#and! evil often doesn’t THINK it's evil

[bluuscreen]

okay actually i’m gonna talk more about the seizures thing under the cut because i wanna get into it

first i’m gonna give the disclaimer that i personally have never had a seizure [afaik? though i feel like that’s something i would know] and i’m basing this purely on some cursory research, but i’m definitely open to input if anyone with more experience than me has any o7 this is also a sort of fantasy version of epilepsy since it’s caused by something supernatural, but i’m gonna try and keep it at least kinda grounded

sonic’s seizures are mostly caused by stress or fatigue. so if he overworks himself, doesn’t get enough sleep, etc. he’s at higher risk

this does mean he’s probably most liable to seize during battles and the various world-ending calamities that happen on a semi-regular basis. his friends end up setting up a system where he isn’t allowed to go in without backup anymore [even if it annoys him] and they’ll tag in to do the brunt of the fighting if he even looks like he’s getting a bit wobbly/spacey

if he does pass out/space out during battle the usual protocol is for tails, rouge, or shadow [because of flight and/or speed] to carry him somewhere safe, make sure he’s alright and set up with a book or a game to relax with once he’s conscious again, then get back to the fight if they’re still needed

his seizures mostly present like how the whole prism ghost thing looked after nine got the energy out of his body. falling to the ground, passing out, twitching/spasming, you get it. going by the descriptions that i’m reading on mayoclinic i think it’d be something akin to tonic or tonic-clonic?

starfall islands SUCKED for him both because he was stressed pretty much the whole time with very little help/rest and the cyber corruption made his symptoms way worse. he mainly experienced memory loss, fatigue, numbness, and brain fog, on top of his already present symptoms. amy, knuckles, tails and later sage had to keep reminding him of where he was and what he was supposed to be doing [this part could be considered canon [just slightly different circumstances] if we look at the voice lines that are shown in this video. looking at the comments it seems these lines weren’t actually cut, they just probably only play when sonic is idle for long enough. which ofc makes me wish the corruption had more consequences which is why i’m tying it in here]

the memory issues are somewhat of an ongoing problem, not really related to the seizures specifically but they are still related to the prism energy and later cyber corruption messing with his brain. his friends have had to get used to occasionally being called by the wrong name when sonics wires get crossed and he mixes them up with one of their shatter-selves. shadow is technically immune to this, but sonic has forgotten his name at least once and resorted to using nicknames for like twenty minutes until shadow noticed and reminded him

i’m not quite sure how sonic handles big fights once tails, amy and knuckles go off to travel the world after frontiers? honestly the most fun idea to me here is that eggman is like “yeah i’m evil but i’m not that much of an asshole” and just doesn’t cause any huge shit until he knows sonic has backup. or team dark and his other friends just help him out more often idk

going super does temporarily fix all of these issues, but obvi he can’t be super sonic forever. it’s like taking panadol for a headache—fixes the symptom, not necessarily the cause, and wears off eventually

watched sonic prime, have some doodles [no the “classic” universe doesn’t really make sense However i wanted to draw tiny shadow so whatever]

text under the “classics” since it may be hard to read:

- shadow is arguably nicer, but he’s affectionate in the same way a grumpy cat is

- not the actual classics [obvi, since shadow doesn’t have a classic vers.]. they’re in roughly the same point in the timeline [as regular sonic and shadow], they’re just small

[apoloadonisandnarcissus]

"What kind of trauma, pain and violence is so great that even death cannot stop it?": Reincarnation in "Nosferatu" (2024)

I already talked about this extensively in another post (and even did some brainstorming on Eggers' Orlok possible backstory) but I want to come back to this topic, because this is probably my favorite theme in this film, mostly because it’s left so ambiguous, and I’ve come across more interviews and got more evidence.

A little introduction: Robert Eggers doesn’t want us to know the backstory on his Count Orlok, but he wrote a novella on it and gave it to Bill Skarsgård, for preparation. We know he’s a 16th century Transylvanian nobleman, from the 1580s (“lord” and “lordship”), he’s not Vlad the Impaler (15th century), he was a voivode (warlord), a enchanter/sorcerer (Şolomanari) and he was married, and had a family. "That will never be shared because the mystery of the enigma is better for an audience, but it was important for Bill to have that history." Eggers needs to release his novella on Orlok backstory, because I want to know!

