#and I don't think him being good is necessarily what makes him a good Character

[bloodbluepearl]

i think that the phenomenon of people ignoring / leaving out swansea should be studied because there is a LOT of implicit fatphobia and ageism in that that people don't realize.

and even when people do include him in posts, he often gets boiled down to just being a father figure, which is yet another product of ageism- he's not really that fatherly in the game at all, but the only way that some people can really see an older man like him is as a father, so that's what he gets reduced to.

again, it's all implicit and subconscious more often than not, so it isn't like people are actively trying to be harmful in the way that they perceive him and exclude him, but it's important to recognize these schools of thought and call them out for what they are to nip them in the bud in order to seriously engage with the game on a critical level.

it can also manifest in actual explicitly fat-related jokes, which in and of themselves aren't necessarily indicative of anything, but when people are both dismissive of him as a character, dismissing his impact on the story and reducing him down to what they think an older man should be WHILE making these jokes, it's very clear that there are some very harmful biases at play.

i've been thinking of making this post for a while but what really pushed me to was a conversation i had in a server with someone who would not engage with the idea of swansea as a character outside of making jokes about him being fat, and when i pointed this out, they said theyd say it about anyone, that it wasn't because he was the only fat character, and then later that they couldn't be assed to understand what i meant when i explained how they and a good handful of people see him is really weird. this on top of a few artists i've seen who would draw every character MINUS swansea in a piece. these sorts of conversations need to be held! people will do and say these things without realizing the subconscious thought processes that motivate their actions, so it needs to be said that there ARE these biases and this DOES happen so that people can, at the very least, be aware of it.

[ngage2003]

I would be absolutely thrilled to hear your highschool Jaylex headcanons

SMILES. Ok.

⟦content warning: unhealthy relationships, abusive childhoods, generally two traumatized people behaving badly and like real people, headcanons and some analysis.⟧

As mentioned in this post, I think Alex and Jay are to some extent codependent, with bad habits developed between the both of them due to growing up in the south and being not typical/"weirdos".

I think this based off of just how easily they fell into an unhealthy dynamic in Season 2 of Marble Hornets where I believe Alex plays to what he knows about Jay to manipulate him. (Using his curiosity against him and leading him in circles.)

Jay isn't innocent either though! Really, both these characters are defined by their selfishness, which get exacerbated by the Operator. Alex has a need for control and power, and Jay has a deadly curiosity and passivity/apathy to others in the face of it.

I think Alex's need for control and power comes from his toxic relationship to masculinity, (talked about a bit here,) and a desire to fit in despite being unable to, exacerbated by his home life. I think its very likely his father instilled these beliefs in him by himself being someone who upheld toxic masculinity and make fun of perceived femininity in his son, a sort of abusive "tough love" approach that left Alex hurt and angry and hating himself and his dad.

I think strangely the reason Alex and Jay first connected is because Jay's closed off nature, apathy and his autistic tendencies left him appearing to just not care about masculinity and fitting in, despite being male, a fact which pissed Alex off to no end because it sort of broke his brain. ("Men are naturally good at being masculine and in control and powerful, and I'm not so I am a failure" is a belief instilled in him by his dad, but here is Jay, this apathy filled fly on the wall.)

I think they originally became friends because Alex wanted someone to punch at metaphorically and push around, and Jay easily complied to that, fascinated by Alex's attention on him and his general bristly demeanor which was so opposite to his gilded cage life. (For more on that check out my nepo baby jay post)

I think as time progressed, Alex's anger towards Jay gradually faded a bit, but he always held some sort of residual resentment for how unbothered he seemed with fully conforming to masculinity. Jay to him is as much of a symbol as he is a person, a tick that stubbornly persists in the flesh and ruins Alex's attempts to make sense of things.

That is not to say Jay is feminine necessarily or actively avoiding masculinity, but he is just apathetic and not too preoccupied with being masculine. Along with this, I think he is caring to Alex, especially in highschool, a fact which upsets and confuses the other because "men don't act like that to each other."

I can so clearly see Alex in highschool getting in fights, and then Jay helping patch him up, or buying him something in an attempt to make him feel better because that is just the behavior he has been taught, and Alex briefly thinks about driving his knuckles into Jay's stupid face as he applies an antibiotic to his split knuckles.

I think Jay understands that the grass is not greener for Alex to some extent, but Alex envies him so hard sometimes.

The furniture in Jay's house gets replaced every few months, there is nothing concrete to hold onto and savor there besides this toxic pristine smell of freshness. Meanwhile everything in Alex's house is the same as when he was a young kid, with all the residue of bad memories that come with that, molding under seat cushions and catching in the dusty corners of rooms.

Alex's home is painfully lived in, and Jay's is painfully empty.

I don't think they're ever together romantically, but I think Jay has a brief crush on Alex in highschool because Alex is kind of the only concrete thing in his life. Alex has a crush on him (that he denies) in turn because Jay is the only good thing in his.

They make out on Alex's couch when his parents aren't home, desecrating over a decade of memories with a needy, unsure passion only really held by teenagers and infidels.

