for a moment with his eyes closed before beginning to sing in a controlled manner. His eyes are fixed on the monitor where the lyrics are playing, even though he already knows them by heart. As the song progresses, Hunter begins to loosen up, becoming more confident and comfortable, his voice firmer and more assured, he begins to enjoy himself and relax. When the iconic opening riff begins, he grabs the microphone stand and leans in slightly, his deep voice resonating through the room as he gives himself completely to the music, only coming out of his trance when the applause breaks.

💖 CROSSHAIR

It took a lot of insistence from his brothers and Omega's puppy dog eyes to convince Crosshair to have a karaoke night, not to mention Wrecker's not-so-subtle persuasion of hugging his younger brother until he agreed. His personality is more reserved and introspective, although he doesn't fail to make sarcastic comments during the brothers' performances, even though he enjoyed every one of them. Crosshair didn't want to sing at first, but was convinced by his brothers and ended up choosing something darker and more daring like 'Paint it, Black' by The Rolling Stones. He sings in a surprisingly smooth way, delivering a firm and seemingly impartial performance, astounding everyone with his undeniable talent and calm demeanor. Wrecker even insists that he sing one more song.

Maybe then, I'll fade away

And not have to face the facts

It's not easy facing up

When your whole world is black

Crosshair reluctantly takes to the stage, flicking through the set list until he chooses 'Paint it, Black', his low, husky voice weaving perfectly through the dark, melancholy melody. He stands in the middle with an imposing coolness, his hand holding the microphone firmly, contradicting the raw emotion that bleeds from his voice. As the song progresses, he sings with a calm intensity, a relaxed look and posture, receiving applause with a mixture of surprise and excitement from the brothers and the audience who seem captivated by Crosshair's unexpectedly frightening and beautiful performance. 

💖 ECHO

Echo's stance is more introverted and reserved, and he is wary of the invitation at first, but accepts, realizing that it's a good opportunity to interact and spend quality time with his siblings. He sings well, committed in a serious and sincere way with a touch of emotion stemming from the consonance of his own experiences with the story the song is telling. He chooses 'Hero' by Chad Kroeger, the song brings the idea of heroism, overcoming challenges, fitting with Echo's journey and resilience. As a clone, he was created to fight for the Republic, to save his brothers, having to be his own hero, find his own way out, to overcome his challenges, knowing that at that particular moment there was no one who could do it for him.

And they say that a hero could save us

I'm not gonna stand here and wait

I'll hold onto the wings of the eagles

Watch as we all fly away

Echo approaches the microphone, adjusting the stand to his height (Hunter performed before him), he takes a deep breath before starting to sing, letting the beat of the song invade his ears so he can find his own rhythm in the melody. The soft, introspective beginning allows his voice to shine, filled with vulnerability and determination. He channels his personal experiences, reflecting his own struggles, losses and triumphs in his performance. His voice reflects raw emotion as he closes his eyes and lets the lyrics guide him, his confidence growing with each stanza. When the song ends, his brothers are on their feet clapping excitedly, proud and in awe of his performance. Wrecker pulls him into a group hug as he steps down from the stage. 

💖 TECH

Tech has a more analytical personality, much preferring to see the world through the lens of his holopad than engage in social activities, only content to watch his brothers, making one comment or another about the mistake of a note or a delay in getting into the rhythm of the song. He is reluctant when Omega suggests that he be the next to sing; it takes quite a bit of convincing for him to agree to take part. His way of singing is technically precise, possibly a little stiff, considering that he would be more focused on hitting the notes, singing in time to the melody than really feeling the music. He'd go for something more quirky like 'Weird Science' by Oingo Boingo.

