#also the 4 of them aren't related here

[warriors-rewritten-chaos]

Ravenpaw's Path Rewritten

I remember getting in trouble for reading these books in math class instead of paying attention back in middle school. *sigh* Sweet, sweet nostalgia... Not too much actually changes here, but there is one fairly significant change that isnt too important right now, but it will be later...

Ravenpaw and Barley are relaxing in the barn one day until a group of cats appear out of seemingly nowhere. They beg the two to be allowed to stay in the barn for a short time. Upon noticing that one of the cats is heavily pregnant, they agree. The strangers say that they are former city cats who were recently forced to run from the city due to the New Coven of Blood (Ravenpaw and Barley are shocked to hear that the group is still active, albeit under new leadership) and introduce themselves. The pregnant molly is Minty and her mate is Willie, and the others are Snapper, Pounce, and Tess.

Soon, Minty gives birth to four healthy kits: Icicle, Squall, Snowflake, and the runt of the litter Sniff. Ravenpaw is happy to help care for the kits, but Barley is suspicious of them. He swears that he recognizes the group from somewhere, but he just can't place where...

Five moons later, and Barley (and Ravenpaw too) is becoming increasingly suspicious and concerned about the group of strange cats. The adults are teaching the kits dangerous battle moves, and Sniff is mostly ignored while her larger and stronger siblings receive most of the love and attention of the group. Ravenpaw does their best to play with her and give her positive attention and Sniff adores him for it.

That morning, Willie tells Ravenpaw and Barley that the group has decided to stay at the barn permanently instead of leaving as planned once the kits are of age to travel. When Barley and Ravenpaw protest, the group tell them that it's non-negotiable and violently attack the two and drive them away from the barn. When Violet attempts to intervene, they threaten to kill her and she is forced to flee back into the farmhouse as her brother and his mate flee into the forest.

The two decide to enlist the help of their friends in ThunderClan to drive out the rogues. On the way there, they discover a trio of kits playing by Fourtrees. Upon learning that the kits are from WindClan, they round the rambunctious siblings up and head towards WindClan territory. They end up interrupting an escalating fight between a WindClan patrol lead by the kits' panicked mother and a confused ThunderClan patrol. The mother is overjoyed for the return of her kittens and the ThunderClan patrol takes the two back to ThunderClan to meet with Firestar.

Upon their return, Ravenpaw is tackled by Dustpelt before he and Barley can begin to explain why they're there. Dustpelt is very happy to see his littermate and practically drags Ravenpaw into the Nursery so he can meet he and his mates' newborn sons Spiderkit and Shrewkit. While in the Nursery, Ravenpaw also finds Firestar with his own kits Squirrelkit and Leafkit. He and Barley are finally able tell Firestar and Dustpelt what happened to them.

Dustpelt is ready to commit murder, but Ravenpaw convinces him that all they want is for the squatters to leave and murder is unnecessary. Firestar lets Ravenpaw and Barley take a small group of Warriors consisting of Dustpelt, Thornclaw, Sandstorm, and Graystripe back to the barn with them to drive away the rogues. Much to their surprise, they encounter the rogues fleeing from the barn- minus Willie and Sniff. Minty is particularly distraught and the (remaining) kits are very obviously traumatized. When asked why they're leaving, all they can get out of them is that there are new intruders in the barn that murdered Willie and they're leaving so they won't be next.

They disappear before Ravenpaw can even ask where Sniff is. With much trepidation, the group enters the barn. A pair of toms with tooth-spiked colors and bloody claws are standing over Willie's body. They look as shocked to see Barley as Barley is to see them. These are the Coven cats Scorpion and Snake, but Barley knows them as his and Violet's littermates who remained with The Coven of Blood while they left.

Snake and Scorpion are both shocked. They were apparently told that their siblings had died rather than ran away and seem genuinely happy to see their brother again. They start to ask about Violet before she comes running into the barn after seeing the commotion. She just stares in shocked silence, seemingly not knowing whether or not to be more shocked by the corpse or the reappearance of her long-lost siblings.

Snake and Scorpion begin asking frantic questions: is this where you've been all this time? why did you leave? why were we told that you'd died? is this scrawny weirdo your mate, Crusher?

When interrupted and asked why they killed Willie by Sandstorm, the toms have an easy answer. When Claw made The New Coven of Blood after the death of Scourge, there was a big struggle for leadership. Willie was one of the cats who attempted to seize control of the new organization by killing Claw. He failed, but he and his co-conspirators had escaped and Claw had essentially put a hit out on them. Whoever brought their bodies back to the Coven would be awarded a position of power as Claw's Second.

After Claw and the remains of The New Coven were defeated, the brothers noticed Willie's scent close by the barn and upon recovering from their battle wounds, sought him out to kill him and bring his body back to the city to use the influence it would give them to recreate The Coven again, but this time with the two of them in charge. They happily offer to bring Barley and Violet along, the four of them could rule together! Barley and Violet are horrified and disgusted by the awful cats their brothers have become and reject the offer immediately.

Heartbroken and angry, Snake and Scorpion attack their littermates in retaliation, but are easily beaten back by them and the patrol and Barley and Violet disown the two and chase them off. Graystripe asks Sandstorm if they should be worried about the two of them possibly making a new Coven, but Sandstorm tells him that they're too weak to do that. Willie's body is buried and the patrol says goodbye to the barn cats.

Meanwhile, in WindClan territory, the queen Dandelionfur encounters a small black kitten wandering alone. She asks the kit her name, and she pauses for a moment before replying that her name is Raven. She follows Dandelionfur back to WindClan as the book ends.

[humanmorph]

i'll find you one day / washed out in your head we'll be holding hands / with nothing in the air

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[lynxgriffin]

Eldritchrune - Dreemurr of Demons

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Asriel ventures back to Hometown while on the trail of trying to find out what happened to Kris, and stumbles across an unusual man who's all too excited to share his demon-warding knowledge! But it's unclear so far whether this knowledge will actually be of help to him...

Yaaay all done with this series back with the Dreemurrs! This one was definitely the longest, but also had some important info! What I'll tackle next is a mystery to me right now...

Alt text for these pages is under the read more:

Page 1 Panel 1: Exterior shot of a back alley in Hometown, with old barrels and boxes stacked behind medieval buildings. Asriel walks down the alley, wearing a striped shirt, glasses and scruffy blond hair, and carrying a large canvas bag over his shoulders. The annoying dog trots happily beside him.

Panel 2: The annoying dog drops his nose to the ground, sniffing at some interesting smell.

Panel 3: The dog bounds off ahead of Asriel to a haphazard collection of trinkets, boxes, jars and displayed charms, all partially covered with colorful cloths. A man is kneeling under one of the tent setups. Asriel walks to catch up with the dog, asking, "What's got your interest this time, dog?"

Panel 4: The man pops up from his odd collection and turns to Asriel with arms spread and a big smile. He has short curly hair, and is dressed in a medieval robe with a cape slung over his shoulders, and bone designs in his sleeve cuffs. He answers, "Just the finest assortment of handmade charms and magical meals made by yours truly, THE GREAT PAPYRUS!" The dog happily circles Papyrus, tail wagging.

Panel 5: Asriel is a bit taken aback by the introduction, but waves in greeting anyway, and responds with "…Oh! Howdy!" The dog sits in front of Papyrus, panting and wagging his tail.

Page 2 Panel 1: Papyrus leans down with a big grin to pet the dog and ruffle its face. "What a bright and clever fellow! Such a sweet face!"

Panel 2: "You're a good, good boy, aren't you?" Papyrus continues. However, the dog glances over to the side, as something has got his attention:

Panel 3: It's one of the charms Papyrus has on display: a large femur bone decorated with paint, beads and feathers.

Panel 4: The dog leaps up and snatches the charm in its mouth. Papyrus looks agape at this thievery, eyes cartoonishly wide. "Wh-HEY! That's my SPECIAL demon-warding charm!"

Panel 5: The dog goes running off further into the alley, the bone still in its mouth. Papyrus shakes his fist at it and yells after it: "You thieving scoundrel! I take back all the nice things I said about you!"

Panel 6: Papyrus quickly turns back to Asriel with a more apologetic look; even now he can't be too mean. He says, "I apologize, I didn't mean to yell at your dog. I'm sure he's normally better behaved!" Asriel waves off the apology with tired bemusement. "No, it's fine. He's not really my dog." Under his breath, he adds, "He just keeps following me around for some reason…"

Panel 7: Papyrus stands back up and gestures to his odd collection. "In any case, you at least are welcome to my little shop-in-the-works!"

Page 3 Panel 1: Papyrus leans in close to Asriel, observing him, and getting a bit into his personal space. "You look a little familiar, though! Are you perhaps related to Mr. Dreemurr?" Asriel nervously adjusts his glasses, and replies, "Heh, yes. I'm Asriel, his son."

Panel 2: Asriel holds up a hand and gives a little sideeye to the alley around them. "But, uh…I actually don't want my parents to know that I'm back in town, so I'd appreciate you keeping quiet about me being here."

Panel 3: Papyrus mirrors that sideeye, hands on his hips, as if recalling some recent incident. "Ahh…I know well the trials of avoiding family. Especially when they decide to try out some terrible new jokes."

Panel 4: Papyrus makes a lip-zipping motion with his hand and mouth. "Not to worry, my lips are sealed!" Asriel smiles back, and says, "Thanks, I appreciate it."

Panel 5: A wider shot of the two still standing within Papyrus's collection of tents and trinkets. Papyrus asks, "So, if it's not to see your folks, what brings you back around Hometown?" Asriel glances around them, and replies, "I'm looking for something. Or well…kinda hoping I don't find something here."

Page 4 Panel 1: Papyrus points up one finger, looking as if he's already solved this problem. "If you don't want to find it, then looking for it seems rather counterintuitive!"

Panel 2: Asriel looks a little taken aback by that logic. "Yes, well… Okay you have a point, but…"

Panel 3: Asriel keeps glancing behind him, as if expecting to see someone there. "This is kind of the next step in a trail of research I've been doing."

Panel 4: Papyrus puts a hand to a chest and puffs himself up, imitating his heroic poses from Undertale. "Well, if your research involves handmade charms and tasty foods both designed to ward off demons, evil spirits and the like… Then I'll be your most cited source!"