Alex is so shocked with himself afterward that he stays in bed all weekend and refuses to ever sit on the couch again, like the memory of what happened there will somehow rub off on him. (Like it will tempt him.)

I don't think Jay ever mentions it again, seeing as Alex ignored him all that weekend, (despite him trying to call because he really wanted to ask Alex about all that, and maybe invite him over to make out again.) But if Alex doesn't want to talk about it, they won't. If he wants Jay to pretend it never happened, he will. Alex leads them after all, and Jay will always follow in his footsteps, always eager to be at his side, no matter how much or little Alex Kralie is left.

I think it is worth noting that, despite coming from different backgrounds, Jay and Alex both go down at the hands of the Operator. Tim and Alex practically come from the same story but they come out the other side as two opposites, while Jay and Alex they both die in the same building.

I think there is some meaning there, with how Alex and Jay are so entangled.

Alex can't kill him for so long, and Jay keeps looking for him always.

I don't know, I think about them a lot.

[0aurelion-sol0]

My Arcane Season 2 criticisms:

Things I actually disliked:

How the Hextech plot turned out, I though it was very badly executed especially in terms of Viktor's evolution through the whole show. Lack of proper explanation about what was actually happening, unnecessary and horribly executed twist at the end, clumsy established rules and dissapointing payoff for anyone involved in this plotline. Final battle was cool and I like the Commune's designs but dear god, was this storyline confusing...

Ekko's community plus the tree's state at the end of the show. You really couldn't put a 15 seconds shot of the community being well and tree being ok ?! Seriously I know you had to make choices given it's animation but come on now... It was like one of the main driving points to stop Hextech for him & one of the safe haven of Zaun & Piltover and it's completely shoved to the side but no, we have to see minutes of Loris, Steb and Sky being there just being a representation of our characters' inner conflicts as if them doing it and/or saying it out loud wasn't enough...

Ekko convincing Jinx to not kill herself by telling her what he experienced, Jinx rallying the undercity to protect Piltover & Zaun from Noxus & Viktor and a proper conclusion to Sevika's story regarding all of this. WHAT THE HELL ?! We needed to see this, this is so important & it's completely ignored. IN WHAT world, did anyone think cutting this was a good idea ?! We needed to get a proper closure & development about Ekko & Jinx's relationship which was already thin to begin with. We needed to see Sevika affirm what she truly thought about Jinx and a moment about Isha regarding the two of them even if Sevika wasn't super close to the kid, we needed to see Sevika get to see the Undercity finally rallied together after spending the ENTIRETY of the show trying to do that and see how that whole thing came about for them to fight with Piltover. It is ridiculous to that me that this was cut... It was so important!

Things I didn't necessarily dislike but I have mixed feelings about:

Jayce not getting a single scene with his mom. I know she was there at the end, in the crowd, mourning him but come on, not even one scene with her before the end where she could allow him a form of reflection and comfort before putting his life in danger or after, I don't know... DISSAPEARING FOR WEEKS IF NOT MONTHS! I know you could interpret it as Jayce being so lost on his mission that he forgets about her and her importance but she was one of the reasons they ended up in Piltover in the first place. It's of course not as vital to the story but it could have provided some breathing in this fast-paced season.

Vi's character arc this season. While there are some part that I like, I feel like it wasn't explored as deeply & as fully as it could have been. The foundations are there but aspects like her relationship with Vander, violence and Zaun could have been pushed far more than they were in this season.

Caitlyn's arc and how the most important bit happened off-screen, again, just like with Vi, the parts it would have been better to see or being more developped weren't as much as they could've been. I am not of the conclusion she didn't face any consequences or was let go by the narrative of the things she did. But her coming to terms with her actions happened mostly off-screen and that is a shame because it was one of the more interesting parts of Season 2.

Singed's characterization. Now I understand why he was developed the way he is, in terms of what he represents for Caitlyn and for the show, but I don't think it was as compelling to me to have him be yet another parallel for the themes of the show or being a reminder of them was completely necessary for me. We got it the other times, I understand why, it had it's purpose; I just prefer how evil Singed was in the original lore & the story he had back then. I understand humanizing antagonists & reinforcing the theme of your story but sometimes it's nice having an element that's a bit of an outlier and explore other themes to give some variety to the story.

