#as if we should be working for free????

[fazcinatingblog]

Who will get there first: Pendles reaching 10,000 disposals or Todd Michael Goldstein reaching 10,000 hitouts

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[sapsolace]

obsessed w these boneheads as of late :]

[poorly-drawn-mdzs]

Unsolved Mysteries.

[First] Prev <–-> Next

[daily-odile]

odile with a gun perhaps

gun

[somegrumpynerd]

A few more Freaky Friday au doodles, Dream is trying to keep up the act and Nightmare has been worn down

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[langernameohnebedeutung]

gonna say, something or someone being misogynistic is on its own a good enough reason not to like it or not to spend time with that person. It's not just that misogyny is so normalised that not watching a show or not spending with someone just because of misogyny is treated as not enough of a reason - it's also that as a woman, you are under constant scrutiny and constantly thrown tests to show that you are 'not one of the difficult ones', that you can 'take a joke'.

But 'your friend keeps saying degrading things about women' is a good enough reason not to hang out with that person or not to go to a gathering. 'i read the last book by his author and it was deeply misogynistic' is a good enough reason why you don't want to read things by that author anymore. 'This comedian specifically makes a lot of mean-spirited jokes about women' reason enogh not to watch that or see that show, even if your friends want to go. 'This content creator keeps going on weird tangents about women' reason enough not to watch their stuff or support them.

and it is especially a very good reason not to date someone.

[generichoneydew]

could you draw yukichie p4...

(also i do agree with you on the slightly homophobic Yu)

YEAHHHHH YUKICHIE NATION RISE FOR THE BEST GIRLS

47/52

Thank you for sharing my homophobic Yu delusion. I need double gay panic in my souyo or else I WILL complain to the manager.

[aro-in-danyl]

Platonic Radioapple Marriage

after Lucifer and Alastor start to get along

Lucifer: A year ago today I married my best friend

Charlie: Aww that's so sweet- wait haven't you and mom been married for centuries?

Alastor, popping up from the shadows and showing off a ring: Your mother was very cross.

Lucifer, showing his two rings: We were drunk and it was hilarious!

[electric-plants]

cyno: delivery for you.

alhaitham: …this letter is from you

cyno: yes. i’d already written it by the time i realized i didn’t trust anyone else to bring it to you

alhaitham: you could just tell me what it says then since you’re already here

cyno: i can’t say it out loud in your office

alhaitham: ah. so it must be a fairly sensitive case—

alhaitham: cyno.

cyno: what?

alhaitham: this just says that you think i’m pretty

cyno: yes, because i do and - considering the nature of our current relationship - i thought i should let you know.

alhaitham: again— you could just tell me?

cyno, frowning: we’re at work, that would be unprofessional. though i suppose you’ve already breached the line by reading it out loud so please be more considerate next time :/

[gofancyninjaworld]

Polling day

New art from ONE.

Looks like this world takes universal enfranchisement very seriously. Everyone's voting, except the kids, who are looking on approvingly.

As good a parable as any. If you can, do.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[unbidden-yidden-deactivated20240]

Here's the thing that really broke me about the goyische left's response to the Hamas massacre: once again, the uncritical, antisemitic double standard for Israel and Jews versus literally anyone else has now expanded to assume that Jews do not deserve human rights or have lost them by virtue of being Israeli.

Let's say, for a moment, that you have been radicalized to really believe that the Hamas attack on civilians was a liberatory action, perhaps unfortunate that it targeted unarmed civilians, but what else were they supposed to do? Besides, Israel has visited similar and worse attacks on Palestine for years, so turnabout is fair play, especially in service of the struggle of liberation of a brutally oppressed group. [To be clear: I take issue with this and find it morally repugnant. But for the moment, let's accept arguendo this belief as a baseline.]

Do you really include rape, torture, killing children at all but especially in front of their parents, or killing parents in front of their children and taking hostages of the survivors, beheading infants, trapping and burning families hidden together alive, stripping and parading hostages naked through the street, mutilating and displaying the bodies of the dead proudly and celebrating their deaths, and doing all of this on a holy day where Jewish people the world over are supposed to be celebrating the end of the holiday season and the beginning of a new cycle of Torah learning. On a day that people will be resting, with their families, unarmed and in their holy spaces, and are explicitly commanded to be happy.

.......amongst the "unfortunate-but-necessary violent struggle?"

Like even if you believe in your heart of hearts that all Israelis should die or at least are acceptable casualties in the struggle, do you really believe that there is any excuse for the above atrocities? If you do, I need you to ask yourself some things:

Do you think there is any justification for the manner and cruelty of the deaths?

Do you really think that there is anything a person could do in order to deserve any of these actions as a sentence?

Was the cruel nature of this, designed to inflict the greatest amount of trauma on the survivors and the Jewish people at large, actually necessary to accomplishing the goal of liberation?

Would you accept any of these actions being done to any other group?

