#also yes there is also a lot to be said about the ableism of it too but thats why its fun to see it subverted-

[basicallyranpoedogawa]

Okay! Batman fans whining about this! Let's see who keeps their rights during a trump presidency!!!

Bruce Wayne! He might have a decent time because he's rich and white. He might get slack for CANONICALLY being jewish.

Dick Grayson, nope! Romani and from a travelling circus? There's no way he'd have a good time, he'd be hatecrimed. And that's not including the few instances of him being canonically bisexual!

Okay, what about Jason Todd? Nope, he lived in crime alley. He was poor. Both Dick and Jason would be tormented by right wing people even after being adopted by Bruce. Dick especially, again Romani heritage.

Tim Drake is one that would normally be a he'd be fine. But he wouldn't. He's canonically bisexual. So despite being a white man from a well off family, he'd be hatecrimed. He wouldn't have a good time at all due to the prevalent homophobia. He likely would not be able to marry Bernard either.

Next, let's see Stephanie Brown. Not well off, she is a woman, and then there was the teen pregnancy. Yes, steph gave the baby up for adoption, but she still wouldn't have had a good time due to sexism and them just hating non rich people. She would be pressured to keep the baby in an America with trump in power.

Damian Wayne would also have it rough. He's not fully white. He'd have an awful time. Racists are comfortable in a trump run America.

Cassandra cain would have the same issue but she's both not white and a woman. She would have to deal with racism and sexism.

Barbara Gordon, like Stephanie and Cass, would have to deal with sexism. She's also disabled so she'd deal with ableism too.

Duke Thomas is up next, and he'd deal with racism. Again, under a trump Presidency, racists run rampant.

Finally, Kate Kane. Batwoman! Jewish and a woman and a lesbian. She'd deal with antisemitism, sexism, and homophobia.

Now, taking all of that into account, would Bruce Wayne be one of those "leave politics out of this" guys? No. He'd like his family and his family's friends/partners to have rights. Because he's literally Batman. Now do you see how it'd be hard to write heroes? Because you lot sure aren't behaving like heroes.

My qualifications for stating all of this is that I'm a 17 year old trans man that is a aspec bi, and Indian. British Indian ethnically! I also read comics frequently and have read enough about Batman and his kids and his kids' partners and his other relatives to know enough to say this. I'm not American but you know when the British aren't laughing at American politics, it must be really bad.

The amount of comic fans, hero fans, I've seen supporting trump or being apolitical and mad politics gets spoken about is insufferable. Do they read with their eyed closed? Comics have always been a political media! Why do you think Batman exists? Because his parents were killed and nobody stopped it. Why is Batman still a thing? Because there's so much crime that gets pushed aside because said criminals are wealthy or high status.

[fruitsofhell]

I still think about this post I made anytime I see someone talk about Sephiroth Like That. It's still so weird to me, do people realize a character being designed to be hot doesn't automatically mean they're supposed to like… sex-y? With Kuja and Sephiroth I mean this as in their attractiveness is meant to be aesthetic more than sexual, it's like that shit Greta Gerwig was saying about Barbie to me.

I remember something that really struck me when I first played those two's respective games was the way their beauty was treated. I had never taken a game with bishounen characters seriously before, so there was a slight culture shock at how much aesthetic weight was put on them, especially combined with the angel motif in both their characters. Two interesting details about angels (archangels or guardian angels specifically) this brought up in my mind was 1) that traditionally these angels are meant to appear as incredibly attractive people, and 2) that they're traditionally portrayed as androgynous men. Which hey, they nailed those both on the head with their "One-Winged Angel" and "Angel of Death".

But with angels, that humanity and human attractiveness is kind of just a guise for a creature, ancient, divine, and terrifyingly powerful - sort of far beyond the actual functions of a human skin. So their attractiveness is not because they're sexy or sexual, but because its an aesthetic representation of that divinity - a way to make that appalling level of power more palatable and, attractive.

And I find that really fun and interesting, a lot in a gender way because, once again, angels traditionally being seen as masculine, and that sort of "sexy for no reason even if its a de-sexualized non-human being" is only ever an excuse for flaunting a feminine form and not a masculine. And I tell you boys, I am on my hands and knees scraping at the dirt everyday for representations of male beauty.

Which is why for Sephiroth and Kuja this was so striking to me. The way their designed beauty incidentally or purposefully invokes the beauty of angels is just so cool. They are characters not at all presented as having any sexuality of their own, but that It-Factor they got encompasses their character and how they are popularly perceived. Like what would Sephiroth be without his imposing form, long silky hair, and cat-like eyes? Or Kuja without his doll-like face and, well, everything else about him? But that beauty is not FOR us or the characters - it's attractive, even captivating, but venomous. Those mako eyes only hold emptiness, to then be set ablaze by an otherworldly, alien hatred; Kuja's lips only purse in a sadistic, callous grin before twisting into the tortured scowl of a disgraced angel willing to destroy creation out of spite.

And that cruel beauty is mesmerizing to players and a lot of what they're remembered for. Which once again was amazing to me cause they're guys and seeing men get that level of attention warms my cold bisexual heart, but also because MAN it ties in so well to their motifs. I straight up think you get less out of them by assuming that being designed to be hot and being a character with sexuality are synonymous. At least personally I am way more enamored with this dynamic of these beings made to catch our eyes (either narratively or meta-textually) in order to tease our senses and twist our hearts, as they move whole celestial bodies and crumble empires with a smile. I'm Just Obsessed.

[tatsumi-rin]

Wait

D-d-does anyone else notice...that people in fandoms keep writing and otherwise interpreting very autistic-coded characters with any sense of positivity as stupid with no inciteful worth or value beyond goofy comedy, regardless of how they act in canon?

[dollypopup]

The way some of y'all talk about Luke Newton is just. . .I need this fandom to check itself with a swiftness, because the very thinly veiled ableism is ENOUGH. Like it is WILD to see, in the year of our lord 2024, people either actively infantalizing or talking down this grown man.

Calling Luke Newton stupid for behaviors that are just him displaying his Neurodivergence? Ableism. Saying it because it takes him longer to answer a question is ableism. Saying it because he said something 'incorrectly' or not as eloquently on the fly as his neurotypical costars? Ableism.

Saying he's boring because he's quiet or he doesn't talk as much (because he often needs more processing time and/or has anxiety to surmount) is ableism. Knitpicking his social media and how he doesn't interact as much with a fandom that has actively been cruel to him is ableism.

Assuming Luke is out here like some helpless little lamb clinging to Nicola because 'oh, she's his comfort person!' instead of recognizing that they both lean on and like each other? Is ableism. Saying he has a one sided infatuation with her BECAUSE he needs her as said comfort person is ableism. Essentially being all 'awwww, poor wee baby, he has anxiety so thankfully his neurotypical costar is there to pick up the slack!' is. ableism. You cannot in one breath say that Nicola's love language is touch but also that Luke is the only one ever reaching to hold her hand because he needs her to ground him. That's ableism.

They both like each other. They have a very close relationship and they both clearly admire the other and like to be around one another. To frame it as him being some inept toddler and her as his more capable caretaker and 'thank God he has her to give him the save' is ableism! That's ableism, babes!! And in many cases people don't recognize that's what they're taking part in, but that's what it is.

