#and I just don't really care enough to want to engage with it at the depth I was anymore

[solradguy]

I was a strong spectator of the teratophilia community here on Tumblr before The Great Porn Ban and there's been a huge hole in my heart since it was dissolved, but I've slowly been rediscovering the community over on Bluesky and it's been wonderful. I need to make a terato page on my website, I think

[kiryoutann]

i wanted to rant about simon.

what do you think so far like what are your actual headcanons for the canon simon vs this simon from this series?

my feelings about the actual simon is quite vague. i've read far more fanfictions than bothering with the actual material so my picture of his is not really...constant? idk

but with this simon, he scares me. just to think about people that can engage in such romantic and sensual acts with little to no feeling involved.

or the mc's father. her dad makes me feel such an anger and injustice that i don't know how to express it and i know we probably won't get a satisfying update on him.

you don't like your wife fine i could understand the distance between them, but how can somebody forget their child no matter if they share the same blood or not, after all the time he raised her

leaving all that behind just to start a whole new life. how can that not eat somebody alive

OHH this is actually a good question. honestly for me, simon is probably one of the hardest character to write about because he doesn't give away too much. too calm. too know-it-all.

we're just gonna talk about the romance aspects!

but based on my head-canon of the canon simon, he has those younger years where he avoids romance, but not this actively and aggressively. it's more because he has too much on his plate (anger management issues, PTSD, depression) than because he think he's not good enough for some happiness (but he also doesn't expect/hope for it.)

canon younger (probably 6-7 years after he killed Roba) Simon lives his life without the need for things to turn out in certain ways. as he gets older (yes, the 2022/2023 ghost) and better mentally, he's become a little more open to the idea, though.

he's still not actively seeking romance, settling on one-nightstands and things that don't require any strings attached. however, he's not completely closed off to the idea too. if he has someone he likes AND TRUST (this is already a high wall to get over), he might act on it. but again, not really actively pursuing it and knows he doesn't need it.

and this might come as a surprise, but he's actually the biggest flirt out there—well, at least when it's only the two of you. when in front of his taskforce, he goes back to acting like he's the calm, collected, cool, stoic, scary lieutenant that everyone knows. can't have you ruin his reputation, right?

"it's private but not secret," with him. though it's not loud PDA, sometimes he lets his hands linger in places like your waist, your hips, shoulders. his love language is act of service, gift giving, physical touch—he makes sure to always appreciate you with compliments and love affirmations, but he's never really a man who's big on words.

WHILE THIS SIMON, hmmm.. he's a bit more complicated. and a mess. at some point, you can think of him as the younger version of canon simon we just talked about to simplify it, but even that's not really accurate considering the different ways they handle "all that sappy stuff" (as simon would say). this one actively and AGGRESIVELY avoids romance.

and while they both (my ver. of canon simon and this simon) sort to flings and one-nightstands, the canon simon is more careful and actually follows the boundaries he draws himself. while this simon outlines the boundaries, follows his rules until an interesting bird enters his orbit, violates them, and destroys them himself before he goes around saying "you read that wrong, darling."

NOW, ABOUT THE FATHER. . .

RIGHT! in my opinion, it's better for them to get a divorce actually and Dad still plays a role in MC's life rather than just leaving her. like, i know it'll still hurt the MC but, at least she can still have both of her parents even though in different houses! at least she doesn't have to feel neglected in her childhood.

okay, you hate someone you thought you would love forever, but abandoning your child? whose very existence was created because of you? talk about the Dad will come up in the sequel. hell, he'll even make an appearance with his two ballet loving new daughters. imagine how MC will feel.

sadly, this happens a lot in real life. fathers leaving and starting a new life without thinking about his "old" family. how people shame single mothers but never the absent fathers. people shame many women who have "daddy issues" or call them "fatherless" yet never call out men's incapability of being a real, PRESENT father.