Panel 5: Asriel crosses his arms and raises his eyebrows, intrigued by this. "Really."

Panel 6: "You know a lot about demons, huh?" Asriel asks as he sits himself on one of the rugs within the tent setup. Papyrus keeps up his self-congratulatory pose. "I, the Great Papyrus, am a bonafide expert in such subjects! Sad that so few around here seem to recognize my talents."

Page 5 Panel 1: Asriel holds his hands up, willing to follow this strange thread wherever it might lead. "Well, I've got a question that all my research hasn't been able to answer for me, so perhaps you can…"

Panel 2: A pause as Asriel holds on to his thoughts, hands closed in front of his face. Papyrus sits down on the rug across from him.

Panel 3: Asriel lowers his hands, his face deeply serious. "How do you kill a demon?"

Panel 4: Papyrus looks back at him with an equally serious expression, then…

Panel 5: The seriousness is gone as he gives a casual shrug, and gives an answer. "Oh, that's simple. You don't!"

Panel 6: Asriel looks a little bit baffled, and disappointed. "…You don't?"

Panel 7: "No, silly. They're immortal, like angels!" Papyrus keeps up the casual shrug, as if this information is obvious.

Panel 8: However, Papyrus then seems to become aware of why this is being asked. He looks around the area frantically, his head whipping back and forth. "Why?! Are there demons around here that my detection flatbreads missed?!" Asriel offers an amused smile back. "Heehee… no, I don't think so."

Page 6 Panel 1: The seriousness returns to Asriel's face as he scratches at his nose, lost in worried thought. "I just…have this real bad hunch. I'm trying to prepare myself for all potential outcomes."

Panel 2: Papyrus ignores the seriousness of the situation, and just seems impressed. "Preparation! The hallmark of the truly intelligent!"

Panel 3: Asriel is still set on getting some information, and continues his questions. "Thanks. So, if you can't kill them, what do you do about them?" Papyrus holds up a finger again, happy to keep explaining: "Well, you got two options! First, you can banish them back to their own plane!"

Panel 4: Papyrus continues, "However, that's really only the ideal option if you're the one that summoned them in the first place. Otherwise it's a whole ordeal." In the background, Papyrus's point is illustrated with a little graphic of a cult member holding up a hand in rejection of a demon within a summoning circle. The demon looks confused and perturbed by the rejection.

Panel 5: Asriel says, "I see. What's the other option?" Papyrus continues his explanation across the two panels: "You bind the demon to something! Quickest and easiest thing to do is bind them to an object! Buuut, problem with that is, if your object gets broken or destroyed, now your demon's free and even angrier than before."

Panel 6: To illustrate his point, another background graphic shows a shocked human with a broken jar in front of them. A demon rises out of the remains of the broken jar, looking angry and ready to strike.

Page 7 Panel 1: Papyrus again continues his explanation across two panels. "Hardest and most time-consuming thing to do is to bind them to a place! Good option if you have the prep time, but then you can't really use that place anymore. Better pick a restaurant you hate and hope no one there minds you standing outside it chanting for three days straight."

Panel 2: To illustrate his point further, a scene (perhaps a flashback) shows Papyrus with his arms raised outside of a restaurant, supposedly chanting angrily at it, while another person stares back at him from the doorway, hands on their hips in annoyance.

Panel 3: Asriel watches as Papyrus finishes up the rest of his explanation: "Aaaand, last thing you can do is…bind the demon to a person! Which…"

Panel 4: Papyrus stops suddenly. For the first time, he looks actually disturbed and hesitant.

Panel 5: Asriel watches quizzically, waiting for him to continue.

Panel 6: When he doesn't continue, Asriel tries to prompt him on, tilting his head towards him. "…And?"

Panel 7: Papyrus quickly waves his hands in front of him, smiling nervously, clearly trying to dismiss the whole idea. "But you know, we don't need to go into the details of that!"

Panel 8: Asriel says nothing, but remains in nervous thought, one hand covering his mouth. It's clear that this is sticking in his mind the most.

Page 8 Panel 1: Asriel remains sitting with a hand to his chin in thought, but Papyrus has moved on to better advice. "But as I always say, an ounce of prevention's worth a pound of cure! You're much better off trying one of my charms or meals to-go!"

Panel 2: Asriel lets himself smile more at this suggestion. "Y'know? I'm sold. And also a bit hungry."

Panel 3: Asriel gets up, and drops a handful of coins into Papyrus's open hand, which Papyrus looks at in surprise. Asriel says, "Give me your best demon-warding meal."

Panel 4: Papyrus stares down at the coins in his hand, his eyes cartoonishly big and shiny, full of excitement. "WOWIE!! My FIRST ever sale!" he says with a big smile.

Panel 5: Papyrus leaps up and begins to rummage through some of the boxes and barrels around his collection. "This calls for my finest delicacy!" Asriel watches him from a few steps back, and mutters under his breath, "…First ever?…"

Page 9 Panel 1: Papyrus straightens back up, gesturing to a small sack that he is holding in one hand. He looks pleased with himself. "Spiced candied yam bites, from my home country!"

Panel 2: "Each one will purge you of evil spirits for a whole ten hours!" he continues. He hands the small sack off to Asriel, who takes it from him and says, "Sounds like a good deal." In the background, the annoying dog pops back up from behind some other boxes, holding something in its mouth.

Panel 3: Asriel hefts the bag over his shoulder again, and holds up the sack of treats in acknowledgement of the exchange. "Well, I know where to come if I need more info and good charms."

Panel 4: Papyrus stands proud, both hands on his hips, happy at being able to spout off his knowledge to a stranger. "Yes, yes! Tell all your friends about the fantastic advice and the culinary masterworks of the Great Papyrus!" he says excitedly.

Panel 5: Asriel heads off back into the alleyways, and waves goodbye to Papyrus. The annoying dog follows close behind his steps. Papyrus enthusiastically waves to the two as they leave, and says, "Safe travels to you and your annoying dog!"

Page 10 Panel 1: Papyrus turns back to his collection of trinkets and boxes with a determined look, hands on his hips. "And now to see where that criminal canine buried my special charm…" he says to himself.

Panel 2: While continuing on through the alleyways, Asriel opens the small sack and pulls out one of the candied yam bites.

Panel 3: Asriel glances back down at the dog, and notices that he's carrying something that's making a tinking noise. It's partially hidden from view. "Oh boy, what did you steal now?" he asks with a wry smile.

Panel 4: Asriel takes the yam bite and pops it into his mouth with a crunch…

Panel 5: …Only to then make a face, his eyes wide and his mouth scrunched up, as if tasting something indescribable.

Panel 6: "What IS this flavor?" Asriel asks to himself, although all but his back foot are off-panel. The focus is on the annoying dog, who is shown to be carrying a strange, heart-shaped metal lantern on a chain.

[homoquartz]

hi!! if you would like to join me in being angry, please consider this new gem of journalism bestowed upon us peasants today:

(Article link is here)

In case you doubt it, yes, that is correct. Major studios will now assemble panels of racists, homophobes, transphobes, and misogynists to dictate how much us squirming pathetic little brown queers get to be represented on screen.

They were already doing this, but now they're comfortable saying it outright. As I have said before, THIS SHOULD ALARM YOU.

This post is long so the rest is below, backed up with data:

Disney is tacitly admitting that they canceled The Acolyte because they would rather alienate their marginalized fanbase than their rabid, genocidal straight white male one. And you can be damn sure this is also why the likes of Netflix and HBO Max are so comfortable discarding highly acclaimed queer shows like Warrior Nun, Our Flag Means Death, the Owl House, and Dead Boy Detectives.

The only shows about marginalized people allowed to go on are the ones that, against all odds, become hit successes (eg Heartstopper), at which point their earning potential outweighs their sin of being brown or gay. I want to emphasize that these shows must be breakout hits - shows that perform on par with straighter, whiter releases aren't given this grace.

These companies are going to obscure the reality of their actions by talking about profits and public image, but rest assured they would find a way to justify this even if the vast majority of viewers were brown and queer. Because it's about maintaining power. It's part of a nationwide surge against inclusion.

Do you remember the IGN article that just came out that revealed Disney's insistence that Riley be made to look "less gay" in Inside Out 2?

Do you remember the Autostraddle article which crunched the numbers to show that queer shows are cancelled more often and earlier than others?

How about GLAAD's breakdown of queer shows cancelled last year? Here's a snippet of the data:

❗️Both Autostraddle and GLAAD have found that 1 in 4 queer shows are axed. This is DOUBLE the rate for streaming shows overall, which is just at 12%.

Variety has a data breakdown here. What's interesting is that Netflix is actually pretty moderate with its cancellations, yet the majority of cancelled queer shows belong to Netflix.

I had a harder time finding data for shows featuring leads of color. If anyone has links, I'll add them here.

In conclusion:

They are banning our books. They are cancelling our shows. They are silencing our stories. You know why.

You can help in a few ways. One is to stream as many cancelled shows centering POC and/or queer people as you can. Another option is to cancel your streaming subscriptions and vote with your wallet (this is what I have done).

There's also a bunch of petitions for cancelled shows I strongly recommend signing. Pick a show and google it plus "petition" and it will turn up.

You can go to Rotten Tomatoes and IMDB and 5-star your chosen shows, as well as each episode.

You can message the streaming services on social media requesting renewal. Reaching out to influencers in spheres related to this topic, as well as media outlets, is also a good idea.

Finally and most importantly, talk to your friends and family. Ask them to do something. Ask them to tell people. The more people who stand against a hateful status quo, the less powerful it becomes.

I believe this can be turned around if we make enough noise. These streaming services should revive their queer shows, market them properly, and support them like any other show.

I sound silly now, but watch this space in two years.

[triaelf9]

Just a lil post about Taash and how I'm feeling about how ppl are reacting to them as someone who relates to them very strongly not only on the gender journey front, but also on the mom-issues front.

