#always happy to get to talk to them

[justfranzz]

Teaching grandpa Chaos the new lingo

[hinamie]

spiraling

[cup-o-stars]

Last part for old GF sketches

(Actually, most of these aren't old at all, but their average is brought down by the last picture, which I drew back in August and kept forgetting to post)

[timethehobo]

Just had to doodle my Inqy Aidan and Dorian again. I’ve missed them sm and was so happy when I saw them next to each other.

Also Dorian being concerned over his amatus ahhh. 🥺

[iamespecter]

What is the story synopsis for the harlequin au?

Just like the Suspenseful Digital Mystery, I do plan on making a masterpost about it, but the story synopsis of the AU is that it follows a serialized-1210 Combat Harlequin named "Pomni": a Puppet who's whole purpose is to fight.

Initially just wanting to defeat the fugitive Puppetmaster, Caine, to "prove a point", she eventually ends up joining the man after he manages to convince Pomni that he's only trying to help improve the situation of Circuit City, a city that's been overrun by manic marionettes, killing and destroying everything that even dares move.

So now, she has to deal with various bosses, with some of them even joining the team after they've been "corrected" by Caine.

The whole AU is inspired by a Souls-like, specifically "Lies of P" because I REALLY love that game. Their designs take on a more Steampunk-esque theming, but the genre of the whole AU is Soulpunk.

So far, the designs I've done yet for the AU are for Caine, Pomni, Ragatha, and Kinger (who's name lacks the "e" part for a e s t h e t i c purposes)

Everyone who's been shown in the TADC canon is bound to be a boss for this AU with the exception of Caine, since he's Pomni's starting ally/objective giver.

And yes, EVERYONE is a different classification of a Puppet, which are robots of sorts.

[nenoname]

(probably) All the times the nickname Sixer is used for Ford by Stan and Bill

it came a long way from only being used twice in the actual show

(book of bill count here)

seven times by stan (EDIT: eight actually forgot about the in-character commentary)

EDIT: "Y'know, I suppose Sixer might be able to make some sorta drill that could get me back down to the dinosaur cave with some real attractions." - Land Before Swine Commentary

eight by bill

once by the hand witch

and once by ford himself

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[c-kiddo]

goddd the scene in ep125 of beau finding out that the cobalt soul has been investigating her paid kidnapping after she mentioned it to dairon and are actually going to take zeenoth to trial for it killlls me. the way that beau is so shocked that someone (dairon) cared enough to look into the abuse she faced and actually seek justice for her. oh my god beauuuu ily beau 😢😢😢😢😢😢

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[canisalbus]

It's quite funny having followed you for years and years and knowing Machete as his dark, bloodied, cunning (and always on the edge of getting horribly murdered for his hubris) incarnation, and coming into 2024 and just... yeah he's gay now. Maybe he's even happy. Redemption at last... perhaps he DID get assassinated indeed and all those AUs are just his personal afterlife (does he get to go to Heaven? Seems so!)

.

[caesarflickermans]

Throughout the trilogy, Effie is a personification of what the average Capitol citizen is. It is Effie who Katniss thinks of when Gale mimics the Capitol accent (THG, 1). With little contact, Effie has come to be what 12's citizen envision when they think of the Capitol.

As readers, we receive an early glimpse into what the Capitol is like through her fashion style and persona during the reaping ceremony. Effie is bright, bubbly, has pinkish hair, and a spring green suit (THG, 2). When Katniss arrives in the Capitol, its citizens are eager to see the tributes. The Capitol's colours are artificial, "the pinks too deep, the greens too bright, the yellows painful to the eyes" (THG, 4).

As Effie views her previous tributes as "savages" (THG, 3), so does the Capitol commentary reflect a similar view when they refer to District 12 as "a bit backward but that local customs [the three-finger salute] can be charming" (THG, 3).

District 12 is an underdog whose chances to win the Games are marginal and who rarely receive sponsors (THG, 4). This unpopularity within the Capitol is represented by Effie's exclaim that she might be promoted to a "decent district next year!" which leaves Katniss uncertain whether Effie is "overcome with either the emotional parting or the possible improvement of her fortunes" (THG, 10).

Effie's emotions pertaining to the tributes are akin the feelings the Capitol citizens have of their tributes. The crowd "screams assent" (THG, 10) on the prospect of more information on the star-crossed lovers. The tributes are pawns in their entertainment system, and the prospect of an interesting storyline is emotional and exciting. There was no uproar to question the Games, no saving these two kids—this fascination relied on their inherent doom. Thus, while emotions alike Effie's might be at play here, they are not enough to question the legitimacy of the Games just yet.