[utilitycaster]

I wasn’t around the fandom back in C2, but I know some people didn’t like that the Nein kind of ignored the war and didn’t follow that thread Matt laid out. Was this a widespread enough critique of the campaign to where it would possibly be influencing the players to follow Matt’s premise and threads more here, despite playing ill suited characters? Not looking for this as justification for this campaign's problems, to be clear, just kind of reaching for an explanation for the timidity here. I feel like I’m watching players be too polite to say "actually, we just really don't care if the gods are here or not" but not wanting to harsh Matt's story concept.

Hi anon,

This is a good question, and I think the answer is ultimately "I don't know", but I do want to take you through my thought process which I hope is helpful. The short answer is, however, that while this is interesting to speculate on (this is a good post doing so) I don't ultimately need to know. External factors can influence a work, clearly, but I think that needs to be taken on a case-by-case basis and in this case, an explanation for the timidity doesn't really address that I don't care for it.

Firstly: I think the fandom's influence on player choices is probably overstated. I think that fan influence was something of a concern in Campaign 1, when the fandom was much smaller, the cast was much more hands-on, and, for example, for a lot of the earlier episodes the chat was literally on the YouTube videos so if they went to rewatch their own work they'd see that. Matt used to drop into the Reddit. People who were fans in 2015 and early 2016 would email or DM cast or crew and get direct messages. That's really no longer the case, and hasn't been for a very long time.

I can't speak to the fandom at large's feelings on the war plot in Campaign 2 while it was actually airing. I have seen it brought up a lot by Campaign 2 detractors after the fact, but I don't do Reddit or Twitter and during Campaign 2 I didn't really go into the main tag much until fairly late. Personally, I feel a lot of people lean on the "they didn't follow the war plot" only because Matt revealed in the wrap-up that he had something planned for the Augen Trust, but there was absolutely no way for the cast to know it. Additionally, I think my feeling about this is "their avoidance was a very clear decision that was true to their characters." When the party first leaves Zadash, it is specifically because they are low-level and explicitly want to get out of town before the war leads to heightened security. Nott is at the time a goblin and not treated as a citizen of the Empire. Molly, Yasha, Fjord, and Jester aren't imperial citizens either. Beau hates authority, and Caleb has extremely good reasons (having just seen Trent) to get as far away from anything relating to the Empire's government. After their mission to Shady Creek run, they are grieving and decide to go someplace where a few of them feel at home, and also pursue the note from Avantika they found. They avoid the war because it makes perfect sense for that group of characters to do; and then they eventually go to Xhorhas and see the war from the other perspective! They don't even avoid it; they just engage in a way that is very different from how Matt originally envisioned, and is, again, very true to their characters (Nott wanting to save Yeza; Caleb wanting to avoid imprisonment and being willing to hand over the beacon to do so). The Mighty Nein very much followed available plot hooks at every turn; they might have been different plot hooks than some people wanted, but they were very much making choices based on who they were as characters at each juncture.

I also think that the characters leaning into "we don't really care" early on would have actually been a great move and one Matt could adapt to. I think that might have actually led to him trying to, for example, encourage a focus on either "Predathos is an existential threat that is leading Ludinus to commit multiple atrocities, and killing him will still leave the temptation intact for another Ludinus to arise"; or "well, how about we give you time to explore your own pasts and your own homes and get perspectives from the common people of Exandria and then decide from a humanist perspective". The problem isn't that they may or may not release Predathos or may or may not destroy the gods; it's that their motivations are at best either solipsistic or barely existent and so it's hard to care about anything because the party feels dragged along by a plot they don't care about. They're not even choosing the plot actively; they're just sort of shuffling slowly forward through it.

Now, here's my opinion: I think that even if the fandom were critical of Campaign 2 (and while some people are, it is openly and widely beloved, and I think the cast are familiar with the idea that you cannot make everyone happy), I don't think listening to the fandom is necessarily correct. I think that, in fact, listening too much to the fandom and trying to please whoever is loudest or most unpleasant or threatening or flattering or worse still, multiple of these groups, will nearly always make your art weak.