He is a grown man and a hell of an actor. Yes, he's quieter than some of his costars. Yes, he contemplates what he says in his mind before he says it, and it takes him some time to do so. Yes, he doesn't behave the way his neurotypical peers do. He doesn't have to. He won't- because he has a neurodivergent brain. And he shouldn't have to behave as a neurotypical person or an 'acceptable' neurodivergent person to have respect from people who claim to be his fans.

He's been outspoken and unapologetic about being a neurodivergent actor with ADHD and dyslexia and how that can contribute to difficulties in the current media machine. He has discussed his coping mechanisms. He has specifically done so because he knows how difficult it can be to be a neurodivergent person in the limelight, and he uses that spotlight to show other neurodivergent actors they can be successful, too. And people saw this openly neurodivergent man and said some mad out of pocket nonsense about him.

As the tour comes to a close, I just really need people to look back on their beliefs and viewpoints during it and do some reflection, because I am side-eying a LOT of takes that have gone largely uncontested.

[terresdebrume]

I've written a couple of scenes of Charles' having an emotional breakdown and Edwin comforting him, I felt is was time for the reverse. Set in the I'm down on my knees universe at like. Some point, IG.

Warning for mentions of racist behavior throughout and also implied ableism via the Paynes vs Edwin. Hurt comfort. Sorta.

Edwin's fists start mashing together the second his hands come off the steering wheel, which Charles knows very well is the the top one sign of a stress spiral. It's pretty much the default position for Edwin's hands whenever they go to a social thing he hasn't got the hang on yet, and the morning before all his business law exams. It feels wrong to see them like that now, sitting in front of a rustic looking restaurant where his parents are waiting for them.

"We can still leave you know," he tells Edwin. "Tell them I tested positive for COVID and you don't want to risk giving it to them or something."

Edwin doesn't quite laugh, but the corners of his mouth lift up, and the creak of his leather driving gloves subsides for a moment. He makes a face like when he's trying to figure out how to say something he's not sure how to handle. Charles, one hand on his still buckled seatbelt and the other on the door handle, waits him out. Eventually, Edwin speaks.

"I should have said earlier," he says, sounding for all the world like the words are taffy stuck in his teeth, "but my parents are sort of... Well. They have a certain idea of how the world should work and be divided—"

"Yeah, I figured," Charles says. He grins when Edwin blinks at him. "Everyone else, when we've got plans, you say shit like 'Oh, Charles is making curry tonight'—"

"I do not sound like that," Edwin protests, but Charles snorts.

"You sound exactly like that, you big toff," he says, grin widening despite himself.

Edwin rolls his eyes and calls him ridiculous, fists softening against one another. Grinning to the point his cheeks ache, Charles gives Edwin's knee a light knock with his knuckles. It makes Edwin click his tongue, but Charles doesn't lose his smile.

"My point is, with you're parents it's always like 'Charles is making dinner' and stuff. Like you're playing the pronouns game with food."

Charles suppresses a wince when. Edwin's eyes widen and his fists tighten together again, like tectonic plates gearing up for an earthquake. Of course Edwin was going to take it the wrong way. Charles should have bloody well known better.

"I'm sorry," Edwin says, I didn't mean to—"

"It's fine," Charles shrugs. "I mean they know what I look like, right?"

"Yes!" Edwin promises, hands so tight together it looks like they're going to merge. "Of course. I made sure they couldn't pretend they'd misunderstood, too, I just—"

"Then I'm fine," Charles says, making sure his smile looks easier than it feels. "I was friends with racist gits for years, I can handle your parents for an hour."

Plus, they'll be in public. What are the Paynes gonna do, try to make him join the staff? Calling him the P slur over dessert? They might think it but Charles suspects they're too interested in seeming proper to be that crassly racist where they can be heard. Probably they'll just make some noise about certain types of people and NHS fraud and jobs being stolen away from the homeless people they have no intention to help. Maybe something about Islam—there people tend to assume Charles is a Muslim a lot. He chalks it up to two birds one stone mentality, and the appeal of unlocking two rants over a single guy.

"Alright," Edwin says, looking relieved but not guilt free yet. "But if you wish to leave early, please pretend you just remembered a favour you promised Jenny, will you? I will drive us back immediately."

"Sure, I'll do that," Charles promises. He genuinely doesn't think it'll be that bad, but if he's wrong he'll be glad have the out anyway.

Reassured, Edwin takes a deep breath, and nods, and in they go. Everything is very posh in that very 'bling is for lesser people' kind of way. The menu predictably shows no prices. Edwin's parents make the usual thinly veiled remarks about Charles and Indians and brown people in general, and it's not the most comfortable but Charles could deal with it if not for the Issue.

It starts when they approach the table, Edwin's parents standing next to it with spines so straight Charles half worries he's hunched down again. Edwin places his hands in his mother's to kiss the air around each of her cheek, but then when he goes to press his fists together again, she takes his wrists and pulls his hands apart. Charles's entire back goes rigid at the sight, but he manages to push it aside and smile as he extends a hand for Mrs. Payne to shake. He said he'd do his best to make the dinner a success, and he meant it.

They sit down, Edwin and Charles on one side of the rectangular table, Edwin's parents on the other. Edwin's hands are very flat on the white tablecloth, gloves pulled away and fingers carefully aligned together. They stay there while Edwin answers increasingly invasive questions about his studies and his life, but they drift together again when the Paynes' attention turns to Charles.

"Stop that," Mr. Payne says with a stern look, cutting himself off in the middle of a sanctimonious explanation of why Charles is not being ambitious enough in life.

It's such a complete contrast to the polite, vaguely affable air he took one when speaking to Charles, and he goes back to it so quickly, Charles barely has time to react. The only thing he can think of is to press his knee against Edwin's in comfort. He should have thought of a signal for Edwin, too. Or at least asked if he wanted one.

The entree's arrival provokes some surprised praise over how their brown waiter is surprisingly well trained and articulate, and Charles takes it in stride. They're not actually saying anything to the waiter, and when they do speak he's out of earshot. He's had worse, and Edwin doesn't quite seem to be ready to throw the towel in, so he'll stick it out a bit longer. Even if Edwin's going pinker and pinker with every minute that passes.

They're about halfway through their main dishes and another rant from Mr. Payne—augmented by his wife's approving noise and not much else, Edwin having fallen silent somewhere around the time his gaspacho touched the table. Charles hates to see him like this: Edwin has always had a big personality, a larger than average presence in any room. He should be leading the conversation, or at least insisting on being heard through it, not looking down at the tablecloth with his mouth shut.

Charles is halfway through opening his mouth to pretend Jenny just texted him about plumbing issues, when Edwin's dad speaks again. He has the kind of articulation they promote on the BBC, yet Charles doesn't register any of what he says, only the fact that Edwin's fists fly together without him even noticing, and then Mr. Payne's hand darts from the other side of the table to slap Edwin's closed hands.

Now, see, the thing about Charles, is he's got excellent reflexes. Between dodging his dad's many and varied projectiles over the years, a decade of cricket, and countless hours of playing shooting games, he's pretty much primed for it. Add to that the fact that he's been getting angrier and angrier on Edwin's behalf throughout the meal, and really Charles doesn't think he can be blamed for dropping his knife, reaching out, and slapping Mr. Payne's hands.

"How dare you?" The man hisses in the deadly silence that falls over the room after the exchange.

The whole restaurant seems to hold its breath, the way Charles and mum used to do whenever dad stopped and asked 'What did you just say?'. In the corner of Charles' vision, Edwin's mouth hangs partially open in shock even as Charles hisses:

"How dare you?"

"The way I discipline my son," Mr. Payne starts, and Charles snarls.