[trans-yllz]

here's the list. because I am insane:

if we're being honest folks, I just can't resist an incredibly smart, competent, dangerous, powerful character. I can't resist the charm and the arrogance and the skill. we love an underdog and all that and people don't have to be good at anything to be valuable blah blah blah but I'm a simple man alright. wei wuxian is an incredibly talented, charming, attractive, and intelligent fictional man and I am not above admitting that the whole thing, predictably, has worked on me in real life. he's just good at everything, and I'm madly in love with him. he's perfect. he could kill me. he could kill anyone. he's so smart. he's talented. he's the love of my life. have I mentioned that he's perfect? I am not immune to falling for the dangerous prodigy genius who is unmatched in his skill and could charm the birds from the sky

wei wuxian is so human. oh wei wuxian is So human. I know that I just said he's perfect but he's so human and flawed and complex and I love it. it's so easy to like. hurt and laugh and cry and grieve and be angry along with him. there are so many moments in cql that instigate catharsis because he is a Character I Relate To tm, but I don't think any other character in the story or in media in general makes me feel Angry for them like wei wuxian does. at the peak of the post sunshot campaign arc when everyone is slandering him all the time, I always feel So mad about it, like someone is insulting my friend. because wei wuxian just feels so human. so much of his character works so well As A Character - a moving piece within the machine of a story, there to do its job and represent something meaningful and important, a function of the bigger picture meant to communicate something to the viewer and drive the narrative home. but he is also so human. so delightfully human and lived in and breathing, and it makes it so easy to adore him, because he feels like a real person that you love

I love wei wuxians arrogance honestly, his unfaltering belief in his own abilities and powers and actions. both in a gay hiiiii yiling laozu twirls my hair way and in a just like. it's very satisfying to watch way. him standing up to wen chao, shooting those arrows blindfolded without ever faltering, walking into jinlintai and demanding to know where wen ning is. it fucks. but more than just the confidence I love that he uses it to uplift others, never stepping on anyone's neck to boost his own ego. like moment I fell in love w him moment I Knew he'd be my little guy was when he recited the lan sect rules at the wen indoctrination camp. not only was he being cocky and arrogant and standing up to wen chao, he was also using the opportunity to show solidarity w lan wangji and the lan sect. and not to sound cheesy and lame and cringe but wei wuxians utter sureness in himself, his confidence and lack of shame, inspires me to be a more confident person in real life. I love you little wei wuxian that lives in the back of my head and encourages me when I feel embarrassed or out of place or awkward or silly

I love that, above all else, wei wuxian is kind. he is not always nice or soft or civil, but he is almost always kind, to the people who deserve it. I know that he killed like thousands of ppl in a moment of utter insanity and tortured wen soldiers with such ruthless, unabashed bloodlust that it even freaked jiang cheng out a little bit, but that's sort of the best part of it? that wei wuxian was pushed to do so many unspeakable things and yet still he is fiercely, defiantly kind. always. like it would be so easy for him to turn out bitter and cruel and resentful (like someone else we know 🤨) but he still manages to move through life with nearly ceaseless joy and kindness for others. even after he's resurrected and he wakes up with such exhaustion and discontent and indifference towards life and the world, he is immediately kind to the juniors, to the girl who lost her mind to the fairy statue, like its second nature to him. wei wuxian has suffered and he has killed and he has lost his mind and he has died and still he is kind to the girl people call crazy and her mother, without a second thought

this almost ties into confidence but it is not quite the same thing - I adore the fact wei wuxian is never anybody but himself. he likes to show off sometimes, he can manipulate people into seeing what he wants them to see, and he is, unfortunately, very good at hiding his hurt and his pain. but he is always, unapologetically, wei wuxian. he never falters or changes for anyone, ever. he lies, and he manipulates, and he puts on a show, but he never makes himself anyone he's not in order to get people to like or respect or love him. of course he's keeping the massive secret of his missing core, and you could argue that he's doing that to protect his image, but even at the face of that lie he is still always himself. and wildly he has this crazy aversion to vulnerability and openness, so good at deflecting from his sorrow, but somehow it is never contradictory to the honesty with which he carries himself. I don't know how else to describe it, he is just always, no matter what, wei wuxian, even when he is refusing to let someone see him cry. he just doesn't tuck parts of himself away in exchange for anything, never lets anyone beat him into being someone else. and I think that it is very brave an admirable from a person standpoint, and very unique and engaging from a character standpoint. I find that a lot of "confident" characters in fiction are always secretly insecure or putting up a front or hiding who they really are, that they're hiding some other version of themselves away in order to earn approval, and that can be great too, but I love that wei wuxian is Truly confident, truly sure and earnest and himself. and the little wei wuxian that lives in the back of my head who is only ever himself, encourages me to only ever be myself, too

*makes a list of my favorite things about wei wuxian in the notes app of my phone like a normal person*

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[unproduciblesmackdown]

trying to say things about the bsol finale & how it has these little twists about what you don't necessarily expect for these roles but would you believe it i'm like i can't use my [just saying some shit] ability i'm pressed about wanting it to be more coherent & verbalizing doesn't even really happen if i don't have the [just saying some shit] wind in my sails But trying to say One Thing, how about the little twist like the miracle banana gets being that he himself lives, vs his emotional resolution that he would have died to help the musician, even as the musician is like no bestie you're good, even as the audience may expect & approve of even dying from funny little second banana guy who may even be supposedly taken as Superfluous now that thee man & thee woman have reunited (but it was always queerer than that) like. more resolution to our themes that that very second banana is doing just fine vs that the hero is, more classic iconisiquisms

[pavlovianpanic]

nathan being codependent while sean encourages codependence in people

[longagoitwastuesday]

Found Gojo/Ijichi art. All is good in the world

[quatregats]

Wait people thought that the French couple in As Bestas were the good guys???