There's choices where I think the context of said choice is important: I'm a little softer now on the party not having time to mourn FCG in-game than I was at the time because I can understand feeling really bad about and uncomfortable with, essentially, holding a memorial for a character played by your friend currently in cancer treatment. I understand why it happened. I do not blame the cast for making that choice. I do think, however, it does make a weaker story. I would not walk up to Matt Mercer and say "this sucked and you shouldn't have done this" but just because there's a good external reason doesn't mean it was necessarily executed well in game. This may sound cold to some. I don't particularly care; I'm writing this about how criticism from random strangers means very little to me.

I feel very strongly that you should not play to your haters. This comes up a lot when we talk about the misogynistic death threats that Marisha received, and for what it's worth I think Marisha has at all times handled this well and any criticism I have of her characters isn't related to her being overly timid. I really do, as a woman myself, understand that one's safety is paramount, and I would never demand an artist put themselves at risk (though many choose to, and often that work is excellent). But *Dessa Fire Drills voice* that's not, in my opinion, a way to live. It's a delicate and exhausting balance but avoiding making bold moves because the worst fucking guy on the internet will call you a slur is letting him win and he'll call you the slur anyway.

Maybe this isn't a great way to be, and I was not born this way so much as found it through some rough experiences when I was younger, but if someone's never going to be happy with you, or even if their idea of what is acceptable is so vanishingly narrow that you will have to fold yourself up to fit into it, don't you want to 1. focus then on making yourself happy and 2. not worry about pissing them off and indeed maybe even court it a little so long as it doesn't conflict with what you would want if they were out of the picture?

So I don't want to say there's no explanation ever that will make me feel a little more understanding; but "this work isn't great because of external factors beyond the creators' control" doesn't fix the fact that the work isn't great. It's not their fault in that case! But like...you know the college myth of "if your roommate dies you get straight As for the semester"? It's untrue there and it's untrue here. I will be more sympathetic to the artist; but the art still isn't good and I'm not going to pretend like it is.

[caligvlasaqvarivm]

To elaborate more on the Pesterquest stuff -

Alternia is a hell world. It's shitty to live in, even if you're a highblood, unless you fit a very specific mold of person AND are lucky enough to be born of a high caste. Every troll character we care about is, in some way, fucked over by their relationship to their society; Eridan and Vriska get it the worst, having been forced to participate in the murdering side of things since they were young, but every lowblood is screwed and every highblood is made worse even just by their passive participation. Kanaya becomes less sympathetic because she seems completely at peace with the society she grew up in, and Feferi wants to enforce casteism, even if it's of a different flavor. Gamzee and Equius both hold genuinely casteist beliefs and attitudes, which slip out and alienate them from the people they care about.

Putting a friendship simulator into the middle of all this is... a choice, I guess. I'm not going to begrudge anyone for wanting that or liking that, but it's going to be inherently at odds with what Alternia is and is meant to represent, and thus, fundamentally at odds with many of the characters' arcs and even basic personality traits, so heavily are they influenced by the shit society they grew up in.

For a non-Eridan example, Karkat loathes himself in massive part because his society loathes him. He's kill-on-sight and lives in daily terror of death. He wears a symbol at all because not having one marks him as even more of a freak, even though he knows that that symbol is connected to the empire's biggest rebel, whose footsteps he is expected to follow. The reason he's so obsessed with being leader-y and earning his teammates' reapect, or the respect of anybody, is because he's so deeply insecure about whether or not he even deserves to exist.

If you soften Alternia to the point you can write a lighthearted friendship simulator in it, then that characterization... goes away. Karkat is no longer motivated by deep, overwhelming insecurities, which drive him to idolize the society that deems him unworthy, mistakenly believing that if he can find validation in that society, he'll feel less bad about himself. Instead, Karkat is just kind of an asshole!

It's the same way with Eridan. He and Karkat are equal and opposite in this way - while Karkat is marked for death by his society, Eridan belongs to the extremely privileged caste of sea dweller royalty - even moreso than Feferi, as Feferi is slated to be murdered by the Condesce as soon as she comes of age (and her ridiculous optimism is likely something she cultivated in outright defiance of this fate). But it turns out that being a sea dweller sucks shit, too, if you aren't the extremely niche type of person that society deems "correct."