Cut for length b/c of course this won't actually be a "little" post lol

So I hear a lot of "Taash is too young" "Taash acts like a child" "Taash is too brash" "Taash has wildly binary views of the world" "Taash is thinks their reality is the world's reality" etc etc etc

And I'm here to say that as someone who realized that non-binary was a thing later in life, grew up trying to be them, but society was not only unwelcoming to that, but openly hostile at points, with a mom who had totally different interests, who very much wanted to protect them from the outside world to a point where it left them unprepared to deal with nuances of the world, etc, a mom who thought they were "just doing their best" but was never meant to be a mom, and never wanted to be a mom, didn't have the tools for mom-hood, who wanted to protect their child, but had no real idea how, and how every comment turned into the mom trying to steer her kid the right way, but just came out as a dig or a "you're not good enough" remark, AND looking after your mom in a world that is wholly unsuited to her, that she can't really adapt to and fit into, and kinda becoming her mom to a point so that your life completely revolves around her until you leave home?

Yeah. I get Taash. It's actually kinda freaky how, fantasy elements aside, I get Taash on a frightening level. (aside from the dragon stuff, we're both the same with that HELL YEAH DRAGONS)

Taash doesn't read young to me because I've always read young because of how I was raised. I didn't get the chance to figure myself out until I left home. I also had the benefit of being able to leave for college at a younger age, and got a chance to experience things away from my mom earlier. But seeing things in such a binary way, that's how it is when you're protected like that.

You don't want to admit how similar you are to how your mom sees the world, b/c she sees it in one way, and as you go through life, you get to learn differently. You come out of this situation INCREDIBLY judgmental at first. Why aren't THESE things conforming to MY reality. You come across as brash and childish. And when you get treated as such, it's triggering b/c that's how your mom treats you.

You hate how you look, you think you look like a freak b/c your mom is constantly commenting on your appearance. She does it out of love (she wants you to be healthy & not mocked by your peers) but she doesn't consider that constantly telling you not to look a certain way does damage. My self confidence only recovered in my thirties. I'm 4 days from my 38th birthday, and it took getting pregnant to finally be like "you know what, I don't hate myself & my body" which is MASSIVE for me.

So where do we get our self confidence? In things we enjoy, in hyperfocuses that we're good at. For me that's comics, naginata, fantasy & DA lore lol XD For Taash it's dragons, fighting, and working out. And when we falter there, it's devastating b/c it's the only way we can feel good about ourselves b/c our SELVES are disconnected and tucked away b/c they make us feel bad.

So I totally get how Taash reads to people. The autism aspects are more like my wife (who is autistic & has issues with social cues, while I'm HYPER AWARE of social stuff which fuels my anxiety b/c of the type of person my mom was and how I had to look after her), but I get it.

But it makes me sad when I hear people dunk on Taash as "bad writing" and "unrealistic" and "annoying" and it's like...is that how you see people like that? Is that how you see me and people like my wife? I feel like people aren't willing to look deeper so often (an issue with all the companions tbh & some day I'll have to get into my Davrin feels b/c BOY do I have them. Neve too, WHOOF) but I feel like if you do that in a game, I hope you don't do that irl.

anyway TLDR this is a Taash defense post b/c while they have a lot of issues, stuff they need to work out & have wrong opinions on stuff, they're growing, they're learning & they have to do it later than most. They're an incredibly complicated character with tons of nuance, and I can't wait to get deeper into their story and banter with companions in round 2 of my playthroughs, and then again in round 3

Sorry this is too long, and I'm sure not all of this was intended when they were written, but this is how it all clicked with me as someone who has lived a large portion of that stuff. Like, again, I'm nearly fucking FOURTY and I don't feel like I should be there yet b/c I started so far back. It ALSO doesn't help that ADHD wild child I was, I was held back in preschool b/c neurodivergence also makes a kid read younger, AND the choice to have me be the youngest in the class would have been a very bad one. So I'm older than most of my peers BUT I've always read younger, felt younger, and have had a sore spot when it comes to all that.

Thank you for coming to my Taash Talk, I'll be here all week to think about more stuff, including how their body makes them read as lady, and they're not sure how to feel about that, but they don't want to CHANGE it, but is it right?

ANYWHO this is why Taash is a fascinating character & deserves better than to be regulated to "annoying kid"

[felassan]

Dragon Age: The Veilguard info compilation Post 2

[Link to Part 1]

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a 'regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this.

Character Creation

It is the best CC BioWare has ever made in a game [source]

The faction we choose will determine who we as protagonist Rook were before they were recruited to put a stop to Solas [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

Faction choice affects a lot of things [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

"body customization and morphing. From more muscular characters, to curvier builds, and just about any shape you want to give your character, there are all sorts of toggles to adjust so you can give them any figure you want". "There's even features that let you choose proportions, so you can alter their height, give them wider shoulders, and much more" [source]

There are makeup options [source]

There are tattoo options [source]

The hair uses a "Strand system" to "make them behave and move in a believable way for the different races" [source]. (Fel note/speculation: I think "race" here refers to irl, as opposed to like human vs qunari or something, as the language they are using for human/elf/dwarf/qunari is "Lineage")

There are 4 voices to choose from for Rook: two feminine and tow masculine (one American, one British for each) [source]

In CC, 'Lineage' is the game's parlance for race i.e. human, elf, dwarf, qunari [source]

We can pick Rook's name, but the dialogue calls them 'Rook' [source]

In CC we can "make a few key decisions that will impact how The Veilguard begins" [source]

"I really do think its our most feature-ful character creator ever." [source]

Story and lore

In the opening segment of the game (see more on the story's opening moments here), we're too late and Solas' ritual worsens, so Rook and the companions go to stop him. When travelling to the next location (Arlathan Forest) in the chase after Solas, the characters travel through an eluvian [source]. The Forest is where his ritual is taking place. Varric then asks the player if he should confront Solas, and players then work to take down the surrounding statues in order to stop the ritual. "I won’t spoil what happens next, but I’ll just say the player and Veilguard have a tall task ahead of them if they want to save Thedas." [source]

Four of the 6 faction options for Rook (Mourn Watch, Lords of Fortune, Veil Jumpers, Shadow Dragons) are "rooted in northern Thedas" [source]

Certain conversation options are only available to Rooks of certain factions. For example, Grey Wardens get conversation options that are focused on the Blight, as they know more about it from other people. It also impacts how people talk to Rook (reactivity from characters and then faction reactivity from plots relating to that faction) [source]

There aren't unique missions (I think this means like the playable Origins in DA:O), but faction choice does set the course for Rook for the rest of the game [source]

A line of dialogue Dorian had at the Winter Palace in DA:I about what Tevinter is like informed the devs' approach to bringing to life the setting of Tevinter: ""There's a line in Dragon Age Inquisition that we always like to call back to," Epler says. "Dorian goes to the Winter Palace, which, up to that point, is probably the most impressive thing you've seen [as the Inquisitor], and [he] says something like, 'Oh, this is cute.' And we had to ask, what does it look like? What is Tevinter if Dorian sees that [the Winter Palace] and thinks that?"" [source]

The fact that Minrathous used to be the land of the elves was factored into the location's design. John Epler: "You can see the architecture has changed. It's become a lot more elven focused. And something that we've kind of hinted at, but we've never really shown explicitly, is the idea that Tevinter is built on the bones of the ancient elven empire. Tevinter itself, Minrathous itself, all the magic you see, that's just a pale imitation of what the elves are capable of. So you'll start to see as you get deeper into the game, the elves, for example, worked Lyrium into their building materials. Tevinter can't quite figure out how to do that. So instead, you'll see more gold and gems, kind of imitating it, but not ever quite approaching what the elves are able to do, and really creating that continuity of the space. Obviously, Solas isn't too thrilled that this world is the way it is, because he lived in a time of miracles and magic, and even the most magical place in Thedas isn't magic like the elven people used to be able to do" [source]

At the end of the opening portion of the game there is a "jaw-dropping title card cliffhanger" [source]

On the opening sequence: ""One of the things we wanted to do with this game is make the prolog feel like the final mission of a different game," John Epler says. "We really needed to get the stakes, the spectacle, right off the bat. Obviously, players who had been waiting to confront Solas have been waiting for just this moment."" [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All 7 companions are recruited in the game's first act [source]

The firey demon looking guys shown near the start of the Gameplay Reveal are Rage Demons. Demons in general got a revamp in this game "to more closely align their look", this can be seen with the shades and the Pride demons as well. "they’re creatures of emotion so they have a spectral nervous system look" [source]

The Pride demon the group fight at the Solas face-off in the Gameplay Reveal video "was more a direct tie to Solas than anything else, but it didn't escape us how much it echoed the beginning of DA:I". they wanted to show the stakes and the scale of Solas' power [source]

Characters, companions, romance

Harding was one of the earliest characters that the devs wanted to bring into DA4, because she was such a fan favorite. She is this game's 'traditional returning' character [source]

Each character's romance flavor or style is different. They don't want every character for the romance to feel the same. They want everyone to have their own flavor that's appropriate to them as a character [source] [two]

"We found as we were building a story, more than ever before, it's a story about the people around you; a story about building this team, and working with them." [source]

Each companion has their own storyline that runs parallel to the main story [source]

You cannot succeed without the companions. Each of them has a reason why they need to be part of your party, why they need to help you stop the end of the world [source]

All companions are pansexual (specifically pansexual, not playersexual) [source]

Their pansexuality may come through in what we learn about their backstories [source]

No companion romance is race-locked [source]

Companions reference their past experiences or partners, and they reference who they'll become romantic with. [source]

If you don't romance a character, they may find a different partner for themselves. This could be within the companion roster itself or outside of it in the broader world. [source] For example, if the player does not romance Harding, she may get together with Taash [source]

The game is rated M [source]

The game contains nudity [source]

We can start flirting with the companions pretty early [source]

All 7 companions are recruited in the game's first act [source]

It is not until later parts of the game that you really commit to romance and things get pretty spicy [source]

The nudity, spicy things etc is more towards the end of the game [source]

The devs want the companions to be relatable and fully realized. So things get spicy, but in a more relatable way for people than e.g. some of the more shocking and comical scenes of this nature in Baldur's Gate 3 [source]

How sexually explicit the scenes are varies between characters. Some are more spicy than others. They have diverse personalities like in real life. "Some of them are more physical, more aggressive, and some of them are more... we have a gentleman necromancer [Emmrich], for instance, that is more intimate and sensual." [source] "some characters may be a little more steamy while some characters maybe a little bit more innocent" [source]

