#always a fucking drama

[nicistrying]

My sanity is hanging by a thread today. Had a lovely day at work sat with all the girls, chatting wedding stuff and just generally having a nice time. Met my sister in law for lunch and she was just really off with me, judgmental about the wedding, has been talking to our mother in law about my IUD which frankly is no one else's fucking business. I was pissed that Matt had talked to his parents about it at the weekend when I didn't go over to their house with him bc I was in agony, but I don't need family discussions to be happening about my uterus and my choice of contraception. Matt had explained to his mam that I made the choice to be in significant physical pain rather than be mentally fucked up with paranoia, anxiety, mood swings and depression which is what happened when I took the pill. I spent years working on my mental health and finally got meds for it and didn't want to ruin it by pumping myself full of hormones. Like this was not a lightly made decision but it's the decision I made. And yes I am still going to complain about it bc it's really fucking painful and the options I was choosing between were all terrible. It's bullshit that these are the choices women have to make and then we get judged for them, by other women of all people? His mam is a fucking doctor and she often works on maternity wards!!! Like pray tell, what other magical option do I have?? Doctors would never give me permanent sterilisation bc I'm too young, likewise with a vasectomy for Matt and if he did have one his parents would go ape shit that he wasn't carrying on the family bloodline 🤢🤢🤢🤢 like why can't they just leave us alone and accept our decisions that we make in our own lives. I was thinking I should reach out to them since I haven't seen them for a few weeks but they can fuck themselves.

Anyway then went back to work for the afternoon, our systems were totally off for annual billing process so we literally couldn't do any work so I just sat ordering wedding stuff. A lil flower crown for me to try on, a load of cute little coloured glass bottles for the tables, and the cake topper. AND THEN I get home feeling a little icky, drag myself upstairs to work out and get some endorphins going, and I have to push Maggie out of my way and she fucking snaps at me?? She's been told to go to bed and we'll ignore her the rest of the night but come on dude! I didn't need this! So now I'm sitting on the floor in my gym gear about to give up ans go eat dinner with Matt instead bc I don't really have time to work out now. Urgh thank god it's Friday tomorrow. We're going for a little date night to a restaurant down by the river and I was going to invite Matt's brother and sister in law but after how she was today we'll just go by ourselves. Happy Thursday everyone!! 🤘

[collgeruledzebra]

the thing about trying to recommend fiction podcasts to someone who isn't familiar with them is that not only are so so many genres represented but also the level of production can fall anywhere from "basically an audiobook" to "major motion picture minus the pictures"

[8pxl]

PSA 🗣️ another scammer using genAI without disclosing it

pixlgirl has been posting generated AI (targeting fandoms) without disclosing it, passing it off as their genuine art and has apparently scammed at least one person into ‘commissioning’ them. this is a public PSA so yall can block them, and not interact. please do not harass them!

it’s incredibly shitty to be disingenuous while posting AI but even shittier to scam people with it 🤢 stay diligent yall

[theabigailthorn]

"Good" Acting

i have a theory that a lot of people say acting is "good" when they're emotionally moved by it, and a lot of cishet white people have a lifelong habit of not listening or empathising when minoritised people speak, so minority actors get called "bad" even when they display some pretty fucking amazing technical skill

[maishairbuns]

Imagining Zuko having a secret crush on Katara throughout book 3 is soo good and angsty and peak drama. What if you tenderly touched my face during a shared moment of vulnerability, and then I betrayed you anyway. What if afterwards I couldn't get you out of my head, so I tried kissing another girl in hopes that might fix it. What if I came back to you, but you hate me so much now that being around you feels like getting my heart ripped out, and I have no one to blame except myself. What if I fell in love with a girl who despises me.

[brw]

comic writers need to write messy cheating breakups again. all these amicable offpanel breakups are BORING!!! and they rarely make sense with where the characters are in their relationship anyway. i want three issues minimum dedicated to adultery and the fallout of it. we used to be a country.

[doghart]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[seventeendeer]

this isn't at all meant to be condescending or finger-waggy because 100% we all have blind spots like this, but I'm really, really hoping that the people who never found Gaiman's approach to his own fandom concerning in any way will take this all as a learning moment.

he was an older, hyper-famous author engaging directly and frequently with an online audience of largely vulnerable young marginalized people. he presented himself as cultured and worldly, and made himself approachable as someone to go to for advice, encouragement and "wisdom." his manner of speech was extremely pathos-heavy and clearly intended to be comforting and encouraging in exactly the way his target demographic needed it to be to swallow every word. the way he spoke about stories and creativity was designed to make young creative hopefuls feel special and important, while sweeping real analytical techniques under the rug - in hindsight, likely so no one would think too critically about the disturbing amount of patriarchal abuse played for cheap shock value and voyerism in his own body of works.