Eridan is not actually casteist and genuinely likes his land dweller friends - and this is unacceptible. Not only that, but smaller "unacceptible" offenses are wrapped up in big ones - despite not liking murder and feeling guilty about it, murder is objectively the correct thing for Eridan to be doing, constantly, to the point of it being "all [he's] ever done practically," because if he doesn't fulfil the duty of his bloodline to be murdering lusii (and by extension, their charges, who are culled when their lusii die), EVERYBODY dies. The constant push-pull of trauma, societal expectations and obligations, the fate of the species, and the fact that he is inherently not the "right" kind of person for his society, are pretty much his entire character. He's basically a walking ball of anxiety and emotional turmoil.

So, again, if you soften Alternia to the point where you can write a story about Eridan wanting to see Shrek in a public theater (something he would not actually be able to peacefully do in canon Alternia - at least not without taking off his cape, hiding his fins, and going anonblood - as sea dwellers are considered ridiculously hostile to the point even Gamzee's nervous about being on the beach for too long), Eridan ends up being just kind of an asshole!

Pesterquest!Eridan is, and I cannot stress this enough, fundamentally not the same guy as canon Eridan. They have practically nothing in common, from the fact that PQ!Eridan is willing to do something for leisure, to the fact that he isn't widely feared and the movie theater doesn't empty out in a panic when he turns up, even down to the fact that he likes femme fashion (canon Eridan goes to Lengths to lean into masc fashion) and Shrek (canon Eridan is a hipster). Hell, even the fact that PQ!Eridan SMILES is a massive deviation from canon!Eridan, who has never once been depicted smiling, and probably hasn't for many sweeps.

Also that he has that much beef with Sollux when, canonically, the two had a lukewarm mutual dislike and didn't even bother interacting until Feferi was added to the mix and Eridan became mad that Sollux was dating her. He wasn't even casteist about him until then, and after, even Sollux and Feferi don't think he's casteist, they just think he's ashenflirting so he can get into a quad with Feferi. Like come on, if you're going to feature another troll in Eridan's route, 1) make it be Karkat, and 2) have Eridan cheat on you the whole time with Karkat like he does to Feferi.

Eridan is just overall a wild choice in a friendship sim - I can't even blame them for just writing an OC and putting an Eridan skin on top - because societally, Eridan isn't even supposed to have non-sea dweller friends. The sea dweller/land dweller race war is something the Condesce deliberately put into place in order to keep land dwelling nobility in line, and Equius cites it as one of the reasons he never got along with Eridan. Like, the very fact that Eridan talks to two land dwellers on friendly terms (Kanaya and Karkat) is a MASSIVE deviation from what he's "supposed" to be like, and a huge hint that he's not as casteist as he'd like to appear. You are genuinely hundreds, if not thousands, of times likelier to end an encounter with Eridan either orphaned or dead than as his friend. He's an unstable maniac, and there's a reason so many members of his team don't like him even though he's legitimately not casteist and they mostly seem aware of it (nobody really complains about or even notices Eridan's casteism by the time they're on the meteor - his contradictions are really obvious, and it's likely that they've more or less realized that he's full of shit).

Again, I don't begrudge anybody for wanting or liking PQ. Who cares, really. I'm just saying that as a canon discussion blog, there's not really any place for PQ because it's so far removed from canon that, like, there's not really anything meaningful to discuss about it. The setting and characters in PQ are fundamentally divested from canon, and not even in an AU way. And it's totally fine if that's what you like, but, yeah, like.

Was Eridan written well (where "well" = accurate to canon): no. Maybe he's fine as an OC with an Eridan Minecraft skin slapped on, but that's not my beautiful son, that's not my baby boy.

What did they get wrong about Eridan (where "wrong" = inaccurate to canon): all.