The romance and relationship system is more fleshed out than in previous BioWare games. A character's romance will be better woven into their personal story arc and into their involvement in the core questline of the game [source]

"BioWare has also worked to ensure that getting to know your characters as friends feels just as satisfying - and that just because you're not banging your buddy, their (platonic) relationship with you will still continue." ""One of the things we tried to do with The Veilguard is it's not just romantic relationship building," Epler continued. "You need to get to know a person before you can really build that kind of relationship with them, and if you choose not to build a [romantic] relationship, we never want to feel like you're being cut off. There's no 'okay, well, their arc isn't progressing, I'm done'." We want to make sure the non-romantic relationships are deep as well, with friendships not just for companions and yourself, but also between companions across the party."" [source]

GDL reprises his role as Solas [source]

Gameplay, presentation, performance etc

The game has a photo mode [source]

Combat is fast-paced [source]

If you pause the game using the ability wheel you can scan enemies to learn more information about them [source]

Each of the 3 main classes is distinguished by how it generates and spends energy for abilities [source]

Each of the 3 subclasses for each 3 main class promise to offer some meaningful distinctions from each other [source]

for this, rogues have momentum. You build momentum by attacking, by dodging, by parrying, and you lose it by being hit, so there's really a focus with rogues on avoiding damage, avoiding attacks. They build momentum quickly, but they lose it quickly. Warriors have rage, which they build a little bit more slowly, but they don't lose [source]

Attacks can be cancelled [source]

Regarding enemy weaknesses, some of these are elemental. In other cases their defenses are more vulnerable to specific types of abilities [source]

Combat seems to be a matter of managing our abilities as best we can to whittle down enemy defenses and take advantage of their weaknesses [source]

Over the course of the game we get access to three abilities per companion as well as an additional two abilities we can slot, and an additional ability that coms off of items that the devs will not talk about for now [source]

Fully offline single player, no EA account linking, no micro-transactions [source]

The game uses advanced rendering tech in Frostbite, nice subsurface scattering, high quality meshes, while having a striking pseudo-painterly look [source]

There are blood spatters in the game [source]

Production values on the game have gone through the roof. It looks like a big improvement on what came before [source]

On the music: "lots of foreboding tunes mixed with epic flair" [source]

Good voice acting, great facial animations, good hair tech, busy-looking environments and worlds [source]

It's not open world. "There are open areas you can explore around in, but it's mostly structured/mission based, sort of like Mass Effect." [source]

There are difficulty options [source]

They will talk about PC spec stuff at a later time [source]

There is probably an option to see damage numbers [source]

There are many reasons why the game is M-rated [source]

There are lots of abilities, with 3 swapped in on the wheel at any one time [source]

There are a bunch of accessibility options and they will talk about these soon [source]

The ability wheel gives you flexibility to enhance your playstyle. If you don't want to use it at all, you don't have to and that's no issue as shortcuts are available [source]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[writersdrug]

Please continue to write literally anything for konig, I’m having the worst work week of my life and your fics always sustain me! I just finished chapter 13 and I almost cried because I realised I’d have to wait for more to come out 😔 this isn’t really a request or question just encouragement!!!

I don't have much queued up for König besides I Don't Need You, but here are some headcannons I have!! Also I'm sorry your work week was bad, let König cheer you up

NSFW at the end

We all know he would love to go on rants bout knives, guns, history, etc. But I also imagine that if you tried to chime in with your own, semi-relatable topic he'd glare at you and say "I wasn't finished," before continuing on his schpeel. He's not trying to be mean, he just has to tell you about Richard the third and how he definitely killed the two princes in the tower.

If you ask if the two of you can get a cat, he comes home the next day with one - but he didn't go to the pet store, or a shelter. He went to the restaraunt you always drag him to and waited by the dumpster with a can of tuna. Caught the scruffy thing and brought it to you, tucked under an arm with a big smile on his face.

He had to help you bathe the spitting kitten, poor baby was covered in fleas.

This man unironically adores the bucket of chicken you can get from KFC. Just a pail of chicken all for himself.

If you're out shopping or really anywhere where you take the lead, people are always asking if you're ok - "That man looks like he's following you," they whisper, "do you need me to get someone to walk you out?"

It's just König, standing behind you in a balaclava, hands in his pockets and dark clothing. Just 👁👁

Goes for an hour-long run at 4 am every morning, comes home to shower, then crawls back in bed with you to sleep until you have to go to work.

His phone screen is probably gross. Lock screen is you, doing your makeup and wearing a stunning dress for date night, unaware of König lurking in the doorway for a photo; background is the poster for Lord of the Rings: Return of the King

This man is known as a terror among door salesmen. They're just trying to get him to buy their services for cleaning gutters and he's dragging them to the backyard to show them how he cleans it himself, talking to them for an hour about how you don't need to hire someone to do "simple work"

He plays D&D with other veterans every Thursday night - you both usually host at your house, and he gives you an appreciative smile/pat when you come through with more drinks.

(Based on a tiktok) he once came in through the back door, standing in the dining room awkwardly as he watched you sort through the mail. He stared at you with a blank expression, until you finally looked back at him. "What's wrong, baby?"

He then slapped a lizard on the table, making you scream and throw a pile of mail at the thing as it scurried across the wood. He laughed for a good thirty minutes.

When he's sick, he tries to get away with downing a shot of Everclear and moving on with his day. "Alcohol kills bacteria, no?" (You'll have none of that nonsense, and he's not complaining when you dote on him and hand-feed him soup.)

If you're in the shower, he's in the shower. Doesn't matter if he had one an hour ago.

If you have a child, he loves to gaslight them (especially in their elementary years). Agrees to play Princess with them, but then proceeds to say that he's the Princess.

"I'm always the Princess!"

"Nein, you said I could be this time!"

"No I didn't!"

"Well I'm the Princess, so I make the rules."

Believes eating your pussy will make you feel better in any situation (sometimes it does). Bad day at work? He's kneeling in front of you and telling you to flip your skirt up. Cramps? Orgasms are the best remedy, schatz. Your tomatoes aren't growing well this year? Ah, shucks. Let him eat you out.

Anyways this is bleh but hope this helps!!

[danieyells]

Thank you for sharing the tdb affinity lines! I know I won't be naturally getting any of these for ten years (if the games even still around by then) lol.

I was wondering if you could share any interesting lines of Taiga's? No pressure tho! It's just after seeing some of his lines from other people, he seems to have a bigger role in the story and I'm curious if any of his lines give any more clues to the situation on hand. Also would be interesting to see if he genuinely starts caring for mc besides wanting to like. Eat her for lunch lol.

It's no problem! And yeah that's part of why I wanna share them--getting the units to high enough affinity is a pain and to even see any of the home screen dialogues you need an SR or SSR, which means good luck with the gacha buckaroo.

YES TAIGA MY BELOVED. he's my favorite behind maybe Towa. Chances are if you've seen the one line you've seen the only one referring to that, although there is one more that may be related? But it might be general. As for caring for the PC, this is a joseimuke so. The characters will always love you more and more with time. And Taiga most certainly does haha doesn't prevent the hunger from rising up though. friendly reminder to feed your Taiga!

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"...Who're you? Don't pop up out of nowhere like that.  Wouldn't want me to shoot you by mistake, would you?"

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Huh? You got a letter. If it's for me just reply for me, yeah?"

Default: (requires no affinity, has no time constraints)

"What are you again? A middle school student? A transfer student? Got it, an honor student! Gyahaha! I'm never gonna remember that!"

"Heads or tails, even or odd, on or off... It's all so fucking tedious!"

"Playing with these morons is exhausting... Lulu gets all mad if I win too much..."

"Don't talk to me. I feel like shit."

"That smells amazing... Shit, where's it coming from?"

please feed your taiga.

Affinity 1: (between 5am and 11am)

"It's too early for your bleating. Shut your trap unless you wanna get abducted."

once again, welcome to sinostra's house of human trafficking--

Affinity 2: (between 11am and 4pm)

"That dealer sucks. He's been here the longest? Why should I give a shit? Fire him."

what the fuck is tenure?

Affinity 3: (between 4pm and 8pm)

"You wanna know what kinda meat this is? Anomaly meat. What else would it be? ...Who the fuck're you again?"

he recognizes you enough to ask 'again'! progress! also I guess he almost exclusively eats anomaly meat.

Affinity 4: (between 8pm and 5am)

"Oops. I lost all the money Lulu gave me. Better make a run for it before he notices."

Affinity 5: (between 8pm and 5am)

"I'm bored... Hey, you over there. Come play five finger filet with me. Gimme your left hand."

five finger fillet, also called the knife game, is when you put your hand on a table and stab the gaps between your fingers with a knife in a sequence! Of course, you can also play it with someone else's hand, as Taiga is suggesting. Obviously stabbing the hand being played with means you lose. Taiga's chibi plays it when he's idle!

Affinity 6: (between 4pm and 8pm)

"They nabbed one of ours? You guys aren't toddlers. Deal with it yourselves."

it's fascinating that there's such a faction divide within Sinostra that members of Taiga's side get abducted by Romeo's, and probably vice versa. And I bet Taiga doesn't care about any of this. Or at the very least it's not that serious to him.

Affinity 7: (between 11am and 4pm)

"Gambling and shoot-outs are pretty much the same thing. Morons who panic mess up and get dead. Gyahaha!"

Affinity 8: (between 4pm and 8pm)

"None of you morons have any flair for the table. Lulu needs to raise the minimum bet already."

isn't it your casino too. . .or even specifically it's in your name. . .can't you raise the minimum bet too. . . .

Affinity 9: (between 8pm and 5am)

"You're a real smooth talker, huh? Don't remember anything you said though. Ciao!"

your seduction attempt didn't fail because of a bad roll, it failed because taiga failed a perception check lmao. . . .

Affinity 10: (between 10pm and midnight)

"Can't sleep? Sit over there. I'll deal the cards."

He'll play with you until you fall asleep. . .or maybe he'll sit around making ASMR card shuffling noises until you doze off.

Affinity 11: (between 5am and 11am)

"...I'm not gonna play today. I'm sleeping. I don't care if the place is burning down— don't wake me up."

fun fact, he's making this face when he says this lol

Affinity 12: (between 11am and 4pm)

"What's that guy's name again? You know, the one who's gonna become a judge or a cop or something. ...Whatever, I'll just forget it again."

at least he was interested in knowing for a second! maybe he'll give him a nickname.