[pomefioredove]

boop

summary: booping them + their reactions type of post: headcanons characters: third years additional info: is short, platonic or romantic, reader is gender neutral author's note: this would've been good to post for the tumblr april fool's event but I missed out so you're getting it now instead!

𝐓𝐫𝐞𝐲 𝐂𝐥𝐨𝐯𝐞𝐫 ˗ˏˋ ♡ ˎˊ˗

hmm... okay!

trey often navigates his interactions with other students based on his interactions with his siblings

there's an order to human behavior, after all

especially with the underclassmen shenanigans (he's really seen it all at this point; don't ask)

none of his siblings, however, have walked up to him unannounced and booped his nose

not yet, at least?

it seems to make you happy though, so he just smiles

half of his job as vice housewarden is "going along with it"

he's pretty used to nonsense

𝐂𝐚𝐭𝐞𝐫 𝐃𝐢𝐚𝐦𝐨𝐧𝐝 ˗ˏˋ ♡ ˎˊ˗

he's editing something on his phone the first time you try and doesn't even notice it

...and the second time, and the third

it becomes a sort of routine for you

tentatively trying to see how many times you can get away with it before he finally notices and says something

and it only spirals from there, of course

you'll up to him while he's talking to someone else, boop him, and walk away

(much to the other person's confusion)

does he notice? yeah, of course

do you need to know that he notices? ...maybe not

he likes the attention, just let him have this one

𝐋𝐞𝐨𝐧𝐚 𝐊𝐢𝐧𝐠𝐬𝐜𝐡𝐨𝐥𝐚𝐫 ⋆˚⸙˖°༄✩⊹

he gnaws your hand off

okay, not really. too messy for him

(and the consequences would be such a headache to deal with...)

but he is all grumpy because you woke him up for that

"What was that supposed to be? -_- Don't do that again,"

rolls over and goes back to sleep

you're lucky he reacted as nonchalantly as he did tbh, lions don't like being pet, and he could've kicked you out of his room in a heartbeat for that

(maybe you get a special pass to be annoying)

note to you: don't do that again

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭 ˚⊹˚₊🕊 ˚✧ ₊

boops you back right away

does he necessarily know what that means? no, but he'll find out soon enough anyway

and based off your body language and expression it seems like a gesture of affection

...which he's all too happy to return

(he's so excited to be touching you affectionately he could explode)

now every time you see each other you end up going back and forth for hours

"boop!" "boop!" "boop!"

that's one sure way to give Vil a headache

(you may or may not end up temporarily banned from Pomefiore for disturbing the peace)

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭 ˚⊹˚₊🕊 ˚✧ ₊

you'd assume he gets annoyed, right?

well, he's a little surprised at first (people just don't go around touching him, after all)

then he just smiles

"Remember what we said about asking before touching, hm?"

you're lucky he thinks you're cute

(if not a little strange)

like, so lucky

congratulations on being the only human on earth who gets away with casually touching his face like that

𝐈𝐝𝐢𝐚 𝐒𝐡𝐫𝐨𝐮𝐝 ₊✩‧₊˚⊹༄˚₊모‧₊

well. what do you expect

his eyes widen and his face (and hair) go pink and he internally freaks out (but externally just stands there)

"Um... What was that for?"

Idia might be a little more familiar with the conventions of a boop than anyone else

it's what you do to adorable little animals, right? like kitties and puppies?

so... why are you doing it to him?

if you say you "just felt like it" he might believe you

if you say it's because you think he's cute he will be avoiding you for the rest of the month

good luck!

𝐌𝐚𝐥𝐥𝐞𝐮𝐬 𝐃𝐫𝐚𝐜𝐨𝐧𝐢𝐚 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

blinks.

has zero clue what you meant by that

but you seem happy with yourself so it couldn't have been a bad thing, right?

"I'm unfamiliar with that gesture. Is that a greeting from your home?"

you explain that it's a sort of affection you show towards cute things

"Oh, well... you're quite brave. I'm honored,"

he's definitely all sunshine and rainbows for the rest of the week

he's all but giggling and kicking his feet back and forth

no one really questions him

and he doesn't really explain

(if Sebek finds out you booped the heir to the throne of Briar Valley as if he were a kitty cat he will gnaw your hand off)

𝐋𝐢𝐥𝐢𝐚 𝐕𝐚𝐧𝐫𝐨𝐮𝐠𝐞 ✩⁺₊°⊹ ᶻ 𝗓 𐰁 ☽｡°⊹

pleasantly surprised, doesn't even question it

he is adorable, after all, he can't blame you for wanting to be affectionate with him

boops you back, of course

after all, aren't you just the cutest thing too?

if you try to walk away after booping him he will find you to return the favor

will somehow make it a competitive sport

waiting for you around corners, hiding in every nook and cranny so that he might catch you by surprise and boop you

(he is totally keeping count of who's ahead)

it makes the school a warzone for like a solid week before Silver's pleas to "please be normal about the prefect" finally work

(AKA Lilia gets bored of it and finds another way to be close to you)

[deathbxnny]

hey i was wondering if you could do how arcane characters would react to seeing their partner looking really good dressed up?? also i love ur writing!!