What route would I have written for Eridan: he shoots you with a gun and you die. And then maybe cheats on you with Karkat

[tinyfantasminha]

👍

[mangled-by-disuse]

so one of the things that annoys me endlessly is this phenomenon where, when I say I like something, people assume that means I want more of it, a different version of it, add-ons and bells and whistles, and i'm just like

no.

no, when I say I like tea, I mean I like tea. Not herbal tisanes, not "tea with--", no milk, no sugar, no fruit, no frills, just good-quality tea in a range of fermentations and colours.

when I say I like a hot bath, I mean the bath. Not bubble-bath, not bath oils and foams and salves and unguents, not candlelight and music and a zen space to sensually relax with a book and a glass of wine, just a hot bath in a normally-lit bathroom where I can unwind and get clean.

when I say I like beer, I mean I like beer. Not fruit-flavoured, not with a special something-something added, for the love of GOD not sweetie-flavoured, just a well-brewed ale or stout in a simple pint glass, in good company.

and that isn't because there's anything WRONG with the add-ons! these are not bad things! I know that for some people, a tea advent calendar with different herbal blends, or a luxurious foamy scented bath with candles and music, is what they mean by "I like tea" and "I like baths". but it would just be nice if when I asked for a green tea, people didn't assume I mean "with..."

anyway this post is about lord of the rings: war of the rohirrim

[seaslimes]

Every time I see those posts about the AO3 F/F to M/M ratios, all I can think is:

Okay, excellent point. But what if you just wrote it?

Like. Yeah, man, I'm sure it's discouraging to see raw numbers talking about how your ship doesn't get the rep it needs. But when you get down to numbers... sometimes the difference within fandoms is less than 500 more M/M works than F/F works. That's actionable. You can fill that gap with a fraction of the people liking / reblogging posts about F/F erasure.

Sometimes the gap is bigger. It's like, 1000 more works are tagged M/M. 2000, or more. Yeah, that's a big gap, but you could make it one less. If every person liking or reblogging a post about the disparity of ship fics on AO3, that number would shrink drastically, or outright disappear.

IDK. I write F/F. I write M/M too, as well as M/F. But I write F/F, and when I see that sorta post. It doesn't feel like a call to action. It feels like somehow, in some way, I'm not doing enough when I post up fanfiction for free about stuff I like.

It makes me feel like I should stop sharing my F/F work, that it doesn't matter, that people don't recognize the effort or love or time that goes into it. Even beyond that, I feel discouraged about the work I have put out, because thousands of words written all about an F/F pairing are only seen in that raw stat format.

"There's X M/M fics and Y F/F fics." Yes, I know, and that has to suck. But look at how many people wrote F/F fics! Have you commented on each of those F/F fics? Have you given kudos? Did you feel inspired to write or draw because of those F/F fics? That's what fandom is for. That's why we create. If that's not inspiring you to "close the gap" on those stats, I don't know what to say.

[justthatspiffy]

.

[eleilinnrallin]

Realized that the main reason I hate the way a lot of conservative Christians talk about queer things is because they have made absolutely no effort to actually understand it.

And sure maybe they've read a book or two, but never with the intent to see "oh, what is this, actually?" or "what can I learn about these people?" It's always with the intent of "how can I learn why I am right?" "how can I more effectively argue against this ideology?" "how can I feel like the good guy for saying these things they say are hateful?"

There's several issues with this.

Going in with the intention of learning how to defend your point isn't going to lead to an actual understanding of the people you are claiming to try and learn about. It's only going to confirm what you believe.

Treating people as "ideologies" is flat out wrong. (This is why I hate the word "transgenderism", for one.) It is dehumanizing, even.

Never go to second-hand sources to learn about a group of people. Because those people will be wrong. I primarily learned this from being Mormon--people will say outright wrong and hateful things about Mormonism! And so if people are aiming to learn about Mormons they're going to end up with misinformation rather than real understanding. And this is true about queer people.

If you really want to understand queer people, talk to queer people. With a genuine interest in understanding, not in rejecting them and finding reasons they are "sinful" or whatever.