And this backstory actually influenced Bill’s entire performance, as Robert Eggers reveals in one interview: “And while Bill was also doing what I was asking for, he brought more to the table too, particularly with binding moments where Orlok was vulnerable. I was so sick of the tropes of the sad vampire that I didn't want to go there. But Bill knew that it was important to still have the vulnerability in some places. And I think it makes the performance.”

Including the ending: “I sent [Bill] a backstory of Orlok that I wrote. So we came to it together to achieve what I was after. Because I’m so tired of the heroic and sad vampires, I was just like, ‘He’s a demon. He’s so evil.’ Bill was like, ‘Yeah, but there needs to be some times where he has some kind of vulnerability.’ It’s very subtle, and it’s not there often, but it is enough. I think the ending of the movie is much more effective than it would have been without Bill’s acute sensitivity to that – while still delivering on this big, scary, masculine the vampire”.

We have Bill to thank for Orlok’s more nuance performance, because Eggers’ initial idea was cardboard demon, due to his aspiration of making vampires scary again. But this tell us something else (I already suspected): Orlok’s backstory is definitely tragic and sad. Hence Eggers saying he didn’t want the “sad vampire” but Bill said vulnerability was necessary to add depth to the character. And thank Bill for that, because, personally, I can’t stand one-dimensional characters, even “demonic” ones.

The prologue of the film (between Ellen and Orlok) is based on this material: “Most importantly, I was thinking, ‘Who are these characters, and how can I build out their backstories and make them real people?’ I also wanted our version to be Ellen’s story. The previous Nosferatu films start out as Thomas Hutter’s story, or Jonathan Harker’s, and then become Ellen’s story, but I wanted it to always be her story. Our film’s prologue comes from the work I did with the novella.”

When discussing the use of Dacian and the reconstruction process, Robert Eggers revealed Orlok is a very ancient being: "Orlok is an ancient noble, predating even the foundations of the Romanian Empire."

This tells us we are, indeed, dealing with reincarnation in this story, because the "Count Orlok" in the film is a late 16th century corpse, with a whole boyar and vovoide backstory, the sovereign of a Transylvanian county (count). But he’s also a priest-shaman follower of Zalmoxis, the Dacian God of life and death, and owner of the secrets of immortality. Reincarnation being true immortality actually makes perfect sense; and it’s also a theme in one of the most iconic “Dracula” films of all time, “Bram Stoker’s Dracula” by Francis Ford Coppola.

"Ellen’s most prominent evening dress is indigo with lilacs embroidered and beaded on the front and on the sleeves. This lavender hue subliminally underscores the connection between Ellen and Orlok, who remembers lilacs from when he was alive." Nosferatu costumes link Ellen and Count Orlok Interview

Ellen is the lead character, and Robert Eggers says he wanted to tell his version of this story "through the eyes of the female protagonist", and "it is a tale of love and obsession and a Gothic romance” and he even said Ellen and Orlok are "beyond love". What's intriguing to me is why is his Orlok so obsessed with Ellen, specifically. Why does he want her soul forever at his side? Why is he dragging her to her grave? Because this is his motivation in this story. He’s not after world domination nor anything. Ellen’s soul by his side for all eternity is what he wants (and gets, at the end).

I think the answer can be in his interviews about Balkan and Slavic folklore, because there is one idea that seems to be on his mind:

The most important thing was going back to the folklore and the early Balkan and Slavic folklore [...] Most surprisingly, many of these early folk vampires do not even drink blood; rather, they might suffocate their victims to death or spread plague and disease. Some early folk vampires when disinterred from their grave were noted for having erections. Some of them came back to fornicate with their widows until the women died of an excess of intercourse. If they did drink blood, it was generally not from the throat, but the chest – the victim’s “heart blood.” You can still find reports of vampirism from the Balkan regions, where the folklore is thoroughly enmeshed with local culture. What are we to make of stories like this? What kind of trauma, pain and violence is so great that even death cannot stop it? It’s a heartbreaking notion. The folk vampire embodies disease, death, and sex in a base, brutal and unforgiving way. ‘I had to make the vampire as scary as possible’: Nosferatu’s Robert Eggers on how folklore fuelled his film