Affinity 13: (between 4pm and 8pm)

"I spy, with my little eye, a tasty-looking kitty-cat.... Come over here so I can pat you. ...Nah, changed my mind. Scram."

maybe it's just my interpretation but I like to think he's hungry and he saw you and he mindlessly tried to lure you closer because he wanted to eat you, then came to his senses and told you to go away so he wouldn't do something stupid like trying to eat a human. . . .

Affinity 14: (between 5am and 11am)

"I'm starving... You, get my usual. It's breakfast time."

i wonder what his usual is. what's a good breakfast anomaly? Dagravnen? Latte? Pompillar to keep the doctor away?

Affinity 15: (between 5am and 11am)

"How does Lulu always have so much energy this early in the morning? It it 'cause of all that expensive water he drinks?"

Affinity 16: (between 11am and 4pm)

"Stop talking. I don't care."

Affinity 17: (between 10pm and midnight)

"You going to bed already? Aren't you a good little kitty-cat. Whatever, do what you want."

he'd rather you stay up with him but he's not attached enough to try and make you stay up. . .yet.

Affinity 18: (between 8pm and 5am)

"You want a surefire way to win at the table? Doesn't exist. You just gotta keep playing."

Affinity 19: (between 10pm and midnight)

"Hey, go warm up my bed for me. What do you mean how? Get in there, dumbass."

either you're gonna get fucked or you're gonna get disappointed when he really just wanted a warm spot that smells nice to lie in and he makes you leave after he gets in bed. Or maybe he'll let you sleep in the bed with him and use you as a little body pillow!

I'd also like to add that he's using the "adult" expression so uh. leaning more towards you're gonna get fucked here.

Affinity 20: (between 5am and 11am)

"Where you going, kitty-cat? Class? You don't need to go there. I got something more fun in mind for us."

the expression used here is once again simply labelled "adult" so. . . . No going to class and no going to sleep.

Affinity 21: (between 11am and 4pm)

"That's it, kitty-cat. I feel like my luck'll change if you're around."

Affinity 22: (between 4pm and 8pm)

"I'm starving... This isn't enough... I want more... More..."

they've gotta stop letting him go so long without eating because he clearly loses his mind if he doesn't eat enough meat.

Affinity 23: (between 8pm and 5am)

"I'm the only one who sees how fucked we are. But he won't believe me. So just let it all burn down—I don't give a shit anymore."

if Taiga sees the future or knows the future because of timeline/loop shit, then that Taiga doesn't seem to actively care much about being Captain or doing his job makes sense. He knows that if nothing changes everything's going to fall apart anyway so there's no point in trying. We don't really know what his stigma does either--in fact, his "good luck" could be that he can see and react to future events, so he knows things like what cards will be drawn and such. But he's getting tired of everything always going so bad no mater what he does in response to what he sees. And Romeo(? it doesn't say who he's telling about how bad things are getting) isn't helping to make changes. . .so he's just giving up. But now you're here, maybe you're different somehow. Maybe somehow you're an outlier in this timeline. Maybe injuring you was on purpose to change something in the future he saw. Maybe that's why he's telling you about the spy. . . .of course this is all speculation. Until we learn what his stigma does or what he means by 'ditch this future' then. . .all speculation. But there is a wickhive post that someone can see the future. And the more I think about it the more I wonder if it's Taiga. (also because i'm sure someone will point this out, the wording 'let it all burn down' is specific to the English dialogue, so it's not a callback to the pre-prequel sequence where the school is on fire.)

Affinity 24: (between 10pm and midnight)

"If you don't like pain then quit flailing around. I'm getting a taste of you, so close your eyes and shut up."

welcome back to the torture chair! You're probably getting cut like a piece of good meat before he just sinks his teeth into you! Your hands and legs are bound and he's not going to let you get away without eating at least a little of your flesh, so suck it up. That or scream and hope somebody comes to rescue you. . .but the desire to eat the pc never goes away. Most likely because he just wants to eat fresh meat in general and the more he likes someone and the more they hang around him the more he wants to eat them. . .although I assume he unlearned it and now you're here and he just can't help himself. . .if they did consume demons to become ghouls, I bet you're the only thing short of maybe Romeo that'll taste anywhere near as good as that demon did.

Affinity 25(max): (no time constraints)

"You're not getting away from me, kitten. You're here till death do us part, whether you like it or not."

oh and also you're married. y'know in case you wanted to do that. or even if you didn't. you don't have a choice in the matter.

Spring: (March-May) (between 5am and 11am)

"(Yawn) Man, why am I so tired today... Someone spike my food?"

'hey did someone drug the anomaly they brought me to eat so that i would get sleepy if i ate it' baby the weather's just getting warm you're sleepy because spring is cozy

(between 11am and 4pm)

"What? Cherry blossoms? Is it that time of year already? Man, that snuck up on me."

(between 4pm and 8pm)

"Fuck it, I'm taking a nap. Come over here and be my pillow."

(between 8pm and 5am)

"What's with that vacant look on your face? You need more excitement in your life? Come over here, I'll play with you."

Summer: (June-August) (between 5am and 11am)

"Too hot... Hey, I want my breakfast on ice. They got tons of it over on Jin's turf, go nab some."

hey uh why do you remember Jin by name. like i know Jin's short enough of a name to not need a nickname but also you remember not only Jin but where he lives and how cold it is? Then again you started in the same year, maybe Taiga remembers all the third years since he's known them for two years?

(between 11am and 4pm)

"Why don't we make a giant pool in Sinostra? It's so hot here. I'll put up the cash... Wait no, I used it all yesterday."

YOU COULD HAVE A NICE POOL IF YOU WERE MORE RESPONSIBLE WITH YOUR MONEY.

(between 4pm and 8pm)

"Quiz time—where's Lulu going all dolled up on a stinking hot day like this? Answer— he's cheating on me! Gyahaha!"

THEY ARE FEEDING MY SHIP WHAT DO YOU MEAN TAIGA JOKES THAT THEY'RE DATING. they have such awful married couple who hate each other but also love each other energy.

(between 8pm and 5am)

"Shower? I don't wanna... Shut up and strip me already then."

man he has no fucks to give that you'd be taking his clothes off and seeing him naked huh. . . .

Autumn: (September-November) (between 5am and 11am)

"Good weather for sports? You get a lot more exercise fighting to the death. Gyahaha!"

how frequently do you think he fights to the death. . .probably a lot less than he used to. poor baby needs his deadly enrichment. Also the fact that he finds the idea of fighting to the death fun explains why he smiles when he takes damage in combat lol

(between 11am and 4pm)

"That looks tasty. Gimme a bite."

so given one of the most common autumn foods in japan is like sweet potatoes(and also the pc probably doesn't eat raw anomaly meat) I assume this means he does eat normal food, just prefers to eat raw meat especially from anomalies? Either way, i am once again remind you to feed your Taiga.

(between 4pm and 8pm)

"We're going out. I've been eating more lately and these guys are too slow. Gonna go stock up."

you've been eating more lately? because it's autumn? what are you, a bear about to go into hibernation?? also he's taking you grocery shopping i guess. or anomaly hunting. . . .

(between 8pm and 5am)

"Watch your back. Way easier to jump people when it gets dark so early. Gyahaha!"

i'd like to think he stuck his gun under your chin and snuck up behind you from in the dark here lol

Winter: (December-February) (between 5am and 11am)

"You trying to pull my covers off? Wanna die?"

my boy does NOT like being cold. Or getting up in the morning. So winter mornings? just leave him in bed.

(between 11am and 4pm)

"I wanna go nab some food from Harry's place, but it's too cold for that shit..."

(between 4pm and 8pm)

"Oh, I got an idea. I just gotta use someone as a punching bag to warm up. Hey you guys, stand over there."

Taiga beating the shit out of his own men because the exercise will keep him warm. . .why do people side with you again?

(between 8pm and 5am)

"I don't like the cold... Come on, come be my hot water bottle! Let me cuddle up to you!"

Getting all tangled up with Taiga under his blankets while he shivers because Sinostra is in a desert and deserts in the winter can be FUCKING COLD especially at night. It gets cold and he's just the whiniest little meow-meow. Until he gets hungry.

His birthday: (October 16th)

"Huh? Whose birthday? Mine? Gyahaha! Totally forgot about it! Grazie!"

it's okay Taiga, I forget my birthday too most of the time.

Your birthday:

"Is it your birthday today? That little twerp told me. Okay, you can take one thing from my room."

Ritsu fuckin doxed you? is that legal? Doesn't Taiga's room have like a pile of coins in it. . .is one coin 'one thing' or is 'the pile of coins' one thing. . .then again the background is AI generated so. not really sensible and doesn't say much about him sadly. considering taiga's described as spending his money wastefully I assume he buys a lot of random things he doesn't need or use--then again he probably spends most of it on gambling. But considering he's offering you anything out of his room, I assume there's a lot of nice stuff in there.

New Years: (January 1st)

"You gonna go skipping off to a shrine together just to get your fortune told? That's dumb. Here, let me guess what it'll say—you'll have an okay year."

the fact that he guesses your fortune is a tiny piece on the 'taiga can see the future' evidence pile but it's a piece nonetheless

Valentine's Day: (February 14th)

"Is that for me? Sure I'll take it, but it better be edible."

i was gonna say 'has he never gotten valentine's day chocolates before?' but i remembered that he probably doesn't really remember if he has so. this is probably his general reaction to gifts lol 'is it money and if not can i eat it'

White Day: (March 14th)

"What's that expectant look on your face? Lulu was harping on about mimosas or something before. That what you want?"

of course he doesn't know what white day is lol but he does remember that Romeo had something tasty!

April Fool's Day: (April 1st)

"I'm gonna die soon, you know? And I'm taking Lulu with me. ...Gotcha! Gyahaha!"

wait you didn't remember white day but you remembered april fool's day? maybe someone tried to prank him first lol remember guys, suicide is not an appropriate april fool's prank!

Halloween: (October 31st)

"Trick or treat. Where you gonna put your chips, kitty-cat?"