Pictures from a magazine

Diagrams and charts, mending broken hearts

And makin' weird science

Something like a recipe

Tech holds the microphone with a mixture of curiosity and determination, although he remains apprehensive, but soon abandons his contradictory thoughts when the melody begins, focusing entirely on singing all the stanzas properly and correctly. There's a certain complexity to the music that encourages a small smile to appear on Tech's lips when he feels safe and comfortable with the lyrics he's used to humming mentally while going about his routine activities. When he finishes, Tech meticulously puts the microphone back before meeting his siblings who are happily celebrating his performance, he adjusts his glasses in his awkward way, not knowing how to react to the wave of compliments and congratulations.

💖 WRECKER

Wrecker has an outgoing personality, he's very loud and always excited to have fun and get a laugh out of others. He loves the attention that karaoke provides and once he feels safe on stage, there's not a shred of shyness in his body. He's not the best singer, his singing is more a question of volume and enthusiasm than musical talent. Wrecker would choose an energetic, upbeat and fun song like Queen's 'We Will Rock You' that would allow him to run around the stage, having fun and involving the audience, totally focused on enjoying the moment. Tech would probably be recording it for posterity.

We will, we will rock you, sing it

We will, we will rock you, everybody

We will, we will rock you, hmm

We will, we will rock you

Wrecker rushes onto the stage, almost knocking over a chair with his energy and captivating animation. He takes the microphone off the stand and holds it in one hand, clapping with the other to imitate the beat of the song. His fun, loud voice filling the room as he walked around the stage, pointing to the audience and clapping his hands to encourage them to follow the music with him. It doesn't take long for his enthusiasm to infect the room and soon everyone is singing along. He dances, jumps and has fun for every minute of the song, without worrying about singing technique, but about living in the moment and being able to enjoy himself in the process. 

💖 OMEGA

Omega is a curious, enthusiastic child who is always ready to try new things. She'll be excited by the karaoke proposal, she's probably the one who came up with the idea anyway. Her singing would be an explosion of joy and energy, and even if she wasn't technically perfect, her enthusiasm for performing would be contagious, leaving everyone captivated by her carefree and youthful presentation. Her choice of song would be something upbeat and fun, that she could have a blast singing and invite the audience to join in, like 'Happy' by Pharrell Williams.

Because I'm happy

Clap along if you feel like happiness is the truth

Because I'm happy

Clap along if you know what happiness is to you

Because I'm happy

Clap along if you feel like that's what you wanna do

The excitement on her face as Omega practically skips down the steps to the stage when her name is called. She takes the microphone off the stand, wanting to have more mobility to move around the stage, she waves to her brothers sitting in the front row before starting to sway to the rhythm of the music. Her voice is bright and cheerful, bringing a burst of joy and fun to the karaoke evening. Omega dances and jumps using the entire stage space, occasionally inventing a choreography, such as clapping her hands over her head, which Wrecker was imitating with animation, albeit with a little less motor coordination. She might miss a note or two, but it doesn't seem to matter; her excitement gets the whole canteen clapping and singing along to the chorus. Hunter watches her with a proud smile, Wrecker dances along, Tech records everything on his holopad, while Crosshair and Echo exchange amused glances, both enjoying the moment.

[ughhhdavid]

A kinda long analysis of some scenes in The Sound Of Music in relation to the Ted Lasso finale, TedTrent, and Ted's bisexuality ahead.

Since they decided to name the finale as a reference to The Sound Of Music, and perform a song from it as well, I've decided to look into it. After all, Ted has always been pretty similar to Maria. They're both enthusiastic, positive, they come into this family's life, and, while uptight and closed off at first, it eventually warms up to them. They both help their new family become better.

And then they leave.

Why?

They both say it's because they miss their old lives. But Maria actually leaves because she has developed feelings for the Captain. Meanwhile I think Ted missing his family at home is genuine. (However, he had a chance to have both his Richmond family and his Kansas family at the same time. And there's some debate of the reason he didn't want that)

In The Sound Of Music, we get glimpses into Maria's life after going back.

Sound familiar?

All these shots of people he loves who you think would want him there. Even his own best friend's wedding. And where is Ted? Why is he missing these moments? Why is he so isolated?