Which is something he will mention again:

“You wonder what is the dark trauma that doesn't die when someone dies. […] [So you suspect something terrible happened between them in real life and that this story was a way of grappling with that?] That's my hypothesis.” Robert Eggers Reveals the Ghastly True Tales Behind His New Nosferatu

In Romanian folklore, when strigoi (which is what Orlok is and this is his lore) raise from their grave the first time, they return to those they have loved the most, because they wish to relive their life together. The strigoi usually torment them until they are dead, too. Which is exactly what we see in “Nosferatu” (2024) with Orlok and Ellen.

From the film itself we know he was dead and rotting since the late 16th century until Ellen brought him back from the dead and cursed him to be a strigoi. At the prologue. And, in true strigoi myth, he appears at her window, asking for entrance.

The evidence that Ellen is the reincarnation of Orlok’s wife or lover or bride is palpable in this story, not only in the entire folklore that inspired it, but in the dialogue itself. In another post, I already analyzed Ellen and Orlok’s backstory (after the prologue and before Ellen marriage to Thomas), and Orlok never actually took her as his lover, in the sense there was no “astral sex” going on between them, and what she was doing was masturbation and him as a haunting (still creepy, but he didn’t actually touch her).

But still she’s absolutely convinced he did, and then we have all the connection with the lilacs, from both of them; yes, it’s meant to be a visual storytelling device to represent their relationship, but these flowers are also connected to rebirth, and, according to Linda Muir, recall Orlok from his human life. Ellen is also deeply attracted to Orlok, and only him can understand and fulfill her, but she doesn’t know why. It’s unconscious.

“Yet I cannot be sated without you. Remember how once we were? A moment. Remember?”

In other post, I already discussed the use of the term "sated". Because Orlok (being from the late 16th century) speaks Old English; where this word is connected to the verb “sit”, as in “rest” or “lie”. What Orlok is actually saying is “I cannot rest without you”. Which makes sense with their covenant of being together ever-eternally. He can’t find peace in death without her.

Even the way Bill delivers this line “remember how once we were?” sounds haunted, and a profound yearning and desperation, almost, for her to remember something very old. To me, this is most likely one of those “vulnerable moments” inspired by Orlok’s backstory Robert Eggers was talking about in interviews.

“Remember?”

The option that makes more sense with Ellen and Orlok in “Nosferatu” (2024) is the myth of strigoi coming back to have sex with their widows until they died of excess of intercourse; which is exactly what happens at the end. And the sound design even made sure we, the audience, heard the penetration. Is this the reason why?

But then we have the idea that Eggers mentions twice: what kind of trauma, pain and violence is so great that even death cannot stop it? What is the dark trauma that doesn't die when someone dies?

In “Nosferatu”, it’s Ellen who resurrects Orlok. It’s her sadness, loneliness and sexual awakening which brings him back from the dead. So, can this “trauma” be related to Ellen’s soul, herself? She’s the protagonist, and this is her story. The emotions we are dealing with at the prologue (inspired by Orlok’s backstory, according to Robert Eggers) are; deep loneliness, without a companion to give her comfort and tenderness. And even sexual desire. As a result she resurrects Orlok with her black magic prayer (necromancy).

He also calls her enchantress; and he was a enchanter in life. And indeed, Ellen displays insane spiritual power in this film; Herr Knock needs to assemble a whole ritual room to communicate with Orlok, and she doesn’t need any of that. Which might indicate, she was an actual enchantress in her past life; probably a Şolomonari like Orlok himself. Von Franz does say she could have been a “great priestess” in Pagan times.