If you are a white American, do you think you personally deserve this yourself for everything the United States has done to the native population (never mind anyone else)?

Do you think that civilians can be held 100% accountable for their government's actions? Is that a standard you yourself would like to be judged by?

If context is important, how is the last 2000 years of brutal antisemitism from virtually every part of the world not also relevant context? How is the Holocaust not relevant? The Farhud?

Do you think refugees fleeing genocide should be able to live wherever they can and that other countries and peoples have a duty to step up and take them in? If so, would you call refugees of genocide colonists and settlers?

Do you think that children should have to answer for the crimes of adults? That it is ever okay to kill them in cold blood?

Do you think that non-combatant deaths should ever be celebrated?

Theoretically, if the only way Hamas could accomplish its goal (which we will assume arguendo is Palestinian liberation, despite the mounds of evidence against that) is to kill whatever Israelis they could get their hands on, don't you think that a valid liberation force would just kill people as efficiently as possible rather than take the time to brutalize and humiliate them first? Wouldn't that be the more morally understandable thing to do?

Do you think it's ever okay to mock or talk down to people grieving their dead, no matter who they were, especially if they were random citizens rather than, say, high-profile politicians?

These questions to me are unanswerable and the fact that they are even in question at all unjustifiable. The left has either actively participated in this or remained silent in the face of it. And too many friends who I thought were allies have failed to reach out to even ask if we're okay, let alone made even the weakest of condemnations of the brutality my people have experienced this week.

This tells me that you think my humanity, as a Jew, is conditional. That my right not to experience war crimes is up for debate.

How am I supposed to trust you ever again? Feel safe in your presence? Collaborate with you on other issues? Why should I?

For the people who are posting about the situation yet failed to condemn the torture and brutality against my people, please know that I will likely never fully believe you that you are for restorative justice, against the death penalty, against cruel and unusual punishment, against sexual violence, for children's rights and against the murder of children, against terrorism, against civilian casualties, for the rights and protection of refugees, for freedom of movement, support indigenous groups, and certainly certainly anyone claiming to be against antisemitism. There will forever and always be an asterisk next to your statements in favor of universal human rights which reads: *except Jews.

[ghostespresso]

staff logging on to tumblr dot com today

[dancingastralwitch]

A Palestinian man is asked in an interview by a white woman if he condemns Hamas while his people are being slaughtered in the open, and HE is the one condemned when he yells that it's injustice to insulate that his people deserve to be murdered, because "Hamas chose this."

A black woman is attacked first in a fight and SHE is the bad guy when she strikes back, she is the one whose face is plastered all over social media to be condemned and shamed for "aggression."

Two sisters are appropriately reacting to their oppressors by ripping off posters promoting their propaganda, and THEY are shamed and attacked for their lack of politeness when their people are being killed for existing.

An American democrat watches her colleagues cheer on genocide and ethical cleansing, the murder of children and the rape of women and the slaughter of families, and SHE is the one censored for speaking out in defense of them, despite her grief of losing family members.

Zionists are not condemned for enjoying the thought of children being killed, for calling Palestinians "animals" or saying Gaza should be "turned into a parking lot", Israeli doctors can get away with demanding that Palestinians, HUMAN BEINGS, should be murdered, that their only remaining hospital should be crushed.

They are not condemned for saying they wanted nuclear weapons unleashed on Gaza, they are not condemned for the imprisonment and torture of children, for desecrating dead Palestinians' corpses and mauling their bodies, for mocking Muslim Palestinians by rubbing their bullets against pig's skin before shooting them, for bombing Palestinian churches, for bombing universities, for shutting electricity from Gaza, cutting Palestinians from food and water, not letting them access to aid, for bombing CANCER hospitals and CHILDRENS HOSPITALS, for turning the sky of Gaza RED from explosions, for killing enough students that the entire school year was canceled, for annihilating families, for attacking Jewish people in Jerusalem, for cutting dead fetuses off dead mothers, for STEALING THEIR SKIN AND ORGANS and using them for their benefit, for forcing CHILDREN to hold a press conference to say that hey, they want to live.

Insinuating that this is about religion is the basis of Zionism. 60 members of Hamas were killed, and 10,500 civilians killed, 4000 of which are children. Over 800 bloodlines erased. Israel says they aim for "damage, not accuracy." Implying this is about Hamas is lies.

When white people in power tell you from their air-conditioned studios this is Israel defending itself, refuse to let Palestinian journalists explain things happening from their point of view, watch those journalists lose their entire families for speaking about what's happening to them, demonize Arabs who rage about injustice, ask Palestinians grieving if they condemn Hamas, know this is propaganda.

You shouldn't need them to tell you they're parroting lies to you. Their lies kill people. Their lies destroy people. Their apologies are insincere and their "sympathy" is limited only to those who look like them. It is unjust. It is cruel.

If I was were to narrate to you every atrocity Israel commited that I am aware of, I would never stop typing.