Arcane characters reacting to their s/o dressed up really pretty. | Vi, Ekko, Jinx x Gn!Reader

Thank you for the request, Anon, and I hope you'll enjoy this!!<3

Content: Established romantic relationships, fluff, sfw

Reader has no set pronouns.

((Not proofread))

》VI

"Ooh... where are we going?" A wide grin rested on her lips as she watched you put on your fancy shoes and straighten out the last details of your pretty attire. "I'm going out with a couple friends." In other words, she was not invited. But Vi couldn't hear you over the sound of her mind spinning with many different thoughts.

Humming, she leaned against a wall next to you, intensely dark eyes staring you down with a glint that made you shake your head in defiance. "No." "Oh come on, Cupcake! Do you really have to go out today? I mean... I can go along. It's dangerous around this time of the night and-" "-Viiii. I can take care of myself." She pouted at your clear disagreement, hardly attempting to even hide how much she loved the way you looked.

"Aw... please? At least let me tag alone so I can show you off to everyone." Typical. And yet, you had a hard time denying her anything when her hands suddenly sneaked around your waist so smoothly. She always got what she wanted out of you in the end. Not that you necessarily minded.

"Fineeee... but keep your hands to yourself around them." You huff out whilst your heart warmed a t the sight of pure excitement on her face. But the slyness in her smirk didn't leave as she gratefully kissed your cheek and let go. "Can't promise you that when you're looking so good, unfortunately... but I'll try. For now."

Rolling your eyes with a smile, you let her happily run off to get ready, glad that she enjoyed your outfit a lot.

》EKKO

He was stunned at the sight of you emerging from the bedroom, fully dressed up so beautifully it left him speechless. The Firelights were having a huge festival in celebration of a recent successful mission, and of course, you were both expected to look your best. And you weren't the type to ever disappoint either.

It was rare to see you dressed up so nicely, the cute outfit being one he had only seen a small couple of times before due to your line of work and life circumstances. But in his mind, you looking so good was a sign of success. He wanted you to be able to dress that way every day, perhaps another motivation of his to continue going.

"How do I look?" You ask, the nervous tone in your voice making his eyes soften even further. "You look great. Who are you trying to impress, hm?" His words were playful as he grabbed your waist carefully. Ekko mirrored the shy smile that crept onto your lips at his question. "A certain someone. I don't think you know him, though." You played along, watching as he raised a brow with an unimpressed smirk.

"Hm... maybe we shouldn't go out then-" "-Oi! Why are you guys taking so long? Let's get going." Scar's voice made you both jump, as he appeared in the doorway and waved you over. A sly smirk crept onto your face as you quickly followed after the man. "Ah, there he is! See ya around, Ekko!" "Hey! I'll remember this-!" Running after you two, he couldn't help but laugh a little.

The festival was going to be great, to say the least.

》JINX

You were just trying out some new clothes you had gotten. Nothing special and definitely not for anyone else's eyes, except for hers. Once you were done, you were quick to hunt down your girlfriend to show her your outfit. "Jinx! How do I look?" You asked, a happy smile on your lips as you now stood next to her, whilst she tinkered away on some projects. Removing her googles, she glanced up at you and blinked in surprise, near speechless for a moment.

Nervously shifting under her intense gaze, you wondered if she didn't like it. "Uhm... should I go change or-" "-You look really good..." She muttered thoughtfully before a large grin crept onto her lips mischievously. "A bit too good! Makes me nearly jealous, pretty. How about you dress me up too so we can match?" You should have honestly seen this coming, as she enjoys doing cute things like that with you.

And so, you did as she asked, whilst she painted your nails to match her own. By the end of it, you looked like you were headed to a fancy event, something she found greatly amusing. Kicking a nearby radio to make it play music, she held out her hand to you with a bright smile. "Alright, let's get this party started!"

[zeropro]

Hi, what are your thoughts on Megatron? Most Starscream fans don't have very positive ones about him lol, but everyone is different and I would like to know that you think

I like Megatron okay, he doesnt bother me but im not like jumping up and down for megatron content yknow? but I get not liking Megatron as a Starscream fan. It's just, you can't deny how intrinsically the two characters are tied together. Really can't have Starscream without Megatron, which is unfortunate for someone like me who does not like drawing Megatron lol!