We have a lot of Sex Magick in this film (pretty much every Şolomonari ritual is a Sex Magick ritual here). Which, again, can imply it was their “thing” in a past life, too, because their relationship is very sexual and passionate, which is probably how they were, previously, since they both have high sex drives (and this is what Orlok asks her to remember). Orlok the high priest, and Ellen the high priestess. Two freaks in the sheets (and probably in the streets too, Ellen appears to enjoy the outdoors). We are told she has a deep knowledge of the shadow side of life, after all, and she’s an outsider and completely misunderstood (except by Orlok and Von Franz).

Him being a demonic creature, means he cannot love her now (even though Eggers is also making a difference between Thomas (love) and Orlok (passion)), it doesn’t mean he didn’t love her in the past. Especially since this is a direct reference to the “Dracula” novel where one of the bride accuses Dracula of not being able to love, to which he answers; “Yes, I too can love. You yourselves can tell it from the past. Is it not so?” This can indicate that Orlok did love her in their human past life (or lives, even), and fiercely, deeply so.

Searching for clues in Orlok’s castle scenes with Thomas (I already talked about the multiple sarcophagus in the crypt in the other post), Orlok attacks him in a bedroom, and in a double bed, meant for a couple, and it has two pillows (unlike the Victorian couples here, who have separate single beds). Even at the end, Ellen and Orlok are joined in one bed, Ellen’s bed.

Since this was also a Sex Magick ritual to divorce him from Ellen in the spiritual realm, doing it in this specific bedroom (that Orlok selected for him in advance), doesn’t seem random. Maybe this was Orlok’s and Ellen’s bedroom? And she even makes an appearance here.

But Orlok’s soul did not “ascend” (sort of speak), because he says he was in the “darkest pit” as a “loathsome beast”. And, again, in Old English, “loathsome” has another meaning, connected to “grievous”, as in “grief”. He was in some sort of limbo, and when Ellen called out, he returned to his former body, and became a strigoi. So, their emotions match, at the prologue. And if Ellen is a reincarnation of Orlok’s wife or lover, this means her soul moved on to the next life, and his didn’t; causing their further separation. Which can be the explanation on why Orlok is so obsessed in getting her soul this time around; for them not to be apart, again.

And, if we follow this logic, he probably died before she did, in their past life. And that trauma endured on her soul. She probably tried to resurrect him in past, as well? Or was it the other way around? Either way, someone died first, probably in a tragic and violent way and it caused a huge trauma on their souls, for both of them. Since “sex and death” are the core themes here, it’s not unlikely to find them in these characters backstories, too, I would say.

And can this separation of souls create such pain and a trauma so dark it created an actual monster to bring plague and death upon civilization because of their yearning of being united, once again?

Ellen is also said to be “promised” and “fated” to Orlok. Even Von Franz says to Thomas “in vain, you ran in vain. You cannot out-run her destiny!” Is Ellen’s fate to break the curse (she put on him, herself) or for her soul to be united with Orlok’s for all eternity?

In my original post I talked about the hypothesis of human Orlok being among the boyar rebels supporters of Balthasar Báthory for the throne of Transylvania, and was arrested for treason and strangled in prison (he obviously wasn’t beheaded), in 1593. We also have a woman and accusations of witchcraft as retaliation for the death of these noblemen. This in the midst of religious turmoil between Protestants and Catholics (with Balthasar Báthory being on the Protestant side).

This hypothesis checks a lot of boxes; the dates we have for Orlok (1580-1590s; late 16th century); the age Robert Eggers says he is, at the time of his death (55-years-old); offers an explanation for his “asmatic” speech, Eggers was very particular about (his vocal chords are damaged); and fits the prologue (where Orlok “strangles” Ellen, when he reveals himself).

This would also fit the "revenge on Christian civilization" subtext of Orlok as a plague carrier, bringing death and destruction to the Christian West. Them being separated because of a Christian conflict, and Orlok executed at the orders of a Catholic prince, would add layers of “dark trauma” to this.

Count Orlok bust by Prosthetics and Make-up designer, David White; his neck does appear damaged.

At the prologue, we also have a sexual encounter (masturbation), in a garden of lilacs. And at the end, lilacs are placed by Von Franz around their bodies, symboling their return to their garden. Which is another connection to Orlok’s human backstory, further strengthening the reincarnation theme.