"Your son is twenty-five," he says raising his voice on purpose. "You don't get to treat him like a bloody toddler."

"You little—" Payne senior starts, but before Edwin even has the time to react to his dangerous tone, Charles stands up with a loud scrape of his chair against the floor.

"And another thing," he says, loudly speaking over the fast purpling man in front of him, "there's nothing wrong with Edwin. That thing with the hand? You're making a mountain out of a bloody molehill! And if you didn't spend so much time worrying about it, maybe you'd realize Edwin is really bloody mint, actually, and if you can't appreciate him, then I don't see why we should bother staying here at all." Charles pushes his chair back against the table with another loud scrape, and turns to Edwin. "Come on, let's go."

Edwin's parents protest, mildly at first and then more loudly, but Charles doesn't care. He's too furious at them, at the way they filled their son with a sort of guilty shame Charles had never seen until the, at the way they somehow managed to stop him from even wanting to answer.

He waits until Edwin stands up, and then he takes hold of Edwin's wrist and drags the both of them outside. Edwin has to tug hard on his arm to remind him they used a car to come in, actually, and they can't leave it there. He sounds—well he sounds strained, is what he does. The sort of voice that means there's an emotion somewhere he's not letting out, and this time Charles knows exactly where it's going.

"I'm so sorry," he says, "I ruined dinner!"

"Oh," Charles, Edwin sighs.

His eyes are wide and wet and his grin ks kind of wobbly, but he steps up and engulfs Charles in hug anyway, hands tightly clasped around Charles waist. Charles responds in kind, putting as much love as he can into the embrace, into the pressure of his arms around Edwin.

"Thank you," Edwin mumbles against Charles' neck. "No one ever stood up for me line that."

"They bloody well should have," Charles says, gentling his tone when he realizes something warm dripping down his neck.

Edwin, too busy controlling his crying the best he can, doesn't answer, but it doesn't matter. Charles holds him tight until he's done crying anyway.

[a-little-revolution]

heya, this might be too much for a single post, but i would delight in a ramble about the overlap between dwarfism and disability (whether or not you/the community as a whole generally consider it a capital-D Disability or if theres more nuance like with the autism or HOH/Deaf communities where it just Is and folks feel the the struggles with outgroup folks are like, culture clashes, or perhaps a secret third thing?)

similarly, id love for a ramble on the overlap between dwarfism and queerness, especially The Genders. i have ehlers-danlos syndrome and theres a huge number of us who are trans or nonbinary, to the point where masculinizing hrt is (anecdotally) understood to be a bit of a treatment for some symptoms. i know theres a lot of overlap between queerness and disability as a whole, but so far the couple of artists with dwarfism ive found and followed are all some flavor of trans or nonbinary, so id love to know if thats as common of a thing in your community as it is in mine

dwarfism is for sure underrepresented in discussion about both disability and queerness, and as a disabled queer person they are so intertwined in my head, and im forever curious about other folks experiences so your thoughts are appreciated!

Hello!! I love these questions!!

Firstly, yes, I do identify as being both a little person and disabled, but that isn't the case for everyone with dwarfism. Though dwarfism falls under the classification of a physical disability, not all little people find it physically debilitating. For me, my Achondroplasia dwarfism has resulted in sleep apnea, arthritis, chronic pain, hearing loss, limited mobility and dexterity. I cannot walk long distances and I use multiple moblility aids (wheelchair for long distance, rollator most of the time, and cane for short distances or around the house). My disability is dynamic, meaning that my ability changes day to day depending on pain levels, spoons (unit of measure for disabled energy), and activity.

Being that I am both a little person AND noticeably disabled, I have experienced ableism within both the abled community and the LP community, which is something I don't often talk about. I've been in situations where I feel alienated from my own community - additionally for my queerness. When you exist at the intersection of as many things as I do, you experience many flavours of ignorance and discrimination from the very people who should accept you.

That being said, I have also had the privilege of meeting other little people who are trans, queer, and nonbinary like I am. Our community is incredibly diverse, but spread along the globe. It is easy to feel a profound isolation, but the internet has provided me with a means of connection which I greatly appreciate.

Disability and queerness is something I discuss in depth in my public speaking roles, as I deeply value intersectionality in education and activism (I hope to share some of my talks as I record them in the future!).

I am forever painful aware that ableism is alive and will within the queer community - even when "all are welcome", we are still an after thought. I really urge my fellow queers to think beyond our own community to bipoc and disabled folks, otherwise you're really just dipping your toes into radicalism. Read more books by black disabled trans women of colour, and expand your thinking. (Thank you for coming to my Ted Talk lol)

I can't really speak to hate from the other direction, as all of the disabled folks I know on a personal level are also queer. Though I will say that I certainly receive queer-phobia from older (white) disabled folks - in my experience, when white folks become disabled with age and have not faced any other injustice in their life, they can be very hateful.

This has been quite a post, so I hope I've answered your questions in full! I would be happy to discuss it more if not/answer other related questions! Thank you so much!

Elliot (they/them)

[velvetvexations]

I feel like a lot of the trans women saying that masculinity/manhood is always rewarded in everyone because patriarchy often forget that the opposite is true, actually, for people who are seen as women/put in the "woman" category.

Because yes, trans women are usually forced into manhood and "rewarded" for being men, and punished for being women. But that's not because manhood is universally rewarded in everyone, but because partriarchy sees having been born with a penis as "man".

It also sees being born with a vagina as "woman", and every deviation from that is *also* punished.

Yes, people who are seen as women/girls may have more freedom in expression of gender (depending on where they are from. I hate when ppl act like people afab everywhere can just dress like men without punishment. There are so many countries with laws on what "women" (and those treated as women because of their agab) can wear, and if anyone believes for one second that breaking these laws is REWARDED in any way, they're so fucking deep in their own head and need to talk to someone from these countries) but that freedom was fought for by feminists! Feminists have fought to be simply just allowed to wear pants. It's ridiculous to look at how it is now (in the western world) and make conclusions on that without looking at *why* it is that way now and how it was before.

And people are usually expected to grow out of their tomboy-"phase" by the time they reach their late teens, or early twenties at latest, and become a feminine woman, wife, and mother. If you don't do that, your masculinity gets punished.

And the masculinity of people afab is also only (begrudgingly) accepted (in SOME places in the world) as long as they're still visible as women or girls and their masculinity is hot and serves cishet men. As soon as they step "too far" out of these roles (by being non-binary or men, or being "ugly", fat, or anything that would make them "undesirable"), their masculinity gets punished. Horribly.

It's really infuriating when (trans)radfem trans women try to act like their experiences are universal and whenever someone says something that disagrees with them, they must be lying or "delusional" (yay, ableism! so progressive /s) for thinking that they were, in fact, punished for their masculinity or manhood...

Sorry for unloading this on you, didn't know where else to put it. And thank you so much for listening.

I think a major issue here is that no matter how much we try to reason things out and work through why they act the way they do, radical feminism, trans or cis, ultimately comes down, at some point, to a deliberate decision to prioritize egocentrism and their own desires over seeing other people as real, actual people - not even other transfems, who they just sexualize and try to control, or call a TERF if they can't. And it's hard to reason with that.

Like, they have to know on some level that they hyperinflate trans women in particular being "socially murdered"* to use as social capital and terrorize younger** transfems into isolating themselves. Maybe a very long time ago for some of them it came from the distress they felt from the legitimately immense danger transfems face in a variety of contexts, but they've shot far beyond that now and just don't really care. They've built a cage of unreality around themselves that makes me feel like I'm talking to aliens.

Like the other day, I was talking to one who insisted that the tee-em-ees will not show up for me. Like, I said they did, and she said they won't, and I was like, but they DO! They have! Always! I've seen it with my own eyes, directly for me specifically! But it was just "who hurt you," "let yourself be angry," "don't settle for just scraps," "they won't treat you better if you throw yourself at their feet," "social murder," and it's like WHAT THE FUCK ARE YOU TALKING ABOUT? ARE YOU HAVING A STROKE? WAS THIS A DREAM YOU HAD?

And what about the deliberately cruel fuckery, the constant derision of the most petty things like forcemasc? What the fuck do they get out of wrongly asserting that women are never punished for masculinity and never have a problem with being viewed as masculine, like why are they doing that, what is their goal? Because it seems like it's literally just "mock and invalidate the sexual interests of others and deem it an inferior copy of our thing."

What do they get out of misgendering cis and trans men for forcefem funsies and telling them to suck it up? They don't really believe that their forcefem joke is the only thing that might make an egg crack. That's extremely obviously a lie. They're doing it because they want to, because it's their kink, because they don't care about the feelings of other people, and they can use transmisogyny as a convenient defense when people ask them to moderate literally any of their behavior for the comfort of everyone else to literally any extent while demanding everyone else shut up and defer to them on every single topic in every single situation.

And this stuff with D20 and Ophiuchus and the transmasc character being treated better? A lie. Just fully making it up. Inventing it. Fabricating it. For attention.

I've never had one acknowledge it when I've tried to explain that I first learned about all of this from transmasc friends bringing it to me so they could defer to my opinion.

They're determined to stay like this. It sucks.

*truly a phrase that makes me livid to even think about now, they reduce it to about the same level of seriousness as forcefem jokes, every single time it's so thoughtlessly hollow and self-obsessed but you could guess that from it being a fair description of every thought they externalize

**let me make this clear, I'm referring to young adults, I am not accusing anyone of being predatory towards minors nor am I saying the motivations are necessarily sexual anyway, although clearly transradfems don't care about the effect their hyperbole will have on the mental health of minors exposed to it and trained from a young age to never trust anyone, so underage transfems are very much a concern here, but not in the sense that they're being directly and personally abused in any way

[maybe-boys-do-love]

Finished Last Twilight, and I'm not adding to the ableism discourse, because most things have already been said and with a lot of beautiful nuance that I agree with. But I do want to talk about how that ending arrived because of Aof Noppharnach's consistent symbolic commentary on the experience of living with HIV in much of his work, with an approach that's unique among all queer content. Imma skip Gay OK Bangkok since its not even a metaphor there, but I'll explain my rationale for the others, and we can just appreciate the foundation Gay OK Bangkok lays for us to think about the rest of his stuff.

The motif of life-saving medical intervention comes up in all but one of the works he takes screenwriting credit on. He's Coming To Me: P'Med dies originally because of a lack of medical intervention. 1000 Stars: Tian gets a heart transplant. Moonlight Chicken: this one's more subtle, but the whole series is explicitly established in the context of reopening following the COVID pandemic, and Wen will later say to Jim, "we are survivors." It was this line upon rewatch that made me start considering how thorough this theme is. Survivors of what? The meaning is three-fold: hard lessons in love, COVID, and, for gay men of their age, the HIV epidemic. The hope of medical intervention for Day's condition takes on a secondary meaning, with this trend in mind, even if the mixed disability politics between visual impairment and being HIV positive really fails.

His comparisons are more intricate though. Pills and daily regimens are a consistent motif. Day has his daily eye-drops, Tian his pills (which are presumably immune-suppressants to help accept the transplant but I'm not going to Viki right now and watching every ep to find out so someone feel free to correct me). 'But people take medicine for lots of things,' you say. 'Just because its gay doesn't mean its an HIV metaphor!' You have a fair point! But here's where Aof gets real fun and sneaky. P'Med dies from lack of pills the same year Torfun, whose heart will save Tian's life, is born, 1997. I'm mentioned once before 1997 as important for the class-conscious Aof because of the Asian financial crisis that Thailand set off that year. However, 1997 is also important because its the year HAART, or Highly Active Anti-Retroviral Therapy was first used in Thailand (it had hit the market only one year earlier). HAART, a multi-drug regimen, boosted someone's life-expectancy with HIV up by 15 years, and its side-effects were significantly milder than previous approaches. The medical conditions of P'Med and Torfun's heart point us directly to HAART, and what it could offer.

Now we're moving out of the medical and into the experiential connections because, while Dark Blue Kiss is the only work Aof chose to take credit for screen-writing without incorporating medical references, it is by far the most dense with references to the issue of concealment. Its in the narrative as people closet identities and hide relationships, yes, but its in SO much of the visuals, too, most obviously the Pete & Kao mug hidden inside its coozie. It's easy to see the surface story about gay visibility and the closet, but there's a more specific subtext here about the associated condition that intensified the stigma of being gay and how that impacts your sense of self. Bad Buddy explores this issue less, but even in the BL Bubble, its haunted by the stigma of homophobia--it just shuffles it over onto rivalry so the audience can experience it without reproducing it.

However, the grief and shame of surviving when others haven't haunts Aof's other works much more intensely. Jim and Tian both are hung up on guilt for someone's death that they did not actually cause, continuing to pursue the goals for those that passed rather than their own. Then, there's Thun and P'Med, which is the best allegory for living and dating with HIV, bar none. It goes into the feelings of stigma and the limits of physical intimacy with partners that living with HIV caused, especially prior to Truvada's introduction in 2004. Even then, the show depicts how a HIV negative partner maintains the choice to participate in their own regimens, as Thun's desires for physical intimacy with P'Med manage their relationship and never the other way around.

This sense of required separation and gay identities that are less sex-focused also play into oft-maligned motifs in Aof's work. He's talked explicitly about people's criticisms of the limited physical intimacy in his earlier works that led to the more prominent stuff in Bad Buddy, but I hope given the above context, we can appreciate why physical intimacy is less of a priority than other kinds (and I'd add that 1000 Stars, which got the most sh*t about it, is actually one of the most erotically-charged BLs out there because of it's restraint). Then, you have the finales where characters separate for periods of time, and while I don't see this as explicitly tied to HIV experiences (Aof is literally following the book of romcom beats there, even if everyone whines about it), I can't help but appreciate a tangential connection to loving beyond time and distance that was required for those who lived with or lost loved ones to HIV.

I would've loved to see a version of Last Twilight that didn't absolutely bungle its metaphor, because it had every element to be something great (except, I'm sorry to the fans, lead actors with the necessary queer romantic chemistry). Watching the last episode, when the show seemed to finally rediscover plot and pacing, all the other pieces that had been drowned out by the disability conversation peeked their heads out, and I saw what the show wanted to be. The topics related to living with HIV of stigma, survivor's guilt, and assistive technologies: they were all right there, not just for Day but for everyone, if only they had been given the proper time to marinate to develop more complexity. It's the rare instance of a show where I'll choose to spend time imagining what could have been rather than obsessing over what was or just moving on. Even a misstep from Aof, like this, is overflowing with so many more layers than most series. The failures of Last Twilight, in relationship to his other works, even let you see how much food for thought he's providing.

[zvtara-was-never-canon]

they managed to massacre Aang's character and all the struggle and importance of his choice in the finale in a SINGLE page, and yet there are people who think the comics are good

and of course Katara's would have nothing to say on the matter, toootally in-character

Not to mention: yes, Zuko is right that a lifetime of indoctrination won't magically stop affecting him just because he's aware of it now, but the way the comics really said "If you're not perfect, you deserve to die. Not rehabilitation, not even incarceration despite it being an option, just straight to violent, lethal punishment" is horrying.

And lets not forget the blatant abuse apologism of having Zuko, the kid who was told by his abusive parent that his disfigurement and banishment was "for his own good" after he made one "mistake", turning to his closest friends and asking them to be his "safety net" by MURDERING HIM IF EVER STEPS OUT OF LINE - and said friends then agree to it.

Are you fucking kidding me? The real Aang would have double-down on the "You're NOT your father" bit, and the entire friend group would have been super concerned about Zuko because a victim of abuse saying they're as bad as their abuser thus deserve to die is one hell of a red flag as to how their mental health is going.

Speaking of mental health: I talk a lot about how Azula was constantly being abused by the supposed heroes in the comics, and how the justification of it is rooted in ableism, but this nonsense with Zuko asking to be put down like a dog is also peak victim blaming, and one of the few moments in which one can actually feel bad for comics!Zuko.

And it ties into a disturbing pattern I noticed among Avatar fans - and mainly Zuko fans. They don't truly understand that what Ozai put his children through was wrong, they simply think he chose the wrong kid as the escapegoat. They think Azula should have been the one that is constantly punished just for existing, while Zuko is the golden child that can do no wrong - or else.

This moment right here? With the people that he trusts agreeing to inflict violence on him if he ever makes a mistake? This is that "or else". This is literally the same mentality that led to Azula's breakdown because NO ONE CAN SURVIVE UNDER THAT MUCH PRESSURE.

And that leads us to the main reason why the comcis suck: Yang was using Zuko as a self-insert.

"Zuko‘s relationship with Ozai is something we – Mike, Brian, Dark Horse, Nickelodeon, and I – talked about extensively when we first started working together. There’s this strange thing that happens to people in power. The pressures of power often blur the lines between enemies. That’s part of what happens to Zuko here. Ozai is the only one who knows what it’s like to be Fire Lord, the only one who has the wisdom of experience. I also looked at my own life. I used to clash with my dad quite a bit when I was a teenager. However, as I grew up and found myself in roles that he used to have, I began to understand more and more of his decisions. My father isn't thoroughly evil, of course, but I imagine Zuko feels a little of the same pull."

Yang. My guy. My dude. The words "Ozai" and "wisdom" should NEVER be in the same sentence. Every single action of Ozai's as Fire Lord was based on him being an abusive piece of shit that finally got access to absolute power. He is not a stern dad, he is abusive. He's not misunderstood, he needed to be stopped and locked away. He is a human being with feelings and motivations, yes, but he is WRONG ABOUT LITERALLY EVERYTHING EVER. He NEVER had a point. Zuko has nothing to learn from him except what NOT to do. That's why he looks like an older, unscarred Zuko. A version of Zuko that never changed.

This is the core issue of the comics, and why it had so many moments of unintentional abuse apologism: they say Ozai is a villain, but they're going out of their way to constantly make the characters come dangerously close to saying "Maybe he had a point." That's why they have Zuko turn to Ozai for advice despite claiming he wants to avoid becoming like him - because the guy writting them couldn't understand that the bad guy was, in fact, bad and in the wrong and has no wisdom to offer to anyone.

Avatar, the series, is about the world moving past from the sick mentality people like Ozai had, and about his son realizing that he did not deserve to be abused. The Avatar Comics are about telling Zuko (and others) "Ozai isn't wrong actually, you'll understand when you're older."

No, Yang, they won't. Because there's nothing to "understand" here other than THE GUY THAT ABUSED HIS CHILDREN AND COMMITED GENOCIDE WAS WRONG ABOUT EVERYTHING, YOU DUMBASS!

Saying "the villain had a point" does not make a story better unless it is true - and in Ozai's case, it simply isn't. Insisting otherwise doesn't make the story and characters more mature, it just means you couldn't understand a cartoon aimed at 7-year-olds despite being a grown-ass man.

And I won't even get into Bryke approving of this bullshit otherwise I'll start tearing my hair out in rage at how badly they seem to have lost touch with the message of their best work, so let me just use a simple statemet to make everyone understand just how much of a disaster this is:

Even M. Night Shyamalan didn't misunderstand ATLA to the point of thinking Ozai wasn't actually wrong, but Bryan, Mike and Yang did. The comics understand the show less than M. Night Shyamalan did.

I rest my fucking case.

[chimcess]

Waterlog || pjm (6) (Teaser)

Pairing: Jimin x Reader Other tags: Olympic Swimmer!Jimin, Ex Olympic Swimmer! Reader, Swim Coach!Reader Genre: Strangers to Friends to Lovers!AU, Coach!AU, Swimming!AU, HEAVY Angst, Slow Burn, Mutual Pining, fluff, eventual smut, I'm so soft for these two it's crazy. Word Count: TBD Release Date: Sept 13, 2024 at 5pm (MT) Synopsis: After a car accident ends her athletic career, Y/N has slowly started rebuilding her life again as a high school swim coach. That’s until she gets a request from an old friend and finds herself back in the spotlight as the new coach of Olympic swimmer, Park Jimin. Warnings: ANGST, crying, mental health issues, talking about mental health, I'm so soft for them it's actually wild, angst, trauma, panic attacks, kissing, SMUT (more to come in the official release), ableism, mention of past alcohol abuse, talk of previous sexual encounters, talks of bullying, probably poor swimming terminology, I also have no idea how swim events work so might be wrong about that too, talks of possible inappropriate coach-athlete relationship, lots of insecurities, survivor's guilt, lots of guilt and shame actually, reader needs to be kinder to herself, we all deserve a Jimin, he's still best boyfriend, more to come later...

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“Ready?”

I jumped. Beside me, Jimin laughed. 

“Yeah, yeah,” I joked. “Laugh it up. Just take your clothes off and get in the water.”

Jimin stuck his tongue out at me, peeling his jacket off and tossing it on his gear bag. His flip flops were next and in no time he was in the water. I stood at the edge and watched as he started doing his laps. This was more about stretching his body than training, and I told him he needed to get better at practicing taking this slow.

The pool began to fill in with the others as they practiced their designated moves. Jimin and the boys were tagging each other in and out to get used to taking turns diving in. I watched with pride. His breaststrokes looked amazing. His progress was something to behold and I was honored I had been trusted with him. Relationship aside, he was such a hard working person and it was a pleasure to work with him.

“He looks good,” Coach Tyler Moore told me, his eyes locked on Jimin’s form. “Better than when he was with that other guy. Kid’s an animal.”

���Good for a short guy,” Nicole, one of the other coaches, joked.

Jimin’s height was always a topic of discussion for him. His length had him at a disadvantage compared to other swimmers and it was a mystery how he was able to compete competitively at all. Olympic level swimmers were at least six-foot in the men’s category. Most of the women were taller than Park, too. Myself included.

“He’s a great swimmer,” I replied. “He’s fast and strong. Could probably bench press a bear if he tried.”

Tyler laughed. “Do you think he’ll place at the Olympics?”

I nodded, “Of course I do. I wouldn’t be here if I didn’t.”

“Girl’s a recluse,” A familiar dry voice drawled beside me.

I chuckled. I had known Summer Lewis since we were in high school. We were good friends back in the day before she moved out to Michigan after getting married. I wasn’t expecting to see her here, but it was a welcome surprise that eased some of my nerves. 

“Thought hell would freeze over before she was back in public,” Summer continued. “Do you even leave the house?”

“Yes,” I couldn’t keep the smile off my face. “Obviously. I’m here right now.”

“How are you feeling?” She asked when the others broke off from the group to talk to a group of reporters. “Leg holding up?”

“Yeah. I still get a bit of pain sometimes and when it’s cold it hurts more, but I’m alright. Alive, so I can't complain too much.”

The same couldn’t be said for Namjoon, I thought. I cast that out of my mind. There was no room for survivor’s guilt right now. I was happy. Everything was working out. He would be happy for me. But he’s dead.

I took a deep breath. I was too stressed out about today. The reporters were inching closer and closer and the thought of interacting with them made me feel physically ill. My stomach churned uncomfortably and I pushed down the rising panic. It was so stupid.

Nothing had even happened and here I was sweating like a pig.

“Do you miss it?” Summer asked, jutting her chin out toward the pool.

“All the time,” I told her. A bead of sweat trickled down my neck. “Hey, I’m going to go use the bathroom real quick. Let Park know if he starts looking for me.”

Summer nodded, “We’ll be starting in ten.”

“I’ll be back before then.”

Jimin was already looking my way when I spared him another look. He lifted up his hand and raised his thumb. I nodded at his unasked question, not wanting to worry him. This was my thing that I needed to handle. He just needed to focus on the water and being with his team.

Squeezing my hand into a fist, I tucked my thumb underneath my index finger and popped it through the other side. Waving my wrist, I signed to him that I needed to use the restroom. He nodded and I could tell he relaxed a bit. Good. I just needed a few minutes to collect myself.

I splashed water on my face. Back in the same bathroom we were in this morning. I splashed myself again before I let my mind wander. Today was too much. My anxiety was at an all-time high and the make up on my face felt like spackle. I knew it looked nice, it was the same as it was every time I did it, but it only served to make me even more insecure. I looked like I was trying too hard, and everyone knew that. God, I was such an idiot.

And then the whole thing with Jimin.

I let a single tear slip. That was so inappropriate and disrespectful. He was so nervous and scared, and I just took him at face value. He told me something so deeply personal, and I just glossed over it because of what? I hadn’t gotten any in a while? I was no better than the men I despised.

I allowed myself two minutes to cry. All of the guilt and shame I felt poured out of me, but once my watch went off, I was dabbing my face off with tissues and fixing my makeup. Whatever was going on with me would have to wait. My boy was counting on me.

Opening the bathroom door, I slammed into a chest. I stumbled a few feet back barely catching myself on the wall. The person I bumped into was stood still.

“I’m so sorry,” I gushed, adjusting my clothes. “Are you okay?”

“Perfectly fine.”

I recognized that voice anywhere.

Taglist: @ownthesunshine @screamertannie @lovelytaes-blog @pernesianparapio @tae-with-some-suga @sumzysworld @chimmisbae

© chimcess, 2024. Do not copy or repost without permission.

[delicatestones]

Rereading Worm for my purposes and the early sections are giving me unexpected emotions about, of all things, the dynamic between Brian and Alec.

They have such a quiet teen boy sort of back and forth, is the thing. Like, yes, Brian finds Alec profoundly annoying, Alec is being profoundly annoying on purpose - but one of our earliest examples of Alec laughing is when he trips Brian and Brian goes across the room to put him into a headlock and starts punching him in the shoulder.

Insinuation 2.9

With Brian gone and Lisa absorbed in trying to patch up Bitch’s ear, I was left with Alec.  To make conversation, I said, “Alec.  You were going to tell me what you do.  You go by Regent, right?” “The name is a long story, but what I do is this.”  He looked over his shoulder at Brian, who was returning from the washroom with a damp washcloth in hand.  Brian, mid-stride, stumbled and fell onto the floor. “Way to look good in front of the new girl, gimpy!” Alec mocked his teammate, laughing. Grateful for the break in the tension, I couldn’t help but laugh too.  While Alec continued laughing, Brian got to his feet and ran up to the smaller boy, at which point he got Alec in a headlock and began punching him in the shoulder repeatedly.  This abuse only made Alec laugh harder in between his cries of pain.

I mean, there's the casual ableism and Alec being a little shit at an inappropriate time, but it's also notable to me that Brian, the stiffest man-teen in the world, is still roughhousing with Alec instead of actually being angry. It's also a lot that Alec, given what we know about his relationship to touch, likes this. Getting a headlock from Brian probably feels the closest to a hug Alec gets, well. Ever.

Then there's the sparring moment before Taylor gets her first bout with Brian, where Alec wears basketball shorts (???), gets bored, and fucks off to play video games - but Brian still cares enough about Alec to want to teach him. He cares about Alec to the extent he goes 'easy on him' (read: just teaches him like you should teach people to fight), which Alec takes as a slight (slightly sarcastically, because it's Alec), but we learn not too long after that Brian's father's method of teaching him how to fight was basically just short of actively kicking the shit out of him. But Brian doesn't do that to Alec, or to Taylor.

Then later on, in Shell 4.4, Brian gets Taylor that dragonfly in amber for her room in the loft (Brian!! down bad for the bug girl), Taylor hugs him, and we get:

“Hey!” a voice from behind me startled the wits out of me, “No romance in the workplace!” I turned around to see Alec and Lisa standing in the hallway, grinning.  In Lisa’s case, grinning more than usual. I must have turned beet red.  “It’s not, no, I was just thanking him for-” “I know, dork.  I was with him when he bought it.”

And I'm entranced by the concept of Alec and Brian on their separate side shopping trip while Lisa and Taylor were having that Very Straight Shopping Date. Brian contemplating a giant Declaration of Paying Attention To The New Girl in this big open air marketplace while Alec stood there in his new Kid Win shirt laughing like a little cartoon hyena.

It just makes me rotate things in my brain at high speed about both of them.

(This is also good foreshadowing for what Aisha is going to be like when she comes onscreen because you can feel the Exhausted Big Brother rolling off Brian in waves.)

[clownrecess]

Hi! My son (9) uses an AAC device at school to help him communicate and for teachers to communicate with him. Do you have any advice for parents?

I'm sorry if this isnt very organized, I'll just be listing off and talking about what I wish my parents and adults around me did when I first started using AAC.

I also apologize for the kinda sorta late response. I haven't been doing too well lately, and I also wanted to make sure I said everything in this post how I wanted to say it. Those two things combined slowed down the process a bit.

1. AAC is not a language. However, it functions a lot differently than the oral version of the language that is being used at times, and I feel like thats important to recognize. AAC grammar doesn't need to align with "typical" oral grammar or speech patterns. As long as (most) others can understand what's being communicated by the AAC user, trying to get them to add in words like "The" really isn't necessary. Of course if they want to develop more proper grammar and more language that is super cool. But a lot (of course not all!!) of AAC users I've spoken to, including myself, find it really frustrating when people try to slow down and make it harder for us to communicate by adding in extra words. If its understandable, and the user doesn't want to, it isn't necessary (I also do want to add that I personally do use proper grammar most of the time, but a good portion of the time I don't.).

2. "Encourging the user to use their device" does *not* mean ignoring them when they don't, and/or telling them to "use their words". All communication is good communication. Pointing is good. Body language is good. Drawing pictures is good. Etc. Encouraging use of an AAC device in a good way means making sure it is always available, making sure the user knows it is an option, that the user knows how to use it, and that you respect the device *FULLY*.

3. Oral speech should not be the goal unless the AAC user wants it. All communication is equally good, and favoring oral speech is ableism. If the AAC user WANTS to use oral speech, then that is super cool and then there can be a goal of developing and/or improving their oral speech. If they haven't made it clear that it's something that they personally want, don't try to force it.

4. Stickers!! This one is more silly than serious, and of course it's up to the user, but if they want to put stickers on their device, allow it. Its cute!

5. ACCESS TO VOCABULARY IS IMPORTANT. Limiting someones language to "Eat" "Drink" "Bathroom" "Mom" "Dad" "School" or similar is not okay. I've seen someone on YouTube who didn't even let their kid have a "no" button. I fully understand that not everyone is capable of using complex language, and for a lot of AAC users, only having simple words and an easier to navigate (by having less options) device is important. And that is PERFECTLY OKAY!! But what isn't okay, is assuming one is incapable of using more language than "eat" and "drink". If they can not communicate their wants and needs when they understand that, they need more buttons. If that means starting to SLOWLY add a little more, that's okay.

6. Be patient. AAC takes longer to use than oral speech does. Even if the time we are taking is frustrating, don't show that. And yes, this includes guessing out loud what we are going to say by trying to finish our sentence whilst we are still typing (unless the user has expressed this is okay with them.).

7. Make sure teachers and other people know not to take away their AAC device under any circumstances! Doing so is the equivalent to duct taping someones mouth shut or removing their vocal chords. It's scary.

That's all I could think of. If other AAC users (not parents of them, not friends, etc. ONLY AAC USERS) want to comment or reblog with more tips that would be greatly appreciated! <3

[hamliet]

I agree with you, Hamliet. Overall, Naruto have a better story compared to BNHA. But, I'm glad that at least BNHA ended with no canon pairing (it's refresing compared to other big fandom shounen, like Naruto and Bleach).

So, you said in your post "That because of "loud" (BKDK) shippers, Hori scared to made Izuku/Ochaco canon." Can I ask, why do you think that? It's a het ship, cutest couple (yes, even if I'm BKDK shipper, I can say that IzuOcha is a cute ship), and one of the best dynamic in the series.

I mean, as long time Naruto fan, I realized that there are big fandom for NaruSasu shippers. When I was younger, I did not understand why people ship NaruSasu, until now I became NaruSasu shipper myself. But even if there are a lot of Dj, cd drama, merch, etc made by NaruSasu Shippers, Naruto still ending with Naruto/Hinata and Sasuke/Sakura, right? What is the difference between NaruSasu shippers and BakuDeku shippers?

There isn't a difference between shippers! It's just that there's a difference with authors.

No, Naruto didn't fulfill everything it set out to do, but it still landed where the author had always planned it: Sasuke and Naruto hashing it out, the couples together.

Horikoshi did none of that. I've said before that he was a wishy-washy writer trying to please everyone, but in the end he kind of gave up. And that's sad, but also spineless writing that has resulted in people being genuinely hurt by the messages sent about abuse victims, ableism, etc.

I don't think Bakudeku was ever a canon option, much like Narusasu, but are the mangakas aware of it as they write it? Absolutely.

The thing about ships is that you should not introduce a canon dynamic into a story with a romantic element unless that romantic element matters for the story. This doesn't have to mean "will be canon" but that's the most common way to explore it. Izuocha had that.

Ochaco just... sat on her feelings for 8 years and barely contacted Deku? That makes absolutely no sense for a guy she supposedly loves. If he rejected her, why wasn't that onscreen? Why was this even a plot point if the story didn't do anything with it? What is the reason for seemingly just dropping it?

Most likely? The same reason the rest of the story fails to make any kind of significant statement about anything: he doesn't want to upset anybody so confirms nothing. No one wins. Unfortunately that means no one is happy.

It's not shippers' fault. It's not even the worst decision made in this manga ending by top 20. It's just more of the "all for naught" message that Horikoshi unintentionally sent.

[alphabootayyyshaker9000]

more espresso make more deppresso :(

my name is Zim!

pronouns: they/them

i am a MINOR so pls don't go doing weird stuff

Cabin 7 (Apollo kid forever and ever, I don't care what I get on the Buzzfeed quizzes)

DNI: Homophobia, queerphobia, rascism, tcest, incest, ableism, NSFW, GET OUT-

current hyperfixations things i am completely normal about:

Rise of the Teenage Mutant Ninja Turtles

Dandy's World

Ride the Cyclone

Regretavator

Lemon Demon

Gravity Falls

Ninjago

Teenage Mutant Ninja Turtles

musical theatre

theatre (i'm a stinky little theater kid muahhah)

Percy Jackson and the Olympians

Riordanverse

Raccoons

Rats

Ferrets

Possums/opossums

FNAF (1. Lolbit, 2. Sundrop, 3. Foxy)

99+ more hyperfixations (literally just ask me if i am in a fandom, it is very likely yes)

I don't mind if you put things in my ask box, feel free to do so! If you have an ask to donate, I can't donate, but I can reblog, so ask anyway!

most of my blog will be rebloging, but i'll probably post something myself occasionally!

I am an artist, but only beginner, and i don't do digital a lot! that said, if i think i can do it, if you make an art request, maybe i'll do it. (not likely, tho, just a warning!)

I have a AU of Rise called TMNT and the Olympians. if it wasn't obvious, it's a crossover AU of Percy Jackson and the Olympians with ROTTMNT! i literally have jackshit for it, but it is my AU, so don't copy it, okay??

Another silly little AU, but this time, 2012! I'll call this one Teenage Mutant Ninja Shits (idk, still in the workshops.) My idea, is what if Splinter was part of the people who made the turtles? He would've been a professional turtle expert, and like Rise, those little shits were made on purpose, and while helping the others, Splinter got into contact with some ooze himself, and rat time for him! This is how he knows the turtles' genders, ages, etc, he literally did that shit for a living. So he felt bad, took the teetles, and went into hiding in the sewers. In this story, I kinda wanna make Tang Shen a scientist, so i will! Who fell in love with Splinter and was going to marry him until he turned into a rat, but she just thought he ghosted her. It was an arranged marriage between the families, but they did love each other. Anyway, Splinter feels bad about the way he treated the turtles, so he decides to raise them, yada yada, but he keeps their and his past secret, but they find out when they meet Tang Shen once they go to the surface. This is all horribly explained, but it makes sense in my head.

Guess what? Another fucking AU! In short, it's kind of like a Steven Universe inspired thing, where the turtles can fuse, and, yes, they can all fuse into one. I think I'll develop a plot for it, but in short, it's the Hamato genes that can make them do way more than just mind meld. I'd also like to do a thing similar to what happened to Steven in Future, where they deal with their shit, and the emotion (or suppressing of) make not-so-good physical reaction.

guys. the autistic bitch in me is back and yk how @tangledinink has Swanatello? well, when i think Swan Lake, i also think Nutcracker. And i thought, "how the fuck could i do a rottmnt Nutcracker au?"

um, i figured that out. so, i made myself a ROTTMNT x Nutcracker AU which i may give a name. (seriously, if you come up with a name for these AUs, go ahead and tell me, cause i don't have jackshit for name ideas. so, the basic plot of this AU is a separated AU where Leo is cursed really young (like, at turtle tot) to be the nutcracker by a witch(or smth, maybe it could be Big Mama, maybe a @sad-leon type "shadow leo au" deal, where he got cursed when something fell over in the lab) anyway, Draxum finds Nardocracker(may call it the "Nardocracker AU", tell me what u think,) and he gives one of the brothers the Nardocracker (either he knows what he's doing or he doesn't know it's Leo, and also leaning on whether to make it a gift to an individual brother or to all three.

more Rise au. i think this one shall be that mikey go boom-boom into glitter and Donnie makes a robot of him. so basically, robot Mikey.

yipee! more AU. I have a Ninjago AU this time, which I'll call the "Kidnaponi AU" or something like that. This is kinda just that Garmadon and Lloyd have a way to communicate, and Lloyd grows up with a nanny named Nana. He leaves Darkly's and Garmadon ends up single-dad-ing that shit and trying to raise Lloyd on his own because Misako= went to get sum milk. At one point, Misako, Wu, and the rest of the main crew realize Lloyd's whereabouts and Wu is worried about how he would be raised and worried that he would be forced into villainy. The ninja end up kidnapping Lloyd by Wu's order and he's less treated like a normal kidnappee and more like a guest. The ninja teach him how to do things Garmadon had delegated (aka, he really was trying to do it).

I also have an original story named Elemental Academy, which i have some tiny shit for, but i shall show it here (here being a link or tag i'll figure it out)

[harukapologist]

rambling about Haruka

As an ND person I just hate how Haruka's character is either completely infantilized or reduced to a selfish, evil murderer, when, to me, he is so much more than that.

Especially the latter; I hate when any MILGRAM character is called evil because what's the point of MILGRAM, then? They're all morally grey! That's how they test us. But Haruka in particular because I feel like it comes from a place of ableism, intentional or not.

I'm not sure if I should put TWs, but well I talk about ableism, murder (obviously lol), childhood trauma and well... it's Haruka

Haruka's outburst in the VD and his implication of killing animals (I know it's basically canon but erm... i can explain why I think it's an implication later) (i just finished writing the post and actually i explained why at the bottom of the post but its not a full explanation so lol) are the reasons I see people calling him either evil or childlike, and while I do think that Haruka is stuck in a childlike state in some aspects, this is emotional dysregulation of an ND and/or traumatized person, to me.

The uglier sides of being ND/traumatized, the ones that get heavily stigmatized and seen as intentional or evil; I think this was a display of one of them. And I really wish to see more people focusing on Haruka's disability in the ways it can affect his communication and day-to-day life skills more than "oh, poor baby, he has a disability that makes him feel unwanted" without actually understanding the details of the disability and, well, the reason why it is a disability.

Like, the emotional dysregulation that comes with being autistic, which is my headcanon for him. The hyperempathy and literal thinking that might make him harder to communicate with, and get people frustrated with him more often.

That and being severely neglected; I think neglect is one of the lesser discussed forms of childhood trauma and the fact that Haruka was shown to be neglected as well as abuse really means a lot to me, because I think some people don't quite understand just how much neglect and isolation fucks you up.

All those factors combined are a recipe for an unstable, impulsive, clingy shell of a human, and him getting called evil for that really saddens me. It's important to remember that these MVs are extracted from the prisoners' own memories and thoughts. It comes from their perception of their surroundings, their murders, and their own selves. The manic look that Haruka has on his face for a lot of AKAA, for example. The makeshift shirt he's wearing, as if he's desperately trying to sew himself together into a normal person, the exhausted, frustrated look when he picks up the necklace, it's important to remember that this is how he sees himself. A monster who has lost control of himself. The line "I'll keep killing to be your good boy" was a shock, but the way he meekly apologized to Es at the end of his VD, I really think that shows that he feels guilty, that he wants to convince himself more than anyone that he was a good person, that he was really trying to be one despite how his unlucky life frustrated him to his breaking point.

As for his infantilization, it has already been addressed by many thoughtful members of the fandom and I'm grateful to see that, but I also want to say it myself since god knows I hate being patronized.

It feels very ableist saying he's just "someone stuck in a childlike mindset/age regressor" Yes, and how does age regression as a coping mechanism develop? Usually through prior trauma that makes you "stuck" at said age, and that can present differently. It can be longing and yearning for a simpler time, for an actual happy childhood, or having flashbacks to a traumatic event that happened at a certain age; it is not uncommon for trauma survivors to be "frozen" at the age their trauma took place.

I think both of these are the case for Haruka. Frozen at that moment, but trying to reduce himself to nothing but a little, unaware child to avoid reliving it again, relishing in the innocence and purity of his good younger times (emphasis on purity--Haruka's murder was by strangulation, yet there's a shot in AKAA where he's covered in blood. I know it's after he killed the animals, but he's in the stitched-together outfit here; I think there's more to this MV than just killing the animals. Since this outfit is... not very likely to be worn in reality, did the animal killing happen at all? Even if it did, I think this shot remains an indicator that he sees himself as impure; guilty. I have a LOT to say about the inconsistencies in Haruka's MVs, but I'll save that for later... Anyway, back on topic) It is NOT "having the mental capacity of a child, so being unable to date etc." Haruka has still lived 17 years, maybe even more, since he isn't too interested in remembering his age. How do you treat actual neurodivergent people if this is how you see him?

When I rewatch the MVs, relisten to the VDs, reread the interrogations and timelines, I see no evil, just an incredibly broken, misunderstood person.

[velvetvexations]

I was the anon from yesterday who said they would come back and say something more articulate about it, and here I am, making good on that promise (I hope), even though it is fairly late at night again.

One of the reason I don't understand TMA/TME is that systemic oppression doesn't really care about your identity. Are transfems the primary target or transmisogyny? Yes. Are they the only people it ever affects? No, because systems of oppression generally don't care who else gets hurt, and for systems like most kind of transphobia, it is partially about control. It wants you to conform, and it does not care how many transmascs, cis women, or cis men it has to hurt to do that. 

As you might've picked up, I am disabled, so I feel a bit more comfortable making this comparison, (and no I am not saying that transmisogyny functions in the same way as ableism, they can play into each other but they are different), but it's why nobody has tried to come up either the phrase "ableism exempt", for example, because it is a deeply ingrained system that will make life harder for everyone else, in trying to prevent disabled people from existing in public/at all. And I wouldn't say that abled and neurotypical people who experience an instance of ableism are splash damage, or even misdirected, because it's not unintentional, it is very intentional actually, but oppression against a minority group will also be applied to anyone with a perceived similarity or closeness to that minority group.

From my experience, there's also sometimes somewhat of a misunderstanding of the ideas of systemic and interpersonal privilege and oppression. Because for example, someone who passes as a man, in a lot of interpersonal situations, will have obvious privilege over someone perceived as a woman, assuming that they are the same race, class, ability, etc (funnily enough it gets more complicated when you start introducing other factors, but I'm trying to keep this relatively simple), but even if they are both trans, or intersex, neither of them has any meaningful systemic privilege, because neither of them are oppressing the other in that regard. And then if a man is visibly trans or intersex? Then they might not even have much privilege interpersonally. They can wield transmisogyny against a transfem, but so can literally anyone, including other transfems? It's not indicative of meaningful amounts of privilege.

These are just thoughts, so they might not be the most exciting to read, but they're at least somewhat coherent. 

Very well reasoned, anon. <3 I agree with you about the ableism comparison.