I think if you're trick or treating then they're supposed to decide if you get the trick or the treat. . .but it seems more like Taiga to give you something that could be a trick or a treat lolol russian roulette is a totally acceptable halloween party game right? of course!

Christmas: (December 25th)

"Come on Santa kitty, tie a ribbon 'round yourself and get over here. Gyahaha!"

at least he knows what gift he wants! unfortunately you don't know what for but based on his expression you may not get eaten. . .depending on your definition--

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"...This is boring. I'm outta here."

(13 affinity and above)

"Are you done yet? I'm hungry over here."

Absent: (logging in for the first time in 2 or more days?)

"Long time no see! You decide to ditch this future too? Sorry I'm not dead yet."

AND HERE"S THE LINE THAT'S CAUSING SO MUCH SPECULATION. . .what does that even mean Taiga. . .what do you know, what have you seen. . .and can we fix this future instead of leaving it to rot--

UH. YEAH. I THINK I'VE SAID ENOUGH HAHA. . .everything Taiga says is so. . . ./gestures weakly) IT REALLY DOES SEEM LIKE MORE IS HAPPENING THAN YOU REALIZE RIGHT??? The game's still so early on we probably won't learn for a very long time lol. . . . But, yeah. Taiga definitely loves you--and lusts after you. As his affinity goes up, he asks "who are you" a lot less, did you notice? He starts to remember and just say "kitty cat" and "kitten", because that's who you are and he can remember that. So far the only people he remembers are Romeo, Hyde, and Jin it seems. And you.

[ravens-two]

PAC: What Does Your Future Spouse Look Like?

This reading includes:

your FS's general physical traits

your FS's vibes & celebrities with similar vibes

The extended reading includes:

your FS's fashion style

your first impression of your FS 

Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone.

TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC

Pile 1

Houdini - Dua Lipa

Five of Cups, Ten of Pentacles, Two of Pentacles

Pile 1, the first thing I notice in your person is their eyes. It's not necessarily about the color - although it could be that they're a particularly pretty color - but more that they are very expressive. It also seems that for most of you, this person has really big eyes. Perhaps round or almond shaped too. Think something like Al Pacino, Cate Blanchett, Liv Tyler, Kurt Cobain or Adrien Brody for example. They can convey a lot of emotion with just their eyes. I also see that some of them have crow's feet when they smile too, which is really endearing honestly.

Another thing that I pick up from your person is that they seem to have a vaguely sad vibe to them. Do you know that meme "my poor little meow meow"? Their vibe is a bit similar in a way. They just look like they're sad and you have the urge to take care of them. Again, think a bit about someone like Kurt Cobain or Adrien Brody.

When it comes to their body they're tall or, at least, they give the impression of being tall and broad. Especially for men, they have broad shoulders even if they aren't muscled or chubby. For the women I also think that they tend to have broad shoulders and a narrower waist, but their most prominent feature seems to be their chest. They may have big boobs or they tend to use clothes that emphasize their boobs. I think that even for the men, their chest is quite prominent.

When it comes to vibes it's mostly what I've already said your person has this "please love me" vibe. Despite this, they're capable of commanding attention and they tend to look quite elegant. It may be that they have a lot of pisces placements or a pisces rising. In general, I think that they're attractive, but not like conventionally attractive or Hollywood attractive if that makes sense.

I also think that your person shows themself differently to different people. With you they may feel more comfortable to be a "poor little meow meow" while with others they're more closed off and may even appear a bit cold. I just heard that they have a poker face, so with other people they may completely close off and be hard to read.

(extended reading here)

Pile 2

Kiss Me More - Doja Cat ft. SZA

Six of Wands, Page of Wands, Eight of Swords

Hi, pile 2, your FS is the type of person that gets other people's attention. They are very conventionally attractive (I feel like especially when it comes to their face), but they don't really see themselves life this. In fact, I think that they're quite insecure about their appearance. This almost feels like body dysmorphia honestly (and for some of you it could be related to them being trans, while for others it could be related to an eating disorder). The reality is that they can't see themselves the way other people see them.

They have really thick and luscious hair - it reminds me a bit of Carlos Sainz or Ben Barnes for the men - and most likely it's either wavy or straight. For most of you they have rather long hair, the men tend to have up to shoulder length hair, while for the women it can come down to their waist. When it comes to color, most likely it's dark, but for some of you it could be bleached.

Most of them seem to have tanned or dark skin, this isn't really about skin color, if they have black skin for example, it's really dark. For the people with lighter-skin they have a tendency to blush a lot or get flushed (especially after drinking). They also have really pretty teeth, probably very straight or they just look endearing, and a pretty mouth too. Despite having a pretty mouth not all of them have thick lips, it's more about the shape of their mouth. I feel like they tend to smile a lot. It kind of reminds me of Julia Roberts a bit who is known for her smile.

Some celebrities that have similar vibes to them are Carlos Sainz, Julia Roberts, Anok Yai, Adut Akech, Dominik Szoboszlai and Michael B. Jordan. 

When it comes to their vibes they seem to be youthful and always in their own world. It's almost like they aren't really paying attention to what's going on around them. They also seem to be a bit introverted or closed-off in public, despite all the eyes that they attract. If surrounded by friends they may be a bit more open and might be cracking up jokes with them. No matter what they seem to be really nice and will always give a small smile to other people, like the waiter at the restaurant for example.

(extended reading here)

Pile 3

The Shadow of Your Smile - Nancy Sinatra

Four of Pentacles, King of Swords rx, Ace of Pentacles

Pile 3, your person doesn't seem to be very tall. They're either medium height or actually small. It may also be that their vertical line is short even if they are in fact on the taller side they seem shorter than they really are. But, the most noticeable thing about them is that they seem to always have a serious expression on their face - some of them even have a resting bitch face. I think that they have very expressive eyebrows, they may even move them without meaning to. You'll be able to tell what they think by their eyebrows. Like, they may have look super serious almost as if they're upset but by their eyebrows you can actually tell that they're just relaxed. Speaking of their eyebrows they also seem to be very full or bushy. I don't think that there's a monobrow here, but it could also be the case.

When it comes to their face your FS has really strong facial features, especially their jaw and nose. The jaw reminds me a bit of Angelina Jolie for the women and for the men it seems to be a bit of a mix between Timothée Chalamet and Henry Cavill. For some it's more square while for others it's sharper. The noses here tend to be either aquiline or roman, but either way they're also quite prominent. Think a bit Gisele Bundchen, Jenny Slate or Alba Flores for example, or Hrithik Roshan and Dev Patel.

I don't know how to explain it but they also have a very earthy vibe, like tanned skin, freckles, calloused hands, it's like they just came back from working in the garden, if that makes sense. They also have brown or black hair, and the men tend to have beards (nothing too big though). They also have super clear and healthy looking skin.

Besides the eyebrows I also think that they have really noticeable hands. Their hands may be big or just very pretty in general, they may be veiny too. Their nails are healthy and well kept, and they probably have long and thick fingers. The way they move their hands may also be very attractive, like their gestures or just by being very dextrous with their hands. When it comes to their body they tend to be thicker or chubbier, I'm seeing like amazing and really thick thighs for both men and women. I also feel like your FS exercises a lot or they move a lot because of their work and so they tend to be chubby with a lot of muscle underneath.

In general, I think that their vibe is just very chill. They have a "don't fuck with me" vibe, but they're just doing their own thing and don't really want anyone to bother them. They also seem to be very hard-workers and earthy as I said, like down-to-earth too. These aren't people with delusions of grandeur.

(extended reading here)

Pile 4

Crazy - Aerosmith

Lovers rx, Empress rx, Knight of Cups

Pile 4, this is my androgynous and gender non-conforming pile. If you're familiar with the Kibbe body types or essences, these people would be the Ethereal or Angelic essence. Do you know the Lord of the Rings elves? Yeah, basically that's the vibe. Their features are delicate and they can look a bit otherworldly. Think of Tilda Swinton, Willow Smith, Halle Bailey or Lisa Bonnet. For the men you have again Lee Pace and Orlando Bloom as elves, but also Eddie Redmayne, Cillian Murphy, Jared Leto and Ethan Torchio. For me, Ethan Torchio from Maneskin is the best example for men here. He embodies the facial features and hair that makes him look quite androgynous, and also a bold and avant-garde style.

In general, your person tends to look a bit flirty or mischievous. Again, they have this elf or fairy vibe to them. They tend to look playful and approachable. This isn't the type of person you'd be afraid of talking to, they just seem super nice and open. 

No matter the skin color your person also tends to be pale, this is more their complexion really. Some of them may look a bit like vampires think Tom Cruise and Brad Pitt in Interview with a Vampire. They also have clear skin and the men tend not to have beards. When it comes to hair it tends to be long, especially for the men. For the women, I actually think that they may tend to have shorter hair or even a shaved head.

Their faces are beautiful, but not really conventionally attractive. They have something otherworldly about them that just pulls you to them. They may also have asymmetrical faces, especially when it comes to the eyes or jaw. Also, speaking of eyes they have really intense eyes. The type that seems that they can look right through you. Besides pile 1, this is the pile that seems like they may have light eyes.

When it comes to their body shape they are leaner instead of muscly or thick. They may have muscle definition, but they're just lean and maybe a bit lanky. They seem like they have a high vertical line or they're tall. In general though, they're just long. They have long legs, long arms, even long fingers.

(extended reading here)

[estcaligo]

Nobody: Me at 3 AM: Glorious Masquerade represents the confrontation between polytheistic and monotheistic worldviews

Or "The Big Three of Olympus vs One Christian God" in the Glorious Masquerade event

Content Warning: Greek Mythology, religion, Christianity, Glorious Masquerade event spoilers

Note: I talk about things in this post from a researcher's point of view, in a descriptive and comparative manner mostly. Just some observations.

I've already discussed a similar concept before - Idia, Jade, and Sebek representing Hades, Poseidon, and Zeus, the "Big Three" in Greek mythology, the most powerful and important gods of Olympus - during the Harveston event. See the post here.

However, in the Glorious Masquerade, the situation becomes even more peculiar because the SSR characters are dorm leaders - those who are in charge. And then there's Rollo, who is twisted from Frollo.

Note: I will consider all sources of inspiration for Rollo, including the book and the musical, which were confirmed by Yana herself to be inspirations for Rollo.

What? Why? Who?