The last shot of the film (while being “Death and the maiden” motif) is also reminiscent of the ending of “Bram Stoker’s Dracula” by Francis Ford Coppola, where Vlad soul ascends to join Elisabeta’s. In "Nosferatu" (2024) it's both, Orlok and Ellen's souls ascending, together, finally united, which makes way more sense with the reincarnation theme.

[bunnysdollette]

₊⊹⁀➴ How to get your shit together in a slump: BD’s instant guide to feeling 100% again! ⟡﹒⪩⪨ 🫧🌸🧁

⋆˚｡⋆୨୧ Hi angels :) Thank you so much for the positive reception on my last posts. Anyway, I’ve been super down lately so I’d thought I’d create this post as a bit of a reference point for anyone who feels like their life is going off of the rails these days. This is how I get myself out of a slump. 💬

♫ todays song is…some by SOYOU

˚₊· ͟͟͞͞➳❥ GET OFF THAT DAMN PHONE.. 📝 ⊹₊⟡⋆

wait! I was just joking. don’t close your phone until you finish reading (haha). anyway, take a look at your screentime for me. you might have been scrolling for hours or trying to distract yourself from how horrible you felt by doomscrolling endlessly…no. we can’t do that.

usually when I’m in a slump I feel damp, it’s not just about laziness. this could also be the result of exhaustion or a number of factors. dampness is an evil condition in chinese medicine where you feel heavy, tired, and dead. scrolling will only make this worse because you’re prolonging the pain. the first thing you should do is get up, stretch, breathe, and maybe crack a window. the airflow will make a big difference, I promise. 🌿

˚₊· ͟͟͞͞➳❥ CLEAN UP GUIDE. 🌸 ⊹₊⟡⋆

when my room is a mess my state of mind is a mess. I can’t do anything, I’m literally loosing my marbles bc all I can see is a messy space. if your brain is in shambles rn, the smallest amount of organization you can do right now is tidy up your room a little bit.

this doesn’t even have to be a big clean, but small steps make a big impact!… remember your space is sacred. 🧘🏾‍♀️

make the bed. doesn’t have to be fancy, just make sure everything is where it needs to be.

wipe down surfaces like desks, mirrors, and vanities. you can even include a scented spray whilst doing this to make your space smell much cleaner and nicer!! I literally cannot function when my room smells like asscheeks.

remove any old cups, or food waste that you were procrastinating from doing so. don’t want to attract any bugs.

Sweep the floor. You probably don’t notice how many crumbs are on the ground, but please just do it.

˚₊· ͟͟͞͞➳❥ RECHARGE YOUR “STATS”. 🛁 ⊹₊⟡⋆

honestly the best way to get out of a slump is self care. neglecting your needs and body can often lead to things going downhill, depressive episodes, etc. We all forget to take care of ourselves properly sometimes, but it’s important to pay attention to our needs and personal wellness.

Ask yourself.

“Did I shower today?” ➜ Take yourself a nice, warm shower and stay in as long as you want.

Take some time to reflect on your day or anything that’s been on your mind. And be sure to wash up well, so you can feel really nice after and tap into your feminine energy. You can even add bath salts, milk, or bubble bath. It will literally make you feel like a princess. . . 👑

“Did I eat/drink today?” ➜ Go eat something.

I prefer light meals or snacks that are cold like fruit, water, or a juice when I’m feeling dead but you can also eat whatever you want. Just think about what will make you feel good and reduce the dampness as much as possible, and will prevent brain fog. Heavier meals aren’t the best for that though.

I bet you feel better already after doing these things! Remember that taking care of yourself is the most important and you are a priority.

˚₊· ͟͟͞͞➳❥ REFLECTING AND MAKING A GAME PLAN 🧁 ⊹₊⟡⋆

Lastly after you feel a little bit better now and you took care of yourself, I would really suggest reflecting either through journaling or shadow work questions. They’re the easiest way to just brain dump all of the crap you’ve been thinking about lately and get it out of your system in a healthy and helpful way.