Maybe the reason most Starscream fans dont like Megatron is because of their abusive relationship? And let's be clear, due to the power imbalance, I do interpret it as an abusive relationship. Despite how much we like to joke that Starscream deserves the punishment he gets (I'm not entirely sure how attempted murder/political assassination attempts factor into an abuse allegory) no one ACTUALLY deserves to be abused. The fact that Starscream is low key also evil and has done evil things is a separate issue from Megatron's abuse of him, we can hold him accountable for the one while also having sympathy because of the other. For me personally tho? Megatron abusing Starscream doesnt make me dislike the character at all, it's honestly the main draw of the dynamic for me. Maybe I just like to see my blorbos suffer…

The G1 Cartoon Megatron is probably the most fun, and I think this dynamic is the most on the level in terms of Starscream dishing back as much as Megatron gives him. They're all just bullies on the playground, their toxic back and forths feel a lot more slap stick and silly than actual abuse. What makes it work I think is that Megatron is not as crazy powerful as he is in later continuities, and Starscream responds to the abuse like a cartoon villain, immediately bouncing back and plotting his revenge, so it's funny rather than upsetting! I also find it hilarious how Megatron is weirdly nice to all the other Decepticons who aren't Starscream lmao? G1 Cartoon Megatron is a 10/10 for me.

If G1 cartoon's Megatron and Starscream are more on an even playing field, Prime Megatron is like the opposite of that. Prime Megatron is so impossibly powerful it almost feels like no one has a chance against him in a fight, and Prime Starscream is so scrunkly and small it's almost laughable. I think I feel the most pity for Prime Starscream when he gets beat up by Megatron, but he almost always makes up for it by being possibly the most evil of the Starscreams. I like how in the third season, he genuinely seems happy to finally dedicate himself fully to Megatron, but you just know how much he'd been beaten down and broken over and over again to even get to that point. Good for him for trying to get revenge in the sequel series. As for Megatron himself, I think more often than not when I am reading fics I see Prime Megatron in my head, and it's his voice I hear. What can I say, it was the first Transformers show I watched haha. Do I love how his redemption arc was handled? Not particularly, it sorta came out of nowhere, felt really rushed, and he just goes away anyway so we don't even get anything out of it. I like redemption arcs in general, but I don't necessarily think this particular Megatron needed one.

To be perfectly honest, I didn't think the 2005 IDW Megatron deserved one either, only because when it comes to over powered, unstoppable, irredeemably evil Megatrons, this one ranked right up there if we take into consideration everything he did before Dark Cybertron. His redemption does kinda come out of nowhere. But like, idk mang! It's also really fun? Like, Bumblebee carrying him around cuz his pants got blown off is hilarious! Him actually upset at Bumblebee's death and then taking Bumblebee's Autobot badge and putting it on over his own was sweet! Him dealing with the crazy crew of the Lost Light is a lot of fun! And him actually having to confronting and deal with what he's done (and other characters dealing with him dealing with it) is a lot more interesting than just him dying. idk. The comics have been around for years by that point, and passed through the hands of many writers, so if a little handwaving and a little contrivance and a little suspension of disbelief is what is required for us to have an honestly pretty fun take on Megatron, I think I'm okay with that.

I do have one complaint tho, mostly based on content I haven't read yet so take it with a grain of salt. I have been told that the adjacent series to the Lost Light Megatron stuff covers Starscream's side of the story and that it does actually address his abuse at the hands of Megatron. My problem is that apparently (and again I haven't read that far yet so this is just hearsay, but apparently) the writers on the Lost Light Megatron stuff didn't get the memo so while Megatron feels bad for and is working at redemption for all the evil war stuff he did to everyone, the one thing he doesnt regret is apparently his treatment of Starscream? Haha, like come on! on the one hand it's really disappointing to me because id like the catharsis of Megatron’s remorse, but...on the other hand, I guess it's kinda true to life actually. Your abusers are people, and they can change and grow and become better, but it doesnt mean they will ever become better for you. It doesnt mean they will ever apologize or even feel bad for what they did. Maybe theres something to be said about having to move on and heal without that. I guess whether this is a complaint I maintain will depend on how its handled.

I get that some people don't think Megatron should ever get a redemption arch, because he's an abuser, a monster, a tyrant, and an evil warlord, and it's completely fair for your stance to be that he should just be killed and that would be justice. I personally really like continuities that treat him more like just some guy. I think Starscream put it best in 2005 IDW during Megatron's trial when he said Megatron wasn't some political genius or the most gifted strategist. He wasn't even the most evil man. In IDW, Megatron started out as a social advocate from the lower class, and despite the problematic narrative of "the bad guy had a point and just did advocacy wrong/went too far," I think the idea that Megatron kinda got swept up by his own hype and was used by people and powers more devious than he is a compelling one.

Starscream is Starscream, so who knows how much of what he says is true and how much is him lying, but this idea just rings true to me. It humanizes him. If handled well, I'm honestly not opposed to stories redeeming Megatron. I'm also not opposed to stories treating him like the devil and just killing him lol. I love a character that can do both!

Uh uh, what else. Earthspark Megatron is nice, I like him. There's...a bit of cognitive dissonance in trying to reconcile the things he chastises Optimus Prime for and the idea that he still was a ruthless warlord at one point, both of which continue to be left unexplored. Transformers One Megatron is neat, I was worried going in how they would handle the switch from Orion Pax's brother to lets start a 4-6 million year war, but like, I like the way he actually was super okay with accepting his lot in life. Like obviously he didnt like it but he didnt see a point in fighting it, and that adamant complacency as a coping mechanism is what lead to his feelings of rage and betrayal by the end. Also I think its hilarious how much younger he is from all the other Decepticon high command, especially Starscream XD.