Gaiman saw a target demographic that was desperate for an older creative role model to tell them they were worth something, and he exploited that pain to twist a narrative around himself where he was king and any critique leveled at him or his works were the enemy.

to be clear, he could have been innocent. he could totally have been just an out-of-touch old man saying nice things to people because he wanted to be kind and he thought he was a lot smarter than he really was. red flags are warning signs, not a surefire way to tell if someone is actually "secretly shitty."

but if you used to look up to him, PLEASE take this moment to revisit the ideas you absorbed from him. did you take his words to heart because they seemed to have objective merit? or did you take them to heart because it felt good to believe what he said? do you still hold these values? does knowing he was intentionally manipulating his online audience make you less certain? do you need more information from a different source before deciding one way or another?

again, I'm just really, really hoping people on here will take a moment to reevaluate the ideas and opinions he's injected into tumblr fandom culture, because his reach is immense and he has absolutely been manipulating popular perception of relevant topics to gain further influence and control the narrative around both his own and Pratchett's legacy. please, please take this moment to notice what he's been doing - and next time someone tries to pull the same shit, hopefully we'll be able to apply what we've learned from experience.

[borgialucrezia]

peaky blinders — 6x04 'sapphire' created by steven knight

[mortysmith]

i do still occasionally think about that one show

[namtanlovesfilm]

cooking crush (2023) | theory of love (2019)

[dykedvonte]

Do you have anything you've been thinking on but just haven't made a post about it yet? Also I'm really enjoying your fic!

I have a few things but it's likely mostly headcanons that I consider somewhat disconnected from my analysis.

Curly's parents had him old, only child, died shortly after he graduated and got the pony express position. It was the last big thing they saw him do which is a reason he stayed for so long.

Doesn't admit how much their death affected him

Jimmy has a largish family. One of the cases of too many kids to keep tract of, parent never really noticed any of them nor their behaviors

Anya lived in a lot of houses growing up, regular supportive family that just struggled to support themselves.

Became a nurse largely to avoid their financial struggles but mostly because she felt too many people weren't being cared for and advocated for in the world properly

Swansea likes high top sneakers most. Likes how snug they fit and how they shield his ankles at work

Curly has a bit of a caffeine problem since he can’t sleep. Can occasionally be found wandering the ship at “night” when he had some too late or just couldn’t sleep.

Daisuke knows a little about a lot of things. Starts conversations with “did you know” a lot but please don’t ask him deeper questions

Curly has known Jimmy longer but has worked with Anya and Swansea longer, met them during his middle years, met Jimmy shortly before college.

Swansea rents a house, Daisuke’s family lives in a big nice apartment, Curly has a condo, Anya live in a small one bedroom apartment and Jimmy has a studio.

Curly's home is very disconcerting. It's too normal to a like uncanny degree.

Anya is ambidextrous but prefers her left.

Anya and Curly are both not native English speakers so occasionally they forget words and bond over the mutual mocking they get from the rest of the crew. Daisuke knows some Japanese but is still learning, never picked it up as a kid

Only Swansea and Daisuke know how to drive, Earth in my mind is very post capitalist so only older people and like the extremely wealthy can afford cars.

It's also like walkable just due to how many businesses are in your face. Probably strict living vs shopping districts

I have more but the way that I headcanon about them is like too long.

[cobra-wives]

ngl i dont like complaining but i’m a bit upset about how quickly we jumped over from tory’s mom dying to… keenry relationship drama. im seriously peeved about how many people are boiling tory and robby’s characters down to being romantic partners, and i don’t think the writers understand how leaning so heavily on keenry weakens both the individual journeys robby and tory go on — robby with his father/role as miyagi do’s captain/brotherhood with miguel/running in 2nd place, and tory with her mother/role as ck’s captain/relationship with kreese/betrayal of her friends. they CANNOT AND SHOULD NOT be each other’s personal saviors; they HAVE TO SAVE THEMSELVES.

[suffarustuffaru]

so i talked a bit about reinjulisuba on this blog in the past like in this one ask but now ive made a quick and easy diagram summarizing their whole deal <3

[tsuyoiqueen]

Peaceful Property EP 6 Analysis: Why Didn't Peach Take The Money

Alright, I've seen a lot of criticism towards Peach's decision not to take the money offered by Home's family lawyer to buy his silence and do damage control after the footage of the accident got leaked. Now, I'm all about bashing GMMTV for their mistreatment of TayNew and other actors under their label, as well as for their lazy storylines and plot holes on the final episodes of their shows, but for once I don't think you guys are seeing the whole picture. Yes, GMMTV is notoriously bad at depicting poor characters, but Peach's decision is not out of pocket. It's actually very characteristic of him and the progression of his friendship with Home.