You can write about things like “how have I been feeling lately?” “What’s one way I can improve in xyz” and so on. This is a mundane activity you can do at the end to organize your thoughts. Mental health is a huge thing after your physical health, as it literally not only affects your world but the world around us. Especially if you are trying to achieve your dream life/dream self, manifest anything, etc. you will need to take care of your mental health to not be consumed by your emotions and keep your mind in check.

Also something that is crucial is practicing gratitude and mentally grounding yourself. You can list things your grateful for, mediate, or exercise. Anything to get yourself into that mindset you need going forward. I personally love to listen to the wizard liz’s podcast in times like these, it’s a great motivation for me.

Remember that slumps, dampness, depressive episodes, all of it, is normal. We are just humans at the end of the day. Be a little nicer to yourself today and take some small active steps towards your goals. ✨🫶🏽

✧ thanks for reading beautiful !! ; so basically I’m thinking of maybe making a community here on tumblr for the girl bloggers that share dream girl content and stuff like that? idk let me know what u think. inbox is always open, stay hydrated and cute, buh bye 👋🏾

[tarisilmarwen]

"Thrawn's not evil he's just trying to save his people!"

He tortured a pregnant woman.

[ladykatibeth]

Not to pull out your tags, but I think this is an interesting thing to grapple with! There’s two major things from this perspective I often see and differ on is it’s an either/or perspective and a “only Ellen is feeling the effects of the “normal” social roles in the marriage” perspective.

Firstly I think that Thomas granted her something that Orlok couldn’t—open love and a sense of normalcy. Thomas being in the picture actively helped Ellen’s symptoms (that she expressed were painful and uncomfortable) lessen, and it’s notable that when he leaves these symptoms start to return. She is actively benefited by his presence (mainly as her emotional support). This does not mean she wasn’t also fulfilled by Orlok as well (in a you understand me/I understand you) way.

People need multiple things, and rarely can they get all their needs filled by a single person. It’s an unhealthy expectation. That doesn’t mean a relationship can’t work out that doesn’t include every need being fulfilled, just that you need many people in your life to meet needs. Anna supports Ellen when Thomas is having nightmares, for example. Ellen needs the open love Thomas provides, and she needs someone who can relate to her darkness and that’s okay. She can’t get both from a single person.

In terms of Thomas I don’t think he’s reacting ordinarily to what’s going on. Definitely not for his society, but also not generally. Most victorian men wouldn’t put their all into supporting their wives in their mental illness, or even marry someone with that sort of history attached to begin with.

They also mostly wouldn’t support their wife after she summoned a monster and then hold her through being possessed. I’m thinking most modern day spouses wouldn’t either ngl that man is devoted.

However I also think that Thomas’s hyper concern for filling his gender role, combined with the fact that the vampiric symbol of victorian repression fed on him in a scene mirroring the repression symbols feeding of Ellen, implies that Thomas isn’t really easily living up to these standards either (the why is up to interpretation, personally I think he’s bi).

The single provider social dynamic puts stress on him as well, especially as the expectation of men to not be weak keeps him from being able to connect with Ellen over their shared vampire trauma (something that would benefit them both.)

I also think that we need to be considering it in terms of a partnership if we want to have an anti-sexist reading. Thomas couldn’t save Ellen because she didn’t need saving. The emotional support Thomas provides is more important than heroics, and he succeeds at the former way more than the later.

They’re cutting the honeymoon short, meaning it’s likely they weren’t in a committed relationship as we would describe it (they would have been restricted to chaperoned dates and letters before being wed) until at most a couple months before this, so they didn’t really have an opportunity to work out any issues (an inevitable part of the relationship process, issues will naturally come up more once their lives conjoin).

Not very soon after they move in together, Thomas experiences trauma fairly similar to hers and gets some similar symptoms (nightmares) and some separate symptoms (she has seizures/sleepwalks/gets possessed, while he is physically messed up from the draining/jumping off a building/sprint to get home) putting them on equal footing in terms of needing support.

He didn’t “let her down” any more than she did him. She chose to keep him in the dark to sacrifice herself. She didn’t tell him about the evil vampire ex (fair given their society but still) he didn’t listen to her about the bad vibes of the business trip. Choices made all around.