Once victors, Katniss and Peeta are placed in a different rank to the Capitol society as the Capitol engages in a voyeuristic enjoyment in their lives (CF, 3). While much of this can be read in a sensational manner, and that is no false interpretation, the Capitol citizens are interested in the lives of their victors and receive Katniss' and Peeta's fresh love with interest—Katniss and Peeta are celebrities who they have built a relationship with, such as being emotionally involved in their wedding (CF, 12).

Effie's care for the victors can be understood as a symbolic interpretation here, too. She has come to care for Katniss and Peeta, and it is expressed by gestures such as offering Katniss sleeping pills (CF, 5). No more tributes associated with barbarianism, she, much like the Capitol, has uplifted Katniss and Peeta to a new status; now caring for them, because she assumes they are guaranteed a long life.

On the 3rd Quarter Quell reaping day, Effie gifts Peeta and Haymitch golden jewellery and wears golden hair. She is upset at Cecilia being reaped and has come to view the victors with a loving care despite their flaws, such as when expressing Chaff could not stay out of a fight. Overall, Effie cares for the victors and seems to be in visible distress at the Quarter Quell's prospect (CF, 14).

In much the same way, Peeta states that the people in the Capitol citizens are unhappy that the victors must return to the Games. In his words, the Capitol citizens got "attached to their champions" (CF, 14).

When the victors are being interviewed on Caesar's stage, their statements consist of appeals targeted at the audience, such as the victors' deep bonds created with the Capitol people. Once Katniss enters the stage, "the audience is an absolute wreck" and "the sight of me in my white silk bridal gown practically causes a riot" (CF, 17).

However, it is Peeta's statement that causes this riot. "As the bomb explodes, it sends accusations of injustice and barbarism and cruelty flying out in every direction. Even the most Capitol-loving, Games-hungry, bloodthirsty person out there can't ignore, at least for a moment, how horrific the whole thing is" (CF, 15).

The word "barbarism" is the Capitol's citizens journey—and by definition Effie's journey—they have had throughout the past year. From perceiving the tributes in such a manner to seeing the 75th Games for what they are, the reaping of the Capitol's champions, these who they have began to care for, is reason for great upset.

The implications for Effie have no villain-hero morality attached to them—she is marked by her representation—and is a morally grey character whose indoctrination is slowly shedding away. Her status as an oppressor are bound to her Capitol citizen status, as the Capitol reaps the fruits of the District's labour.

Like Effie, the Capitol citizen's had been indoctrinated and their beliefs around the Districts were shaped in their own understanding of being the peak of civilization, as their language expressed—"savages" (THG, 3) and charming local customs (THG, 4).

Their awakening, that of Effie and the Capitol, occurs simultaneously. Effie, remaining Katniss' frequent Capitol contact, is an expression and mirror of the Capitol society. Yet, her focus, similar to the audience's focus, on the victors alone remains a vital aspect to understanding her character. They system itself is not questioned. Instead, there is upset for having wronged the Capitol's "champions" (CF, 14). Their tears and upset do not evoke questioning the broader system. In that, the Capitol citizen and Effie herself are rendered in an ignorance about their own participation.

She is neither villain nor hero. Like her fellow citizens in the audience, she is a part of the system by being born into it. While her role as an escort has granted her a larger part in the Capitol's complicity, she remains a character whose upset is ultimately powerless and whose fear of the Capitol remains always present (CF, 17).

[luck-of-the-drawings]

POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.

[blossoms-phan]

as tradition would call for: the post I made on my old fan account for the 5 year phanniversary 🥺❤️

[evilkitten3]

naruto crack au where kakashi manages to successfully drill the "never abandon your comrades" thing into team seven's heads

so when sasuke deserts naruto and sakura immediately desert with him. like he gets to the village gates and they're just waiting for him bags packed like "what took u so long we doing this or what"

he tries to get them to go back bc of course he does. "no you losers this is about me i'm going to kill my brother. also i'll have to kill my best friend for the super sharingan and you two are like the only people i talk to". but they do not listen. teamwork sasuke we will defeat your brother (OUR brother #communism) with the power of teamwork. just like kakashi-sensei said

suddenly orochimaru has to deal with three horrible little goblins with an even more codependent relationship than his old team

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor