#also this song was released a year after i was born???

[sweetestpopcorn]

Hello popcorn! Could you send me the link to the source that says that Daemon didn't exist in Martin's drafts? please

Hi there,

A very special thank you to @xenonwitch who helped me to answer this ask and retrieved most of the screenshots used here :) you rock lady!

So, there is multiple evidence highlighting that Daemon was not created until around 2012, which would mean his character was born only after the release of "A Dance with Dragons", more specifically around the time "The World of Ice and Fire" was being written by Elio and Linda with George's help. It was around this time that George wrote the Dance and created I would say most of the information and characters we know of today. He actually gave Elio and Linda so much material that they couldn't use it all and afterwards George published much of it in the short stories "The Princess and the Queen" and "The Rogue Prince", even later (around 2017) using it when he compiled his fake history in "Fire and Blood". If you go to the original link of the screenshot below here you can the sources listed in the text for yourself

It is no secret that since he began writing A Game of Thrones, that George has changed several aspects of the Targaryens. For instance, Rhaenyra was originally only one year older than Aegon II, though as confirmed by Elio that they were never meant to be fully-blooded siblings and from the first family tree in 1999 George meant for Rhaenyra to have an Arryn mom and Aegon a Hightower mom originally named Lysa (hehe). I think Alicent has a much better ring to it personally. Later he actually changed their age difference from 1 year to 9 years, and later still to a decade's difference. I do remember a time when it was 9 years actually instead of the 10. But with Rhaenyra being born in 97 AC and Aegon in 107 AC that would make it 10 years.

Aegon III and Viserys II have existed since the original family tree, but of the two originally only Aegon III was Rhaenyra's son. Viserys was meant to Aegon III's fourth son. George changed this when he realised timeline wise it wouldn't work.

I do own an edition in which this is shown in the appendix but currently I don't have it with me. However, if someone else has it feel free to add it to this thread.

There were other changes to the story being made throughout the years, including some confusion regarding who Alysanne's father was, and while doing the research for this I actually saw that it was never Maegor unlike I know many of us thought.

Critically, a number of changes were done to the character of Rhaenyra. First she had been given a Lannister husband with whom she had no children. This was no earlier than 1999. Later, that was changed for him to become Lyonel Strong, Hand of the King, with whom she would have three (legitimate) children that would all perish during the Dance.

Below you can see the information regarding House Strong while Lyonel was her husband and this is from “A Song of Ice and Fire Campaign Guide” published July 2010:

There was a male Targaryen she was known to have married after husband#1 who would father Aegon III and in this moment of time Viserys III. But no other information was known about him. This was Rhaenyra's wiki page from 2013. Once again, no Daemon.

In fact, around this time people were speculating what was her relationship with Targaryen Husband with suggestions ranging from brother to cousin.

Also note what Elio says regarding "A really notable figure or two are completely missing."

Discussion goes on, and yes, it does seem he only came to be as a character in 2012. There was evidence of some foundation being lain for him, but nothing concrete - i.e., no name, no specific relationship to her, no details whatsoever, just a male Targaryen figure who would be the father of Aegon III and Viserys II

And even more importantly and related to my point that Daemon did NOT exist in the first version of George's family tree has noted by Elio himself below:

Other evidence of him not existing comes from the main books themselves where although many characters are mentioned, including a Hand named Otto Hightower - you can look for this yourself, sorry I don't have the electronic copies and this was already a lot of work for me and xenonwitch so this is your homework hehe - there is no mention whatsoever of Daemon Targaryen.

This is particularly compelling since many other Targaryens are mentioned either when they are specifically talking about them remembering them, OR when something they created appears - e.g., the Sept that Baelor erected, the Red Keep Maegor had build etc. Yet there is no mention of Daemon anywhere with relation to the Gold Cloaks, something that would be mandatory given his established importance to them, critically the fact that he gave the City Watch their gold cloaks, which yes is a thing in the main books, but the same cannot be said of Daemon Targaryen. This would have been another great opportunity to mention him, as notable members of the City Watch, just like Prince Aemon the Dragonknight is mentioned as a notable member of the Kingsguard. But once again, no mention of Daemon is given.

Yet another opportunity would be in relation to Daemon Blackfyre who existed and who we are told in "The World of Ice and Fire" to have been named after Daena's grandfather who she admired. Yet once again, this does not happen. Related to this please see the point made by Elio above regarding him not existing when Daemon Blackfyre was created. That was added AD - After Daemon, whose earliest mention was, as far as evidence shows, at around 2012-2013.

Lesson of the day, like much the rest of what George writes, Targaryen history was a garden that he shaped along the way. Crucial aspects of the story were missing from "A Game of Thrones" all the way to the last book "A Dance with Dragons".

If one wants to talk about the books one needs to use and refer to "Fire and Blood" (Conquest to Dance) and "The World of Ice and Fire" (post-Dance) which holds up until now the most accurate and true information about the pre-asoiaf characters. Referring to books like "A Feast for Crows" is pointless and shows a lack of understanding of how the Targaryen history and pre-asoiaf history was written, and can only result in statements and information that used to be true and canon, but no longer are true or canon, and characterization of certain character becoming non-canon.

If a butterfly can change the course of history, try to imagine what you get when you base your Rhaenyra on an account where there was no Daemon.

In sum, no, George was not even close to having all of his history and pre-asoiaf characters during his writing of the main books. Yes, he changed a lot and we need to update content published before "The World of Ice and Fire". Daemon Targaryen remains a fairly new character in his universe, and one you will only get to fully enjoy and understand the genius of if you consider the ASOIAF version of his character.

[sourestcandy]

did ever listen to a song as a really young kid that resonated with you? did you ever suddenly remember it exists, search for the lyrics you think it sounds like, and realize the results you're getting aren't even close? did you ever ask your friends if they were familiar with the song you were referring to, only to be met with shrugs and confusion? did you then start sifting through album after album of every artist you can think of, sinking incredible amounts of time into searching for the song that just has to be there? did you eventually realize none of the albums had the song and give up on the search then and there? and did you finally you search the lyrics one last time in a hail mary, only to find the song you've been looking for all these years???

...anyway, i found a song called flipsyde - skippin' stones a few minutes ago.

[cocolacola]

i dont talk about music much on here but OOOOOOHHHHH MY GOOOOOODDDDD??

[mchiti]

There's a super famous singing festival in italy that airs for a week every year. This year, one of the singers, Ghali, did some very remarkable things on that stage. Ghali was born in Italy from Tunisian parents, his career has been going on for a while, but this was his first time on that stage.

He made a song where he references Palestine where he sings: "how can you say everything is fine down here, where in order to trace borders with imaginary lines you bomb an hospital, for a piece of land or for a piece of bread there is no peace" . He also did a medley, singing also in arabic for the first time in the history of the festival.

Last night, during the final, he ended his performance asking to "stop the genocide!" I don't have to tell you that there's absolutely nothing pro-Palestine on italian media... and he used the biggest stage he could use to say that.

Today on a tv programme he was accused by the Isra*li ambassador of spreading hate and violence, to which he replied with those words in the following video (credits to the person who translated it here):

The italian TV broadcaster quickly posted a press release to distance themselves from this speech and to reiterate their whole support to Isr*el lol Towards the end of this tv programme, a few hours after Ghali said what you can hear in this video, they read the press release out loud. This is how Isra*li propaganda works everywhere, thanks to the complicity of our governments.

Just want to post about him because he really risked it all and I appreciate him incredibly for everything he did...if only everyone could do the same. And fuck italy and its fascist government.

[grendelsmilf]

madame web was SO fucking funny i love that every single decision they make is certifiably insane but in a somehow very safe and pandering corporately-mandated way. here are some of my favorite choices:

an extended action sequence set to toxic by britney spears which stops in the middle to remind you that the year is 2003 so this song was actually just released

the villain goes to the opera, seduces an elegant woman with a single look, wakes up from a recurring nightmare wherein three teenage girls beat him up and kill him, proceeds to rant at this woman whom he’s just met about how hard it is to know how you will die someday, reveals that he is aware that she an nsa agent, and poisons her while he forces her to tell him the roughly 8 digit code that grants you access to every single security camera and government database in the entire world

one of the girls from girls is his assistant who tracks down three teenage girls for him by making composite sketches of their faces just via his own memories of his dreams. also, they are all wearing masks in his dreams, so how he was able to define all their features is extremely unclear

the fact that spidey powers originated from an indigenous tribe in peru does retroactively imply that every spider person within the spiderverse canon is performing an egregious act of cultural appropriation

adam scott plays UNCLE BEN, but because sony doesn’t have the rights to say the name “peter parker,” they are constantly finding ways to imply that he is, in fact, ben parker without outright saying it. we do see peter parker being born (i guess this spiderman was born in 2003?), but i’m not sure why we’re supposed to care since all of the girls (apparently) seem to have way cooler powers than he does

that said, we only see the girls use their powers in dreamlike sequences of the future. at no point in the present timeline do any of them use their powers whatsoever. except anya does have the power to be a #WomanInSTEM, so good for her.

dakota johnson’s cassandra webb, or “cassie,” (very normal thing to name your daughter who has spider-fueled powers of prophecy btw) cares for a stray cat who represents her own role as a “stray” as an orphan who grew up in the foster system (this is not subtle by the way, she literally says to the cat “gotta look out for fellow strays”). to illustrate that she is secretly a warm, nurturing woman despite her aloof and awkward veneer, this cat’s name is literally “cat.”

the villain of this movie never actually explains his motivation for seeking power beyond the fact that he had a difficult childhood. no details of his childhood are ever revealed. he is not given a single redeeming quality or even a reason to care about him. he is played by césar-winning and bafta-nominated actor tahar rahim in what i can only describe as the worst performance i have ever seen outside of a middle school play. he dies after being crushed by a giant letter S from a pepsi sign. you know. like a bug.

it’s never really explained why being bitten by a spider gives one prophetic visions, beyond the tenuous notion that to see the future is to “weave a web” of sorts. however, despite the fact that we establish that the villain can also see the future, despite having been bitten by the same magical species of spider, he never once is able to predict the future when it counts, such as foreseeing that he should dodge a falling giant letter S.

there’s an extended sequence dedicated to establishing that cassie’s colleague (who later dies in an ambulance crash) cannot grill for shit. as she sips from a refreshing can of pepsi-cola®️, she lambasts him for fucking up their burgers. this is the only piece of characterization they establish for him before he dies.

at the beginning of the movie, cassie receives a very earnest drawing done by a small child in thanks for saving his mother (she’s a paramedic). cassie very awkwardly refuses to accept the drawing, kind of just makes one continuous whine with the corners of her mouth until the entire family is weirded out enough to leave, and then complains that she has no idea what to do with the drawing, and will probably throw it out. we are meant to like this woman, probably.

cassie is a professional paramedic, but a hobbyist car crasher. she drives not one, but two stolen vehicles through the walls of buildings throughout the film, and it seems to be her go-to strategy in any fight.

cassie is allowed to fly internationally despite concurrently being very publicly wanted for the alleged abduction of three teenage girls. we never see her move through the airport despite the film heavily focalizing the issue of mass surveillance and preemptive criminalization in 2003 new york city, so i guess it just isn’t an issue for her. yet another win for white privilege

after cassie experiences a near-death incident on the job that triggers her latent powers of prophecy, her doctor recommends that she take the week off to get some rest and “watch old movies.” cassie clearly considers this to be sound medical advice, as in the consecutive scene, she is shown to be watching an early version of a christmas carol (in the middle of summer) and clearly feels a strong enough bond with scrooge that she feels comfortable speaking to him through the screen as if he were an old friend.

cassie has a vision of her mother researching spiders in the amazon before she died, and almost immediately yells “WHY DID YOU HATE ME!!!!”

cassie’s quest to save three teenage girls she doesn’t know ultimately results in the deaths of many more people, including multiple cops, train passengers, diner patrons, chopper pilots and people she may or may not have hit with her stolen taxi and/or stolen ambulance. but at least julia, mattie, and anya are safe!

after cassie is blinded and paralyzed(?), her entire personality does a 180 and she becomes a very creepy, ominous woman who serenely predicts the near future of her three adopted teenage girls, illuminated by a giant, weblike window. this is all done in service of setting up the sequel that sony clearly assumes is a given.

cassie attends her colleague/best friend’s sister’s baby shower (who happens to be played by emma roberts, and who also happens to be peter parker’s mother) and is for some reason corralled into playing some baby shower games, including “describe your fondest memory of your mother on a small strip of blue paper” (which cassie deliberately leaves blank, leading to a very awkward explanation of her mother having died in childbirth, but don’t worry, you’ll be fine) and “guess the name of my baby” (which is never actually revealed, because sony apparently has the rights to the name ben, but not peter).

anyone else really craving a nice refreshing can and/or glass bottle of pepsi-cola®️ rn, or is that just me?

[yridenergyridenergy]

Dir en grey interview translation notes around The Devil In Me

Just some of the more interesting bits from the single's booklet and from PHY vol. 25.

Kyo

He was the one who came up with the title, and the title was determined before they even attached a song to it. The band basically decided to set a date for a new single ahead of time, not too long after 19990120's release, then they had just one song selection meeting (usually, they have three) to pick a song to work with toward becoming "The Devil In Me". After scheduling a release date, they had to pick a title before even knowing what song would be part of that release for production/logistical reasons.

Kyo wrote the lyrics of The Devil In Me based on his sense of dissociation from world events, how his own issues are not aligned with what the world cares about. He finds that people's lives are sometimes pre-determined the moment they are born. It's really a reflection on: "Why am I the way I am?"

The chorus has so many layers because Kyo wanted to illustrate that inner evil, or wickedness.

While re-recording Yokan, Kyo realized that he used to sing in short bouts, taking a breath more regularly, whereas he's evolved to sing as much as he can in a single, long breath now.

The small changes made to the lyrics of Cage just serve to help Kyo feel more immersed in that old poem, but if he'd wanted to change the lyrics to represent his current mindset, clearly he would have composed a completely new, different song.

Kyo commented in PHY vol. 25 that if the producers wanted a band that sells a lot, they would have had to replace him with someone who is taller, has a nice face and that composes songs that appeal to a wider audience. But around their debut, Kyo had to bend to some of the producers' demands because he had to rely on their knowledge of what would make the band successful. He wanted to make a very dark band, but he had to accept to make songs like Yokan.

"It wouldn't be appropriate to sing about corpses and internal organs to a melodious song such as Yokan (lol)."

Kyo feels like Dir en grey is the toughest band for him to be a part of, because the band's shows are especially mentally difficult.

Kaoru

The music of The Devil In Me was Kaoru's idea.

Kaoru agrees that the song kind of ends in a way that the band could have, in the past, followed up on with a second section of the song, but they felt like ending it in a more simple way now, which still represents the band's current state.

Die

The band had a discussion in a dressing room during Tour23 Phalaris Final –The scent of a peaceful death- and that's where they came to an understanding of where they wanted to take the band next. Kyo brought them ideas on what he felt that the next single song should sound like, but in the end, at the selection meeting, the majority of the band chose a completely different song than the other of the 5 that Kyo preferred. He's fine with letting the majority win.

Die started working out in 2018 to make sure to stay in shape for stage performances, and I think that he mentioned that it's important for him to appear young and healthy so that the fans who follow the band also don't feel old.

For Die, he was in part less active on stage during the Dum Spiro Spero era because the songs were dark and complex, so he had to focus more. Because of that, he couldn't enjoy the actual shows as much.

Toshiya

Toshiya mentioned that doing commemorative tours and shows is really just fan service.

Toshiya described Dir en grey as a group of five dictators. Their enemies and friends/allies are all inside that group, and the past 25(+) years have been a continuation of challenges to bring the band forward despite this type of chemical reaction between five egos.

Apparently the band never has casual "weird" conversations where they chat about their interests of the moment, but they quietly observe the others without interacting, like by observing what kind of clothes they wear or are into.

Shinya

Contrary to the band's habit, the vocals did not even exist yet when Shinya had to compose and record his drumming for The Devil In Me. When the vocals were eventually recorded, they kind of matched what Shinya had expected.

However, overall, a couple of members of the band feel like The Devil In Me might be a song that people react to with: "I don't get it", rather that just liking or disliking it.

Shinya dissing The Marrow of a Bone again hahah.

Shinya described The Devil In Me as mysterious, inexplicable.

He started taking some lessons from Buck-Tick's "Anii" (Toll Yagami) to learn a new drumming method. In the past, at the very beginning of his career, Shinya used to wear lead weights at his ankles to hit the pedal heavier and develop muscles, but Yoshiki and other seniors told him how to actually play and he quickly got rid of the weight belts.

[matan4il]

Israel's 76th Independence Day

-> Geek fact: Today is the 14th of May, but also the fifth of (the Hebrew month of) Yiar. The Hebrew and Gregorian calendar only coincide once every 19 years. Since Israel was established, this is only the 4th time when we get to celebrate it on a day which is both the Hebrew and the Gregorian date of its founding.

-> Israel's Independence Day start the eve before, with a ceremony that both concludes our Memorial Day for our fallen soldiers and terror victims, and transitions into celebrating our independence. I don't think anyone can understand life here, or the Israeli people, without getting this impossible, yet necessary emotional transition.

-> This year, more than ever, the two days, commemorated one right after the other, feel impossible to separate.

-> We have an Independence Day ceremony. Every year, it celebrates the best of Israeli society. All of it. Jews and non-Jews. 12 Independence Day torches are lit (representing the 12 ancient tribes of Israel) by individuals who stood out in making a change for our society. As you might imagine, this year the ceremony was more emotional than ever before, with an incomprehensible number of heroes of all kinds.

-> Some highlights for me included the lighting of a few torches in the scenes of the massacre instead of all being light on Mount Herzl in Jerusalem. For example, families of some of the murdered at a southern Israeli beach, invaded by sea, lit together a torch at the place where their loved ones were taken away.

-> The Jewish prayer for the release of all hostages, sung by Lior Elmaliach in front of 132 empty yellow chairs (same color as the ribbon that people wear to call for this return).

-> One of the released hostages singing a mash-up of two songs about the sun (re-finding it, and discovering that the sun is inside us), while all the violins around being lit in yellow, and the yellow ribbon for the hostages' return looming larger than life in the background.

-> An Israeli soldier, who fought in this war in Gaza, performing a love song to the Land of Israel on his violin (it was performed in that moment without the lyrics, but the song goes, "The land of our people, the land of our eternity, a land in which we were born, a land in which we will live, come what may"), lit in white, while all the violins around him are lit in blue, the two colors of the Israeli flag.

-> That moment when Iris Chaim, whose son Yotam was one of the three hostages accidentally killed in Gaza by our own soldiers, who right away sent a message to those soldiers that she understands, she's not angry at them, and they're invited to her home, who's been working to lift and unite people's spirits before and since, when she was saying she's the mother of... she named her first born son, but then she had to stop and take a deep breath before saying Yotam...

-> When the flag bearers, outstanding soldiers carrying the flags of all the units of the IDF, did the traditional portion of the ceremony where they form different shapes, but this year they started by spelling the Hebrew word נזכור (nizkor, we'll remember).

-> How soldiers wounded in the current war (enough to need crutches or wheelchairs) participated in multiple sections of the ceremony, including the more physical ones, like the flag bearers' formations (in the pic below: forming Israel's flag).

-> They had a group of kids from different northern and southern Israeli communities who are still, even over 7 months since the start of the war, internal refugees. They got to perform as singers and musicians together with several very successful Israeli singers. The second song they performed felt especially fitting, as it's about going out into the world, strengthened despite adversity.

-> It's not easy to celebrate when the pain is so endless. The other day, I shared this list for our Memorial Day of just some of our victims that we lost, but will never forget. One of them was 24 years old Baruch Korichman. On the eve of Purim 1924, he was walking to his home in Tel Aviv. Out of nowhere, two Arabs showed up and shot him to death, then fled the scene. Even though the British Mandate was in place, meant to hunt the murderers down and bring them to justice, meant to take care of Baruch, no one really did anything. The body was taken to the courtyard of a hospital, Baruch's mom was called, and a small crowd of locals started gathering around, angry and protesting the injustice and the lack of proper treatment. Baruch's mom turned to the crowd and asked them to be quiet, and not stop Jews from celebrating Purim.

IDK how she managed to do that, care about other people's joy even as she was going through the worst nightmare of any parent. IDK how Jews during the Holocaust managed to find it within themselves to go on celebrating Jewish holidays. I just know that they did. And if they could, so can we. We can remember the Holocaust survivors, who survived the worst of what human nature is capable of, who came to the Land of Israel right after the end of WWII, and who saw the founding of the Jewish state, who got to celebrate its creation and first Independence Day. Most talked or wrote about it in terms of a miracle. The State of Israel is still a miracle. All the hatred we've seen turned against it even on Oct 7, while our people were still being massacred, is proof of that. And it is a good thing to remember that, even while we hurt.

On Oct 7, Israeli civilians went out to save their own, because the State of Israel has given them the tools to be able to, to know how, to have the strength, courage and self-confidence to go and tackle the enemy. On Oct 7, Israeli civilians knew that someone was coming to save them. Even if it took time, even if there was no way of knowing who would get there first, they knew an army that cares and wants to save them is on its way, and when I think about my Jewish People, in the shooting pits in Europe, about to be massacred by an antisemitic army, knowing for sure that there is no one on the way, that no one cares, that no one's interested in saving them, I know that as difficult as Oct 7 was, it's not the same, and it will never be the same, not as long as Israel exists. So I will continue to celebrate its independence, even as I know there is no cure for antisemitic hate and violence. We can't eradicate them. But all of us here together have created something that gives us dignity as human beings and as Jews, that our ancestors were denied. We are here, and we are the People of Israel, and we can stand tall in the face of the worst of our haters and murderers. Am Yisrael chai!

(for more of my posts regarding Israel, click here)

[stars-and-the-min]

☆ the wrong way to hard launch (7) | OP81

summary : oscar's girlfriend is a walking pr problem for literally everyone (including herself) social media au

pairing : oscar piastri x zhou!fem!singer!oc

a/n switch out one shitty ex for a slightly less shitty one

masterlist | last part | part 7 | next part

ARTICLE

Revisiting 'Twelve More Days' : How Empty Bottles Spun Their Signature Sound on its Head on Tour April 12, 2024 · Written by Catherine Moore

Almost halfway through the Asian leg of their world tour, it's finally time to talk about what the pandemic-era rock band Empty Bottles has been up to. For greener artists, it's the cookie-cutter way to stick to a genre that has previously worked and give the masses what they want but instead, Empty Bottles have taken their 2022 sophomore sensation 'Twelve More Days' and tweaked the songs for their world tour.

Long-time fans of the Sydney-born band are familiar with the classic rock elements that brought Empty Bottles into the spotlight; claiming influence from fellow Sydneysiders 5 Seconds of Summer, Arctic Monkeys and other croony rock artists, so it was a rather big surprise for critics and fans alike when the album opened with a much softer, hypnotising approach.

The even bigger surprise was the creative and musical approach they took with their tour. As noted by various critics back during the album release, 'Twelve More Days' had a not-so-subtle jazz flavour to their sound, and the band seems to have embraced the jazz-rock sound by opening their tour with a speakeasy-style set, complete with the band decked out in snazzy 1930s reminiscent suits and frontwoman Selina Bui in glittery minidresses, opera gloves and a thematic vintage ribbon microphone.

Despite close to three years since she last performed in front of a live audience, Bui took to the stage like a fish to water, instantly entrancing her audience with her universally acknowledged rich sirenic vocals, drawing in the attention and sending the venue back to a 1930s speakeasy. Strangely, she performs this part of the show without her trusty guitar, leaving the grunt work on the other lead guitarist, talented Lukas Zhang, who delivers without a hiccup with no twin guitar to help cover any mistakes.

Quite a few of the sophomore album's songs are given a jazz-rock twist that nobody could have predicted. Other already jazz-influenced songs - namely deluxe track number 13 'money talks' and track 6 'typo' - have been breathed to life, as well as a couple of songs from the band's debut album 'overtime'.

Empty Bottles then returns after a brief intermission with their award-winning pop-rock sound, spending the rest of the set in much more familiar-looking leather jackets and t-shirts and a guitar returned to Bui's hand. Bui, very well known for having an interesting sense of humour, made the choice of returning to the stage with the fitting song choice of 'do you remember me?'. One thing you have to give the 22-year-old is that she really does know how to pick her moments, and the now-iconic first chords of the cocky, energetic track are enough to send the crowd screaming.

The exploration into the many subgenres of what is considered rock 'n' roll has always been a very fuzzy point of conversation, and it's been an honour seeing Empty Bottles have fun playing jump rope over that line. What makes this tour such a raving success is their perfect balance of experimentation and keeping to what is tried and true for them; the classic, hard-hitting, no-nonsense, inane-lyricism rock coupled magnetically with Bui's captivating execution on stage.

Would you find me at one of their shows again? Absolutely, there was truly nothing more thrilling than the first moments you see Selina Bui walk onto stage with her infamous cheshire cat smile. What did I personally think about the sound change? I was pleasantly surprised at how seamlessly they've adjusted the songs to fit the jazz-rock genre, I also believe that they have found the perfect sound to complement Selina Bui's voice. It's uncanny how it just clicked that she was born to sing the soft, almost lullaby-like, calming songs. If they were to release another album with a similar soft sound, I would happily eat it up.

Empty Bottles wrap up the Asian leg of the tour in Bangkok, Thailand later this month and then shortly begin the European leg in Sofia, Bulgaria.

INSTAGRAM

cameliazzz

liked by aidan_ebass and 122,394 others

cameliazzz life lately 🐾 tagged: selinabui

aidan_ebass Yes ma'am 🫡 ↳ selinabui @aidan_ebass i'm dying u are such an old man ↳ lukaszhang @ selinabui he's like barely a year older than you??

cami.png the hottest drummer ever 💜💜💜

conangray a little commotion for the drummer pls and thank you ↳ cameliazzz @ conangray stop i'm blushing 🙈

TWITTER

fiona🩷 @fififorlina · 4h i mean we can all thank tommy for one thing and that's for twelve more days lmao ↳ lina bui x2 grammy winner @urdaisea · 3h i forget that not all empty bottles fans have read this article but i think they all should: Why 'Twelve More Days' isn't a Break-Up Album, it's a Healing One

emme @flowersforcami · 1h yes twelve more days is full of t*mmy slander BUT remember that all the band members have writing credits and they ALL helped write songs so basically what i'm trying to say is that twelve more days is actually the rest of the band roasting the shit out of lina's ex ↳ emme @flowersforcami · 1h every one of those bitches rocked up to the studio and went for blood. that is a universally hated man in their group chat.

amie <3 @mieflrs · 2h it's been 3 years, i think it's time to admit that keeping tabs is absolutely not about thomas fucking howard ↳ amie <3 @mieflrs · 2h i don't care how delusional u are, where in those 3 minutes 54 seconds did you hear a single line that sounds like anything like that sorry excuse of a man??? now a certain japanese-american singer who is exceptionally hot playing the guitar on the other hand... ↳ lukas 🔛🔝 @lukiepookie28 · 2h yes i agree it's not about t*mmy but it's also not about CHRISTOPHER like WTF R U ON???

oscalina real ?! @ emptyginbottles · 32m we're in an oscalina drought and it's plain to see not all of us are coping well

MESSAGES

from the phone of selina bui

INSTAGRAM

selinabui

liked by chrisyamada, oscarpiastri and 279,384 others

selinabui now he's thinkin' 'bout me every night, oh is it that sweet? i guess so

amelia_belrose pop!lina perhaps 🫣

oscarpiastri Didn't need to call me out like that ↳ selinabui @ oscarpiastri don't tell me u miss me already

sabrinacarpenter she's working late coz she's a singer

lukaszhang woman you hate coffee what are you on ↳ selinabui @lukaszhang why are u even here

MESSAGES

from the phone of selina bui

TWITTER

Yamada Updates @chrisyamadanews · 2h 🚨| Chris spotted at the Empty Bottles 'Twelve More Days' Tour in Seoul Night 2

Yamada Updates @chrisyamadanews · 32m 🚨| CHRIS ONSTAGE WITH EMPTY BOTTLES!!!

↳ Yamada Updates @chrisyamadanews · 30m this made me break ok, i am so fucking thrown off. WDYM WE GOT SELINA BUI AND CHRISTOPHER YAMADA ON STAGE TOGETHER IN THE YEAR 2024???

mabel @ maplemabel32 · 25m i can't breathe chris and lina??? chris and lina???????? after so long??? CHRISTOPHER AND SELINA???? as in "hello it's chris" "and lina"??? MY BESTIES REUNITED???

june @linafesting · 18m sometimes, i'm convinced lina spins a wheel on how to break the internet today

↳ kat ୨୧ @yamayaps · 2m with all due respect, this stunt was NAUT selina's idea, this was a move that christopher 'no boundaries' yamada suggested

INSTAGRAM

emptybottles_official Olympic Gymnastics Arena

liked by chrisyamada and 334,294 others

emptybottles_official Nowhere as incredible as Seoul! Always special to have @chrisyamada join us on stage. tagged: chrisyamada

chrisyamada someone better return the favor later 👀 ↳ selinabui @chrisyamada u begged me to let u come what are u on ↳ chrisyamada @ selinabui ok maybe i did

pi4str1 ok someone catch me up bc i did not know chris and lina were friends??? ↳ linasgirl4 @pi4str1 it's probably best we don't get into it

✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:✧･ﾟ: ✧･ﾟ:

taglist @ririyulife @ashy-kit @fionaschicken @namgification @cherry-piee

[canyousonicme]

Doctor Who: Big Finish, Alex Kingston Team for New River Song Stories

Alex Kingston will return as River Song for a new round of Big Finish's Doctor Who audio dramas set AFTER "Silence in the Library."

Now that Steven Moffat is back writing for Doctor Who, fans are speculating about whether River Song will be back. Alex Kingston certainly hasn't made it a secret that she would love to play the character again. But River Song never really went away. She's been headlining a River Song series in audio dramas from Big Finish for years since she had her final story on Doctor Who. Now she will star in The Death and Life of River Song, a brand-new series of full-cast audio dramas coming soon from Big Finish Productions. It's like a whole new season of River Song adventures – and the latest.

In case you didn't know, River Song is an archaeologist from the 52nd century, born and raised to be an assassin, destined to marry her intended target, and to have many of her own adventures too – Professor River Song's very messy timeline began (or maybe ended) when she first appeared in the 2008 Doctor Who TV episode Silence in the Library. Since then, Kingston has reprised the role in her own series of Doctor Who audio spinoffs, including The Diary of River Song, which ran from 2015 to 2023. Now, in August 2024, she will return in a brand-new series, The Death and Life of River Song.

The first box set in the series, Last Words, is written by Robert Valentine. It begins with River, after settling down to an afterlife in the Library's computer core, finding herself waking up in Earth's future, her consciousness having been temporarily transferred to a new body.

Alex Kingston said that River's stories at Big Finish have moved beyond her death in Doctor Who: "We have gone post-Library! We've done another episode in the past where I was within the database, which I loved, and I thought that's the only way you could go forward with River, given her situation. So, I was actually really surprised when this box set came my way and that we are now so far advanced in the history of Earth that she is able to be brought out as data and put into a cloned body. So very, very clever!"

Producer David Richardson added: "When every single day during the recording, your leading actress says "This script is brilliant," you know you're onto a good thing. Even better, at the end of the last day, Alex popped the script in her bag and announced that she loved Last Words so much she was taking it home to keep and treasure."

The Death and Life of River Song: Last Words is now available for pre-order exclusively here, either as a collector's edition four-CD box set for £29.99 or as a digital download for £22.99 per volume. Big Finish listeners can also pre-order a bundle with Last Words as well as Volumes 2 and 3 of The Death and Life of River Song, which are both due for release in 2025, for just £80 (collector's edition CDs + downloads) or £66 (downloads only). [X]

[ask-serendipity-sky]

1108: Facts and observations

•Day 0

1108 started on the 8th of November of 2015.

Jimin uploaded a video of him and Jungkook to twitter:

On the 26th of January 2016, Jk uploaded a small snippet of a song he was covering.

•Day 100

And on the 15th of February of 2016, Jk uploaded the entire song Nothing Like Us and noted to listen to the lyrics as they were expressing what he wanted to say:

In Korean culture, parents celebrate 100 days after a child is born. This is to indicate that the child made it through the first vulnerable phase in their life. In the same manner, the 100 days are celebrated by Korean couples.

And this is what Jk had to say 100 days after the 8th of November of 2015:

There's nothing like us There's nothing like you and me Together through the storm There's nothing like us There's nothing like you and me together, oh

•Day 366 (1 year)

On 08/11/2016, a year later, Jimin posted another video of them:

•Day 732 (2 years)

On Oct. 28, 2017, Jungkook treated Jimin to a trip to Tokyo. It was because of this trip, that Jungkook released gcfTokyo on Nov. 08, 2017.

A fan used the images in the video and was able to determine the hotel and room jikook stayed at. It was room number 1108.

The video also used the song There For You by Troye Sivan:

Boy, I'm holdin' onto something Won't let go of you for nothing I'm runnin', runnin' just to keep my hands on you There was a time that I was so blue What I got to do to show you? I'm runnin', runnin' just to keep my hands on you

Day 811

On the 26th of January 2018, in a Japanese fancafe, Jimin gifted Jungkook a drawing of a set of champagne glasses and a bottle. Note the details of the glasses.

•Day 900

On the 25th of April 2018, a day before the 900 day milestone, Jimin had a vlive where it was obvious he wasn't alone in the room. He kept looking to the side, laughing shyly and explained:

After he said this, you can hear someone whisper, "Jimin."

Day 1000

On August 3rd 2018, Jk posted a selfie while they were all filming BV3:

During BV3, jikook were able to look around the city alone, and have a boat date under the moonlight.

Day 1013

As you all may know 10:13 is also known as Jimin ssi, or Jimin time. It only makes sense that this day would be special to jikook too.

On the 16th of August 2018, Jimin tweeted a series of 3 tweets:

Jungkook was the only member that appeared in the photos with Jimin. It is also interesting to note the 2 butterfly temporary tattoos he had on his hand.

This is the same time when they had the photoshoot with the inflatable unicorn:

The next day, Jimin uploaded a tweet with the caption "Love Ya", and one of the photos was him and Jk.

•Day 1141

On the 22nd of December 2018, when fans uploaded their selfies on fancafe, the fans let Jk know that Jimin had uploaded his own:

This prompted Jk to type "JIMINNNN" and he signed off. He later uploaded a song that he stopped at 1:18:

You take my mind away When you touch me that way This place, your face It gets hard to breathe I know you're feeling me now You're all I see Almost like we're dreaming

•Day 1394

On the 1st of September 2019, Jk made 2 tweets. One in which uploaded a snippet of Decalcamonia, which he also ended on 1:18:

•Day 1500

On the 16th of Dec 2019, Jimin posted a good night tweet:

The time he uploaded this was at 1:50.

•Day 2300

On Feb 22, 2022, Jk uploaded a story on insta where he is in a car, listening to So Good by Joan. The story was labeled 23:08 even though he uploaded it at 1:24 am.

You and me Got a lotta tension, not even to mention Ooh, that night, just two weeks ago It was half past ten Thinking about living, suddenly when you walked it You took my breath away

•Day 2315

On March 10, 2022, during the Permission to Dance Concert, Jimin used the 2315 numbers and stated the following:

2315 days had passed since November 8, 2015.

•Day 2545

On the 26th of October 2022, Jk uploaded a photo of himself while he was in Qatar. He uploaded the photo at 11:08 Korea time and, 5:08 Qatar time.

•Day 2643

On the 2nd of February 2023, Jimin answered a question on weverse at exactly 23:08. The question is now deleted.

•Day 2684

During Jungkook hosted a series of lives on White Day, 14th of March 2022. His first live was started at 8:11 pm:

During these lives, Jk changed to various outfits and had an extensive playlist. One of the songs that was included was There For You.

•Day 2855

On the 1st of September 2023, Jk hosted a short live to thank the fans for being present with him during so many birthdays. He ended his live quickly and it lasted 8:56 minutes:

My impressions

Based on Korean customs, celebrating different day milestones is typical in a Korean couple.

While some may think that jikook started dating on the 8th of November 2015, I think that's when they decided to be intimate with each other.

I feel like a jikook kiss had already happened since the last time Jimin asked Jk for a kiss publicly was in September 2015 for Jk's birthday. From there, one can only think that things proceeded quite quickly.

I think that in recent years, we have observed less mentions of 1108 because of BTS' popularity and so many fans expecting something from jikook.

It's possible that jikook has decided to not make these milestones known like they did before, but every now and then, they still reference that number. Who knows when they will do it again.

But who is counting, right?

[lorenid]

Sleeping Habits

Genre: fluff, established relationship, domestic, idol chan

Word Count: 1.8k

Warning: anxiety/insomnia topic, light suggestive lines

Summary: Two 20 something year olds that can fall in love, but can’t fall asleep

A/N: Happy 5-STAR Comeback Day! It’s my first official comeback and I’m celebrating by streaming while finishing this short one-shot that I’ve been putting off since April. I didn’t proof read this at all, please let me know about any errors. Anyways… I’m back on my self indulgence, bc the world inside my head is better than my real world anyways, might as well make it a good one. Fun fact (that only I care about, but I like to over share): My bias for Chan started as soon as I read that he was born 1 year minus a day apart from me. Enough about my delusions, this is also my first time writing about SKZ so here goes nothing.

You arrive home exhausted after a 12 hour shift at the hospital you work at, tossing your heels at the entrance of the cozy apartment you share with Chan. 

“Honey, I’m home.” You say with a singing tone making your way to leave your belongings on the living room sofa so you don’t forget them the next morning. Checking the kitchen to put away some washed plates and glasses. 

“Hey, baby. Did you have a good day?” You hear him shuffling around before you see him, wearing his usual black shirt, black basketball shorts and socks. He kisses the crown of your head, engulfing you into a back hug, hands gripping your hips. Quickly turning you around giving you a sweet gentle kiss before you can even open your mouth to say a word. 

“Tiring but good, a lot of patients showed great progress today and that keeps me going. How about you, did you finish the track you were working on before I left?” You bend your arms to rub his back until your fingers squeeze his shoulders to release the tension moving along to the nape of his neck. 

After almost a year of living together you’re used to his habit of waking up, saying good morning with his groggy voice, sealing his greeting with a kiss and heading straight to the studio. Because he can’t do anything else before revising the work he did the night before listening with a fresh mind to get his genius creativity flowing. You do your morning routine and put down the breakfast beside his work desk, worried that he’ll forget to eat for a while if he’s consumed by the music. Sometimes he’s so excited about a song that he rambles trying to explain all the details of the arrangement, accidentally making you sprint to leave for work to avoid being late. Everyday you’re tempted to stay for a little bit longer just to appreciate his sparkling eyes talking about his new endeavors. 

“I did! I’ll share it with the kids tomorrow to get their feedback.” The kids aren’t really kids… well kinda. Since your relationship with Chan started they have teased him that if they could kick him out of they group they would just to have you as their leader. Specially Seungmin claiming that Chan is getting too old, even though you are closer in age to your boyfriend than him. But you wouldn’t dare to try to keep them apart, because they are his family and they have become yours too. 

“That’s amazing, I know they’ll love it! I have noticed that you’ve been working really hard these past few weeks. So hopefully you can get some rest.” Now you’re clinging to him putting most of your weight on him and he has no choice but drag you around. 

“Yeah I’m glad that is done. Honestly we both tend to overwork so much that when we have time for us we miss working, but when we are back to the routine we are exhausted.” The ultimate contradiction of you both being extreme perfectionists. He leans besides the fridge and you look up to him, his cute droopy eyes make you feel like you’re wrapped in a warm hug. 

“I really want us to do better about relaxing for our own sanity. It’s a work in progress.” You lift your hands to caress his dimples and cheeks with your thumb.  

“Speaking about that, should I make some tea and call it an early night?” He kindly offers, opening cabinets in search of mugs and the chamomile honey lemon tea packets.  

“Yes please! I’ll get out of these clothes and get ready for bed asap.” You’re endeared by his thoughtfulness as he makes a warm tea for him, but sets aside yours adding extra honey and putting it in the fridge because if it isn’t sweet and cold you make faces of disgust just by tasting a drop. 

“Do you need any help with that?” He checks you up and down with a cheeky smile, the clinking of the spoon swirling around the tea stopping for a brief second.  

“Um that would jeopardize our mission, sir.” You say it with a lower voice, rolling your eyes playfully and watch as he blushes and his ears turn a little bit red.  

“Oh… right.” He shakes his head as if he’s brushing away his suggestive thoughts. 

After taking a long hot shower, you change into a sweatshirt and comfy shorts sitting in front of the vanity desk and mirror. The hue of the night lights around the room setting the mood of relaxation, Chan spent an entire day setting them up and cutely annoying you changing the colors every second. You hear the door slightly open while you’re brushing your hair to prevent the frizz, it will probably get tangled anyways, but just doing this little things give you comfort. 

“What you doing?” He says softly peeking his head through the door, you turn and smile at him extending your arms signaling with your hands to come in. 

“Just brushing this crazy hair, did you wash up already?” You sigh exasperated grabbing the tea he prepared. 

“Yeah, I did before you came home.” He settles his mug besides yours as he quickly moves to the corner of the bed near you. Motioning to scoot closer to him and hand him the brush. 

“You’re the best.” He treats you with the type of care that makes you fall in love over and over again. 

“I’m not hurting you, right?” He asks, worry on his tone. Stopping to hear your answer before continuing, drinking the rest of his tea. 

“Not at all, you’re really good at this actually.” You reassure him because he loves doing this for you is turning into part of his night time routine. He finishes, running his fingers through your hair and kissing the crown of your head as you sip the last drops. 

A few minutes later after going to the bathroom to brush your teeth, you both slip under the blankets. Chan plays Pokemon while listening to his favorite playlist while you attempt to read a chapter of a book, but your mind always wonder to random things instead. 

“You know what we need?” Your out of the blue excitement makes him jump a little, holding on to your wrists because you hit his arm playfully asking for attention. 

“A rocking chair! Think about it, if its big enough we can both fit and take turns.” You start searching for them on the phone to show him different options.  

“Am I completely missing the point or does this sound a bit… naughty?” He stares deep into your eyes cocking his head to the side. 

“Get your head out of the guter! Its another technique to fall asleep we could try. When I was little my grandma used to hold me and I was out like a light after swaying for a bit.” You gently slap the side of his head as if that would solve anything and he laughs.  

“Well, we can definitely try.” He stands up to turnoff the lights, getting back to the bed you pat the space in front of you to cuddle him. You wrap him in a hug crossing your arms on his back moving your hands to rock him a little as if you were on the rocking chair. He lets out a deep breath aligning his head with yours, welcoming the comfortable silence.   

“A la nanita nana, nanita nana, nanita ella, mi niño tiene sueño, bendito sea, bendito sea.” He raises his eyebrows surprised by your singing, but he doesn’t say anything worried that you’ll stop. It’s a famous Hispanic lullaby that at first was intended as a Christmas song about Jesus, but it passed down from generation to generation to help children fall asleep.

“A la nanita nana, nanita nana, nanita ella, mi Channie tiene sueño, bendito sea, bendito sea.” You gently stroke between his eyes and down his nose with your pinky finger. He gives you a soft smile with his eyes closing like crescent moons when he hears his nickname. 

“I’m not fair that I’m drifting away while you sing like an angel. I wish I could rush to the studio and record your voice so I can listen to it on loop when I’m away on tour and imagine that you’re there beside me.” He has confessed before that he struggles to find comfort in strange places like hotel rooms and sometimes the time difference doesn’t help with you whispering throught the phone to at least calm his racing heart. 

“It’s a deal if you also record yours.” You have heard him before jokingly singing it to his members before they hang up and you can’t help but be a little bit jealous. 

“Oh, do you actually mean right now? You love to put me in the spot, don’t you?” He says in surprise when you reach your phone finding the app and placing the phone in between your pillows next to his head. He’s too busy to notice that you already pressed the red button because he’s shuffling to press his hands to your sides under your sweatshirt. 

“Of course I do, I won’t deny it and you lowkey love it.” You brush away the strands of hair that are sticking up and the ones that tickle you when he brushes his nose against yours before positioning your head below his craning his neck to be as close as he can to your phone.  

“Close your eyes, go to sleep.” He carefully places a hand covering your eyes, giggling under his breath when he feels your eyelashes fluttering. 

“Know my love is all around.” His hands travel around your waist to hold you closer to his chest, you hear his heartbeat and try to breathe profoundly to slow down yours.  

“Dream in peace, when you wake.” He sneaks a hand up to pet your hair, spreading his fingers to cover the back of your head, a deep breath escapes your lips. 

“You will know I'm still with you.” He notices that your breathing is evening and slowly remove one from under your clothes to stop the audio recorder without startling you as he also feels himself drift.  

[thesupernaturalhouse]

Right so- Emily's personality ir charlies design for the hazbins Fallen au?? Which should I talk about first??

Let's go with Emily-

Alright! So, Emily is still her cheery self but also due to the nature of the au defiantly isnt all niave and trusting and stuff

In this au, she's learning about seras lies from others, which I think would give her trust issues. I also made her more, angry

I imagine in the au she holds grudges a lot more, mainly against alastor, and has more of a silent anger type personality- here's a small snippet of the pilot for the au

Emily: alright so now we watch *Katie starts throwing insults* ...oookay- vaggie, spear, down *gently holding said spears tip down

Vaggie: wha- but, come onn

Emily: no 'come onn' I don't think you scaring people with you angelic spear is a good ide- *Katie says soenthifn homophobic* .....neveemind *releases spear* do whatever you want ant. I want that bitch to fear for her life

Or it'd go something like that, I'll work out any kinks when I start writing the story, first I wanna awake an episode layout whoch is harder then it loks- I have the ideas but I need it in a list so- jsut gotta sort through all that

Like she isn't like Vaggie, spear raised, but not like Charlie, easy to forgive.

I do imagine she bites her tounge however if you ask for her hienst's opinion, she will NOT hold back. I think once she and Husk become more of a father-daughter duo, he starts rubbing off on her, and she starts blurting some ruder things out

He is so proud of his little(200k year+) girl

It's probably the most evident when I have her tell of Alastor- which will also be one instance of her being super protective over her found family.....listen I know yall love Alastor i do to, but I think he fandom over hypes him, and so does he himself, and I want Emily to kinda call him out, and threaten him in this au

But that'll be another post :)

Remember how I said charlie and slaviathen are like Ron and Tammy 2 but without all the sex? Yeah, well, then Emily is Diane! Vaggie is to but vaggie mostly focuses on getting them out and stuff. Emily and slaviathen just have passive aggressive argument and comments thrown at each other

"Always a pleasure to meet you charlies friends" "*strained smile* always a pleasure seaweed hair stranger" "oooo-Kay let's go- and let charlie Dela with this"

Why vaggie is passive with sleviathan and Emily is the protective one? Honestly idk but I think it's funny :) maybe it's cause Vaggie knows Charlie doesn't tale shit from slaviathen one bit so lets her gaurd down more because she knows charlie has it, so she's more passive or smth

Emily meanwhiem can't STAND being talked down to so absurd bites back no matter what. Which is also why her breaking point would be Katie calling them a slur.

She hates being talk down to, which stems form her years in heaven being treated as a child by almost everybody, good intentions or not it was still always so condescending to her. Especially when it was from Sera or the other heaven born and elder/arch angles

So she definitely internalized that, remember how I said she was often referred to as 'lucifers replacement' by many elder angles?? Yeah, that's where it MOSTLY stems from

She'd also have resentment and hatred for lucifer because of it all, like "I never want to meet whoever the fuck lucifer is" kinds mentality, it's due to this that she refused to search him uo and relaize he was her girlfriends, one of them, DAD

So the dad beat dad episode is...fun!! Emily gets piss drunk with HER dad, husk after realizing the short man in the middle of the living room is lucifer

It's after that whole song at the beginning happens does she realize he's lucifer, cause charlies only referred to him as dad so-

......I should start drafting a psot for her and Peter's relationship- mlm and wlw solidarityyyy

She also be a lot more sexual active I think because liek heaven is restricted so being in hell with norestricrions she definitely is THRIVING on that freedom

I have a scene planned out for when Angle takes them to that bdsm club that involved her buying black silk stuff because why not-

Anyways, the finale change in Emily, I think, for her personality that is would be she absolutely take sfter a more Sloth like sin

"Screw both of you I'm sleeping in!" She absolutely HATES waking up early in the morning, especially if it's after a night of certain events. Vaggie will throw clothes at her and force her to get up. Charlie will already be downstairs full of energy-

[mickeys-malarkey]

Pt. 3/3: My BATDR Timeline & Plot Twist Theories!

First, I think both BATIM and BATDR take place sometime between 1978 and 1991. I already suspected BATDR was happening in the ‘80s based on the fact that card readers – which have featured in many of the environment screenshots we've seen – were invented in 1979...

…and Audrey's clothes and hairstyle look very 1980s.

Then they released the images of Audrey's office, where her chair and desk lamps also look very 1980s, and the wallpaper and flooring looks pretty 1970s…

…and @inkdemonapologist pointed out that the type of bankruptcy we see documents for in Joey's apartment didn't exist until 1978…

…and I remembered that Joey's apartment also had a newspaper whose headline took place in the future— Princess Diana's 30th birthday which, as TetraBitGaming on YouTube pointed out, would be in 1991 since Princess Diana was born in 1961. She should be two years old if BATIM were really taking place in 1963!

Maybe, at the time, they didn't mean for these two to be clues, since they seem to have rolled the date backwards a bit from the newspaper one; but at this point it feels pretty clear when BATDR takes place, to me. And I'm even more certain than I already was, after finding out that this image from the JDS website…

…is titled “museum” (good work yoinking it, @halfusek /gen 👍🏻), that we know the ink dimension's new home: Nathan Arch Sr.'s private Joey Drew Studios museum that he mentioned he was curating in TIOL (meaning it's existed since around 1972).

“Over the years, I have collected every single piece of the studio memorabilia I could find to restore it to its former glory, to create, in a sense, a private museum that gleamed with the true vision of Joey Drew…” ~ Nathan Arch, The Illusion of Living, pg. 2

Also, besides the fact the museum image has clearly aged, here's some more evidence that at least a few years have probably passed since Bendy was purchased: it generally takes a fair bit more time (years!!) to make movies/documentaries, as Archgate Pictures seems to have made about Joey, than it does to make shorts.

As for BATIM, I think that time has been moving as normal outside of the loop, we were just seeing a repeat of that significant day in 1963; Henry and Joey have been trapped in the ink dimension for somewhere between twenty and thirty years, and the bankruptcy paperwork and Princess Diana newspaper were pieces of the real world leaking into the memory. This explains how there seems to be evidence of Audrey in BATIM and how BATDR is still supposedly neither sequel nor prequel to BATIM despite all the evidence that it takes place long after 1963! They're happening at the same time!! I wonder if Audrey is the daughter of the little girl we hear at the end of BATIM? So, Henry's (great-)granddaughter or Joey's (great-)great-niece?

Now, onto my big theory: the plot twist.

If they handle it right, it would be really, really cool if “break the cycle” really doesn't just mean “end the time loop” but also “break the cycle of abuse/trauma” and a lot of the huge cast of not-so-innocent characters wind up with the potential to get redemption arcs. I have an idea of exactly how they might be planning on even providing the opportunity for Joey.

Victor McKnight commented this on his Artistic Hallowing music video and pinned it:

Those last two sentences. “Make sure you're watching every second! You don't want to miss any vital information. 😉” Does that not sound to anyone else like he's got insider information? Now, I want y'all to watch these music videos that either Victor himself or his brother Noah were suspiciously involved in all of (and one of which is supposedly a BATDS song but for some reason involves Audrey) and tell me if you notice any patterns.

This one seems to be a duet between Sammy and the Ink Demon, both singing to Audrey. Sammy mostly sings in the default sepiatone, asking us things like “Can you see me? Can you feel me?” (that feels so… sad… and desperate…) and telling us things like “make sense of the consequence we witnessed on that day” (Excuse me, you're telling me that there was a consequence for something on a specific, significant day that we witnessed?? 👀) The demon, on the other hand, mostly sings when the grayscale effect is on, and seems to just be playing a stereotypical villain roll until you notice “be forced to believe what I see” (why would we even give a crap about what you're seeing /srs? How the actual heck would we see what you're seeing /gen? You don't even have eyeballs, bro /j) and “be damned in this evil received” (how do you receive evil that damns you? Maybe by being abused and becoming an abuser in response?).

Two apparently-separate characters singing with the same voice but very different tones and outlooks on the situation, still both singing to Audrey, in this one. One mostly sings in the default sepiatone, again, at first seeming more hopeful, helpful, and friendly until you start noticing ominous comments like “you've made mistakes, accept the change. You will be punished too” (*incoherent noises* 🚨🚨) and “welcome to my dream . . . you still think you are safe in my dream.” The other mostly sings when the grayscale effect is on, again, and seems much more aggressive and seductive until you start noticing comments like “take up your weapons, just leave my friends be” (why is this stereotypically evil-seeming character both telling us to take up weapons, not just letting us have them, and asking us to leave his friends alone with them?).

More hints that the demon who will rise and presumably is most important to the story is linked to grayscale, in this one.

And, in this one, Sammy's asking if the grayscale-linked demon is the one who will set him free (as he claims to be in the first two videos).

Across all four of these first videos, there seems to be an overall “things change when we switch from the default sepiatone to grayscale” and “grayscale is dangerous and seems hopeless but it's important and linked to truth and freedom” theme…

…You're telling me that Sammy and his followers' past (BATIM?) selves were worshipping an imposter demon…? And the truth will be revealed in BATDR…?

Hum, hum, hum… fascinating. I'd noticed the sepiatone vs. grayscale split and imposter vs. true savior thing long before I read the books; for the longest time, I thought it meant we would be dealing with a Henry-Bendy and a Joey-Bendy, as I've been seeing people theorizing. But then I read TIOL, and discovered what I think is evidence that this info is indeed canon and was not left on the cutting room floor while BATDR was in development limbo.

Nathan makes a very strange note on Joey's story about the Sparkle Unicorn speakeasy…

“…I remember this night well. Though I remember it being at the Bee Room, gold and black, not silver as the main design aesthetic. Doesn't really make much of a difference though, I suppose.” ~ Nathan Arch, The Illusion of Living, pg. 44 (emphasis added)

Nathan remembers that night in sepiatone, Joey remembers it in grayscale.

Now, I've seen all kinds of theories all over about how Wilson actually “banished/killed the ink demon…” “Wilson took advantage of some sort of blip in Bendy's existence that happened when Joey died,” “Wilson got rid of him by purifying him and turning him into Dapper Bendy,” “Wilson got rid of him by fusing him with either Henry or Joey,” “Wilson got rid of him by trapping him in Henry's loop,” “he didn't, Wilson's just another liar manipulating everyone,” etc…

What if we're looking at this from the wrong angle? What if the point is that, whatever happened, neither of the BATDR Bendys is the original soulless monster we see in BATIM and the books? What if, whether they share a body or are separate, there are two human souls involved here? What if one of those souls is the “new evil” in the ink dimension, not Wilson, who may have been meddling in ink dimension affairs since 1963?

Going back to the time frame I propose BATDR is happening in… Joey was born in 1901, which means that if Nathan was 18 or 19 when Joey was just turning 16, then he was born in 1899 or 1898. So, in 1978, Nathan would've been 79 or 80, and in 1991 he would've been 92 or 93. Especially considering the clues that point towards Nathan having been a smoker, it wouldn't surprise me if he's straight-up already dead in BATDR. Mayhaps for 211 days? During Loop 414…? Could this be why the BATIM loop is different, with Henry apparently not remembering anything that previous versions of himself could? The now-previous owner of their prison has died of old age and/or lung cancer? And could that be why the JDS museum has fallen into bankruptcy? Has Nathan Jr. taken over and isn't as ruthless a businessman as his father?

Itsjustjord on YouTube pointed this out in his trailer reaction, which when he said it set my Clue Radar off so that I went to the trailer again to get a closer look. And… well… *clears throat*

…Do y'all see this weird effect over Dapper Bendy? Compared to every other character we see in the trailer as well as the environment around him, does it not look as if we're seeing him, specifically, through some sort of cartoony filter? Maybe it'll only be in circumstances like this (far away in weird lighting) that the edges of the illusion will fray in-game, based on the other teaser image we have of him, but it definitely looks off to me.

Especially with what I now suspect Allison and Susie's situations were in relation to Nathan, I think that the ink creatures’ perfection vs. imperfection has nothing to do with how pure/good vs. impure/evil their hearts are as we've been lead to believe/is the conventional surface-level reading, but instead how intact vs. broken their hearts are. I think that the more horrific the ink being's appearance, the more the soul inside was abused while it was alive. Allison isn't a perfect Alice because she's a better person, it's because she obeyed Nathan and wasn't made to suffer as severely as Susie, who Nathan chose to be his next Isabel. So, why is one new Bendy (apparently created after Joey lost everything, I suspect even being made to watch his Shoulder Angel's murder before being murdered himself) so much scarier than the original (created before Joey lost everything) and the other so goshdarn perfect, proportions and all?

Maybe the banning of everything related to Sammy's demon cult and Henry under Wilson's rule has to do with his decades-old mission to keep the Creators from joining forces, as well as everyone including himself feeling like they're finally free from The Great Puppet Master?

I love Dapper Bendy's design as much as everyone else!! He's positively adorable, and it would also be a nice outcome if the baby boy is exactly what he seems and just a precious lil friend to love forever; but I theorize that Dapper Bendy is the perfectly sane, untraumatized, and truly evil one, that (assuming we actually get choices in BATDR, unlike in BATIM) his route, no matter how things seem in the moment, is the wrong one, that he's Nathan. And I think Freaky Teeth Bendy (that's been my nickname for him since we first saw him and I'm sticking to it lolol) is the damaged as heck but able to be saved one, that his route is the correct one, that he's Joey. I also think that we won't get to see either demon for what they really are – won't be able to get the True, Broken Cycle, “Joey's Redeemed & Nathan Faces Justice” Ending – unless we somehow unlock Grayscale Mode like we could in BATIM and gain the ability to see Joey's truth. Until then, we'll be seeing the demons the way Nathan wants us to see them. Through Nathan's tainted, gaslighting, sepiatone filter.

If I'm right, the fact that they did choose these color palettes is so perfectly poetic~! Sepiatone is what happens when black-and-white images have been chemically altered for preservation purposes; Nathan's altered our perception of himself, Joey, and all the events surrounding them, and his version of events is much more resilient. Meanwhile, Joey's would be more pure and unaltered but easily destroyed— including by himself, with his Illusion of Living coping mechanism… The only thing that could make it more perfect is if not only do we get to see Henry in BATDR, but when we do he's an angelic toon… *Vibrates with excitement*

Please, please, please, JDS, let me be right about where you're going with this!! Cause this would genuinely be so freaking cool…!! 🙏🏻 I hope that we eventually get to “rejoice with our founders,” as Artistic Hallowing says, when they're reunited.

Thank you for coming to my TED Talk, rofl. Congratulations on making it through the ramblings of a hyped AuDHD fangirl (though, I guess we already knew you were capable, if you've read TIOL. I could do a whole nother rant on evidence that Joey's basically confirmed canonically ADHD(+?), my freaking gosh). 😝

Read the Rest of the Original Analysis/Theory: Part One • Part Two • Unexpected Part Four

BATDR Analysis/Post-Playthrough Theory Revision: Part One • Part Two • Part Three • Part Four

[seongclb]

INTRODUCING... THE HURT SONG SERIES !

— note ! each of these fics have a song that have inspired them. this series is in random order; meaning that the masterlist is in order of fic release but the member will remain unknown until the story has come out. have fun & bring tissues - you might need them.

warnings of each fic along with pairings will be added when the fics are released (extra suspense!).

click “keep reading” to check out the fics planned & send an ask to be added on the taglist for each story!

➤ CUPIDS MISTAKE. CLICK HERE TO READ.

♫ crybaby by the neighbourhood.

playboy!enha x reader, slight enemies to lovers au, angst & fluff.

synopsis ! you’ve never understood why he gets so many dates all the time, he’s bloody insufferable. you can’t stand him at all, yet everyone else is crazy for him. i guess, you’ll find out what’s so irresistible about himself, soon. after all, he’s already planning your valentines date together.

➤ ANAGEPSIS. CLICK HERE TO READ.

♫ cologne by beabadoobee.

stranger!enha x reader, strangers to lovers au, angst & fluff.

synopsis ! working at a perfume shop certainly had it’s perks but none of them were as remarkable as meeting him that one late afternoon just before closing time. that day led to flirtatious conversations at least three times a week, to dates around the city and to packing your bags three years later.

estimated release date — unknown.

➤ FIRST LOVE SCAR. CLICK HERE TO READ.

♫ first love/late spring by mitski.

classmate!enha x reader, high school au, fluff & angst.

synopsis ! the first love is always the most memorable, along with being the least expected. the butterflies as soon as you wake up, stealing glances at one another during shared classes, timidness coursing through your veins when talking to one another. but does it always last?

estimated release — unknown.

➤ DEATH KISS. CLICK HERE TO READ.

♫ born to die by lana del ray.

popular!enha member x reader, apocalypse au, mainly angst

synopsis ! it was easy to be head over heels for the schools heartthrob. the difficult part, however, was gaining his attention, especially with the tons of other people who seemed to be better suited for him. who would have thought the outbreak of a zombie apocalypse would bring you two together?

estimated release — unknown.

➤ ARRANGED APART. CLICK HERE TO READ.

♫ moonlight by chase atlantic.

prince!enha member x royal!reader, royal au, angst and fluff

synopsis ! you’re both from families of power and wealth, ruling the country comes with great responsibility. it also comes with the feeling of being alone but when you two meet; it’s as if there’s no one else in the world apart from you two. even countries can’t come between your love for one another.

estimated release — unknown.

➤ ONE LAST DANCE. CLICK HERE TO READ.

♫ one last time by ariana grande

demon!enha x reader, demon love au, fluff & angst.

synopsis ! from all the horror films you’ve watched, you expected demons to be scary rather than have the sweetest looking smile you’ve ever seen along with becoming your only companion. that is, until he has to leave your side next to join the devil once more.

estimated release — unknown.

➤ THE VOID OF LOVE. CLICK HERE TO READ.

♫ grenade by bruno mars & the only exception by paramore

mafia!enhypen member x reader, mafia to lovers au, fluff & angst

synopsis ! he’s never been swayed by love. with his ruthless job, there’s never been time to fall in love nor does he want to. but they say that love comes when you least expect it. and, boy did it hit him like a bullet in the chest

estimated release — unknown.