I don't think I've read or watched anything else with Megatron in it. Man, I wrote a lot. At the end of the day, Megatron is a good character, I like the role he plays in Transformers, I'm not like actually that interested in him on his own but more what he brings to the table when considering Starscream's character. You can't have one without the other! Do I ship them? No, not really, no more than any other ship. But I'll still read Megastar stuff cuz sometimes you just want to watch two people be toxic and make it hurt so good. I'll always prefer Trine stuff anyway ha! Have fun out there!

[starcurtain]

Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.

It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?

(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)

As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:

First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.

Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.

Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.

And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.

Regarding your other question, about whether I think Aventurine sleeps around to make deals...

I definitely think he does not, for one major reason.

First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.

We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.

It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.

The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:

For one, he has some of the most closed off body language of any character in the game.

Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.

Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.

This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):

Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.

I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!

We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:

Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.

However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.

While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."

And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!

This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...

And then in just about every other conversation too:

The bubble is twenty feet in every direction.

Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.

Leaving space for Gaiathra, I guess.

And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.

In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.

It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.

The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).

And ummmm, just a tiny aside here because I can't resist:

This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.

Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.

But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.

Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.

Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.

To me, he reads very much as "You may look, but you may not touch."

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[taddymason]

Thinking about Jay’s role in the team, and I know I’ve mentioned before that Jay’s main themes are family, and that if given the choice between his close circle of loved ones and the greater good he’ll choose the former, but also another thing that sets him apart from everyone else is the reason why he’s a ninja. With characters like Zane and Cole it’s mentioned multiple times that their purpose is to take care of others, those who can’t protect themselves. Nya and Kai also have this duty/responsibility theme that makes a lot of sense considering the circumstances they both grew up in, and that they both have in common that they want to prove themselves at first and then focus on the role that “they’re supposed to” play (aka; Kai accepting that his role isn’t to be the green ninja and that his duty is to protect Lloyd, and Nya accepting to stop being the samurai X which was her way of proving herself even without being a ninja and in the end becoming the water ninja). Lloyd has a mix of all of this because he's constantly the chosen one in every situation since he was 10, and it's all he knows as a way of life, but back to the topic:

Jay has nothing to do with this.

And I'm not saying that Jay doesn't care about helping people, or anything like that. It's just that it's very interesting that he's the furthest away from having this motivation to be a ninja. Even Wu, in one of the books, confirms that Jay in the pilots saw the opportunity to be a ninja as an excuse to have exciting adventures after a rather humble life in which Jay was going from one hobby to another.

And while the other roles in the team always come back to the theme of protecting others and all that, the reason why Jay is chosen instead is because he's a dreamer. In the flashback and the Ninja of Lightning book Wu explains that the reason he chose Jay was precisely because he had this ability to think outside the box and motivate others with his sense of humor. In almost every first season there is an instance where Jay quickly adapts to a situation just by seeing the other side of things that others don't see, and having this amount of skills: He's the one who discovers how to do spinjitzu, who finds the temple of light, who adapts first to space/digiverse, who does best in the Ninja Roll episode, etc. It's not that Jay is the smartest or strongest, but give him anything and the guy, in some unconventional way, will try to take advantage of it and build a spaceship out of literal scrap metal.

There aren't really many examples of this in the later seasons, BUT, it's worth noting that Wu also chose him because Jay knows how to motivate others with his sense of humor. And what does he do in S12 when he's separated from the others and trapped in a video game? He makes a resistence to oppose Unagami and inspire people who were also trapped in that game.

With all that being said, I just wanted to point out how distinct Jay's role on the team is and his motivation for being a ninja in the first place. It's not like he has this heroic duty, or necessarily wants to do justice, he's just a guy with a normal life who wanted to have exciting adventures and tap into this creativity of his and do some good in the process if it ended up working out. Which is sad with how things are right now but whatever…

[simpforsolas]

So I've seen a some discussion of people both criticizing and defending the DATV companions for being nice to each other. And I think the arguments from both sides are being a little bit misconstrued, which is honestly understandable. I think that often when something bothers us in fiction, it's hard to put into words exactly what it is. So as we try our best to express ourselves, it may not end up getting to the point of what the issue actually is (this is also why it can be tough for writers to properly address criticism - the readers providing the criticism might not be accurately diagnosing the root of the problem, so their attempts to fix it are shallow and don't actually address the issue).