3 vs 1. The Big Three of Greek Pantheon vs The One God, who embodies 3 in 1 - the Father, the Son and the Spirit.

The Big Three are the three most powerful gods among the Olympians - Zeus, Poseidon and Hades.

Zeus commands the sky, lightning, kingship and summon any weather conditions.

Poseidon manipulates water, storms and earthquakes.

Hades has dominion over the dead and undead, darkness, earth-related disasters, and metals and jewels.

*By the way, lightning was considered just Zeus throwing a temper tantrum, and what happened when Malleus got angry? Right, he started throwing  lightnings left and right.

And now we have Rollo. Twisted from Frollo, who, as we know was a religious man (especially in the book where he is a priest, not a minister).

And despite there being other characters, such as vice-president and the assistant, they aren't "real" or “important” characters like Rollo.

So we can say there is only one (1) main character in this event.

2. 7 Dorm Leaders vs 1 Head of the Council

As is well known, Ancient Greek mythology features many major gods, each controlling different aspects of life (or representing them, or serving as patrons). This makes Ancient Greek religion a polytheistic system - meaning it has multiple gods - akin to the Great Seven and the dorm system at NRC.

The Dorm Leader Council functions much like a small pantheon. Not to mention NRC is located on upper hills, which resembles a mountain (Olympus) if we look at the landscape of the Sage Island.

On the other hand, Christianity only has one God, making it monotheistic religion. There are multiple saints in Christianity, who are patrons of different aspects of life, however it is important to note that these saints do not control - they are more like the intercessors between man and God.

Even the NBC itself is focused on one Villain and has one statue in the yard, not the 7 (the "pantheon" of NRC). And NBC itself doesn't have Dorm system like NRC.

3. Oral vs Written

Greek religious tradition is primarily oral, with legends and stories passed down through generations by word of mouth.

In contrast, Christianity is predominantly a written religion, where the written canon holds great importance.

How is it important here?

Well, in this event specifically the NRC guys spend their time walking around and commenting on things. We learn some of their lore and thoughts on various topics through dialogue. Even Professor Trein reveals his past verbally telling about it. Naturally, it’s a game mechanism. But since we’re talking about such details….

On the other hand, the most important part of Rollo lore is found by the Big Three in written form - Rollo’s diary.  It's also noted how Rollo prefers writing above all else. He writes in his diary, sends letters, and drafts invitations. While this may not apply to the NBC in general, since we're focusing on Rollo, this detail is worth considering as well.

4. Our guys vs That One

Another difference between the two religions is that the Greek gods had flaws that made them more similar to humans. They had tempers and they often held grudges. This made the followers of the religion not want to be like them but, instead learn from them and their shortcomings, frequently through fear. 

In contrast to the flawed gods of Greek mythology, Jesus is portrayed as a man who is to be aspired to, more so than the Greek portrayal of a god; who the audience learns from (imitating in a way), rather than obeys.

Our NRC boys are someone we know and who we’re familiar with. We know their struggles and fears, their dark past. Even the guys in charge of each dorm - the Dorm Leaders - are not so distant from the regular students. Well, more of less.

Whereas Rollo is described by all the characters we’ve met at NBC (and even from his vignette) as someone who is amazing, excellent, wonderful and so…exemplementry. Rollo, at the same time, distances himself from everyone.

5. Vertical vs Horizontal

A small but interesting observation is that many monotheistic religions, including Christianity, often have a “vertical mindset” - symbolizing a relationship between the human and God.

In Christian cosmology, we often imagine a vertical world structure: Hell at the bottom, the human realm in the middle, and Heaven above.

In this event, we also experience vertical movement when things get serious. Initially, when it's peaceful and fun, we mostly walk around the town (mostly horizontal, not including the lower parts).

However, when the action begins, Rollo first sends us downward into the sewers. From there, we start moving upward. The ascent of the tower is highly symbolic, as we are literally ascending towards the sky where Rollo awaits us (with his “judgment”)

 6. Masks

The whole masquerade theme is, of course, a nod to the cartoon and part of the game feature to get the characters to dress up.

But let’s remember that in Ancient Greece, masks played a significant role in theater, particularly in tragedies and comedies (twst features elements of both). In general, it is known that masks represent hidden nature, transformation, and more. 

Interestingly, only our NRC squad wears masks and costumes. We even encountered some Royal Sword Academy students, but they were not given costumes (again, a game feature, but still noteworthy).

On the other hand, there's Rollo, who isn't wearing a mask or even a costume. He doesn’t need to. He is who he is, with no need to transform into something else, as he represents the One, in our comparison here. 

What's even more interesting is that, despite not wearing a physical mask, Rollo is the one with ulterior motives in this event, and we only learn his true face later on. He metaphorically takes the mask off, even though he never wore one in the literal sense.

7. Catholic Guilt

The last but not least - Rollo's punishment, which, perhaps is the most fitting and cruel outcome for him. Rollo, after being defeated, expects harsh punishment because he is ruthless with himself and assumes others will treat him the same way. He failed and he expects to be punished. However our Big Three surprise him by concealing the truth and allowing others (the NBC mobs were the first to thank him for his bravery at the tower) to believe that Rollo was a hero. This situation forces Rollo into a state of internal torment, where he must live with the guilt of his actions while being praised for something he didn't truly do.

Rollo's punishment is psychological, forcing him to confront his guilt and shame in isolation. They choose leave him one on one with his Sin.

On the contrast, in Ancient Greek mythology punishments were often cruel and involved physical pain. One of the most popular example would be of course the myth about Prometheus, which, by the way involved Zeus.

And the way Big Three dealt with Rollo was truly cruel in its own way.

(from an interesting article about Greek Gods and punishment - here)

Fin

I left out some obvious notes like Malleus having horns, Rollo hating on magic etc.

Naturally, there may be other details I haven’t mentioned, so feel free to add any additional insights!

[evidence-based-activism]

why are women worse at driving compared to men?

They aren't.

Most Recent Statistics

According to the Insurance Institute for Highway Safety, a USA-based "independent, nonprofit scientific and educational organization" about "motor vehicle crashes" [1]:

73% of motor vehicle crash deaths were of men/boys in 2022

In fact, men have outnumbered women in crash fatalities for every year since 1975 (when data started being collected)

Male crash fatalities were significantly more likely to be intoxicated than female fatalities

Male crash fatalities were also significantly more likely have been speeding than female fatalities

More Data

In a 2023 report, the World Health Organization [2] looked at crash data worldwide, and found men are 3 times more likely than women to be killed in a car crash.

A 2021 study by researchers in England [3] found "men pose higher per-km risk to others than women". To be clear, this means that even after adjusting for amount of distance driven, men are more dangerous drivers than women.

A 2024 report by the French government [4] found 78% of road fatalities were male and 75% of those seriously injured were male

This 2023 study by researchers in Spain [5] found "the results point to Spanish women paying closer attention to traffic regulations, behaving more carefully." (Where "traffic regulations" refers to things like speeding, seat belt use, phone use, "overtaking offenses", etc.)

This Turkish study [6] found that men self-reported less driving safety behaviors than women.

This Texas (USA) study [7] also found men self-reported less driving safety behaviors than women. (And despite the fact that "males reported more behaviors than females that would put them at higher risk of collision ... men have more confidence in their driving skills than women." We should note here, that this is clearly false confidence.)

This study [8] interviewed young drivers in nine European countries and found "the main difference between [young male and female drivers] is not strictly related to judgment of the perceived risk probability but rather to the level of concern experienced about the consequences of the risk." In other words, young men (the highest risk group) are aware of the risks to themselves and others ... they just don't care.

This study of data from 32 countries in "8 cultural cluster" [9] found "men [value] crash risk behaviors more than women do in all cultural clusters observed". They also found "the greater acceptance of risky behavior by males is observed in all cultures."

It's also important to note that these higher fatality rates for men are in spite of the fact that car safety standards are designed and tested only on a male-standard [10, 11]. Women are, in fact, at higher risk than men of injury and death when they are in a crash. This makes the fact that men still outnumber women in crash fatalities all the more significant.

Stereotype Threat

I talk about stereotype in a few posts, including this post and this post.

So, we should also note the effect of the (false) "women are bad drivers" stereotype.

This study [12] found that inducing a stereotype threat "reduced [female driver's] state driving self-efficacy, and further increased mistakes in driving tasks" as compared to a control group.

This study [13] found that "women under stereotype threat ... doubled the number of mistakes" as compared to a control group. They also found the women believed they drove poorly in all conditions.

This study [14] found the same using a driving simulator.

This study [15] found "significant differences in how female drivers were evaluated ... in groups where stereotypes were emphasized or countered ... [but not] in the group where stereotypes were neutralized."

So, not only are women already better drivers than men, we would be even better if society stopped perpetuating this stereotype.

References below the cut:

“Fatality Facts 2022: Males and Females.” IIHS-HLDI Crash Testing and Highway Safety, Insurance Institute for Highway Safety, June 2024, https://www.iihs.org/topics/fatality-statistics/detail/males-and-females.

Global status report on road safety 2023. Geneva: World Health Organization;2023. Licence: CC BY-NC-SA 3.0 IGO.

Aldred, R., Johnson, R., Jackson, C., & Woodcock, J. (2021). How does mode of travel affect risks posed to other road users? An analysis of English road fatality data, incorporating gender and road type. Injury prevention, 27(1), 71-76.

“2023 Road Safety Annual Report | French Road Safety Observatory.” French Road Safety Observatory, ONISR, Sept. 2024, https://www.onisr.securite-routiere.gouv.fr/en/road-safety-performance/annual-road-safety-reports/2023-road-safety-annual-report.

Castro-Nuno, M., & Lopez-Valpuesta, L. (2023, May). Traffic compliance effect of more women behind the wheel: Pride or prejudice?. In Women's Studies International Forum (Vol. 98, p. 102727). Pergamon.

Özkan, T., & Lajunen, T. (2006). What causes the differences in driving between young men and women? The effects of gender roles and sex on young drivers’ driving behaviour and self-assessment of skills. Transportation research part F: Traffic psychology and behaviour, 9(4), 269-277.

Bergdahl, J. (2005). Sex differences in attitudes toward driving: A survey. The Social Science Journal, 42(4), 595-601.