[justforbooks]

Françoise Hardy

Icon of 60s music who sang of love as a source of ‘wretched, profound, endless questioning’

Françoise Hardy, who has died of cancer aged 80, shot to fame as part of France’s génération yé-yé, the jaunty transatlantic and cross-channel collision between French chanson and American rock’n’roll that also produced Johnny Hallyday and France Gall. But from the start, there was something that set her apart: a wistfulness, a sentimental self-reflection, a poise that belied a lifelong shyness and insecurity. A 60s icon, as big, for a while, in London as in Paris, Hardy was, in many ways, the antithesis of that restive, revolutionary decade.

Unlike her contemporaries, when she sang of love it was about “suffering and frustration, illusion and disillusion; wretched, profound, endless questioning”. Her songs, she told Le Monde, were a necessary outlet: “I wrote about my experience … A beautiful, melancholic melody is what best transcends the pain.”

Men fell, in droves, for her timid beauty. Mick Jagger described Hardy as his “ideal woman”. David Bowie, “passionately in love” for years, courted her backstage, in dressing gown and embroidered slippers. In 1964, the sleeve notes of Another Side of Bob Dylan featured a whole poem “for françoise hardy/at the seine’s edge”. (Two years later, after a concert at the Olympia music hall in Paris, Dylan invited the singer to a party in his suite at the George V, one of the capital’s grandest hotels. In his bedroom, he played her two tracks from Blonde on Blonde: Just Like a Woman and I Want You. Hardy always insisted she was so starstruck she never got the message.)

But the love of Hardy’s life, the father of her son and the agonising inspiration for many of her songs, was the French singer and actor Jacques Dutronc, whom she met in 1967 and married in 1981. The couple separated in the 90s, but never divorced, remaining on good terms. “Love is a remarkable force, even if its price is perpetual torment,” she said. “But without that torment, I would not have written a single lyric.”

Hardy was born in Nazi-occupied Paris, in the same maternity clinic at the top of the rue des Martyrs in the ninth arrondissement that had delivered Hallyday a few months earlier. Her mother was Madeleine Hardy, an accountant, and her father, Pierre Dillard, was a company director who was married to another woman. Françoise grew up in a two-room apartment nearby with her sister, Michèle, born 18 months later, and a solitary mother with whom Françoise had a “fusional, symbiotic relationship … I loved her probably too much – exclusively, unconditionally”. The girls rarely saw their father, who often neglected to pay his share of their upkeep and was regularly late with the modest fees for their Catholic education.

Weekends were spent with grandparents – notably an “egocentric, narrow-minded, frigid and emasculating” grandmother – outside Paris; many childhood holidays with friends of her mother’s in Austria, to learn German. Shy, dreamy, deeply ashamed of her unconventional family, Hardy turned to the radio, where in the late 50s, on the English service of Radio Luxembourg, she encountered a music – Presley, the Everly Brothers, Brenda Lee, Cliff Richard – that “affected me more than anything else. That ended up changing my life.”

Aged 16, she asked for a guitar for passing the first part of her baccalauréat. A year later, having passed the second part with honours, she taught herself a handful of chords “that produced most of my songs over the next 10 years”, and began writing. At the Sorbonne, studying German, she auditioned, unsuccessfully but not disastrously, for one record company, and started singing lessons.

Hardy’s contract with Vogue Records – who wanted “a female Johnny Hallyday” – was signed on 14 November 1961. She made her first TV appearance, in black and white on the state broadcaster’s only channel, six months later, and released her debut EP, featuring three songs of her own and a cover of a Bobby Lee Trammell song.

Her breakthrough came, rather incongruously, on the night of Charles de Gaulle’s October 1962 referendum asking voters whether France’s future presidents should be directly elected. In a musical interlude while the nation awaited the result, Hardy performed a track from her EP, Tous les garçons et les filles. The nation loved it. The song (sample line: “I walk down the streets, my soul in sorrow”) became a monumental hit in France, spending a total of 15 weeks at No 1 between October 1962 and April 1963 and becoming a million-seller. Within weeks Hardy was on the cover of Paris Match, plunged, still in her teens, into the whirlwind of the swinging 60s (which she detested: she disapproved of casual sex, avoided drugs, and could only ever remember being drunk twice).

Her first boyfriend, the photographer Jean-Marie Périer, ensured her picture – miniskirt, white boots, long hair, signature fringe – went around the world. Courrèges, Yves Saint Laurent and Paco Rabanne competed to dress her, for seasons at the Olympia in Paris, the Savoy in London, and shows in Germany, Italy, the Netherlands, Denmark, Spain, Canada and South Africa. In New York, William Klein photographed her for Vogue. Roger Vadim, Jean-Luc Godard and John Frankenheimer cast her in films.

The hits flowed, recorded – some in London, produced by Charles Blackwell – in French, English, German, Italian, some written by Hardy, others not.

But at the end of the 60s, barely five years after she began, Hardy abruptly gave up performing live, and the cinema. “I hated what it all involved,” she explained. “Being separated from the man I loved, the waiting, the solitude, depending on the phone. And I’ve never been able to act. I can’t simulate, or lie. Songwriting, on the other hand … dives deep.” Life in the fast lane, she declared, was “a gilded prison”.

But she continued recording, releasing a dozen bestselling albums in France, of which she always cited La Question (1971), a sophisticated collaboration with the Brazilian musician Tuca, as her favourite. She duetted with French artists Henri Salvador, Alain Souchon and Benjamin Biolay, and later with Damon Albarn and Iggy Pop.

Hardy was never very interested in politics (she decamped to Corsica with Dutronc for the duration of les événements of May 1968, whose student leaders she distrusted), although she had strong opinions about questions such as abortion. Hardy was, however, fascinated by astrology, writing two books on the subject.

She continued to work in later life, despite claiming that her 1988 album, Décalages, would be her last. A string of new recordings in the 1990s and 2000s, a 2008 autobiography, Le Désespoir des Singes (the title apparently derived from a monkey puzzle tree in the Bagatelle gardens near her Paris flat, because its sharp, spiky leaves reminded her of “men who have caused me despair”), and her last album, Personne d’autre, released in 2018, appeared despite family and personal tragedies: Hardy was at her mother’s side when, suffering from Charcot–Marie–Tooth disease, she died by euthanasia in 1994.

Hardy herself was diagnosed in 2004 with lymphoma, eventually recovering after an experimental form of chemotherapy – but only after she had been hospitalised, in an induced coma, in 2015. Three years later, another tumour was detected, this time in her ear. In 2021, she told the magazine Femme Actuelle (by email; she said she could no longer talk) that she would like to be able to choose to end her life, as her mother had done, and in 2023, in an interview with Paris Match, called on Emmanuel Macron, the French president, to legalise assisted dying.

Shortly before that second diagnosis, in 2018, Hardy reflected on a career that had brought pretty much every award French music can offer (plus a medal from the Académie Française), telling the Observer she had always been surprised that people – “even very good musicians” – had been moved by her voice.

“I know its limitations, I always have,” she said. “But I have chosen carefully. What a person sings is an expression of what they are. Luckily for me, the most beautiful songs are not happy songs. The songs we remember are the sad, romantic songs.”

She is survived by Dutronc, and by their son, Thomas.

🔔 Françoise Madeleine Hardy, singer, born 17 January 1944; died 11 June 2024

Daily inspiration. Discover more photos at Just for Books…?

[geneseedraws]

✨COVER REVEAL: THE NOBLE'S MERMAN✨

Happy MerMay everyone!! Let's start it off with a bang, with my cover reveal for my upcoming novel, THE NOBLE'S MERMAN 🧜‍♂️✨ I drew the artwork & designed the text myself, and I am so proud of how it came out!! I've also been busy busy busy working on editing it and making it the best it can be. I have to say THANK YOU to all my beta readers, from the bottom of my heart, I couldn't do this without you!! 🥹💕 Information about arcs will come at a later date! So, without further ado...

🧜‍♂️Preorder ebook here🧜‍♂️ Paperbacks will be available on release day!

🧜‍♂️Add to Goodreads🧜‍♂️

...............…...............

✨Blurb✨ A merman who possesses deadly magic. Mo is a merman, born with a magical gift: the Siren’s Song. It’s a primal, instinctual force that runs through his veins, urging him to kill humans, to see their blood. But clashing with that urge is Mo’s soft and tender side, taking a special interest in humanity and wondering what it’d be like to walk amongst them with legs of his own.

A human noble with a broken heart. Kent Wilson is the heir to the Earl of Fareham. He’d felt his life was secure until his betrothed abandoned him unexpectedly a year ago, leaving both his future and his heart in tatters. After a fierce argument with his father one day, Kent runs away to the beach. Needing some time alone with his melancholy thoughts, he sings to the sea.

What he doesn’t expect, though, is for a merman to hear him.

Together, the two form a secret relationship—one which propels them into passion, and a love greater than they ever thought possible.

[The Noble’s Merman is a standalone novel. It is an 18th century historical fantasy MM romance, with merfolk magic, cozy beach encounters, pirates, and plenty of spice.]