Now I obviously don't speak for everyone, but I do think that a good amount of the people saying they want the DATV crew to be meaner don't actually mean they literally just want people to be rude and insulting each other for no reason. I think it boils down to three things that the new crew was missing:

Inability to really feel how the companion's backstories form their unique worldview

Lack of conflict between companions

Limited relationship dynamics between Rook and the companions

Inability to feel how companion's backstories form their worldview

In previous Dragon Age games, the characters frequently discussed and argued topics of philosophy, faith, politics, and beliefs. They came from all different backgrounds. You had Morrigan, a hedge mage raised to believe in self-preservation, teaming up with an Andrastian circle mage and former templar. Their beliefs and worldviews are, at their core, at odds with each other. The game doesn't necessarily try to make you believe one way or another, it simply drops you into the world and allows you to interact with these character, see their interactions with each other, and draw your own conclusions. In Dragon Age Inquistion, you have Cole, a spirit of compassion, teaming up with Vivienne, who believes the circle teachings that spirits are demons and want to possess people, and Sera, who represents the perspective of the common people that are afraid of all things magical or fade-related. You have Solas, a staunch individualist who believes in freedom for all, Cassandra, a faithful Andrastian who follows her own inner compass even when at odds with the institution of the Chantry, and Iron Bull, a Ben-Hassrath agent who believes in the Qun not because he's a philosopher and has decided that's what works best, but because that's how he was raised and so far, the Qun has worked for him. So in previous Dragon Age titles, you have people whose worldviews and beliefs are fundamentally at odds with each other, and whose actions and dialogues are a direct result of those beliefs. Veilguard really downplayed the importance of religion in Thedas, which isn't necessarily a problem in and of itself. In DA2, the only companion with strong religious beliefs is Sebastian. However, you had Anders who believed strongly in mage liberation, Fenris, who believed strongly in the dangers of magic, and Isabela, whose lack of belief and lack of respect for religion/beliefs led to one of the game's biggest conflicts. Discussion of religion and philosophy was always a huge part of the Dragon Age games, so when they almost entirely removed that element and didn't replace it with other types of belief that could lead to meaningful differences of opinion, we were just left with nothing of substance to really talk about. This isn't saying that the companions don't have things they believe in, but it's just not the same as characters from previous games. In general, their backgrounds don't form a unique worldview that results in differences of opinions and interesting conflict. Which brings my to my next point:

Lack of conflict between companions

There's a huge spectrum between "everyone is friends and always gets along" and "everyone hates each other and is happy when their ally is sold into slavery." In fact, fans often get really into fictional relationships that have quite a bit of conflict. Speaking for myself, I love relationships where two people may fight or disagree, but they truly care for one another and would willingly put themselves in harm's way to protect one another. So I think when a lot of people say the companions get along too well, they don't necessarily mean that they want them to all hate each other (maybe some do). They mean that they just want there to be interesting interpersonal conflicts. (I personally would love for a companion pair to argue a lot, but when it comes down to it, they actually really care about each other) Why do we want this? Well first, conflict just makes things more interesting. But I think that it also ties into point 1. In this game, the companions simply don't seem passionate enough about what they believe to argue for it, or, if they are, there's not anyone who challenges their beliefs and forces them to defend their position. I would say that Emmrich is very passionate about his love for spirits and necromancy, two things which are seen as weird and dangerous by most people in Thedas. However, there's almost no chance for him to passionately argue for his worldview because no one challenges it. There is that one scene with Taash finding his passion for working with the dead creepy, but as soon as the issue comes up, it's resolved. Compare that to Solas, where a big part of his characterization is love for spirits and frustration with fear and ignorance leading people to discriminate against what they don't understand. Having to face opposition to his beliefs, both in the world and within the inquisitor's inner circle (and sometimes the inquisitor themself), gives the writers the opportunities to emphasize core parts of his characterization.

On a final note for this section, it's just more interesting when different pairs of companions have unique relationships with each other. Solas and Cole's wholesome, mostly conflict-free friendship is made sweeter because you can compare it to Solas and Sera's relationship. It makes the relationships more meaningful when you can contrast it to how those same people click or don't click with other companions.

Limited relationship dynamics with Rook

The final issue I want to talk about is how all this ties into Rook. In previous games, you could learn a lot about a character's beliefs by seeing what they approved and didn't approve of. Anders approves of supporting mages, Fenris doesn't. Leliana approves of compassion for strangers, Morrigan doesn't because why should she help people who can't help themselves, and also it's a waste of time. Cole greatly approves of helping people, Solas slightly approves of you asking questions, Cassandra approves of expressing belief in the Maker, and so forth and so on. Then depending on the choices you make, your approval actually makes a difference in how these companions view you as their leader. But in Veilguard... well either the companions don't have strong feelings about things, or Rook isn't allowed to make decisions that oppose the beliefs they do have. Because of this, there's basically no conflict between Rook and the team. From my understanding, worst relationship you can get with the team is "distant boss whose employees don't invite them to their work parties," but that's not the same as Cassandra hating you so much she gets drunk or getting specific rival scenes like in DA2 where companions react entirely differently because Hawke consistently acted in opposition to their beliefs.

Final thoughts

So when people criticize the companions not getting along, I think it's less to do with the fact that people want them to hate each other, and more to do with the fact that we want companions who have a strong worldview shaped by their backstory, and for that worldview being challenged to lead to interesting conflict. Whether that challenge comes from other companions, the world, or Rook themself, I don't care - I just want interesting and meaningful conflict that is arises because the companions are strong characters who believe in something.