Hear me out: First, in the beginning of the series, we see Peach and Home fight about money many times – From Home accusing Peach of trying to sabotage his Real State business by faking a paranormal event in Best's house for the sake of going viral to Home later on trying to hire Peach to exorcise said properties even though they'd just met.

Peach sees Home as a spoiled, privileged rich kid who was raised to believe money could buy anything. This conflict is explicitly shown on Episode 2, during Rak's exorcism when Home repeatedly attempts to buy his way out of a bad situation and Peach confronts him about it. First, when Home makes fun of Peach's attempt at making Rak a sandwich based on the manager's instructions and questions his abilities, then buys a feast for the ghost after Peach quits the job, arguing that she must've refused to pass on because the food wasn't to her liking. The second time it happened it's a more pronounced attempt, with Home slapping a pile of cash on the table during the commotion and Peach becoming outraged at it.

But this conflict is brought to light again, on Episode 3, when Peach and PangPang sign the ghost-hunting contract and Kan tells them they've essentially sold their souls to Home in exchange for a paycheck, as they need to heed all of his orders from now, which Home takes full advantage of right away. Now, PangPang is fine with the deal – as she's been since the start. She was the one who got Peach to agree to the exorcisms in the first place and it was her idea to go to Home and ask if he could lend them one of his properties. As long as there's something good coming out of it, she doesn't mind. Peach, however, is reluctant to agree to Home's unreasonable requests but eventually caves in and swallows his pride.

Yet, on Episode 5, we see him once again stand his ground. It doesn't matter that Home will cut his paycheck, he refuses to go back into the restaurant where his former mentor passed away (seemingly by his fault). Home has to push him to the brink, remind Peach of his current living situation – He has no place to stay in, he's sleeping under Home's roof – and consequently hurt him to convince him.

But by the end of Episode 5, Peach knows Home never cared about the money or intended to demolish the restaurant to build a 50 million baht condo out of it. Home confesses to Peach that he only acted the way he did because he knew Peach wouldn't have come otherwise and he really wanted to help Peach overcome his fear. So when Episode 6 rolls around, money is no longer a point of conflict in their friendship, right? Wrong.

Money (as well as influence) is the reason why Home is able to make Peach's dream come true in a heartbeat, after barely a day of knowing about it. He does it in grand style, in a palace, with cameras broadcasting it live and even getting Peach a do-over with Chai-Un as a bonus. But Peach doesn't feel like he owes Home, like he has to bend to his will, anymore because he knows where they stand now: they're family and family looks out for each other. Peach knows Home went through all this effort to make him happy and he rewards Home with his full trust. First, by leaving him on charge of the trickiest part of the dish that could ruin his career all over again. And second, by showing his gratitude and considering Home part of his and PangPang's family (They're the parents and Pang's the baby, as said by her).

So, he asks about Home's dream and when he realizes it's something that he can give him, Peach doesn't hesitate to do so. Home, who's grown up in a mansion, never had to fry an egg or find a job to survive, simply craves the love and comfort of a family and Peach welcomes him wholly.

So, then I ask you, why would Peach refuse the money Home's family lawyer offered him and give back what he got from the exorcisms? Well, the moment Peach found out (or rather assumed) that Home had been lying to him all this time, their friendship left a sour taste in his mouth. What Peach was led to believe Home had done out of care had turned out to be just an attempt at relieving himself of the guilt of the hit-and-run situation. Peach could be thinking Home sought him out on purpose with ulterior motives from the start, that it was all a game to him.

That only escalates once Home's family lawyer, and not Home himself, walks in with yet another contract for him to sign and an order of eviction. That is what puts up a wall between Home and Peach again and reminds Peach of their class disparities: he is poor and Home is rich. Three years ago, Home hit him with his yellow sports car while Peach was on his way home from work. Home's family took care of everything, bribed the police and buried the evidence while Peach was left with pain, guilt and trauma. Home was sent abroad to lay low while Peach lost his mentor (and mother figure), his job and his self-confidence. They couldn't be more worlds apart than they are.

One of Peach's fatal flaws is his pride. He doesn't care if he's going to have to go back to the "rat hole" he came from. He doesn't care if he's losing the chance of living a comfortable life. Peach went his whole life without generational wealth, he can continue to do so now.

So of course, not only doesn't he take the money but he goes even further and intends to give back all that he got from Home's family. Peach wants to be far way from Home and that includes his money. He doesn't care about being reasonable right now, he's just protecting himself.

[starryluminary]

Don’t know if I can deny

A Sudden Desire

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