Neither of them really talk about it though. By the end it isn’t just a woman failing to receive support through her trauma, it’s two traumatized people handling it in very different ways and making choices based in that. We don’t know if it would have worked out, because they never got the chance or time to even really try, and yet they still gave it their all anyway.

It’s kind of crazy to me that Thomas gets flak for trying to get to work on time, or taking a job assignment, despite his wife being worried about it. It’s not really greedy for a lower middle class man with debt and a wife to support (because societal expectations mean she can’t work) to care about not losing his job and it’s not greedy for him to want a slightly better paying job.

It’s also not a reflection of lack of intimacy/love/trust between Thomas and Ellen that he makes financial stability a priority.

Also that the flowers scene is a reflection of Thomas not understanding Ellen, because she says she’s upset about the flowers dying. She’s just had a dream that messed her up that had lilacs in it. It’s not about him getting her flowers it’s about him getting her lilacs after she just had a nightmare heavily featuring them combined with the stress over his upcoming trip. She’s upset about what the flowers represent (a bad omen and a result of him apologizing for leaving for the trip) not him getting her flowers.

[caitlynmeow]

Lmao I really love how canonically Alcina said this to her daughters:

@ Bela: “I expect results.”

@ Cassandra: “you’re my daughter, act like it.”

And then there is Daniela and Alcina is just “have fun!”

[trash-can-sam]

What happens when your coworker kills your other coworker but both of you are in a relationship (kind of) with the same ethereal woman who had an admiration for said dead coworker.

+bonus Evandrey because it’s funny to me (I’m sorry Eva.)

[tender-hearteddd]

i can’t take any interpretation of bertholdt’s ability of being the perfect doormat being a good thing seriously lol i just hate it and it feels disrespectful to his character and the very mini character growth he did have. idk i also hate this interpretation of him being a dumb dumb shit for brains baby who can’t do anything for himself?? i just hate it. pple act as if he was constantly crying to reiner every time he ran into the slightest inconvenience like he wasn’t the piece of thread that was still connecting reiner to his true reality, so it was more like reiner needed him more than bertholdt needed reiner and if bertholdt were to live, i hope he realized this and had a more concrete character development where he grew out of being a doormat.

reiner had this obsession with being the perfect soldier/warrior to the point where he lost who he was, people would argue annie was the true epitome of what reiner was trying to be but she still couldn’t help but demonstrate her true feelings so in turn, i would argue that bertholdt was really the true epitome of a soldier.

and i don’t mean that in a good way.

bertholdt always kept what they are and what their mission was in mind even if he did enjoy his time in the cadet corps. and i don’t even think most of the cadets truly seen him as a friend, only an extended part of reiner which just makes his character even more sad 👎🏾 he believed that retrieving the coordinate would truly save the world from the genocide eren ended up committing (and it would’ve lol), he kept watch on reiner’s mental illness so he wouldn’t lose his best friend, and during the RtS battle, he carried out his duty as a warrior as he understood war after living through it all his life, both as a victim and a perpetrator that no one was truly in the wrong - so he did what he was supposed to do.

bertholdt wanted to do what was asked of him to put an end to all the pain and suffering of the future generations who now have to rebuild the world due to a global genocide. if the warriors have succeeded, the rumbling would’ve never happened however, marley would’ve used the FT power to further its global domination all over the world. they definitely would’ve used it to eradicate paradis. there were no winners in this at all. the colonized people in the aot world (like ramzi) still would suffer from the colonial empires of marley and eldia. eldians would still be exploited to continue marley’s wrath. but there still would’ve been a world to save instead of one to eradicate.

he understood first hand the failed complexities of aot as a story, being that war only has countless victims, bertholdt being one of them.

[primordial0riginator]

Me, the only Ares and Nyx shipper on planet earth: 😏

[atopvisenyashill]

the sociopath thing does irk me i will admit and some of that is i just feel it’s an inappropriate word to be using in the year 2024 (it's not a nice word i don't give a shit about its literary or metaphorical merits, of which it has none anyway!!) but i also think it’s functionally useless because sometimes people mean “this person has a scary disorder” and sometimes they mean “this person is ontologically evil” and sometimes they mean “this person is ontologically evil and i’m sad about it, how tragic” and it’s like. what are we talking about here. you can’t just be like joffrey/criston/ramsay/tywin/saera/cersei/whOever is a sociopath and expect anyone to think that’s a satisfying answer for why they act the way they act. “gregor clegane is a sociopath” but WHY. “no i mean he really does have like sociopathic disorder” that’s not a diagnosis and the range of things he could have that would make him display “sociopathic behavior” is SO VARIED. just say what you MEAN.

[sualne]

Idk if this would interest you, im just asking fellow one piece brainrot sufferers.

There are 7 sins and 7 warlords of the sea. Which sin fits each best? My main struggle is that Jinbe is without flaw so he doesnt fit in any sin nicely. Just 1am thoughts sorry to bother

oh that’s such an old thing the seven warlords sins i got flashback from when i was on skyblog lol.

i don’t really vibe with it because it doesn’t really hold up, i think Jinbei was associated with anger? but that felt like it because the other sins had been given out to the other already? what was Kuma associated with actually?

i don’t remember all the sins so i can’t really help you there, all i know is that i don’t like Boa being associated with lust because as is often the case with these things, she’s not actually lustful!!! it’s others that are horny for her! she even refer to sexual thoughts as “wicked” or “evil” depending of the translation!! and with her backstory it makes me mad tbh! ☹️

[quietwingsinthesky]

i have now read multiple fanfics now that describe evie’s hands as “being softer than jacob’s” and im not going to put anyone on blast about it. but. you guys realize they do the same job, right. they both kill people and parkour up buildings. i know that woman’s hands are rough as shit, she’s got calluses on her calluses.

[fissions-chips]

Evil Tim AU where the horror doesn’t come from Tim being an unspeakably, brutally violent man (he has people for that), particularly towards Jon, but where the horror comes from how quietly and completely he manages to take over the man’s life by taking advantage of a bad situation.

Tim being less of a stereotypically abusive partner in favor of Jon looking up one day to find that every one of his allies has been ruthlessly killed, his penthouse no longer looks like it’s his, he no longer has any of his former power- and, try as he might, he can’t remember when things became this way.

[proudfreakmetarusonikku]

Tbh the whole metal sonic having a hedgehog oc thing is honestly so good. Yes. The murder robot also deserves the joy of dressing up as a character she made. Reminds me of those sonic ocs that edgy kids used to make that were basically just like. emoer amy rose or something. And I mean that with the most love in the world cause i was one of them kids. He is kinda just an edgy kid too. They deseve the freedom

She literally is my emoer Amy Rose from when I was like nine she is just also in universe Metal Sonic's emoer Amy Rose. (her outfit is actually very vaguely meant to resemble classic amy's since like, metal cares about like three or four people enough to remember them by name and amy is one of them bc, y’know, sonic cd, she considers amy one of the few living things that was useful to her bc she used her as bait she is in universe literally designed after amy rose bc metal was trying to exploit sonic's heroism for like literally two minutes until they started bantering.)

[please-picturemeintheweeds]

tw: abuse discussion, intimate partner violence, grooming discussion, power and control. Trying to be vague here and not fly too close to the muse Sun

Re: red tv and the manuscript discourse, I wonder if people realize that it is actually possible to have abusive/toxic/harmful relationships with people your own age, too? Like even if Taylor and jg were 2 years apart, harm still could’ve occurred….? Like it was obviously not grooming bc that is a very specific set of experiences usually involving a child and a person in a position of trust/power like a parent or teacher or coach etc (I know this bc I lived it!!!). But like… that is not the only kind of harm that can happen to young people???? Her youth/naivety was definitely a factor in how fucked up the situation was but it was not the only element. Power dynamics do not begin and end at age. Adults can fuck each other up, too…

[commanderthalys]

I’ve come to the stunning realization that Thalys gets really turned on by being called sir/mister/daddy etc. sorry that’s all