Uhm... Hello???? If there's one way to describe Ted's face in this scene, it's this.

Now this is where Ted's story ends. But Maria's continues, having a very intense conversation with Mother Abbess about feelings you've never felt before, having something deep inside you that you can't face, being confused, and not wanting to betray God. This seems very queer coded to me.

On the other hand, she thinks that she is only in servitude of God, and accepting the Captain's love would be distracting her from her mission as a nun. To which Mother says, that just because she loves The Captain, that doesn't mean she loves God less.

Now that got me thinking about Ted, and the way he left everything behind, and the way he rejected everyone's love for him, and the way he seemed to think that was the right thing to do in order to fully love and be there for Henry.

But Ted was a great father, even in London, and he didn't need to sacrifice all other things he loved for him. (Of course, parents would sacrifice everything for their kids, I'm just saying Ted didn't have to).

Loving Richmond didn't mean he loved Henry less.

Mother Reverend also says this:

Which reminds me of what Trent said earlier in the episode:

"I don't think we change, per say, as much as we learn to accept who we've always been"

Next she sings the song "Climb Every Mountain",which finally convinces Maria to go back. Here are some of the lyrics:

Which, first of all. Rainbow??? Ok.

Like the rainbow in Ted's hallucination? Like the bi flag in that same hallucination that helped him get unstuck and get as close to achieving his dream as he could, with Total Football.

Secondly, this reminds me of Ted on the plane, doubting himself. Thinking about how they could've won the whole fucking thing. And later, the lyrics from "Father and Son" that play while Ted looks at the snowglobe.

"For you will still be here tomorrow

But your dreams may not"

How are we supposed to interpret this if not that Ted is abandoning his dream,Richmond?

And that someone needs to make him realize his dreams are important, too?

Next, Maria comes back and greets the Captain in an interaction that reminded me a lot of Ted and Trent.

And then the captain says this:

Which is a criticism I heard a lot about the finale. The entirety of AFC Richmond said goodbye to Ted in big ways, and small ways, but he never said a proper goodbye to any of them. A proper, heartfelt goodbye in which he said something substantial, anything that anyone deserved to hear from him, after spending the past 3 years loving him, being by his side and believing in him.

With Maria returned, The Captain breaks up his engagement to The Baroness.

He says he has been dishonest. He has hidden his feelings and he can't hide them anymore. Reminded me of Trent, saying he had to come out to his wife 2 times before her believing. Trent, hiding his real feelings from a woman he couldn't love the way she wanted him to.

To which the Baroness gets defensive and acts like she's the one who wants to break up. That she doesn't think he's the right man for her.

Why?

I laughed out loud when she said this, ngl.

Next, The Captain talks to Maria in the garden about her plans to leave again soon.

Again, reminiscent of Keeley and Rebecca asking Ted to change his mind, and stay. And the book Ted is holding on the plane "How to Change Your Mind: The New Science Of Psychadelics".

The part where he says "it will be all wrong again after you leave". Let's talk about that. Because as Ted leaves, Roy and Jamie throw away years of development and go back to their old dynamic. Nate is a kit man again. So much regression. Beard, going home to an abusive girlfriend. And Ted, who was learning to break free from society's idea of what a family should look like, Ted, who wanted to be free and fluid, going back into those boxes.

For these characters, it's like the show was folded in half,to get the beginning and the end to touch. For them, it's like starting from zero. It's like everything they've been through has been for nothing. (Roy even specifically calls this out).

Back The Sound of Music, Maria and The Captain finally confess their feelings to each other.

Are you kidding me? A whistle? You mean like coaches have?

Anyway, this is all the parallels and things I've found interesting while watching this part in The Sound Of Music. I could go on for longer, but this movie is 3 hours long of scenes that remind me of Ted.

"Yeah, it might be all that you get

Yeah, I guess this might well be it."