Cordellieri, P., Baralla, F., Ferlazzo, F., Sgalla, R., Piccardi, L., & Giannini, A. M. (2016). Gender effects in young road users on road safety attitudes, behaviors and risk perception. Frontiers in psychology, 7, 1412.

Granie, M. A., Thevenet, C., Varet, F., Evennou, M., Oulid-Azouz, N., Lyon, C., ... & Van den Berghe, W. (2021). Effect of culture on gender differences in risky driver behavior through comparative analysis of 32 countries. Transportation research record, 2675(3), 274-287.

Linder, A., & Svensson, M. Y. (2019). Road safety: the average male as a norm in vehicle occupant crash safety assessment. Interdisciplinary Science Reviews, 44(2), 140-153.

Kahane, C. J. (2013, May). Injury vulnerability and effectiveness of occupant protectiontechnologies for older occupants and women. (Report No. DOT HS 811 766). Washington, DC:National Highway Traffic Safety Administration.

Song, J., Song, X., Bai, J., & Liu, Y. (2024). The influence of gender driving stereotype threat on the driving performance of female drivers and its mechanism. Current Psychology, 1-12.

Moè, A., Cadinu, M., & Maass, A. (2015). Women drive better if not stereotyped. Accident Analysis & Prevention, 85, 199-206.

Yeung, N. C. J., & von Hippel, C. (2008). Stereotype threat increases the likelihood that female drivers in a simulator run over jaywalkers. Accident Analysis & Prevention, 40(2), 667-674.

Özkan, B., Azık, D., & Öz, B. (2024). Impact of Stereotype Threat on Evaluating Female Drivers' Skills. Trends in Psychology, 1-18.

[heartlilith]

Astrology Observations (part 4)

Here are some of my observations and opinions on various placements - Part 4

🧿People with Sun opposite ASC can really struggle with their identity. They may not relate to their sun sign and they are always questioning who they really are.

🧿OPINION: Sister signs make great friendships and platonic relationships. Romantically speaking, I feel like the attraction is there but it usually doesn't work out in the long run.

🧿Planets square to Jupiter are "too much" or "in excess" versus Saturn squares are "too little" or "lacking"

💙Sun square Jupiter - Too much confidence and stubbornness, too much generosity

💙Moon square Jupiter - Too much indulgence, emotional changeability, too much self sacrifice

💙Mars square Jupiter - Too much energy, aggressiveness, and restlessness

💙Sun square Saturn - Lacking confidence and assertiveness

💙Moon square Saturn - Lacking trust and vulnerability

💙Mars square Saturn - Lacking stamina and self expression

🧿Mars in the 7th house people can move fast in relationships. When they catch feelings for someone and the relationship is shiny and new (aka the "honeymoon" stage) they can get impatient and rush things like meeting parents and moving in together... this is especially true if your Mars is in Aries, Cancer, Leo, Libra, Scorpio, and Pisces - this could be less true if your Mars is in Gemini, Virgo, Sagittarius, Capricorn, or Aquarius - Taurus Mars could go either way in my opinion

🧿OPINION: Scorpio Moon and Aries Moon relationships can easily become a disaster

🧿Prominent Scorpio & Capricorn natives are vaults. Your secrets are safe with them.

🧿OPINION: Sometimes I think of people as their Moon sign with a dash of their Sun Sign. For example: I would think of a Sagittarius Sun with a Virgo Moon as an analytical person (Virgo) with a big mouth (Sag) lmfao. Aries Sun with a Capricorn Moon as a hardworker (Cap) with a lot of drive (Aries). A Gemini Sun and Leo Moon as a confident and attention seeking (Leo) intellectual (Gemini). Obviously the qualities of a certain placement are affected by all the placements in a chart but generally I think of the Moon as the core person and the Sun influencing it.

🧿Pluto in the 12th house natives can obsess about life after death

🧿Pluto in the 7th house transforms through relationships and one on one connections but they also transform the other person as well, same goes for Venus in the 8th

🧿Sun and Mars in the 8th house and Pluto in the 1st house are natives that people remember. "Remember so and so, they were so kind and smart. I hope they're doing okay" type of thing.

🧿Cancer, Leo, Virgo, Libra, Pisces Venus in the 1st house... aren't you tired? Don't you just wanna scream "FUCK OFF" to people sometimes?

🧿OPINION: Leo and Scorpio prominent people make the best of friends, it's giving Wednesday and Eugene vibes

🧿Sun in the houses shows what you're all about, what's most important and a main focus in your life:

💙Sun in the 2nd house: Stability is the most important thing for you. The ultimate goal is to be comfortable financially and also within yourself.

💙Sun in the 7th house: The goal is to have harmonious relationships. You want a partner to experience things with and strong relationships with close friends.

💙Sun in the 10th house: You're all about your career and accomplishing things. You want to build something that will contribute to society. You want to have authority.

💙Sun in the 12th house: You want to be of service to people, you want to help and make a difference to large groups. Think traveling the world and helping less fortunate people like in the Peace Corps. It could be animals too. You want to be an advocate for unadvocated.

[thewriteblrlibrary]

A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

----------

The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

[possiblylando]

Who's the ghoul? [HTP;4 SPOILERS!]

Alright so Hunter the Parenting Episode 4 has been out for a bit. If you haven't watched Hunter the Parenting and are just seeing this for whatever reason like coincidence or following me... WATCH IT! I assure you it's worth it it's all on Youtube its great come on don't get spoiled here. Seriously SPOILERS FOR BASICALLY EVERYTHING IN EPISODE 4

Alright hopefully everyone who hasn't watched it is out of here and now watching it. We can start by establishing the suspects.

Now for what I hope are obvious reasons we can rule out every member of the D family. Door and Boy aren't even here anyway. As such our current list of possible suspects is;

Upper Management Occam Blacklaw Sr. Gloria Waters Wernon

Security Brock Spit Giles

Cleaners Amanda Matilda Students Elise Grimal Harry

Now who else can we rule out for sure? 1. Occam can be ruled out. He's the chapter leader and if he was the ghoul for whatever reason the information would already be out. Plus Occam is already a mage or sorcerer of some sort so I doubt he'd get trapped into becoming a Ghoul. 2. Blacklaw Sr. can be ruled out. While he has keys to whole building we knew exactly where he was the entire time the crimes were being committed. Alright so then who can we rule out based on intuition? 1. Harry was with Markus for most of the time so it likely isn't him. 2. Elise, While Big D did interrogate her first I feel like he would've had some more suspicion if he genuinely believed her to be the ghoul. As such we can shorten the list to the following;

Upper Management Gloria Wernon

Security Brock Spit Giles

Cleaners Amanda Matilda Students Grimal Now we can look at where everyone was known to be while Occam was in the vault.

During this time the ones left unaccounted for are Elise, Big D, Wernon, Gloria, Grimal, Occam (duh), Spit, and the Cleaners. For obvious reasons we can ignore Elise and Big D as we've ruled them out as suspects. Now we can also rule out Giles and Brock from the list as during the time Occam was attacked they were both accounted for. HOWEVER I want to talk about brock for a moment. While I doubt Brock is the ghoul there is a moment near the end of the episode I want to bring attention to. While Markus and Co are saving Grimal from being tortured, D absolutely rocks Brock to the point he gets slammed into a wall. Yet Brock gets up with very little damage and continues to brawl. This is very interesting as Brock is apparently stronger than Blacklaw. This could be ghoul strength but I doubt it since Brock is a VERY big guy. Also about Giles, We know his boss at the 99p store is related to the vampires. Either she's a vampire or just a ghoul I'm not 100% sure. So Giles would have the connections to become a ghoul however having multiple ghouls working at the same 99p store seems like a waste of resources. So I doubt he's the ghoul. So now our suspect list is;

Upper Management Gloria Wernon

Security Spit

Cleaners Amanda Matilda Students Grimal Now that we've narrowed down the list of suspects I doubt that the either of the Cleaners end up being the ghoul as while both would be fairly easy to get in the building they lack any real clearance to get into the archives. As such they would be little strategical use outside of minor surveillance. Additionally they have no way to gain access to the Archives. Now ime to talk about that final scene. Wernon being killed at the end of the episode is very interesting as it acts in contradiction to what happened to Occam. Occam was just knocked out but Wernon was EVICERATED yet Wernon is a much lower priority target than Occam. Now I doubt Spit is the ghoul because again how would he have access to the Archives. However I do think Spit is the one who killed Wernon. Perhaps Spit is a Werewolf or other weird being as they were very specifically pointed out as killing machines in the episode where Big-D tells Kitten about some stuff. At the very beginning of the episode we can see the moon is full.

The lighting is a bit weird in these early scenes as outside is very red and orange but in other scenes we can see the moon and it's detailing a bit better so this is certainly the moon. As such the circumstances exist for Spit to turn into a Werewolf and flip the fuck out. Given the fact Spit is absolutely losing it I doubt he did it intentionally either. That answers the question of what happened to Wernon, what about the ghoul. Currently these are the possibilities as I see them; 1. Wernon was the ghoul. He had the means to get into the Archives and attack Occam. He's advancing in age so becoming a Ghoul might help with that slightly which would supply a motive. If he brought Spit off to deal with him, then spit flipping out in self defense would continue to track with him being a possible werewolf. 2. Grimel is the ghoul. Grimel was acting a bit weird the entire episode and during the start when the ghoul was announced she looked very uncomfortable. Additionally she's spent a majority of the episode away from the rest of the group and was missing while Occam was attacked. When she was being "interrogated" by blacklaw she doesn't actually say she isn't the ghoul she changes the subject. However this again could be coincidence as she saw Amanda get fried. Additionally there is the issue of her not having access to the archives. 3. Gloria is the ghoul. This one I think is the least likely. The only real evidence for this is that she was willing to so quickly take control of the situation when Occam was passed out. Currently the odds as I see them are Wernon; 40% Grimel; 30% Gloria; 10% Anyone else; 20% However if it is Wernon that raises the question, What will the rest of this arc be about? If the ghoul is dead then the rest of the arc would have to be about sorting shit out and kinda loosing it at eachother. But again that seems weird right? Killing the culprit off? So I guess my final guess is; Grimal (MAYBE Wernon) is the ghoul Spit is a werewolf (or similar creature) Matilda is going to be important somehow