[medicinemane]

"This study says...", sorry mate but your bias is so on your sleeve that I'm not gonna be trusting any studies you cite because the thing is it's very easy to do a "study" that says anything you want, and it's just not worth my time to read tripe that just coincidentally supports exactly your position

(This is about "articles" that have "evidence" that just so happens to align with what the writer would want, and it's for some site that's gonna have massive bias. To make something up as an example, if Atheism.com has an article talking about how this study proves god doesn't exist... maybe you can see why I think they probably have their finger on the scale a bit and it's not really worth my time reading either the article or the study)

(Bonus summary of thoughts in the tags, realized why this most bothers me is it kinda stops being able to have an earnest conversation about important topics cause... yeah; this stuff is worth discussing but we can't when you're presenting evidence that's from one of the most biased sources on the subject you could possible have managed)

[assmundr]

Hey you're back on critiquing webcomics! Does that mean you're also going to start posting Crystal Clear again soon???

Oh no, my kryptonite fhfhxdbcjxj

I honestly really don't think so. It's even less likely than me restarting and finishing the Asmundr/Home review video essay.

Two main reasons for that:

1) The story is So. Incredibly. Outdated that continuing it as it is would not be up to my current standard whatsoever and I just wouldn't enjoy telling a story I see as incredibly flawed. I firstly conceived this story when I was like eleven (or twelve) then started to cough it out when I was sixteen. I am now twenty five, twenty six in a few days, and whatever I created when I was a teenager is just not up to my standard today. All the experience, maturity and objectivity that I have today is not what I had back then, so it's lacking severely in a lot of departments. The story would need to be rewritten completely to fit what I'd consider adequate today, which leads me to my second reason.

2) It takes so damn long to do. I am an incredibly slow artist already, burdened with neurodivergence, meaning that I get distracted and burned out so much more easier than other people. A single page could take anywhere from 6-12 hours to make, spread across several days because my ability to focus is akin to an eight year old ipad kid addicted to Cocomelon. I work six days a week and just don't have time to dedicate most of my life to something nobody really cared about anyway. When I was a teenage student? Yeah. When I was unemployed and seeking a job? Yeah. When quarantine was a thing? Yeah. But not right now.

I'm sorry if you were hoping for a positive answer but. Sometimes things just aren't meant to be and CC seems to be one of those things.

I'm still an artist, I draw nearly every day! But the content I focus on is marginally different from what CC is and also only posted in a private circle of friends. Now with the terror of AI scraping hanging above every real artist's head like the Sword of Damocles, I have no real interest in sharing my art publicly.

[fazcinatingblog]

Who will get there first: Pendles reaching 10,000 disposals or Todd Michael Goldstein reaching 10,000 hitouts

[malachitezmeyka]

Violently swinging between still wanting to write that "Kuvira talks Suiren down from her manic cleaning spree" fic and not wanting to just rehash what I've written before/fearing I won't do it justice/genuinely scared of triggering myself again because I sink deeper and deeper with every breakdown

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[the-golden-ghost]

Part of me kinda does want to post the fic I'm writing now but mostly I don't want to go through All That again

[bubblegumgothglados]

OK so brats

They're actually really easy to control once you understand their motivation. And generally I split them up into three groups.

1. Attachment issues. Brats in this category need constant reassurance that you love them but often can't communicate that to you. So they seek this reassurance by breaking rules to test if you care about them enough to put them in their place. It's not a game and it should be taken seriously. If you're consistent with your rules they will eventually learn that they are loved and will stop intentionally breaking rules. If you've ever parented a 2-4yo you know what I mean.

2. Masochists. These brats, some way or another, have learnt that the best way to get their dom to hurt them is by acting out. You can control these brats by: a) internalising that punishments aren't good tools for training. b) using pain as a reward. c) reassuring them that there's nothing wrong with wanting pain and rewarding them when they use their words.

3. Fucking Brats. These brats just enjoy fighting, they want you to fight back and they want to loose. You can control these brats by refusing to engage or by communicating to them that this is not the time and you don't want to fight right now. You can train the brat out of them by using disappointment but honestly if you don't also enjoy the fight then you probably shouldn't be playing with this type of brat.

Secret 4th option. Obedient submissives who just like to banter and have been labeled brats by people who have never experienced an actual brat.

And remember; if your brat is winning then change the game